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I'm Drea. I'm Meg. I'm Tina. And I'm Jess. And this is Pardon My Stash.

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Welcome to Pardon My Stash, a podcast about knitting, the fiber arts as a whole, and how

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awesome it is. Before we get into today's topic, let's talk about what we're working on this week.

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Jess, what are you working on? So I'm working on my Pardon My Stash, make along, tea cozy,

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thingamajigger, which is from Yarnspirations. And it's just the knit flower basket tea cozy.

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And I've kind of gone off the rails with it a little bit because I am totally not doing it in

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the yarn or the gauge or anything like that. I basically took the pattern and I am going.

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But it's for a tinier teapot and it needed needed a tinier thing.

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Wing it like everything in your life. I'm winging it. And it's pretty cute. So I have

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one half done. I'm almost done with the basket part of the other half.

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Which is pretty fast considering you only work on it. I only work on it when we're recording.

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So and then I have my other projects for all the time. So so it's working out. But yeah,

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so it's coming along. I'm like, you know, almost halfway done with it. And I'm looking forward to

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getting to the knit flowers, because those are going to be super cute from critical hit dies.

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And I'm pretty sure this one is a Barrett and I have red tail going on. And I don't know what

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the flowers are going to be in. It's whatever I grab out of the bag. Excellent. Tina.

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I am plugging away at my Engel sweater. It is going along. I haven't knit too much, actually,

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since we last chatted. But which actually was fairly recently. But because we had an odd week

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last week. Thanks, air quality. But but yeah, I'm just kind of I've been stuck in the half inch

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mark of the body. Feel like for too long. I'll get there. I swear I will. You will. How it be

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sometimes. Yeah. And I still I have the pattern picked out for the make along. So I think at

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some point I might switch over to that. The brioche hat I was making, I think is turning into a cowl.

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I don't know what happened. It got you. What the heck? I'm looking at it. I'm like, this is a

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really floppy hat. You know what? It's too big even for your head. Oh, wow. She's got a big head.

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I didn't take that as an insult. No, I know. Drea's head to my head in circumference is

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quite the difference. Also, I have a very tiny head. You do. Yeah. So I like, for example,

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I was making I made a hat on my Addy King and I bound it off. I'm like, oh, this is way too tight.

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Who makes hats like this? And I give it to Drea and it like fits perfect. It was like room. There

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was like room for her to put a hand. Yeah. And me it was like, I'm like, this is okay. It's a good

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hat. It's Yeah, at least I know will fit someone. It won't fit me. But I'm using a string NYC

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Dolcetto Decay in gray, dark gray and red. Excellent. Drea? Camichal by Isabelle Kramer,

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Faded Jeans. Jeans. I thought you were just gonna say jeans. Silver Moon Fiber Arts. That sounds

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right. Yeah, that sounds right. Feels right. And jeans. Faded jeans. Beautiful. Meg? I just split

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for the sleeves today on my Calliope sweater. That is so good. Look at the halo on that. Like,

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it is so good. I love it. First of all, that came up very fast. Yeah. It's listen, I've never knit

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a sweater out of Decay before. This is like lightning compared to knitting a fingering weight

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sweater. I'm looking at your mine is supposed to be Decay. I'm looking at yours and I'm looking at

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mine and like mine looks like fingering compared to yours. Well, it's a Decay held with a mohair.

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That's true. Yeah. So it's a little bit bigger than a Decay. Yeah. No, I'm like, yeah, that's okay.

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Because yeah. No, this looks like the same thick as your solid yarn. I'm just okay. Never mind.

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Yeah. I'm sitting there like, wow, I'm small. No, it knits up really, really, really fast.

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I've also been like pretty project monogamous for the last three weeks. So I know, I know it's been.

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So I did pick out what I'm going to knit for the make along. So I'm probably going to start that

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pretty soon. But on a whole, I haven't picked up anything else but this in a few weeks. So I've

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just been knitting round and round. This is what I needed right now. I just needed something that

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was tactile and easy. That was kind of where my brain was at. So that's why it's been going so

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fast. But anyway, it's Kaliope by Melissa Clullo. It's all over the internet lately. Yarn Harlot

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made one a few weeks ago. So a lot of people are knitting them. I've been noticing. Perfect time.

