WEBVTT

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You know what that sound means? It's another

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episode of Game for a Movie where we ask, are

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you game for a movie? My name is Mike. I will

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be your host for the third episode in our spoopy

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season. It is a movie that actually I know we

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only cover bad movies. And when I say this, you're

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going to be a little confused. But this is a

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movie that has won an Oscar. Yes, we are going

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to get. Well into that, but first, of course,

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we talk about what we are drinking. Right now,

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Sierra Nevada has a special limited edition beer.

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This is the Cosmic Little Thing. It is a hazy

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double IPA, and the can art is pretty cool. It's

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a very big tall boy, like super tall boy, and

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it was two for $6, so of course I had to do it.

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And it's pretty good, actually. I really enjoy

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it. Unfortunately, it is limited edition, so

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I'm a little worried about when I drink these

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two. It's going to be gone. Like I'm not going

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to be able to find it again, depending on when

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I finish it by. I know what you're saying. Stock

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up, get a bunch of it, everything like that.

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Beer is weird, especially limited editions. They

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usually need to be drank pretty early on in the

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process. You can't just like leave it in your

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fridge for a while. But I'm going to try my best

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to have as many before it goes away. Okay, let's

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get on to the bad movie. If you haven't seen

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the title of this episode and you're just tuning

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in, well, thank you very much for just listening

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to whatever we are putting out there. But this

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is The Wolfman from 2010. It was released February

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12, 2010. It is rated R. It is about an hour

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and 42 minutes. It is a horror, mystery, thriller,

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action movie. Yes, all of those things in one.

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It is a horror mystery thriller action movie.

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This movie stars Benicio Del Toro, Emily Blunt,

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Anthony Hopkins, and unexpected, because I knew

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those three weren't it, unexpectedly Hugo Weaving.

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When he showed up, it was one of those, I'm sorry,

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is that Hugo Weaving? According to Rotten Tomatoes,

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it sits at a perfect 33%, 33 % critic score,

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33 % audience score. So about a 33 % if you're

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doing the math, which I was told there'd be no

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math. So let's get started with a little bit

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about this movie. This is one of the four attempts

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that was made to launch the Universal Dark Universe.

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Obviously, everybody wants to try to compete

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with Marvel Cinematic Universe, and there has

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been four attempts that just haven't seemed to

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be going the right way for Universal. We had

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Van Helsing. This is the second attempt, the

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Wolfman. The third attempt was Dracula Untold.

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And finally, we covered it last year, 2017's

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The Mummy starring Tom Cruise. All of them so

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far have failed to work. And obviously they've

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kind of gone through with they're going to add

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a dark park to Universal Studios so they can

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use all their monster movies and everything like

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that that they still have the rights for. They're

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creating a dark universe land kind of thing.

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Obviously, I'm going to go into more details,

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but here's a brief synopsis for the beginning.

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Upon his return to his ancestral homeland, an

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American man is bitten and subsequently cursed

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by a werewolf. This movie was directed by Joe

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Johnston. And Joe Johnston, if you recognize

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that name, has a lot of movies to his name. He

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is responsible for directing Honey, I Shrunk

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the Kids, The Rocketeer, The Pagemaster, The

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Adventures of Young Indiana Jones, Jumanji, October

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Sky, Jurassic Park 3, Captain America The First

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Avenger, and, of course, The Wolfman. He's not

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the only one who worked on this movie that had

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success outside of The Wolfman and everything

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like that. We've got the writers. There was three

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writers on this movie credited. There is Andrew

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Kevin Walker. Andrew Kevin Walker is known for

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writing The Killer, Seven, Sleepy Hollow. He

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has a bunch of projects that he's been known

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for and a couple wins as well for some awards.

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Second writer, his name is David Self. He is

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known for writing Road to Perdition, 13 Days,

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and 1999's The Haunting, which we covered last

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year on this show as well. And finally, the last

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writer that gets credit is Kurt Siadmek. He had

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actually died in 2000, so I know what you're

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thinking. How could he be credited with the writing

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part of The Wolfman? Well... He's kind of the

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writer of a lot of Universal's monster movies

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and everything like that. He's known for The

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Wolfman from 1941, The Invisible Man Returns,

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a bunch of other stuff like that. You know, The

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Brain, we've got The Devil's Messenger, Sherlock

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Holmes and the Deadly Necklace, Tales of Frankenstein,

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a bunch of those kind of movies. He definitely

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is a big part of why the Universal monster movies

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were the things they were. back in the 40s, 50s,

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60s, that kind of stuff. I do like that they

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were willing to give Kurt a little bit of credit,

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including him as a third writer on this thing,

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because truthfully, let's face it, he deserves

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it. This is his baby, so we wouldn't have this

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movie if it weren't for the stuff he had done

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in the 40s and 50s and everything like that beforehand.

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As I started this episode, I had told you that

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this is a bad movie that has won an Oscar, an

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Academy Award. It actually has been nominated

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for eight different awards and has four wins.

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Most of these wins are for makeup and hairstyling.

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That is what they won the Academy Award for.

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That is Rick Baker and Dave Elsie. They won the

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2011 Oscar for Best Achievement in Makeup. They

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also won the Academy of Science Fiction, Fantasy

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and Horror Films Best Makeup. And some of the

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other winners. We've got 2010 winner for BMI

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Film and TV Awards for Best Film Music. That

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was Danny Elfman. And the last one that they

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won as well was the Gold Derby Awards 2011 winner

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for Makeup and Hair. And truthfully, they deserve

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all the credit for that. Like I said, this movie's

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from 2010, and I know it's only 14 years ago,

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but it's amazing sometimes how quickly the industry

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changes because even though I'm sure it was great

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for its time and everything like that, it looks

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dated to even now, and it was only 14 years ago.

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However, they did do an amazing job. It was very

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good, and I'm sure for the time, it was excellent

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and stands out. It definitely stands out as one

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of those things in my head that when I'm thinking

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of this movie, I will remember for a long time

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the makeup and the hairstyling that they did.

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So what do you think? Let's get into a synopsis

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of what happened. Here is the step -by -step,

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of course, of the Wolfman from 2010. They started

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off as well with the Universal logo. They made

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it the retro Universal logo, and that definitely

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gets points for me. We get a title card that

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says Blackmoor, England, 1891 to start us off.

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There's a guy looking for something in the woods,

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and he gets clawed down immediately by a wolf

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with some decent claw effects, I would say. Then

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we flash forward to Benicio Del Toro. He is playing

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Hamlet in a traveling production. His character's

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name, for the sake of everything, is Lawrence

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Talbot. He is Lawrence Talbot. So after the show

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of Hamlet, they are all having this after party.

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And Emily Blunt, who plays Gwen Conleth, she

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interrupts the after party and she is looking

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for Ben. Ben is Talbot's brother. And she is

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engaged to be married to Ben Talbot. When she

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brings up that Ben is missing, Lawrence sends

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the party away and says basically he'll catch

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up with all of them after. And so they are talking.

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She wants him to stay and try to find Ben because

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she thinks that he'll be able to find him and

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hopefully be able to convince him because he

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seems like he just disappeared. But he's under

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contract for 30 more performances of Hamlet.

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They're traveling and they're going back to America

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after those 30 performances. So he cannot help

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find his brother Ben. So you think that's it

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about this whole scene, but then, for whatever

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reason, he changes his mind, and he's going back

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to his ancestor's land, which is Blackmoor, England.

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And so he's on a train to Blackmoor, and this

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old man sits in the same train car as him, and

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he offers him a very nice walking stick for the

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moor, because it's a moor, you know? You need

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something to help you stay upright and everything

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like that. and this walking stick is made with

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silver. Lawrence is very appreciative, but doesn't

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take it. He doesn't want to take this old man's

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walking stick, even though he offered it to him.

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Lawrence falls asleep on the train, and when

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he wakes up, they're in Blackmoor, and he's noticed

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that the old man has left and left his walking

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stick behind. So, Lawrence accepts the gift now.

