1 00:00:00,000 --> 00:00:03,840 Good morning wonderful people welcome to my channel. 2 00:00:03,840 --> 00:00:08,080 Rahu and Ketu study part 20. 3 00:00:08,080 --> 00:00:10,440 But first a personal note. 4 00:00:10,440 --> 00:00:15,520 Once again I want to speak to you a little bit about senses. 5 00:00:15,520 --> 00:00:21,040 Among the five senses which we have, what is the largest sense that you possess? 6 00:00:21,040 --> 00:00:22,760 Think about it for a minute. 7 00:00:22,760 --> 00:00:26,720 Tastes, smell, touch, sight, hearing, its touch. 8 00:00:26,720 --> 00:00:30,040 Its all over your body right from your feet right to the top of your head. 9 00:00:30,040 --> 00:00:36,600 Touch is the most widely present sense in your body. 10 00:00:36,600 --> 00:00:39,120 And I want to speak to you about embrace. 11 00:00:39,120 --> 00:00:41,760 We embrace, we hug each other yes. 12 00:00:41,760 --> 00:00:47,120 As lovers, as mother and child, as friends, as family, whenever we meet someone, greet 13 00:00:47,120 --> 00:00:50,360 someone, we give a hug. 14 00:00:50,360 --> 00:00:53,120 And so the touch becomes more important in an embrace. 15 00:00:53,120 --> 00:00:55,360 We are touching each other right. 16 00:00:55,360 --> 00:00:59,840 Being with clothes on, clothes off is a different thing between lovers and so on, between mother 17 00:00:59,840 --> 00:01:02,000 and her baby for example. 18 00:01:02,000 --> 00:01:03,000 That's more intimate. 19 00:01:03,000 --> 00:01:06,640 I am talking about all kinds here. 20 00:01:06,640 --> 00:01:10,160 The embrace, the embrace consists of touch. 21 00:01:10,160 --> 00:01:12,680 And most dominantly you are touching the person. 22 00:01:12,680 --> 00:01:14,960 It's the most intimate form of contact. 23 00:01:14,960 --> 00:01:21,240 It's the most easily transmittable form of affection, of love, of understanding, of 24 00:01:21,240 --> 00:01:24,240 reassurance that we can give from one human to another. 25 00:01:24,240 --> 00:01:25,240 Yes? 26 00:01:25,240 --> 00:01:27,640 And why am I speaking about this? 27 00:01:27,640 --> 00:01:35,040 Because this next nakshatra where Rahu is falling is called aslesha nakshatra. 28 00:01:35,040 --> 00:01:40,880 Symbolizing the snakes, symbolizing the Nagas, symbolizing the ground sensitive nakshatras 29 00:01:40,880 --> 00:01:44,880 which I have spoken of in earlier videos, the first awakeners in this shift. 30 00:01:44,880 --> 00:01:46,920 It is so dominant. 31 00:01:46,920 --> 00:01:52,400 If you have a dominant aslesha, number of points, planets present in aslesha, you will 32 00:01:52,400 --> 00:01:54,400 be the one of the first awakeners. 33 00:01:54,400 --> 00:01:56,960 Welcome to the shift. 34 00:01:56,960 --> 00:02:03,640 And this is much misinterpreted by most popular Vedic astrologers. 35 00:02:03,640 --> 00:02:04,640 Why? 36 00:02:04,640 --> 00:02:10,160 Aslesha is called as a cheat, one who will lie, one who will cheat to get to their way, 37 00:02:10,160 --> 00:02:11,160 etc. 38 00:02:11,160 --> 00:02:12,160 etc. 39 00:02:12,160 --> 00:02:13,160 Not so. 40 00:02:13,160 --> 00:02:14,800 These people are not understanding what Nagas are. 41 00:02:14,800 --> 00:02:17,080 Not what they are not getting what snakes are. 42 00:02:17,080 --> 00:02:18,080 They are just not getting it. 43 00:02:18,080 --> 00:02:19,440 They are pretty stupid. 44 00:02:19,440 --> 00:02:21,480 One crack mind of looking at things. 45 00:02:21,480 --> 00:02:25,440 That's why I keep telling you, knowledge depends upon who is touching it. 46 00:02:25,440 --> 00:02:27,600 What kind of mind is touching that knowledge? 47 00:02:27,600 --> 00:02:28,600 Is your mind pure? 48 00:02:28,600 --> 00:02:33,080 Is your mind full of garbage and mindful of Rahu? 49 00:02:33,080 --> 00:02:37,680 Because then you will try to twist it, interpret it according to your own little narrow thinking 50 00:02:37,680 --> 00:02:40,960 perspectives which is very common in India by the way. 51 00:02:40,960 --> 00:02:44,120 Very very common misinterpretations around. 52 00:02:44,120 --> 00:02:49,440 It's ironical that such great pure knowledge will come into the hands of idiots who doesn't 53 00:02:49,440 --> 00:02:51,720 know how to interpret it. 54 00:02:51,720 --> 00:02:53,320 So Nagas, back to Nagas. 55 00:02:53,320 --> 00:02:56,120 Why is this more important? 56 00:02:56,120 --> 00:03:02,760 Well, snakes know how to embrace, snakes know how to love one another in an embrace. 57 00:03:02,760 --> 00:03:06,640 Have you seen two snakes coiled up in a mating ritual? 58 00:03:06,640 --> 00:03:08,040 Have you seen the Discovery Channel? 