WEBVTT

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Welcome to A Little Unscripted, the show where

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we pull a random title, spin a random genre,

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and then try to create a film that honestly shouldn't

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work, and is impossible, and is way too expensive,

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and no one's asking for, but that's the fun,

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one idea, one hour, and zero guarantees. Let's

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make this thing! Good day, I'm Ryan, and I'm

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Logan. And no matter what, we're going to make

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a movie today. Back at it again. Yes. And as

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we're amusing on our last movie and the idea

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that Hollywood has challenges. Yes. Many myriad.

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So how do you think a movie like our last movie

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would fare well on a pitch room who depends on

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who we're pitching it to? Would we struggle?

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I mean, clearly we have, you know, actors that

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are not in place. But just the story, if you

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pitch the story of this. I think it's got a solid

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footing on the story. I don't know. It's a time

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period piece. It's kind of left field time period

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piece because of like it being the energy wars

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of like late 1800s, early 1900s. Like, yeah,

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that'd be a fun time. It's an original character.

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Let's be real here with some historical characters.

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I mean, we can probably do this. There are precedents

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for that stuff, too. Yeah, I think that. I think

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there would be an audience that would want to

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see this movie. Would it be pushed towards like

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a like a hard R or a family thing? I think it's

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definitely this is going to fall into like a

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PG 13. Yeah, it could be like with the actors

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that we have. Could there be blood and guts and

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swearing? Sure. Does it necessity? Yeah. Dictate

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we need it. No, I don't think so. I think celebrating

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the martial arts combining with your idea. was

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genius of what's going on, because we fixated

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on the time and you're like, these other things

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are happening to Britain and yeah, like Victoria,

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England, Cowboys, Samurai, you know, like the

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period is still in full swing for a short time

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frame. They all coexist, but they're on so far

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apart that it's like. Nobody really knows. We're

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just talking about as a family on the river,

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we're talking about, I don't know why, but Shanghai

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nights. And yeah, like the idea that you have

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all those things that's in Great Britain and

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the great line after Jackie Chan like flies up

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the barn on fire and he's like, you follow me

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and Owen Wilson says, what in our history makes

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you think I'm capable of something like that?

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That's the line we use at home all the time.

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We're talking about quotable movies. That's a

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quotable one. That's a movie I think it's forgotten

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about. I would also rope in... The second one?

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I think the early Owen Wilson movies, I think

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something about them tends to get overshadowed

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by other movies. Because here's one for you.

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Do you remember the movie I Spy? I do. I love

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it. Eddie Murphy and Owen Wilson. Leafy Bug.

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Leafy Bug. I love that movie. It's a great movie.

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I have it on DVD. It's a great movie. It is.

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It's like totally forget about that movie. Why

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did you, did you see it in theater or was it

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a rental? You mean the DVD I own? I haven't pulled

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out in 20 years, but it's great. Let's be honest.

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So Owen Wilson is clearly the magic in this and

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he had this period of time where they're like,

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let's put this awkward intellectual with different

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characters. When you think about, I think people

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forget about own Wilson's claim to fame and like

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how he rose in Hollywood. And it's like, was

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it like, was he just the typical surfer dude?

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Was he part of the server? Because I know I'm

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from bottle rocket. The biggest one I can think

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of. Like off the head like the big blockbuster

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that probably launched him was like to hide enemy

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lines Oh But I don't know if that was the movie

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like where he I don't know where he got his footing

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cuz obviously like that's a lead role So I don't

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know that's where I believe but like I think

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that's where everybody's like oh this guy can

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act but I thought Anaconda was his first I can

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see that screen, but he wasn't a star but like

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saying behind enemy lines like that's real bit

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tailored to that That was later. That was like

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2008. Yeah. Yeah, so I'm glad You know, he's

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in all the Wes Anderson stuff. I think he's so

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well placed there. And in bottle rockets, one

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of my favorites, you know, and it's all the Wilson

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brothers together and they kind of appear in

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all those movies. But he's got a great bit of

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charm. Even in voiceover work, you hear his voice

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and you're stick on Apple TV. What's that? The

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show stick is about Owen Wilson as a like washed

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up has been pro golfer. who takes over as like

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a mentorship for this kid who shows up at the

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driving range and is just, you know, not quite

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happy Gilmore, but it's like a teenager who's

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just like prodigy good levels. Good. But it's

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about, of course, this family relationship of

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them figuring each other out. And it's actually

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like a really good story. How is he burned out?

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What has he done? What is he addicted to? What

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was his fall? I don't want to tell you. Oh, I

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actually refuse to tell you and will force you

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and our listeners to watch the show. He was addicted

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to Klondike bars. Yes. Yes. Food thing. You know

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what? There was a car. There's a car girl that

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would show up and there's a car girl that was

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just like would feed him Klondike bars. You knew

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it. He was missing shots. There'd be like chocolate

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on his fingers. He couldn't swing the club right.

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He couldn't get the rotation. Sponsorships. And

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then here he is teaching. Yes. Yep. That's what

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it is. You know what? Klondike bars are fucking

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delicious. They are pretty. I really, I not a

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sponsor, but heck, maybe we'll take it. What

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if Klondike wants to sponsor this week? I wish

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we could go because we talk about going back

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to our last movie and going through who changes

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any requests to changes. Do you have any? On

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cast, directing, any of that? No, I believe we

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selected Sam Raimi as a director. I wish the

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title was so gross. The wide open, the superhero.

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It's definitely a work in progress. This is a

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placeholder. They get changed. This is why this

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is like, Hey, we're filming it and we're not

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telling people what the movie is until it comes.

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Yeah, this is the fake title. So, uh, I would

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love to put an end to the idea of, of potential.

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Like we could, again, it could be workshopped

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and yeah. Um, I think the power from within,

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um, you know, it all comes together. The poster

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has to be Really good, and I think we described

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the poster I think so and I don't remember the

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poster and it looks dope so but that title just

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Skews me a little bit. But yeah, here we are.

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I'm just being honest with you. You know what?

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This is where Hollywood, I think, would workshop

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the show is fun because that title is so gross.

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And I don't know if it's gross, but I just don't

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know if it's quite the title that feels like

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the first porno mag I saw and how horrified.

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What was the title of that one, right? It was

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like the back cover of something. And she looked

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like she'd been hurt. And it wasn't sexy to me.

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And And I'm like, man, a lot of people have articulated

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that particular feeling and that story. But so

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I need to either get my mind out of the gutter

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or just figure out how we can we can integrate

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that in a positive way. But I like the casting.

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Thank you for working with me on the lead, because

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we we demonstrate a lot of trust on the show

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when there's like, well, you should check that

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out. And I can't wait till the time where one

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of us check something out and it's like. You

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were totally wrong. I hate you on this. You were

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very right. We should have, you know what, maybe

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that'll be our... Go back. This is going to be

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our behind the scenes episode. Someday we'll

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make an episode and if the people want to hear

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it, it will be us yelling about the movies and

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shows. Making it all right. And then we'll be

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like, no, you're wrong about that one. I'm telling

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you, you're seeing it wrong. I would love to

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be critiqued and criticized for your opinions

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and selections of films. That would be brutal.

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But our breath of love and knowledge is expansive

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and complements each other in different ways,

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which I think is fun, because you always remind

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me of not only historical facts that are of relevance,

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but directors and things that I, you know, spots

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that I forget. So it takes a team to make this

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show go round. And I think we are a very good

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collaborative team. Well, here's the deal. We

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are going to go ahead and move forward with our

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last movie with that Grosso to know why open

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no changes. No, no, no, no, nothing else running

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it except the title. We want the title change.

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And we're the ones making the rules. So we could

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theoretically do it. But at this rate, I'm interested

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in what anybody listening. Yeah. Call it if you

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have different thoughts about that movie and

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what you'd like to call it. And if we get anything

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really good to our email address, a little independent

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podcast at Gmail dot com, I'll integrate it into

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the poster. So if we get something really cool,

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we'll amend it. We'll redo it. So we put an asterisk

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next to it. We'll do something to honor the work

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that you put in. I would love for us to scratch

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out and graffiti over the bad with with a new

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one. That's a good idea. That's great. So the

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best way we can honor that. we will incorporate

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into the design of that poster. So a little independent

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podcast at gmail .com. That is our email address.

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And shall we remind them what we're doing and

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what we must? I, I need a reminder in 60 minutes.

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That is the timeframe. I don't know why I started

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with it, but there you go. We are given a random

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movie title that is generated from AI. And that

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should be a not an existing movie or something.

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Here's hoping that this genie in the bottle understands

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the prompts. If not, it's been there for 10 ,000

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years and that's on it. Exactly. Then there is

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a list of genres. Yes. You can't have a genre

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list movie. I don't know. Could you? Is it a

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blank wall? Do you just look at a wall? It's

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a movie. It's a movie. What's it about movie

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stuff? I don't know. That's the Seinfeld of movies.

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That's a movie movie. You know, it's just that

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things happen and it's just a movie. Doesn't

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need a genre. What's the deal with genres? What

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is the deal with genres? Who needs them? That

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was unexpected. So we have a genre and that just

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makes it more fun for us. And once we have that

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title and genre, we verbally make a movie to

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our hearts. Yes, as big as we want to dream.

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So far, no budget constraints. No budget. But

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we make a lot of small movies, I've noticed.

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We've definitely tried to steer small and not

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be like, let's make a blockbuster every time.

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Does it? Because we really like those ensembles.

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We really like these ensembles. Having the freedom

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to cast, because we want to work with a lot of

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people. Dead or alive. Unfortunately, those of

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you who haven't made it big yet, I can't cast

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you because I don't know you and it's so sour.

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Yeah, I'm sorry. I'm sorry. We could make up

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a name of somebody that's maybe up or if we know

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a local actor here where we're at. Well, with

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that movie and if you're playing the home game

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or a drinking game version of this drinking game,

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you didn't tell me. I hope there is. We must

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give you a plot. of this movie to conclusion

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with we kind of do a three act type of thing.

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And that's where we're staying. We need a director

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for this movie. Somebody's got to have a voice

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for this. It's been pretty fun to do. It's been

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interesting to try and find somebody in like

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outside the wheelhouse. We try and stay in it

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or I don't know. Sam Raimi has done superhero

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movies, but he's pretty great at doing superhero

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movies and period pieces and period pieces. Rider

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as well separately or together. This film must

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have a character, at least one. At least. And

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a tagline. Favorite part of the show. It is fun.

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We always still have to put it for the very end,

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but I don't think that that's a hindrance. Market

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this thing. I can't tell you the last movie that

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I was pushed like over the fence by the tagline.

00:12:06.829 --> 00:12:08.210
But when's the last time you actually looked

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at a movie poster all the time? OK, I just wanted

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to know. I wanted to keep keeping on your toes

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there. That's part of it. You know, and I think

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that that is what makes the show a little bit,

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you know, fun and legitimate is that all the

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marketing and all of the thought behind that

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is part of the experience. Yeah, we're we're

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attempting to do all of the Hollywood stuff.

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Right. Except actually make the thing. When I

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worked at the video store and I think I've said

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a few or mentioned a few of these on this show

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is that. being able to take home some of the

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standees, the cardboard over the years in my

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room. Did you scare your neighbors? Posters?

