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This is the Reading Instruction Show.

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I'm your host as always, Dr. Andy Johnson.

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The topic of today's podcast, this is part two, any two-part series looking at more authentic assessment for writing.

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Now, the purpose of this podcast is to provide an overview of some healthy alternatives to standardized tests, writing tests, and rubrics for writing.

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Six points. To be of any use, these healthy alternative assessment strategies that I'll describe here must reflect your values, your philosophy, your teaching style, and your students.

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In other words, your system needs to be yours.

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You can't assess effectively using someone else's system.

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Thus, I will present some simple ideas here with the expectation that you'll discuss them with your colleagues and use them to develop your own assessment system.

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Number two, your assessment system is not a permanent entity.

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Expect that it will evolve and change over time as you get more knowledge and experience.

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Three, an effective assessment system utilizes multiple forms of assessment.

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Multiple forms of assessment.

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That means you want to include multiple kinds of data.

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No single assessment strategy or data should be used exclusively.

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Number four, big picture, the role of a parent and the role of a teacher is to become obsolete.

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You want to prepare students for the world they will encounter such that you are no longer needed.

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Similarly, the role of good assessment is to become obsolete, to prepare students to evaluate their own work.

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Thus, an important part of assessment is to teach students how to assess their own work.

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Number five, students should be involved in the assessment process.

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It should be something students do, not just something that's done to them.

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And six, the only hard and fast rule about portfolios that we'll discuss in just a minute is that you use them.

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Other than that, you're the professional.

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You know your students.

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Adopt and adapt all these ideas as you see fit.

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So let's take a look at portfolios.

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Portfolios for writing are perhaps the most valid way to document and demonstrate students' growth as writers.

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Valid because they contain students' real life writing products, among other things.

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So a bit of advice in working with portfolios is to keep it simple.

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More complex doesn't mean more rigor.

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It just means more complicated.

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Let the portfolio evolve and grow with your understanding.

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Start small, but think big.

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Now, three types of portfolios will be described here, a student portfolio, a showcase portfolio, and a teacher portfolio.

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I recommend that each of these be included in some form in your assessment system.

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So let's look at the work portfolio or a draft portfolio.

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This is the place where all students' drafts and work in progress are kept.

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This portfolio is maintained by the student, by your students.

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During daily writing time, students then are able to select the drafts from their work portfolio they wish to take through the editing and revision process.

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Now, if you're working in a paper writing environment with young students, especially, use a Manila-Manila file folder with the student's name on it for each student for their work portfolio.

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These should be kept in a box someplace or on a shelf anywhere other than students' desks.

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And if you're working in a non-paper environment, use a shared online folder for each student.

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Besides students' drafts and work in progress, students' work portfolios might also include any or all of the four items that I will describe.

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It could contain a completed project list.

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Here, students record the title, genre, and date completed of any writing projects that they've done.

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And they might also record the type of media used to share their work.

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For example, did they use a podcast, a book, a video, open mic, etc.

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What did they use to publish and share that work?

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The second list could be a future topic list.

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This is the list of potential writing topics or ideas.

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The third one is the lives list.

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I'm often asked, what can I do to motivate my students to write?

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And the answer is simple.

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Include things that interest students.

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And what is of most interest to all students?

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Their lives.

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Writing that intersects with students' lives brings about greater motivation and engagement, as well as better written products.

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The lives list contains descriptions or lists of anything that students find important in their lives.

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This could include friends, relationships, sports, music, games, hobbies, pets, movies, TVs, families.

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And if you're using an online portfolio, students could also include pictures.

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And you'll find over time that the items in the lives list will begin to find their way into all other lists.

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Authentic writing about their lives.

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And the fourth one is the daily progress report.

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This is where students record their daily progress.

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The date, tentative title, or topic of the work, and the steps or stage they're on are listed here.

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That's the work portfolio.

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The second portfolio is the showcase portfolio.

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This is where students select the writing they think best demonstrates their growth as writers.

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Now this portfolio can be shown to parents at conferences or sent home along with teacher analysis.

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There are no hard and fast rules here.

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You can include anything that documents and demonstrates students' writing progress.

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For example, you could include a student self-report survey, student analysis of their own writing,

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your analysis of their writing, checklists and samples of students' drafts or revisions or editing.

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Anything that showcases their writing progress.

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The teacher portfolio is the third one.