59 00:03:08,040 --> 00:03:13,920 You see it's like two spines, snakes entire body is a spine and it is constantly in touch 60 00:03:13,920 --> 00:03:14,920 with the ground. 61 00:03:14,920 --> 00:03:19,400 It knows the ground energy and when it makes love to another snake, it is wrapped up in 62 00:03:19,400 --> 00:03:20,400 the ground. 63 00:03:20,400 --> 00:03:25,600 So, Ashleisha people are very powerfully sensitive. 64 00:03:25,600 --> 00:03:29,960 Powerfully vibrationally touch their entire body is very sensitive. 65 00:03:29,960 --> 00:03:32,400 This is why they react very quickly. 66 00:03:32,400 --> 00:03:36,440 Let's just see quickly what the Ashleisha themes are like. 67 00:03:36,440 --> 00:03:41,400 Protection and defense hurt easily, very sensitive inside, highly intuitive, clingy 68 00:03:41,400 --> 00:03:45,040 and the need to feel connected to the other. 69 00:03:45,040 --> 00:03:49,440 Analyzing, intellectually analytical, intellect and emotion, quick reaction, snakes are very 70 00:03:49,440 --> 00:03:51,440 quick to react. 71 00:03:51,440 --> 00:03:55,520 Earth sensitivity, I spoke of the first awakeners, ground sensitivity and nakshatra because 72 00:03:55,520 --> 00:03:58,160 snake is always in touch with the ground. 73 00:03:58,160 --> 00:04:00,920 It knows where the energy has moved. 74 00:04:00,920 --> 00:04:06,120 Snakes and Ashleisha people are aware of the shift happening on earth more powerfully than 75 00:04:06,120 --> 00:04:09,000 many others are. 76 00:04:09,000 --> 00:04:12,840 Shedding old skin and moving through life, they are introverted, they are quiet, they 77 00:04:12,840 --> 00:04:18,400 are irritable, they are vulnerable but embrace is the main quality. 78 00:04:18,400 --> 00:04:23,480 If you lovers want to love each other, learn to embrace, learn to touch every part of your 79 00:04:23,480 --> 00:04:25,520 lover's body. 80 00:04:25,520 --> 00:04:28,360 Not just the face, people are so obsessed with one track mind. 81 00:04:28,360 --> 00:04:32,480 I looked at her, I looked at him, he is good looking, he has got muscles and few bits and 82 00:04:32,480 --> 00:04:33,920 pieces of the body. 83 00:04:33,920 --> 00:04:36,320 No, learn from snakes. 84 00:04:36,320 --> 00:04:39,560 It's every single ounce of the skin that matters. 85 00:04:39,560 --> 00:04:41,080 Have you hugged every part? 86 00:04:41,080 --> 00:04:43,120 Have you touched every part? 87 00:04:43,120 --> 00:04:47,240 When you talk about lover and all this nonsense, nothing. 88 00:04:47,240 --> 00:04:48,240 Learn from Ashleisha. 89 00:04:48,240 --> 00:04:52,160 But now we take put Rahu into Ashleisha. 90 00:04:52,160 --> 00:04:56,600 The unconventional one, the one who wants to explore, one of the qualities of Rahu is 91 00:04:56,600 --> 00:04:59,880 to explore, freely explore. 92 00:04:59,880 --> 00:05:03,080 Explore without constraints of the mind. 93 00:05:03,080 --> 00:05:04,440 Explore wildly. 94 00:05:04,440 --> 00:05:08,080 Wild is the nature of Rahu. 95 00:05:08,080 --> 00:05:14,960 And so it becomes all about this wild exploration of the sense of touch, of the sense of embrace, 96 00:05:14,960 --> 00:05:15,960 among other things. 97 00:05:15,960 --> 00:05:22,200 Rahu here also can make this person have all these issues which are just told of Ashleisha 98 00:05:22,200 --> 00:05:23,200 more amplified. 99 00:05:23,200 --> 00:05:26,960 It depends upon the whether dispositor moon is sitting. 100 00:05:26,960 --> 00:05:29,520 Because now we are talking about cancer, zodiac sign. 101 00:05:29,520 --> 00:05:31,760 So dispositor being moon. 102 00:05:31,760 --> 00:05:36,120 So let's get to the studies and see what this leads to. 103 00:05:36,120 --> 00:05:41,800 So number one, the classical characteristics of Rahu and Ketu as described by the classical 104 00:05:41,800 --> 00:05:43,300 Vedic literature. 105 00:05:43,300 --> 00:05:45,280 What is Rahu and Ketu? 106 00:05:45,280 --> 00:05:51,640 These are the north and the south nodes of the moon found by the virtual points which 107 00:05:51,640 --> 00:05:56,120 are the intersection points between orbit of the moon around the earth and orbit of the 108 00:05:56,120 --> 00:05:57,400 earth around the sun. 109 00:05:57,400 --> 00:06:05,240 So basically if you take two eclipses, ellipses, it will form two intersection points. 110 00:06:05,240 --> 00:06:09,840 So these two intersection points are called the north node and the south node. 111 00:06:09,840 --> 00:06:15,600 They are virtual nodes although they behave like planets and we shall see why in a minute. 