1 00:00:00,000 --> 00:00:07,000 Good morning ladies and gentlemen, welcome to yet another episode of Narcissist vs Study. 2 00:00:10,000 --> 00:00:18,000 Remember, the study we are doing is only with respect to Rahu in the first house, Rahu Ketu in the first house or Rahu Ketu in the seventh house. 3 00:00:18,000 --> 00:00:34,000 There are always opposite notes to one another and the determining quality is always the Ascendant because that's where your head is most of the time and the attention directed towards others being the seventh house. 4 00:00:34,000 --> 00:00:49,000 Right now we are in the sign of Leo and every nakshatra has got different signatures as you will observe. Every Ascendant has three nakshatras, right? As you can see everywhere. Scattered is three. 5 00:00:49,000 --> 00:01:06,000 It may be first path, second path, whatever it is, last path. But because the dispositor is the same, which is Sun in this case, Sun in relation to first house in the house which we examined in Makhanakshatra, 6 00:01:06,000 --> 00:01:17,000 now goes to Purva Falguni then it will go to first path of Uttar Falguni. The next path, three path of Uttar Falguni, will go into Bogo. 7 00:01:17,000 --> 00:01:46,000 Anyhow, the point I am trying to get across here is even though the Ascendant Lord or the Lord of Rahu here being the Sun, the signature changes from Magha to Purva Falguni. Therefore, the egoistic self-importance of Narcissus number one which is Rahu in Purva Falguni and Ketu in Shatvesha opposite side in Aquarius, 8 00:01:46,000 --> 00:02:03,000 will be slightly different than the color of the personality and how it shows up is quite different. Therefore, we have to examine what Purva Falguni stands for. 9 00:02:03,000 --> 00:02:20,000 Purva Falguni is all about creating relationships, falling in love, looping the fruits of the past life, maybe even lovers from past life or people you knew in the past life, why you are current lovers. These people are good at creating new love. 10 00:02:20,000 --> 00:02:43,000 Let's look at the themes of Purva Falguni then we will get a better understanding. Creating new love, good reward from past karma, Purva Falguni. Falguni means the fruits of. Purva is past. Therefore, it is referred to as good karmas from the past birth. 11 00:02:43,000 --> 00:03:00,000 Temperament is Manusha and Purva Nakshatras always tend to initiate something. Remember that Purva is initiator, Uttara ones are chasing up. They are taking action based on Purva as Nakshatra. 12 00:03:00,000 --> 00:03:18,000 So, dry visthiti, they want to preserve something Purva Falguni. They love good fortune, they are gifted with comfort and bliss, parting type, sexually very inclined type, romantically inclined type. 13 00:03:18,000 --> 00:03:31,000 You might find lots of Purva Falguni active in actors and actresses who are very charismatic, who change beds like they change their under clothes, right? 14 00:03:31,000 --> 00:03:38,000 N number of relationships all the time. Popularity comes from that past life. 15 00:03:38,000 --> 00:03:57,000 They have good looks, they have beauty, they might be having vanity also. Over intelligence, lazy nature, addictions, many sexual partners, relationship issues, fault finding, nit picking. 16 00:03:57,000 --> 00:04:13,000 Connection to children, you can observe this because it's the fifth house of Leo of love and romance. In this Nakshatra is where the love and romance aspect of Leo comes into picture. 17 00:04:13,000 --> 00:04:22,000 You might say fifth house is romance and love, but not all Nakshatras. Purva Falguni is where it comes in. The symbol is of a hammock. 18 00:04:22,000 --> 00:04:32,000 I'm just recapping for you the characteristics of the Nakshatra so that we get into a proper zone here. 19 00:04:32,000 --> 00:04:45,000 Therefore, when we stick Rahu into this, this first kind of narcissist we are talking about, this chap over here, Rahu in Purva Falguni in first house in the Leo Ascendant. 20 00:04:45,000 --> 00:05:05,000 What happens to them? How is it different from Magha if you compare the previous one? Desire for romance and pleasure in Rahu in Purva Falguni signifies lots of pleasure, lots of sensual indulgence towards oneself, Rahu is towards oneself. 21 00:05:05,000 --> 00:05:21,000 These individuals may seek passionate, enjoyable experiences which is self-centered in nature. Remember that creative expression, they often possess creative talents for arts. 22 00:05:21,000 --> 00:05:36,000 Therefore, they might end up becoming actors and actresses. For example, Purva Falguni is linked to artistic pursuits. The artistic part of Leo falls in this Nakshatra. 