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One of the things you will notice about The Walking

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Stick is that it has a wolf head, and there's

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a lot of wolf imagery we've seen so far, including

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that there is wolf pelts in the mansion as he

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gets there. When he gets there, he is greeted

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by his father and his father's assistant. His

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father is played by Anthony Hopkins. He is Sir

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John Talbot, and his father's assistant is Sing.

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Sing is played by Art Malik. I don't know Art

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Malik very well, but he plays Singh, the assistant.

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When he gets there, we get the stereotypical

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line of, ah, the prodigal son returns. Lawrence

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shows up asking about his brother and if Sir

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John has seen him or knows where he went. And

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as it turns out, his brother's body just showed

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up. He has unfortunately not made it. This is

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also when we see some of the claws and know that...

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He's been attacked by something. We don't know

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what he's been attacked by, but he's been attacked

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by something. And everybody else in this so far

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has been British, except for Lawrence, who is

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American. We don't know the reason why so far,

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especially because we do know this is his ancestor's

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land and everything like that. It goes to a local

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pub where Lawrence happens to be drinking, and

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the regulars are speculating about... if it's

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an actual murderer that killed Ben, or if it's

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an actual beast that has been doing this. They

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also blame the gypsies who showed up a week ago,

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talking about the fact that kind of they're the

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dirty kind, like that kind of thing, that it

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would be better if the gypsies left their land,

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you know, that kind of thing. And it's just setting

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up that these gypsies are in the town as well,

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because we do get some scene of the gypsies and

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everything like that. This opens the door to

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an old man at this pub who goes into lore exposition

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talking about the fact that there's a werewolf,

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that werewolves are known for being from this

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area, and that the werewolf is probably what

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killed Ben because it's an actual beast that

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tore him up and everything like that. No man

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can do this and everything like that. Lawrence

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stands up at this and starts talking to... The

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old man and one of the guys sees that it's Lawrence

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and calls his mother a whore. To which, of course,

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Lawrence splashes a drink in his face and he

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gets kicked out. So Lawrence goes back to the

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mansion. And this is when we start to see that

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him and his father don't really see eye to eye.

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There's something we haven't been told yet. But

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for whatever reason, these two just don't seem

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to get along. Sir John. invites Lawrence to take

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a look at his telescope. And you can tell the

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father is obsessed with the moon. He's talking

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about the fact that it's not a full moon, everything

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like that. It's a very fancy telescope as well.

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So obviously there's something about Sir John

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wanting to see the moon, wanting to be close

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to the moon, wanting to know more about the moon.

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Gwen is staying at the mansion as well. She arrives

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and Lawrence and Sir John, all sit out to have

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a nice dinner. And Lawrence and John kind of,

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like I said, they don't see eye to eye. They

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get into an argument and basically Lawrence storms

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off. When he sees Gwen next, he gives Ben's effects

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to her as a sort of apology for the dinner ruckus.

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And Gwen wants to know, is asking Lawrence what

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happened to Ben. And Lawrence is just kind of

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saying, He'll do everything he can to figure

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it out. So it's late at night. He's kind of like

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walking in the old house and he starts hearing

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children laughing and he starts having these

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flashbacks about the house and everything he

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remembers when he grew up in it and everything

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like that. And one of the big things he remembers

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in this flashback is when his mother committed

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suicide. And it definitely depressed him and

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put him in a weird mental state. That so much

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so, Sir John sent him to an asylum for a year

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and then shipped him to their aunt in America.

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This is why he speaks with American accent instead

00:13:48.250 --> 00:13:50.970
of a British accent, which is still very funny

00:13:50.970 --> 00:13:53.570
because remember, this is Benicio del Toro and

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he's doing an American accent. So it's a couple

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of days later. I don't know how many days exactly,

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but it just so happens to be a full moon. And

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so Sir John's just kind of like. Lawrence, you

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should stay inside. You shouldn't go out there.

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Everything like that. There's a full moon tonight.

00:14:10.100 --> 00:14:12.120
And of course, Lawrence is just like, no, I'm

00:14:12.120 --> 00:14:13.779
going out there. I'm going to figure out more

00:14:13.779 --> 00:14:15.940
about my brother's death. Everything like that.

00:14:16.379 --> 00:14:19.500
So he ends up going to the gypsy camp. He wants

00:14:19.500 --> 00:14:22.360
to find who sells the medallion that he found

00:14:22.360 --> 00:14:25.820
in his brother's effects. When he shows one of

00:14:25.820 --> 00:14:27.740
the gypsies the medallion and everything, she

00:14:27.740 --> 00:14:31.820
points him to the way of Maleva. Maleva is a

00:14:31.820 --> 00:14:35.590
gypsy fortune teller. And Mileva is played by

00:14:35.590 --> 00:14:38.970
Geraldine Chaplin. I'm just giving you the names

00:14:38.970 --> 00:14:41.090
of some of these major characters. I'll be completely

00:14:41.090 --> 00:14:43.049
honest. It's another person I don't really know

00:14:43.049 --> 00:14:46.929
that well, but that is who plays Mileva. While

00:14:46.929 --> 00:14:48.929
they're having a conversation about the medallion

00:14:48.929 --> 00:14:51.929
and about the reason she gave it to his brother,

00:14:52.049 --> 00:14:54.029
which was apparently not that big a deal because

00:14:54.029 --> 00:14:56.789
one of the things that is constantly happening

00:14:56.789 --> 00:14:59.509
is the camp is getting attacked by something.

00:15:00.230 --> 00:15:05.330
And so screams start happening. And Lawrence

00:15:05.330 --> 00:15:09.730
runs out of the fortune tellers shack and picks

00:15:09.730 --> 00:15:13.129
up a gun to try and shoot at the beast. He also

00:15:13.129 --> 00:15:16.250
protects a mother and daughter while they, they

00:15:16.250 --> 00:15:18.950
are kind of like separated. He helps both of

00:15:18.950 --> 00:15:21.950
them get away from this thing. There's a gypsy

00:15:21.950 --> 00:15:24.309
boy who runs away and the beast starts chasing

00:15:24.309 --> 00:15:27.830
after him. And so Lawrence goes after it just

00:15:27.830 --> 00:15:31.789
to try to protect the boy. As he goes out into

00:15:31.789 --> 00:15:34.129
the fog, he ends up in this area that I think

00:15:34.129 --> 00:15:36.309
is Stonehenge because it literally is just like

00:15:36.309 --> 00:15:38.190
stones in the ground upright and everything like

00:15:38.190 --> 00:15:40.210
that. They don't really show the whole area,

00:15:40.330 --> 00:15:44.769
but I led to believe that. And as he turns around

00:15:44.769 --> 00:15:47.110
in the fog, Lawrence gets attacked by the creature

00:15:47.110 --> 00:15:51.330
and gets pretty much mauled, like almost near

00:15:51.330 --> 00:15:53.789
death and everything like that. The gypsies come

00:15:53.789 --> 00:15:56.850
and they bring him back to the gypsy encampment

00:15:56.850 --> 00:15:58.909
and everything like that. And they are able to

00:15:58.909 --> 00:16:01.460
save his life. But they have a conversation about

00:16:01.460 --> 00:16:04.240
if they save him, he's going to be a beast and

00:16:04.240 --> 00:16:07.159
he's going to kill others. But Mileva, she's

00:16:07.159 --> 00:16:10.100
like, I won't let him die. So they end up saving

00:16:10.100 --> 00:16:11.919
his life and they get him back to his mansion.