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Yeah. And I'm knitting it out of Critical Hit Dyes, Wizard and Mystic held together. And both

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of them are in the colorway etherealness. Be sure to check out our website, PardonMyStash.com for

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more information as well as pictures regarding our current projects, patterns and yarns.

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So for our topic tonight, we're going to get a little bit serious. Something we never do

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on this. Super serious. On this podcast. What's the word I'm thinking of? I'm feeling super serious today.

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Super serious. We're going to talk a little bit about the state of the... Union. Crafting

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world in general. We're not doing the state of the union. We're being serious, Strea.

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I mean, the state of the union would be pretty serious, but I am not the president,

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nor do I want to be. Fair. I don't think anyone at this table wants to be. Agreed. Let's move on.

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So the least enviable job in the world. So state of the crafting world on a whole. Talk about

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kind of where things are at, because there's been a lot of talk lately on social media about,

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you know, what's going on with designers, indie dyers, small businesses in the fiber arts all

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together. And, you know, we had the unfortunate incident with the closure of stitches about a

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month ago and how that impacted a lot of teachers, indie dyers, craftspeople in general. We want to

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talk a little bit today about, you know, what we have seen, what's been going on, kind of noticing

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a puzzling, not puzzling, but more disturbing trend. And maybe what we as fellow fiber artists can

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do to try and help. Well, what's happening? At least from my perspective, I have seen a lot of

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people just kind of calling it quits, not with the fiber arts, but with the consumeristic side of the

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fiber arts. There's a lot of knitters that are pattern designers that are retiring, quote unquote,

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from doing any further designing. There's indie dye shops that are just done. Like, they're just,

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okay, that's it. Like, they might be doing a fiber arts venture, but it's no longer in the indie dye

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space, nor are they going to be selling to the general public. And then there's just this kind

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of collective, like, exhaustion with the idea of peddling, as I like to put it, your wares.

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Because, like, what happened, guys? Once upon a time, land far away. You know, like, fiber arts,

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and kind of honestly, a skill that you could do with your hand. I'm talking about, like, the trades,

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I'm talking about the crafts in general, any kind of crafts. There was like this time where people

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would like look at craftsmen or women and go, wow, what a skill. I will pay many, many dollars for

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that skill, because that is a very tough thing to do. And I appreciate the work and time that has

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gone into that. Yeah, but I can just go to like a big box store and I can buy the same thing for,

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you know, $15. Correct. So why am I going to pay you? Correct. And that's honestly the problem,

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is that you have this kind of reduction of the quality of craftsmanship in general, because it's

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all getting pumped out. And I think there's, and as we all know, as fiber artists, there is this

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misconception of that, especially crochet, that that is just, oh yeah, just thrown on a machine.

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Sir or Madame, that is not from a machine. What you were buying, if you're buying something crochet

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from some big box store is usually from someone getting severely underpaid for their work,

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for like pennies on the hour for their time. And it's just furthering this kind of distinction of

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poverty within the folks that have those kinds of skills, because it's just not valued.

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And it's interesting because it's causing disruptions with a lot of different things. One

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is that if you are selling your wares, you're just, you have the people that are just tired of it,

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like, no, I'm not going to reduce my prices. And it's not worth it anymore, because you're not

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going to buy it for the price that it's worth. So, you know, that you see an issue, so we're just

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selling them, you know, just by themselves is the fact that you, it has created this idea that it

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takes an actual artist that doesn't own a factory and a big machine that does it, that it takes them

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the same amount of time for the same amount of cost. And there's this disconnect now between the

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consumer and the seller of these things, thinking that it's all made the same exact way. And that,

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I think, is the issue is that I feel like it's not everywhere. Obviously, you still have people that

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know and understand what goes into a craft, but you get a lot of people that kind of like,

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that disappears and there's just the magic of the store where they don't even think about

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how the production actually happens or how it's actually made, which I mean, even if you're

