WEBVTT

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You know what that sound means it's another episode

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of game for a movie where we ask are you game

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for a movie? My name is Mike. I am joined by

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Hey, I'm Zach Zach welcome to the show buddy

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Thanks, Mike. How are you? I'm doing well, buddy

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I've been wanting to get you on the show for

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a long time I've been on the show for a long

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time, but having kids was a choice I made I Mean,

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that's your own fault. Yes Before we get into

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stuff about you, we also need to talk about you

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have a podcast of your own. Don't you? I do.

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It's kind of on hiatus, but it's coming back

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soon. Okay. I still would love to give you a

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shout out for that. Yeah. It's called creatoring

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like creator ing. Okay. Talk to folks who create

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stuff, designers, animators, filmmakers, video

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game developers. and just get to know the people

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behind the creations. You know, like, I know

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how Unreal Engine works, so I don't really give

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a crap about talking about Unreal Engine. Right.

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But I want to know why they wanted to do it.

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Does that make sense? OK. Yeah, that makes complete

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sense. No, I love that. So we dive into that.

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Yeah. No, that's awesome, dude. You didn't even

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tell me about that one. I thought last time we

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talked you were a part of podcast That was a

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different podcast. Oh, yeah with the paperback

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brigade Yeah, we just wrapped that up because

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we're bringing it was kind of an in -between

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show We just talked about books. We liked while

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we were building up our list of guests for the

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other show Okay, got that makes it so no, that's

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awesome. Yeah, we're switching back. I love it.

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No, that's fantastic, dude I didn't even know

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about this. This is good. Yeah, the bombs on

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you. That's what this is. Yeah, right Uh, the

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normal question I ask somebody that comes on

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the show, what is the worst movie you've ever

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seen? Oh God. Yeah, you're welcome. I got to

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drop it on you. I can't give you a heads up on

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that. Yeah, no, I appreciate it. Um, I'm just

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going to go with my gut and I've probably seen

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worse since then, but Evil Bong is near the top

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of that list. Oh my God. Uh, next year at Halloween,

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I think we're going to do episodes on like, uh,

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Weird killers like evil bong We might have to

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do rubber finally Russia, okay. I liked rubber

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though like rubber at least has a story in a

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point. It's weird because yeah There's so many

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people that either are one side of love it or

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one side of absolutely hated it Yeah, that's

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more. So why I want to do it. I want to get a

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group together to watch that one But yeah, I

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could definitely fall on the love side. You know

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the idea of a horror movie Who's central premise

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and one of the villains is the people watching

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the movie? Okay, at least an interesting concept

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versus a demonic bong who has a strip club inside

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of it that like eat your soul over time So we

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might kick this off early as well with thanks

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killing this Thanksgiving I'm on board and then

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Eli Roth's Thanksgiving next year Thanksgiving.

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Yes, it's coming Yeah. Well, we've got a bad

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movie that we are going to talk about, but first

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we got to talk about what we are drinking. I'll

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let you kick it off. Yeah. So I'm going seasonal.

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I have a hot cocoa with marshmallows in it, Mike.

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That's where I'm at this afternoon. I love it,

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though. That's great. I am rocking a 90 minute

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IPA from Dogfish Head. You like Dogfish Head,

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right? You talk about them a lot. Yeah, yeah,

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especially they're 120 minute. I couldn't find

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that. That's phenomenal. But they're 90 minutes.

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Pretty good. I found it in the store in the special

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edition section. And I got it probably seasonal

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drinker. I guess so. I don't know. They release

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it weird times, I feel like. I will say it's

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more built for fall than summer. Like you don't

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want a 90 minute IP during the summer. Sure.

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But it's it's. The fact that I got it probably

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two days ago and four of the six bottles are

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gone already says what it needs to say about

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that. Totally. Cool. I will say I wish I was

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a little drunker for this movie that we watched.

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Yeah, yeah. OK, so just to part the curtain a

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little bit, I finished this movie about 10 minutes

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ago. And my wife and I watched it. Oh, my God.

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You got her to watch it. She watched it with

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me. Yeah. She was working on other stuff and,

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you know, playing video games, but she was watching

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it with me. And I hadn't seen it since like 2000.

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I never saw it before last night. I watched it

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last night. Yeah, that was a movie. It's OK.

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So, hey, I got a list. Do you like CGI babies?

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Do you like CGI Griffins? Do you like movies

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where the only colors are black, maroon, and

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brown? Uh, okay with that one. So I'll say one

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for three. Do you like gratuitous shots of Catherine

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Zeta -Jones that could have only come out in

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the 90s? Yes. Two of four. Then I've got a movie

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for you. I'm halfway on that list. I even included

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a note. John DeBot, he knocked it out of the

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park. This is the most DeBot movie. Ever. Yeah.

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This movie is The Haunting from 1999. I have

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to clarify that because there's like 14 haunting

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movies. You look up The Haunting on Rotten Tomatoes

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to try to find the score, which I did when I

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first heard about this movie. I had to go through

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seven pages to get to this one. And you asked

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me to watch the only bad one on that list. Yeah,

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apparently. Yeah, this is the whole. This is

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what we do. Yeah. Welcome to the show. This is

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I've listened so much and I didn't realize the

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other side that it would it would be this. But

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it is we're here. Yeah. This movie had so much

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potential. OK, I love Mike Flanagan. Yes. Pretty

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much everything Mike Flanagan does. Yeah. The

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Haunting of Hill House. Yep. This is the worst.

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This is not that. This is the worst version of

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The Haunting of Hill House. Even the 1963 version

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is supposed to be a masterpiece. I have to go

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find that after this. Yeah, right. Just to get

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like just to cleanse the palette a little bit,

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like to find the 1963 one. Is that the one? I

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got to look it up now. But is that the one with

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Vincent Price now? No. OK, so now we're going

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down that route. That's the house on Haunted

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Hill. That's OK. Yeah, which. You know, being

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a film nerd, I also dove into that this morning.

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Yeah. So the Haunting of Hill House is based

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on a Shirley Jackson novel that came out in 1959.

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OK, the House on Haunted Hill. Vincent Price

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classic screenplay came out in 1959 also. OK,

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so they came out completely independent of each

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other. Got it. Okay, very similar. I mean the

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titles is spooky how and this to make it even

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more complicated the remake Of the haunting.

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Yes, and the remake of the house on haunted hill

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both came out in 1999 So just made it even more

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complicated and Why do we have to make it confusing?

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Did you I didn't know this this was incredible

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and made me sad the entire time During the haunting

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1999's development, well, the development began

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as a collaboration between Stephen King and Steven

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Spielberg, with Stephen King writing the screenplay.

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I want that movie. I want that movie so bad.

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And at some time, there's a universe that got

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that movie and we got this. And we got this.

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I don't know what happened, but there was a fallout

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between King and Spielberg. And Stephen King

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took his screenplay and went home and made, he

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like reworked it and made Rose Red out of it.

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I don't know if you've seen that miniseries.

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I haven't seen that miniseries, but I have heard

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of it. It was his reworking. And then Spielberg

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got pissed off and was like, I'm gonna get David

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Self to do this. And he produced it and wrote

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it, I think. Okay. All right. Yeah. Dude, I had

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no clue about that. I really want that movie

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instead. But we watched this one. We watched

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this one that had The cast list is another reason

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why this one was chosen for this month. We've

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got Liam Neeson, Catherine Zeta -Jones, Owen

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Wilson, Lily Taylor, Bruce Dern, Virginia Madsen,

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Marianne Seldes. Wow. Wow. And MC Gainey too,

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by the way, which I didn't actually see what

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his, he was large guy and I don't remember seeing

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his part, but. I think he's the CGI. He's gotta

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be, right? Monster at the end, yeah. Right. That's

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what I was thinking, but a large guy didn't do

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anything to give me any hints. And they had somebody

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as Hugh Crane. So, for the portrait. But MC Ganey

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was just a large guy. So that's why I was wondering

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if that was him or if they actually got Charles

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Gunning, who doesn't have a picture on IMDB,

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to be Hugh Crane. I don't know. But we're getting

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ahead of ourselves on this one. Yeah So normal

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thing basically It's a haunted house movie. Yeah,

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that's generic what it is Liam Neeson gets these

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people here saying it's a study on insomnia.