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This is where you compile all types of data that you've collected to assess students' progress, your observation.

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You would keep a portfolio one for each of your students in a desk drawer someplace where only you have quick and easy access.

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You'd include your notes from observations, data from teacher interviews with students,

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checklists, anecdotal notes, test scores, work samples at various times of the years,

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and yes, even a stinking rubric if you wanted to do so.

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There's no rules. You decide.

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Now at report card time or conferences, you'd analyze and organize the data here.

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And your analysis of this data provides a much greater context for understanding the material in the showcase.

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Now, the last thing I'll say about portfolios.

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In the 1990s, portfolios were a big thing.

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They were the big thing for assessing learning and documenting students' growth across the curriculum,

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not just in literacy.

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And you'll find that most of the books and articles written about portfolio assessment are from this time in the 90s.

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This was the golden age of literacy instruction before state and federal governments began and shooting into the classroom.

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Back then, school districts and teachers were able to make decisions related to their curriculum, pedagogy, and testing.

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Imagine that.

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But a funny thing happened, or a tragic thing. Portfolios seem to disappear.

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Poof!

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So what happened to this very good portfolio idea?

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Well, four things. First, the number monkeys got ahold of them.

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They cried out, how could learning occur if it can't be quantified?

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They said, how do we know who's above and below average?

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How do we know what schools and teachers are winning?

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We just can't have this portfolio nonsense, they said.

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Second, the educational overlords got involved.

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Instead of letting teachers develop their own portfolios,

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school districts and state education departments decided they knew best.

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They designed portfolios for teachers, mandated that they be used, and dictated exactly how they were to be used.

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Imagine the amount of time and money that was wasted trying to identify a common set of traits for things and then describe levels of each trait.

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These resources would have been utilized far more effectively if they were instead used for quality teacher professional development related to reading, writing, and portfolio assessment.

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Now, any time more money is spent on assessment than is spent on instruction, something is seriously out of whack.

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And we need to get that something back in whack.

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Third, the educational overlords tried to standardize the process to make everything the same, the same, the same.

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Even though schools, teachers, and students are all uniquely and wonderfully different,

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a standard set of standards were mandated along with a standardized assessment process.

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It was thought that if all were standardized, then students and teachers could be compared.

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We could then identify the winners and losers and hold schools and teachers accountable.

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Oh, what a glorious world that would be.

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And fourth, the profiteers realized that they couldn't make money if schools weren't buying their tests and their very expensive reading programs.

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We began to see the manufactured educational crisis.

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Whole language, it was said, was the cause of everything wrong in American education.

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Skills-based practitioners who really didn't understand whole language and who had obviously never read a book or article about whole language

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began describing a cartoonish view of what somebody told them whole language was.

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They don't teach phonics, they teach children to guess at words, they use a whole word approach, they say, test scores are plummeting, they said.

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And even though they were wrong, wrong, wrong about all these things, they said them loud enough, long enough, with enough emotion and with enough paid lobbyists

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that some began to believe their nonsensical prowl.

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Parents became alarmed.

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Politicians demanded that something be done to prevent total economic chaos.

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Suddenly, whole language was said to be quote debunked, unquote.

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Portfolios were replaced by instruments that could generate profits for the educational-industrial complex.

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Now let's take a look at Checklist.

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In an earlier podcast, I described rubrics.

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Checklists are a healthy alternative to rubrics that are much easier to design and use.

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And three kinds of checklists will be described here.

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The first is a basic checklist.

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This lists the traits you're looking for with a place to indicate if the trade is or isn't, was or wasn't present.

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I've described in the past some examples of editing checklists for students to use when editing their own paper.

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These can be adopted and adapted to use with an assessment system as well.

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The second type of checklist is a rating checklist.

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This lists the traits you're looking for with some sort of system for identifying the degree to which each trait is present.

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You could use numbers or symbols, for instance, the key.

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If I wanted to use numbers, three would be the trait is present to a greater degree.

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Two, the trait is present.

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One, the trait is present to a lesser degree.

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And zero, the trait is not present.

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I prefer to use checkmarks, however, or to use symbols.

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A plus sign would say that trait is present to a greater degree, checkmark that trait is present,

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minus mark that trait is present to a lesser degree, and a number symbol if the trait is not present.

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However you decide to do this.

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If you're teaching the writing process, it makes sense that you would assess the writing process.