00:12:43.769 --> 00:12:45.490
No, I mean, these were just on the inside. I

00:12:45.490 --> 00:12:47.730
didn't hang them out the window or have fake

00:12:47.730 --> 00:12:50.090
bodies. That would have been way more fun. You

00:12:50.090 --> 00:12:51.629
didn't think about it at the time, scare the

00:12:51.629 --> 00:12:53.049
hell out of your neighbors, just put it outside

00:12:53.049 --> 00:12:55.269
their window. Just hang the pretty woman standee,

00:12:55.450 --> 00:12:58.750
just Richard Gere and Julie Roberts. Did you

00:12:58.750 --> 00:13:00.450
figure out a way to put it upside down at their

00:13:00.450 --> 00:13:02.929
window so they wouldn't notice it and they open

00:13:02.929 --> 00:13:06.090
the curtains? So I know what I did. woman, a

00:13:06.090 --> 00:13:08.470
cardboard stand up in my room for a very long

00:13:08.470 --> 00:13:11.429
time, for years, years. Yeah. An embarrassment

00:13:11.429 --> 00:13:14.409
level was zero. No, not really. I think the water

00:13:14.409 --> 00:13:16.590
bed was more embarrassing. The water bed is where

00:13:16.590 --> 00:13:20.110
my embarrassment started and end. And good to

00:13:20.110 --> 00:13:23.149
haves. As we make this movie, we think about

00:13:23.149 --> 00:13:26.289
composers. We think about locations, ways to

00:13:26.289 --> 00:13:29.129
film. We try to get as nerdy as we can. Yeah,

00:13:29.289 --> 00:13:32.740
except. I don't tell anybody this stats on like

00:13:32.740 --> 00:13:36.220
what camera to use because you do that. You figure

00:13:36.220 --> 00:13:38.299
that out. You the director of photography need

00:13:38.299 --> 00:13:39.879
to do that. All right. We're going to roll our

00:13:39.879 --> 00:13:45.480
magic numbers. And again Logan has our genres

00:13:45.480 --> 00:13:48.500
and I typically have the title. So our title

00:13:48.500 --> 00:13:50.799
one in one hundred is fifty four. That's the

00:13:50.799 --> 00:13:53.500
number and our genre between one and fifty five

00:13:53.500 --> 00:13:59.320
is thirty nine. 39 39 is the genre and 54 is

00:13:59.320 --> 00:14:04.100
the Dame of this bad boy. Okay. Would you like

00:14:04.100 --> 00:14:07.340
the genre first? Yes, please. It is steampunk

00:14:07.340 --> 00:14:11.179
steampunk. Yeah, apparently it's steampunk. What

00:14:11.179 --> 00:14:14.179
is the title of the steampunk for funerals? One

00:14:14.179 --> 00:14:19.220
mistake for funerals and one mistake. Yeah. Okay.

00:14:21.779 --> 00:14:23.980
That is definitely a name I've never heard before.

00:14:25.240 --> 00:14:28.539
Oh, four funerals and one mistake. All right.

00:14:28.759 --> 00:14:30.659
All right. Somebody had trouble naming their

00:14:30.659 --> 00:14:33.879
movie and they're just like, fuck it. Let's go

00:14:33.879 --> 00:14:37.860
with the temporary title. They did what we don't

00:14:37.860 --> 00:14:41.039
want to do last time. Logan, I'm going to admit

00:14:41.039 --> 00:14:43.600
something to you right up. I don't really have

00:14:43.600 --> 00:14:47.580
a big lot of experience in the steampunk film.

00:14:47.659 --> 00:14:50.679
All right. Here's a question for you. Is this

00:14:50.679 --> 00:14:53.350
a mulligan? Do we allow ourselves a mulligan

00:14:53.350 --> 00:14:57.850
and ask for a new, new genre? Do you want the

00:14:57.850 --> 00:14:59.870
title or you want to stick this out? I don't

00:14:59.870 --> 00:15:02.509
know the genre, but I think like we can figure

00:15:02.509 --> 00:15:05.750
it out. It's like a dystopian. So it doesn't

00:15:05.750 --> 00:15:07.970
have to be dystopian. The idea is that like think

00:15:07.970 --> 00:15:10.649
of any world like our world. Now, instead of

00:15:10.649 --> 00:15:12.669
gasoline, imagine that everything runs off of

00:15:12.669 --> 00:15:15.289
steam power. So everything is more simple but

00:15:15.289 --> 00:15:17.490
advanced. Yes, you could have essentially the

00:15:17.490 --> 00:15:20.789
idea is like take Victorian England but give

00:15:20.789 --> 00:15:23.570
it modern technology. This is sci -fi in a way.

00:15:23.610 --> 00:15:26.110
Yes, in a way that isn't futuristic. It's like

00:15:26.110 --> 00:15:28.570
retro sci -fi. Okay, I like it. That's cool.

00:15:29.830 --> 00:15:33.009
Alright. Four funerals and one mistake. Yeah.

00:15:33.590 --> 00:15:36.350
I'm down. I'm down to run it. It could be a comedy

00:15:36.350 --> 00:15:39.559
sci -fi. kind of thinking it's a comedy. It might

00:15:39.559 --> 00:15:42.559
be a bunch of comedy of errors going wrong. You

00:15:42.559 --> 00:15:45.440
know, like that, that fun movie with Dennis Hopper

00:15:45.440 --> 00:15:48.700
and Brad Dora, where they're like just silly,

00:15:48.700 --> 00:15:54.460
you know, space pirates and drink beer and goof

00:15:54.460 --> 00:15:56.879
off movie or we steer into it hard. We're like,

00:15:56.879 --> 00:15:58.879
this is just for fun. All right. I like that.

00:15:58.879 --> 00:16:01.039
Okay. Four funerals, one mistake. I'm going to

00:16:01.039 --> 00:16:06.120
start the timer and that keeps us legit. Timers

00:16:06.120 --> 00:16:09.639
on I feel like this is the end of back to the

00:16:09.639 --> 00:16:12.539
future. Three kind of feels very much like that.

00:16:12.700 --> 00:16:15.519
That's steam. Yes. Yes. That would count as steampunk.

00:16:15.639 --> 00:16:17.840
He's using steam. Yeah. He's using a steam engine

00:16:17.840 --> 00:16:21.779
to teleport into the future. Right. Yeah. Yeah.

00:16:21.820 --> 00:16:24.340
I count that as steampunk. And if not, I'll fight

00:16:24.340 --> 00:16:27.240
you in the comments. Well, you said Victorian

00:16:27.240 --> 00:16:31.480
England meeting the future. So it's future concepts.

00:16:31.480 --> 00:16:34.179
Yeah. But it's so a setting. If we're thinking

00:16:34.179 --> 00:16:36.980
about this, this is historical, like a historical

00:16:36.980 --> 00:16:38.740
setting. Yeah. So it's actually kind of like

00:16:38.740 --> 00:16:41.740
very close to the last time, like the last movie

00:16:41.740 --> 00:16:44.120
we made, like the late 1800s, early 19, like

00:16:44.120 --> 00:16:46.039
industrial revolution is happening. But instead

00:16:46.039 --> 00:16:48.679
of oil being the driving factor, like steel still

00:16:48.679 --> 00:16:50.779
being produced, but steam ends up being like

00:16:50.779 --> 00:16:54.080
this main power source. for this society. Think

00:16:54.080 --> 00:16:57.360
of things like zeppelins and big air balloons

00:16:57.360 --> 00:16:59.799
and people wearing goggles and stuff like that.

00:17:00.259 --> 00:17:03.120
So what's the big societal impact of this? Is

00:17:03.120 --> 00:17:07.440
punk the result of an oppressed... So punk is

00:17:07.440 --> 00:17:10.000
more just like the idea of like... pulp like

00:17:10.000 --> 00:17:12.599
it was like a pulp term it was more like hey

00:17:12.599 --> 00:17:14.740
this thing is like it was a term to be like this

00:17:14.740 --> 00:17:17.019
is this kind of thing it wasn't like oh you're

00:17:17.019 --> 00:17:20.039
a punk like you know that sense of the word it

00:17:20.039 --> 00:17:22.680
was more just like hey it's the this is the genre

00:17:22.680 --> 00:17:25.279
that it is and steampunk was like the first and

00:17:25.279 --> 00:17:29.799
I know the look you know like a great overcoat

00:17:29.799 --> 00:17:36.220
buttons just squirreled mustache rivets on and

00:17:36.220 --> 00:17:39.119
the glass that I wear is cool yeah Yeah, this

00:17:39.119 --> 00:17:41.140
is the scene a lot of Renaissance fair. Yes,

00:17:41.140 --> 00:17:43.660
actually, which is I get what you're saying.

00:17:44.319 --> 00:17:47.380
Yeah, like, let's see. Could we do that? Could

00:17:47.380 --> 00:17:50.660
we Renaissance period? Oh, it's a Ren fair thing.

00:17:51.299 --> 00:17:53.380
Oh, I don't mean like a Renaissance fair, but

00:17:53.380 --> 00:17:56.279
could steampunk be happening in the sixteen hundreds

00:17:56.279 --> 00:17:59.720
in the you know what I mean? It could be interesting.

00:18:00.220 --> 00:18:02.200
Just you're the historian. I'm thinking it'd

00:18:02.200 --> 00:18:04.240
be really funny and like hot tub time machine

00:18:04.240 --> 00:18:08.039
like some steampunk dudes like. Oh, came to the

00:18:08.039 --> 00:18:10.880
legit time machine into the bad past or something

00:18:10.880 --> 00:18:13.420
would be interesting or an alternate timeline.

00:18:13.759 --> 00:18:16.920
Like, oh, wait a second. Okay. So for funerals,

00:18:17.039 --> 00:18:19.619
one mistake. It's four friends who go to slip

00:18:19.619 --> 00:18:21.299
into an alternate dimension. And the mistake

00:18:21.299 --> 00:18:23.240
is they end up in an alternate dimension. I'd

00:18:23.240 --> 00:18:25.299
solved it. We did it. Wrap it. We're going home.

00:18:25.319 --> 00:18:29.220
Wow. Can we get Cusack? Can we get Galifianakis?

00:18:29.500 --> 00:18:34.240
I think we need Mike Tyson. in a cameo. It's

00:18:34.240 --> 00:18:36.839
not a tiger this time. Maybe a flamingo. I'm

00:18:36.839 --> 00:18:38.779
inspired by your shirt, inspired by the shirt.

00:18:38.779 --> 00:18:41.460
There it is. All right. This is fascinating.

00:18:41.460 --> 00:18:44.859
And we're, we're giving ourselves Mondo latitude

00:18:44.859 --> 00:18:47.640
right now. Really fun. I think the idea of that

00:18:47.640 --> 00:18:50.039
would be really punk LARPers who end up in a

00:18:50.039 --> 00:18:52.700
steam punk world. Yes. I think that would actually

00:18:52.700 --> 00:18:57.369
be really fun. Very people who do it think of

00:18:57.369 --> 00:19:00.730
like, uh, what is it? Uh big, you know when like

00:19:00.730 --> 00:19:02.690
tom hanks goes and like he makes the wish to

00:19:02.690 --> 00:19:05.369
be big right and it's like this This adventurous

00:19:05.369 --> 00:19:07.710
thing these guys go this thing's like hey, we're

00:19:07.710 --> 00:19:09.430
gonna go to the rent fair and be like we're travelers

00:19:09.430 --> 00:19:11.710
out of time And it turns out like there's a shop

00:19:11.710 --> 00:19:13.250
there. They're like, hey, you actually want to

00:19:13.250 --> 00:19:16.470
check it out and like something actually happens

00:19:16.470 --> 00:19:19.970
There is some device somehow that does do the

00:19:19.970 --> 00:19:24.650
thing Yeah, they end up in a okay alternate dimension.

00:19:24.869 --> 00:19:26.470
I think it needs to be an alternate dimension

00:19:26.470 --> 00:19:30.950
for sure because of The idea of four funerals

00:19:30.950 --> 00:19:33.670
one mistake and I know we tend to get kind of

00:19:33.670 --> 00:19:37.859
literal Do you want this to be for buddy LARPers

00:19:37.859 --> 00:19:40.680
a lot like nights of bad ASTM? I can see that.