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He has ulterior motives. It's a study on fear

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and That's how our characters meet there also

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is a Mary and Todd who I love that they disappear

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immediately Oh, the sister and brother -in -law?

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The assistant and, oh no, them too. Them too.

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But the assistant and Todd who show up for this

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test and immediately the assistant's talking

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about like how scary this place is and a piano

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wire snaps and hits her across the eye. Well,

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that's what the makeup is. I still don't understand

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how the hit and what was left. And then like

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she, um, Nell, Lily Taylor takes a glass and

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puts it on her eye. She's like, this will keep

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the blood out. And I was like, why not just close

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your eye? Just get like a paper towel. Why are

00:10:35.049 --> 00:10:38.250
we using the glass? Yeah. Any here? Hold this

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cup against your eye for the next hour as you

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drive to the hospital. I will say like what also

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made me laugh is so there's the the Dudleys are

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the housekeepers. I love the fact that they're

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sarcastic as fuck. And like they say basically

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over and over, no one's going to help you if

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you need help. This happens at night. Nine miles

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away. Yeah. Yeah. This happens at night. They

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padlock the place at night, yet somehow they're

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able to get Todd and Mary out of there to get

00:11:06.039 --> 00:11:09.779
her to the hospital. Okay. That's a good point.

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Also, is this one night? The movie? Or this part?

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Yeah. Like, does the movie take place in one

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night? No, it's a couple nights. Okay. Because

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they go to sleep like four times. But we only

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see the Dudleys twice. Yes. We only see it twice.

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Yeah. Did they fall asleep four times or did

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they keep trying to go back to sleep? Because

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none of them can sleep. Oh, OK. Yeah. Well, no,

00:11:35.409 --> 00:11:38.750
because when the only reason I say it was multiple

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nights is because there's the one part where

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she sees the thing in the fireplace and she was

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doing the test and it was like light out. This

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was during the day, I think. I think. OK. You

00:11:50.049 --> 00:11:52.269
know what? I could be wrong because you you bring

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up a good point. It is not clear. Yeah. And either

00:11:56.259 --> 00:11:59.659
way is a completely valid way of seeing it. It's

00:11:59.659 --> 00:12:02.139
the only thing I'll say too, is they change costumes.

00:12:02.720 --> 00:12:05.919
Okay. So I think, yeah, just based on Catherine's

00:12:05.919 --> 00:12:09.940
data, Jones costume changes. Yeah. There is a

00:12:09.940 --> 00:12:12.940
universe where Theo changes outfits every 10

00:12:12.940 --> 00:12:17.720
minutes just because multiple nights makes more

00:12:17.720 --> 00:12:20.679
sense. Yeah. That's the only reason I think it

00:12:20.679 --> 00:12:24.519
was multiple nights. But we only see the Dudleys

00:12:24.519 --> 00:12:26.779
twice when they get there and then when they

00:12:26.779 --> 00:12:29.019
come and like make fun of them Yeah, exactly.

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No, I definitely could see how you'd say it's

00:12:31.600 --> 00:12:36.580
one night because I get that. Mm -hmm The Dudleys

00:12:36.580 --> 00:12:38.919
were also my favorite character. I love the fact

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that they were just like sarcastic as fuck like

00:12:41.360 --> 00:12:45.919
just I just want listener just take that part

00:12:45.919 --> 00:12:48.620
if you haven't seen this movie yet Mike's favorite

00:12:48.620 --> 00:12:50.659
two characters other people that are on screen

00:12:50.659 --> 00:12:54.789
combined What a minute, 20 seconds. I think it's

00:12:54.789 --> 00:12:58.049
a minute, 10 minutes, 30 tops. Yeah, right. I

00:12:58.049 --> 00:13:00.929
think it's less. It feels like. But yeah, this

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114 minute movie. Those are your favorite characters.

00:13:03.629 --> 00:13:05.429
Those are my favorite characters. And this is

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probably. Yeah, good. Oh, no. This is a movie

00:13:07.990 --> 00:13:10.029
that has Liam Neeson, Catherine Zeta -Jones,

00:13:10.429 --> 00:13:13.149
Lily Taylor and Owen Wilson. And these two are

00:13:13.149 --> 00:13:16.090
my favorite characters. I think Richie might

00:13:16.090 --> 00:13:20.799
be my favorite character. Her nephew that she

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does not, that Nell does not like. And he's there

00:13:24.919 --> 00:13:27.679
for what, five seconds? At least. And all he

00:13:27.679 --> 00:13:29.659
does is hit the wall and like pretend to be her

00:13:29.659 --> 00:13:34.720
dead great grandma. It's terrible. He's such

00:13:34.720 --> 00:13:37.360
a little shit. He's like knocking, knocking,

00:13:37.379 --> 00:13:40.320
I said toys, knocking ceramic figures off the

00:13:40.320 --> 00:13:43.720
wall. That is that person's only acting credit,

00:13:43.740 --> 00:13:48.340
by the way. I believe that, actually. Uh at this

00:13:48.340 --> 00:13:51.379
point also doing that again At this point also

00:13:51.379 --> 00:13:52.740
when they're like walking around the house and

00:13:52.740 --> 00:13:55.440
everything what i've said is I can already guarantee

00:13:55.440 --> 00:13:57.559
there's going to be an old clock chiming jump

00:13:57.559 --> 00:14:01.580
scare I'm very disappointed. We didn't have one

00:14:01.580 --> 00:14:04.460
I thought I nailed it. I was like I thought I

00:14:04.460 --> 00:14:07.279
nailed it That's about the only one that didn't

00:14:07.279 --> 00:14:10.320
happen. We got loud fireplaces. We've got talking

00:14:10.320 --> 00:14:13.429
paintings. We've got Ghost babies. I think what

00:14:13.429 --> 00:14:16.330
are supposed to be children's ghosts. Yeah. Coming

00:14:16.330 --> 00:14:19.730
in and out of drapes. Yeah. Yeah. That crawl

00:14:19.730 --> 00:14:22.889
into bed with her. We have carnival music for

00:14:22.889 --> 00:14:27.370
some reason. The one room that was like the carnival

00:14:27.370 --> 00:14:30.070
room that spun around and everything. I also

00:14:30.070 --> 00:14:31.570
thought that was going to have more of a use.

00:14:31.570 --> 00:14:34.370
That was used twice. Yeah. Show the room and

00:14:34.370 --> 00:14:36.330
then once where she was just like, okay, cool.

00:14:36.330 --> 00:14:38.230
I'm in this room again. Wouldn't it be scary

00:14:38.230 --> 00:14:40.769
if you were pregnant? Yeah. And then run out.

00:14:41.269 --> 00:14:43.990
Yes, I forgot she was pregnant in the mirror.

00:14:44.129 --> 00:14:47.490
Oh, my God. Yeah. Well, she's not pregnant. And

00:14:47.490 --> 00:14:51.149
then it like it's one of those. I don't know.

00:14:51.169 --> 00:14:55.129
I guess they put like a for like a hot air balloon.

00:14:55.330 --> 00:14:59.629
Yeah. Something that expands. It was definitely

00:14:59.629 --> 00:15:02.669
a practical effect versus CGI. I don't even know.

00:15:02.690 --> 00:15:05.210
That was a fear she had. Yeah. But when all of

00:15:05.210 --> 00:15:06.990
a sudden she saw there was pregnant, she runs

00:15:06.990 --> 00:15:12.840
out of the room screaming. Oh boy. Yeah, we already,

00:15:13.399 --> 00:15:16.980
this movie, um, the creepy child ghost that says,

00:15:17.360 --> 00:15:20.659
find us. So that's part of the thing too, is

00:15:20.659 --> 00:15:23.539
they keep going to Eleanor slash Nell. I'm going

00:15:23.539 --> 00:15:26.539
to use both names because I wrote down in my

00:15:26.539 --> 00:15:29.840
notes, Eleanor is sometimes Nell. Yeah, they

00:15:29.840 --> 00:15:34.779
go back and forth completely on whim. No logic

00:15:34.779 --> 00:15:37.120
or thought put behind it. Her friends call her

00:15:37.120 --> 00:15:44.320
Nell, but Dr. Haro, no, Maro calls her Eleanor

00:15:44.320 --> 00:15:47.580
and then the kids call her Eleanor, but Theo

00:15:47.580 --> 00:15:50.159
calls her Nell and then Owen Wilson goes back

00:15:50.159 --> 00:15:52.720
and forth. I just started calling her Lily Taylor.

