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I'm Drae. I'm Meg. I'm Tina. And Dom Jess. And this is Pardon My Stash.

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Welcome to Pardon My Stash, a podcast about knitting the fiber arts and how awesome it is.

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Before we get into this week's topic, let's share what we're working on now, Meg. What I'm working

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on at this moment in time is a franken sweater. I started this sweater a couple of times. I'm

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using our the Critical Hit Dyes Wheel of the Year, some of the colors. I wanted to do a faded sweater,

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but I couldn't decide, I couldn't find a pattern that had all of the features that I wanted.

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So I'm actually using three different patterns. One for the numbers of the actual construction

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of the chest and the body, one for the sleeves and one for the fade. So it doesn't have a pattern,

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but it's pretty mindless. I'm enjoying it. No patterns in all patterns. I mean,

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no patterns in all patterns. I don't have a pattern I can like name, but I'm just taking from a bunch.

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I did finish my random act of kindness shawl that was made with the...

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Oh, thank you. That's like two whole projects in like a month. I paused for a second because

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I thought I was going to accidentally hit the womp womp. No, that actually went well. The

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womp womp should be for all of my lack of progress for the first six months of the year,

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but apparently June was the month. But I knitted it out of Tosh DK from Jimmy Beanswool in

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the colorway bird is the word. And I was right about the Tosh DK. When I blocked it, it exploded.

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It got about twice the size, which for a shawl is awesome. It went from a cute little neck accessory

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to I can literally wrap myself in this thing and who doesn't love a bigger shawl and it's cozy.

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I think it's going to be like a nice workhorse shawl for the fall. My only

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like cautionary tale, I guess. The yarn is great. It blooms like you wouldn't believe. It is super

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soft, but if you are going to make a garment out of it, I cannot stress this enough. You need to

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swatch. You need to swatch. You need to block swatch. Like, yeah, block swatch and you need to

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like, or if you want to live dangerously, you're probably going to want to go down like two sizes

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because it did. It just, it blooms awesome. If you love, like you want to do something bigger, like

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that shawl grew two sizes with me doing literally nothing but blocking it. But that's not the kind

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of surprise you want if you're making a sweater. So just a cautionary tale. Exactly. Exactly.

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But the yarn is great. I love the yarn. So, Andrea.

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I am working on the French Can Can shawl by Mademoiselle C. I've actually done the entire body,

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which is really exciting. It is because I don't think that I've talked about it on the podcast

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yet. I don't think that I've posted any photos yet, except for the skeined yarn.

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The body knit up really fast. And I'm really enjoying the knit. The border's going to take

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forever as they do, but it's cable. So I really enjoy it. That's good. The border goes faster

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than you think it's going to go. Trust me. Once you get into it, it's like, you have to do at least

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like one section and then you're, you're good. Yeah. No, no, I'm sorry. It looks really nice,

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though. I really like these colors that you other. Well, it's that and also like the

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yarn is giving really plump cables, which is always nice. The cables are very plump. I love that.

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I am using Madeline Tosh.

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D.K. in home means Nevada. And I'm also using Madeline Tosh vintage in Rye Bourbon for the border.

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And yeah, I recommend this pattern already. I also recommend that pattern. I've made it before.

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It's good. All right. You did. I made it for my cousin, Melissa. Yeah. Yeah. Goes by fast. Looks

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good. These two colorways together are noise. It's one of those ones where it's it looks a lot

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fancier than it is. Say when it's done, we can like display it next to the jellyfish and be like,

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oh, I'm going to do this. I'm going to do this. I'm going to do this. I'm going to do this. I'm

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going to display it next to the jellyfish and be like, two things you can do with this yarn.

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It's true. I saw your jellyfish. It's amazing. Thank you. Tina. Well, I went and picked the

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easiest thing that I could not think while I'm knitting. So I'm working on my high vis beanie,

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which is not out yet. And it's going to be a compliment to my high vis cowl. It's done in

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a similar way. And it looks like brioche, but it's not brioche. That way is to keep it thin.

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I finished I think I mentioned this, but I actually brought it with me. But I finished my seed dot

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in the Tosh Madeline Tosh ASAP. You could take it. It's really squishy. Is this the slouch

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version? This is the slouch size six. So it's the large adult because I have a massive head.

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It's really, really soft and squishy. Don't put that on. It's going to be massive on you.

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You have a much smaller head than me. Hence why she's going to put it on. Amazing.

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The nice thing is it's a slouch. So it doesn't matter. Like as long as it has a really nice

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slouch, I like it. As long as it doesn't like the brim isn't too big. Yeah, it's fine. It's

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actually pretty pretty snug. Well, yeah, it's one. The one thing I do like about the brim

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with this yarn in particular, the ASAP yarn is that it's very squishy to the point that it's

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stretchy. So I could make a smaller brim and then let it kind of stretch out a bit.

