1
00:00:00,000 --> 00:00:15,000
Hello everyone and welcome to the Every Movie Ever podcast. My name is Ben Gross.

2
00:00:15,000 --> 00:00:20,340
And my name is Rob Macfarlane. Welcome to the show, a movie podcast slash mental health

3
00:00:20,340 --> 00:00:26,160
check-in for two broken brained best friends talking around their problems, but not about

4
00:00:26,160 --> 00:00:27,160
their problems. Never.

5
00:00:27,160 --> 00:00:31,760
Whilst last minute movies. So Ben, before we get to what we're doing, just briefly,

6
00:00:31,760 --> 00:00:34,960
let's ask the more important question. How are you doing, bud?

7
00:00:34,960 --> 00:00:40,440
I'm a bit ill. I've got spicy eyes and the back of the nose and throat is like prickly.

8
00:00:40,440 --> 00:00:44,120
That's upsetting. I've got a bit of grey brain and I don't know why, man.

9
00:00:44,120 --> 00:00:49,040
And you say a bit of grey brain, you've been an absolute bastard to me for the whole week.

10
00:00:49,040 --> 00:00:52,880
I've just been like, what about this? And you're like, yeah, could do. I mean, what's it matter?

11
00:00:52,880 --> 00:00:54,880
What does anything matter? You don't.

12
00:00:54,880 --> 00:00:58,640
That's not what I've been saying at all. I've been saying love you every night and I rarely

13
00:00:58,640 --> 00:01:00,400
get one back and that's very upsetting.

14
00:01:00,400 --> 00:01:04,480
That's just because I'm, yeah, that is bad and I'm trying to work on that. It's not because

15
00:01:04,480 --> 00:01:06,960
I don't feel it. It's just because I see it and I'm like, oh, he's gone.

16
00:01:06,960 --> 00:01:09,120
Let's work on it now. I love you.

17
00:01:09,120 --> 00:01:10,120
Love you. I love you.

18
00:01:10,120 --> 00:01:11,120
All right.

19
00:01:11,120 --> 00:01:14,320
For new listeners, we're not a couple. We're just best mates, but yeah, I love you, dude.

20
00:01:14,320 --> 00:01:15,320
Man wives.

21
00:01:15,320 --> 00:01:16,320
Man wives.

22
00:01:16,320 --> 00:01:20,100
Honestly though, I've got nothing to grumble about. I'm really happy in my jobs. I'm really

23
00:01:20,100 --> 00:01:25,760
happy at home. I'm happy seeing all my family. This weekend was mint. We just had the quiz

24
00:01:25,760 --> 00:01:27,600
at the boardroom gaming cafe. That went incredible.

25
00:01:27,600 --> 00:01:28,600
That did go really well.

26
00:01:28,600 --> 00:01:31,920
Yeah. I've got nothing to grumble about. I'm just being a mopey bellend.

27
00:01:31,920 --> 00:01:35,840
Could it be that you've got nothing to grumble about and that is really upsetting because

28
00:01:35,840 --> 00:01:36,840
you love a grumble.

29
00:01:36,840 --> 00:01:37,840
I love a grumble.

30
00:01:37,840 --> 00:01:40,480
And maybe, maybe now that there's nothing to grumble about.

31
00:01:40,480 --> 00:01:41,480
Yeah.

32
00:01:41,480 --> 00:01:48,560
You're not dating Hitler. You're not working in hell. You haven't got a collapsed lung.

33
00:01:48,560 --> 00:01:54,920
And so what you've got left, all you've got left is yourself and you're still not happy.

34
00:01:54,920 --> 00:02:00,000
And you're just going, ah, I can't blame her. I can't blame the job. I can't blame my lung.

35
00:02:00,000 --> 00:02:01,720
I can't blame this. It's just me.

36
00:02:01,720 --> 00:02:06,200
Yeah. I'm just a dick. I get all of my fun stuff from negative situations that I'm in

37
00:02:06,200 --> 00:02:07,680
and I'm like, yeah, but isn't this hilarious?

38
00:02:07,680 --> 00:02:08,680
Right.

39
00:02:08,680 --> 00:02:11,400
As a way of dealing with it. But then when there's nothing to deal with, I'm like, where's

40
00:02:11,400 --> 00:02:12,400
my, where's my car?

41
00:02:12,400 --> 00:02:15,800
You're alone. You're alone in the room with yourself. Just going, Oh God, the problem

42
00:02:15,800 --> 00:02:17,360
has always and will always be me.

43
00:02:17,360 --> 00:02:21,400
Oh God, this is lovely. What a lovely time I'm having. This green tea is delicious. I'm

44
00:02:21,400 --> 00:02:26,040
healthy. Let's watch a very entertaining film. Yeah, great. All right. I've got friends around

45
00:02:26,040 --> 00:02:28,640
me that love and support me no matter what. All right. Brilliant.

46
00:02:28,640 --> 00:02:29,640
It's heartbreaking.

47
00:02:29,640 --> 00:02:33,840
It's horror. I don't understand it, man. Brains make no sense to me. Humans are messed up

48
00:02:33,840 --> 00:02:34,840
weird animals.

49
00:02:34,840 --> 00:02:36,120
It's almost like you've got depression.

50
00:02:36,120 --> 00:02:37,760
How are you buddy?

51
00:02:37,760 --> 00:02:42,840
Yeah. I find this time of the year hard. I always look back on the year and I'm like,

52
00:02:42,840 --> 00:02:47,320
what have I achieved? What's changed? I've caught myself as well. Cause last year, I

53
00:02:47,320 --> 00:02:52,720
think, year 2023, we covered Nolan and that did gangbusters. We went from a small show

54
00:02:52,720 --> 00:02:55,920
to a low end of medium show and I was like, wow.

55
00:02:55,920 --> 00:03:00,600
Lower middle class show. Yeah. Yeah. Yeah. And then, and I was like, Oh, that's exciting.

56
00:03:00,600 --> 00:03:04,120
And then it died off and we're like, that's fine. That's fine. Cause next time, next,

57
00:03:04,120 --> 00:03:07,960
next little bounce we get, it will be an order of magnitude bigger. Cause we're now bigger

58
00:03:07,960 --> 00:03:13,240
than we were. And I've just been waiting all year and it hasn't happened. And we've had

59
00:03:13,240 --> 00:03:17,720
a couple of things. We'll get into it. We'll get into it. I'm in a reflective place and

60
00:03:17,720 --> 00:03:22,520
I'm like, what, what, what have we achieved this year? We achieved anything?

61
00:03:22,520 --> 00:03:25,200
Maybe that's what I need to look at. You know what I mean? Maybe I need to start being more

62
00:03:25,200 --> 00:03:29,240
reflective. Maybe that's where the comedy is hiding. Yeah. I'd make a hundred percent.

63
00:03:29,240 --> 00:03:34,920
Now Ben, not everyone likes everything. They don't blue cheese, the offspring offspring

64
00:03:34,920 --> 00:03:35,920
of mint breast implants.

65
00:03:35,920 --> 00:03:41,440
No, they're not. And breast. Yeah. Fine. Pineapple on pizza. Pineapple. There you go. There we

66
00:03:41,440 --> 00:03:46,360
go. So if you, if you, dear listener here is cried pineapple, just a short bit of the

67
00:03:46,360 --> 00:03:50,840
chat that might not be to everyone's taste and is less about the film than say a brand

68
00:03:50,840 --> 00:03:56,680
new listener might need, but not to worry. The full spicy Hawaiian version of every episode

69
00:03:56,680 --> 00:04:02,480
is available over on Patreon days beforehand with all the pineapple you could ever want

70
00:04:02,480 --> 00:04:07,040
for just a pound a month. It's a quid. It's literally a quid. Right. Likewise, our potty

71
00:04:07,040 --> 00:04:11,600
mouths are going to be censored in this version. You can hear all the bad words you like over

72
00:04:11,600 --> 00:04:22,200
on Patreon. Like poopoo caca wee wee. Like there it is. That's what I'm saying is that

73
00:04:22,200 --> 00:04:24,920
that's one of your favorite bits of the show. It doesn't matter what we're talking about.

74
00:04:24,920 --> 00:04:28,800
No matter how cinematic GM we bring, you just saw, I'm going to say, I'm going to say the

75
00:04:28,800 --> 00:04:32,640
C word and it's going to be great. It's brightened my day. What are we doing? What are we doing

76
00:04:32,640 --> 00:04:38,920
this week? We're tuning back into the David Fincher verse with my dear baby faced angel,

77
00:04:38,920 --> 00:04:45,040
the girl with the dragon tattoo. Why are we doing this Rob? Is it just because we're covering

78
00:04:45,040 --> 00:04:50,440
every Fincher movie ever? Yeah. Yeah. Partly that, but also for various reasons, like I

79
00:04:50,440 --> 00:04:54,960
mentioned earlier, we're sitting on a bunch of stuff that has not happened in the timeframe

80
00:04:54,960 --> 00:04:59,840
that we'd hoped. Yeah. A bunch of stuff that fell flat on its face. This week's reel that

81
00:04:59,840 --> 00:05:04,400
we were both quite excited about. So it seemed by about 12 people liked by none of them.

82
00:05:04,400 --> 00:05:09,280
It's about two hours worth of editing those. Right. Yeah. And it's kind of, I'm in a little

83
00:05:09,280 --> 00:05:14,480
bit, I'm a little bit of like a, are we, are we failing at this? Now I'm sure you dear

84
00:05:14,480 --> 00:05:17,960
listener I've got some stuff going on that feels like it's failing. It's winter. It's

85
00:05:17,960 --> 00:05:22,080
getting, it's drawing in the years coming to a close. The evenings are getting shorter.

86
00:05:22,080 --> 00:05:27,520
It's dark at 3 PM. Everyone's failing at everything. You know what I mean? And like we're all,

87
00:05:27,520 --> 00:05:32,720
in Fincher's career, I would argue there is no bigger failure than this trilogy of films.

88
00:05:32,720 --> 00:05:38,720
Cause Alien 3 is divisive, sure. But it's also his first film. It's also objectively

89
00:05:38,720 --> 00:05:43,640
sh**. It's brilliant. It's my favorite Alien movie, but like you can, you can forgive him

90
00:05:43,640 --> 00:05:47,920
having a trip and a stumble, especially with everything we covered when we covered Alien

91
00:05:47,920 --> 00:05:54,080
3, everything going on. But this is Fincher at his creative peak. He is king of the mountain.