00:16:12.019 --> 00:16:14.200
And he's basically just like laid up in bed at

00:16:14.200 --> 00:16:16.440
the next couple of days. And when he gets there,

00:16:16.559 --> 00:16:18.679
he starts having these nightmares about creatures,

00:16:18.879 --> 00:16:21.019
demons and stuff like that. And he also sees

00:16:21.019 --> 00:16:24.519
Gwen in these nightmares. Gwen is actually there

00:16:24.519 --> 00:16:26.820
by his bedside, keeping him company and watching

00:16:26.820 --> 00:16:31.100
over him while he's having. this like these nightmares

00:16:31.100 --> 00:16:33.299
and trying to recover and everything like that

00:16:33.299 --> 00:16:37.700
at the same time we kind of see that Gwen and

00:16:37.700 --> 00:16:40.799
Sir John kind of have a little bit of a rocky

00:16:40.799 --> 00:16:43.279
edge to them as well it doesn't seem like Sir

00:16:43.279 --> 00:16:47.720
John really trusts Gwen either but it may have

00:16:47.720 --> 00:16:50.659
to do with she kind of encouraged him to find

00:16:50.659 --> 00:16:54.200
these answers and he went out against Sir John's

00:16:54.200 --> 00:16:57.500
wishes on a full moon night The last day, really,

00:16:57.580 --> 00:17:00.919
of his recovery, Dr. Lloyd comes in and was saying

00:17:00.919 --> 00:17:03.019
how he probably will never be able to use his

00:17:03.019 --> 00:17:06.200
arm again. But then when he looks at it, he sees

00:17:06.200 --> 00:17:09.599
that it's kind of healed himself. So it's not

00:17:09.599 --> 00:17:12.779
perfectly healed, but it's definitely a lot better

00:17:12.779 --> 00:17:15.059
than it probably should be, however many days

00:17:15.059 --> 00:17:18.180
since the attack. One of the things I had as

00:17:18.180 --> 00:17:20.460
well is when he finally is up and recovered,

00:17:20.660 --> 00:17:24.000
he goes to talk to Sing. And Sing is loading

00:17:24.000 --> 00:17:26.460
a weapon with silver bullets. And it's getting

00:17:26.460 --> 00:17:30.819
close to another full moon. So Sing is just prepared

00:17:30.819 --> 00:17:34.579
with his silver bullets and his weapon. And there's

00:17:34.579 --> 00:17:37.119
a conversation about, like, Lawrence says to

00:17:37.119 --> 00:17:39.420
him, I didn't know you hunted monsters. And Sing

00:17:39.420 --> 00:17:42.460
says, sometimes monsters hunt you. And just kind

00:17:42.460 --> 00:17:46.079
of sets that whole thing in motion. This is when

00:17:46.079 --> 00:17:48.740
Hugo Weaving shows up. Hugo Weaving shows up

00:17:48.740 --> 00:17:51.650
at the mansion. His name is Aberlean. And he

00:17:51.650 --> 00:17:54.009
works for Scotland Yard and he wants some answers

00:17:54.009 --> 00:17:56.730
about the gypsy encampment that got attacked.

00:17:57.210 --> 00:18:00.869
And he implies when he's talking to Sir John

00:18:00.869 --> 00:18:05.809
and Lawrence that he thinks Lawrence might be

00:18:05.809 --> 00:18:08.450
responsible because he was in an asylum back

00:18:08.450 --> 00:18:11.789
when he was a kid. Lawrence implies back going,

00:18:11.930 --> 00:18:14.569
weren't you in charge of the Ripper case? Just

00:18:14.569 --> 00:18:16.869
kind of throwing that in his face about the fact

00:18:16.869 --> 00:18:19.740
that Abberley never caught the Ripper. This is

00:18:19.740 --> 00:18:22.259
just kind of to show that, hey, this is where

00:18:22.259 --> 00:18:25.940
we're going. This is going to be probably a big

00:18:25.940 --> 00:18:29.980
part of our final finale and everything like

00:18:29.980 --> 00:18:31.680
that. You can tell it's these two heavyweights,

00:18:31.700 --> 00:18:34.400
Hugo Weaving and Benicio Del Toro. They are going

00:18:34.400 --> 00:18:36.519
to be the ones at the end that are kind of like

00:18:36.519 --> 00:18:40.240
having this thing. The next day, there's a scene

00:18:40.240 --> 00:18:43.220
of Gwen out by the river, and there's a scene

00:18:43.220 --> 00:18:45.539
of Lawrence teaching her how to skip stones.

00:18:47.069 --> 00:18:49.069
Because, you know, all these movies need some

00:18:49.069 --> 00:18:51.109
kind of romantic hook and everything like that.

00:18:51.190 --> 00:18:54.529
They show this because they want to show how

00:18:54.529 --> 00:18:56.130
they're getting close and everything like that.

00:18:56.549 --> 00:18:58.829
And then a bunch of people show up to the mansion

00:18:58.829 --> 00:19:02.009
when they get back to take Lawrence to test out

00:19:02.009 --> 00:19:04.789
if he is a beast because the full moon is almost

00:19:04.789 --> 00:19:08.410
upon them again. Sir John shoots one of the horses

00:19:08.410 --> 00:19:11.410
belonging to one of the men, meaning to shoot

00:19:11.410 --> 00:19:13.529
the man himself because he isn't the marksman

00:19:13.529 --> 00:19:16.299
he used to be. And there's a whole joke about

00:19:16.299 --> 00:19:18.019
how he killed the horse and everything like that.

00:19:18.680 --> 00:19:21.720
Gwen and Lawrence back in the mansion. There's

00:19:21.720 --> 00:19:25.160
like this intimate scene between them that shows

00:19:25.160 --> 00:19:27.440
how they're getting closer and everything like

00:19:27.440 --> 00:19:30.480
that. And also shows how he's like hearing her

00:19:30.480 --> 00:19:33.140
heartbeat better, especially as they get closer

00:19:33.140 --> 00:19:36.480
and closer to the full moon. He also at the end

00:19:36.480 --> 00:19:39.059
tells Gwen to leave because he's worried about

00:19:39.059 --> 00:19:42.759
her getting hurt. And I said, get this. She actually

00:19:42.759 --> 00:19:48.180
listens. And leaves the mansion. While she is

00:19:48.180 --> 00:19:50.279
leaving. And everything like that. The villagers

00:19:50.279 --> 00:19:53.299
are all preparing. They are making these silver

00:19:53.299 --> 00:19:56.259
weapons. Because they obviously now know. It's

00:19:56.259 --> 00:19:58.099
a werewolf or some kind of beast. That silver

00:19:58.099 --> 00:20:03.180
is going to hurt it. And Aberline. Is at the

00:20:03.180 --> 00:20:07.099
pub on the full moon. And. The villagers are

00:20:07.099 --> 00:20:09.839
very shocked that he's sitting at the pub versus

00:20:09.839 --> 00:20:13.400
going to the house and taking care of the family

00:20:13.400 --> 00:20:18.660
because they know there's a curse on the family.

00:20:19.099 --> 00:20:22.539
Basically, there's this longstanding curse on

00:20:22.539 --> 00:20:25.359
the family, and they know that Lawrence is probably

00:20:25.359 --> 00:20:28.259
part of it, and especially because he does suspect

00:20:28.259 --> 00:20:31.460
Lawrence, knowing that he was in an asylum. But

00:20:31.460 --> 00:20:36.039
he's actually a good cop. just because it's a

00:20:36.039 --> 00:20:38.420
cursed family that doesn't account for a warrants

00:20:38.420 --> 00:20:41.799
for him to sit there and watch the family. He

00:20:41.799 --> 00:20:46.579
also stays there, and I quote, because if the

00:20:46.579 --> 00:20:49.019
beast does attack, this is where the victims

00:20:49.019 --> 00:20:53.119
are going to be. Again, it's encouraged by Sir

00:20:53.119 --> 00:20:56.819
John that Lawrence doesn't leave the house, and

00:20:56.819 --> 00:21:00.000
Lawrence grabs a gun or two with silver bullets

00:21:00.000 --> 00:21:02.660
because he's going to protect the house, but

00:21:02.660 --> 00:21:05.789
he also sees Sir John. leave the house and go

00:21:05.789 --> 00:21:08.210
to the moor. So Lawrence starts following him.