112 00:06:15,600 --> 00:06:16,600 So who is Rahu? 113 00:06:16,600 --> 00:06:21,160 The symbols are there like a horseshoe and the reverse horseshoe. 114 00:06:21,160 --> 00:06:23,760 This is typically how it is portrayed in western astrology. 115 00:06:23,760 --> 00:06:26,160 So I am using the same symbol here. 116 00:06:26,160 --> 00:06:33,760 Rahu is mythologically depicted as the seeded head of a demon symbolizing constant and less 117 00:06:33,760 --> 00:06:40,040 insatiable hunger and appetite, be it sensual or physical. 118 00:06:40,040 --> 00:06:43,160 Yet it is unable to hold on to or grasp it. 119 00:06:43,160 --> 00:06:45,600 Rahu is the one who constantly wants something. 120 00:06:45,600 --> 00:06:50,800 Think of it as a live head only not the body. 121 00:06:50,800 --> 00:06:56,280 So it can't hold on to anything or be satisfied even if it gets that thing since it has no 122 00:06:56,280 --> 00:07:00,480 arms or body or stomach, just a head which is alive. 123 00:07:00,480 --> 00:07:07,760 This gives Rahu the title of Bhoga Karaka or meaning one who is after sensory materialistic 124 00:07:07,760 --> 00:07:09,760 pursuits. 125 00:07:09,760 --> 00:07:15,600 So think any earth sign for example they want sensory materialistic pursuits or think any 126 00:07:15,600 --> 00:07:21,520 of the signs literally whatever they are after, Rahu wants that and wants that very badly 127 00:07:21,520 --> 00:07:23,320 and goes after it with everything. 128 00:07:23,320 --> 00:07:25,920 This is an energy in us by the way. 129 00:07:25,920 --> 00:07:26,920 It is not a planet. 130 00:07:26,920 --> 00:07:32,360 It is a virtual node or it will behave like a planet which we shall see why. 131 00:07:32,360 --> 00:07:37,280 So it is unable to satisfy that hunger or hold on to anything even though it gets something. 132 00:07:37,280 --> 00:07:40,400 It wants to move on to the next and then to the next and then to the next. 133 00:07:40,400 --> 00:07:45,480 This is why Rahu is also called as the guy who wants foreign things not of the native 134 00:07:45,480 --> 00:07:48,080 land or not of what the person is natively born in. 135 00:07:48,080 --> 00:07:49,080 Why? 136 00:07:49,080 --> 00:07:50,080 Because of that insatiable hunger. 137 00:07:50,080 --> 00:07:55,560 There is always insatiable hunger to go after one thing after the other without being able 138 00:07:55,560 --> 00:07:57,320 to hold on to it. 139 00:07:57,320 --> 00:07:58,320 That's Rahu. 140 00:07:58,320 --> 00:08:05,040 Ketu on the other hand is mythologically depicted as the severe body the remaining half of the 141 00:08:05,040 --> 00:08:10,240 demons symbolizing constant and less insatiable search for identity. 142 00:08:10,240 --> 00:08:13,880 It is looking for the head but it doesn't have a head. 143 00:08:13,880 --> 00:08:16,160 So it is looking for that identity. 144 00:08:16,160 --> 00:08:20,840 Everybody's identity ego is centered in the head what you look like. 145 00:08:20,840 --> 00:08:27,920 It is also seeking for true purpose sense of self as a result of this it tries to hold 146 00:08:27,920 --> 00:08:32,320 and grab on to everything that can find its hands on because it has got hands. 147 00:08:32,320 --> 00:08:33,320 Ketu has got hands. 148 00:08:33,320 --> 00:08:38,000 It's trying to hold on to everything but it releases immediately because it knows that's 149 00:08:38,000 --> 00:08:39,000 not the head. 150 00:08:39,000 --> 00:08:43,640 It's like trying to grasp on to everything thinking oh I want this or I am this I am that 151 00:08:43,640 --> 00:08:49,440 I am this not getting any identity because it's not finding the head there. 152 00:08:49,440 --> 00:08:54,440 Once it has arms and walks everywhere it goes around through life walking from place to 153 00:08:54,440 --> 00:08:59,600 place people situation circumstances but not knowing who or what it is. 154 00:08:59,600 --> 00:09:01,200 It doesn't have a head. 155 00:09:01,200 --> 00:09:07,520 This is why Ketu is referred to as Moksha Karaka or the seekers path the one energy in us which 156 00:09:07,520 --> 00:09:09,520 seeks something. 157 00:09:09,520 --> 00:09:11,320 That's why Ketu is called the Moksha Karaka. 158 00:09:11,320 --> 00:09:14,600 Now this is the classical interpretation. 159 00:09:14,600 --> 00:09:17,920 Now we shall see how this plays out in the modern interpretation. 160 00:09:17,920 --> 00:09:21,080 It's really important to connect the bridges. 161 00:09:21,080 --> 00:09:25,760 Now here you have the Rahu Ketu general characteristics as modern interpretation. 