92
00:05:54,080 --> 00:05:59,040
It's an incredible cast and it's an adaptation of one of the most popular books in the world

93
00:05:59,040 --> 00:06:04,880
at the time. And of the three planned films, this is the only one that exists. So in an

94
00:06:04,880 --> 00:06:09,520
attempt to make us feel better and hopefully you dear listener feel better, we're going

95
00:06:09,520 --> 00:06:15,920
to talk about how Fincher dealt with this failure or like her boss. Dealing with failure

96
00:06:15,920 --> 00:06:22,000
101, Fincher school. Okay. And Fincher famously has struggled with this in the past. Yeah,

97
00:06:22,000 --> 00:06:27,600
exactly. So we've got a lot to get into this week. Fincher's MCU alternative. The multiple

98
00:06:27,600 --> 00:06:33,480
subplots of this complex film and how they all point us to the loneliest place on the

99
00:06:33,480 --> 00:06:40,800
planet. Rooney Mara's insanity. Why David Fincher makes Benjamin Kenneth Groves very

100
00:06:40,800 --> 00:06:47,160
nervous. Not Kenneth. He's stopped denying. And how the failure of this movie might be

101
00:06:47,160 --> 00:06:50,840
the help that we all need. But before we get into all that, Ben, there's a very important

102
00:06:50,840 --> 00:06:59,000
question we need to ask. Where that man been? Where Fincher at? How Fincher are? Right.

103
00:06:59,000 --> 00:07:06,480
Well, it's an interesting one because we covered the social network not too long ago. We did.

104
00:07:06,480 --> 00:07:14,200
That came out in spring of 2010. This was released in December of 2011. Oh Jesus. Oh

105
00:07:14,200 --> 00:07:19,680
whoa. That's fast. Okay. Yeah. For a Fincher film, that's fast. He was finishing up the

106
00:07:19,680 --> 00:07:24,680
social network and ramping up production on this. There was a huge crossover between the

107
00:07:24,680 --> 00:07:29,880
two, but he's not sat and had a rest. Let's put it that way. Ben, remind us what was going

108
00:07:29,880 --> 00:07:36,480
on in 2011. Let me take you back, my dear boy. Come join me. Come sit next to Papa Ben.

109
00:07:36,480 --> 00:07:44,560
Making it weird. The sleigh of mystery. Let's take a sonder. It's 2011. I hate this. It's

110
00:07:44,560 --> 00:07:50,960
2011. The Southern hemisphere gets a bad case of the shakes. Leads to a near total destruction

111
00:07:50,960 --> 00:07:55,120
of Christchurch, New Zealand. I did not think that you were going to take it this way. Fair.

112
00:07:55,120 --> 00:08:03,640
And the birth of this timelines Godzilla in Fukushima, Japan. Wow. Come on. It was a shaky

113
00:08:03,640 --> 00:08:08,600
quakey time. Half the world got Parkinson's. How else was I supposed to put it? That's

114
00:08:08,600 --> 00:08:14,120
the other route I was going to go down. Yeah. No, it's good. That's good. The end of tuna

115
00:08:14,120 --> 00:08:18,280
could have been another one. Also is tuna fixed now? Cause I remember like after Fukushima,

116
00:08:18,280 --> 00:08:23,280
we couldn't eat tuna anymore. Sorry. Sorry. Can't eat what? Tuna. Tuna. Tuna. Are you

117
00:08:23,280 --> 00:08:31,040
American? What do you mean? Tuna. Tuna? Yeah. All right. Fine. Tuna. Tuna. I've always

118
00:08:31,040 --> 00:08:35,520
called it tuna. Okay. All right. Okay. Now the shoes on the other foot. How the turns

119
00:08:35,520 --> 00:08:40,320
table. I know why I do this. I used to call it, I called it tuna in Japan once and the

120
00:08:40,320 --> 00:08:45,400
word for kiss in Japanese is chew. And it's like quite cutesy. Maybe you said the piss

121
00:08:45,400 --> 00:08:48,680
out of me being sort of like, stop trying to sound cute. Just say Tuesday. And I'm like,

122
00:08:48,680 --> 00:08:53,200
yeah, yeah, you're right. Yeah. Yeah. My bad. I know we're British mates. Tuesday. Tuesday.

123
00:08:53,200 --> 00:08:59,960
It's tuna. You're not spitting. He's a can of tuna. I'll stick it on me. Lambo. Dislocate

124
00:08:59,960 --> 00:09:04,080
your bottom jaw. Throw the top teeth out. That's how you pronounce a Tuesday. Yeah,

125
00:09:04,080 --> 00:09:08,680
exactly. It's 2011 my dear boy. The world rejoices as we finally rid ourselves of some

126
00:09:08,680 --> 00:09:16,680
truly awful people. Bin Laden, Gaddafi and the news of the world all get what they deserve.

127
00:09:16,680 --> 00:09:21,880
I love that you laughed at your own joke. It was your delivery. And they are mourned

128
00:09:21,880 --> 00:09:31,840
by no one. It's 2011 my dear boy. Self-confessed warlock Charlie Sheen is by winning on Tiger

129
00:09:31,840 --> 00:09:38,360
Blood. Yeah. To quote the man himself. The run he is on makes Sinatra, Jagger, Richards,

130
00:09:38,360 --> 00:09:45,680
all of them look like droopy eyed harmless children. What a quote. Honestly, that interview

131
00:09:45,680 --> 00:09:50,640
is one of my favourite pieces of media that exists. The guy's a fucking legend. He really

132
00:09:50,640 --> 00:09:58,280
is. I love him so much. It's 2011 my dear boy. And David Fincher is given 90 million

133
00:09:58,280 --> 00:10:04,320
to make the girl with the dragon tattoo. 90 million. Yeah. 90 mil. It's a cool 90 mil.

134
00:10:04,320 --> 00:10:10,040
That's impressive. I guess Sweden. Expensive, right? Well, we'll get into why Sweden's expensive.

135
00:10:10,040 --> 00:10:14,480
But before we do, for those of you that haven't seen this film in a long while and want a

136
00:10:14,480 --> 00:10:17,960
bit of a refresher so you know what the hell we're talking about later in the episode,

137
00:10:17,960 --> 00:10:22,200
or those of you who've got no plans on seeing this film, we just want to hang out with us.

138
00:10:22,200 --> 00:10:25,760
We're going to give you a quick little breakdown of what happens in the movie. Consider it

139
00:10:25,760 --> 00:10:28,760
a spoiler warning. This film's been out a while and we're going to tell you exactly

140
00:10:28,760 --> 00:10:32,440
what happens. It's only two minutes, but it's kind of important to what we've got going

141
00:10:32,440 --> 00:10:35,880
on later, right? You've had 14 years to watch a film. Are you really going to spoil it for

142
00:10:35,880 --> 00:10:46,080
two minutes? You know what I mean? Right. Exactly. Yeah. Just play the jingle. Journalist Michael

143
00:10:46,080 --> 00:10:51,320
Blomfist faces a career crisis after losing a libel case against a powerful businessman,

144
00:10:51,320 --> 00:10:56,760
Vennerstrom. Shortly after he is approached by Henrik Vanger, the head of a wealthy Swedish

145
00:10:56,760 --> 00:11:02,160
family with an unusual request to investigate the decades old disappearance of Henrik's

146
00:11:02,160 --> 00:11:09,440
niece Harriet, who vanished from the family estate in 1966. Henrik believes a member of

147
00:11:09,440 --> 00:11:15,640
his family is responsible and offers Michael both payment and information that could help

148
00:11:15,640 --> 00:11:22,240
him take revenge on Vennerstrom. He's at his career ruined by a guy who probably did it,

149
00:11:22,240 --> 00:11:25,480
but there's no proof he's did it. And this, this old dude's been like, a member of my

150
00:11:25,480 --> 00:11:30,920
family definitely killed my niece. And what's more than that? The killer sends me a pressed

151
00:11:30,920 --> 00:11:39,240
flower every year to taunt me that I know that she was murdered and it has to be someone

152
00:11:39,240 --> 00:11:43,760
on this little island, this little family island. It has to be my family member. Find

153
00:11:43,760 --> 00:11:47,960
out and I'll give you the goods on your man, Vennerstrom. Michael moves to the remote Vanger

154
00:11:47,960 --> 00:11:53,400
estate and begins unraveling the complex web of family relationships. With little progress

155
00:11:53,400 --> 00:11:58,520
made, he enlists the help of Lisbeth Salander, a brilliant hacker with a troubled past who

156
00:11:58,520 --> 00:12:04,000
had previously investigated him for Henrik. Together, they uncover a series of brutal

157
00:12:04,000 --> 00:12:10,160
murders spanning decades, all connected to Bible verses. The investigation points to

158
00:12:10,160 --> 00:12:16,080
Martin Vanger, Henrik's nephew, as the perpetrator and Michael confronts him. Martin captures

159
00:12:16,080 --> 00:12:22,400
and tortures Michael, but is stopped by Lisbeth, who rescues him in a violent shutdown, shutdown,

160
00:12:22,400 --> 00:12:28,000
in a violent showdown. F**k my life. Martin flees and dies in a car crash during his escape.

161
00:12:28,000 --> 00:12:32,300
The pair continues digging and discovers that Harriet is alive, living under a new identity

162
00:12:32,300 --> 00:12:36,800
in London. She reveals her disappearance was an escape from her abusive brother Martin

163
00:12:36,800 --> 00:12:42,040
and her father, who had also subjected her to years of violence. With Harriet's help,

164
00:12:42,040 --> 00:12:46,560
Michael brings closure to the Vanger family mystery. Meanwhile, Lisbeth uses her skills

165
00:12:46,560 --> 00:12:52,240
to gather evidence against Vennerstrom, helping Michael publish a damning exposé that restores

166
00:12:52,240 --> 00:12:57,480
his reputation. The film concludes with Lisbeth preparing to express her feelings for Michael,

167
00:12:57,480 --> 00:13:02,520
but she finds him reconnecting with his old flame, Erica Berger. Is Berger her real last

168
00:13:02,520 --> 00:13:12,040
name? Berger. Oh yeah, makes sense. Finds him reconnecting with his old flame, Erica

169
00:13:12,040 --> 00:13:16,800
Berger. I prefer Berger. Heartbroken, she discards the gift she had planned to give

170
00:13:16,800 --> 00:13:24,560
him and rides away on her Michael cycle. Oh my God, Ben. And rides away on her motorcycle,

171
00:13:24,560 --> 00:13:32,040
leaving Michael unaware of her departure. That was a nightmare. I apologise. So given

172
00:13:32,040 --> 00:13:36,040
that this is the first of a trilogy and you know, we're all excited to see where it leads.