00:21:08.690 --> 00:21:11.670
And they end up at a mausoleum where the casket

00:21:11.670 --> 00:21:15.130
of Lawrence's mother is. It has a crypt underneath

00:21:15.130 --> 00:21:18.430
it that Sir John has gone into. And inside the

00:21:18.430 --> 00:21:22.250
crypt is a shrine to the mother. Basically, Sir

00:21:22.250 --> 00:21:26.849
John has built this thing to remember the mother

00:21:26.849 --> 00:21:31.769
by. When Lawrence walks into the shrine room,

00:21:32.430 --> 00:21:34.990
looking for Sir John Sir John is nowhere to be

00:21:34.990 --> 00:21:38.230
seen and so he gets into the room and all of

00:21:38.230 --> 00:21:40.269
a sudden the door closes behind him and Sir John

00:21:40.269 --> 00:21:44.250
basically snuck around and locked Lawrence in

00:21:44.250 --> 00:21:46.910
this room because he knows that he's going to

00:21:46.910 --> 00:21:49.490
become a wolf so he locks himself away in the

00:21:49.490 --> 00:21:53.349
crypt and makes sure that he can't go anywhere

00:21:53.349 --> 00:21:56.250
this is not going to be what happens to Lawrence

00:21:56.250 --> 00:21:59.529
and this is kind of like a protection thing it's

00:22:00.809 --> 00:22:05.849
It feels weird because it feels like Sir John's

00:22:05.849 --> 00:22:08.589
kind of like punishing him. But at the same time,

00:22:08.609 --> 00:22:11.130
it's also because I don't think he wants Lawrence

00:22:11.130 --> 00:22:13.269
to get injured by the townspeople or anything

00:22:13.269 --> 00:22:17.470
like that. So after locking him in the crypt

00:22:17.470 --> 00:22:19.710
and the shrine and everything like that, all

00:22:19.710 --> 00:22:23.130
of a sudden Lawrence starts becoming a wolf in

00:22:23.130 --> 00:22:25.589
a solid enough transition scene. Like it was

00:22:25.589 --> 00:22:28.369
pretty solid watching him just transition into

00:22:28.369 --> 00:22:32.589
this wolf man. The shrine room door, not enough

00:22:32.589 --> 00:22:34.769
to stand up to the wolfman. He's able to break

00:22:34.769 --> 00:22:38.349
it down pretty easily and get out of the mausoleum

00:22:38.349 --> 00:22:42.730
crypt. And the villagers all start to go towards

00:22:42.730 --> 00:22:45.349
their house because they know. They're going

00:22:45.349 --> 00:22:47.549
to break into the mansion. That's what they're

00:22:47.549 --> 00:22:50.450
thinking and everything like that. And this party

00:22:50.450 --> 00:22:52.529
all of a sudden starts getting ambushed by the

00:22:52.529 --> 00:22:54.630
Wolfman, including this guy that gets stuck in

00:22:54.630 --> 00:22:56.869
the moor. And he tries to kill himself with his

00:22:56.869 --> 00:23:00.210
gun. But the Wolfman gets there first and rips

00:23:00.210 --> 00:23:02.170
his head off with one fell swoop. That was pretty.

00:23:02.759 --> 00:23:05.420
Pretty gnarly. This whole situation, like, Wolfman

00:23:05.420 --> 00:23:08.559
kills, like, four men quickly. That was a really

00:23:08.559 --> 00:23:11.779
good scene, actually. Like, it showed how scary

00:23:11.779 --> 00:23:13.960
he is. It showed how fast he is. It shows how

00:23:13.960 --> 00:23:17.440
ruthless he is. And so it honestly was a pretty

00:23:17.440 --> 00:23:21.960
solid scene to watch that whole thing go on.

00:23:22.920 --> 00:23:25.420
Aberlean chases after him but is behind him the

00:23:25.420 --> 00:23:28.140
whole way and kind of loses him until it is the

00:23:28.140 --> 00:23:31.859
next day. Lawrence wakes up, and he is in the

00:23:31.859 --> 00:23:34.180
forest, and he's covered in blood, and his clothes

00:23:34.180 --> 00:23:37.279
are ripped. Abberline and the villagers are able

00:23:37.279 --> 00:23:39.759
to catch up to him, and they send him to an asylum.

00:23:40.180 --> 00:23:42.559
And it turns out that Sir John seems to have

00:23:42.559 --> 00:23:47.000
called them. Again, this is one of those things.

00:23:47.059 --> 00:23:48.740
It's like Sir John's kind of trying to protect

00:23:48.740 --> 00:23:50.839
him, but at the same time, he sends him to an

00:23:50.839 --> 00:23:54.119
asylum again. So it's one of those things where

00:23:54.119 --> 00:23:57.019
it's just, does he care about him? Does he not?

00:23:57.140 --> 00:23:59.960
That kind of thing. And the asylum, we get a

00:23:59.960 --> 00:24:03.200
bunch of scenes about them trying to get Lawrence

00:24:03.200 --> 00:24:07.880
cured. But these are the cures of the 1890s.

00:24:07.960 --> 00:24:11.180
So he gets like waterboarded with ice water.

00:24:11.279 --> 00:24:13.519
There's electroshock therapy, like that kind

00:24:13.519 --> 00:24:17.740
of stuff. And it's not good. It's very not good

00:24:17.740 --> 00:24:20.019
for Lawrence. And then he's kept in essentially

00:24:20.019 --> 00:24:23.380
a solitary confinement cell. And one day, Sir

00:24:23.380 --> 00:24:26.579
John shows up and tells Lawrence how he is also

00:24:26.579 --> 00:24:29.960
lycanthropy. Which means he's also a werewolf

00:24:29.960 --> 00:24:33.599
too. And we learn through Sir John that his mother

00:24:33.599 --> 00:24:36.400
didn't kill herself. He was killed by the werewolf

00:24:36.400 --> 00:24:41.259
Sir John. He also killed Ben. Both of which were

00:24:41.259 --> 00:24:45.099
not meant to happen, but they happened. This

00:24:45.099 --> 00:24:48.779
is also the reason he gives for locking up Lawrence.

00:24:48.880 --> 00:24:51.460
He wants to protect the village and everything

00:24:51.460 --> 00:24:53.380
like that. He also wants to protect Lawrence

00:24:53.380 --> 00:24:57.480
in a way, but basically he knows that... If he's

00:24:57.480 --> 00:25:00.920
locked up, the village is safe. And then because

00:25:00.920 --> 00:25:04.039
Sir John's such a kind, caring person, he also

00:25:04.039 --> 00:25:07.079
leaves a razor blade so that Lawrence can kill

00:25:07.079 --> 00:25:09.000
himself if he doesn't want to live or suffer

00:25:09.000 --> 00:25:13.119
anymore. All right, so we're at the point where

00:25:13.119 --> 00:25:16.720
Sir John has basically told his own son to kill

00:25:16.720 --> 00:25:19.579
himself, to not suffer anymore. I know, it's

00:25:19.579 --> 00:25:22.140
very gruesome, very sad and everything like that.

00:25:22.259 --> 00:25:24.660
And he's still stuck in an asylum. So we are

00:25:24.660 --> 00:25:28.380
at point like... perfect of pity moment everything

00:25:28.380 --> 00:25:31.099
like that we're we're at wit's end everything

00:25:31.099 --> 00:25:35.140
so i think now is a very good time to take a

00:25:35.140 --> 00:25:37.740
quick break to let you know all about the podcast

00:25:37.740 --> 00:25:40.819
that guessed the bad movie correctly first and

00:25:40.819 --> 00:25:44.099
that podcast is the i finally watched podcast

00:25:44.099 --> 00:25:47.579
you can find them at finally watched on x slash

00:25:47.579 --> 00:25:49.279
twitter slash whatever the fuck we're calling

00:25:49.279 --> 00:25:54.460
it uh this is alan and david they basically They

00:25:54.460 --> 00:25:56.440
watch movies that they should have watched a

00:25:56.440 --> 00:26:01.119
long time ago. So one of the latest episodes,

00:26:01.319 --> 00:26:05.279
their episode from October 14th, was Vampire's

00:26:05.279 --> 00:26:09.180
Kiss from 1988 starring Nicolas Cage. Obviously,

00:26:09.180 --> 00:26:11.940
if you've listened to our podcast before, you

00:26:11.940 --> 00:26:15.559
know how big a Nicolas Cage fan I am. So definitely

00:26:15.559 --> 00:26:18.059
something I encourage you to check out at least

00:26:18.059 --> 00:26:20.480
their latest episode, but a lot more, of course,

00:26:20.480 --> 00:26:26.019
than just that. Little thing that happened. Alon

00:26:26.019 --> 00:26:28.400
and his wife are pregnant and they are having

00:26:28.400 --> 00:26:31.319
a baby. They are doing the gender reveal this

00:26:31.319 --> 00:26:33.400
weekend. And this was a big thing for me that

00:26:33.400 --> 00:26:35.539
I thought was pretty funny. They put it out there

00:26:35.539 --> 00:26:38.200
with a poll so that everybody could guess what

00:26:38.200 --> 00:26:40.400
gender they thought it was. Boy, girl or corn.