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And it fits kind of a lot of different sizes. But did it block big? I did not block it. Oh,

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it's not blocked. This is going to get even. Wow. I'm extremely afraid to block that. You should be.

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I don't want to block it. Yeah. I have not blocked hats before for that same reason.

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I don't think it needs a lot. I don't need to block. No, like not everything needs a block.

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It's true. It's already in shape. Yeah, it's already has it's what it needs. I'm good. When

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we did the what's it called? Thank you. Oh, the cocoa bean. Yeah. See, you knew I did. You're

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just being difficult. I needed a second. OK. I thought a stroke. That was the one that I remember

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because I remember you guys finished it. You're like, oh, this this blocks big. And I'm like,

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well, I'm not blocking this hat. That's not happening. Mine came out OK, though, because

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I knit so tight. You do knit tight. And I don't mine. I have to put in the dryer every month or

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so when I'm wearing. Oh, my God. Seriously. It just stretches. Oh, my God. But I blocked mine

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and I knit loose like you do. Yeah. I it's a curse, I tell you. But yeah, the seed dot beanie

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is active, the upgraded version that has it's made for decay to super bulky. And it also has

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extended sizing from essentially newborn to large adult. And it's actively being tested right now.

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And I actually think, yeah, some people have finished. So I have. So my testing just for future

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reference is extremely casual. I don't give deadlines. I don't make you do anything other

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than fill out a feedback form at the end of your net so that I have the information I need to make

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adjustments as necessary. You can skip the photos. You can skip the social. You could basically

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everything else is optional. So because I don't want to do all that. So I'm not going to make

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other people do that. But yeah, there are still some openings and you finish it basically when

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you finish it right now. We have a casual, very loose date of August 31st. But it's probably

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extended if some of the sizes aren't tested yet. Since there's so many weights and so many sizes,

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I just literally can't knit them all. So. But yeah, so. I'm here.

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Hooray. Jess?

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I am in the final stages of the I am Dragon remix by Alexander Davidoff. And I'm kind of playing

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yarn chicken because I'm using the critical hit Dice Rainbow Blast, which is a rainbow gradient.

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And when I got to the end of the pattern, I was just getting into yellow. And I want to finish

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the rainbow. So I added a whole other scale repeat so I could get to the red. And now I'm in the red

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and I'm doing the garter stitch. So you're in the red and you're probably. And I'm in the red.

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In every sense of the word. In all senses of the word. And I have about,

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I think, seven more rows of the scar stitch to go. And I don't know if I'm going to make it, which.

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It's not that dire. You can literally just make another scale.

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I could make a mini scale of the red to finish it off. But even if I don't, it actually came

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really close. So this was fun. I really like it. It's super cute and rainbowy. And you know how

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y'all were like when I brought up a few weeks, a few weeks ago, a few, few episodes ago that you

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just whack a bird on something and I buy it. You guys were like laughing because it is funny.

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You whack a dragon on something. Yeah. And Jess is going to make it.

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It's got dragon scales. And I did the. So my Morgana shawl is actually I am dragon, like the.

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Two. Two. That's right. Yeah.

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The original one was a bit thicker and this is very similar. It has the I am dragon two had one

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bead per scale and this one has three. And she did the construction a little bit different. So

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it's like, it's not super different, but I feel like on the backside looks a little cleaner now,

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which doesn't really matter to anyone but me because I'm the only one really looking at it,

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but it matters. But I, so I really like it and I like the extra beads, which I also had to add

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more of because I realized what I wanted to add in a whole other repeat. I needed to add two whole

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repeats of scales. So I did have to kind of cut it and string on some more beads and then re do it.

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So that was an adventure too, but we're here, we're doing it. We're, we're playing the yarn

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chicken. That's not too dire of a yarn chicken, but I'm pretending it is. And why it's the added

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stress. Most of us look at yarn chicken and we're like, this is not, I don't want to even look at

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this. I'm kind of doing that with these because, and it's giving me anxiety just looking at them.

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If I'm determined enough, this will stretch. Also, uh, uh, stress helps people with ADHD.

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Yeah. It's like, it's, it's fair. Um, and then once I'm done with this, I, I do have to do those,

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the ribbing rows of my vest because that's all that's left. You're so close. Like just do it.

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I know. Well, it's, it's the ribbing at the hem. And then I have to pick up the collar,

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which is also ribbing. And I'm like, oh, you're literally that meme of like, I fixed a problem

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that I've been putting off for six months and three minutes and I will learn nothing from this.