00:19:40.680 --> 00:19:43.299
I can also see where like it's like three dudes

00:19:43.299 --> 00:19:45.339
and like one of the guy's wives ends up like

00:19:45.339 --> 00:19:47.740
going half room. I have a very, yeah. I feel

00:19:47.740 --> 00:19:50.160
like I can see that. Okay. So three dudes in

00:19:50.160 --> 00:19:53.119
a while. I was almost thinking of a couple. Ooh,

00:19:53.140 --> 00:19:56.559
okay. Yeah. And hear me out. Um, because if you

00:19:56.559 --> 00:19:59.079
can, well, I know a lot of couples are into this

00:19:59.079 --> 00:20:02.279
as a couple. And maybe you can make it more broad

00:20:02.279 --> 00:20:05.740
if you make it a couple things I don't know why

00:20:05.740 --> 00:20:07.220
I'm thinking about this right now, but I'm thinking

00:20:07.220 --> 00:20:10.039
about the non steampunk fan Yeah, how do you

00:20:10.039 --> 00:20:11.940
get that? I'm interested in that. Maybe it's

00:20:11.940 --> 00:20:14.539
like I could see myself in this character I like

00:20:14.539 --> 00:20:17.920
but I like the idea of the odd person out. Yeah,

00:20:18.019 --> 00:20:20.119
so we can create more synergy with the title

00:20:20.119 --> 00:20:25.480
if it's a an accidental situation. She's not

00:20:25.480 --> 00:20:28.599
in the gear. Okay. Okay. Just like they got to

00:20:28.599 --> 00:20:31.859
cover her up a lot like Marty and back to the

00:20:31.859 --> 00:20:34.339
future. So is this what if it's a double date

00:20:34.339 --> 00:20:37.220
and like the one couples hard into into it and

00:20:37.220 --> 00:20:40.000
the other guy is like, Hey, I'm like, he kind

00:20:40.000 --> 00:20:41.700
of sort of wears the stuff and he's like, I'll

00:20:41.700 --> 00:20:43.319
go with you guys. But like, can I bring my girl

00:20:43.319 --> 00:20:45.660
with and she is not who's the non LARP or a girl

00:20:45.660 --> 00:20:48.069
or a guy? I think it's the girl. I want to say

00:20:48.069 --> 00:20:49.490
as a girl, but I could definitely see it where

00:20:49.490 --> 00:20:51.069
it's like she's in on it and the guy is just

00:20:51.069 --> 00:20:53.029
like, I'm going to wear a sports jersey and a

00:20:53.029 --> 00:20:54.710
backwards baseball hat to this thing. And like,

00:20:54.869 --> 00:20:58.049
he is not like, cool. I could see that as well.

00:20:58.210 --> 00:21:01.950
Both options I think are fun. I'm almost wondering

00:21:01.950 --> 00:21:04.910
if it's, it's more fun to have her out of place

00:21:04.910 --> 00:21:08.809
and her be the hero of the film. Ooh, I like

00:21:08.809 --> 00:21:11.950
that. I like that. You know, and whatever the

00:21:11.950 --> 00:21:13.990
hero may be, I don't necessarily want our characters

00:21:13.990 --> 00:21:17.380
to die. No. I think the idea of funerals ends

00:21:17.380 --> 00:21:20.019
up being because they disappear from our plane

00:21:20.019 --> 00:21:21.779
of existence and end up in a new dimension. We

00:21:21.779 --> 00:21:23.599
cannot let you get ourselves out either way,

00:21:23.599 --> 00:21:27.420
but it's also a fun and misleading title, too,

00:21:27.920 --> 00:21:30.059
that creates some mystery. What's the mistake?

00:21:30.140 --> 00:21:32.619
What are the funerals? You have four characters,

00:21:32.640 --> 00:21:36.440
so people can think, are they all going to die?

00:21:36.640 --> 00:21:39.099
So we have to figure out something clever for

00:21:39.099 --> 00:21:41.740
what four funerals means. Here's this. What if

00:21:41.740 --> 00:21:45.460
or what with maybe one mistake? is a totally

00:21:45.460 --> 00:21:48.599
different reference. So narratively, the mistake

00:21:48.599 --> 00:21:51.740
isn't that they ended up in the steampunk world.

00:21:52.339 --> 00:21:53.940
You know, it's something that the villain does

00:21:53.940 --> 00:21:58.250
or... You have no power over me. Should David

00:21:58.250 --> 00:22:02.930
Bowie be the big pad in this? Look out for me.

00:22:03.130 --> 00:22:06.289
I'm going to sing my way through the steampunk.

00:22:06.470 --> 00:22:08.190
I'm just kidding. I'm going to hip thrust my

00:22:08.190 --> 00:22:10.390
way through steampunk. What are you talking about?

00:22:10.650 --> 00:22:13.190
Real tight pants, huge bulge. I'm going to hip

00:22:13.190 --> 00:22:15.390
thrust my way through this world. Big tall boots

00:22:15.390 --> 00:22:18.109
up to his knees and he's just... With the highest

00:22:18.109 --> 00:22:21.410
of heels. The highest of heels. Dude's eight

00:22:21.410 --> 00:22:24.289
foot tall. But somehow he pulls off that character.

00:22:24.269 --> 00:22:27.829
and that luck fucking kudos. What I'm thinking

00:22:27.829 --> 00:22:31.809
here for this one is what if they end up like

00:22:31.809 --> 00:22:34.490
they end up having like the alternate dimension

00:22:34.490 --> 00:22:37.029
still has folks everyday folks but what if I

00:22:37.029 --> 00:22:39.150
don't know happens to be like they're essentially

00:22:39.150 --> 00:22:41.650
doppelgangers and the four funerals are like

00:22:41.650 --> 00:22:45.039
they need to something to with their doppelgangers.

00:22:45.200 --> 00:22:47.019
They need to kill their doppelgangers, but potentially

00:22:47.019 --> 00:22:49.500
one of them fails and that person ends up coming

00:22:49.500 --> 00:22:51.920
back to our world. It'd be a fun twist. I don't

00:22:51.920 --> 00:22:53.380
know if I see it that way because it would be

00:22:53.380 --> 00:22:57.380
like sequel baiting. Well, the big idea is it

00:22:57.380 --> 00:23:00.539
has opened us up for a to a time. Yes, there's

00:23:00.539 --> 00:23:04.940
a lot of fish out of water. One fish. way out

00:23:04.940 --> 00:23:07.799
of water. Yes. Very fun. Yep. So they have to

00:23:07.799 --> 00:23:10.359
first try to get themselves undercover, acclimated,

00:23:10.359 --> 00:23:12.859
whatever, because you, we need an alpha in the

00:23:12.859 --> 00:23:15.140
group and there's always the like in the final

00:23:15.140 --> 00:23:17.740
girls, the guy who loves all those movies and

00:23:17.740 --> 00:23:19.819
he knows them. And when they're in that world,

00:23:19.819 --> 00:23:21.539
he's like, Oh wait, this guy's coming down the

00:23:21.539 --> 00:23:25.839
corner. That's fun. Uh, just like in, in this

00:23:25.839 --> 00:23:28.930
movie kind of is reminiscent of timeline. with

00:23:28.930 --> 00:23:31.829
Gerard Butler and Paul Walker or Gerard Butler

00:23:31.829 --> 00:23:36.089
is like, I love this shit. It's so fun. It'd

00:23:36.089 --> 00:23:39.450
be hilarious if this person is wrong all the

00:23:39.450 --> 00:23:42.369
time. I can see that. And our fish that's way

00:23:42.369 --> 00:23:46.450
out of water just by basis of being the odd person

00:23:46.450 --> 00:23:50.089
out is using this or maybe that person, this

00:23:50.089 --> 00:23:52.789
fish way, way out of water. The girl is studying

00:23:52.789 --> 00:23:56.549
for like a history PhD and just was her literature.

00:23:57.519 --> 00:24:00.440
You know what I mean and what her skill is is

00:24:00.440 --> 00:24:02.619
way more applicable than any of their assures

00:24:02.619 --> 00:24:04.440
I like she's actually like really talented in

00:24:04.440 --> 00:24:06.339
this new world. I can see that so, you know that

00:24:06.339 --> 00:24:10.579
can be fun If you go comedy with this or like

00:24:10.579 --> 00:24:13.279
comedic elements or of it or if you go straight

00:24:13.279 --> 00:24:15.799
Yeah, all right. Yeah, I was gonna say I'm feeling

00:24:15.799 --> 00:24:18.759
like almost land of the lost levels comedy, which

00:24:18.759 --> 00:24:20.559
is fun. That's great There's nothing wrong with

00:24:20.559 --> 00:24:24.900
mine isn't funny. Yeah that movie Because when

00:24:24.900 --> 00:24:27.339
they're like, we're killing people, this is real.

00:24:27.339 --> 00:24:29.960
This is real. Close up like stabbing with an

00:24:29.960 --> 00:24:32.500
arrow. Yeah. And to its credit, they do a really

00:24:32.500 --> 00:24:34.339
that book side note is fucking awesome. I bet

00:24:34.339 --> 00:24:38.200
it is. But. to its credit, they make you like

00:24:38.200 --> 00:24:41.039
it's all fun and games. Yeah. But you're still

00:24:41.039 --> 00:24:44.380
really killing somebody that's dead. Yeah, I

00:24:44.380 --> 00:24:46.220
could definitely see that happening. You want

00:24:46.220 --> 00:24:49.180
it to be more fun. I don't know if I want to

00:24:49.180 --> 00:24:51.259
be. I just feel that that's definitely an aesthetic

00:24:51.259 --> 00:24:53.180
that like choice we can make. I think I think

00:24:53.180 --> 00:24:55.920
I think serious is definitely like how serious

00:24:55.920 --> 00:24:57.920
how funny is always a tonal thing. And it's tough

00:24:57.920 --> 00:25:01.519
to navigate that razor blade sometimes. Our steam

00:25:01.519 --> 00:25:05.509
put. mean, movies in general, mostly serious.

00:25:05.690 --> 00:25:08.309
I'll be honest with you. I don't know any major

00:25:08.309 --> 00:25:10.289
steampunk movies on the top of the dome that

00:25:10.289 --> 00:25:13.230
I could like a lot of shorts. Yeah, there's the

00:25:13.230 --> 00:25:15.970
animated movie nine. There's a lot of stuff.

00:25:16.269 --> 00:25:19.150
Yeah, there's a lot of stuff just not mainstream.

00:25:19.789 --> 00:25:24.990
We just watched something recently that I forget

00:25:24.990 --> 00:25:32.960
who a legendary Uh, creature maker did, and it

00:25:32.960 --> 00:25:34.640
had this steampunk element and it was really

00:25:34.640 --> 00:25:37.359
disjointed and it was like stop motion. And it

00:25:37.359 --> 00:25:39.640
was super cool. Phil Tippett. Sorry. I did it.

00:25:39.640 --> 00:25:43.119
Yep. And it was rad and it was bizarre and strange.

00:25:44.079 --> 00:25:47.200
So, but I'm in the mood to make up some jokes.

00:25:47.500 --> 00:25:48.960
Okay. You want to have, I think it should be,

00:25:48.980 --> 00:25:51.039
so it should be like fun action of entry time.

00:25:51.289 --> 00:25:54.069
Yeah. Swashbuckling almost. Maybe not like to

00:25:54.069 --> 00:25:56.269
like a joke a minute. No, no, no. I'm not saying

00:25:56.269 --> 00:25:57.609
a joke a minute. But like leaning in some light

00:25:57.609 --> 00:26:00.470
danger. Yeah. We should have like a swashbuckling

00:26:00.470 --> 00:26:02.230
time, I think, is the best way to describe it.