173
00:13:36,040 --> 00:13:42,560
Ha ha. Yeah. More fool us. When did you first watch this film? What was your thoughts? What

174
00:13:42,560 --> 00:13:46,240
was your feelings? Okay. Because this wasn't one you dug in it. This is, this is one that

175
00:13:46,240 --> 00:13:51,720
I'm like, I was dug in in. I was like, mmm, we chomp on this as soon as it came out because

176
00:13:51,720 --> 00:13:56,120
Nine Inch Nails did the soundtrack. Also this was, this was a first time watch for you.

177
00:13:56,120 --> 00:14:01,440
Yeah, exactly. All me. So I've not watched this because it was a popular book and I'm

178
00:14:01,440 --> 00:14:06,240
like, meh. Right. Meh. You know what I mean? Like I've been tricked into this before. I

179
00:14:06,240 --> 00:14:10,480
watched Harry Potter in the cinema. I'm not falling for this again. So I ignored it. Right.

180
00:14:10,480 --> 00:14:15,240
Okay. I forgot it existed. And then, uh, we did the Fincher series. Yeah. And you were

181
00:14:15,240 --> 00:14:19,280
like, next week is the girl with the dragon tattoo. And I was like, yeah, Min. So great.

182
00:14:19,280 --> 00:14:25,520
I left it until two days ago to watch it. How'd you find it? Probably the most harrowing

183
00:14:25,520 --> 00:14:31,680
three hours I've spent in a long time, especially with a little bit of gray brain. Yeah. Like

184
00:14:31,680 --> 00:14:36,640
just here's a little, a little flash warning for anyone. Anyone that's having like not

185
00:14:36,640 --> 00:14:41,320
an off day, but you know, just sort of like a meh kind of day. Yeah. Gray brain. Gray

186
00:14:41,320 --> 00:14:46,400
brain. Just, just don't watch girl with a dragon tattoo. No, that's not, that shouldn't

187
00:14:46,400 --> 00:14:52,840
be your go-to. If it is get help, medical help immediately, professional help, because

188
00:14:52,840 --> 00:14:56,040
step brothers exists. You know what I mean? Anything else exists. Just watch anything

189
00:14:56,040 --> 00:15:03,400
else. I watched it. I loved it. I hated it. It was aggressively, aggressively cynical

190
00:15:03,400 --> 00:15:12,280
and dark, cynical, torturous, mean-spirited. And just, there is some elements of evil that

191
00:15:12,280 --> 00:15:18,480
are in this film that are so hard to comprehend in the moment that it's happening because

192
00:15:18,480 --> 00:15:23,960
it's such, it's such a well-paced film. It doesn't dwell on the evil too long. It kind

193
00:15:23,960 --> 00:15:28,560
of, it snap happens and then you have to deal with it whilst processing the rest of stuff

194
00:15:28,560 --> 00:15:32,360
that's going on as the characters would have to in their normal day-to-day lives. Yeah.

195
00:15:32,360 --> 00:15:36,720
And the way that it's done is genius, but awful because it just leaves you, it leaves

196
00:15:36,720 --> 00:15:42,280
you hanging like what? Oh, no, I don't want to see grocery shopping now. I don't want

197
00:15:42,280 --> 00:15:46,520
to see this. Right. But they've got to do it. They need milk. It's incredible. The way

198
00:15:46,520 --> 00:15:52,320
that it's done is, is literally, this is probably up to date to date. This is Finch's best film

199
00:15:52,320 --> 00:15:57,360
by, by a long shot. In his catalog. I would agree. I would buy a long shot. It is a, it

200
00:15:57,360 --> 00:16:05,720
is a perfection of the serial killer mystery thriller that he has been working on since

201
00:16:05,720 --> 00:16:11,680
seven. It's seven. There's an interesting, this, I wasn't meant to be talking about this,

202
00:16:11,680 --> 00:16:19,440
total tangent, but Finch's early career is really hot. Yeah. And his late career is really

203
00:16:19,440 --> 00:16:26,280
cold. Yes. And for me, this is his coldest, like fight club and seven, it's all dirt and

204
00:16:26,280 --> 00:16:34,300
bright colors and like vivid greens and vivid pinks and fast edits and like up, up tempo

205
00:16:34,300 --> 00:16:38,600
soundtracks be like, Oh, it's so nighties and tubular and extreme. Did you just say

206
00:16:38,600 --> 00:16:42,960
tubular? Yeah, yeah, yeah. That's that's lean into it. Yeah. Sorry. I just, I've never heard

207
00:16:42,960 --> 00:16:47,320
you say that word in 18 years of knowing you. That's incredible. It's not the nighties anymore.

208
00:16:47,320 --> 00:16:51,240
No one says tubular anymore. I was using it as a, as an era signifier. I'm going to make

209
00:16:51,240 --> 00:16:54,640
that my ring tune. You know what I mean? That's going to be my ringtone for the rest of my

210
00:16:54,640 --> 00:17:02,240
life. It's your ring tuner. My ring tune, my ring tuner. Yeah. So his later films, social

211
00:17:02,240 --> 00:17:08,480
network, girl with a dragon tattoo and Gone Girl are frozen. This is the most frozen of

212
00:17:08,480 --> 00:17:13,640
the three. I'm going to disagree. I feel like this is, this is on par with Gone Girl for

213
00:17:13,640 --> 00:17:18,960
me. I think it's a, it's a different race though. Right. This one, you're removed and

214
00:17:18,960 --> 00:17:23,000
you're from the outside looking in Gone Girl. You're very much involved with it's first

215
00:17:23,000 --> 00:17:27,080
person. It's happening to you. It's this, but it's much more intimate. Yes. Sorry. Can

216
00:17:27,080 --> 00:17:30,760
I just clarify when you say this is a different race, you mean Olympics and not Al Jolson?

217
00:17:30,760 --> 00:17:35,440
I do mean that. Yes. I was going to say ball game because I've been playing lots of MLB

218
00:17:35,440 --> 00:17:38,960
baseball. Ball game would have been better. We're a podcast Ben. We have to remember our

219
00:17:38,960 --> 00:17:47,840
company. I see my issue. Yeah. It's a savagely cold, cynical, dark film. And I love it for

220
00:17:47,840 --> 00:17:54,420
that because it's, it's essentially, it's a superhero film. I'm going to come back to

221
00:17:54,420 --> 00:18:00,520
why it's a superhero film, both figuratively and literally. Please do. I will. I promise

222
00:18:00,520 --> 00:18:05,120
I will. But I think the, the thing I want to, I want to come back to you very briefly

223
00:18:05,120 --> 00:18:09,160
before I do is, is that whole concept of it. We're at the end of the year, the evenings

224
00:18:09,160 --> 00:18:13,200
are getting shorter, nights are drawing in and it's sort of a bit reflective and a bit

225
00:18:13,200 --> 00:18:17,880
like, Oh, you know, how's the year been? This has been a slightly rough one for us in lots

226
00:18:17,880 --> 00:18:22,320
of ways. It's been great in lots of ways, but it's also been, if we're talking about

227
00:18:22,320 --> 00:18:27,600
failures or like things that you could frame as failures. Okay. Yeah. We've had some stuff

228
00:18:27,600 --> 00:18:32,160
going on, right? Like we, we, we, we made a conscious, we consciously uncoupled from

229
00:18:32,160 --> 00:18:37,960
YouTube. We did. To put it in Chris Martin and Gwyneth Paltrow terms. Yeah. Hated that,

230
00:18:37,960 --> 00:18:41,840
but yeah. Yeah. There's a couple, there's a couple of like things that we've just gone,

231
00:18:41,840 --> 00:18:45,760
do you know what, that's not for us. I think it's a smart move for now. Like they will

232
00:18:45,760 --> 00:18:50,920
be for us, but for right now they can't be because we tried, we tried really hard is

233
00:18:50,920 --> 00:18:55,480
what I'm pointing at. And, and we went, we're not seeing the return that we need. And that's

234
00:18:55,480 --> 00:19:01,560
been kind of true of a lot of things this year. I mean, I don't know about you. Right.

235
00:19:01,560 --> 00:19:06,720
I came into this year. I left a very stable job, very well paid, stable job. I wasn't

236
00:19:06,720 --> 00:19:11,720
happy. It was a sit down office job. It was fine. The people I worked with were fine.

237
00:19:11,720 --> 00:19:16,920
I was hitting quarterly targets within a week. So then I had well over two months of sort

238
00:19:16,920 --> 00:19:21,200
of twiddling my thumbs. So I left that because I thought what better job to do in the winter

239
00:19:21,200 --> 00:19:27,080
than be a postman wearing shorts, not been about chatting to people. There's your Christmas

240
00:19:27,080 --> 00:19:31,960
prezi enjoy your day. Right. I think that's the sort of version of what a postman is that

241
00:19:31,960 --> 00:19:37,400
can only come from postman Pat and then never investigating further. Yeah. Postman Pat.

242
00:19:37,400 --> 00:19:44,400
And I stand that one guy from what's that Ricky? Afterlife. Yeah. That's it. Yeah. That's

243
00:19:44,400 --> 00:19:50,800
my entire inspiration for that job switch. Anyway, the, the job fell through for no reason.

244
00:19:50,800 --> 00:19:54,840
Uh, they just stopped emailing me back. So I'd left my job. I was like, Hey, so I've

245
00:19:54,840 --> 00:19:57,400
done my induction, all of this stuff. And then that just all fell through. And I was

246
00:19:57,400 --> 00:20:01,080
like, Oh cool. And they were like, yeah, we didn't tell you that you were to start. I

247
00:20:01,080 --> 00:20:06,320
was like, you gave me a start date and an induction. Yeah. Great. Uh, then shortly after

248
00:20:06,320 --> 00:20:12,320
that I, uh, I had a relationship, uh, failed. Yeah. Went through a breakup. That was pretty

249
00:20:12,320 --> 00:20:18,200
savage because it was one of those relationships where you, I mean, I'm not going to speak

250
00:20:18,200 --> 00:20:24,120
for anyone else, but I got all of my self-worth from that. I sort of had that as part of my

251
00:20:24,120 --> 00:20:29,280
identity. Yeah. You, you totally codependented. Oh, a thousand percent. Yeah. That was, I

252
00:20:29,280 --> 00:20:33,480
was, it was the most codependent situation I've ever been a part of. And it got to a

253
00:20:33,480 --> 00:20:37,160
point where I didn't know who I was. I didn't know what I liked. I didn't do stuff that

254
00:20:37,160 --> 00:20:41,260
I was interested in. It was just going through the motions because it was comfortable and

255
00:20:41,260 --> 00:20:46,640
familiar and easy. Yeah. Yeah. That wasn't nice to come to terms with because you sort

256
00:20:46,640 --> 00:20:50,920
of, once you break away from this, I really had to sit and stare in the mirror and go,

257
00:20:50,920 --> 00:20:58,800
wow, this ain't who I thought I'd be looking at right now. Yeah. And, you know what I mean?