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Yeah, no, I know. And then, and then after that, I'm got, I got a Lord of the ring book of,

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of patterns. So I'm going to go through that and find something else to do. So that's, those are

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my adventures. That's where I'm at. Um, and if people want to see pictures of these projects,

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or get more information about part in my stash, be sure to check out our website, part in my stash

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dot com for info, picks, patterns, and yarns. And you can also find some of the yarns, especially

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the Madeline Tosh's that we were talking about in this episode at a Jimmy beans, wool.com

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Um, to get everyone a little bit more involved if they wanted to. And we know that not everybody is

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as active on social media platforms. Um, and I know we do post a lot of stuff on our, on our

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Instagram, but for those that are as active into the social media site, uh, we did add a, uh,

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Q and a section into our webpage in the get involved page. So you can go in there, fill out

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the form there. If you have any questions or anything you wanted us to talk about, uh, you can

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go to our get involved page, uh, go to our Q and a section, and then you can write in your own

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questions, uh, that you would like to be answered. And we will try and go through them and you know,

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get to them as we can and, uh, try and cover some things or recover some things we might have

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mentioned briefly, but people might want more, uh, more answers to. So we, we thought that would be

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a fun way to get, you know, get more out of our community because you guys often have a lot of

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cool questions and fun questions. And we like to look into it. And some of them are things we

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haven't thought about and it gets us thinking about them. One of the questions that we actually got

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before we started our Q and a that, so this one came just through our general contact was from

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Bella L. They were wondering if we were ever going to talk about sweater and cardigan constructions.

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And I feel like that was something we may have touched very briefly on in the past, but it was

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something that, that got us all thinking about, you know, what we actually do look at when we're

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looking at our, our constructions or on our pattern, choosings. And I feel like most of us generally

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just choose a pattern that we like and have it actually, as far as sweaters and cardigans go,

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I don't think any of us have actually written a pattern. I think the closest right now is you,

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Meg, who is taking a bunch of patterns and creating your own. Oh, you mean for a sweater,

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for a sweater. Yeah. This is not rocket science though. No, but it's not. But yeah. So, so like

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looking at it, we, we, we're all sort of like, okay, we don't have like a designer's eye for it

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because none of us have done it yet, but I feel like all of us do have things that we look for

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when we're looking for patterns or preferred sort of construction aspects that we lean more

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towards or avoid in general. For instance, I know I, it's all the ones that I have done thus far

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are seamless. I've done seamless sweaters and mainly because I know that sewing seams is not

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my forte. I can't do them. So they look nice usually. So this, the seamless ones are, are the

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way I go. So that's the usual, but there, there is one, it's a seam sweater and I can't remember

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the name of it. And a lot of people were doing it last year and it looked really cool. And so if I

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were ever to do a seemed one, it'd be that one. And I wish I could tell you what it was, but I

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don't remember the name to find it. Wow. It was like, I don't know if you find it, I'll put it on

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the blog. Okay. I've also only done top down. I think the real like, um, advantage to seamless

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is that first off it's, it's generally all, it's all in one piece. Um, if it is about losing pieces,

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right? Well, not even that, but it's, that really kind of promotes the uniformity of it.

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It's kind of hard to get like a lopsided shoulder when you're knitting it seamlessly in the round.

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That's fair. It is easier to make mistakes, I guess, or make things non-conforming when

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you're doing two of a kind. I remember reading this like, God, I don't even remember like,

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I think like 2005 or something on the yarn harlots blog where she was making a baby sweater in parts

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and she did one side with one needle size and picked up the, did the whole other side and a

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different needle size. So do yeah. And doing that in pieces. Okay. That's, I mean, that's extreme,

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but seamless, you really don't need to worry about that as much because you're knitting it all at

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once. And there's also, if you are knitting top down, you can try it on as you go and that is,

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is it long enough? Does it fit in the bust? Is it time to start the sleeves? Like invest in one of

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them loopy things. If you're going to do that, the barber cables. Yeah, those are great. Um,

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but you really can't do that when you're doing it in pieces. I have done exactly one sweater.

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It was a cardigan. It was a seamless cardigan. So it was all, the body was all one piece and it

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was top down. And I liked that it was top down. I liked that I could gauge where I was going to put

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the sleeves. And I liked that it was all in one piece as I was making it. But I don't think that

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I would, I don't think that I would do another seamless sweater or cardigan with that many cables

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again. I was, I mean, it was beautiful, but that was a lot of cables. It was beautiful. And it was

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a lot of cables and it wasn't that I didn't enjoy doing the cables, but when I was done, um, the

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sweater was just so heavy. Yeah, it lost all of its shape. Yeah. Um, so I think that the addition of

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seams would give it a little bit more structure. So I think that's something that I would try for

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my next sweater. Yeah. Seamless isn't going to give you a seamless is great for the color work

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or a single color or a pullover. Right. Yeah. Um, well even a cardigan that is like, like if you're

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going to stick, um, that's fine, but yeah, you make a really good point that if you're going to do

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something, that's going to be like a lot of cables and really heavy, um, you want that extra

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reinforcement in the seams. Yeah. It's a good point. I remember I made it so that it would end

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at, at about my knee. And I loved that. That's where I wanted it. But after I started wearing

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it, it was like on the floor and I ended up, um, I did end up taking it back. That's right. Didn't

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you like, I did it and yeah, I frothed off like the bottom third. Oh my God. So much. I know so

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much work. And I frothed it so that it would come just to like at my bum. So that when it,

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when I wore it and it stretched, it would cover my bum, which is what I wanted at the very least.