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looking at the factory things, it's kind of interesting and like super like, so check that

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out. But they don't think about that. It's just, nope, I walk into the store, I pick it up and,

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you know what, if I complain about the price, they'll try and barter with me down. And

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that's not necessarily the case anymore. And some of that too, you're seeing that is rounding about,

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you're seeing a lot of platforms that people are using to sell are starting to side more with the

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consumer than the seller, which in some cases, yes, that can be good, but it's to a point now where

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there are consumers that abuse it. And like Etsy is a bit having a big blowout right now because

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someone can just say, Hey, I didn't get this. And instead of actually looking into it, they're like,

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okay, we'll refund you. And now the person has the product, the cash and the seller is now out,

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all of that. And you're seeing, I'm seeing a lot of sellers saying they're leaving Etsy because of

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this, because they're, they're losing money. They're, they're literally going bankrupt because

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of charge backs. The best part of Etsy that is killing me right now is that there's, there's tip

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videos on how you can let someone know that they're buying a $5 pattern, not a $5 sweater. Yeah.

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Like there's people that legitimately buy something for $5 for like, or $10 even,

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and it's a pattern. And they think it's a, they think they're getting ships.

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A sweater product or a hat or a whatever. And I'm sitting there going like, are you crazy?

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In what, in what capacity, unless you're going to some kind of secondhand store or like that,

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you would find anything knitted or crocheted for nothing. Like you, when I see prices like that,

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it's usually because I've gone to a Goodwill, somebody dropped all grandma's blankets at the

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Goodwill and they're for $5 each. And that's when I see those price then not on Etsy. There's no,

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nobody's sending you a luxury beanie made of merino and silk and cashmere for $5. I'm sorry.

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I hate to break it to you. And, but what's happening is they put, they give them bad reviews.

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And then there's people who even buy the pattern and they say they like, they can't figure out how

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to download the pattern. So then they leave a bad review because they can't figure out how to use

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the app. And I'm like, that's not the seller's fault. That's Etsy's fault for having a bad app.

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Like I can't even realize that things like that were happening. Yeah. Yes. You're telling me this

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right now. Like people are buying patterns and expecting a finished product. Yes. And it's like

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literally killing me on the inside. There's, there's also very little oversight from the

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inside. There's also very little oversight from a lot of sites like Etsy that, and this happened,

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I remember a few years ago with Blue Brick, the Blue Brick yarn company and Wingspan when they're,

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did you remember when the Wingspan pattern went viral and everyone was buying Ibis? I don't think

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it was Blue Brick that was the, that was as impacted as the artists who designed Wingspan.

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Other people, scammers were taking that, creating their own pages with the picture of Wingspan and

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selling the kits. And there's no oversight. Like nobody could stop them. So people were getting

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scammed out of that. And scamming, I think is another huge part of why people are, are getting

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out of it, both sellers and honestly like consumers, because we, we've all heard the stories of small

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businesses that don't deliver that accept money and then they don't deliver a product. And especially

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in the fiber arts, if you're buying, you know, a indie dyed yarn or an advent or, you know,

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something that is a considered a luxury item, normally you have put some money away. You have

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planned for that. And it's, it's not like it's a couple of bucks that, you know, okay, you know,

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that's inconvenient, but no big deal. A lot of buyers have gotten turned off of small businesses

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because unlike a big box store, it's, it's harder to get, to be made whole when you've been taken

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advantage of. So it kind of goes both ways. It really does. It's, it's on the sellers. It's also

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on the buyers on both ways. And it sucks because this minority, cause really it is at the end of

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the day, for the most part, if you sell an item, it gets to the person, the person says thanks and

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moves on. But then you have the minority, you know, that's even if it's 10%, it's still a huge

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amount to a small business of people who are trying to scam them out of a pattern, scan them

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out of a product, you know, or from the buyer's perspective, buying an item and just never

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receiving it. And the seller just getting off. And again, there's so few of them that do that,

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but it doesn't matter. But it, but it, but it tarnishes. It's huge. It tarnishes everybody.