162 00:09:25,760 --> 00:09:30,080 This I have borrowed from the book Light on Life by Robert so it was an excellent book. 163 00:09:30,080 --> 00:09:33,440 I have put it in the community tab if you want to go through it or purchase it and read 164 00:09:33,440 --> 00:09:34,440 it. 165 00:09:34,440 --> 00:09:36,440 I seriously suggest that. 166 00:09:36,440 --> 00:09:39,400 Okay the north node of the moon Rahu. 167 00:09:39,400 --> 00:09:44,280 What does it become because of the characteristics which classically is told in the texts? 168 00:09:44,280 --> 00:09:46,640 What does Rahu lead to in the modern context? 169 00:09:46,640 --> 00:09:54,240 Rahu is responsible for originality, individuality, independence, insight, ingenuity, inspiration 170 00:09:54,240 --> 00:09:58,120 and imagination on the positive side. 171 00:09:58,120 --> 00:10:02,840 Because Rahu and Ketu both love to explore foreign stuff things out of the box things 172 00:10:02,840 --> 00:10:04,360 not taught by tradition. 173 00:10:04,360 --> 00:10:07,560 Rahu and Ketu will be anything but traditional. 174 00:10:07,560 --> 00:10:12,480 Okay think of it as something foreign to the culture to the way you are taught things. 175 00:10:12,480 --> 00:10:18,560 Think for original stuff if there is one singular force that is responsible for creating everything 176 00:10:18,560 --> 00:10:23,520 that keep modernizing so to speak thinking out of the box it is this that's why it's 177 00:10:23,520 --> 00:10:26,200 important to pay attention to this. 178 00:10:26,200 --> 00:10:27,520 Okay back to this. 179 00:10:27,520 --> 00:10:36,320 So Rahu on the downside leads to confusion, escapism, neurosis, psychosis, deception, addiction, 180 00:10:36,320 --> 00:10:42,640 vagueness, illusion, delusion this is the downside. 181 00:10:42,640 --> 00:10:46,320 The how this plays out and why we'll have to see individually in the charts which will 182 00:10:46,320 --> 00:10:47,320 see that. 183 00:10:47,320 --> 00:10:58,760 Ketu, the guy with only the body no head there, gives us the feeling of universality, impressionability, 184 00:10:58,760 --> 00:11:07,160 idealism, intuition, compassion, spirituality, self sacrifice, subtleness on the positive 185 00:11:07,160 --> 00:11:08,160 side. 186 00:11:08,160 --> 00:11:14,680 On the downside it can lead to eccentricity, fanaticism, explosiveness, violence, unconventionality, 187 00:11:14,680 --> 00:11:21,920 immorality, iconoclasm, impulsiveness and emotional tensions this is on the downside. 188 00:11:21,920 --> 00:11:27,120 This is what it plays out and Rahu Ketu is typically an axis like we shown over there 189 00:11:27,120 --> 00:11:28,120 right. 190 00:11:28,120 --> 00:11:31,480 So let me remove myself for the time being from that axis. 191 00:11:31,480 --> 00:11:33,120 Okay there you are. 192 00:11:33,120 --> 00:11:39,440 So you see it as an axis okay 180 degrees apart and it can play out in any one of the 193 00:11:39,440 --> 00:11:40,440 opposite houses. 194 00:11:40,440 --> 00:11:44,880 It can play out in 1, 7, 2, 8, 3, 9, 4, 10 etc etc. 195 00:11:44,880 --> 00:11:47,240 We will see that later. 196 00:11:47,240 --> 00:11:53,280 But this axis becomes a definition point of where in your life in your different houses 197 00:11:53,280 --> 00:11:57,800 are you looking for these two aspects and they are always opposite to each other as 198 00:11:57,800 --> 00:11:58,800 you can see. 199 00:11:58,800 --> 00:12:01,160 Okay to stand opposite to each other. 200 00:12:01,160 --> 00:12:04,880 So if it plays out in second house it detaches itself from the 8th house. 201 00:12:04,880 --> 00:12:08,960 If Rahu is in second house Ketu will be in the 8th house. 202 00:12:08,960 --> 00:12:10,160 You see what I mean. 203 00:12:10,160 --> 00:12:14,800 And so you will bring the 8th house aspect with these aspects shown here, second house 204 00:12:14,800 --> 00:12:17,600 with that aspect shown over there. 205 00:12:17,600 --> 00:12:22,320 Of course it plays out with something called as dispositors we shall see that next. 206 00:12:22,320 --> 00:12:27,720 Now if you go to a traditional Vedic Astrology they will go on and on endlessly about this 207 00:12:27,720 --> 00:12:28,720 dispositors. 208 00:12:28,720 --> 00:12:30,680 What the hell is a dispositor? 209 00:12:30,680 --> 00:12:33,160 It's an invented term by the Vedic Astrologers. 210 00:12:33,160 --> 00:12:34,720 It is no meaning of its own. 211 00:12:34,720 --> 00:12:40,400 It shows the disposition and what's the story on this. 212 00:12:40,400 --> 00:12:43,680 Rahu and Ketu both are enemies of the sun and moon. 213 00:12:43,680 --> 00:12:45,120 This is the basic principle. 