00:26:40.700 --> 00:26:44.579
And as of recording, girl and corn are tied in

00:26:44.579 --> 00:26:49.140
second place. So let's go corn. We all hope that

00:26:49.140 --> 00:26:54.180
is a corn baby, of course. So Alana and David,

00:26:54.400 --> 00:26:57.680
congratulations for guessing correctly. The Wolfman,

00:26:57.880 --> 00:27:00.420
check out their podcast, the I Finally Watched

00:27:00.420 --> 00:27:02.819
podcast. It's more movie talk. If you like our

00:27:02.819 --> 00:27:05.240
show, I know you're going to like theirs, especially

00:27:05.240 --> 00:27:07.519
when they do episodes about Nicolas Cage movies

00:27:07.519 --> 00:27:10.619
like Vampire's Kiss. So congratulations, guys.

00:27:10.799 --> 00:27:15.079
And now back to more about The Wolfman. So our

00:27:15.079 --> 00:27:18.099
boy Lawrence is in an asylum. His dad has basically

00:27:18.099 --> 00:27:20.740
said it's for the village's good. So they believe

00:27:20.740 --> 00:27:23.099
that all of these things are in his head, that

00:27:23.099 --> 00:27:25.079
he has this delusion of the full moon, thinking

00:27:25.079 --> 00:27:27.240
he becomes a beast, thinking his family's cursed

00:27:27.240 --> 00:27:29.740
and everything like that. So they roll him into

00:27:29.740 --> 00:27:33.079
this operating theater and he's like strapped

00:27:33.079 --> 00:27:36.240
in and everything like that to test on this full

00:27:36.240 --> 00:27:39.440
moon night and say, hey, this was all delusion.

00:27:39.460 --> 00:27:41.759
Try to break him of his delusion. You know, this

00:27:41.759 --> 00:27:44.970
is going to go well. And the main doctor that's

00:27:44.970 --> 00:27:46.630
been like running the torture and everything

00:27:46.630 --> 00:27:49.190
like that basically is turned to the people,

00:27:49.250 --> 00:27:51.470
the other doctors, and goes, he will not turn

00:27:51.470 --> 00:27:53.569
into a werewolf just like I won't sprout wings

00:27:53.569 --> 00:27:55.910
and fly through this window. And I hate to tell

00:27:55.910 --> 00:27:58.750
you that's a little bit of foreshadowing. Because

00:27:58.750 --> 00:28:01.369
guess what happens? Yep, you would be correct.

00:28:01.470 --> 00:28:05.089
He become werewolf. So all the doctors start

00:28:05.089 --> 00:28:07.670
trying to get out the doors of the operating

00:28:07.670 --> 00:28:10.289
theater. But instead of pulling the doors open

00:28:10.289 --> 00:28:12.869
and getting out, they keep running into each

00:28:12.869 --> 00:28:15.009
other and pushing it closed. Like it just keeps

00:28:15.009 --> 00:28:17.390
getting like a stockpile of people. And these

00:28:17.390 --> 00:28:19.289
are supposed to be doctors. Like these are supposed

00:28:19.289 --> 00:28:20.970
to be smart people and everything like that.

00:28:21.549 --> 00:28:24.130
So as he becomes a wolf, he's able to break his

00:28:24.130 --> 00:28:26.250
restraints and he starts going after all of the

00:28:26.250 --> 00:28:29.529
doctors, including the one that said he will

00:28:29.529 --> 00:28:31.869
not turn into a werewolf just like I won't sprout

00:28:31.869 --> 00:28:33.910
wings and fly through this window. Yeah, he grabs

00:28:33.910 --> 00:28:36.769
him and throws him through a window, which he

00:28:36.769 --> 00:28:41.069
lands on some fence spikes. Yeah, that sounds

00:28:41.069 --> 00:28:44.069
painful. Also in this room was Aberline, who

00:28:44.069 --> 00:28:46.789
saw the transformation and is now chasing after

00:28:46.789 --> 00:28:49.349
the wolf men who hopped out of the window. He's

00:28:49.349 --> 00:28:52.319
chasing after him with a revolver. The Wolfman

00:28:52.319 --> 00:28:55.980
is running across the rooftops and going through

00:28:55.980 --> 00:28:58.740
a tear through the city, the closest city that

00:28:58.740 --> 00:29:00.839
they're in. And he's only killing men at this

00:29:00.839 --> 00:29:02.660
point. It seems like one of those things that

00:29:02.660 --> 00:29:06.019
at this point, it kind of seems to the both of

00:29:06.019 --> 00:29:07.980
us because Claire was watching this too. And

00:29:07.980 --> 00:29:10.000
she was the one that asked this question. It

00:29:10.000 --> 00:29:11.779
kind of seems to both of us that maybe we're

00:29:11.779 --> 00:29:13.539
going to have this moment where Gwen kind of

00:29:13.539 --> 00:29:16.339
is like, oh, you know who I am, Lawrence. You

00:29:16.339 --> 00:29:19.480
can stop it. You can turn around and not kill

00:29:19.480 --> 00:29:23.089
me. But that's just what we think at this point.

00:29:24.049 --> 00:29:25.930
This tear through the city that he's going through,

00:29:25.990 --> 00:29:31.069
we find out after he wakes up that he's in London.

00:29:31.509 --> 00:29:34.210
And not only is he in London, he wakes up right

00:29:34.210 --> 00:29:36.670
next to like the the King's Bridge or London

00:29:36.670 --> 00:29:39.569
Bridge or whatever big bridge is there and everything

00:29:39.569 --> 00:29:43.210
like that. He wakes up kind of underneath in

00:29:43.210 --> 00:29:46.970
a sewer pretty much and sees the bridge. So we

00:29:46.970 --> 00:29:49.890
know he's in London. The next scene we see is

00:29:49.890 --> 00:29:53.289
Gwen opening up her shop that she runs in London.

00:29:53.789 --> 00:29:57.970
And, you know, nonchalantly, he rolls out from

00:29:57.970 --> 00:30:00.609
under a table to talk to Gwen about everything

00:30:00.609 --> 00:30:03.549
that's happening. Gwen tries to convince him

00:30:03.549 --> 00:30:08.109
to stay and they make out. And, you know, it's

00:30:08.109 --> 00:30:11.730
the first kiss, you know, it's always so cute

00:30:11.730 --> 00:30:13.349
and everything like that. And all I can think

00:30:13.349 --> 00:30:15.529
about is that she was engaged or married to.

00:30:16.509 --> 00:30:19.930
his brother, you know? And so she wants him to

00:30:19.930 --> 00:30:23.630
stay, but he needs to get to Talbot Hall to end

00:30:23.630 --> 00:30:27.430
it. That's what, that's what he says. So he leaves

00:30:27.430 --> 00:30:30.970
the shop. A couple minutes later, Aberline and

00:30:30.970 --> 00:30:33.869
his posse show up at the door asking about Lawrence

00:30:33.869 --> 00:30:38.269
and where he could possibly have gone. And Gwen

00:30:38.269 --> 00:30:40.990
kind of just says, like, he's not here. They

00:30:40.990 --> 00:30:44.410
search her whole shop, and he had snuck out the

00:30:44.410 --> 00:30:47.529
back door, and he's not there anymore. So we

00:30:47.529 --> 00:30:50.809
know he needs to get to Talbot Hall. Gwen, on

00:30:50.809 --> 00:30:55.269
her own, goes and tries to research to find an

00:30:55.269 --> 00:30:58.769
end to Lawrence's werewolf problem, the lycanthropy.