23 00:05:36,000 --> 00:05:48,000 And Leo being sun, it attracts a lot of attention. Therefore, actors, actresses, musicians, etc. More of actors and actresses, same in that area. 24 00:05:48,000 --> 00:06:15,000 Charismatic magnetic personality that attracts others to them. Important one, isn't it for actors to be famous? Desire for recognition is very strong because now Rahu, sitting in the sign of sun, as shown here, is attracting all ways and means that it can attract fame. 25 00:06:15,000 --> 00:06:23,000 Materialistic ambitions, they can be ambitious when it comes to material success and they will do it through even devious means. 26 00:06:23,000 --> 00:06:46,000 These people strive for luxurious lifestyle. All the villas and fancy BMWs, all the stories that these people roam around with, for a period of time, nothing lasts forever, of course, is the root for Purva Falguni. 27 00:06:46,000 --> 00:06:57,000 And Rahu in the first house, in Purva Falguni, in Leo's sentence, will seriously actify it. 28 00:06:57,000 --> 00:07:10,000 So now that we have written the qualities of Rahu in Purva Falguni, let us get to Narcissus number 2 because now the K2 shifts to the other side. 29 00:07:10,000 --> 00:07:21,000 So that, let's just examine what K2 on the other side sitting in the sign of Shatvesha. 30 00:07:21,000 --> 00:07:29,000 Where K2 is sitting in Shatvesha. So what does Shatvesha bring about here? With K2 in it. 31 00:07:29,000 --> 00:07:48,000 Okay, let's see. While Rahu is being over obsessed about relationships on the one side, which is in the head, at the same time, this is the key word, at the same time that Rahu is acting K2 is also acting folks. 32 00:07:48,000 --> 00:08:00,000 Okay. At the same time, K2 on the other side is creating detachment from all these aspects, detachment from public. Right. 33 00:08:00,000 --> 00:08:11,000 This is where the actors and actresses roam around detached from public, although they are in the flashy camera lights, red carpet treatment and so on. 34 00:08:11,000 --> 00:08:22,000 All these unconventional perspectives they have, they have non-traditional approaches. Remember the houses that Rahu will affect once it's sitting there. See there. 35 00:08:22,000 --> 00:08:30,000 It is obsessed with tradition. Actors and actresses are more traditional. They go to all these temples in India, for example. 36 00:08:30,000 --> 00:08:40,000 They do all the religious pujas and so on. They are very attached to their children even. They can join a Jolly for example. Right. 37 00:08:40,000 --> 00:08:45,000 This is what creates that actor-actress's dynamic folks. 38 00:08:45,000 --> 00:08:54,000 K2 on the other side has quest for knowledge and truth, but it is detached from it. It is detached from others. It is detached from spouse. 39 00:08:54,000 --> 00:09:06,000 This is why this axis can be a strong push and pull towards having relationship and then getting away from it. Having relationship, then getting away from it. 40 00:09:06,000 --> 00:09:12,000 Okay. Between Shat Pisha and Purva Phankuni. 41 00:09:12,000 --> 00:09:26,000 Now let's see what the narcissist type number two would become, which is Purva Phankuni, Rahu and K2 on the side, Purva Bhadrapata. 42 00:09:26,000 --> 00:09:39,000 So there is a stronger sense of push and pull here. Why? Because both Purva and Nakshatras are facing one another. Okay. Let's see how that plays out. 43 00:09:39,000 --> 00:09:53,000 You're going to understand that when the axis push and pull in narcissist number two, which is going from Purva to Purva, there's a lot of past life karma here. 44 00:09:53,000 --> 00:10:08,000 We shall see this even in the other Nakshatras as we go along. Okay. Just keep this in mind when Rahu and K2 are in one, seven axis in facing Purva and Purva Nakshatras on either side. 45 00:10:08,000 --> 00:10:15,000 You're getting a lot of past life karma. So you better start doing some K2 type remedies. Okay. 46 00:10:15,000 --> 00:10:20,000 If you don't know what I'm talking about, see other remedies from other channels and so on. 47 00:10:20,000 --> 00:10:27,000 K2 type remedies because it's past life, karma is playing out. 48 00:10:27,000 --> 00:10:37,000 Back to, so Purva Bhadrapata as it is, you can see is very detached from the world, very, very detached kind of Nakshatra. 49 00:10:37,000 --> 00:10:47,000 It's all about gaining wisdom, but now it is sitting in the one, seven axis and it is obsessing over all kinds of relationships. 50 00:10:47,000 --> 00:11:06,000 So in this axis, all kinds of relationships that these actors, actresses, people who are famous go on to become, you can be assured that 99.9% of them are all relationships from their past life. 51 00:11:06,000 --> 00:11:15,000 Okay. Doesn't matter how many breakups they have, how many divorces they have, what are they lose, what are they gain, take Johnny Depp, for example. 