00:15:55.720 --> 00:15:59.379
But basically the idea is that she needs to find

00:15:59.379 --> 00:16:05.360
the bones of these kids and kind of save them

00:16:05.360 --> 00:16:10.100
and We don't know what she's saving them for

00:16:10.100 --> 00:16:15.240
from at some points. And I also commented the

00:16:15.240 --> 00:16:17.899
fact that sometimes she's like really scared

00:16:17.899 --> 00:16:21.080
in these scenes. And sometimes she's like laughing

00:16:21.080 --> 00:16:23.659
and like, oh, I've got to find them. Oh, I've

00:16:23.659 --> 00:16:29.159
got it. And again, switches on like a dime. She's

00:16:29.159 --> 00:16:32.659
brush. She taught she's. Is this after she finds

00:16:32.659 --> 00:16:36.299
the bones in the fireplace? I believe so. Yeah,

00:16:36.399 --> 00:16:38.779
OK. So, yeah. Yeah. And then she goes back to

00:16:38.779 --> 00:16:41.000
her room. Then the bloody footprints lead her

00:16:41.000 --> 00:16:44.299
to a bookcase or bookshelf. She opens it. Oh,

00:16:44.320 --> 00:16:48.360
no, it's Hugh Crane's. Like the study ledgers.

00:16:48.919 --> 00:16:51.279
Yeah, because, you know, murderers usually keep

00:16:51.279 --> 00:16:53.440
like track of all the kids they kill. So she

00:16:53.440 --> 00:16:55.919
finds proof that he's murdered all these kids

00:16:55.919 --> 00:16:59.019
and goes back to her room and she looks at where

00:16:59.019 --> 00:17:00.779
she's seen these children's ghosts before and

00:17:00.779 --> 00:17:04.450
says, I'm ready to talk and then sits down. And

00:17:04.450 --> 00:17:06.730
then they talk to her and she gets freaked out.

00:17:07.029 --> 00:17:10.809
Like, pick a lane now. Like, pick out what you

00:17:10.809 --> 00:17:12.890
want to do. She was so excited to talk to them.

00:17:12.910 --> 00:17:14.269
And then when they started talking to her, she's

00:17:14.269 --> 00:17:17.950
like, fuck no, I'm out. Yeah. Not today, Satan.

00:17:18.190 --> 00:17:21.410
Yeah. I do love that the ledger included like

00:17:21.410 --> 00:17:26.670
the ages of the kids, too. Like. Yeah. Ten. Dead.

00:17:27.250 --> 00:17:33.230
Dead. Eleven. Twelve. Twelve. Twelve. Do we know?

00:17:34.329 --> 00:17:41.410
Obviously, the implication is that he killed

00:17:41.410 --> 00:17:48.369
these children. Yes. Do we know why? His wife

00:17:48.369 --> 00:17:50.789
wanted kids and kept having miscarriages, which

00:17:50.789 --> 00:17:54.150
is devastating. Yes. And the reason why she ended

00:17:54.150 --> 00:17:57.890
up killing herself. Yeah. But do we know, like,

00:17:58.029 --> 00:18:02.230
what is the impetus from that? to bringing home

00:18:02.230 --> 00:18:05.089
kids from the factories you run and killing them.

00:18:05.329 --> 00:18:08.109
And like, I understand he wanted to fill the

00:18:08.109 --> 00:18:10.809
house with kids is what the the thing was. Like

00:18:10.809 --> 00:18:14.369
he wanted he kept building because he kept like

00:18:14.369 --> 00:18:17.450
wanting to they were talking about he kept building

00:18:17.450 --> 00:18:20.410
the house because he wanted this huge family

00:18:20.410 --> 00:18:23.930
and everything. And it makes sense that he would

00:18:23.930 --> 00:18:25.730
adopt these kids if he wants to fill the house

00:18:25.730 --> 00:18:29.190
with kids and everything like that. I no clue.

00:18:29.420 --> 00:18:31.700
why he started killing him. He wants an eternal

00:18:31.700 --> 00:18:34.259
family or something. I guess is what she says.

00:18:34.440 --> 00:18:36.700
Yeah, I guess. But still, like, how did you know

00:18:36.700 --> 00:18:39.700
they were going to be ghosts? You just assumed

00:18:39.700 --> 00:18:41.480
that they were going to become ghosts? Yeah.

00:18:41.500 --> 00:18:46.740
What do you know? Yeah, right. I also love the

00:18:46.740 --> 00:18:48.579
towns nine miles away, and they were talking

00:18:48.579 --> 00:18:51.640
about how sometimes at the house you hear children.

00:18:52.460 --> 00:18:54.900
And nobody goes to the house. Nobody goes close

00:18:54.900 --> 00:18:56.579
to the house. How do you hear the children nine

00:18:56.579 --> 00:19:01.480
miles away? Yeah, are they yeah Maybe we're talking

00:19:01.480 --> 00:19:03.500
about an estate haunting, you know, as long as

00:19:03.500 --> 00:19:05.460
they stay inside the fence. They can haunt whoever

00:19:05.460 --> 00:19:10.920
they want to yeah, right Yeah, so did you talk

00:19:10.920 --> 00:19:13.720
about the carpet yet I did not talk about the

00:19:13.720 --> 00:19:15.660
carpet. We're not there yet. Okay, we're not

00:19:15.660 --> 00:19:20.579
we're not there yet and more so It's so good

00:19:22.859 --> 00:19:29.460
Where was it at? We also haven't mentioned the

00:19:29.460 --> 00:19:36.160
slow motion yet. Just the absurd use of slow

00:19:36.160 --> 00:19:38.700
motion in this movie. There's a big part towards

00:19:38.700 --> 00:19:44.500
the end. But it feels like they just mistimed

00:19:44.500 --> 00:19:46.930
the shoot. and they just had to stretch it out.

00:19:47.150 --> 00:19:49.269
It doesn't serve any purpose to the story or

00:19:49.269 --> 00:19:51.809
building dramatic. This movie needs to be two

00:19:51.809 --> 00:19:54.069
hours. We've got an hour 45. Let's just throw

00:19:54.069 --> 00:19:58.670
some slow -mo in there. The one part I was going

00:19:58.670 --> 00:20:01.450
to say, so she starts seeing things like the

00:20:01.450 --> 00:20:03.170
kids and everything like that. She starts hearing

00:20:03.170 --> 00:20:06.589
things and she sees - Real quick before you nail

00:20:06.589 --> 00:20:08.190
down on that, because we've said that a couple

00:20:08.190 --> 00:20:11.910
of times at this point. She sees quote unquote

00:20:11.910 --> 00:20:17.210
kids. Yes. These ghosts are Awful. The CGI on

00:20:17.210 --> 00:20:21.710
these, there's no emotion. It's not even to the

00:20:21.710 --> 00:20:23.970
point of uncanny valley worrying about it. I

00:20:23.970 --> 00:20:28.190
just... Do you ever see like early releases of

00:20:28.190 --> 00:20:30.690
Casper? When did Casper come out? Like four years

00:20:30.690 --> 00:20:33.609
before this? Casper was 96, I'd like to say.

00:20:33.769 --> 00:20:36.170
Okay, so three, three, four years before this.

00:20:36.170 --> 00:20:38.990
Yeah. And it was so much better than this. Yeah.

00:20:39.289 --> 00:20:42.049
You actually had emotion. These are just like

00:20:42.049 --> 00:20:45.740
dolls or... And like I try not to when a movie's

00:20:45.740 --> 00:20:48.279
older, I try not to hold CGI against it because

00:20:48.279 --> 00:20:50.079
let's just face its limitations of the time.

00:20:50.079 --> 00:20:52.460
But you're exactly right. Better movies have

00:20:52.460 --> 00:20:57.019
come out with CGI. At this time before this.

00:20:57.039 --> 00:20:59.559
Yeah. Right. And Jurassic Park was four years

00:20:59.559 --> 00:21:03.799
before this. Yes. Yes. And that's exactly it.