258
00:20:58,800 --> 00:21:03,320
Yeah. And I mean, anyone who wants to know my litany of failures, go listen to last week's

259
00:21:03,320 --> 00:21:08,280
episode on a different man where I, for the first time probably ever on the show, well,

260
00:21:08,280 --> 00:21:13,200
probably since green room, like opened up about how I was and what I was doing. And,

261
00:21:13,200 --> 00:21:19,400
it was terrifying and awful and rare. It's just been, it's been a rough year, right?

262
00:21:19,400 --> 00:21:27,060
We've had, we've had stuff going on that feels failure-y. Yeah. But here's why I think this

263
00:21:27,060 --> 00:21:32,480
week is perfect to do Girl with a Dragon Tattoo. Okay. Because we're covering it in the same

264
00:21:32,480 --> 00:21:39,240
month that the film is set. And I think there's some valuable lessons about how we're feeling

265
00:21:39,240 --> 00:21:43,840
in this film. Not intentionally. Don't get me wrong. We're covering every David Fincher

266
00:21:43,840 --> 00:21:49,880
film ever, but by some miracle, it has, the chips have fallen in this beautiful way. So

267
00:21:49,880 --> 00:21:53,600
let me give you some context. The Girl with a Dragon Tattoo, you said, you know, it's

268
00:21:53,600 --> 00:21:58,760
based on a book. Yeah. That book sold more than 30 million copies. Jesus Christ. It was

269
00:21:58,760 --> 00:22:06,600
then made into a film starring Numi Rapace in Swedish, Swedish language. They were worldwide

270
00:22:06,600 --> 00:22:11,360
total gross of a hundred million. Wow. For that one, for that first film. Respect. They

271
00:22:11,360 --> 00:22:18,480
said, the US studios, they had this concept, right? So this is David Fincher quoting. David

272
00:22:18,480 --> 00:22:22,800
Fincher says, I was offered Dragon Tattoo long before the first movie, the 2009 one

273
00:22:22,800 --> 00:22:26,920
was made. Yeah. And I was in the middle of something else. Also, I was like lesbian hacker

274
00:22:26,920 --> 00:22:34,520
on a motorcycle. I don't think so. Yeah, fair. And then, but then he goes on, he then goes

275
00:22:34,520 --> 00:22:39,400
on, he goes, I wasn't that interested in the notion of making another serial killer movie

276
00:22:39,400 --> 00:22:46,840
as much as the studio was committed to the idea of a hard R rated adult franchise. I'm

277
00:22:46,840 --> 00:22:54,800
glad that gap between hard R and rated franchise was deafening. That was outrageous. I was

278
00:22:54,800 --> 00:22:59,360
like, where is this one going? Cause I've just mistakenly said race instead of ballgame.

279
00:22:59,360 --> 00:23:04,680
You can't be dropping hard R in the middle of an episode. He went on and he goes, look,

280
00:23:04,680 --> 00:23:08,120
there's a very large talent pool of people who don't feel that there's much for them

281
00:23:08,120 --> 00:23:11,840
in terms of sustenance working for Marvel. Okay. That's understandable. And I think if

282
00:23:11,840 --> 00:23:17,880
we can make a playground for them, that is thoughtful, adult, interesting, complex, challenging,

283
00:23:17,880 --> 00:23:22,800
there's a chance at something that isn't lassoed and hogtied by three act structure. Okay.

284
00:23:22,800 --> 00:23:31,160
So in a sort of bizarre way, this was a sort of adult version of the MCU. Okay. I can see

285
00:23:31,160 --> 00:23:37,740
that man. Lisbeth is a kind of grounded in reality, revenge tale superhero who doesn't

286
00:23:37,740 --> 00:23:43,140
turn herself into like serious, genuine things happen to these people. Yeah. And they react

287
00:23:43,140 --> 00:23:49,400
as we would want ourselves to, as we would like to think we would react if we had film

288
00:23:49,400 --> 00:23:54,720
character levels of not giving a damn, right? Pack into a newspaper and then murder a bunch

289
00:23:54,720 --> 00:23:59,000
of people. Yeah. Right. Exactly. Right. Exactly. Seeing injustice, getting it fixed. Yeah.

290
00:23:59,000 --> 00:24:03,720
A brilliant, brilliant sort of incredibly satisfying thing to watch. It's a harrowing

291
00:24:03,720 --> 00:24:08,800
thing to see why they've got to do those things. Yeah. Also really inspirational though. Cause

292
00:24:08,800 --> 00:24:13,480
you know what I mean? I struggle with Excel. So, right. You know what I mean? Right. So

293
00:24:13,480 --> 00:24:19,320
as a character, she's brilliant and she's a brilliant kind of like captain Sweden. Captain

294
00:24:19,320 --> 00:24:24,840
Sweden. Right. Yeah. And it's a ridiculous comparison that I'm ashamed to make, but I

295
00:24:24,840 --> 00:24:30,040
feel like there are some movie podcasts out there that you and I talk about that we will

296
00:24:30,040 --> 00:24:36,320
not name. Smooth. That have gone down the Marvel route. And we often talk about, well, they're

297
00:24:36,320 --> 00:24:43,160
doing really well. They're doing really, really well. Should we do that? And we go, nah, we're

298
00:24:43,160 --> 00:24:48,280
not Marvel man. We're not doing that. We're not even DC. I think we're like, we're image

299
00:24:48,280 --> 00:24:51,920
or with dark horse at best. I think that's what we're, but I'm talking about what we're

300
00:24:51,920 --> 00:24:57,440
trying to be. They're trying to be everything for every person. Here's a movie fact. Did

301
00:24:57,440 --> 00:25:02,760
you know that film isn't real? Oh my God. The actors are pretending. Yeah. That's such

302
00:25:02,760 --> 00:25:06,720
a great insight. And then the other person goes, Oh my God, really? And we're like, Oh,

303
00:25:06,720 --> 00:25:11,440
come on. Okay. Or there's like, did you know Jeff Goldblum before he was on Marvel? He

304
00:25:11,440 --> 00:25:17,280
was in the fly. Oh my God. Really? He was also in Jurassic Park. Oh yeah. Of course.

305
00:25:17,280 --> 00:25:24,680
Did you know that before she was an actress, Sigourney Weaver was a baby. Oh my God. Really?

306
00:25:24,680 --> 00:25:30,600
Right. So there's that and it's super successful in it works. It's great. And so it's a ridiculous

307
00:25:30,600 --> 00:25:36,760
comparison, but I can kind of understand the impetus to go. I see what's happening over

308
00:25:36,760 --> 00:25:43,320
there and I don't think I could bring myself to do that. No. But what if we took the good

309
00:25:43,320 --> 00:25:48,600
and we did an adult, interesting, slightly more challenging, slightly more thoughtful

310
00:25:48,600 --> 00:25:53,160
version. Okay. And I think that's what this was going to be. They spent a huge amount

311
00:25:53,160 --> 00:25:57,240
of money on it. Okay. So this was, let's get David Fincher. Let's get the most popular

312
00:25:57,240 --> 00:26:03,160
book on the planet and let's get an incredible cast and let's make a franchise that operates

313
00:26:03,160 --> 00:26:09,080
like the MCU. I love this. But it's for grownups. I love this. What a brilliant idea, right?

314
00:26:09,080 --> 00:26:14,240
I find that it feeds into, like I've got a note here saying multiple storylines and what

315
00:26:14,240 --> 00:26:17,640
they represent. That's the tagline for it. Right? Give me, give me this note. Tell me

316
00:26:17,640 --> 00:26:23,640
what it is. So this note, you've got so many different branches of film under one umbrella

317
00:26:23,640 --> 00:26:27,740
in this, right? Right. You've got the murder mystery, which turns into like a big serial

318
00:26:27,740 --> 00:26:33,040
killer hunt. You've got the ruined identity of the investigative journalist and how that

319
00:26:33,040 --> 00:26:37,080
has the potential to be resolved. He's had his reputation destroyed and he's got one

320
00:26:37,080 --> 00:26:41,840
last Hail Mary chance to get his identity back. His credential back, right? And then,

321
00:26:41,840 --> 00:26:45,800
but also that he's got like a little carrot on the end of a stick, like dangling in front

322
00:26:45,800 --> 00:26:49,360
of him. That's sort of tempting him to do these certain things. It's incredible. But

323
00:26:49,360 --> 00:26:55,960
you've also got this outrageously upsetting storyline of Lisbeth's situation and how she's

324
00:26:55,960 --> 00:27:03,120
actively isolated, manipulated, taken advantage of is how I've worded it. But you want me

325
00:27:03,120 --> 00:27:07,920
to be not incorrect? It's one of the most harrowing scenes I've seen in a 2000s era

326
00:27:07,920 --> 00:27:14,000
movie. She's just fucking outright abused in every single situation. And it comes from,

327
00:27:14,000 --> 00:27:20,820
it's especially done by the people and the powers that are there to protect her. Now,

328
00:27:20,820 --> 00:27:27,640
if that doesn't spell out the foundation of an adult MCU universe, I don't know what does

329
00:27:27,640 --> 00:27:32,120
because that is like, what's fantastic about her as a character is that she has these awful

330
00:27:32,120 --> 00:27:38,000
things happen to her and she is a victim, but she never allows herself to be victimized.

331
00:27:38,000 --> 00:27:44,600
And the people that do, she gets back at and goes, I think fucking not sunshine. She's

332
00:27:44,600 --> 00:27:49,620
bang out. Right. It's interesting because the original title of the book in Swedish

333
00:27:49,620 --> 00:27:54,480
is men who hate women. I like that better. Right. I just half wanted you to say the girl

334
00:27:54,480 --> 00:27:58,520
with the dragon tattoo and a really bad Swedish accent. That's the childish version of me.