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And it goes crazy and everyone hears about it. Because at the end of the day, you all,

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everyone gets lumped as a small business owner, right? And people talk and then it's like, oh,

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well this indie dyer scammed me. So then all of them, or this designer scammed me. So then all of

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them, or I bought an advent and I didn't receive it. So I'm never going to buy advents again.

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Yeah. And then it's like that product in particular just gets ruined. I understand, like things happen

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and, but it's, I think at the end of the day, if everybody would just, I know this is a hard

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concept people, but we're going to try right now. If everybody would just let go of their egos and

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be honest with everybody, you would be amazed at the problems that we could solve in this world.

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I really truly feel, I know, I know the concept of honesty, I think has, has been lost. Because I

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think at the end of the day, you have all these social media accounts and they show everybody with

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no problems and nobody Fs up and everybody's perfect. And I, and I do feel that the, the

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younger generation is killing this because they're just like, no, this is now everybody's got problems.

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This is not realistic. I do, I want to say that our generation, the elder millennial kind of

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generation probably started that because that started in when we were younger, this whole like

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influencer, like look at my perfect life. I also think that that came from our parents. Yeah.

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We're putting that pressure on airs and making sure you present the perfect picture. Yeah. If

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that isn't the case behind the scenes and it's, we just put it on social media and made videos.

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Correct. And I think as time goes on, you're seeing millennials start to like break out of that and

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go, you know, the Gen Z got something going on. And they just like, no, we're not going to do this

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anymore. And it like, we're going to eliminate this illusion of fast, quick production, productive,

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this kind of idea that like your life is meant to do something or give something or no, maybe,

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maybe your life is just literally to exist and like, that's okay.

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But my life is a mess and I'm just getting through it. I need breaks. Yeah. I like to do

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crafts and that's me in a nutshell. Yeah. And doing this whole like, it just, it's killing me because

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back to the whole idea of honesty, it honestly just, honestly, being frank and open and honest.

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So like say, I don't know, I have a design, I'm having it tested. It turns into be a crap shoot.

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If I just go to everybody and go, Hey, you know what? I did this design, we're testing it. It

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sucks. I'm going to go back to the drawing board. So any deadlines I told you, we're going to nix

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all that. And I'm just going to go back and like rework this and get this going. I feel like as a

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tester on the other side, I'm just speaking from a tester, I would be like, wow, awesome. Like

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they're listening to all of the problems. They're going to go try to resolve them. They're going to

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come back and try to do it again, instead of, oh, like, everything's fine. We'll just delay this a

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little bit, but it's okay. Everything's fine. And I'm like, no, it's not fine. It's okay. It can be

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not fine. Like it's, it's okay. It's fine. Same thing with indie dyers doing like, you want to

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do a batch of a certain color. You try the batch, the batch up. It's just screwed. And you're like,

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crap. I have, um, we call that wild magic. I love wild magic for that. Wild magic is like,

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we tried to do something. It didn't come out and we go, huh, it still looks good. It's still a yarn.

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There's nothing wrong with it. It's just not what we wanted. Wild magic here. It's cheaper now.

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But like the fact that you embrace that instead of like, okay, we're going to like pretend this

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didn't exist. No, no, no, there's nothing wrong with that yarn. There's a whole page on our

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website of mistakes, happy accidents. Some of your happy accidents are beautiful though. Okay. Uh,

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what was it? Tequila, tequila sunrise. Oh my God. That was hilarious because that was such a mistake.

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And I put those up. I'm like, I was, I was super upset about it. I was really upset because I called

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Jess and like, I had this whole batch and it's all wrong. And I'm like, you know what, whatever

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it's going up there, call it tequila sunrise. I'm good. And it sold out in an hour. And I was like,

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Oh, it was gorgeous. It was gorgeous. I can't recreate it. I don't know. It's fine. That's the

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one sad thing about those types of happy accidents. I don't know how I screwed it up, but like,

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but it was, it was what it was. You're right. Like, and it's, and I've, but, but to kind of

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go off what Drea said about that whole, like the pressure from, from older generations, like

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that is probably as a fiber artist been one of my biggest challenges. And Jess knows because she

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watches me go through the five stages of grief. Every time I screw up dying. Oh, I really do.