00:21:03.880 --> 00:21:06.940
It's there's you can hold it against a movie

00:21:06.940 --> 00:21:08.920
when you have a precedence that there's better

00:21:08.920 --> 00:21:12.279
CGI out there. And this CGI was terrible. The

00:21:12.279 --> 00:21:16.160
Griffins. at the end and I'm jumping all over

00:21:16.160 --> 00:21:18.099
the place, but I just want to talk about the

00:21:18.099 --> 00:21:21.660
Griffins because of CGI. The Griffins. They're

00:21:21.660 --> 00:21:25.140
shiny. Like they're, you know, it's obviously

00:21:25.140 --> 00:21:29.359
not there and it stands out hugely against the

00:21:29.359 --> 00:21:31.920
background and everything like that. I definitely

00:21:31.920 --> 00:21:34.599
included several times, bad CGI ghost, bad CGI

00:21:34.599 --> 00:21:39.160
this, bad CGI that. And like I said, I try not

00:21:39.160 --> 00:21:43.509
to hold it against this movie, but That's what

00:21:43.509 --> 00:21:46.190
there's something better. There's a better precedence

00:21:46.190 --> 00:21:50.150
before this you can hold it against it. Yeah

00:21:50.150 --> 00:21:52.650
All right, I derailed you get back to it. No,

00:21:52.710 --> 00:21:56.029
no So she's been seeing these things and everything

00:21:56.029 --> 00:21:59.450
like that. So one of the things she sees is the

00:21:59.450 --> 00:22:03.430
woman hanging and this comes back into play because

00:22:03.430 --> 00:22:07.670
when she finally kind of snaps she goes up there

00:22:07.670 --> 00:22:11.490
and Is ready to jump to be with the children?

00:22:12.170 --> 00:22:16.650
And save them. Yeah, essentially an eternal figure.

00:22:19.829 --> 00:22:23.390
Again, we don't know at this point. At least

00:22:23.390 --> 00:22:26.250
I don't think so. Maybe we do. I didn't include

00:22:26.250 --> 00:22:29.250
a note if we do. We don't know at this point

00:22:29.250 --> 00:22:31.829
why she feels this connection with these kids.

00:22:32.549 --> 00:22:35.150
But she feels this connection with these kids

00:22:35.150 --> 00:22:39.450
and no, we don't. Yeah, we do not know who she

00:22:39.450 --> 00:22:42.519
is in relation to these kids yet. Right, all

00:22:42.519 --> 00:22:44.240
right. We need to take a quick break and give

00:22:44.240 --> 00:22:47.059
a shout out to our friend that got the bad movie,

00:22:47.059 --> 00:22:52.740
correct? someone on X It's at I don't know man

00:22:52.740 --> 00:22:54.980
pod on x slash Twitter slash whatever the fuck

00:22:54.980 --> 00:22:57.920
we're calling it I don't know man podcast. He

00:22:57.920 --> 00:23:00.380
says it's a little weird, but aren't we all it's

00:23:00.380 --> 00:23:03.259
totally okay at the worst follow him on Twitter

00:23:03.259 --> 00:23:05.299
because I can guarantee you're going to learn

00:23:05.299 --> 00:23:08.759
a lot about movies One of my favorite that just

00:23:08.759 --> 00:23:13.589
recently followed us So definitely enjoy at I

00:23:13.589 --> 00:23:16.710
don't know man pod on x slash Twitter and check

00:23:16.710 --> 00:23:19.450
out the I don't know man podcast wherever you

00:23:19.450 --> 00:23:22.470
find your podcast. Now back to the movie. Dr.

00:23:22.650 --> 00:23:24.589
Morrow climbs up the stairs that are falling

00:23:24.589 --> 00:23:27.670
down around him because and I don't get this

00:23:27.670 --> 00:23:33.210
either. Why is the ghost of crane trying to stop

00:23:33.210 --> 00:23:38.089
Morrow? So like. He's trying to stop Morrow from

00:23:38.089 --> 00:23:42.200
saving now. Who is trying to kill herself to

00:23:42.200 --> 00:23:45.619
save the children from crane which would yeah

00:23:45.619 --> 00:23:52.400
Yeah, yeah, what's your purpose? Yeah, like I

00:23:52.400 --> 00:23:55.359
don't get why he's stopping her but are stopping

00:23:55.359 --> 00:23:58.619
him because if he saves her guess what she's

00:23:58.619 --> 00:24:00.480
not dead She's not trying to save the children.

00:24:00.480 --> 00:24:05.240
Could she do more alive? I guess I know Not really

00:24:05.240 --> 00:24:07.640
because we get to see her do it in a little bit,

00:24:07.680 --> 00:24:12.910
right? Not much And so I made a note of that

00:24:12.910 --> 00:24:15.930
as well as from the back pocket of Dr. Morrow

00:24:15.930 --> 00:24:20.869
fell his cell telephone. Cell telephone. He did

00:24:20.869 --> 00:24:22.970
call it that, didn't he? He called it the cell

00:24:22.970 --> 00:24:27.869
telephone. And it was a candy bar phone. I didn't

00:24:27.869 --> 00:24:30.789
have a Nokia at that point, but I think my mom

00:24:30.789 --> 00:24:34.460
did. Those things were solid. Yeah. A 15 foot

00:24:34.460 --> 00:24:36.960
drop would not make it shatter. Right. And I

00:24:36.960 --> 00:24:38.880
was going to say, how far was he going to fall?

00:24:39.039 --> 00:24:41.559
He would have been fine. Yeah. And once like

00:24:41.559 --> 00:24:43.440
the stairs had fallen, it would have hurt. It

00:24:43.440 --> 00:24:45.559
would have sucked for sure. But you would not

00:24:45.559 --> 00:24:47.880
have died from that. Unless you fell and like

00:24:47.880 --> 00:24:49.599
broke your spine or something like that, like

00:24:49.599 --> 00:24:53.140
landed awkwardly on the stairs. Yeah. But if

00:24:53.140 --> 00:24:55.940
you just fall from that, which I think you would

00:24:55.940 --> 00:24:59.099
have, I think you could have honestly, the way

00:24:59.099 --> 00:25:00.839
he was hanging on, he could have just jumped

00:25:00.839 --> 00:25:04.930
and been fine. Yeah. Maybe twist an ankle and

00:25:04.930 --> 00:25:07.609
then you get the horror trope of run away from

00:25:07.609 --> 00:25:16.089
the ghost. Oh, man. Yeah. So Crane is operating

00:25:16.089 --> 00:25:21.200
from against his best interest. Yep. for the

00:25:21.200 --> 00:25:25.079
first of many times. Yes. I don't know what he's

00:25:25.079 --> 00:25:29.180
doing at all. He has no motive at this point.

00:25:29.339 --> 00:25:31.460
Like it's just his motives all over the place.

00:25:31.460 --> 00:25:34.799
He can't figure out why to do it. Why can't he

00:25:34.799 --> 00:25:37.039
not come through the window in her room until

00:25:37.039 --> 00:25:39.240
she shatters it, but he can go anywhere else

00:25:39.240 --> 00:25:41.700
in the house she wants to. He wants to. Yes.

00:25:41.859 --> 00:25:43.640
I didn't even think about that, but you're exactly

00:25:43.640 --> 00:25:47.960
right. Because the ghost was able to go in the

00:25:47.960 --> 00:25:52.329
room. But he changes the room shape many times.

00:25:53.829 --> 00:25:58.369
Also, the spikes over the bed. Oh, why? Like,

00:25:58.930 --> 00:26:02.029
why is that a thing in general? But then the

00:26:02.029 --> 00:26:04.789
spider limbs that kind of come down and like

00:26:04.789 --> 00:26:09.970
hold her down. Yeah. I'm also a scary children

00:26:09.970 --> 00:26:12.089
ghost are yelling at her like, yes, you're not

00:26:12.089 --> 00:26:15.390
helping right now. You're making this worse,

00:26:15.569 --> 00:26:20.079
kids. Yeah. The way they pinned her to to the

00:26:20.079 --> 00:26:23.099
bed. I think she could have gotten out of there

00:26:23.099 --> 00:26:28.039
This okay Now we're talking about the bed and

00:26:28.039 --> 00:26:30.559
the settings and anything Yeah, there was a really

00:26:30.559 --> 00:26:33.039
good movie about three inches underneath the

00:26:33.039 --> 00:26:35.980
surface of this movie. Yes, I agree I agree.