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Like that's my baseline requirement. I never actually reblocked it when I was done.

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And I didn't actually, um, we've been my ends again. So it's technically back in my unfinished file.

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You, the way you said that I thought that this was going to be a lot more ominous.

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Like the ending was going to be a lot worse. I was like waiting for the catastrophe,

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the way you were, you were leading into it. I'm like, Oh no, Oh no, Oh no.

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What happened that it's never being worn? It will when the time is right. When the time is right.

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Yeah. You finish it. I think, I think I would want to make a different sweater and make it more to

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what I actually want. Right. Well, you know what though? It was like, it was a good,

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it was a good first sweater. What you like. Yes. And what you don't like more that. Yeah.

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Less what I like because I don't think that I found what I like yet, but I definitely know what I

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don't like. So I'm going to try again. Eventually. I'm just not ready for that kind of a project.

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That's fair. I'm kind of enjoying simple projects. That's fair. I have finished exactly one this year.

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Technically it's not done yet because I never blocked it. It doesn't matter. It still gets

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a plus. Just like 90% of my projects these days. I didn't block dark academia for a year.

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I still haven't blocked the Celtic myths shawl. That's impressive. I keep saying that I'm going

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to do it and then I don't. That was early 2022. Stuff like that takes so much time because you

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need space and towels and cat protections and. Yeah. I think I'm a little like warded off to

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wanting to block anything after the cats like ate a hole. You need a designated. In that shawl.

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Like you need a room. I don't really have that right now.

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Yeah. That's fair. You'd block at my house. I could. My dogs don't jump up on tables.

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I've done seamless and seam sweaters. I've done top and bottom. So top down, bottom up.

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You did the bottom up? I did. Which one was that? It was. Did I frog that?

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I might have frog. No, it was like a black sweater and I don't have it. And I don't know

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if I gave it to somebody, but I feel like it was actually one of the first sweaters I made. And I

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just didn't. I don't think I kept that. It's either frog than the bellows of my whatever, but

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I definitely done seemed and unseen or seemed and seamless because there was a baby cardigan

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that I did that ended up being seen as seem, uh, seemed and I didn't realize that, but I was already

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too far in. Now I'm committed. No, no, no going back now. I don't. So it's funny. I knit very

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loosely, but I seem very tightly. So I found my seeming to make it difficult to wear, especially

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in the armpit for the baby. It didn't matter. And he said it fit her. It fit the baby just fine,

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but I'm sure she grew out of it very quickly, um, because the armpit was very tight. Um, so I,

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I don't know if I need to look at better techniques and seeming, especially the sleeves.

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That was like, you had to, like you did the back, there was two front panels, there was a collar,

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and then there was two sleeves and it was all done separately. So it was fun. I liked a couple of

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things about that. I'll tell you pros and cons. So the pros were, I got a lot of like feel good

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feelings every time I finished a section. Cause like you get that high in stages. That's, that's

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fine. And then you're like, yes, now I could do the next piece. You know, it's almost like finishing

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multiple projects. Yeah. I like that. The other good part I liked about it is when I would finish

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a piece, I could actually measure it and make sure that it looked like the, you know, roughly

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the finished measurements. I could block them one at a time. Like it was, it was easier to like

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determine if I made a gauge whoopsie way earlier than when I finished the whole sweater.

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The negative was the only negative for me was the seeming on the pits. Cause I really don't think

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I put those sleeves on right. I think they were just, I just didn't, I think I did it too tight.

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So I probably just need to learn a looser seam for armpits. I've done a lot of a few sweet seams

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sweater or seamless sweaters. Oh my God. I can't get these words right. I've done a bunch of

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seamless and I tend to do those only because they tend to be more popular nowadays. Anyway,

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in patterns, I don't see a lot of seem, uh, seemed sweaters patterns. I mean, I don't necessarily

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look for them, but even when I'm just like casually looking for patterns, I don't necessarily have to

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check off a, I only want seamless sweaters. Cause the majority that show up are seamless.

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I hadn't thought about that, but you are right. Yeah. They pretty much are. Like I said, I've

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downloaded that baby sweater one and I was like, Oh, it seemed, Oh shoot, time to learn a new skill.

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And I definitely did bottom up because I remember I actually preferred bottom up and I'll tell

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you why. And it's because as much as with the top down, you can fit it as you go. I still think you

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can do that even with a bottom up. And I actually could like put it at my armpit and like determine

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if it was long enough torso wise, you know, before I got into the sleeves and stuff,

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the negatives, I think for me with seamless is that I think you could make, believe it or not,

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an easier mistake with seamless when it comes to the yoke and the shoulders than seemed.

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And I'll tell you why, because when I was doing the seemed baby sweater, I would do one piece.