00:26:02.250 --> 00:26:04.089
Because the idea is maybe they're not, whatever

00:26:04.089 --> 00:26:06.349
danger we put them in, it doesn't have to be

00:26:06.349 --> 00:26:09.549
that serious. Yeah. Just maybe avoiding detection

00:26:09.549 --> 00:26:13.490
and not making noise in this world is enough

00:26:13.490 --> 00:26:17.150
to be fun. Yeah. I'm not sure. But we need to

00:26:17.150 --> 00:26:20.130
cast some people in this. Oh, before we cast

00:26:20.130 --> 00:26:22.349
them, I have a question for you. How do we get

00:26:22.349 --> 00:26:25.549
them to this alternate dimension? Because I like

00:26:25.549 --> 00:26:27.930
the idea of the Ren Fair. I like the Ren Fair.

00:26:28.069 --> 00:26:29.970
Just like, yeah, this thing works. And what if

00:26:29.970 --> 00:26:31.769
there was like instead of there being like the

00:26:31.769 --> 00:26:34.029
tunnel of love is like the clockwork tunnel or

00:26:34.029 --> 00:26:36.390
something like that. Why clockwork? Because clockwork

00:26:36.390 --> 00:26:39.869
tends to stick really well with steampunk being

00:26:39.869 --> 00:26:42.089
that like gears. Oh, sure, sure. You know, it's

00:26:42.089 --> 00:26:44.289
like they end up at this fair like the shop.

00:26:45.240 --> 00:26:47.640
Yeah. We may be getting a little mystical with

00:26:47.640 --> 00:26:53.220
this, but let's, let's say, let's say the, the,

00:26:53.220 --> 00:26:58.740
the alpha LARP or they, they, they, they just

00:26:58.740 --> 00:27:03.680
wait, bear with me on this. This Chad, this gig

00:27:03.680 --> 00:27:07.220
of Chad goes into like they're, they're into

00:27:07.220 --> 00:27:08.859
the space where they're seeing these oddities

00:27:08.859 --> 00:27:12.009
and curiosities. He's a collector. Okay. He collects

00:27:12.009 --> 00:27:14.910
all this like stuff in a series about this and

00:27:14.910 --> 00:27:16.509
they find this thing that's supposed to really

00:27:16.509 --> 00:27:19.329
work. And he has, and he paid a ton of money

00:27:19.329 --> 00:27:22.549
for it. This key, he ordered something off the

00:27:22.549 --> 00:27:25.990
internet and it's like, do the thing. You know

00:27:25.990 --> 00:27:28.490
cuz they're always like dude. He's like and maybe

00:27:28.490 --> 00:27:31.970
have him be wealthy Yes, but like it and and

00:27:31.970 --> 00:27:34.910
and the person he doesn't wear like he does he

00:27:34.910 --> 00:27:38.029
wear a Sports jersey. I feel like he was a sports

00:27:38.029 --> 00:27:40.109
jersey into the Ren fair just cuz he can well,

00:27:40.109 --> 00:27:42.869
I think he's the alpha LARP er he's okay. Okay,

00:27:43.029 --> 00:27:46.250
so he's he's the guy who's all in on this and

00:27:46.250 --> 00:27:50.210
has money, you know, just like Steve Zahn's character

00:27:50.210 --> 00:27:52.150
in nights of bad -ass dumb, you know, he won

00:27:52.150 --> 00:27:54.670
the lottery I guess right and then you converted

00:27:54.670 --> 00:27:57.069
his house to a castle and all his friends live

00:27:57.069 --> 00:27:59.789
in it. This is the ultimate one. And he does.

00:28:00.029 --> 00:28:03.289
He collects this stuff. And I think the person

00:28:03.289 --> 00:28:06.650
who is running this oddities thing sees this

00:28:06.650 --> 00:28:09.670
thing and you as the they're like, oh, you know,

00:28:09.910 --> 00:28:12.089
they know, you know, like, oh, if you use this

00:28:12.089 --> 00:28:14.789
thing, you're fucked and you're not your Jumanji

00:28:14.789 --> 00:28:17.089
style. You're not they warn him Jumanji style.

00:28:17.170 --> 00:28:20.450
He gets a warning. No, no, no. I think like there's

00:28:20.450 --> 00:28:22.829
a wink and a nod. And what's interesting is this

00:28:22.829 --> 00:28:25.099
guy's like, listen, I got this thing. We're going

00:28:25.099 --> 00:28:27.460
to try it. It's supposed to work. And they're

00:28:27.460 --> 00:28:29.720
all like, fuck you. And they have to try to get

00:28:29.720 --> 00:28:33.079
to the area. And again, this person you notice

00:28:33.079 --> 00:28:35.539
is like, let them do it because you know it's

00:28:35.539 --> 00:28:38.690
going to work. Um, this is very much, uh, uh,

00:28:38.690 --> 00:28:40.730
the last action hero, you know, like the golden

00:28:40.730 --> 00:28:43.789
ticket in a way, but could be either nefarious,

00:28:43.970 --> 00:28:47.029
benevolent, whatever. Yes. The person here running

00:28:47.029 --> 00:28:49.970
this thing could be part of the, yeah, there's

00:28:49.970 --> 00:28:52.369
there from the alternate dimension. This is the

00:28:52.369 --> 00:28:54.650
wizard of Oz. And, and maybe the idea is that

00:28:54.650 --> 00:28:57.130
these people are not. to come back you know for

00:28:57.130 --> 00:28:58.910
some particular reason they're meant to find

00:28:58.910 --> 00:29:01.150
this thing to use it and are meant to not come

00:29:01.150 --> 00:29:03.470
to come back they're sacrificed to this world

00:29:03.470 --> 00:29:06.069
what have you okay but i think it's fun to where

00:29:06.069 --> 00:29:08.650
they're like you you pay for all this shit dude

00:29:08.650 --> 00:29:10.329
you keep getting these things you waste your

00:29:10.329 --> 00:29:13.170
money on all this antiquities and he's like it's

00:29:13.170 --> 00:29:14.730
supposed to work and they're like these are cult

00:29:14.730 --> 00:29:17.690
items they have the thing you know in yeah in

00:29:17.710 --> 00:29:21.769
And as they're coming in, we have the, the, the

00:29:21.769 --> 00:29:24.690
Mr. Occultum and it takes you back to the world.

00:29:24.910 --> 00:29:27.690
Only the has the key world that's never been

00:29:27.690 --> 00:29:31.990
seen before. See the world that could have been.

00:29:32.230 --> 00:29:34.410
That's what it is. Yeah. See the world that could

00:29:34.410 --> 00:29:36.569
have been. Are you writing that down? Yeah. Yeah.

00:29:36.569 --> 00:29:38.150
Is that a tagline? It feels like that might end

00:29:38.150 --> 00:29:40.289
up being a tagline for the movie itself. Well,

00:29:40.289 --> 00:29:43.789
is that the idea of steampunk? Is the longing

00:29:43.789 --> 00:29:47.430
for a more peaceful world? I don't know if it's

00:29:47.430 --> 00:29:48.670
peaceful. I don't know if you could say that.

00:29:48.849 --> 00:29:51.329
I think the other aspect that ties in really

00:29:51.329 --> 00:29:55.019
well with it is this idea of like... exploration

00:29:55.019 --> 00:29:57.480
and the age of adventure and stuff like that.

00:29:57.839 --> 00:30:00.700
I think it ties very well into like, hey, you

00:30:00.700 --> 00:30:03.099
know, remember like there would be like clubs

00:30:03.099 --> 00:30:04.519
and it's like, well, what did you do? I went

00:30:04.519 --> 00:30:07.099
to Africa and I hunted tigers, you know, and

00:30:07.099 --> 00:30:08.819
it's like, look at them on the wall. They're

00:30:08.819 --> 00:30:10.380
above the mantle. And like they would have a

00:30:10.380 --> 00:30:13.119
club of like, you know, the extraordinary club

00:30:13.119 --> 00:30:15.440
of where men would go do big burly men things.

00:30:15.640 --> 00:30:18.140
Yeah. I think that that ties into the steampunk

00:30:18.140 --> 00:30:20.299
aesthetic. Like again, back to like this Victorian

00:30:20.299 --> 00:30:22.759
age of like there was, you know, there was renown

00:30:22.759 --> 00:30:24.900
and honor and stuff like that. Not to say it's

00:30:24.900 --> 00:30:26.940
peaceful, just to say, like, this is the aesthetics

00:30:26.940 --> 00:30:30.440
that were prevalent, I think. That's interesting.

00:30:30.700 --> 00:30:35.839
Yeah, I like that. But I like the idea of going

00:30:35.839 --> 00:30:40.299
into the world that's about ultimate peace. That's

00:30:40.299 --> 00:30:44.299
been explored a lot. or a place that's tumultuous

00:30:44.299 --> 00:30:47.220
and in the midst of some sort of war. Here's

00:30:47.220 --> 00:30:49.940
a question. So the guy that's running this ride,

00:30:50.240 --> 00:30:52.359
the clockwork tunnel or whatever, if he comes

00:30:52.359 --> 00:30:56.500
from this world, this parallel steampunk world,

00:30:56.900 --> 00:31:00.599
what if he was ostracized from that world? That's

00:31:00.599 --> 00:31:02.759
the land of the lost thing. He's the guy who

00:31:02.759 --> 00:31:05.599
wants to be the big bad. He wants to be king

00:31:05.599 --> 00:31:08.000
of the world. And he has to keep feeding. He's

00:31:08.000 --> 00:31:11.619
like, I need this thing to get back myself. And

00:31:11.619 --> 00:31:15.039
yeah, he keeps. Yeah, I like that. I think we're

00:31:15.039 --> 00:31:17.259
figuring out this movie for funerals and one

00:31:17.259 --> 00:31:19.660
mistake is the mistake that he sends them back

00:31:19.660 --> 00:31:23.119
there. I think maybe we need to have a wizard.

00:31:23.259 --> 00:31:25.859
This is a we need a big bad wizard. I think the

00:31:25.859 --> 00:31:28.599
funeral thing has to do with how they get back.

00:31:29.180 --> 00:31:33.559
Oh, wizard. And then the one mistake is is like

00:31:33.559 --> 00:31:37.259
they they finally suck this guy back in and they're

00:31:37.259 --> 00:31:41.819
like you made one mistake. That might be interesting.

00:31:42.259 --> 00:31:43.880
Like you're supposed to, but there's some kind

00:31:43.880 --> 00:31:46.000
of like Jumanji rules when they get in there.

00:31:46.339 --> 00:31:50.220
Like if you can, and it's a little violent, but

00:31:50.220 --> 00:31:54.440
if you can, you know, kill these four people

00:31:54.440 --> 00:31:57.119
and free us and maybe there is a tyranny, you

00:31:57.119 --> 00:31:59.220
know what I mean? So maybe there's a tyranny

00:31:59.220 --> 00:32:01.680
and they have to kind of like they're tasked

00:32:01.680 --> 00:32:05.670
with something. Sending them on a quest of something

00:32:05.670 --> 00:32:07.430
like, you know, so they meet somebody inside

00:32:07.430 --> 00:32:09.630
and they have to finally reveal themselves at

00:32:09.630 --> 00:32:11.970
some point. There has to be a friendly. If we're

00:32:11.970 --> 00:32:13.450
doing this, if we're going to do this clockwork

00:32:13.450 --> 00:32:15.029
tunnel, if that's going to be like the entrance

00:32:15.029 --> 00:32:17.410
into this world, like there's got to be something

00:32:17.410 --> 00:32:19.569
like there's some plight that like needs to be

00:32:19.569 --> 00:32:21.890
safe to save the world. You know, they did this

00:32:21.890 --> 00:32:24.369
thing and like about halfway through. This is

00:32:24.369 --> 00:32:25.910
when they slip into the alternate dimension and

00:32:25.910 --> 00:32:27.269
they don't realize and like they come out and

00:32:27.269 --> 00:32:29.309
like, wow, this ride's awesome. Look at it. You

00:32:29.309 --> 00:32:30.750
know, like they don't realize that kind of stuff.