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Like it's terrible. I'm like, and in the wild magic kind of saves us because originally I was

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like, Oh my God, I'm destroying our stock because I'm an idiot and I can't recreate this dye color.

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And Oh my God, like I'm, I'm costing us money, like the whole thing. And so kind of like now at

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the point where it gets screwed up and she'll come home and she's like, what are you doing? I'm like,

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well, I don't know. It was this it's not anymore. Ta-da. And I don't care anymore, but it has taken

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me a long time again, going off what Drea said to kind of break out of that. This is a mistake.

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This is a screw up. I did this wrong or go. I'm bad. Like that mentality. And it was really ingrained

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that if it's not exactly what I wanted it to be, then it's a failure. Yeah. It's been really hard

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to break out of that. It really has. And I think too, there might be part of that with all these

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closures because I feel like, like I actually put that on a story, the other, if not yesterday,

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like today where no, it was yesterday. And it was about like how guys, I have all these followers.

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I don't make any money. Like I don't live off of this. Like there was people that legitimately

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thought like, once you hit like a certain mark, like just Instagram just sends you money. They

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just send you money. Nobody sends you money. Nobody sends you money. There's no money. Even

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when Instagram was doing money, I know it was bull crap. They kind of stopped doing that pretty

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quickly. Yeah. They were like, wait a second. This isn't, this isn't working. We're losing. We, we,

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instead of having 70 billion in profit, now we have 69 billion in profit. That's not okay.

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It's just like, I don't like it's, it's, I think there's a mentality of like, if I create a product

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and it doesn't sell out and it's not the number one product, I failed. And that's not the case.

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I'm okay. I'm okay with my seed. I think I have like a hundred something people or sales or

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whatever for the seed top. You need I'm good. I'm good. Is it a sellout? Is it like, am I like going

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to be a huge name at the next fabric? No, absolutely not. But you have maybe a hundred people that are

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wearing your head. First of all, the fact that even one person buys my pattern, I'm just like,

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oh my God, like, what did I do? It was it the, was it the pattern cover? Like,

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I actually can't wait for fall. That's like my favorite hat. Oh yeah. It's going to be a good

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time. I'm not even saying that to bump you just like, it's going to be, it's going to be a good

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time. But they like, but like, instead of feeling like I need to create something so that I meet

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some kind of capital capitalistic goal. Now I'm like, okay, I'm going to create something

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so that it makes me happy because I would make this. I would want to do this. So here's this idea.

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If you like it, buy it. If you don't, that's okay too. Like I'm still going to use it.

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It's and it's hard because I know that there's fiber artists out there that use this as like,

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this is how they make a living. And, and you can't almost take that mentality with it because it is

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your form of living. Um, and if it is, I'm sorry, you gotta try and find a happy medium though.

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Cause some, some with that too, it's like, and not everything is going to take off. So it's like,

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okay, that doesn't mean you're a failure. It doesn't mean that it's a bad idea. It just means,

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okay, that's not the market right now. And the market is always changing. Everything is always

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like flipping around. You got to stay on top of all of it. Um, I work in sales, uh, it's like food

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sales, but still. So the idea that's sort of where I'm saying is like, you've got to kind of figure

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out where your market is, who is by, you may be originally targeting towards an audience and then

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a different audience like enjoys it. So it's like, it's not a failure in less you do nothing with it.

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So long as you can take a loss and be like, okay, what, what were the factors that went into this?

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What can I do to kind of switch it around? Are there things? What have I learned from it?