00:26:36.059 --> 00:26:38.799
It never quite makes it out, but it was there.

00:26:38.920 --> 00:26:42.819
So yeah, I'll also say does it hurt that this

00:26:42.819 --> 00:26:48.019
was PG -13? Yes. Yeah. Yeah I think so. I agree

00:26:48.019 --> 00:26:49.779
completely, because I think they could have gotten

00:26:49.779 --> 00:26:54.299
a lot darker, a lot worse if this was R. And

00:26:54.299 --> 00:26:58.380
let's face it, we had two people of bloodshed,

00:26:58.380 --> 00:27:03.039
pretty much. We had no cannon fodder, is one

00:27:03.039 --> 00:27:06.519
of my favorite terms. Yeah. And like in a horror

00:27:06.519 --> 00:27:08.160
movie, that's kind of what I'm looking for, let's

00:27:08.160 --> 00:27:12.039
face it. You want some despicable characters

00:27:12.039 --> 00:27:18.029
to get theirs. Yeah. Not Owen Wilson. Not Owen

00:27:18.029 --> 00:27:21.710
Wilson. Not like that. Not like that. Wow. Let's

00:27:21.710 --> 00:27:27.069
talk about Owen Wilson and his death scene, the

00:27:27.069 --> 00:27:31.690
magic carpet of death. I love that name. Oh,

00:27:31.690 --> 00:27:34.710
it's so good. We addressed earlier the fireplace

00:27:34.710 --> 00:27:37.690
and everything. Yeah. And in the movie, we also

00:27:37.690 --> 00:27:40.809
saw the fireplace. There's a giant flu that comes

00:27:40.809 --> 00:27:44.589
across and it almost hits Dr. Morrow and Owen

00:27:44.589 --> 00:27:47.650
Wilson, I can't remember Luke. That's it. Yeah.

00:27:48.890 --> 00:27:52.430
Because Luke Wilson, that's why I always hate.

00:27:53.109 --> 00:27:56.690
Yeah. So Luke and Dr. Morrow are in the fireplace

00:27:56.690 --> 00:27:59.190
trying to examine what Nell saw and this giant

00:27:59.190 --> 00:28:01.569
flu comes across. And we've addressed this earlier

00:28:01.569 --> 00:28:05.329
in the movie. Now we're later in the movie and

00:28:05.329 --> 00:28:08.950
Luke kind of loses it and starts hitting at the

00:28:08.950 --> 00:28:12.670
crane painting with a candlestick. He's going

00:28:12.670 --> 00:28:17.549
full clue mode. What is he doing? You son of

00:28:17.549 --> 00:28:22.750
a bitch. And he's just hitting the picture. It's

00:28:22.750 --> 00:28:26.250
the first time, Mike, before he rips it. Yeah.

00:28:27.049 --> 00:28:29.210
And then he just turns around and kind of just

00:28:29.210 --> 00:28:32.269
hops off. Well, now convinces him like, stop,

00:28:32.430 --> 00:28:34.809
stop. And he's like, OK, fine. And jumps off.

00:28:35.009 --> 00:28:37.980
He's but I mean, they had just seen. Yeah, like

00:28:37.980 --> 00:28:40.660
the destruction of the house. I don't it's okay.

00:28:40.660 --> 00:28:43.079
Keep going. That was nuts Well, then he ends

00:28:43.079 --> 00:28:47.180
up on this carpet that suddenly pulls him and

00:28:47.180 --> 00:28:50.420
he's like way ahead of everybody and Nels is

00:28:50.420 --> 00:28:56.200
yelling no And he gets slid off of the carpet

00:28:56.200 --> 00:29:00.200
into the fireplace 30 40 feet 30 40 feet easily.

00:29:00.420 --> 00:29:02.980
Yes, exactly He gets launched like absolutely

00:29:02.980 --> 00:29:05.220
launched. So he's in the fireplace and now just

00:29:05.220 --> 00:29:11.460
like the fireplace, slow motion, the flu comes

00:29:11.460 --> 00:29:16.819
and beheads him. Yeah. And it's so it's shaped

00:29:16.819 --> 00:29:19.819
like it wasn't a dragon or a lion or that kind

00:29:19.819 --> 00:29:22.119
of lion. But yeah, yeah, it could be either.

00:29:22.240 --> 00:29:24.480
It's an animal of some variety and its mouth

00:29:24.480 --> 00:29:28.599
is what catches his head. And then it dumps out.

00:29:28.700 --> 00:29:30.619
and that's where an arc and a gun is something

00:29:30.619 --> 00:29:32.500
because maybe we would have seen the head rolling

00:29:32.500 --> 00:29:35.400
or and just while it's rolling it just goes wow

00:29:35.400 --> 00:29:38.180
like with the last gasp of air as it's escaping

00:29:38.180 --> 00:29:42.000
wow but we don't get that because it's pg -13

00:29:42.000 --> 00:29:47.779
right exactly i was i was laughing my ass off

00:29:47.779 --> 00:29:50.539
at that scene though as soon as i saw it i needed

00:29:50.539 --> 00:29:53.019
to share with claire and i i showed her that

00:29:53.019 --> 00:29:55.500
and she actually regretted not watching the movie

00:29:55.500 --> 00:29:59.659
because she felt like she would laugh at it That's

00:29:59.659 --> 00:30:02.880
the one right there, that scene. If that doesn't

00:30:02.880 --> 00:30:04.680
get you, what are you even watching it for? Yeah,

00:30:04.680 --> 00:30:07.279
exactly. That is the one scene that might have

00:30:07.279 --> 00:30:10.099
saved this movie for me. Because I'm going to

00:30:10.099 --> 00:30:13.660
probably give it a scathing number. This number

00:30:13.660 --> 00:30:16.180
could have been worse. The beheading magic carpet

00:30:16.180 --> 00:30:20.019
of death might have given it a higher number.

00:30:23.099 --> 00:30:26.640
But yeah, so then the house is just going off

00:30:26.640 --> 00:30:29.779
trying to kill everybody. everybody and the kids

00:30:29.779 --> 00:30:31.720
are just like go to the doors go to the doors

00:30:31.720 --> 00:30:35.480
there's these doors that are which is okay hold

00:30:35.480 --> 00:30:38.640
on no yeah go ahead the kids are like leave leave

00:30:38.640 --> 00:30:41.940
leave after telling her to come back three times

00:30:41.940 --> 00:30:44.779
at this point i think she's at the car come back

00:30:44.779 --> 00:30:47.960
elinor and she does another like get out get

00:30:47.960 --> 00:30:50.880
out yeah we're like in poltergeist like don't

00:30:50.880 --> 00:30:53.720
go towards the light yeah go towards the light

00:30:53.720 --> 00:30:58.019
like make your mind up That's a good poltergeist

00:30:58.019 --> 00:31:01.480
voice. Thank you. I love that movie. Oh, it's

00:31:01.480 --> 00:31:04.059
so good. Yeah, it's it's a much better movie.

00:31:04.059 --> 00:31:06.940
Watch that instead. So much better. Yes, please.

00:31:07.140 --> 00:31:09.460
If you want a haunted house movie, watch that.

00:31:11.380 --> 00:31:13.259
Honestly, I'd rather watch scary movie, too,

00:31:13.259 --> 00:31:18.660
than this. Oh, I've got so even we have. OK,

00:31:18.660 --> 00:31:20.140
so we've been kind of jumping back and forth

00:31:20.140 --> 00:31:22.740
between the story and then the production. What

00:31:22.740 --> 00:31:25.279
the hell was up with the set design? What were

00:31:25.279 --> 00:31:29.059
they going for? Because you've got all over the

00:31:29.059 --> 00:31:32.480
place. There's Egyptian iconography, Ramses and,

00:31:32.480 --> 00:31:36.400
you know, different Anubis, different gods all

00:31:36.400 --> 00:31:39.819
over the place. Then Switch. Now you've got Greek

00:31:39.819 --> 00:31:42.240
gods all over the place with the griffins and

00:31:42.240 --> 00:31:46.440
some rams and stuff. There's even some like Chinese

00:31:46.440 --> 00:31:49.180
stuff like in that room they go into. There's

00:31:49.180 --> 00:31:53.400
terracotta soldiers. Was there a point behind

00:31:53.400 --> 00:31:56.380
it? Oh, there was. There was fucking leprechauns

00:31:56.380 --> 00:32:00.160
or something. What's okay? Okay, I usually catch

00:32:00.160 --> 00:32:03.539
leprechauns because of my complexion and my leprechauns

00:32:03.539 --> 00:32:07.720
Maybe it was like but it felt it felt like leprechauns

00:32:07.720 --> 00:32:10.660
or like Fay folk the big room where now gets

00:32:10.660 --> 00:32:14.200
punched in the gut by the door Oh Either side

00:32:14.200 --> 00:32:16.779
of it. They're like pointing at each other. They

00:32:16.779 --> 00:32:20.160
look like little Irish Like, you know, I'm just

00:32:20.160 --> 00:32:22.039
going to say Irish Vikings. Yeah. I said it's

00:32:22.039 --> 00:32:23.900
the labyrinth door. Like one of us always lies.