214 00:12:45,120 --> 00:12:48,120 So it has the solar aspect and the lunar aspect. 215 00:12:48,120 --> 00:12:53,520 The solar aspect is called the dispositor and the lunar aspect is the nakshatra which gives 216 00:12:53,520 --> 00:12:58,320 the entire characteristics and the ball game of Rahu and Ketu. 217 00:12:58,320 --> 00:13:04,240 The solar or the dispositor means since Rahu and Ketu are enemies with the sun and do not 218 00:13:04,240 --> 00:13:06,480 have a full identity of their own. 219 00:13:06,480 --> 00:13:08,800 Remember it's a virtual node. 220 00:13:08,800 --> 00:13:11,320 It is not a planet. 221 00:13:11,320 --> 00:13:14,880 They both do not have any planetary characteristic individually. 222 00:13:14,880 --> 00:13:21,680 So they take on the identity or the disposition of the Lord of the zodiac sign that they sit 223 00:13:21,680 --> 00:13:26,480 in and borrow the attributes of the house from which that Lord sits in. 224 00:13:26,480 --> 00:13:32,520 Suppose Mercury is in the third house and Rahu sits in the house of Mercury somewhere 225 00:13:32,520 --> 00:13:33,520 else. 226 00:13:33,520 --> 00:13:39,120 So it will borrow the attributes of Mercury sitting in the third house and bring it to 227 00:13:39,120 --> 00:13:41,120 that particular house. 228 00:13:41,120 --> 00:13:44,680 Wherever Rahu is sitting in. 229 00:13:44,680 --> 00:13:49,960 Nakshatra since Rahu and Ketu are enemies with the moon and do not have a full identity 230 00:13:49,960 --> 00:13:53,600 of their own individually. 231 00:13:53,600 --> 00:13:56,560 They take on the shade of personality. 232 00:13:56,560 --> 00:13:58,920 Nakshatra is essentially a shade of personality. 233 00:13:58,920 --> 00:14:00,520 It's coloring of a personality. 234 00:14:00,520 --> 00:14:06,360 It's seeing the world through different colored glasses that they sit in and borrow the nakshatra 235 00:14:06,360 --> 00:14:10,560 traits and attributes which color their propensities. 236 00:14:10,560 --> 00:14:13,440 So Rahu and Ketu do two things at the same time. 237 00:14:13,440 --> 00:14:19,000 At the solar level it goes with the dispositor that is all of the planets physical planets 238 00:14:19,000 --> 00:14:21,680 like Mercury, Mars, Venus, Sun, Moon, Sun. 239 00:14:21,680 --> 00:14:25,400 So they take on the attributes of whichever house they are sitting in. 240 00:14:25,400 --> 00:14:30,840 If Rahu sits in Cancer you have to look for where Moon is sitting, which house and what 241 00:14:30,840 --> 00:14:34,880 it is doing there and even the Moon Nakshatra. 242 00:14:34,880 --> 00:14:40,640 If it is sitting in Leo, Rahu in Leo that means you have to look for where Sun is sitting 243 00:14:40,640 --> 00:14:42,800 and which Nakshatra and which house. 244 00:14:42,800 --> 00:14:44,880 So it will bring those attributes. 245 00:14:44,880 --> 00:14:48,760 That's the way you have to analyze this. 246 00:14:48,760 --> 00:14:52,800 Let's see some aspects of which house they play in and why. 247 00:14:52,800 --> 00:14:57,920 Now there are some vital aspects that you need to keep in mind when evaluating Rahu 248 00:14:57,920 --> 00:15:04,320 and Ketu because this is important especially for people who are sort of looking for self-development 249 00:15:04,320 --> 00:15:06,440 to understand where they are coming from. 250 00:15:06,440 --> 00:15:10,880 If you are not interested in changing yourself this entire channel is useless for you. 251 00:15:10,880 --> 00:15:15,400 But if you are the one who is interested in knowing what is happening in my life, where 252 00:15:15,400 --> 00:15:19,640 do I need to go, what are my talents and you question these kinds of things, excuse the 253 00:15:19,640 --> 00:15:21,880 noise somebody is drilling about. 254 00:15:21,880 --> 00:15:25,520 So then you need to understand these aspects. 255 00:15:25,520 --> 00:15:32,280 Now there is a typical Indian chart and house numbers are depicted as 1, 2, 3, 4, up till 256 00:15:32,280 --> 00:15:33,280 12. 257 00:15:33,280 --> 00:15:34,760 Dharmartha, Kamamoksha is there. 258 00:15:34,760 --> 00:15:42,160 I have stuck Rahu Ketu as possible axis on the 1, 7 that is Aries and Libra that is the 259 00:15:42,160 --> 00:15:43,160 top and the bottom. 260 00:15:43,160 --> 00:15:48,520 So either it can go to house number 1 or 7, Rahu Ketu can be reversed it is okay it doesn't 261 00:15:48,520 --> 00:15:52,080 matter or in 4 and 10. 