00:30:58.869 --> 00:31:02.009
So she goes to the library searching up books

00:31:02.009 --> 00:31:06.089
and ways to end being a werewolf and everything

00:31:06.089 --> 00:31:09.480
like that. Lawrence walks all the way back from

00:31:09.480 --> 00:31:13.480
London to Blackmoor. Gwen is looking for Mileva

00:31:13.480 --> 00:31:16.759
and Aberline is searching high and low for Lawrence.

00:31:16.819 --> 00:31:18.799
It seems like he's kind of just like right behind

00:31:18.799 --> 00:31:21.980
him the whole time. Mileva meets up with Gwen,

00:31:22.059 --> 00:31:24.880
but she doesn't know if she can help him. And

00:31:24.880 --> 00:31:27.019
Gwen is pleading with Mileva to help him and

00:31:27.019 --> 00:31:29.299
everything like that. And Mileva asks, do you

00:31:29.299 --> 00:31:32.680
love him? To which I included the line, if love

00:31:32.680 --> 00:31:35.579
is the answer, this movie sucks. I hate that.

00:31:36.220 --> 00:31:38.660
Basically, Mileva was asking, do you love him?

00:31:38.680 --> 00:31:42.480
Because the only cure for this is to kill him.

00:31:42.640 --> 00:31:46.119
And so she wanted to see if she'd be willing

00:31:46.119 --> 00:31:49.720
to kill him. When Abberlin gets back to Blackmoor

00:31:49.720 --> 00:31:51.920
with his villagers or his posse that he has,

00:31:51.940 --> 00:31:54.759
he gives the all clear that everybody should

00:31:54.759 --> 00:31:58.700
shoot Lawrence Talbot on sight. And Lawrence

00:31:58.700 --> 00:32:00.700
sneaks back into Blackmoor and more specifically

00:32:00.700 --> 00:32:06.200
the Talbot Hall because he wore a hat. Yes, the

00:32:06.200 --> 00:32:10.599
Marvel gimmick of, yeah, he wore a hat. When

00:32:10.599 --> 00:32:13.140
he gets back to the hall, he goes to the crypt

00:32:13.140 --> 00:32:15.500
because he's guessing that's where Sir John might

00:32:15.500 --> 00:32:18.799
be. And he finds Sing dead. And he was definitely

00:32:18.799 --> 00:32:21.039
mauled. Like, it was no question who did this.

00:32:21.519 --> 00:32:25.279
Sir John definitely killed Sing. So Lawrence

00:32:25.279 --> 00:32:28.319
loads his gun with silver bullets and starts

00:32:28.319 --> 00:32:31.740
to go look for his father. I was saying how this

00:32:31.740 --> 00:32:34.039
could happen on any night. It didn't need to

00:32:34.039 --> 00:32:36.740
be a full moon, but he decided that the night

00:32:36.740 --> 00:32:39.880
he was going to try to find his father. Yeah,

00:32:40.099 --> 00:32:44.440
it's a full moon night. I also said at this point,

00:32:44.460 --> 00:32:48.119
no offense meant to Samson the dog, but he somehow

00:32:48.119 --> 00:32:51.160
survives this whole thing. And my first thought

00:32:51.160 --> 00:32:54.059
would be that any night that somebody turns into

00:32:54.059 --> 00:32:57.279
a wolf, they'd probably kill Samson the dog first.

00:32:58.299 --> 00:33:00.759
Maybe they have some kind of dog communication

00:33:00.759 --> 00:33:03.059
that they do. You know, they talk in woofs or

00:33:03.059 --> 00:33:05.940
whatever. But I would think that he would probably

00:33:05.940 --> 00:33:08.859
be the first to go. When he finally finds Sir

00:33:08.859 --> 00:33:11.559
John, Sir John is sitting behind a piano and

00:33:11.559 --> 00:33:16.599
is playing, of course, because that's what Sir

00:33:16.599 --> 00:33:20.259
John does. He's already killed the posse member

00:33:20.259 --> 00:33:23.559
who was told to watch over Talbot Hall. And Sir

00:33:23.559 --> 00:33:26.140
John does what every villain in this situation

00:33:26.140 --> 00:33:30.460
does. He starts. monologuing and so it seems

00:33:30.460 --> 00:33:32.779
that lawrence would have the upper hand because

00:33:32.779 --> 00:33:34.759
uh you know he has the gun and everything like

00:33:34.759 --> 00:33:39.140
that but then the gun doesn't work and so sir

00:33:39.140 --> 00:33:44.539
john is able to take the upper hand and they're

00:33:44.539 --> 00:33:48.019
doing battle and it's basically just like at

00:33:48.019 --> 00:33:50.740
first just two humans but of course it's still

00:33:50.740 --> 00:33:54.240
a full moon night and when the house catches

00:33:54.240 --> 00:33:57.460
on fire they both break apart And they both become

00:33:57.460 --> 00:34:03.779
wolves. And I have the biggest quote for me while

00:34:03.779 --> 00:34:06.819
I'm watching this movie. It's a wolf off. Let's

00:34:06.819 --> 00:34:11.539
fucking go. Wolf off. Wolf off. Wolf off. It's

00:34:11.539 --> 00:34:14.460
okay, the wolf off. But it's one of those super

00:34:14.460 --> 00:34:17.400
cheesy ones where they hit you and you just go

00:34:17.400 --> 00:34:20.760
flying. Doesn't matter how hard you get hit.

00:34:20.840 --> 00:34:23.340
You just go flying off into the distance. And

00:34:23.340 --> 00:34:26.610
they also can climb walls. So it's kind of one

00:34:26.610 --> 00:34:29.070
of those, like, what are we doing with these?

00:34:29.389 --> 00:34:32.150
Like, werewolves, I don't think, can climb walls.

00:34:32.809 --> 00:34:35.170
I'm guessing they're more powerful, but I don't

00:34:35.170 --> 00:34:36.889
think it should matter that you should go flying

00:34:36.889 --> 00:34:40.070
off into the distance. So they're doing this

00:34:40.070 --> 00:34:42.570
battle. It's not very long, this battle, but,

00:34:42.590 --> 00:34:44.530
you know, it's one of those, it's father versus

00:34:44.530 --> 00:34:48.389
son, you know, who's going to win. And Lawrence

00:34:48.389 --> 00:34:51.690
the Wolf kicks Sir John, sends him flying into

00:34:51.690 --> 00:34:54.250
the fireplace, where he immediately catches on

00:34:54.250 --> 00:34:57.449
fire. Then Lawrence is able to chop his head

00:34:57.449 --> 00:35:00.250
off with his claws. So at the end of the fight,

00:35:00.309 --> 00:35:02.309
Gwen gets there and so does Aberline. They both

00:35:02.309 --> 00:35:05.050
kind of arrive at similar times and Aberline

00:35:05.050 --> 00:35:09.570
lines up a shot at Lawrence. But Gwen grabs his

00:35:09.570 --> 00:35:14.070
gun so they can't shoot Lawrence. And then Lawrence

00:35:14.070 --> 00:35:19.090
is able to jump away and attack Aberline. Aberline's

00:35:19.090 --> 00:35:21.610
still alive and he is able to grab the silver

00:35:21.610 --> 00:35:25.329
blade from the walking stick. And Aberline, even

00:35:25.329 --> 00:35:27.309
though he's injured, starts taking off after

00:35:27.309 --> 00:35:32.269
him. Gwen also goes running into the woods to

00:35:32.269 --> 00:35:34.750
try to find Lawrence and trying to talk him out

00:35:34.750 --> 00:35:38.010
of it and see if she can do anything to help.