00:32:23.980 --> 00:32:26.259
One of us always tells the truth, point at each

00:32:26.259 --> 00:32:31.019
other. Okay. So were all of these different societies

00:32:31.019 --> 00:32:33.380
and religions, were they all there for a point?

00:32:33.920 --> 00:32:36.279
Or did the set designer just go to Home Goods

00:32:36.279 --> 00:32:38.279
and that's what they had on sale for that day.

00:32:38.279 --> 00:32:40.160
That's just what they got. Cause that sounds

00:32:40.160 --> 00:32:43.779
like just walking through TJ Maxx or Ross feels

00:32:43.779 --> 00:32:47.579
like. Some of it I took as just Crane was building

00:32:47.579 --> 00:32:50.170
this house. Because he like became a recluse

00:32:50.170 --> 00:32:52.990
when he was at his old age and just basically

00:32:52.990 --> 00:32:56.109
like rebuilt the house every couple of months

00:32:56.109 --> 00:33:00.470
or so and I took some of that as just Okay, this

00:33:00.470 --> 00:33:03.250
is just a different style for this area. I didn't

00:33:03.250 --> 00:33:06.089
even think about it. It's The fact that it's

00:33:06.089 --> 00:33:08.089
different lore and different religions different

00:33:08.089 --> 00:33:10.690
everything like that. I didn't even think about

00:33:10.690 --> 00:33:13.710
that and you're exactly right. It's They just

00:33:13.710 --> 00:33:17.150
kind of said cool throw it in there make it a

00:33:17.150 --> 00:33:20.910
kid In the story of this world that they want

00:33:20.910 --> 00:33:23.190
us to buy into and suspend our disbelief to get

00:33:23.190 --> 00:33:26.450
into, this man keeps building the house because

00:33:26.450 --> 00:33:29.630
he wants to have more kids in it. You know, now

00:33:29.630 --> 00:33:33.150
dead children, but before living children. So

00:33:33.150 --> 00:33:36.130
let's just make a door. That's a whole motif

00:33:36.130 --> 00:33:39.089
of the nine layers of hell and purgatory and

00:33:39.089 --> 00:33:41.569
put that in a part. You know, kids love that

00:33:41.569 --> 00:33:45.200
shit. Kids are all over that shit. Yeah. And

00:33:45.200 --> 00:33:48.799
this is the door that Nell needs to get Hugh

00:33:48.799 --> 00:33:52.740
Crane to. Yes. Because this is the one that if

00:33:52.740 --> 00:33:55.220
she can get him into those doors, that drags

00:33:55.220 --> 00:33:58.220
him to hell. No, you mean into the door, not

00:33:58.220 --> 00:34:00.380
through the doors. Not through the door. Into

00:34:00.380 --> 00:34:04.779
the actual motif carving itself. Which she also

00:34:04.779 --> 00:34:10.320
goes into too. There was a throwaway line at

00:34:10.320 --> 00:34:14.739
the beginning. Why is it that? Yeah. Also made

00:34:14.739 --> 00:34:16.840
me laugh. So this is in the beginning. She was

00:34:16.840 --> 00:34:18.199
talking about the door and she was like, this

00:34:18.199 --> 00:34:20.380
is purgatory. And then this is the way to hell

00:34:20.380 --> 00:34:23.480
and everything like that. And she goes, I spent

00:34:23.480 --> 00:34:29.420
11 years in purgatory. What? What was that? It

00:34:29.420 --> 00:34:32.000
threw me too. Oh, you mean, because you had to

00:34:32.000 --> 00:34:34.400
take care of your gram. Got it. Yeah, right.

00:34:34.400 --> 00:34:37.239
Your mom. Yeah, exactly. That was purgatory.

00:34:37.380 --> 00:34:40.500
Yeah. Between the living and the okay. All right.

00:34:40.679 --> 00:34:42.929
Like in the beginning of the film. They didn't

00:34:42.929 --> 00:34:44.670
address that she had taken care of her mom or

00:34:44.670 --> 00:34:47.969
anything like that, but it was just she lived

00:34:47.969 --> 00:34:51.449
in purgatory for 11 years. Sometimes I was watching

00:34:51.449 --> 00:34:54.230
this and I was just like, I think M9 Shyamalan

00:34:54.230 --> 00:34:57.050
watched this movie and was just like, yeah, these

00:34:57.050 --> 00:35:00.070
are all great notes. I love the acting in this

00:35:00.070 --> 00:35:01.929
and just wrote it down as like, this is how I

00:35:01.929 --> 00:35:04.269
want everyone in my movies to act all the time.

00:35:04.269 --> 00:35:06.889
All the time. Every single time. Lily Taylor

00:35:06.889 --> 00:35:10.510
whispers all of her most dramatic lines. She

00:35:10.510 --> 00:35:16.800
under emotes. Yep. And barely talks above a whisper

00:35:16.800 --> 00:35:19.699
if she moves at all. Right. Yeah. And this is

00:35:19.699 --> 00:35:22.500
Lily Taylor. She's an incredible actress. This

00:35:22.500 --> 00:35:27.440
is why she's fourth on the IMDB list, which that

00:35:27.440 --> 00:35:29.179
threw me to that she was the main character.

00:35:29.340 --> 00:35:32.440
I'm like, oh, I totally thought Catherine Zeta

00:35:32.440 --> 00:35:34.260
-Jones was going to be the main main character

00:35:34.260 --> 00:35:37.900
the way they laid everything out on the IMDB

00:35:37.900 --> 00:35:44.179
page. But I guess in 1999. What was really Taylor?

00:35:44.400 --> 00:35:49.079
Yeah, what else was she? Well, you like that

00:35:49.079 --> 00:35:50.920
up. I'll go ahead and tell you the accolades

00:35:50.920 --> 00:35:54.320
that this movie was nominated for. Oh, I'm excited.

00:35:54.340 --> 00:35:58.679
Golden Razzies. Yes. Worst picture. OK. Worst

00:35:58.679 --> 00:36:01.980
director. Yep. Worst actress with Catherine Zeta

00:36:01.980 --> 00:36:06.460
-Jones. Wow. OK. Worst screenplay. Yep. And worst

00:36:06.460 --> 00:36:09.199
screen couple, Lily Taylor, Catherine Zeta -Jones.

00:36:10.119 --> 00:36:14.329
OK. All right. Yeah. She was in two episodes

00:36:14.329 --> 00:36:18.630
of Mad About You. OK. One episode of the X -Files.

00:36:19.449 --> 00:36:21.730
All right. I guess I'm just mostly thinking of

00:36:21.730 --> 00:36:24.250
the Conjuring. She was great in the Conjuring.

00:36:24.650 --> 00:36:27.869
And Perry Mason. But those are all after 1999,

00:36:28.210 --> 00:36:29.530
obviously. Yeah, that's the thing. She was in

00:36:29.530 --> 00:36:34.800
Rudy in 1993. Oh, word. All right. Yeah. Mean

00:36:34.800 --> 00:36:37.760
she's in a lot of stuff. She was in acting. Okay.