262 00:15:52,080 --> 00:15:56,760 Now 1, 4, 7 and 10 in Vedic Astrology are given very vital importance because they are 263 00:15:56,760 --> 00:16:01,720 the foundational aspects that define who you are, that define how you operate in life throughout 264 00:16:01,720 --> 00:16:03,720 life. 265 00:16:03,720 --> 00:16:10,800 So these become crucial why the 1, 7 axis effects if Rahu and Ketu fall on there has 266 00:16:10,800 --> 00:16:16,880 a direct effect on yourself and other concept 1 and 7 is self and other, how you relate 267 00:16:16,880 --> 00:16:21,720 to yourself and how you relate look at the world around you as others including the spouse 268 00:16:21,720 --> 00:16:26,200 because 7th house is the house of the spouse but also others. 269 00:16:26,200 --> 00:16:30,400 So how you develop through life and how you develop a relationship with others. 270 00:16:30,400 --> 00:16:35,960 So it defines who you are in a very broad sense 1, 7 axis of Rahu Ketu. 271 00:16:35,960 --> 00:16:40,840 The 4th one on the other hand 4th house being the house of the mother, 10th being father, 272 00:16:40,840 --> 00:16:47,400 4th being home, 10th being career you see this has all kinds of implications which define 273 00:16:47,400 --> 00:16:49,440 who you are. 274 00:16:49,440 --> 00:16:53,800 The 4th and axis has effects on the heart versus mind. 275 00:16:53,800 --> 00:16:58,400 Mind what is the one who goes out there in the world and being used in the career that 276 00:16:58,400 --> 00:17:04,680 you dissipate your energy as the mind in external world. 277 00:17:04,680 --> 00:17:08,560 Heart is your home, your home center where you feel comfortable, home is where the heart 278 00:17:08,560 --> 00:17:10,440 is that kind of thing. 279 00:17:10,440 --> 00:17:16,120 So heart and home is affected by this Rahu Ketu axis again Rahu and Ketu might be reversed 280 00:17:16,120 --> 00:17:20,720 Rahu might be in the 4th Ketu might be in the 10th or vice versa same way with 1 and 7 281 00:17:20,720 --> 00:17:25,200 but these are the vital relating aspects of Rahu and Ketu. 282 00:17:25,200 --> 00:17:28,160 Now what about the rest of the houses? 283 00:17:28,160 --> 00:17:33,200 Now rest of the houses are called Thri Kona or Kona in Sanskrit right? 284 00:17:33,200 --> 00:17:36,320 These are the things that come and go in your life. 285 00:17:36,320 --> 00:17:42,760 Let it be 2nd house, 3rd house, 5th house, 6th, 8th, 9th, 11th, 12th these are the things 286 00:17:42,760 --> 00:17:46,880 that come and go in our life through life through your entire life. 287 00:17:46,880 --> 00:17:51,760 These are things that are added and subtracted from us but this is not us. 288 00:17:51,760 --> 00:17:53,960 1, 4, 7 and 10 is us. 289 00:17:53,960 --> 00:17:57,640 Everything else is secondary which revolves around you as life comes and goes. 290 00:17:57,640 --> 00:18:03,160 All other axis depict what attachments and detachment we have towards different areas 291 00:18:03,160 --> 00:18:04,160 of our life. 292 00:18:04,160 --> 00:18:05,160 That's all it is. 293 00:18:05,160 --> 00:18:11,040 They are less significant in terms of Rahu and Ketu when compared to 1, 7, 4 and 10 axis 294 00:18:11,040 --> 00:18:12,040 of Rahu and Ketu. 295 00:18:12,040 --> 00:18:13,040 Please remember this. 296 00:18:13,040 --> 00:18:18,560 When you are evaluating you just have more propensity towards one part of life and less 297 00:18:18,560 --> 00:18:19,560 towards others. 298 00:18:19,560 --> 00:18:25,520 Rahu is attachment, Ketu is detachment, Rahu is expansion, Ketu is reduction and they stand 299 00:18:25,520 --> 00:18:28,640 opposite to each other always. 300 00:18:28,640 --> 00:18:33,000 Now let's take the cases one by one. 301 00:18:33,000 --> 00:18:39,680 Now we get into Rahu in the first path of Pashlesa, the rule by Nagas, the serpent energy, 302 00:18:39,680 --> 00:18:43,840 the Kundalini energy basically. 303 00:18:43,840 --> 00:18:47,600 And we are talking basically about Cancer and going into Capricorn. 304 00:18:47,600 --> 00:18:48,600 So Cancer Capricorn axis. 305 00:18:48,600 --> 00:18:52,040 Right away you should be able to tell dispositors. 306 00:18:52,040 --> 00:18:54,960 Cancer Moon, Capricorn Saturn. 307 00:18:54,960 --> 00:19:00,000 So the different types of energies faced between Saturn and Moon. 308 00:19:00,000 --> 00:19:05,160 Rahu is in the Moon Nakshatra, remember Rahu's enemies with the Moon also. 309 00:19:05,160 --> 00:19:10,200 So if it gets into the Moon kind of energy it can become a little divergent kind of 310 00:19:10,200 --> 00:19:11,200 approach. 311 00:19:11,200 --> 00:19:12,200 Okay. 312 00:19:12,200 --> 00:19:13,200 So that's what you got to be careful of. 313 00:19:13,200 --> 00:19:17,640 Rahu has a power but it needs to be brought back to the center. 