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And so I did one sleeve, which included, um, so I did one sleeve. I did a front panel and a back

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in the back. So if I had the front panels, I could compare one panel to the other. And if it was off,

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then I knew right away this was wrong and I could fix it and adjust it. And I, and I could actually

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take it from that one piece rather than taking apart the entire sweater with a seamless,

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sometimes you don't even realize that there's something janky going on with it until you put

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it on and then you're committed. And then you're like, well, the only thing to do is rip it all out.

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That's fair. We're just gonna run this way with it. That's fair. Um, but the benefits, as you

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mentioned, as you go, everybody else mentioned with seamless being that it's kind of done as you go.

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So if you're someone that just wants to be done once, I think seamless makes more sense. But if

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you really like to get that, like, we, I finished something every so often, I think that seemed

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actually might be a good option for you. I also think if you're customizing, uh, like the sizing,

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like say you, you, the sizes are dumb and they only did like three and you need to obviously

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extend it for the rest of the world. Um, and when you're trying to do it, it's actually,

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I find it easier to adjust the sizing with the seam than the seamless.

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Oh, I bet that would be easier if you're like between sizes too. Yeah. Like if you're a large

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in the arms, but that's medium in the bust or something. Yeah. Not my problem, but

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no, no, that is a huge problem with, with seemed sweaters is that they're really, especially with

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the arms, the shoulders, there's not a lot of our seamless, not seemed, there's not a lot of wiggle

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room to customize when they're, when you split for the sleeves and everything, that's all already

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decided for you. Yeah. It's a really good point. I feel like, um, it would actually be beneficial

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for me to make a seam sweater at some point because I have very large triceps and I tend to

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not fit in a lot of shirts that are my size, but they're not my arm size. So, um, it would

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be beneficial for me to make those separately so that I could actually size them to my arms

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comfortably rather than praying and hoping that the yarn will stretch. I will say there are some,

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um, patterns I've noticed, um, and some of the newer patterns that have like optional darts around

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the bus. So you can, yeah, you can kind of adjust that a little bit better. Um, so it doesn't change

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like where, where like, uh, say the yolk starts and ends and where the sleeves start and ends per se,

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but, um, given the dart, you can adjust it right under for that. If, you know, if you're confident

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enough to try and figure out the measurement for that dart, but the dart, the dart can also help

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with the hem at the bottom. So if you're heavy chested and you're making the sweater and you

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put no darts, it actually will rise a bit and it'll be like a high, low on you. If you put in those

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darts so that you can account for the chest, you'll actually get more of an even hem. So, uh, if I see

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that there's like a dart option, I'm like, Ooh, I'm excited doing that. Um, I haven't figured out how

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to like adjust a pattern to just have darts yet because it's, I haven't, I'm just not there.

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It is a lot. I'm not there, but designers who are doing it, A plus my friend. Yeah. Yeah. Like applause for you

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because, um, yeah, I'm heavy chested and darts are great and they make my hem nice and even.

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Kind of going along with that. One of the things I definitely look for when I'm

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picking a sweater pattern, um, I'm not interested in a sweater pattern that has no

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short rows for the back of the neck. Yeah. I don't like that construction. It's definitely easier to do

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because you don't have to do that extra step, but it doesn't lie as nice. You're choking without it.

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Right. It doesn't, it doesn't give you that nice, like back collar. Um, so your collar basically

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just lies flat and it ends up coming up to the base of your neck. Um, if you don't know what we're

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talking about, go grab any t-shirt, any feminine cut t-shirt, because it's so true. Go to a feminine

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cut t-shirt and you will see you lay it down and you'll like, if you pull it up so that the seams

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are at the top, you'll actually notice that the back is, is a little bit higher than the front.

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The front. And then you're going to go, huh, why is that? It's so you don't choke, but don't do that

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with a unisex t-shirt because they don't do it. And that's why I was laughing because I thought

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that was what you were going to say. I really don't understand. Cause okay, here's the thing.

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No, it's frustrating, but I feel like you just, I don't know why a lot of guys stuff doesn't have

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that because the way their muscles go, they, they too have a bit of that roundness. We all have it.

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Like, so I don't understand, but men, they want to choke their men. They don't need no

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considerations to make it comfortable. They don't need to breathe. They don't need to breathe.

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Yeah. Okay. That's obviously sarcasm people. Please don't, don't DM me. Don't at me.

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No, but it is. And it, it, I remember the first time I, I did make a top down sweater. Um, I was

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like, why do I have to do this? This is stupid. I don't want to add like all these rows, but it

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feels so nice. Oh my God. It's, it's night and day different. And I will say I've also done bottom

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up and top down. My first sweater was accidentally a bottom up for my daughter. Um, and just like you,

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I downloaded it. I got all the yarn. I sat down and was like, well crap. Like I was all ready to

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cast on for the collar. And I'm like, Oh no. Um, I found, and maybe now, you know, three years later

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and four sweaters later, I might feel differently. But for my first sweater, I found that doing short

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rows bottom up was way harder than doing them top down. I was like, I, first off, my brain just

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exploded when I was trying to follow the directions. German short rows are also really weird. The first

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time you look at them too, cause you're like, I can't believe you're actually telling me to do this.