335
00:27:58,520 --> 00:28:02,680
You know what I mean? We're here to grow. Yeah. Right. Of course. Of course. What's

336
00:28:02,680 --> 00:28:07,000
terrifying and beautiful about this film. It's not a three act structure. It's not

337
00:28:07,000 --> 00:28:12,320
like subplots are resolved in the first third of the film. Yeah. And the main characters

338
00:28:12,320 --> 00:28:15,760
don't meet until halfway through. Yeah. For the first half of this film, you're watching

339
00:28:15,760 --> 00:28:21,960
two separate films side by side. You are both fucked up as each other. They really are.

340
00:28:21,960 --> 00:28:25,880
They really are. I, okay. I'm just going to come out and say, we're not going to talk

341
00:28:25,880 --> 00:28:30,680
about what I would call the main theme of this, which is violence against women. Okay.

342
00:28:30,680 --> 00:28:35,320
Because A, it makes for a really difficult to listen to episode. Yep. And B, I don't

343
00:28:35,320 --> 00:28:38,600
think we're the people whose opinion really matters on this one. I'm going to agree with

344
00:28:38,600 --> 00:28:45,400
it. I think two white males on a podcast are arguably overqualified. We don't need that

345
00:28:45,400 --> 00:28:51,120
again. Exactly. You don't need two white guys to talk, to fix, to fix all the reasons that

346
00:28:51,120 --> 00:28:55,480
there's sexual violence against women. Not again. You know, it can't be us every time.

347
00:28:55,480 --> 00:28:58,520
For a third time. You know what I mean? For our American listeners, we're being ironic.

348
00:28:58,520 --> 00:29:04,840
That is pure sarcasm. Actual joke. Context is lol. Right. Yeah. Yeah. We're, we're leaning

349
00:29:04,840 --> 00:29:10,200
into the awfulness of other podcasts who go, let me tell you what I think about the sexual

350
00:29:10,200 --> 00:29:14,160
violence against women. We're just not qualified. Yeah. Right. We've never, we've never been

351
00:29:14,160 --> 00:29:18,360
victim to it and we've never committed any. So what do we know about it? Yeah. We can't

352
00:29:18,360 --> 00:29:21,200
patronize and be sort of like, no, I know where you're coming from. Right. Yeah. We

353
00:29:21,200 --> 00:29:26,240
just don't. We don't. There's no way. But that is, that is kind of a huge theme in it.

354
00:29:26,240 --> 00:29:32,480
I'm okay. But I think, I think what makes it excellent is it, it's never exploitative.

355
00:29:32,480 --> 00:29:40,240
It's not. It's never voyeuristic. It's never sexy. No. And it's, and it's, it's righted

356
00:29:40,240 --> 00:29:47,160
by a woman on her own terms without any help from any male character. Yep. Daniel Craig's

357
00:29:47,160 --> 00:29:50,880
character in this doesn't fix her issues for her. She fixes them and then she comes to

358
00:29:50,880 --> 00:29:56,800
help him. Yeah. She fixes his issues. Exactly. Like every time he has an issue, she fixes

359
00:29:56,800 --> 00:30:00,280
it. And then if he's having a bit of an issue, she takes precautions to make sure it doesn't

360
00:30:00,280 --> 00:30:05,680
happen again. And it's like, I might be in love. I'm just saying, you know what I mean?

361
00:30:05,680 --> 00:30:12,000
Lisbeth Salander in this film is, is, is goals. Holy shit. Yeah. Unreal. She looks, I mean,

362
00:30:12,000 --> 00:30:18,400
she's your perfect woman. She looks like a, a heroin addicted alien. Yeah. And she's got

363
00:30:18,400 --> 00:30:26,880
a touch of autism. You know what I mean? There's a, there's a smidge. Riddled. Absolutely riddled.

364
00:30:26,880 --> 00:30:33,560
There's a smidge. Okay. I can, I can see this bit talking about Rooney Mara. Rooney Mara,

365
00:30:33,560 --> 00:30:39,680
I've only just clicked in this exact moment right now was in the social network. She was.

366
00:30:39,680 --> 00:30:45,200
So get this, get this. David Fincher worked with her for four days on the social network.

367
00:30:45,200 --> 00:30:50,080
And when she heard that he was making dragon tattoo, she was desperate for it. Okay. She

368
00:30:50,080 --> 00:30:54,520
really, really wanted to do it. And he was like, no, she's like the clean cut all American

369
00:30:54,520 --> 00:31:00,560
girl. Cause in his head, he had her as Erica Albright, her character in the social network.

370
00:31:00,560 --> 00:31:03,960
So she campaigned and she campaigned, she campaigned, and eventually she managed to

371
00:31:03,960 --> 00:31:08,960
get a test screening. Yeah. She had to convince David, which took like three or four screen

372
00:31:08,960 --> 00:31:13,880
tests. And then once he was convinced, he had to convince the studio. So it ended up

373
00:31:13,880 --> 00:31:20,400
taking about six or seven months of her turning up, getting into character, getting dressed

374
00:31:20,400 --> 00:31:25,360
up, doing screen tests, getting photos taken back and forth and back and forth and back

375
00:31:25,360 --> 00:31:31,080
and forth. At one point she was booked to do promo for the social network and the production

376
00:31:31,080 --> 00:31:33,800
company rang her and they're like, you need to come in to screen test. She's like, I can't,

377
00:31:33,800 --> 00:31:37,640
I've got to go to Europe for Elle magazine. And they're like, yep, just tell them you

378
00:31:37,640 --> 00:31:41,680
got food, food poisoning. She's like, I mean, in my head I was going, they either want you

379
00:31:41,680 --> 00:31:45,200
or they don't. And they should just f**k off at this point. Yeah. But of course I went

380
00:31:45,200 --> 00:31:52,800
anyway, cause I wanted the part. So, uh, haircut, obviously that's real. Uh, bleached your eyebrows,

381
00:31:52,800 --> 00:31:59,480
kept them bleached for the duration of filming. Incredible. Lost an unhealthy amount of weight.

382
00:31:59,480 --> 00:32:04,520
Yeah. The piercings are real. Eyebrow piercings real, the nipple piercings real. Cause she

383
00:32:04,520 --> 00:32:08,880
wanted, she said that when, cause there's so much nudity in the film, she felt like

384
00:32:08,880 --> 00:32:13,080
she was more comfortable if she had all the piercings. Cause it meant even when she was

385
00:32:13,080 --> 00:32:19,160
naked, she was still in costume. That's interesting. She's not, it's not Rooney Mara naked on screen

386
00:32:19,160 --> 00:32:26,000
because Rooney Mara doesn't have piercings. Right. Yeah. Um, she then went, uh, martial

387
00:32:26,000 --> 00:32:31,400
arts training. Okay. She went motorcycle training. She got a dialect coach to get the accent.

388
00:32:31,400 --> 00:32:36,760
Okay. And she also weirdly learned to skateboard. To skateboard? Yes. Does she skateboard in

389
00:32:36,760 --> 00:32:41,680
this film? No, not once. Okay. David Fincher said, uh, she's a bit androgynous and she's

390
00:32:41,680 --> 00:32:46,560
got kind of arrested development. You know, she's said she's 24 in the film, but she is

391
00:32:46,560 --> 00:32:51,160
mentally much younger than that. She's not as mature as that. Right. And she's a bit

392
00:32:51,160 --> 00:32:56,240
of a misfit. So I want her to have the walk of a 13 year old boy. So you're going to learn

393
00:32:56,240 --> 00:33:00,360
how to skateboard and get your weight all weird and just do, do something a 13 year

394
00:33:00,360 --> 00:33:05,120
old boy does. So she learned to skateboard so she could get an, in so much of the behind

395
00:33:05,120 --> 00:33:08,880
the scenes footage. He's like, do the skateboard thing and you'll see her posture change.

396
00:33:08,880 --> 00:33:14,160
And he's like, yeah, mint. My favorite thing about that fact is that Fincher at some point

397
00:33:14,160 --> 00:33:19,160
saw a 13 year old boy skating and was like, that's the posture. That's the posture that

398
00:33:19,160 --> 00:33:25,960
she needs. Yeah. Exactly. That's what I want for my film. So wildly specific. But can you

399
00:33:25,960 --> 00:33:30,000
imagine like, you're just there like learning to skateboard going, I just want to be in

400
00:33:30,000 --> 00:33:34,680
a film man. Yeah. But can you imagine being on a skate park and someone being like, why

401
00:33:34,680 --> 00:33:37,440
are you in the social network? Why are you learning to skateboard? Just like, yeah, shut

402
00:33:37,440 --> 00:33:41,360
the fuck up. I'm trying to be a Swedish badass. The worst thing is after all of that, do you

403
00:33:41,360 --> 00:33:46,440
want to hear what David Fincher said? Go on. It is savage. Okay. He just said, I quote

404
00:33:46,440 --> 00:33:51,440
David Fincher. Yeah. Piercings are piercings and losing weight is losing weight. I think

405
00:33:51,440 --> 00:33:58,200
that's important to maybe the golden globes. It's not so important to me. After all that

406
00:33:58,200 --> 00:34:03,960
effort. For me, it's about, is the person willing to do the work on themselves to understand

407
00:34:03,960 --> 00:34:09,200
this character, which saves the quote a bit. I was going to say, Jesus Christ, that's a

408
00:34:09,200 --> 00:34:14,680
massive U-turn at the end. Why did you leave that pause? Your pause is today out of pocket,

409
00:34:14,680 --> 00:34:20,080
man. We need to talk about this. Jesus. But I love the idea that he's just sending her

410
00:34:20,080 --> 00:34:25,040
on random quests. I love that. Oh, you want the part. Cool. Go climb that mountain and

411
00:34:25,040 --> 00:34:29,240
ask the guy at the top. Yeah. Oh, what you want? Three riddles. You want to be a 24 year

412
00:34:29,240 --> 00:34:37,400
old Swedish badass getting a knife fight with a smack head in Stockholm. You can begin to

413
00:34:37,400 --> 00:34:42,560
see why this costs 90 million. Not to mention it was shot in Sweden. So the days are incredibly

414
00:34:42,560 --> 00:34:48,080
short. Oh my. Yeah. So the daytime shots, they had very little time to film them. So

415
00:34:48,080 --> 00:34:53,400
something that would take a day to film in Atlanta takes three in Sweden. That's nutty