52 00:11:15,000 --> 00:11:22,000 I'm sure the partner he had just broken up with is someone from past life. You see what I'm saying. 53 00:11:22,000 --> 00:11:32,000 So you've got to keep this in mind when it is Purva, Purva facing like this. You should see this in other Nakshatras as well. 54 00:11:32,000 --> 00:11:43,000 Now let's see the empath part of it. Okay. So let's cancel this out. Let's go to the empath, which is this guy. 55 00:11:43,000 --> 00:12:04,000 Ketu in the first house in Purva, Falkuri. What kind of empath would this one lead to? Okay. Once again, these people have lost desire in romance, but he's seeking to indulge in the other. 56 00:12:04,000 --> 00:12:18,000 So Ketu in the first house in Purva, Falkuri makes it more like while you're seeking romance, you're seeking relationships and you're strongly attached to the other side. 57 00:12:18,000 --> 00:12:25,000 Again, this again becomes a very karmic type of thing, especially with Shad Pisha. Okay. 58 00:12:25,000 --> 00:12:43,000 So essentially for Purva, Falkuri Ketu, this one is an empath. At the same time, this person is horny. He goes to the other side to Shad Pisha, which is unconventional Aquarius and seeks all kinds of unconventional love affairs. 59 00:12:43,000 --> 00:13:00,000 People with foreign lines, you look at actors and actresses who are more on the lines of I'm having an affair with a man from Italy, although they might be from Norway, or having an American Indian go together. 60 00:13:00,000 --> 00:13:15,000 So that kind of a thing. This axis brings about foreign partners, unconventional foreign partners. Why we are talking about partners? We are taking the theme of Purva, Falkuri, which is all about relationships. 61 00:13:15,000 --> 00:13:23,000 So we are talking only love affairs here. And this one will look for all kinds of unconventional partners. 62 00:13:23,000 --> 00:13:36,000 Once again, Ketu in the first house is all partners from past life. Think of partners and spouses from past life when you're considering this particular axis. Okay. 63 00:13:36,000 --> 00:13:49,000 So the essential difference between our empath number one, who goes towards Shad Pisha and empath number two, who goes towards Purva Badapada is this. 64 00:13:49,000 --> 00:14:05,000 This one goes towards unconventional foreign people. This one goes towards unconventional foreign people who are Guru like because it's a Guru rule, nakshatra, who claim to be a little more spiritual than they can. 65 00:14:05,000 --> 00:14:14,000 They actually are. You see what I'm saying. So Purva Badapada once again. So Rahul in Purva Badapada, what is it? 66 00:14:14,000 --> 00:14:27,000 Intense ambition, strong desire for success and recognition might become the opposite of this opposite of detachment because these empaths can have unconventional thinking. 67 00:14:27,000 --> 00:14:37,000 Purva Badapada is anything but conventional dissolution of materials in sacrificial fire. It's more Ketu like. 68 00:14:37,000 --> 00:14:49,000 So if you stick Rahul there, it becomes spiritual inclination. Purva Badapada, nakshatra people can be drawn towards these kind of empaths. 69 00:14:49,000 --> 00:14:56,000 We're talking about that number two here. Okay. Going towards Purva Badapada. 70 00:14:56,000 --> 00:15:10,000 These people can be drawn towards transformation. They want to go towards transformation. They want to seek higher knowledge, wisdom, go towards spirituality, healing arts. 71 00:15:10,000 --> 00:15:20,000 This people can become excellent healers, these kind of empaths. Contrary to what it was when Rahul was in the first house, see how different it can be. 72 00:15:20,000 --> 00:15:28,000 I'm just trying to show you the colors of how different these two things can be Leo and Aquarius with Rahul and Ketu present there. 73 00:15:28,000 --> 00:15:41,000 Very different energies, isn't it? Between empath number one and empath number two. See, these two are very different and they lead to different results. 74 00:15:41,000 --> 00:15:56,000 Okay. This one can find very unconventional partners, eccentric partners, and maybe very interested in those, bringing different kind of creativity even. 75 00:15:56,000 --> 00:16:01,000 This one on the other side is drawn towards hidden arts and mysticism. 76 00:16:01,000 --> 00:16:13,000 In an unconventional way, maybe we are even talking about Scientology or, you know, those kinds of eccentric spiritual cults, if you want to call it that. 77 00:16:13,000 --> 00:16:24,000 That's what it draws towards. So to summarize, even if you say empaths and narcissists, see how different the energies can play out within Nakshatras. 78 00:16:24,000 --> 00:16:36,000 I want you to get an appreciation for it as we go along. This picture gets even more complex. We'll end it for you now. I'll see you in the next. Take care. Be safe.