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I hate German short rows on the Pearl side. Just throwing that. Yeah. I'm not a fan of those either.

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The Pearl said, I'm always like, wait, but doing them top down was a lot easier to wrap my brain

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around than doing them bottom up bottom up. I was like, I, I hopefully this looks right. I don't know.

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This is kind of a complete left field comment, but with German short rows, I find that the only

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way that I can get through the Pearl side is that I do swing your German row round and round.

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That is fair. You have to swing it over. So it makes me remember. Oh yeah, this sucks. That's

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all I'm going to think about from now on when I do German short rows. I'll be doing the German

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short row on the knit side. I'm like, okay, this is great. I love this. Can I do the wrap and twist?

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This is awful. I just want to know. This is terrible. You're just swinging your German

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short row round. And you may be tempted to just be like, I'm going to skip this and I'm just going,

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don't do that. Yeah. Don't do that unless you want an uncomfortable sweater that looks nothing like

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the picture. No, the short rows definitely add just that bit of shaping. That's so much more

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comfortable. Um, one we haven't talked about that I'm pretty sure everyone has done at this point

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is raglan style top down. I'm pretty sure everyone's done it. Your seamless was not

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raglan. It wasn't raglan. That was in the round. Guys, I don't know what raglan means. Oh, no,

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it wasn't. No, I'm telling you. I'm telling you. I'm telling you it's not raglan. I'm like,

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oh, that's raglan. Excuse me. No, it's not. Your vest is. I'm pretty sure. Is it? Wasn't it? I don't

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know. It doesn't have sleeves. I don't know. Yeah. It's where basically you cast on like a cardigan.

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They like close from your armpit to the top of your shoulder. Yeah. And you. Yeah. And basically

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there are two spots where they're like you do you you do the stitches for the sleeve. Then there's

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a spot where you do increases on each side. You do the back increases on each side. Do the other

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sleeve. Yeah. I did. Yeah. Yeah. I was going to say I'm pretty sure that was the style. Um, I hate

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that. Me too. And I have like literally so I have cast on all the lead up was Meg saying I don't.

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I don't like it. Like, no, I don't know what it is because I have now cast on two different

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sweaters, two different tops in a raglan style. Three. I'm sorry. Three. And two of them are in

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bags never to be seen again until I get the guts to yank them out. And this is the third in front

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of me that you can see. I tore it out and started over again. Um, I don't know what it is. Um,

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um, there are so many good points to the raglan again, like you are, you're shaping it as you go.

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You're creating like this creating the sleeves as you go. And I imagine, um, it would be easier

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to customize the size, especially of the shoulders when you're doing the raglan style. Um, that being

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said, I don't honestly have a good, um, we just stay at straight prejudice against the raglan top

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because I don't have a good reason. Um, I cannot concentrate on it. Um, I'm not a fan.

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From Megan do not represent those. Nobody else maybe is no Jess is to Jess is to against the,

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against the raglan top. Um, but the there, there really is no short rows on the raglan top. Um,

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in most cases, I believe, um, because you're just building the increases into the back of the shirt

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as you go. So it's very different. I think the raglan hate comes from the fact, okay. I didn't

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say hate. Did I say hate? Okay. I just like a very strong, strong, strong dislike, prejudice,

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a prejudice, dislike from the raglan top. Um, I think it honestly comes from the fact that there

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are a lot more points of failure. So like when you're doing seamless yoke and you're just going

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and going and just increasing and increasing and it kind of, it has a consistency to it.

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I feel like a raglan is very easy to, did I do an increase after I did that is very, very,

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remember, and then you're counting and you're like, Nope, I didn't do the increase. I gotta go back

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or you're counting and you like get a different number every time on that part. And you're like,

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I don't know if I increased. No. And I mean, honestly, my, my other thing, and this is going

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to sound really stupid. Um, so I actually didn't know I did complete one, technically one raglan

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sweater. Calliope is a raglan. Um, it is, but the difference with calliope is that you start

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in the round, you knit the collar, and then you do raglan increases after you do the collar.

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So if you look at the sweater, there's raglan sleeves underneath the round collar. And I didn't

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mind that as much. And they were kind of hidden. They are kind of hidden when you look at them.

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You don't realize it, but I will say, I really think and try not to at me. I really do not

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enjoy purling as much as I enjoy knitting. And when you are knitting the common ordinary run of

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the mill raglan. It's because you knit continental. I knit English. No, I said English or continental.

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That's why you don't like, I don't like to purl. I've never liked to purl. So, um, I think that

358
00:37:32,960 --> 00:37:40,320
might be it is I don't like knitting back and forth. I really don't. There it is. Well, I liked

359
00:37:40,320 --> 00:37:48,160
mine. You did. And that's fair. Like, that's the thing. There's no wrong. Like, I don't think that

360
00:37:48,160 --> 00:38:00,640
that necessarily is wrong. No, it's just the response. Well, I like it is. It's I don't know.