00:32:31.079 --> 00:32:32.819
It'd be cool if the stuff that they're seeing

00:32:32.819 --> 00:32:34.819
along the way, like this plight, whatever it

00:32:34.819 --> 00:32:40.859
is, that's the thing that is what this guy, the

00:32:40.859 --> 00:32:43.400
dark wizard is trying to bring about. And they

00:32:43.400 --> 00:32:45.460
end up having to try and stop it or something

00:32:45.460 --> 00:32:47.880
to that effect, right? I think that that works

00:32:47.880 --> 00:32:50.500
really well. What kind of things could a villain

00:32:50.500 --> 00:32:53.579
in this time of steampunk be doing that could

00:32:53.579 --> 00:32:58.130
be... nefarious. What could be oppressive in

00:32:58.130 --> 00:33:00.569
a world like this is like stealing resources

00:33:00.569 --> 00:33:04.250
is, you know, is it a world that's meant to try

00:33:04.250 --> 00:33:09.089
to be aligned with the earth with resources using

00:33:09.089 --> 00:33:11.589
steam instead of extractive, right? Cause steam

00:33:11.589 --> 00:33:14.849
is yeah. Yeah. And it's like, there's a parallel

00:33:14.849 --> 00:33:16.950
to life. So are you saying like corporate? Yeah.

00:33:17.029 --> 00:33:18.630
Are you saying that this guy's like, hey, he's

00:33:18.630 --> 00:33:20.769
trying to harvest? Yeah, he's trying to he's

00:33:20.769 --> 00:33:23.380
running a He's building a corporation to take

00:33:23.380 --> 00:33:25.640
over the world. Batman returns like he's, you

00:33:25.640 --> 00:33:28.259
know, like instead of, you know, helping, it's

00:33:28.259 --> 00:33:30.339
going to be taking power from it and it's going

00:33:30.339 --> 00:33:33.519
to create nuclear. Yes. Yes, sir. That is, that

00:33:33.519 --> 00:33:36.319
is our big bad for sure. He is a venture capitalist.

00:33:38.200 --> 00:33:41.059
He's a steampunk venture capitalist. That's the

00:33:41.059 --> 00:33:44.559
man. That's fun. That was fun to cast. Yeah.

00:33:44.640 --> 00:33:48.400
Who do you imagine as the bad? Yeah, I've been

00:33:48.400 --> 00:33:51.700
stuck on the alpha LARPR. I've been Like, I've

00:33:51.700 --> 00:33:53.440
been stuck on our gang of four. No, remember,

00:33:53.539 --> 00:33:56.059
this is a Ren fair, so they're dressed up. Who

00:33:56.059 --> 00:34:00.339
you imagine? Who you imagine? I think... An Alpha

00:34:00.339 --> 00:34:05.779
LARPer that's, you know, has to be kind of swarming...

00:34:05.779 --> 00:34:09.119
Jeff Bridges. Jeff Bridges. Old Jeff Bridges.

00:34:09.179 --> 00:34:11.719
Older Jeff Bridges? Older bearded Jeff Bridges.

00:34:12.960 --> 00:34:17.300
Like Tron, Jeff Bridges? Full on Stoner plus

00:34:17.300 --> 00:34:21.039
Dude Lebowski style Jeff Bridges, but he's full

00:34:21.039 --> 00:34:23.920
on like committed to the bit. He's got his top

00:34:23.920 --> 00:34:26.780
hat and everything, but he's so aloof that just

00:34:26.780 --> 00:34:28.900
like nobody takes anything he says seriously.

00:34:28.960 --> 00:34:31.179
And he's just like this kook that nobody believes.

00:34:31.420 --> 00:34:35.820
I'm actually thinking a little more against type.

00:34:35.860 --> 00:34:41.170
Ooh, please. I'm thinking more of a meathead

00:34:41.170 --> 00:34:43.530
type of actor. You know what I mean? Yeah, you

00:34:43.530 --> 00:34:47.070
want more of you're expecting somebody, you know,

00:34:47.150 --> 00:34:49.510
who somebody is again, well intentioned, but

00:34:49.510 --> 00:34:52.250
kind of like a jock. You said that about the

00:34:52.250 --> 00:34:55.090
football jersey. Yeah. And that's who you're

00:34:55.090 --> 00:34:58.150
kind of getting us thinking of our big bad whiz.

00:34:58.250 --> 00:35:01.789
Yeah. OK. Could it be Chris Farley playing a

00:35:01.789 --> 00:35:04.349
serious role? Yeah, but he's super wealthy. You

00:35:04.349 --> 00:35:05.909
know what I mean? And like the way you see the

00:35:05.909 --> 00:35:07.650
alpha LARP or is that he's the alpha? OK, I want

00:35:07.650 --> 00:35:08.949
to make sure who you're talking about. All right.

00:35:09.050 --> 00:35:11.210
Yeah. Farley has that kind of play. It's serious.

00:35:11.829 --> 00:35:17.590
Yeah. If it's not him. Late 90s, early 2000s,

00:35:17.710 --> 00:35:21.829
Sean Astin. From oh, I put him in as the other

00:35:21.829 --> 00:35:23.949
guy from fifty first dates did to do. I put him

00:35:23.949 --> 00:35:26.429
in as the other guy, Chris Farley, Sean Astin,

00:35:26.429 --> 00:35:29.530
a hundred percent done. And I have what about

00:35:29.530 --> 00:35:34.579
a comedy movie that would be? I didn't mean meathead,

00:35:34.800 --> 00:35:39.000
but like a bigger guy. Somebody who doesn't typically

00:35:39.000 --> 00:35:42.280
portray what your brain says, this is a nerd

00:35:42.280 --> 00:35:45.900
or a larper. He's a meathead and he has some

00:35:45.900 --> 00:35:47.780
tendencies. So you have to make him clean, but

00:35:47.780 --> 00:35:50.639
he's wealthy. You know, and he's but he's benevolent

00:35:50.639 --> 00:35:53.219
to his friends. He gives a lot attention, but

00:35:53.219 --> 00:35:56.320
he collects all this shit. Yeah, collects all

00:35:56.320 --> 00:35:59.239
of these things. Yes. And waste all this money.

00:35:59.239 --> 00:36:02.480
Yes. So like all of his stuff is the best stuff.

00:36:02.900 --> 00:36:06.880
And let's say he has like real let's say his

00:36:06.880 --> 00:36:10.199
house is literally steampunk active like his

00:36:10.199 --> 00:36:15.039
current house is is fully and he's like a green

00:36:15.039 --> 00:36:19.210
person. He's like it's carbon. Like net a million.

00:36:20.369 --> 00:36:23.809
It's literally nine bodies worth of carbon. It

00:36:23.809 --> 00:36:26.289
absorbs more than you put out. I take care of

00:36:26.289 --> 00:36:28.630
the whole neighborhood with this one house. Net

00:36:28.630 --> 00:36:31.809
one million carbon. Like he's got the whole thing.

00:36:31.869 --> 00:36:34.469
How much fun? He would eat this roll alive. Okay,

00:36:34.469 --> 00:36:37.849
so we have a decent budget. And you have this

00:36:37.849 --> 00:36:40.510
Pee Wees Playhouse of gears and gadgets. It's

00:36:40.510 --> 00:36:43.829
just a giant steampunk house. I want him to have

00:36:43.829 --> 00:36:48.230
a steampunk segue that he just... like Paul Blart's

00:36:48.230 --> 00:36:53.230
around. And it like, and he's got like vanilla

00:36:53.230 --> 00:36:56.449
scents that comes out with it too. I want him

00:36:56.449 --> 00:36:58.929
to be like, like just, you know, again, just

00:36:58.929 --> 00:37:02.650
a bit of a mean head, not cruel, but like his

00:37:02.650 --> 00:37:04.869
whole thing. His whole thing is steampunk. He

00:37:04.869 --> 00:37:07.670
just is, and he's always loved it. And, and,

00:37:07.670 --> 00:37:11.329
but like the, the fact that he's the least equipped

00:37:11.329 --> 00:37:13.849
in the real part. Yeah. When we get to, when

00:37:13.849 --> 00:37:17.179
we get to the new, yeah. You know, in, in, Chris

00:37:17.179 --> 00:37:20.360
Farley, rest in peace. This could be one of those

00:37:20.360 --> 00:37:23.760
movies where kind of like Farrell does or Adam

00:37:23.760 --> 00:37:27.119
Sandler does. I don't know if he really got his

00:37:27.119 --> 00:37:29.980
punch drunk love. Yeah, he did. He did not end

00:37:29.980 --> 00:37:32.900
up getting his dramatic. Not maybe something

00:37:32.900 --> 00:37:36.099
like this would be it, but I totally love to

00:37:36.099 --> 00:37:40.639
see him having done something like that. I, you

00:37:40.639 --> 00:37:43.500
know, like, well, as a very, well, get, get a

00:37:43.500 --> 00:37:47.849
bar. I think that He could have done the same

00:37:47.849 --> 00:37:49.869
role that Philip Seymour Hoffman did and like

00:37:49.869 --> 00:37:51.829
the master and it probably would have been great

00:37:51.829 --> 00:37:54.250
point. He could have done it. Would it have been

00:37:54.250 --> 00:37:56.389
the same movie? No. But I think that Chris Farley

00:37:56.389 --> 00:37:59.369
as a man would have just been like, I can do

00:37:59.369 --> 00:38:02.110
this. Yeah. And if you think about the body,

00:38:02.269 --> 00:38:04.809
think about like the actor, Ethan Supli. Yeah.

00:38:05.050 --> 00:38:07.429
Like he's ripped now, but like think of that

00:38:07.429 --> 00:38:11.320
transformation. And if Farley was able to do

00:38:11.320 --> 00:38:14.079
something like that, because we've been obsessed

00:38:14.079 --> 00:38:17.539
watching with the kids, Adam Sandler's serious

00:38:17.539 --> 00:38:20.139
stuff. And they're like, he's way better than

00:38:20.139 --> 00:38:23.119
the comedies. Like they loved Punch, Drunk, Love.

00:38:23.320 --> 00:38:26.340
Like he's so good in that. And we're like, yeah,

00:38:26.460 --> 00:38:28.679
I told you, it's wild. He's actually a talented

00:38:28.679 --> 00:38:31.559
actor. Oh, yeah. He gets slept on. Everybody

00:38:31.559 --> 00:38:33.360
sleeps on Adam Sandler. I'm sorry, Adam Sandler.

00:38:33.500 --> 00:38:35.699
You're wealthy. So, you know, you can dry your

00:38:35.699 --> 00:38:39.000
tears with the bannies. Oh, yeah. It's OK. And

00:38:39.000 --> 00:38:42.039
again, I think his daughter is exceptional. Yeah.

00:38:42.139 --> 00:38:46.219
Honestly, like, again, we we we selectively get

00:38:46.219 --> 00:38:50.039
upset at Hollywood nepotism, right? Yeah. Very

00:38:50.039 --> 00:38:53.360
true. You shake your fist, but then other times

00:38:53.360 --> 00:38:57.179
Zoe Kravitz comes along and then it's like, oh,

00:38:57.239 --> 00:38:59.139
they're great. If you're good, you get a pass.

00:38:59.260 --> 00:39:02.269
Yeah. We were talking earlier off mic about keep

00:39:02.269 --> 00:39:05.329
keeping it real, more integrity. So that's just

00:39:05.329 --> 00:39:08.610
what I'll say about that. An actor, I don't know

00:39:08.610 --> 00:39:12.530
if you know, but for our other like Chris Farley's

00:39:12.530 --> 00:39:16.650
Alpha LARP or mate. Yeah. Farouz a bulk. Is that

00:39:16.650 --> 00:39:18.909
name sound so familiar? Well, she's in the movie

00:39:18.909 --> 00:39:24.130
Return to Oz. OK, she may be best known to you.