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That's maybe not money, but what have I, yeah. And if you can take that and then go in from a

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different angle, like you're never really losing it. So it is, it is the cool thing. And it is also

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the unfortunate thing because a lot of times you are gambling with your, your own money and your

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time time. Um, and that part can get scary, especially if you get to a point where it's like,

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you know, it's, you're starting to get more on the thin side of things and it's like, okay. So,

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and I feel like that, that is what we are, especially right now with, um, just kind of the

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state of that things are in. Um, people are finding they are getting on the thinner side and they have

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to make that hard decision of, do I keep trying right now or do I have to like make the hard

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choice to stop until, you know, things can, things can pick up, things are a bit easier to, to push

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back into a business. Well, the other problem too, is that like with every market, with every

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business, there are highs and lows. Absolutely. And you know, 10 years ago, the indie pattern,

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indie dire markets were so small. And then you saw, you know, with, with Ravelry and social media

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and blogs in general, and that exploded. And at this point, right where we are at right now,

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even though it seems like all my favorite indie dires are closing, the market is oversaturated.

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It is, it's oversaturated. Um, that lends itself to, you know, a scarcity in the market of people

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having to choose between, you know, nobody can afford to buy from every indie dire that they like

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every week. So you have to pick and choose. Now, when that happens, this is basic economics,

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businesses start to close and eventually you get to the point where the market is no longer

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oversaturated when there is more demand than supply. So then more people enter the market

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and it's cyclical. It's just going to keep going. So right now we're still at an oversaturated point.

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It's not that we want the market to be under saturated or oversaturated. We want it to be

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whatever it is. Um, but it does make it hard for people that are trying to make a living within it

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really on both ends. It's difficult. Especially when you, again, you've got platforms and things

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kind of working against you and you got to, it's, it's hard and it's, it does, it's, it is kind of

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sad when you start seeing it, especially when you see like all the ones you really like. And it's

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like, oh, you know, we're starting a club and you're like, oh no. Um, but I think you do,

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you do see that though. It does. Um, especially with smaller businesses and, uh, the smaller indie

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died or indie owned. Um, you see a lot of like turnover almost. I honestly, so one thing, so I

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used to be in the Japanese fashion scene and one of the things that they, that they did towards the

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end right before I left, um, they did like a collective. So like someone came up with the

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idea of instead of all of us trying to all be like, whatever, like we could still be our brand,

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but like, we're all gonna pool together. And instead of going to like an Etsy or something

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like that, we're all going to, they, they called it literally the, I think it was like the Lolita

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collective and they had like all these different brands, small little brands underneath one

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website. So working together instead of trying to market against each other. And what that gave the

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opportunity for was, is when they, when we had, so we used to run our conference, they were the

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vendor, the collective. And then if you wanted to have items at our show, but you couldn't afford

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necessarily a booth by yourself, you could just be in the collective and they would include you on

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the rack. So then it gave opportunity for everybody to have success. Kind of. Yeah. It was almost,

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yeah. And I w I just like, I don't know if I just said a billion dollar idea and someone's going,

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Oh my God, I'm going to make that right now. Um, but like, and I hope so. Yeah, no, but it would

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be nice. Like I think it would, I think the idea of like kind of a collective idea in the fiber

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arts world. That's not like the site for me, when I see the Etsy's and the Ravelries and all these,

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um, there's like a, there's another app and they're, they're like, their business is to

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make money off of the people in it. Yes. It's not necessarily to come together and

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form a group to try to like work together. It's, it's to like the person who ran that collective

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in the fashion world had their own brand in it. Yeah. So they were just running the group,

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but they weren't necessarily like, okay, like I'm going to make money off of all you and you will

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do all the work. That's what Etsy does. Etsy wants all the, the crafters to make all their crafts

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and then they take a fee and then they make millions while the crafters still get haggled.

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So I think what we need is to go back to the, um, group help mentality. And I know that there's

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like this, I know that when you start going that way, people are like, oh no, it's going to be like

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a hippies in a, in a big, like, I'm not saying that I'm not saying that I'm not saying all the

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way that way. I'm just saying, can we grow tomatoes at the commune? Yeah. Great. I love tomatoes.

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They're so hard. Anyway, anyways, we're not doing that right now, but it's okay. I have my own

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tomatoes. I just planted some last week. The idea is, is like, I think if maybe some of these crafters

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or dyers or just anybody within this fiber arts industry, just like said, Hey, I have a bunch of

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friends. We all have this thing and we're going to call it the fiber collective or something. I

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don't know. That's probably already somebody already has that, but whatever, but something like

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that. And then like under that, there would be a whole bunch of indie designers and dyers and stuff,

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and they would just work together as a small group. It wouldn't be like this.