361
00:38:00,640 --> 00:38:05,840
And I think maybe it's it feels it might be psychological knitting in the round.

362
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Feels faster to me. I also don't love the idea of picking up for the collar.

363
00:38:13,280 --> 00:38:19,120
I'm not a fan. No, that's fine. I'm not a fan of that. Like, I don't like picking up in general,

364
00:38:19,120 --> 00:38:23,760
because I don't like picking things up either. Oh, God. Picking up for the armpit. I hate that

365
00:38:23,760 --> 00:38:29,440
part. Picking up off the ground, which is also terrible, but like picking up. Oh, no. I thought

366
00:38:29,440 --> 00:38:34,560
you were like, you mean picking up stuff off the ground? No, I was saying picking up the armpit.

367
00:38:34,560 --> 00:38:40,960
Yes, Meg. I also don't like bending up. Wait, I didn't say that. That's how my brain, my brain

368
00:38:40,960 --> 00:38:46,720
and I went, Meg, I also agree that that's terrible, but I'm talking about the I was too.

369
00:38:49,280 --> 00:38:53,920
No, I don't like picking up the underarm stitches. I don't like there's like a certain way you have

370
00:38:53,920 --> 00:39:00,640
to do it. You do. You got it's very finicky. I love picking up stitches. I love doing it. So

371
00:39:00,640 --> 00:39:06,480
weird picking up the gusset stitches. Oh, no. Oh, no. That was my jam, especially when you turn

372
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the sock inside out and you get that really nice like line of stuff. Oh, oh. So with that. So with

373
00:39:12,800 --> 00:39:17,520
socks, I didn't mind going up one side, like going up the first side and then knitting across. But

374
00:39:17,520 --> 00:39:20,960
for whatever reason, going down the other side, I always ended up picking up the wrong number of

375
00:39:20,960 --> 00:39:26,560
gusset stitches. And I'm like, all right, whatever. Like, we'll work this one out as we go. I don't

376
00:39:26,560 --> 00:39:31,280
need socks anymore. For the reason depends on the project. See, like I don't normally like

377
00:39:31,280 --> 00:39:36,960
picking up the armpit as well, mainly because there's no real good way to pick it up where it's

378
00:39:36,960 --> 00:39:42,720
like, yeah, well, well, where you're not honestly, the best way to do is to kind of pick up two

379
00:39:42,720 --> 00:39:46,960
stitches next to each other and knit them together as one. You get a tighter armpit, but

380
00:39:48,480 --> 00:39:53,360
then you have to do it twice in the same way for it to be even. And you know, there's a risk. So I

381
00:39:53,360 --> 00:39:59,920
don't like that. But I've done a lot of shawls where it's like, you started off like, no,

382
00:39:59,920 --> 00:40:06,800
like knitting up and then you pick up the side for the border. And that's always kind of fun.

383
00:40:06,800 --> 00:40:11,680
God, no, I love that. I love that cast on. I'm doing that right now. That's the tab cast on.

384
00:40:11,680 --> 00:40:19,920
I love that. That's fun. That's like, okay, like this is interesting. Oh yeah. The gusset looks

385
00:40:19,920 --> 00:40:26,880
like this on the inside. I'm excited. You just got, yeah, I know. So when it's like stuff like

386
00:40:26,880 --> 00:40:30,160
that, I'm like, yeah, because if you do it right, it does. It's like chef's kiss. You're like, oh,

387
00:40:30,160 --> 00:40:34,240
look at that. That's nice. But yeah, no, when you're, when you're doing the armpit or like

388
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sometimes the top of the sleeve just because of the way it's done. And it's like, there's no good

389
00:40:38,480 --> 00:40:43,840
way to pick this up without making a seam, which is supposed to be there, but I don't like it.

390
00:40:43,840 --> 00:40:49,200
And that's annoying. If you don't relate to any of this commentary about weird things,

391
00:40:49,200 --> 00:40:55,200
we like, you haven't been knitting or crocheting long enough. Trust me. Once you get to a certain

392
00:40:55,200 --> 00:41:02,000
day, you'll be like, Oh, you'd be like, Oh my God, ribbing. Okay. I look at it the same way as

393
00:41:02,000 --> 00:41:07,360
becoming an adult and being real excited about that new vacuum cleaner you just bought or the

394
00:41:07,360 --> 00:41:15,200
new set of pots and pans. I just got a mattress back vacuum and it is changed my life. Yeah.