00:36:37.760 --> 00:36:40.619
Yeah, so here here we go She she's she was in

00:36:40.619 --> 00:36:43.739
she's having a baby mystic pizza say anything

00:36:43.739 --> 00:36:46.920
born on the fourth of July But these are in like

00:36:46.920 --> 00:36:51.039
the 80s Mm -hmm and then after that she just

00:36:51.039 --> 00:36:54.699
goes through like Besides Rudy the rest of these

00:36:54.699 --> 00:36:57.659
movies. I'm like, I don't know these movies and

00:36:57.659 --> 00:37:04.900
then I shot Andy Warhol Okay Couple TV shows

00:37:04.900 --> 00:37:09.860
and then the year before To the year after so

00:37:09.860 --> 00:37:15.639
98 she was in pecker Okay 99 a slipping down

00:37:15.639 --> 00:37:20.719
life 99 the haunting and then 2000 high fidelity

00:37:20.719 --> 00:37:24.840
Alright, so 2000 begins the upswing again. Yes.

00:37:24.840 --> 00:37:27.159
So she was like, yeah, she was in between at

00:37:27.159 --> 00:37:29.940
this point Which pecker wasn't a bad movie. I

00:37:29.940 --> 00:37:33.269
only laugh because I was 13 or 14 when that came

00:37:33.269 --> 00:37:34.789
out. And I just remember seeing Packer and thinking

00:37:34.789 --> 00:37:38.210
it was really funny. As you know, it's a late

00:37:38.210 --> 00:37:41.409
John Waters movie. So, yeah, it's not the worst

00:37:41.409 --> 00:37:44.289
thing. No, there's definitely worse things. Yeah.

00:37:44.349 --> 00:37:46.849
And I'm just trying to see what else Leatherface

00:37:46.849 --> 00:37:53.170
the nun. Yeah, see now she's fully in the conjuring

00:37:53.170 --> 00:37:56.570
universe, right? Yeah. Yeah, exactly. So, yeah.

00:37:56.630 --> 00:37:59.210
And she was also in American Crime, 21 episodes

00:37:59.210 --> 00:38:02.840
of American Crime. Oh, wow. OK. And the Maze

00:38:02.840 --> 00:38:06.320
Runner series. But see all that. She's a great

00:38:06.320 --> 00:38:08.760
actress. Yeah. Oh, yeah. And there's no question

00:38:08.760 --> 00:38:11.380
she's a great actress. They were just like all

00:38:11.380 --> 00:38:13.699
of your instincts and all of your skills you've

00:38:13.699 --> 00:38:16.880
learned. Let's just get rid of those. Just now

00:38:16.880 --> 00:38:19.539
you're going to do it this way. Yeah. Because,

00:38:19.699 --> 00:38:22.780
you know, it's more scary. Right. Everything.

00:38:23.739 --> 00:38:27.159
God, it keeps reminding me of the silence. Yeah.

00:38:27.969 --> 00:38:31.150
This month began with the silence and how they

00:38:31.150 --> 00:38:33.050
whisper talk everything while they're also sign

00:38:33.050 --> 00:38:36.010
-languaging. So everything gets brought back.

00:38:37.170 --> 00:38:38.989
Do you also get Bruce Dern mixed up with Gary

00:38:38.989 --> 00:38:42.309
Busey or is that just me? I think that's just

00:38:42.309 --> 00:38:45.690
you. Okay. Anytime Bruce Dern, like when he first

00:38:45.690 --> 00:38:47.590
pops on screen, I'm like, ah, Gary Busey's in

00:38:47.590 --> 00:38:51.050
this. Oh no, that's Bruce Dern. I mean, I see

00:38:51.050 --> 00:38:54.800
how you get there. Yeah. It's the smile in the

00:38:54.800 --> 00:38:57.619
hair, I think. Yeah, yeah, the smile is definitely.

00:38:57.820 --> 00:39:00.639
Yeah, I get you on that. I forgot he was in Nebraska

00:39:00.639 --> 00:39:04.539
and he was the big part of Nebraska, but I just

00:39:04.539 --> 00:39:06.920
forgot that. Yeah, that's another big name. That

00:39:06.920 --> 00:39:08.579
was only a minute and a half of screen time,

00:39:08.579 --> 00:39:14.019
as we said before. But yeah, so was Bruce Dern

00:39:14.019 --> 00:39:16.179
on the poster. Where does he add on the lineup?

00:39:17.000 --> 00:39:23.619
He is fifth. OK, he's fifth in the lineup. Right

00:39:23.619 --> 00:39:33.940
behind Lily Taylor This movie made not enough

00:39:33.940 --> 00:39:38.980
hundred and seventy seven million dollars Worldwide

00:39:38.980 --> 00:39:50.219
that scares me a little bit budget 80 million

00:39:51.119 --> 00:39:55.139
So it did not do bad. 180 million rounded up

00:39:55.139 --> 00:39:58.579
to against an 80 million dollar budget. That's,

00:39:58.579 --> 00:40:01.960
that's, that's pretty good. God damn. That's

00:40:01.960 --> 00:40:05.000
nuts. Opening weekend, 33 mil. It almost made

00:40:05.000 --> 00:40:08.059
its money. Uh, not almost. I guess there's 50,

00:40:08.360 --> 00:40:13.039
50 mils behind. That's not, that's nothing to

00:40:13.039 --> 00:40:16.179
spit about, you know? Yeah. Steven Spielberg

00:40:16.179 --> 00:40:19.039
was not upset about DreamWorks making that money.

00:40:19.280 --> 00:40:25.079
Nope. Any other points that were big for you?

00:40:25.619 --> 00:40:27.559
Well, the funny thing is at one point during

00:40:27.559 --> 00:40:31.739
the movie I literally wrote So the movie was

00:40:31.739 --> 00:40:34.579
a fake insomnia like sleep deprivation thing

00:40:34.579 --> 00:40:37.039
and I said that's really apropos because I'm

00:40:37.039 --> 00:40:41.360
falling asleep watching Yes, that was the one

00:40:41.360 --> 00:40:43.260
note I was like I need to get I need to get that

00:40:43.260 --> 00:40:47.780
in There's the paint or the paint blood whatever

00:40:47.780 --> 00:40:50.480
on the painting that says welcome home Eleanor.

00:40:50.639 --> 00:40:53.739
Yeah Oh, that's why I think, you know what, that's

00:40:53.739 --> 00:40:58.079
why it was multiple days, is because that paint

00:40:58.079 --> 00:41:03.039
disappeared and Dr. Morrow said, yeah. So we

00:41:03.039 --> 00:41:07.099
just didn't see them, but they were back. They

00:41:07.099 --> 00:41:11.320
had Bruce Dern for a day, Mike. He was like,

00:41:11.559 --> 00:41:14.784
I could give you six hours. And they were like...

00:41:14.780 --> 00:41:17.300
All right, come in four o 'clock. They shot the

00:41:17.300 --> 00:41:19.960
morning shot at four thirty. They shot the night

00:41:19.960 --> 00:41:23.159
shot at seven. Brewster did not come back. No,

00:41:23.340 --> 00:41:25.579
he's just like, I'm done. See you. Good movie.

00:41:26.039 --> 00:41:30.739
Pay me my residuals. That's exactly what happened.

00:41:30.920 --> 00:41:32.900
Oh, that's exactly it. Like, I want to see what

00:41:32.900 --> 00:41:35.059
Brewster was doing that he would have been so

00:41:35.059 --> 00:41:37.400
busy that he couldn't have done the rest of this

00:41:37.400 --> 00:41:40.440
movie. He was in anything else. Yeah. Herbs was

00:41:40.440 --> 00:41:43.699
eighty nine. So there was that. That's definitely.

00:41:44.059 --> 00:41:46.719
He could have done a con that weekend just talking

00:41:46.719 --> 00:41:50.340
about the burbs. Yeah, right. It would have been

00:41:50.340 --> 00:41:52.500
a better more fun for him. Can't be in this movie.

00:41:52.500 --> 00:41:56.440
I got a comic con to go to. Oh, we didn't even

00:41:56.440 --> 00:41:58.679
talk. We didn't finish going over the synopsis.

00:41:58.739 --> 00:42:00.699
So I made the joke earlier about everything being

00:42:00.699 --> 00:42:04.159
black, maroon or brown. And that's 100 % true.