314 00:19:17,640 --> 00:19:19,360 And where can it get this energy from? 315 00:19:19,360 --> 00:19:24,000 From Ketu which is now going between Dhanishta and Sravana Nakshatra. 316 00:19:24,000 --> 00:19:26,520 Saturn, one who's grounded. 317 00:19:26,520 --> 00:19:27,520 So now let's see the axis. 318 00:19:27,520 --> 00:19:30,400 We are talking in the fourth pada. 319 00:19:30,400 --> 00:19:35,520 Rahu is in the fourth pada who is there as I'm showing. 320 00:19:35,520 --> 00:19:39,560 And then between Ashlesha and Dhanishta, between Cancer and Capricorn. 321 00:19:39,560 --> 00:19:41,760 So how does this play out? 322 00:19:41,760 --> 00:19:47,520 Like Cancer going into Pisces, meaning Moon going into Jupiter as the dispositor for Rahu. 323 00:19:47,520 --> 00:19:51,760 And on the other side Ketu going from Capricorn to Virgo. 324 00:19:51,760 --> 00:19:54,280 Saturn going into Mercury. 325 00:19:54,280 --> 00:19:59,240 It's a very different kind of energy which goes from Pisces to Virgo means Pisces to 326 00:19:59,240 --> 00:20:00,240 Virgo. 327 00:20:00,240 --> 00:20:01,240 Yeah. 328 00:20:01,240 --> 00:20:07,760 It's that push and pull between emotion and materialism. 329 00:20:07,760 --> 00:20:12,920 So these people in the beginning part of their life they might be all about emotion and getting 330 00:20:12,920 --> 00:20:13,920 wisdom. 331 00:20:13,920 --> 00:20:15,440 Searching for knowledge. 332 00:20:15,440 --> 00:20:18,520 Searching for the deeper meaning in knowledge. 333 00:20:18,520 --> 00:20:23,120 And they need that at the later stages of life they will go into becoming earthly and 334 00:20:23,120 --> 00:20:24,440 grounded Virgo. 335 00:20:24,440 --> 00:20:28,040 Whereas Ketu is not does not do very well in Virgo. 336 00:20:28,040 --> 00:20:29,040 See that's the thing. 337 00:20:29,040 --> 00:20:30,840 Ketu is not wanting grounding. 338 00:20:30,840 --> 00:20:32,240 Ketu is wanting moksha. 339 00:20:32,240 --> 00:20:33,240 It's wanting liberation. 340 00:20:33,240 --> 00:20:34,240 Okay. 341 00:20:34,240 --> 00:20:35,800 So in Virgo it does not do well. 342 00:20:35,800 --> 00:20:39,400 Same thing with Rahu in Pisces, Jupiter. 343 00:20:39,400 --> 00:20:44,280 Jupiter provides the higher wisdom but this Rahu because of the little rascal that he is 344 00:20:44,280 --> 00:20:48,040 he wants to do everything in an unconventional manner. 345 00:20:48,040 --> 00:20:51,600 You can't try to take wisdom and put unconventionality into it. 346 00:20:51,600 --> 00:20:52,600 Wisdom is wisdom. 347 00:20:52,600 --> 00:20:53,600 It's universal. 348 00:20:53,600 --> 00:20:57,120 This is where it becomes a little odd. 349 00:20:57,120 --> 00:20:59,040 Now let's see the next Pada. 350 00:20:59,040 --> 00:21:04,160 Also in the previous slide I forgot to mention watch the Dhanishta nakshatra also. 351 00:21:04,160 --> 00:21:10,120 Dhanishta has the belt, has the talent, has the talent for music, dance, drama that it 352 00:21:10,120 --> 00:21:14,320 can bring an assista, aslesha over here. 353 00:21:14,320 --> 00:21:15,800 Now we come to the third Pada. 354 00:21:15,800 --> 00:21:22,440 In third Pada it goes into the Dharma, Kama, Access meaning the rulers become Aquarius and 355 00:21:22,440 --> 00:21:28,240 Leo in Namamshah meaning it will become Saturn and Sun, the father and son dynamic. 356 00:21:28,240 --> 00:21:36,240 The wanting fame for self versus wanting fame by doing things for others, Saturn, Aquarius, 357 00:21:36,240 --> 00:21:37,600 11th house. 358 00:21:37,600 --> 00:21:42,440 So what is it doing in this house? 359 00:21:42,440 --> 00:21:44,960 First of all let's see the themes of aslesha once again. 360 00:21:44,960 --> 00:21:45,960 Aslesha is about embrace. 361 00:21:45,960 --> 00:21:48,840 It's about learning the knowledge of things of earth. 362 00:21:48,840 --> 00:21:50,920 It has the knowledge of poisons. 363 00:21:50,920 --> 00:21:54,240 It has the knowledge of snakes, venom, poisonous. 364 00:21:54,240 --> 00:21:58,600 So aslesha people if there are dominant good planets they can become good, have good knowledge 365 00:21:58,600 --> 00:21:59,600 of poisons. 366 00:21:59,600 --> 00:22:00,600 They can become homeopathy doctors. 367 00:22:00,600 --> 00:22:04,960 They can become unconventional healers not mainstream because they have knowledge of 368 00:22:04,960 --> 00:22:09,200 herbs, poisons, knowledge of the earth. 369 00:22:09,200 --> 00:22:12,280 And being ruled by Nagas it has knowledge of the poisons. 