00:39:24.130 --> 00:39:26.550
And this is obscure. But the movie Batman forever.

00:39:27.010 --> 00:39:31.099
OK. Tommy Lee Jones is two -face in his lair.

00:39:31.219 --> 00:39:35.400
Drew Barrymore is one of his minxes. The other

00:39:35.400 --> 00:39:37.820
girl is for visible. Okay. Yeah. You're right.

00:39:37.840 --> 00:39:42.360
I do know she's edgy dark. Yep. Done. Yes. I

00:39:42.360 --> 00:39:46.019
think like as an Aubrey Plaza. Yeah. Yeah. Yeah.

00:39:46.019 --> 00:39:47.719
And I was going to say Aubrey Plaza for this

00:39:47.719 --> 00:39:50.739
because I loved it. But for is a bulk could do

00:39:50.739 --> 00:39:53.980
darkness. And I like along the way she gets conscripted

00:39:53.980 --> 00:39:57.059
by our dark wizard somehow. I think one of them

00:39:57.059 --> 00:39:59.699
needs to go bad and have some moral conflict.

00:40:00.300 --> 00:40:04.840
Like, I'm going to stay. You're fat. That's evil.

00:40:05.019 --> 00:40:08.019
No, that's just too evil. Again, we've created

00:40:08.019 --> 00:40:11.400
a world that Chris Farley is still alive. No,

00:40:11.960 --> 00:40:14.760
no, no. We gave ourselves the liberty to live

00:40:14.760 --> 00:40:17.420
in a reality which nobody's dead yet. Right.

00:40:17.579 --> 00:40:21.239
We didn't create it. And he's healthy. He's thin,

00:40:21.340 --> 00:40:24.320
but he's not thin. He's not Jonah Hilling it.

00:40:25.139 --> 00:40:27.519
So he looks good, but he's a meathead and he's

00:40:27.519 --> 00:40:29.500
rich. All right. What was the actress name for?

00:40:29.679 --> 00:40:33.300
Farooza Balkh. And if you want me to muse a little

00:40:33.300 --> 00:40:35.679
bit on our big bad, you can look her up if you're

00:40:35.679 --> 00:40:37.619
able to. Please, please. Yeah, think about the

00:40:37.619 --> 00:40:39.199
big bad. I want to look her up just because I

00:40:39.199 --> 00:40:42.579
want another face. Who's again, the idea it's

00:40:42.579 --> 00:40:48.000
like the bad guy in the movie Toys, where he

00:40:48.000 --> 00:40:53.380
takes over the toy factory and he sees that the

00:40:53.380 --> 00:40:56.340
current factory is not profitable. So he tries

00:40:56.340 --> 00:41:00.599
to turn it into a military thing, like military

00:41:00.599 --> 00:41:03.619
toys. So I like that, like bringing like a new

00:41:03.619 --> 00:41:06.880
world in, or, you know, like when the regular

00:41:06.880 --> 00:41:11.880
world starts to encroach on Toontown, and Bob

00:41:11.880 --> 00:41:15.059
Hoskins is like, ah, maybe Bob Hoskins is our

00:41:15.059 --> 00:41:18.380
big bad. Christopher Lloyd is our big bad. Christopher

00:41:18.380 --> 00:41:20.710
Lloyd would be great. He'll be great. Would it

00:41:20.710 --> 00:41:23.489
be too obvious to make him? No, why? I don't

00:41:23.489 --> 00:41:25.570
know. I'm just curious. It just says Chris Lloyd.

00:41:25.909 --> 00:41:27.989
Like what kind of because of Back to the Future.

00:41:28.190 --> 00:41:30.150
Yeah, that was the only reason. Well, what era

00:41:30.150 --> 00:41:32.630
are you talking? Oh, I don't know. One flew over

00:41:32.630 --> 00:41:37.230
the cuckoo's nest. It's like, OK, that's why

00:41:37.230 --> 00:41:39.449
that's very young because Michael Gambon. Do

00:41:39.449 --> 00:41:41.809
you know who that is? Yeah, he's the villain

00:41:41.809 --> 00:41:45.590
in toys. OK. And he's, he's, you know, older,

00:41:45.969 --> 00:41:48.550
but not, yeah, but not, and that's the kind of

00:41:48.550 --> 00:41:52.329
like, sorry, not Dumbledore yet. Right. No. And,

00:41:52.690 --> 00:41:55.090
and have you seen Toys with Robin Williams? I

00:41:55.090 --> 00:41:58.570
don't, I don't think I have. It's fucking brilliant.

00:41:58.789 --> 00:42:01.730
And Michael Gambon, side note, is, is the big

00:42:01.730 --> 00:42:06.289
bad. And this, this world, Barry Levinson, director

00:42:06.289 --> 00:42:09.289
of one of our previous movies, he directed it

00:42:09.289 --> 00:42:11.329
and it's wild and it's widely slept on. This

00:42:11.329 --> 00:42:13.940
movie is brilliant and it's hilarious. But Michael

00:42:13.940 --> 00:42:16.099
Gambon's the bad guy and he's this big military

00:42:16.099 --> 00:42:20.719
guy and his adopted son, a stern, strict military

00:42:20.719 --> 00:42:26.739
personality played by LL Cool J. And it's fucking

00:42:26.739 --> 00:42:31.880
hilarious. And he's uptight. LL Cool J. He is

00:42:31.880 --> 00:42:35.440
so good. Robin Wright -Penn, when she still was

00:42:35.440 --> 00:42:37.300
Robin Wright -Penn, is in it. Joan Cusacks in

00:42:37.300 --> 00:42:41.019
it. It's so great. So it's like this like...

00:42:40.889 --> 00:42:43.889
bringing a modern disrupting the world, you know

00:42:43.889 --> 00:42:46.050
what I mean? Cause he's starting to make these

00:42:46.050 --> 00:42:48.409
military toys right underneath their noses. So

00:42:48.409 --> 00:42:51.110
what I think is interesting in our world is that's

00:42:51.110 --> 00:42:54.489
happening. Like, like in these outsiders are

00:42:54.489 --> 00:42:57.630
here to be like, wait a second, wait a sec. So,

00:42:57.670 --> 00:43:02.630
you know, the big bad Christopher Lloyd is doing

00:43:02.630 --> 00:43:06.159
this long con. Yeah. And they're like, holy shit,

00:43:06.300 --> 00:43:09.940
this is brilliant. But it's, it's our lead actor

00:43:09.940 --> 00:43:14.139
who we still haven't created our fish, fish way

00:43:14.139 --> 00:43:18.099
while out of water, our female lead, who is Sean

00:43:18.099 --> 00:43:22.679
Aston kind of like thirties ish forties, thirties,

00:43:22.840 --> 00:43:25.719
forties fit. Yeah. He's still fit. Still fit.

00:43:25.739 --> 00:43:29.159
Still fit. Sean Aston. and his counterpart. Yeah.

00:43:29.380 --> 00:43:31.159
The girl the girl is taking on like first date

00:43:31.159 --> 00:43:34.539
or something, right. Or early in into the courtship.

00:43:34.539 --> 00:43:39.159
Yeah. Got to be right. Got anybody. Do you have

00:43:39.159 --> 00:43:42.519
any suggestions? Not really. I'm really interested

00:43:42.519 --> 00:43:46.039
in this because we've we've pegged this as the

00:43:46.039 --> 00:43:49.800
as the lead. Yeah. As well in a way as the hero.

00:43:50.139 --> 00:43:53.539
Yes, the hero. I'm thinking of somebody now thinking

00:43:53.539 --> 00:43:55.719
of somebody a little bit nerdy. Forgive me. It's

00:43:55.719 --> 00:44:00.199
not meant to be. derogatory. All right. But Amy

00:44:00.199 --> 00:44:04.360
Adams, the like in Night at the Museum, too,

00:44:04.380 --> 00:44:06.699
when she's playing Amelia Earhart. OK, what's

00:44:06.699 --> 00:44:10.119
the rumpus? I use things like that. You know,

00:44:10.260 --> 00:44:14.000
maybe not that nerdy, but like definitely nerdy.

00:44:14.679 --> 00:44:17.280
Because I think that's empathetic. I was thinking

00:44:17.280 --> 00:44:19.579
off the top of my head, for some reason, I'm

00:44:19.579 --> 00:44:21.639
imagining like Anna Faris would be pretty great

00:44:21.639 --> 00:44:23.880
at this. But again, she feels like she's too

00:44:23.880 --> 00:44:26.099
funny. She's always having to be the fish out

00:44:26.099 --> 00:44:28.119
of water. And it's not that it's her fault. She's

00:44:28.119 --> 00:44:29.639
just really good at being the fish out of water.

00:44:30.099 --> 00:44:31.980
Yeah. Yeah. She is really good at being a fish

00:44:31.980 --> 00:44:33.780
out of water. Like a lot of her roles end up

00:44:33.780 --> 00:44:36.300
being that character and she nails it every time.

00:44:36.820 --> 00:44:39.699
Yeah. Other serious actor. I mean, you could

00:44:39.699 --> 00:44:42.639
put if you looked in the 80s, you could put Meg

00:44:42.639 --> 00:44:45.659
Ryan in this. Oh, well, certainly a little more

00:44:45.659 --> 00:44:50.360
serious. I don't really maybe see her with Emma

00:44:50.360 --> 00:44:53.219
Watson. I think we've put it before. Yeah, I'm

00:44:53.219 --> 00:44:55.780
sorry. That's ridiculous. Forgive me. That's

00:44:55.780 --> 00:44:59.380
a faux pas faux pas. I am going to be tortured

00:44:59.380 --> 00:45:02.920
and abused after the show beaten with Jennifer

00:45:02.920 --> 00:45:05.400
Garner. Jennifer Garner. I was just thinking

00:45:05.400 --> 00:45:08.940
about her. She because we watched Deadpool first

00:45:08.940 --> 00:45:13.050
Wolverine. OK, but butter. Do you remember the

00:45:13.050 --> 00:45:15.750
movie butter butter carving? She's in it and

00:45:15.750 --> 00:45:19.989
she is a straight up bad ass bitch. Okay. I think

00:45:19.989 --> 00:45:21.750
she would be great. And she'll be great. And

00:45:21.750 --> 00:45:25.550
but she's you know what? I think she she's real

00:45:25.550 --> 00:45:29.409
fit and she played Electra. Yep. But I think

00:45:29.409 --> 00:45:32.070
she could play a really she can also pull off

00:45:32.070 --> 00:45:34.690
like the everyday person. Yeah. But she's very

00:45:34.690 --> 00:45:36.929
pretty. And I think she's got tons of charm.

00:45:37.010 --> 00:45:39.789
I can see it. Or like Jessica Alba. That's just

00:45:39.789 --> 00:45:41.590
that's kind of what I started thinking now because

00:45:41.590 --> 00:45:44.170
like that is a good fish out of water. Yeah.

00:45:44.210 --> 00:45:46.829
Because I think, you know, traditionally beautiful

00:45:46.829 --> 00:45:50.090
is kind of fun, too, because in this world, I

00:45:50.090 --> 00:45:53.150
think everybody's fucking ugly in the steampunk

00:45:53.150 --> 00:45:55.769
world. And Christopher Lloyd is like this, the

00:45:55.769 --> 00:45:57.869
pinnacle of handsome. He's just the most beautiful

00:45:57.869 --> 00:46:00.630
man. He has the most charming smile. Yeah. He's

00:46:00.630 --> 00:46:03.650
got a gold tooth for some reason. Yeah. Because

00:46:03.650 --> 00:46:08.130
our cast is really visually diverse. Yeah. Yeah,

00:46:08.130 --> 00:46:11.889
we have, I love Chris Farley and for his a bulk,

00:46:11.889 --> 00:46:16.590
you know, because, you know, a fun girl like

00:46:16.590 --> 00:46:19.849
that would go for a slightly like bigger guy

00:46:19.849 --> 00:46:22.090
who's got a lot of heart, a lot of money helps.