00:42:04.739 --> 00:42:07.940
Small soldiers, by the way, just because that

00:42:07.940 --> 00:42:12.619
makes me happy. That was in 98. No. Yes. She's

00:42:12.619 --> 00:42:15.110
an all white. Everything else totally bland and

00:42:15.110 --> 00:42:18.489
like hidden But just in case you know, like who's

00:42:18.489 --> 00:42:20.889
the hero in this is the hero of this film Yeah,

00:42:21.190 --> 00:42:23.349
probably the lady wearing all white and then

00:42:23.349 --> 00:42:26.070
the dr. Morrow was in all dark colors I do agree

00:42:26.070 --> 00:42:28.670
with that Luke was in blue at one point. I will

00:42:28.670 --> 00:42:32.349
say I don't think there was anything to I think

00:42:32.349 --> 00:42:45.059
he just Oh, was he in a suit? I don't know. I

00:42:45.059 --> 00:42:47.059
don't remember. I just found it funny that he

00:42:47.059 --> 00:42:49.139
was there for all of 30 seconds and then he was

00:42:49.139 --> 00:42:52.579
gone. Hey, this is Todd. I feel like he was supposed

00:42:52.579 --> 00:42:55.000
to be the control person of the group. Yeah,

00:42:55.099 --> 00:42:57.800
I guess he gave him the test and stuff and then

00:42:57.800 --> 00:43:00.239
he just noped out. Yeah, took her to the hospital.

00:43:00.340 --> 00:43:02.780
Well, and like the fact that he was the one trusted

00:43:02.780 --> 00:43:05.260
to take her to the hospital also says like they

00:43:05.260 --> 00:43:07.900
had a they had a working relationship, I think

00:43:07.900 --> 00:43:10.260
a prior. Yeah, some connection. Yeah, exactly.

00:43:10.510 --> 00:43:13.289
And we never hear if she was okay or not. No.

00:43:13.550 --> 00:43:16.630
Just assume she has her eye still. Nell beats

00:43:16.630 --> 00:43:19.050
Crane, and her great grandma's soul comes out

00:43:19.050 --> 00:43:21.210
of her body. And that's the end of it. That's

00:43:21.210 --> 00:43:24.030
it. And the only ones at the door to greet the

00:43:24.030 --> 00:43:28.710
Dudleys are Dr. Morrow and Theo. Oh, the Dudleys

00:43:28.710 --> 00:43:31.550
give no shit that the other two people are not

00:43:31.550 --> 00:43:35.030
there. They just knew it was gonna happen. They're

00:43:35.030 --> 00:43:36.750
like, oh, okay, cool. We gotta clean up some

00:43:36.750 --> 00:43:42.280
blood, I guess. Yeah. Yeah. And then fade to

00:43:42.280 --> 00:43:45.539
black, carnival music, credit start. And my wife

00:43:45.539 --> 00:43:51.400
just went, what the fuck is that? Fucking carnival

00:43:51.400 --> 00:43:59.420
music. She has died like Jesus. And I mean, like

00:43:59.420 --> 00:44:02.239
not in any kind of sense. They beat you over

00:44:02.239 --> 00:44:05.460
the head with that. She's full T pose mode. Oh,

00:44:05.539 --> 00:44:08.139
definitely lowered by angels. Yep. Yeah. yeah

00:44:08.139 --> 00:44:10.900
she's she's long gone in the jesus pose because

00:44:10.900 --> 00:44:15.380
she saved the children that was her great grandma's

00:44:15.380 --> 00:44:18.619
soul in her body right uh sure is she just possessed

00:44:18.619 --> 00:44:23.559
or i don't know i really like i go at that point

00:44:23.559 --> 00:44:27.909
there's a scene earlier when Nell's beginning

00:44:27.909 --> 00:44:30.570
to crack or whatever is happening. She's running

00:44:30.570 --> 00:44:32.389
around looking in mirrors and she's like, that's

00:44:32.389 --> 00:44:33.969
not me. And she's turning into someone else.

00:44:34.409 --> 00:44:37.530
I swear the last face she is, is Tobey Maguire's

00:44:37.530 --> 00:44:43.409
face from 1999. I need to grab a screenshot and

00:44:43.409 --> 00:44:46.269
send it to you. That's I don't know who they're

00:44:46.269 --> 00:44:50.550
going for, but that's Tobey Maguire. That's amazing.

00:44:51.789 --> 00:44:54.889
Yeah. Yeah. So that's the haunting 1999. Don't

00:44:54.889 --> 00:44:58.610
watch it. There's better. So you know how we

00:44:58.610 --> 00:45:03.190
do this, one through five, or well, really zero

00:45:03.190 --> 00:45:06.630
through five, and you give it a weird rating,

00:45:06.630 --> 00:45:11.269
not like a star. Yeah. What would you give this?

00:45:13.530 --> 00:45:17.170
Two and a half costume changes. Two and a half.

00:45:17.510 --> 00:45:20.730
Wow. Yeah, I'm gonna go very different. And remember,

00:45:20.730 --> 00:45:22.969
I said the beheading saved it a little bit. I'm

00:45:22.969 --> 00:45:26.329
going point five, point five. Yeah. I guess just

00:45:26.329 --> 00:45:28.610
for that scene alone, I think there's a little

00:45:28.610 --> 00:45:33.829
redemption in. The cinematography is great. Yes,

00:45:34.190 --> 00:45:36.849
I think I do like this. I think the set is beautiful.

00:45:37.050 --> 00:45:40.010
Yep. Even though it's weird, but yes, there's

00:45:40.010 --> 00:45:43.010
enough of Shirley Jackson's original incredible

00:45:43.010 --> 00:45:46.510
story left that I think you can. There's a little

00:45:46.510 --> 00:45:48.969
there, but the acting and the directing just

00:45:48.969 --> 00:45:53.300
kind of ruin all of it. Go read the book. Like,

00:45:53.300 --> 00:45:55.559
spend a couple hours. It's not a big book. Go

00:45:55.559 --> 00:45:58.780
read the book instead. Yeah, I'm giving it 0

00:45:58.780 --> 00:46:04.300
.5 out of 5 children ghost faces. Yeah, that

00:46:04.300 --> 00:46:06.539
was a... I'll change my two and a half Prada

00:46:06.539 --> 00:46:11.000
boots. Prada boots. From Milan, not New York.

00:46:11.260 --> 00:46:17.820
Yeah, exactly. I wonder why she won worst actress.

00:46:20.940 --> 00:46:23.820
Yeah. So that's a haunting. What else you got,

00:46:23.920 --> 00:46:28.619
Zach? You got anything else? Oh, no, not right

00:46:28.619 --> 00:46:30.599
now. Like the podcast is coming back next year.

00:46:30.659 --> 00:46:33.440
Go read the book. Go read the book. I watched

00:46:33.440 --> 00:46:36.719
the Flanagan on Netflix. Yes. Yes. Always watch

00:46:36.719 --> 00:46:40.260
Flanagan on Netflix. That makes me want to go

00:46:40.260 --> 00:46:43.079
watch Hush now. Yeah, I love that movie. Dude,

00:46:43.199 --> 00:46:45.239
I love that movie. So, dude, Mike, thanks for

00:46:45.239 --> 00:46:47.880
having me. You got it. Happy Halloween, buddy.

00:46:48.059 --> 00:46:50.909
Happy Halloween to everybody. Yeah. Uh, this

00:46:50.909 --> 00:46:53.429
is going to release on Halloween. Oh, make sure.

00:46:54.369 --> 00:46:57.010
Do not blow your jack -o -lanterns out until

00:46:57.010 --> 00:46:59.750
tomorrow. Yes. Unless you don't want Sam to be

00:46:59.750 --> 00:47:01.969
mad at you. Don't be don't be mad, Sam. We're

00:47:01.969 --> 00:47:04.449
not taking out our stakes or decorations or anything.

00:47:04.869 --> 00:47:08.130
So no. Yeah. So happy Halloween, everyone. Trick

00:47:08.130 --> 00:47:10.250
or treat. You've been listening to Game for a

00:47:10.250 --> 00:47:11.949
Movie where we ask, are you game for a movie?

00:47:12.030 --> 00:47:15.969
I've been Mike. He's been Zach. Thank you guys

00:47:15.969 --> 00:47:17.989
very much for tuning in. We'll see you next time.

00:47:18.530 --> 00:47:18.869
Bye.