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I would create a ratings checklist that focused on the five steps of the writing process.

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The five steps would be listed on one side,

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and the other side would contain an open column for comments and observations.

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On the list on the left side, you'd mark the degree to which the editing trait is present.

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Then you'd use the comments section to describe the strengths and specific focus areas.

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The simplicity of the ratings checklist makes it much more likely to be used.

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The comments column provides the flexibility for it to be useful.

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Of course, if you wanted to take a closer look to get a sense of the particular elements related to one of the traits,

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you'd create a simple checklist for students to look at.

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For example, if I wanted to get a sense of the pre-writing strategies used by students,

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I'd simply list the strategies and during writing conferences, I'd check the strategy used

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and record any relevant observations.

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And the checklist would then go into the teacher portfolio.

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Keep it simple.

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You can create a checklist to enable students to document their own progress related to one or all five of the stages.

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This could be stapled inside their draft portfolio.

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Students would put a tally mark or a check mark each time a strategy was used.

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And you could create strategies, a checklist for drafting, revising, editing, sharing, and publishing.

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Limited only by your imagination here.

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Now, the open-ended checklist is a type of student self-report survey.

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It's sometimes called an open-ended checklist.

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Here you're asking students to reflect on their own writing and writing process.

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This often results in valuable data that would not be available with any other form of assessment.

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Self-reports like this could be collected every month, but no more than once a month,

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every two months or every quarter.

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Of course, I recommend collecting these before report cards.

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And for students in kindergarten and first grade, you would have students dictate their ideas to you or a teacher or a paraprofessional.

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Now, some ideas, some questions to give you ideas for you to create your own student self-report survey or open-ended checklist.

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But you need to actually think about what you'd like to know and design and include the questions that will get you the data you want.

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And know that the kinds of questions used here will most certainly evolve as your assessment system evolves and changes.

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Now, here are some of the types of questions.

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What kind of pre-writing strategies do you use?

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You simply ask students.

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In the writing process, what do you do well? What's something you struggle with?

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What skills have you mastered this quarter? What skills are you still working on?

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What kinds of writing do you like to do?

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What do you like to write about? What are your goals for this quarter?

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How can your teacher help you with your writing?

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What kind of writing project or topic will you be working on next?

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How do you like to share your writing?

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A survey like this by itself will tell you something, but remember, multiple forms of data.

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The anecdotal notes are the quick written descriptions of the observations you make as students are writing.

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These should be short and simple.

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Use small pieces of paper to write down and record anything you find interesting or important related to students as they're writing.

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Your anecdotal notes that are slipped into students' teacher portfolio in your desk.

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Some teachers are very purposeful in their observations.

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They observe two or three students during writing workshops and use a checklist to ensure that all students get observed on a regular basis.

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Others are less systematic simply writing anecdotal notes when they see something.

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Experiment. Use the approach that works best for you.

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When it comes time to compile data before report cards and conferences,

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the anecdotal notes along with all the other data collected

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provide a rich context to understand your students as writers.

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Compare this with the limited one-dimensional view you get of your students

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when you're using just writing tests or stinking rubrics.

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The last area I want to talk about is involving students.

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Remember I said up front, assessment should be something students do,

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not just something that's done to them.

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This means you need to involve them in the assessment process.

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Not all the time, but some of the time.

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Remember the ultimate goal for assessment is to enable students to assess their own work.

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Out in the real world, nobody's going to hand out a rubric before they write an article or report or a memo.

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Five ideas you might use to begin to involve students in the assessment process.

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First, work with students to decide which pieces are displayed or best show their growth

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and should go into their showcase portfolio.

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Two, work with students to design checklists to examine their writing.

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Boys and girls, what do you think should be included on this checklist?

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What do you want included?

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Three, teach students to give good feedback to others.

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Four, get students reflecting on their own work using a self-report survey or even a checklist.

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Five, get students using checklists to edit and assess their own writing.

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As mentioned before, you always want to keep your assessment system as simple as possible.

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More complex doesn't mean better.

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Simple systems are more likely to be used and maintained.

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Complex systems are more likely to be ignored and replaced as soon as the next shiny new thing comes along.

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And the last word, without the ability to teach writing well, all the assessment in the world is not going to help.

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Put another way, you can't assess your way to good writing.

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This has been the Reading Instruction Show. I'm your host, Dr. Andy Johnson.