00:46:22.130 --> 00:46:25.349
I'm sure a lot of money helps as a side note.

00:46:25.590 --> 00:46:28.829
Got a lot of money, but are you down with Jennifer

00:46:28.829 --> 00:46:31.889
Garner? I think, I think she fits the aesthetic.

00:46:32.889 --> 00:46:36.599
Just thinking if it's not her older. Like an

00:46:36.599 --> 00:46:39.519
older actress throw Anne Hathaway at you with

00:46:39.519 --> 00:46:42.280
that. Would she fit? Would she also fit the aesthetics?

00:46:43.139 --> 00:46:46.900
Yeah, I don't think she could be as funny. Shots

00:46:46.900 --> 00:46:50.679
fired and Hathaway. Sorry. But I haven't seen

00:46:50.679 --> 00:46:54.139
like the devil or is proud of wanting to. Oh,

00:46:54.139 --> 00:46:56.320
so he's biased. Okay. At least he admits his

00:46:56.320 --> 00:47:00.840
biases. Jennifer Coolidge. Jennifer. Okay. Should

00:47:00.840 --> 00:47:03.639
be in it. I want Jennifer Coolidge. She'd be

00:47:03.639 --> 00:47:06.800
in it. She she's the mayor. She's the mayor of

00:47:06.800 --> 00:47:10.539
the town. Jennifer Coolidge, mayor, so much steam.

00:47:11.199 --> 00:47:14.780
I like steamy thing. She's always in a sauna

00:47:14.780 --> 00:47:18.880
for some reason. They always try to meet up with

00:47:18.880 --> 00:47:23.300
her and she's just in a sauna. Yeah. You can

00:47:23.300 --> 00:47:28.840
make so many funny scenes just by the world that

00:47:28.840 --> 00:47:31.059
we're in, you know what I mean? Yes, a hundred

00:47:31.059 --> 00:47:34.019
percent. Is this mirror world just us allowing

00:47:34.019 --> 00:47:36.480
us allowing us to poke fun at our world? Is that

00:47:36.480 --> 00:47:38.360
what it is? Like, hey, look at all the things

00:47:38.360 --> 00:47:40.380
wrong with their culture and everything. And

00:47:40.380 --> 00:47:43.320
also let us poke fun at it. Like, is this really?

00:47:43.679 --> 00:47:46.139
Are we getting the satire? Because like it feels

00:47:46.139 --> 00:47:48.420
like we can be a real. What is the point of this?

00:47:48.639 --> 00:47:52.579
We hadn't gotten. I mean, so like act one. is

00:47:52.579 --> 00:47:55.099
essentially them getting there and acclimated

00:47:55.099 --> 00:47:58.019
with what's up and what the challenge is. Act

00:47:58.019 --> 00:48:01.260
one is meeting everybody, getting together to

00:48:01.260 --> 00:48:03.440
go on the date, and then Chris Farley's character

00:48:03.440 --> 00:48:05.980
being like, look at this cool doodad I got. It's

00:48:05.980 --> 00:48:08.780
going to work this time. And all the three friends

00:48:08.780 --> 00:48:10.960
are like, no, it's not going to do it. I arranged

00:48:10.960 --> 00:48:14.039
for a private viewing of this thing. Yeah, yeah,

00:48:14.199 --> 00:48:16.679
yeah. Hey, I talked to the guy. He made sure

00:48:16.679 --> 00:48:19.239
it's closed down. It's just for us. We're going

00:48:19.239 --> 00:48:22.170
to test it. Yeah. Yes. And the guy as they're

00:48:22.170 --> 00:48:25.949
walking in is like, I want our guy to be sinister.

00:48:27.349 --> 00:48:29.869
Oh yeah, for sure. And like you said, to be aligned

00:48:29.869 --> 00:48:32.170
with Christopher Lloyd's big bad. What if it's

00:48:32.170 --> 00:48:37.829
Michael J. Fox? Okay. Okay. Heavy in makeup.

00:48:38.110 --> 00:48:42.989
Just like, I'm just kidding. It's got to be Timothy

00:48:42.989 --> 00:48:45.869
Chalamet. Timothy Chalamet. Somebody really hot

00:48:45.869 --> 00:48:50.210
at the time. What if it's Brad Pitt? We get Brad

00:48:50.210 --> 00:48:51.869
Pitt to be the really likeable person. He's the

00:48:51.869 --> 00:48:55.329
undertaker of this thing. Because I want that

00:48:55.329 --> 00:48:58.929
person to be teed up as good. Oh, yeah. Everybody

00:48:58.929 --> 00:49:00.929
assumes this person is great. Somebody that's

00:49:00.929 --> 00:49:03.750
really always likeable and we convinced to be

00:49:03.750 --> 00:49:06.190
a real shithead. Who's a beloved actor that we

00:49:06.190 --> 00:49:08.250
can make a shit? I don't know. Maybe it's a lady.

00:49:09.349 --> 00:49:11.110
Oh, maybe it's not a dude. Who's a beloved actress?

00:49:11.559 --> 00:49:14.179
Give me a beloved actor. So I think what we need

00:49:14.179 --> 00:49:17.000
to do. Oh, yeah. So we need to figure out who's

00:49:17.000 --> 00:49:20.219
who's manipulating on this side. Yeah. Somebody

00:49:20.219 --> 00:49:26.199
who. Well, I wonder if it I'm just thinking and

00:49:26.199 --> 00:49:30.519
I'm trying to honor you in this. Oh, but if it's

00:49:30.519 --> 00:49:34.940
Eric Idle. Oh, really, Eric Idle. Yeah, I'd be

00:49:34.940 --> 00:49:37.900
fine. My first thought was John Cleese. Also

00:49:37.900 --> 00:49:42.360
fun. But being serious, like, you know, one of

00:49:42.360 --> 00:49:44.500
the pythons, I didn't want to be be generic,

00:49:44.500 --> 00:49:47.159
but I'm trying to be intentional about this.

00:49:47.179 --> 00:49:49.920
I think for those of you, if you don't know the

00:49:49.920 --> 00:49:52.079
pythons, Eric Idle is probably most famously

00:49:52.079 --> 00:49:54.420
known as like Sir Robin from my Python, the Holy

00:49:54.420 --> 00:49:58.400
Grail. He's running away and tripping. I know

00:49:58.400 --> 00:50:04.199
he isn't. I'd never do that. I never. Yeah, him.

00:50:04.659 --> 00:50:08.670
No, I think he'd be great. Yes, and and and at

00:50:08.670 --> 00:50:12.429
a certain like I see him I see him and it's like

00:50:12.429 --> 00:50:18.150
it's it's like that movie With Dana Carvey, I

00:50:18.150 --> 00:50:21.150
think where he gets family jewels the master

00:50:21.150 --> 00:50:25.429
of disguise there's a now but like 90s Eric Idle,

00:50:25.610 --> 00:50:28.150
you know what I mean? Like he's got the defined

00:50:28.150 --> 00:50:31.710
features and yes He was he wasn't like he's not

00:50:31.710 --> 00:50:34.829
cat. He was a Casper movie. Wasn't he? Yeah He

00:50:34.829 --> 00:50:37.550
was. And again, like, yeah, he has a silliness,

00:50:37.710 --> 00:50:40.230
but like, let's give you a little darkness, Eric

00:50:40.230 --> 00:50:42.750
Idle. Yeah, like we're not fucking around. He'd

00:50:42.750 --> 00:50:45.929
be great because some of the other like Cleese,

00:50:46.030 --> 00:50:51.670
he's got a lot of funny on his face. Gilliam,

00:50:52.110 --> 00:50:55.030
he just looks like a constant troll. He's just

00:50:55.030 --> 00:50:58.630
angry. I think he is a constant troll. Eric Idle

00:50:58.630 --> 00:51:01.929
is also just funny. He's just so funny. But again,

00:51:02.050 --> 00:51:04.670
I think he also has that. He's musically inclined

00:51:04.670 --> 00:51:07.289
and he has a certain set of whimsy about him.

00:51:07.329 --> 00:51:09.449
Yeah. And I think that would throw everybody

00:51:09.449 --> 00:51:11.449
off the scent that he's one of the big bads,

00:51:11.489 --> 00:51:14.610
if not the big bad. Can he be the big bad? He's

00:51:14.610 --> 00:51:17.949
actually the power behind the throne. Yeah, everybody

00:51:17.949 --> 00:51:19.570
keeps thinking that it's like Christopher Lloyd,

00:51:19.590 --> 00:51:22.750
but it's Eric Idle's the real big bad. Well,

00:51:22.789 --> 00:51:24.909
we were saying that he was trying to get back

00:51:24.909 --> 00:51:27.889
to his world and he's banished in ours. Yeah.

00:51:28.010 --> 00:51:29.949
So no, no, he was banished from his world to

00:51:29.949 --> 00:51:32.210
our world is what I think happened. So I can

00:51:32.210 --> 00:51:34.250
see him being like, yeah, Christopher Lloyd is

00:51:34.250 --> 00:51:36.510
like his henchman. Like he's the face of the

00:51:36.510 --> 00:51:38.880
company, you know. He's the guy who's like, well,

00:51:38.900 --> 00:51:40.719
I'm on the other end running the company. You

00:51:40.719 --> 00:51:43.039
know, I'm not we're not bad. We're just over

00:51:43.039 --> 00:51:45.579
here building toys for kids. We can't be a bad,

00:51:45.579 --> 00:51:49.280
you know, yeah, military company. We would never.

00:51:49.280 --> 00:51:50.599
And then all of a sudden, the guy who actually

00:51:50.599 --> 00:51:52.480
started the company shows up and is like, no,

00:51:52.559 --> 00:51:55.139
by the way, the thing is that they could be,

00:51:55.139 --> 00:51:58.619
you know, using some of what we have to, you

00:51:58.619 --> 00:52:00.920
know, suddenly poise their world like some of

00:52:00.920 --> 00:52:02.780
our technologies, things like that. That would

00:52:02.780 --> 00:52:04.900
be interesting to be like some of the stuff that

00:52:04.900 --> 00:52:07.989
is like the world has. Slowly the plight that's

00:52:07.989 --> 00:52:10.329
been happening is like they're getting technology

00:52:10.329 --> 00:52:12.210
from us What if the plight is actually like oil

00:52:12.210 --> 00:52:14.969
like he's been sending oil back? Oh the worst

00:52:14.969 --> 00:52:17.050
thing just like the worst, but they don't call

00:52:17.050 --> 00:52:18.630
it oil They just call it like sludge or something

00:52:18.630 --> 00:52:20.849
like that the sludge has the sludge has been

00:52:20.849 --> 00:52:24.030
a problem for years But what if the the Christopher

00:52:24.030 --> 00:52:27.130
Lloyd's name is like a play on the word? Plastic

00:52:27.130 --> 00:52:31.829
like L plus D. We could be really ecological

00:52:31.829 --> 00:52:34.250
with this. Now, what I'm thinking of. OK, this

00:52:34.250 --> 00:52:39.030
is really cool. What I'm thinking of is. I would

00:52:39.030 --> 00:52:41.929
like to figure out who are what our four funerals

00:52:41.929 --> 00:52:44.030
are and then who the other chummy people are

00:52:44.030 --> 00:52:45.969
that they meet in this world. We got twenty three

00:52:45.969 --> 00:52:50.070
minutes. OK, that's our four funerals. So ostensibly

00:52:50.070 --> 00:52:56.059
our last kill is Eric Idle. Yes. And our one

00:52:56.059 --> 00:52:58.199
before that is Christopher Lloyd. Now let's work

00:52:58.199 --> 00:53:01.500
backwards. Yeah. Christopher Lloyd needs to have

00:53:01.500 --> 00:53:05.760
a second, a greasy shitty fucking piece of shit.