416
00:34:53,400 --> 00:34:57,520
because you just haven't got the light for that long. Like it was a, it was an insanely

417
00:34:57,520 --> 00:35:03,160
long shooting schedule. It was like 160 days of primary. Jesus Christ. Yeah. And it is,

418
00:35:03,160 --> 00:35:08,840
it was purely because of the location. That's insane. 160 days is insane. With David Fincher

419
00:35:08,840 --> 00:35:12,120
though, and everything's got to be done 90 times. Yeah. But most of his films are like

420
00:35:12,120 --> 00:35:17,120
40, 50 days and everyone's like, Jesus Christ, that was exhausting. Literally three times

421
00:35:17,120 --> 00:35:21,600
that amount. Fair play. But I mean, look, the setting's important. I get it. And I'm

422
00:35:21,600 --> 00:35:25,480
glad he went there. Dude, the setting, this is another one of my notes, the setting and

423
00:35:25,480 --> 00:35:32,360
location. Like I can't get over, I can't get over how the film feels. You know, that's

424
00:35:32,360 --> 00:35:36,560
really like knobby thing that people say where it's like, Oh God, New York city is just a

425
00:35:36,560 --> 00:35:44,720
character in itself. Yes. I'm 100%. Dude, this entire backdrop is a living, breathing,

426
00:35:44,720 --> 00:35:50,920
talking definitely loud character in this film. It's so upsetting. Like I can't even

427
00:35:50,920 --> 00:35:56,120
put my finger on white. It's like it is a, it's a desolate, desperately lonely backdrop,

428
00:35:56,120 --> 00:36:02,320
right? I have this tiny little remote Island, Midlands, Sweden. Now that's heroin. That's

429
00:36:02,320 --> 00:36:08,520
eerie enough, right? All on its own. But then with the two main characters, Michaela and

430
00:36:08,520 --> 00:36:13,520
Elizabeth bring in some of the most fucked up trauma that you've ever heard with them.

431
00:36:13,520 --> 00:36:20,280
This little murder Island becomes just paralyzing with fear. It is just, it's electric. The

432
00:36:20,280 --> 00:36:26,400
whole thing is, is edge of your seat kind of stuff. The, it's, it's just the perfect

433
00:36:26,400 --> 00:36:31,520
backdrop, man. It's a perfect backdrop for like a noir mystery doused in personal and

434
00:36:31,520 --> 00:36:37,520
professional fucked up. What I love about what Finch has done is even if you look at

435
00:36:37,520 --> 00:36:41,620
something as simple as the title of the original book, men who hate women, he's taken Michael

436
00:36:41,620 --> 00:36:47,080
Blomkist's flaws and brought them right to the front. He was married and he cheated on

437
00:36:47,080 --> 00:36:53,280
his wife with his editor, who he then cheats on with his assistant. Yeah. It's not great.

438
00:36:53,280 --> 00:37:03,560
It's not great. It's a dysfunction and snow and just cold, cynical beauty. Yeah. And I

439
00:37:03,560 --> 00:37:08,160
think that's the thing is it's, it's, it's the, it's the beauty of the desolation because

440
00:37:08,160 --> 00:37:13,720
it's a relief from the human stuff. That's exactly what it is. If anxiety had a front

441
00:37:13,720 --> 00:37:19,200
garden, that's right. It's gorgeous. Right. Now we normally do this at the end, but I

442
00:37:19,200 --> 00:37:24,720
need to tell you how much this film made now. Okay. Cause against that 90 million budget,

443
00:37:24,720 --> 00:37:31,720
it made a hundred million in the U S that's nothing. Now it made 239 million globally,

444
00:37:31,720 --> 00:37:36,760
but this was not the massive U S hit that they wanted. And for reference, right. The

445
00:37:36,760 --> 00:37:40,920
Avengers, which is kind of what they were had the seeds of building comes out five months

446
00:37:40,920 --> 00:37:47,200
later and makes a clean 1.5 billion. Yeah. All right. Right. Yeah. I see that though,

447
00:37:47,200 --> 00:37:49,960
but I reckon this could have made a billion if you throw an Iron Man in the middle of

448
00:37:49,960 --> 00:37:56,360
it. You know what I mean? So what this got off the first bat on its first installment

449
00:37:56,360 --> 00:38:01,280
that Marvel, I think really struggles with this got five Academy award nominations. Jesus

450
00:38:01,280 --> 00:38:06,120
Christ. And it won for, you know, some of the smaller categories, right. It wasn't what

451
00:38:06,120 --> 00:38:10,840
they needed as far as the studio where they were like, we wanted a bigger hit, but they

452
00:38:10,840 --> 00:38:17,000
let him carry on progress on the sequel continued. Okay. But it's David Fincher. Yeah, of course.

453
00:38:17,000 --> 00:38:23,720
So he was writing and he was writing and then in August, 2012, so a full 18 months later,

454
00:38:23,720 --> 00:38:28,320
there's delays in the script. So July, 2013, he gets Andrew Kevin Walker in. Yeah. He wrote

455
00:38:28,320 --> 00:38:32,740
seven. He signs on to do rewrites, keeps writing because they're trying to do the next two

456
00:38:32,740 --> 00:38:37,280
films back to back. Okay. So they're working, working, working. And then the fourth book

457
00:38:37,280 --> 00:38:42,280
in the series, the girl and the spider's webs released. Yeah. And is huge. Yeah. And Sony,

458
00:38:42,280 --> 00:38:47,200
who was sick of waiting and want their money and want their this, that or the other, just

459
00:38:47,200 --> 00:38:52,000
clean slate, just go, no, we'll, we'll start again with the girl and the spider's web.

460
00:38:52,000 --> 00:38:55,960
I saw this on prime after I'd finished watching girl, the dragon tattoo, this one popped up

461
00:38:55,960 --> 00:39:01,600
an English speaking language. Yeah. I was like, we'll come back to that one. I was like,

462
00:39:01,600 --> 00:39:06,600
I don't understand where this is. Where am I? Come back. We will come back to, to that

463
00:39:06,600 --> 00:39:12,440
because I adore this film. Okay. I adore these characters. I adore this, these versions of

464
00:39:12,440 --> 00:39:17,920
the characters. The only way I'm going to get what I need is to read the books and picture

465
00:39:17,920 --> 00:39:23,280
these characters. Oh, that sounds fun. That's all I can do because there will never be a

466
00:39:23,280 --> 00:39:29,320
U S version and the Swedish versions are much less David Fincher. Let's put it that way.

467
00:39:29,320 --> 00:39:32,760
Yeah, I can imagine. And that's just, you're right. I'm just, I don't, I'm not interested

468
00:39:32,760 --> 00:39:38,960
in that. I'm not interested in that. I love the coldness and the isolation and the David

469
00:39:38,960 --> 00:39:46,760
Finchiness of this. Dude, this, okay. I'm 1000% with you, 1000% with you. This is my

470
00:39:46,760 --> 00:39:52,480
big thought on this film. Ooh. You've, you've led me perfectly to this. So the main takeaway

471
00:39:52,480 --> 00:39:58,120
that I got from this film is the, how the story spot, how the story puts a spotlight

472
00:39:58,120 --> 00:40:04,040
on loneliness. Okay. But then tell me more. But then how Fincher really digs the nails

473
00:40:04,040 --> 00:40:09,980
in and emphasizes it with his work. And it's right. It's sort of like this weird combination

474
00:40:09,980 --> 00:40:17,680
of masterful filmmaking. Yeah. And disgusting trauma being thrown at you. But it's being

475
00:40:17,680 --> 00:40:25,200
handled in a way that you're like, okay, maybe, maybe there's something in this and it just,

476
00:40:25,200 --> 00:40:30,080
so it starts and then it just progressively gets weird. Right. So take the, the Vanga

477
00:40:30,080 --> 00:40:39,040
family, right? Everyone's portrayed as wealthy, successful, but honestly, have you ever seen

478
00:40:39,040 --> 00:40:44,080
a group of more actively lonely people in your entire life? Oh God no. They all live

479
00:40:44,080 --> 00:40:48,000
on the same Island and none of them talk to each other. They're all surrounded by people,

480
00:40:48,000 --> 00:40:53,280
but no one has an ear that they can trust. Like not one person that they can trust. And

481
00:40:53,280 --> 00:40:57,280
it is, it's heartbreaking to look at. Cause I'm like, I can feel for that. Not having

482
00:40:57,280 --> 00:41:03,480
one person to entrust like on an entire Island, including your family must be the hardest

483
00:41:03,480 --> 00:41:10,640
thing to live with. And you're all just doing it in Sweden, in the snow. You know what I

484
00:41:10,640 --> 00:41:15,840
mean? You've got Mikhail. So Mikhail is an English guy. He's a journalist whose career

485
00:41:15,840 --> 00:41:21,440
has recently been thrown into turmoil. He's got a daughter from a previous marriage. He

486
00:41:21,440 --> 00:41:28,320
is trying to just be, you know what I mean? He's just trying to be him, get his cred back,

487
00:41:28,320 --> 00:41:35,160
be a dad. That's essentially what it is. Then you've got Lisbeth, ridiculously smart, incredibly

488
00:41:35,160 --> 00:41:39,720
resilient. And when I say resilient, I mean just the strongest female character in a movie

489
00:41:39,720 --> 00:41:46,400
that we've seen in forever. Yeah. She's meant, she's meant, she's absolutely meant. She's

490
00:41:46,400 --> 00:41:53,520
a superhero. She's a horrendously abused woman that is not just, she's not just chosen to

491
00:41:53,520 --> 00:41:59,200
be isolated. She's forced to be isolated. It's a safety issue for her. It's a safety

492
00:41:59,200 --> 00:42:05,440
issue for her. Emotionally, physically. Right. But it's also, it's also a non-negotiable

493
00:42:05,440 --> 00:42:09,920
situation for her because her employer, she's weird. People don't like her. She works from

494
00:42:09,920 --> 00:42:13,120
her and we don't want her in the office, but she's great at what she does. You know what

495
00:42:13,120 --> 00:42:17,920
I mean? Yeah. Her living situation where she's living in that little rundown little flat,

496
00:42:17,920 --> 00:42:23,520
she gets handed an allowance to pay her rent and that's it. Her legal guardian, awful,

497
00:42:23,520 --> 00:42:30,120
awful, awful. And it's just, it's, if you've seen the movie irreversible, this is as bad.