00:35:38.170 --> 00:35:40.510
And she ends up back at the river. You know,

00:35:40.550 --> 00:35:43.010
the river where Lawrence was teaching her how

00:35:43.010 --> 00:35:45.349
to skip stones and everything like that. This

00:35:45.349 --> 00:35:47.650
is where Lawrence and Ben played as kids. She

00:35:47.650 --> 00:35:51.010
feels like he's going to be there. And he does

00:35:51.010 --> 00:35:54.619
show up. For a second, he seems to remember Gwen,

00:35:54.800 --> 00:35:58.320
and he holds off attacking for a second, but

00:35:58.320 --> 00:36:01.139
the villagers show up. When the villagers show

00:36:01.139 --> 00:36:04.340
up, it's just distraction enough that she's able

00:36:04.340 --> 00:36:06.760
to pick up the gun and shoot him through the

00:36:06.760 --> 00:36:11.500
chest. Lawrence starts de -transforming from

00:36:11.500 --> 00:36:15.480
a wolf, and his eyes are closed, and we think

00:36:15.480 --> 00:36:18.320
maybe he's dead. But of course, he's able...

00:36:18.650 --> 00:36:21.349
To become alive one more second and say goodbye.

00:36:22.050 --> 00:36:27.530
And she can apologize for shooting him. He accepts

00:36:27.530 --> 00:36:30.510
the apology and then falls to the side dead really

00:36:30.510 --> 00:36:32.949
abruptly. Just like all of a sudden just out.

00:36:34.949 --> 00:36:38.190
And the film ends with Aberline seeing this and

00:36:38.190 --> 00:36:40.690
then looking at the moon. Looking at his marks.

00:36:41.230 --> 00:36:46.030
And will he become a beast? We don't know. Movie

00:36:46.030 --> 00:36:52.079
over. So. About The Wolfman, I have seen a lot

00:36:52.079 --> 00:36:55.260
worse movies, especially for this podcast. I

00:36:55.260 --> 00:37:01.500
think this one, it's not bad, honestly. It's

00:37:01.500 --> 00:37:04.900
not great, but it's not bad. I've seen much worse

00:37:04.900 --> 00:37:07.139
for this podcast, and I was definitely able to

00:37:07.139 --> 00:37:10.199
enjoy a lot of it. It's a very simple plot and

00:37:10.199 --> 00:37:11.760
everything like that. It's definitely a paint

00:37:11.760 --> 00:37:14.679
-by -numbers kind of thing. But the fact that

00:37:14.679 --> 00:37:16.960
they're taking inspiration from a 1940s thing

00:37:16.960 --> 00:37:18.780
when this is probably so new and everything,

00:37:19.000 --> 00:37:22.860
I think they did a good job transferring it a

00:37:22.860 --> 00:37:27.159
little more to. I know this is going to sound

00:37:27.159 --> 00:37:31.039
weird, transforming it to the present. Obviously,

00:37:31.039 --> 00:37:33.420
that's not what happens because it's still the

00:37:33.420 --> 00:37:37.460
1890s and everything like that. But it does look

00:37:37.460 --> 00:37:39.920
better. It does feel better, that kind of stuff.

00:37:40.000 --> 00:37:42.300
So I was actually really OK with this movie.

00:37:43.670 --> 00:37:45.809
Especially comparing it to something like The

00:37:45.809 --> 00:37:49.570
Mummy from 2017 that was trying to set up this

00:37:49.570 --> 00:37:52.829
dark universe. I feel like this one, in my mind,

00:37:52.889 --> 00:37:55.469
I would want to see more of these style movies

00:37:55.469 --> 00:37:59.730
versus more of The Mummy of 2017. It's very...

00:37:59.730 --> 00:38:06.909
Like I said, it's very paint -by -numbers. You're

00:38:06.909 --> 00:38:09.710
getting what the movie is. You can see it kind

00:38:09.710 --> 00:38:11.469
of from the beginning. Obviously, there's a lot

00:38:11.469 --> 00:38:14.429
of points where I was guessing ahead. And though

00:38:14.429 --> 00:38:16.650
some of the things that I left in this episode

00:38:16.650 --> 00:38:19.989
weren't exactly what happened, these were the

00:38:19.989 --> 00:38:22.349
ones that I left in just because these were what

00:38:22.349 --> 00:38:24.409
I was thinking in that moment. There was a lot

00:38:24.409 --> 00:38:26.809
of other things that I was thinking that were

00:38:26.809 --> 00:38:29.730
the same that I just didn't include that, oh,

00:38:29.750 --> 00:38:32.070
I was thinking this at this point. The cast was

00:38:32.070 --> 00:38:36.690
pretty damn good. Dialogue is a little clunky

00:38:36.690 --> 00:38:40.610
at times, but overall, I really enjoyed the performances

00:38:40.610 --> 00:38:43.610
and everything like that. Everybody had a time

00:38:43.610 --> 00:38:46.050
to shine for certain different scenes and everything.

00:38:46.590 --> 00:38:48.389
One of the things I was worried about with this

00:38:48.389 --> 00:38:50.809
movie is that I feel like a lot of the female

00:38:50.809 --> 00:38:52.829
characters in these kind of movies are just there

00:38:52.829 --> 00:38:55.170
to be a damsel in distress, what we've called

00:38:55.170 --> 00:38:59.389
before Jill's term of a sexy lamp. I will say

00:38:59.389 --> 00:39:02.690
that Emily Blunt in this movie was not just a

00:39:02.690 --> 00:39:07.469
sexy lamp. She wasn't there just to be there

00:39:07.469 --> 00:39:09.230
and something to look at and everything like

00:39:09.230 --> 00:39:12.150
that. I think she actually was a very good part

00:39:12.150 --> 00:39:15.829
of this where she advanced the plot. She also

00:39:15.829 --> 00:39:20.690
had some parts where she was a real person. She

00:39:20.690 --> 00:39:23.150
actually felt like a real character fleshed out

00:39:23.150 --> 00:39:26.170
and everything like that, in my mind. Lawrence

00:39:26.170 --> 00:39:29.969
was great. Benicio Del Toro, he's a great actor

00:39:29.969 --> 00:39:36.690
as is. He probably was one of the not as well

00:39:36.690 --> 00:39:38.530
-written characters, if you want to know the

00:39:38.530 --> 00:39:41.130
truth. And because Benicio Del Toro is just such

00:39:41.130 --> 00:39:43.550
a good actor, I think he brought a little more

00:39:43.550 --> 00:39:46.530
life to it and everything. Anthony Hopkins, you

00:39:46.530 --> 00:39:48.010
know what you're going to get with him. It's

00:39:48.010 --> 00:39:53.309
Anthony Hopkins. Hugo Weaving, I love. I think

00:39:53.309 --> 00:39:56.389
some of his stuff was very fun in the fact that

00:39:56.389 --> 00:39:59.219
he's very conniving and very... You know, he

00:39:59.219 --> 00:40:02.400
had he had the most fun lines and somebody like

00:40:02.400 --> 00:40:04.519
Hugo Weaving, I think, deserves something like

00:40:04.519 --> 00:40:06.980
that because it's a lot of fun seeing him play

00:40:06.980 --> 00:40:09.460
around with it and still bringing this level

00:40:09.460 --> 00:40:12.340
of like you kind of know he's the bad guy. But

00:40:12.340 --> 00:40:14.539
at the same time, you kind of like him for this,

00:40:14.739 --> 00:40:17.840
you know, especially the scene where he's sitting

00:40:17.840 --> 00:40:20.460
at the pub instead of sitting at Talbot Hall

00:40:20.460 --> 00:40:22.880
and talking about this is where the victims are

00:40:22.880 --> 00:40:25.800
going to be. You know, it's very like it almost

00:40:25.800 --> 00:40:29.559
feels like a threat. because it's Hugo Weaving

00:40:29.559 --> 00:40:31.639
it feels kind of like he's actually there to

00:40:31.639 --> 00:40:35.119
protect you but yes some of you are probably

00:40:35.119 --> 00:40:39.599
going to die so I think the biggest disservice

00:40:39.599 --> 00:40:42.360
to this movie was the wolf off at the end where

00:40:42.360 --> 00:40:45.900
everything was just kind of it was very CGI mess

00:40:45.900 --> 00:40:48.840
kind of thing and they're flying across the room

00:40:48.840 --> 00:40:52.219
and it's a lot of rope work and stuff like that

00:40:52.219 --> 00:40:55.699
that feels stiff You know, when he hits him,

00:40:55.800 --> 00:40:57.920
it's like, you know, he's going to go straight

00:40:57.920 --> 00:41:00.380
line all the way across. It's not actually like

00:41:00.380 --> 00:41:04.260
feeling like two wolves fighting. I know that

00:41:04.260 --> 00:41:07.340
sounds very weird, but it doesn't feel like that.