395
00:41:15,200 --> 00:41:20,560
It's adult thing. Yeah. We just got like a couch vacuum that we have to try. So it has a UV ray on

396
00:41:20,560 --> 00:41:25,200
it. And it like, no, but like I use it on my mattress, but I also use it on the dog beds and it

397
00:41:25,200 --> 00:41:31,600
works. It cleans up those beds. So good. But that's that no. And I think there is something to be said

398
00:41:31,600 --> 00:41:36,000
too, for like, I don't know, like a couple of years ago, I was very much like everything that I do. I

399
00:41:36,000 --> 00:41:42,720
want to learn a technique and I want to, I want to have all these things in my arsenal. And I

400
00:41:42,720 --> 00:41:49,200
understand how to make a raglan sweater. I have found, I don't enjoy it. And I think that knowing

401
00:41:49,200 --> 00:41:57,600
what you like and doing what you like is more important than arbitrarily checking off things

402
00:41:57,600 --> 00:42:05,280
on a list to say, I've done this. I'm good at this. I think it is fair to try something. Yeah.

403
00:42:06,640 --> 00:42:12,960
I think it's fair to try something and say, this isn't my cup of tea. I'm going to do it

404
00:42:12,960 --> 00:42:18,480
a different way. This is supposed to be fun. Where's the fun in like doing like, oh, well,

405
00:42:18,480 --> 00:42:22,880
I have to do a sweater because you know, when I do a sweater, that makes me a knitter. You know

406
00:42:22,880 --> 00:42:27,280
what I mean? Like it goes back into that kind of mentality. Right. And I think it's fair to say,

407
00:42:27,280 --> 00:42:32,160
like, I would love to try this and who knows, you may love it. You may try it and love it,

408
00:42:32,160 --> 00:42:39,600
but I think it is also fair to be like, I don't think not finishing a certain type of project

409
00:42:39,600 --> 00:42:44,560
of project makes you any less skilled or any less of a knitter or any of that. Like,

410
00:42:45,120 --> 00:42:51,280
I think it's fair to say, you know what, like I've tried it. I don't like it. It's not my thing. Yeah.

411
00:42:51,280 --> 00:42:58,320
I mean, I used to knit socks all the time. I don't enjoy it. I'm not going to knit socks just to be

412
00:42:58,320 --> 00:43:01,920
like, well, I'm not a complete knitter unless I'm turning out a pair of socks every year. Like

413
00:43:03,040 --> 00:43:07,040
that's silly. Guys, I think my next project is going to be socks. You haven't done socks in

414
00:43:07,040 --> 00:43:10,800
so long, man. Like you really should. And now I'm thinking about those gussets.

415
00:43:13,760 --> 00:43:17,920
Guys, I need another color. It's really getting me right now. They're pour on the burn there.

416
00:43:17,920 --> 00:43:24,720
I feel like I go through seven stages of grief with shawls. Like I get like, yeah, this will be,

417
00:43:24,720 --> 00:43:30,160
this will be fine. This will go quick. This will be fine. Oh no, I'm in the middle and this will

418
00:43:30,160 --> 00:43:37,120
never end. And then I get like close to the end. Then I'm like, Ooh, Ooh, I'm almost done. I swear

419
00:43:37,120 --> 00:43:41,120
to God. And then you get to the border and you're like, wow, this is literally like picking up

420
00:43:41,120 --> 00:43:48,160
toothpicks with, and then you get to the euphoria of finishing. You block it and it's sitting there.

421
00:43:48,160 --> 00:43:52,640
And then like, you get like, you know how they talk about like when you give birth, you get amnesia

422
00:43:52,640 --> 00:43:56,480
and then you want another child. Yeah. It's just like that. I get amnesia and suddenly I want

423
00:43:56,480 --> 00:44:03,440
another shawl. Yeah. For all the shawls you wear. I do. No, I've made a lot. It's just about creating

424
00:44:03,440 --> 00:44:08,720
art at this time. It's just about the art. It's just a weird process. I thought the same thing

425
00:44:08,720 --> 00:44:13,600
because I don't wear a lot of my stuff and I'm like, why am I doing this? And I'm like, for the

426
00:44:13,600 --> 00:44:18,960
sheer creation of it, like I may never wear these things. It's okay. See, I make a lot of shawls,

427
00:44:18,960 --> 00:44:24,880
but I wear them at work. Yeah. I would, I actually am thinking about wearing shawls to work this year

428
00:44:24,880 --> 00:44:29,520
and I'm waiting for the reaction. The best can be great. They're going to call me like Baba Yaga or

429
00:44:29,520 --> 00:44:34,000
something like that. Yeah. Well, you work with teenagers. I do. Meanwhile, I work with lawyers

430
00:44:34,000 --> 00:44:37,360
and they all go, Oh, that's so nice. Right. See there's the trade off.

431
00:44:40,480 --> 00:44:45,280
And that's all the time we have for this episode for additional content and opportunities to

432
00:44:45,280 --> 00:44:50,240
connect with the cast. Be sure to check out our website at pardon my stash.com and remember to

433
00:44:50,240 --> 00:44:55,360
tune in next time for more tips, nips and wits at pardon my stash.