498
00:42:30,120 --> 00:42:35,000
As bad, but not 12 minutes on edited. Yeah, true. But it's mainly the lack of trust. It's

499
00:42:35,000 --> 00:42:38,960
the lack of trust in her as a functioning adult from a system that's designed to protect

500
00:42:38,960 --> 00:42:44,560
her that really, really ruined me. The worst thing about all of this though, bud, and by

501
00:42:44,560 --> 00:42:48,960
a long shot, and we've not mentioned it yet, is Harriet. Yeah. She's a background character.

502
00:42:48,960 --> 00:42:51,520
She's the, she's the focal point of the film, but she is a background character. She's the

503
00:42:51,520 --> 00:42:55,560
McGuffin. She's the, she's the gold night over Indiana Jones is chasing, right? We've

504
00:42:55,560 --> 00:42:59,640
got to find what happened to this girl. And then you sort of get lost in the mystery of

505
00:42:59,640 --> 00:43:04,200
it. But when you really take a step back and you look at it, she's a kid that was forced

506
00:43:04,200 --> 00:43:11,160
to flee from like a murderous family on her own to a land that is not her home with no

507
00:43:11,160 --> 00:43:16,240
lifeline. She can't risk getting in touch with her family or her friends because the

508
00:43:16,240 --> 00:43:21,920
chances are that her insanely wealthy, powerful family will track her down and do a murder.

509
00:43:21,920 --> 00:43:24,840
Yeah. Yeah. Yeah. Yeah. Yeah. So with all of this going on, this is sort of like that.

510
00:43:24,840 --> 00:43:28,800
There's the isolating factors, the storylines that are all at play constantly. Yeah. You've

511
00:43:28,800 --> 00:43:33,720
got, and then you've got Fincher in steps Fincher. You know what I mean? He paints his

512
00:43:33,720 --> 00:43:41,000
harrowing picture in gorgeous cinematography. It's a cold blue filter instills on everything,

513
00:43:41,000 --> 00:43:48,400
on everything. And it's still a sense of isolation. And then you've got the soundtrack. The soundtrack

514
00:43:48,400 --> 00:43:52,960
might be the most intense that we've seen on this show of late. Like the social network

515
00:43:52,960 --> 00:43:58,600
was, was great. It was bang at it. Trent Reznor and Atticus Ross bang at it. Yeah. Incredible.

516
00:43:58,600 --> 00:44:04,640
But this is insane. Like it's spine chill. It's, it's, it is the spine chill in swelling

517
00:44:04,640 --> 00:44:10,760
monster. It's riddled with sudden pregnant silence that hits you square in the spine

518
00:44:10,760 --> 00:44:17,280
and just disrupts your entire soul on a molecular level. I've always said, cause as we discussed

519
00:44:17,280 --> 00:44:20,600
when we covered the social network, I'm a massive Nine Inch Nails nerd. They are my

520
00:44:20,600 --> 00:44:28,160
one man. This soundtrack is the sound of like frost forming on, on a window. Yes. It's the,

521
00:44:28,160 --> 00:44:34,440
and like, it's just the, it's the coldest, sparsest, but if you put it on loud, put it

522
00:44:34,440 --> 00:44:40,320
on your headphones loud, you will have a mental health episode. Yeah. It's outrageous. Like

523
00:44:40,320 --> 00:44:45,400
honestly Trent Reznor and Atticus can f*** right off. Like seriously, they have no right

524
00:44:45,400 --> 00:44:49,320
having this much sway over my mental health. They have no right whatsoever. Maybe this

525
00:44:49,320 --> 00:44:54,160
is the gray day. You know what I mean? Maybe this explains the gray brain. The worst thing

526
00:44:54,160 --> 00:44:58,800
about this whole thing and the best thing about this whole thing is Fincher highlights

527
00:44:58,800 --> 00:45:04,960
everything with these little tiny throw away moments and statements that force you to understand

528
00:45:04,960 --> 00:45:10,940
the isolation of even the most minor characters, the characters that you never meet. You only

529
00:45:10,940 --> 00:45:15,200
hear stories of, but you understand their situation wholeheartedly. I've got an example

530
00:45:15,200 --> 00:45:20,280
for this, right? You know, the scene where Martin is hosting the dinner for, with his

531
00:45:20,280 --> 00:45:25,320
Mrs. And Mikael. And there's a noise off in the distance and he's like, Oh, someone would

532
00:45:25,320 --> 00:45:29,520
must've left the door open. It's the wind. It's the wind. Whatever it is. It's this,

533
00:45:29,520 --> 00:45:33,800
that and the other. And he dips off and it comes back and it's all played off as like

534
00:45:33,800 --> 00:45:37,440
fine and no one suspects a thing. And you forget about it. Yeah. Cause you're like,

535
00:45:37,440 --> 00:45:42,480
it's a non, it's a non, it's a non thing. Nothing. It's a bit of wind. Shut up. Who

536
00:45:42,480 --> 00:45:50,200
cares? But what it is in actual life, in actual fact, it's the last moments of life.

537
00:45:50,200 --> 00:45:57,120
Of Martin's latest victim. Yeah. And this is then doubled down on when we see the cage

538
00:45:57,120 --> 00:46:02,800
in Martin's basement and he casually in a throw away thing goes, yeah, she was in that

539
00:46:02,800 --> 00:46:08,260
cage while you were eating dinner. Like it means nothing to him. And Fincher hides it

540
00:46:08,260 --> 00:46:14,320
because you, you, there's this kind of screaming whistle through the house. Yeah. And then

541
00:46:14,320 --> 00:46:19,700
later when Daniel Craig sneaks into the house, he leaves the door slightly ajar. Yes. So

542
00:46:19,700 --> 00:46:27,480
you think that that moment was foreshadowing for this explains the mechanism by which he

543
00:46:27,480 --> 00:46:31,520
will be discovered, right? So you're like, Oh, okay. That's why there was that weird

544
00:46:31,520 --> 00:46:36,000
moment with the site, screaming, whistling noise of the wind through the house. It's

545
00:46:36,000 --> 00:46:40,640
so that we'd understand how Martin would know that Daniel Craig's character was, was in

546
00:46:40,640 --> 00:46:44,760
the house. No, no, no, no, no. My good boy. What he does, what Fincher's done is he's

547
00:46:44,760 --> 00:46:48,920
made, he's forced you to empathize with the last moments of a character that you're never

548
00:46:48,920 --> 00:46:55,840
going to see here or meet ever. There was nothing but inane sadness that hit me by the

549
00:46:55,840 --> 00:47:00,760
truckload, see in the cage in the background. And it just casually brushed off like it meant

550
00:47:00,760 --> 00:47:05,280
nothing. I was like, that was someone's entire struggle. That was someone's entry in the

551
00:47:05,280 --> 00:47:15,000
Saw franchise. How does a filmmaker have the gall to make me care about these anonymous

552
00:47:15,000 --> 00:47:20,360
people that are just Polaroids on a map of where the murders have taken place? And when

553
00:47:20,360 --> 00:47:26,920
you find out what you do find out, it's 14 years old, Martin's the killer shocker. I've

554
00:47:26,920 --> 00:47:33,560
got a quote from David Fincher that's relevant to your cage observation. Yeah. It's about

555
00:47:33,560 --> 00:47:39,360
the scene earlier in the film, which is so difficult to watch. But he says you walk a

556
00:47:39,360 --> 00:47:44,880
line, you know, everything has to move the story forward, but I won't be unhappy if people

557
00:47:44,880 --> 00:47:51,680
faint. Unbelievable. Do you know what I mean? Fincher makes me nervous, man. He picked this

558
00:47:51,680 --> 00:47:55,080
up and went, yeah, I'm going to do it this way. It's a conscious choice. The worst thing

559
00:47:55,080 --> 00:47:59,360
about it is on top of everything, the one thing that really sells to me that Fincher

560
00:47:59,360 --> 00:48:10,160
might be a serial killer, Zodiac, social network, seven, you know what I mean? Gone Girl. Gone

561
00:48:10,160 --> 00:48:13,280
Girl, we're not there yet. Gone Girl gets to me in a whole different level and it's

562
00:48:13,280 --> 00:48:16,840
10 times worse than this. Yeah. Don't get me started on that because I'll freak out.

563
00:48:16,840 --> 00:48:21,120
But this is what I'm saying. So he's he's doing some stuff, right? He might be a serial

564
00:48:21,120 --> 00:48:24,920
killer. Yeah. And he might be doing what the Zodiac's doing, but instead of sending letters

565
00:48:24,920 --> 00:48:29,320
to a newspaper, he's making films. Do you know what I mean? Yeah. Do you know what I

566
00:48:29,320 --> 00:48:33,160
mean? This is what I'm thinking. Is the next David Fincher going to be making a film about

567
00:48:33,160 --> 00:48:38,120
a cold case of a director that made a load of great movies about serial killers whilst

568
00:48:38,120 --> 00:48:43,240
being a serial killer in 20 years time? Just coming back for a moment to the cruelty of

569
00:48:43,240 --> 00:48:49,560
this film. You're right. It's very isolating. It's a very lonely film, except for the fact

570
00:48:49,560 --> 00:48:54,200
that our two characters find solace in one another. It's the most beautiful thing about

571
00:48:54,200 --> 00:49:00,480
the film by a long shot. Right. Except it doesn't end. No, it does not. With them coming

572
00:49:00,480 --> 00:49:07,320
together. It ends with Lisbeth riding off, believing that the man that she, her first

573
00:49:07,320 --> 00:49:13,800
friend, really, she makes him a custom motorcycle jacket. And what breaks my heart is that the

574
00:49:13,800 --> 00:49:21,200
card that she writes happy Christmas in, the design on the front is like a horse hugging

575
00:49:21,200 --> 00:49:28,440
a bunny. It's really naive. It's really childlike. It's really like something that she picked

576
00:49:28,440 --> 00:49:33,720
because it reminds her of a time when she was last happy, which would have been very

577
00:49:33,720 --> 00:49:39,640
young. And then she sees him in the distance arm in arm with his editor, assumes that they're

578
00:49:39,640 --> 00:49:46,440
back together, chucks it in the bin, rides off, roll credits. And that is where these

579
00:49:46,440 --> 00:49:53,120
characters, these version of the characters will stay forever. Yeah. And that is the most

580
00:49:53,120 --> 00:49:57,600
disgusting injustice that I can think of that Hollywood... Do you know who did that injustice

581
00:49:57,600 --> 00:50:08,600
to you? Fede Alvarez. Off. I hate this guy already. My blood, my piss is boiling right

582
00:50:08,600 --> 00:50:13,360
now. I need you to finish off for why. So it makes sense. Cause at the moment I'm just

583
00:50:13,360 --> 00:50:18,720
flying. I'm off the handle. Evil deads ruined. So aliens ruined. Right. The guy he made,

584
00:50:18,720 --> 00:50:25,120
Oh my God. He made don't breathe. It's awful. Yeah. And he ruined this sick Finch. Finch

585
00:50:25,120 --> 00:50:29,080
is working away. He's taking his time. It's costing a lot of money. He's got Andrew Kevin

586
00:50:29,080 --> 00:50:36,320
Walker in the studio. See this new book, the girl in the spider's web and they go, do you

587
00:50:36,320 --> 00:50:40,520
know what? We're just going to do a soft reboot. Right. And so they, because they skipped two

588
00:50:40,520 --> 00:50:45,920
books and they start on the first of the next trilogy of the books. Cause there's this four

589
00:50:45,920 --> 00:50:50,400
or five books in total. Okay. There's the millennium trilogy of which this is the first.