370 00:22:12,280 --> 00:22:17,400 How poisons can be made in procure like homeopathy majorities, homeopathy medicines are poisons. 371 00:22:17,400 --> 00:22:19,400 Do you know that? 372 00:22:19,400 --> 00:22:24,400 Anyway back to and on the other side it's Dhanishtha which is all about talent wealth 373 00:22:24,400 --> 00:22:25,400 etc. 374 00:22:25,400 --> 00:22:32,240 And then it's going into sun in Leo, Ketu, Ketu and sun combination. 375 00:22:32,240 --> 00:22:37,880 So what it will want to bring is knowledge of talents from the past life in order to 376 00:22:37,880 --> 00:22:42,120 fulfill what it wants to bring to the masses now. 377 00:22:42,120 --> 00:22:45,360 Cancer going into Aquarius. 378 00:22:45,360 --> 00:22:46,360 Think about that. 379 00:22:46,360 --> 00:22:49,800 This is to Pada 3 or Pada 2. 380 00:22:49,800 --> 00:22:59,160 Now in Pada 2, Artha Pada of Aslesha we change the nakshatra in Capricorn. 381 00:22:59,160 --> 00:23:00,160 We go to Shravananakshatra. 382 00:23:00,160 --> 00:23:04,680 Shravananakshatra has all about Jupiter but it goes here in this case from Capricorn to 383 00:23:04,680 --> 00:23:07,200 Cancer and Cancer to Capricorn. 384 00:23:07,200 --> 00:23:13,160 So you are talking like once again about the reversal of personality after 36 years of age 385 00:23:13,160 --> 00:23:18,480 these people can change a lot if Rahu Ketu is in this axis, in this angle. 386 00:23:18,480 --> 00:23:19,480 Because the angles are mentioned. 387 00:23:19,480 --> 00:23:21,480 Take care of to note all these padas. 388 00:23:21,480 --> 00:23:25,960 Padas is everything in Vedic Astrology. 389 00:23:25,960 --> 00:23:26,960 Everything. 390 00:23:26,960 --> 00:23:29,960 The angle at which it is placed is so small. 391 00:23:29,960 --> 00:23:32,800 It is less 3 degrees 20 minutes per pada. 392 00:23:32,800 --> 00:23:37,000 It is very narrow segment we are talking about. 393 00:23:37,000 --> 00:23:38,880 So Capricorn to Cancer. 394 00:23:38,880 --> 00:23:46,200 Ketu goes more like towards the moon after 36 years of age whereas Rahu goes more towards 395 00:23:46,200 --> 00:23:48,200 Capricorn and being practical. 396 00:23:48,200 --> 00:23:54,720 So Rahu does very well later on in life because Capricorn is very grounded. 397 00:23:54,720 --> 00:23:56,760 It wants to do material stuff Rahu. 398 00:23:56,760 --> 00:23:58,240 It is a Bhava Karaka. 399 00:23:58,240 --> 00:24:03,600 So this becomes a good axis, a better axis compared to others. 400 00:24:03,600 --> 00:24:07,400 Now let's see the first pada. 401 00:24:07,400 --> 00:24:12,440 See the first pada is all about Gemini Sagittarius. 402 00:24:12,440 --> 00:24:14,720 Gemini Sagittarius is once again the Guru Shesha. 403 00:24:14,720 --> 00:24:18,600 Once again the teacher, the student dynamic in the Navamsa. 404 00:24:18,600 --> 00:24:20,880 Natal remains the same that's why I don't cover too much of Natal. 405 00:24:20,880 --> 00:24:22,360 It is Cancer versus Capricorn. 406 00:24:22,360 --> 00:24:23,360 Moon versus Saturn. 407 00:24:23,360 --> 00:24:27,480 But now we are talking about Jupiter versus Mercury. 408 00:24:27,480 --> 00:24:28,880 So what does it do here? 409 00:24:28,880 --> 00:24:31,760 What does Sagittarius want to do in Asilesha? 410 00:24:31,760 --> 00:24:33,280 It wants to become the Guru. 411 00:24:33,280 --> 00:24:34,640 It wants to learn knowledge. 412 00:24:34,640 --> 00:24:37,360 These are the ones I was talking about becoming the healers. 413 00:24:37,360 --> 00:24:39,960 Cancer going into Sagittarius is a powerful healer. 414 00:24:39,960 --> 00:24:47,280 You might want to study about herbs, Abhology, Omnipati, Ayurveda, all of these kinds of 415 00:24:47,280 --> 00:24:48,280 things. 416 00:24:48,280 --> 00:24:53,120 It's very good because Asilesha knows the knowledge and from the past life it brings 417 00:24:53,120 --> 00:24:54,280 in the Gemini energy. 418 00:24:54,280 --> 00:25:00,800 The intellectually learned knowledge from past life in order to bring it as knowledge 419 00:25:00,800 --> 00:25:02,600 to this life around. 420 00:25:02,600 --> 00:25:06,840 That's what it means. 421 00:25:06,840 --> 00:25:09,560 Next we shall be doing Ushanakshatra. 422 00:25:09,560 --> 00:25:13,640 Another is the second dominant nakshatra of Cancer. 423 00:25:13,640 --> 00:25:18,320 And then we will be going from half of Srona over there into Uttara Asadha. 424 00:25:18,320 --> 00:25:22,920 Meanwhile, take care, be safe and sing and dance. 425 00:25:22,920 --> 00:25:23,920 It's a changing world. 426 00:25:23,920 --> 00:25:39,960 It's a changing planet.