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Okay. Like there's thousands to pick from. And it's like, no, it's maybe they have all have a joint

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venture where like all of them are women or all of them are LGBTQA or all of them are, I don't know,

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like you just all have something in common and then they go that way. I just, I don't know,

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throwing ideas out there. Somebody do it. Like merchant guilds. Yeah. Yeah. What I said, be the

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I said, be the change go. No, but honestly, kind of to go along with that, I was, I was

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looking in on a conversation the other day and people were talking about two, two designers,

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one who was actually they're both pretty well known. I'm not going to name names.

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And someone was irate that one of them had used a similar prefix

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on a design name as the other dyer, as the other designer, which again, I was like, okay, that's

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petty, but whatever. And that's why Ravelry has like the cowl two, the cowl three. Oh, I know.

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Like literally if you like just, just for reference, when I was looking for a T related,

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cause I didn't want to do a T cozy when I was looking for that, I just put in T and there were

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like 7,000 patterns that had to do with T. But the reason like pettiness aside, the thing that

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really hit me and actually really made me sad was the person who was irate about it said, well,

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I think that's just a really low thing for a competitor to do. And I was like a competitor.

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The thought that designers, dyers, crafts people that we are competing against each other,

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it really bothers me and saddens me. Like we, we're, we don't have to, it doesn't have to be a

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competition. It's not like we're fighting. I, I dye yarn. I still buy other people's yarn. I don't

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look at them as, oh, that's my competitor. I don't. Like when you decided to make a pattern,

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I didn't go up Meg, mind your own business. Instead I was like, hooray, come join me

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in this whole of patterns and math. Because the more we put it together, the more options we have,

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the more people that are involved in the more art that gets created, the more options that we have

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in terms of yarn, in terms of colors, in terms of designs, the wider and bigger and more diverse

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our craft becomes. And that's a good thing, not a bad thing. We shouldn't look at each other as

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competitors. The five words is very much like there's something for everybody. There really is.

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And looking at it as we're all in competition with each other is sad. And I think that's

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the point. Like everyone wants to focus on the fiber and forget about the art at the end of the

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day. We're all artists and you, you cannot, one artist can copy another like work, like line for

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line. But even if they, unless they were tracing, even if they copy line for line, it is still

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their own, like it's completely there's, you can tell like this is somebody else's and this is the

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original. And because, but because of that, I'm not saying copy each other. What I'm saying is

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because of those unique perspectives of how you view the world, I mean, we have people who are

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colorblind. We have people who literally just see things differently because our brains are a little

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messy, me included. Um, but like you just, because of that, you have so many different perspectives,

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so many different viewpoints, so many different layers of experience that people have been in

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that you, I could not go up to somebody and say, well, you understand you've clearly been in my

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shoes because they probably haven't. And you haven't been in theirs and I haven't been in

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theirs. So when someone, if someone were to come up to me in this stranger and say, I would like

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you to draw a picture of your happy place, guess what? It's going to be two different things.

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Even if it was the beach, they're not going to look like the same beach. No, they won't because

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your, your visions are completely different. So I, I don't, I get the whole like, I'm trying to make

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money or whatever, whatever, but I honestly feel at the end of the day, if everybody would just go

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back to the fact that this is art and work together rather than against, you have to understand

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that guys, we are working all these indie folks. The reason why we're indies is because we're all

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tiny. We're all working against the consumerist society that is we're working against all the big

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box people, all the people who just put out like just nonsense that you can just walk into a store

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and buy. And we're also working against that fast, fast fashion industry that is, you know, chunk,

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like just throwing things out, creating horrible, like I just go into that anyway, but instead of

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like looking at the other fiber artists next to you that may be also designing hats, plenty of

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people design hats, but there are like, your hat will be different. I remember when I made my seed

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dot beanie, I was like, nobody's going to want this hat. I'm like in my head, I'm like, it's just the

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seed stitch and the dot stitch. Nobody wants this hat. Nobody wants this hat. It's just a hat.