590
00:50:50,400 --> 00:50:56,480
And then the book immediately after that was a, the girl and the spider's web. Right. And

591
00:50:56,480 --> 00:51:02,600
it's much more upfront spy thriller kind of she's using sniper rifles and blah, blah,

592
00:51:02,600 --> 00:51:07,440
blah, blah. And it's starring Claire Foy and it's directed by Feday Alvarez. And it came

593
00:51:07,440 --> 00:51:12,760
out. It, it flopped. They're never going to come back to this franchise. Whatever he touches

594
00:51:12,760 --> 00:51:19,960
just turns to it's so annoying that everyone's like, what a masterpiece, what a masterpiece

595
00:51:19,960 --> 00:51:23,560
he's taken everything that's wrong with the evil dead and banged it into a film. He's

596
00:51:23,560 --> 00:51:29,280
taken all charisma out of it and just done a reboot that literally turns a dog killer

597
00:51:29,280 --> 00:51:34,040
into a hero. It's insane that people are buying that and going, yeah, it's good horror film

598
00:51:34,040 --> 00:51:38,480
though. And it's like, yeah, evil dead film though, isn't it? And then he has a crack

599
00:51:38,480 --> 00:51:41,840
at alien. He takes the things we've ever said on screen and goes, yeah, I'm just gonna put

600
00:51:41,840 --> 00:51:46,880
all that in one film. Cause why not? Also inherently scared of guns, xenomorphs shut

601
00:51:46,880 --> 00:51:53,240
up. Of course he's touched this, he's gone to sh... What a shocker. So what's been killed

602
00:51:53,240 --> 00:52:01,420
is not only these characters and their future, you know, screen, we will never see them again.

603
00:52:01,420 --> 00:52:07,560
But also that idea that we spoke about in the beginning of that adult franchise, that

604
00:52:07,560 --> 00:52:15,280
kind of intelligent, thoughtful, more considered, more complex interconnected universe with

605
00:52:15,280 --> 00:52:19,840
real people going through real things and having real reactions, but as part of a larger

606
00:52:19,840 --> 00:52:29,240
franchise. Now everyone's just scared of guns. So it failed. It fell flat on its face. It

607
00:52:29,240 --> 00:52:35,720
was a huge waste of everything. Shocker. And here's what Fincher has to say about it. He

608
00:52:35,720 --> 00:52:40,640
says, we did it the way that we could. And when people say it costs too much for what

609
00:52:40,640 --> 00:52:46,160
the return on investment was, I said, okay, swing and a miss. It's an interesting kind

610
00:52:46,160 --> 00:52:52,320
of coming to terms with like, he's fine with it. He's accepted it. He's just gone, not

611
00:52:52,320 --> 00:52:56,360
everything, you know, you can't do everything. He even says, you know, you can't take everything

612
00:52:56,360 --> 00:53:00,800
on. That's why when people ask, how does this film fit into my uvra? I say, I don't know.

613
00:53:00,800 --> 00:53:05,460
I don't think in those terms. If I did, I might become incapacitated by fear. That's

614
00:53:05,460 --> 00:53:11,480
incredibly mature. So, right. So for our, for our many things we tried this year for

615
00:53:11,480 --> 00:53:16,360
our, we're going to do these series and maybe this will be the one that blows up or I'm

616
00:53:16,360 --> 00:53:22,240
going to switch job and maybe this one or relationship. The person who I think actually

617
00:53:22,240 --> 00:53:28,040
speaks on this the best is Trent Reznor. Somebody says, you know, uh, how do you deal with rejection?

618
00:53:28,040 --> 00:53:31,640
How do you deal with failure? And he goes, Oh, the time on question. Most artists will

619
00:53:31,640 --> 00:53:35,800
tell you it doesn't matter what others think and it matters what you think. Once you finish

620
00:53:35,800 --> 00:53:39,480
it. I'd like to say, I believe that, but in reality, I can look back on my own work

621
00:53:39,480 --> 00:53:43,320
and feel great about something. Then it gets critically sh** canned or someone hates it

622
00:53:43,320 --> 00:53:47,720
and that's the one that sticks with me. I feel like I've failed somebody. The public's

623
00:53:47,720 --> 00:53:52,140
reaction to something can often taint your experience and I try to not put too much weight

624
00:53:52,140 --> 00:53:57,020
on that. It does make its way into a process and particularly in this information driven

625
00:53:57,020 --> 00:54:01,920
world we live in where everyone's found a way to express their opinion. At the end of

626
00:54:01,920 --> 00:54:07,640
the day, what really matters is when you finished a project is that feeling of, Hey, this is

627
00:54:07,640 --> 00:54:12,440
the very best I can do. And I'm proud of it. And I don't think I've let anything out.

628
00:54:12,440 --> 00:54:16,980
I haven't felt that way about what the public thinks of it. And retrospect in hindsight

629
00:54:16,980 --> 00:54:21,760
hasn't always agreed with my opinion, but it has to pass that muster for me to let it

630
00:54:21,760 --> 00:54:27,160
pass. I know Fincher feels the same way. I know he feels strongly about everything he's

631
00:54:27,160 --> 00:54:31,400
done and that he poured his heart and soul into it. I really like that. And I'm looking

632
00:54:31,400 --> 00:54:35,440
back at our year and I think we've done the same. Yeah. I've been proud of everything

633
00:54:35,440 --> 00:54:39,840
we've done this year. Yeah. We've fallen flat on some things, but we've grown massively

634
00:54:39,840 --> 00:54:44,400
in other areas though. Look at you. Yeah. You're a different person to who you were

635
00:54:44,400 --> 00:54:49,680
a year ago, man. I've never been prouder. Grim. That's not grim. It's grim. It's too

636
00:54:49,680 --> 00:54:53,960
grim in reality. We are sorely out of time. Guys. Thank you so much for hanging out with

637
00:54:53,960 --> 00:54:59,560
us. It's been an absolute pleasure. We love each and every one of you. Incredibly, incredibly.

638
00:54:59,560 --> 00:55:03,880
So if you would like to support the show, please feel free to head over to our Patreon.

639
00:55:03,880 --> 00:55:07,840
You can start supporting the show for as little as a pound. No pressure to though. We completely

640
00:55:07,840 --> 00:55:11,240
understand. You know, it's that time of year finances, tough cost of living is going through

641
00:55:11,240 --> 00:55:15,760
the roof. Yeah. I, I'm with, I'm with Ben here. I'm with Ben here. That's very, very

642
00:55:15,760 --> 00:55:19,800
polite of you, Ben. And yes, by all means we understand people. But if you're not going

643
00:55:19,800 --> 00:55:25,680
to join the Patreon, tell a friend, share our, share our social media reals. Cause otherwise,

644
00:55:25,680 --> 00:55:32,040
what are you doing? Just leave a review. Just do something. Just do something. I'm sick

645
00:55:32,040 --> 00:55:36,520
of this freeloading. Right? You've come here, you've listened to our show. What are you

646
00:55:36,520 --> 00:55:41,160
going to do for us? All right. This is what it is. I need some, I need some return. We've

647
00:55:41,160 --> 00:55:45,080
done this very transactionally. You know what I mean? There's nothing, there's no unconditional

648
00:55:45,080 --> 00:55:49,320
love. You owe us now. You owe us. We love you with all of our hearts. Conditionally.

649
00:55:49,320 --> 00:55:52,840
As long as, as long as certain criteria are met. Yeah. There you go. That's what we're

650
00:55:52,840 --> 00:55:57,240
trying to say. No, obviously I'm joking. Obviously I'm joking. It's been lovely having you. Um,

651
00:55:57,240 --> 00:56:00,080
and to thank you for spending an hour of your week with us, especially at the start of the

652
00:56:00,080 --> 00:56:04,640
week. We know a lot of you listen on a Monday. Ben is going to wrap up the thoughts, themes

653
00:56:04,640 --> 00:56:13,680
and feelings of this week's movie into a Monday motivational pep talk. While I just do what

654
00:56:13,680 --> 00:56:20,480
I always do and just tell you to consume Fincher. I keep saying it, man. Fincher worries me,

655
00:56:20,480 --> 00:56:25,800
right? Cause as we all know Fincher is from San Francisco, part of California. And we

656
00:56:25,800 --> 00:56:29,640
also know from Fincher's previous filmography, a little, a little clue that he's left the

657
00:56:29,640 --> 00:56:35,240
one of his films previously. There is not many basements in California, but hear me

658
00:56:35,240 --> 00:56:41,920
out now. Does anyone know if Fincher has a basement? Also now hear me out. Has anyone

659
00:56:41,920 --> 00:56:46,440
decided to check his basement? Because I feel like after the last couple of films, it's

660
00:56:46,440 --> 00:56:51,640
a warranted check just, just for sort of, you know, just for welfare, just for welfare.

661
00:56:51,640 --> 00:56:56,800
He's a charming fella. He's, he's, you know, he's good. Ted Bundy, he was a charming fella.

662
00:56:56,800 --> 00:57:00,400
He was good looking, but I mean, say what you want about Fritzel. He was a terrible

663
00:57:00,400 --> 00:57:03,680
person, but he was a fantastic locksmith. You know what I mean? All of them are good

664
00:57:03,680 --> 00:57:20,600
looking. That's what I'm saying.