00:41:07.440 --> 00:41:09.940
So I think that's the biggest disservice to this

00:41:09.940 --> 00:41:12.400
movie. Otherwise, I actually really kind of liked

00:41:12.400 --> 00:41:17.440
it. Overall, I would say this is probably a well,

00:41:17.480 --> 00:41:19.420
this might be one of my higher rankings. I'll

00:41:19.420 --> 00:41:23.380
go say. two and a half uh silver bullets out

00:41:23.380 --> 00:41:27.420
of five um that that feels right honestly it

00:41:27.420 --> 00:41:29.679
was it's not going to be everybody's cup of tea

00:41:29.679 --> 00:41:31.679
and i totally understand why some people don't

00:41:31.679 --> 00:41:34.940
like this movie i wish it was better but again

00:41:34.940 --> 00:41:37.679
comparing it to something like the mummy i actually

00:41:37.679 --> 00:41:39.599
really enjoyed this one a lot more because i

00:41:39.599 --> 00:41:42.019
think it had a lot more to say and a lot more

00:41:42.019 --> 00:41:44.539
that it was setting up even though it didn't

00:41:44.539 --> 00:41:47.360
have a setup like that i think it was its very

00:41:47.360 --> 00:41:50.219
own standalone movie But it was kind of just,

00:41:50.380 --> 00:41:55.239
it's good that it was that. One of my biggest

00:41:55.239 --> 00:41:57.840
problems with The Mummy from 2017 was that they

00:41:57.840 --> 00:42:01.219
tried to bring in Dr. Jekyll and Mr. Hyde. Jekyll

00:42:01.219 --> 00:42:03.860
was setting up this whole thing and he was very

00:42:03.860 --> 00:42:09.139
much the Nick Fury of the Dark Universe and everything

00:42:09.139 --> 00:42:10.920
like that. And they were just like, they're trying

00:42:10.920 --> 00:42:13.440
to run before they can walk on that. This one

00:42:13.440 --> 00:42:16.420
felt more so it's its own story. It could be

00:42:16.420 --> 00:42:18.179
tied to something bigger, but it was his own

00:42:18.179 --> 00:42:20.699
story. And I like that. I thought it was very

00:42:20.699 --> 00:42:23.460
good. So two and a half silver bullets out of

00:42:23.460 --> 00:42:25.679
five, I think is one of the better rankings for

00:42:25.679 --> 00:42:28.900
sure of a bad movie I've watched for this podcast.

00:42:29.840 --> 00:42:32.260
So yeah, I'm not going to suggest it. It's not

00:42:32.260 --> 00:42:35.420
going to be like a Halloween treat every single

00:42:35.420 --> 00:42:37.199
year that I'm going to keep watching over and

00:42:37.199 --> 00:42:39.139
over and over again. Am I glad I watched it?

00:42:39.179 --> 00:42:42.820
Yeah. Do I need to see it again? No. I'm overall

00:42:42.820 --> 00:42:46.050
happy with my experience. I'm glad I watched

00:42:46.050 --> 00:42:49.289
it and got to see something that broke up the

00:42:49.289 --> 00:42:52.650
monotony of just stupid for stupid sake. The

00:42:52.650 --> 00:42:55.469
end, like I said, kind of broke it a little bit.

00:42:56.690 --> 00:42:59.530
There's certain things it dragged a little bit

00:42:59.530 --> 00:43:01.989
at points, but for the most part, this definitely

00:43:01.989 --> 00:43:04.269
had some of the best scenes in a bad movie. I've

00:43:04.269 --> 00:43:07.869
seen the, the attack of the villagers and everything.

00:43:08.010 --> 00:43:10.230
I thought that was very good one. And there was

00:43:10.230 --> 00:43:12.250
a lot of good transformation scenes, that kind

00:43:12.250 --> 00:43:15.820
of thing, just what you want in a wolf. man movie

00:43:15.820 --> 00:43:19.880
so yeah that's uh that's my thoughts on wolfman

00:43:19.880 --> 00:43:24.059
um we've got one more spoopy episode i've already

00:43:24.059 --> 00:43:25.820
watched the movie and let me tell you right now

00:43:25.820 --> 00:43:29.460
the ending pissed me the fuck off for that one

00:43:29.460 --> 00:43:34.579
um so if you're listening now trust me you're

00:43:34.579 --> 00:43:36.280
going to want to listen to the next one too because

00:43:36.280 --> 00:43:39.780
the next one you're going to get my rage i am

00:43:39.780 --> 00:43:42.659
going to be firing on all cylinders about the

00:43:42.659 --> 00:43:46.199
ending of that one This one kind of giving it

00:43:46.199 --> 00:43:49.599
a little more of a, I'm not as picky with a fine

00:43:49.599 --> 00:43:51.679
tooth comb about every last thing in this one.

00:43:51.719 --> 00:43:54.320
I think this one was exactly what I wanted it

00:43:54.320 --> 00:43:57.119
to be. I wish it was a little better with like

00:43:57.119 --> 00:43:58.659
the wolf off and everything like that. Cause

00:43:58.659 --> 00:44:01.360
obviously I was really excited about that, but

00:44:01.360 --> 00:44:04.880
overall this was a good movie. And I do see why

00:44:04.880 --> 00:44:08.460
this is one of the first, if not the first bad

00:44:08.460 --> 00:44:12.500
movies I've watched that won an Oscar. So yeah.

00:44:13.340 --> 00:44:15.320
That's the Wolfman. I've got one more episode

00:44:15.320 --> 00:44:18.420
for Spoopy Season coming out. I'm hoping to come

00:44:18.420 --> 00:44:24.800
out on Halloween. And yeah, so if you haven't

00:44:24.800 --> 00:44:27.239
listened to the episodes to start off Spoopy

00:44:27.239 --> 00:44:29.099
Season, The Curse of Downers Grove, which is

00:44:29.099 --> 00:44:32.099
about my hometown. I also did Godsend, which

00:44:32.099 --> 00:44:35.400
was a little weird in the timing because my son

00:44:35.400 --> 00:44:37.420
was born around the time where we were talking

00:44:37.420 --> 00:44:40.300
about this evil child movie. So it was very hit

00:44:40.300 --> 00:44:44.900
home for me. So, yeah, those two episodes are

00:44:44.900 --> 00:44:47.059
out everywhere you can find your podcast. This

00:44:47.059 --> 00:44:49.519
one, obviously, you're listening to now. Thank

00:44:49.519 --> 00:44:51.199
you guys very much for listening. And if you

00:44:51.199 --> 00:44:53.760
do enjoy the show, please feel free to give us

00:44:53.760 --> 00:44:57.059
a review. Things you'd like to see, that kind

00:44:57.059 --> 00:44:59.699
of thing. Always hit us up at Game for a Movie

00:44:59.699 --> 00:45:02.380
Podcast, wherever you find anything at Game for

00:45:02.380 --> 00:45:07.320
a Movie on Instagram, on X slash Twitter. We're

00:45:07.320 --> 00:45:11.019
on Blue Sky. We're on Threads. We're on... pretty

00:45:11.019 --> 00:45:13.659
much everything so find us anywhere at game for

00:45:13.659 --> 00:45:18.099
a movie um let us know some movies we can we

00:45:18.099 --> 00:45:21.420
can watch next um so yeah that is the game for

00:45:21.420 --> 00:45:23.400
a movie podcast where we ask are you game for

00:45:23.400 --> 00:45:25.699
a movie i've been your host mike i will have

00:45:25.699 --> 00:45:28.340
one more spoopy episode for you next week and

00:45:28.340 --> 00:45:30.159
i will see you next time on the game for a movie

00:45:30.159 --> 00:45:31.280
podcast bye