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Some people want that hat.

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Yeah. A hundred plus people wanted my hat. So it's like, it's like, if I could speak to a hundred

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people and with my little simple hat, then maybe your hat that you have out there in the universe,

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whoever's listening, maybe your hat idea will speak to 10 people, one person. It doesn't matter.

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Like you are speaking to somebody else because everybody has different viewpoints.

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Guys at the end of the day, knitting is all one stitch that can be reversed. That we put together

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in different ways. Dying. There's only so many colors that actually exists that you, the artist

361
00:37:45,280 --> 00:37:52,320
are mixing in different ways. It's a freaking mic drop sound. It's crochet. Same thing. Like one

362
00:37:52,320 --> 00:37:59,200
stitch spinning. There's only really one way to spin yarn. Wrong. There are a couple different

363
00:37:59,200 --> 00:38:04,720
ways. You're twisting fibers. You are fusing fibers, correct? So there are different ways.

364
00:38:04,720 --> 00:38:09,120
No, there's different ways, but you're, you're fusing fiber. That is what spinning is. You're

365
00:38:09,120 --> 00:38:15,120
fusing fiber. That's how you make yarn. There isn't like a non-fusing fiber way to make yarn.

366
00:38:15,120 --> 00:38:19,520
So everything yet is fusing fiber. Okay. Meg, enlighten us.

367
00:38:21,520 --> 00:38:26,400
No, I'm just saying it's so if we're stopping at like, okay, you're copying me,

368
00:38:27,520 --> 00:38:32,880
then everybody just stopped because you know, way back, like right when Homo sapiens first

369
00:38:32,880 --> 00:38:38,240
discovered how to make cloths and we're at the end, we're done. They figured out how to do it.

370
00:38:38,240 --> 00:38:43,440
Just stop guys. Cause now you're copying that person. I mean, to be fair, someone made a stock

371
00:38:43,440 --> 00:38:48,480
net sweater probably like a hundred years ago. Let's stop probably longer, probably way back.

372
00:38:48,480 --> 00:38:55,680
So like, can we just wait more than a year? I, I, yes, we have, they have had sweaters, you know,

373
00:38:55,680 --> 00:39:01,120
so it's like prior to the 1900, I am aware that sounds like I just threw out a hundred. I know

374
00:39:01,120 --> 00:39:09,440
that a hundred is a big number. Okay. Sorry. Back when the hobo, so I started this episode by saying

375
00:39:09,440 --> 00:39:14,080
we were going to be serious and I clearly lie. Let me go back. Oh, okay. Fine. Jess has got it.

376
00:39:14,080 --> 00:39:23,440
The Homo sapiens. Okay. I will go back to Homo sapiens. When they created fire and the Shetland

377
00:39:23,440 --> 00:39:28,560
sweater. That was it. That was it. They created fire and then the Shetland sweater.

378
00:39:28,560 --> 00:39:32,480
Everybody's conception of history is making my brain explode right now.

379
00:39:32,480 --> 00:39:35,920
And ancient is not even my fourth time. They made the fire. When the fire would go out,

380
00:39:35,920 --> 00:39:42,080
they made the sweater. Well, you got a lot for the blooper reel. Oh no, this should stay in.

381
00:39:42,080 --> 00:39:47,920
This was great. I'm just saying this, this, this thread was everything. The idea of people copying

382
00:39:47,920 --> 00:39:53,360
things in that regard, like, yes, if you just copy paste somebody's pattern, like bad on you,

383
00:39:53,360 --> 00:39:59,440
that's back off that, that is not nice. But I mean, again, it's, it's all just different

384
00:39:59,440 --> 00:40:05,120
putting together of patterns that exist guys. Like we need to calm down.

385
00:40:07,120 --> 00:40:11,840
And that's it for this week's topics for additional content and opportunities to connect with the cast.

386
00:40:11,840 --> 00:40:17,280
Check out our website at pardon my stash.com. Be sure to tune in next week for more fun friends

387
00:40:17,280 --> 00:40:23,520
and fiber at pardon my stash.