00:53:05.760 --> 00:53:08.539
Yes. Like the worst. Okay. Christopher Lloyd

00:53:08.539 --> 00:53:10.579
can act it, you know, like he can presidents

00:53:10.579 --> 00:53:13.719
know it maybe, you know, you need a head for

00:53:13.719 --> 00:53:16.500
presidents. No, we need a henchman. Yeah. And

00:53:16.500 --> 00:53:20.679
this has to be, yeah. Shia. Sorry, sorry. I would

00:53:20.679 --> 00:53:22.480
love for you to get a bad guy rule. You don't

00:53:22.480 --> 00:53:25.639
get enough gnarly. Yeah. Yeah, just do what you

00:53:25.639 --> 00:53:29.400
do. Tommy Flanagan facial scars. Yeah, just just

00:53:29.400 --> 00:53:33.199
street tough urgent who made it to the top now.

00:53:33.199 --> 00:53:36.679
100 % brutal. 100 % has brass knuckles always

00:53:36.679 --> 00:53:40.320
in hand. Some somehow always a cigar is always

00:53:40.320 --> 00:53:43.599
lit. Yeah. Street tough. I'm also thinking that

00:53:43.599 --> 00:53:46.579
our fourth death as Christopher Lloyd's female

00:53:46.579 --> 00:53:49.579
companion played by Linda Blair, an adult Linda

00:53:49.579 --> 00:53:53.019
Blair. Linda Blair's also in this. Yeah. Oh,

00:53:53.019 --> 00:53:56.619
adult. She's great. And as an adult in older

00:53:56.619 --> 00:53:58.699
movies, I'm down, I'm down and can play a villain

00:53:58.699 --> 00:54:02.880
really well. And is, and I think it's really

00:54:02.880 --> 00:54:05.840
tragic when you have to kill, you know, everybody

00:54:05.840 --> 00:54:08.840
like that. But the, so if Linda Blair, Christopher

00:54:08.840 --> 00:54:13.940
Floyd, shy, crazy as crazy Shia. Eric Idle. Yes.

00:54:14.119 --> 00:54:17.579
All got to go. All got to go. Those are our four

00:54:17.579 --> 00:54:21.360
funerals. And then the one and I think Eric Idle

00:54:21.360 --> 00:54:23.699
makes the mistake is letting them in. Yeah. Like

00:54:23.699 --> 00:54:26.179
you made one mistake mistake was letting these

00:54:26.179 --> 00:54:28.380
four hooligans in your. All right. Just make

00:54:28.380 --> 00:54:30.400
sure I got my notes because I'm writing them

00:54:30.400 --> 00:54:33.000
down over here. Yeah. We're still sat on Jennifer

00:54:33.000 --> 00:54:35.019
Garner. Right? Yeah. I like that. I think she'd

00:54:35.019 --> 00:54:40.670
be great. Or if it's, do you like, now I'm thinking

00:54:40.670 --> 00:54:44.110
like Linda Cardinelli. If you look at like Velma

00:54:44.110 --> 00:54:51.190
or Sarah Michelle Geller. Ironically have Buffy.

00:54:51.610 --> 00:54:54.429
Ironically have Buffy. Now I'm getting way off

00:54:54.429 --> 00:54:56.690
of home base there with Jennifer Garner, but

00:54:56.690 --> 00:54:58.170
I'm just throwing Linda Cardinelli, Sarah Michelle

00:54:58.170 --> 00:54:59.530
Geller. I think that Linda Cardinelli would be

00:54:59.530 --> 00:55:02.949
great actually. Linda Cardinelli? I think so.

00:55:03.789 --> 00:55:07.909
Yeah, I think so. not, no, no disparaging against

00:55:07.909 --> 00:55:09.670
Jennifer Carter. I just feel like for this role,

00:55:09.889 --> 00:55:13.349
it's something about this. Yeah. I think it needs

00:55:13.349 --> 00:55:17.030
more innocence. Absolutely. Is that is, you know,

00:55:17.130 --> 00:55:19.030
like Jeff Garza just doesn't quite, she has a

00:55:19.030 --> 00:55:22.409
hard streak through her for grandma. Is that

00:55:22.409 --> 00:55:24.969
what you're saying? Too sexy because I think

00:55:24.969 --> 00:55:28.929
Linda Cardinali is hot, hot, hot, hot. I think

00:55:28.929 --> 00:55:30.769
a lot of the people in our cast here were hot,

00:55:30.869 --> 00:55:35.420
especially as well. Well, again, we wanted to

00:55:35.420 --> 00:55:39.559
make our world, um, our, our steam world generally

00:55:39.559 --> 00:55:43.219
unattractive. Yeah. But Sean Aston, pretty handsome

00:55:43.219 --> 00:55:46.920
Cardinali for Ruzza unique. She's gorgeous, but

00:55:46.920 --> 00:55:49.900
has an edgy look to her. Can have a darkness.

00:55:50.199 --> 00:55:53.239
I like that. I like that. He's like, you know,

00:55:53.239 --> 00:55:56.420
the, at the, the alpha LARPR, but she's the dark

00:55:56.420 --> 00:55:59.679
LARPR. Like she, she knows all the, all the science,

00:55:59.699 --> 00:56:05.429
the golf LARPR, right? That's tremendous. I really

00:56:05.429 --> 00:56:07.889
like this. I like this idea. So they're exposed

00:56:07.889 --> 00:56:11.389
and they You know by sheer now, this is what

00:56:11.389 --> 00:56:16.170
I'm interested in. I'm thinking we have a a Running

00:56:16.170 --> 00:56:18.110
man scenario. There's an underground we have

00:56:18.110 --> 00:56:22.409
Billy Zane and we have Jason Lee as our underground

00:56:22.409 --> 00:56:26.329
leaders. Yes So we've got Zane as a resistance,

00:56:26.769 --> 00:56:28.670
Jason Lee. Do you know who Jason Lee is? Yeah,

00:56:28.730 --> 00:56:31.269
my name is Earl. He's also a skateboarder. Yeah,

00:56:31.269 --> 00:56:34.110
but can do serious, like look at Vanellis Guy

00:56:34.110 --> 00:56:39.010
as a resistance type of thing. Do you know what

00:56:39.010 --> 00:56:42.389
I mean? Yeah, they'd be really fun. But our crew

00:56:42.389 --> 00:56:45.909
is tasked with doing, and this is where it gets

00:56:45.909 --> 00:56:52.929
complicated, because I wonder, like in a PG -13

00:56:52.929 --> 00:56:55.449
movie, And this is where it gets interesting

00:56:55.449 --> 00:56:58.170
because so they get they meet up with an underground,

00:56:58.630 --> 00:57:01.630
which I think ironically should be above ground.

00:57:01.650 --> 00:57:05.210
And that's the job. But we're so high. We're

00:57:05.210 --> 00:57:08.230
still called the underground, even though we're

00:57:08.230 --> 00:57:10.449
way above ground. It's like they can't even see

00:57:10.449 --> 00:57:13.449
the ground. There's clouds to crush it. But like

00:57:13.449 --> 00:57:15.349
still the underground, still the underground

00:57:15.349 --> 00:57:18.190
here team. You just don't get it. I don't understand.

00:57:18.369 --> 00:57:20.949
But the idea that they have to kill these people.

00:57:20.949 --> 00:57:25.659
Yeah. That. Yeah. I mean, life or death situations

00:57:25.659 --> 00:57:27.840
even go back to kids movies. They have it all

00:57:27.840 --> 00:57:30.579
the time. But are you OK with these being legit?

00:57:31.059 --> 00:57:35.940
You know, like make three coffins. OK, so you

00:57:35.940 --> 00:57:38.739
have to and their task is to assassinate and

00:57:38.739 --> 00:57:40.559
get rid of these people because they're terrible

00:57:40.559 --> 00:57:44.199
people to make way. Yes, and we need everybody

00:57:44.199 --> 00:57:46.300
to believe that this is right and good. Yes,

00:57:46.340 --> 00:57:48.400
they're doing a good thing by getting rid of

00:57:48.400 --> 00:57:51.699
these people. Correct. Yes. I think we need to

00:57:51.699 --> 00:57:54.179
flush out the resistance. Yeah. Are the resistance

00:57:54.179 --> 00:57:57.500
good guys or bad guys? I see. This is interesting.

00:57:57.719 --> 00:58:01.760
I think they're all bad guys. Well, they actually

00:58:01.760 --> 00:58:04.559
want if you look at history, they will become.

00:58:05.679 --> 00:58:10.900
The Green Goblin quote. For the purposes of our

00:58:10.900 --> 00:58:15.420
movie, yes, we can have a yay ending a la Stargate.

00:58:15.440 --> 00:58:17.219
I think we should probably have a yay Stargate.

00:58:17.380 --> 00:58:18.699
I think we should probably have a Stargate. We

00:58:18.699 --> 00:58:21.980
should have a Scooby -Doo happy ending. Wayne's

00:58:21.980 --> 00:58:24.360
world, thank you for that. There's a mystery

00:58:24.360 --> 00:58:26.920
machine in this movie. Well, now that Linda Cardinal

00:58:26.920 --> 00:58:30.099
is in it, all the Scooby -Doo jokes have to be

00:58:30.099 --> 00:58:33.460
made. Matthew Ilyard, if you're not in this movie

00:58:33.460 --> 00:58:37.659
in some cameo role, I'm so mad. So mad. He's

00:58:37.659 --> 00:58:41.559
great. But anyway, at any rate. our resistance

00:58:41.559 --> 00:58:45.739
could use some female touches. I think for sure

00:58:45.739 --> 00:58:47.639
we need throw pillows in the bunker. You know

00:58:47.639 --> 00:58:51.440
what I mean? That's not to be patronized. That's

00:58:51.440 --> 00:58:54.019
not a title for a book. Throw pillows in the

00:58:54.019 --> 00:58:56.280
bunker. It needs to be. And don't any of you

00:58:56.280 --> 00:58:57.900
out there listening, steal it because I'm going

00:58:57.900 --> 00:58:59.980
to steal it. That's throw pillows for the bunker

00:58:59.980 --> 00:59:03.000
is a great name. That sounds like a great band

00:59:03.000 --> 00:59:08.969
name, by the way, because every bunker Like the

00:59:08.969 --> 00:59:11.829
bird cage says, one does want to hint of color

00:59:11.829 --> 00:59:14.250
when he comes out and he's got his pink socks.

00:59:15.230 --> 00:59:20.110
So can we have a, Oh, well, what about like Jules

00:59:20.110 --> 00:59:24.510
state as a mechanic as a Kaylee type care? Okay.

00:59:24.510 --> 00:59:27.130
Can we have Jules state for sure? You know, for

00:59:27.130 --> 00:59:31.090
sure. Because Jules state, Jason Lee, Billy Zane.

00:59:31.170 --> 00:59:35.420
That's fine. How about some kind of Steampunky

00:59:35.420 --> 00:59:40.559
robotic companion voiced by on a Ferris. I was

00:59:40.559 --> 00:59:44.119
going to say Davido, but that was me. Hello.

00:59:45.579 --> 00:59:52.960
I think it'd be great. It would be great. Very

00:59:52.960 --> 00:59:55.559
interesting. Are you going to stop me? You have

00:59:55.559 --> 00:59:59.460
the ability. I'm hearing only green lights. I'm

00:59:59.460 --> 01:00:02.199
thinking of that Hercules movie. He's great.

01:00:03.289 --> 01:00:05.389
He's great. How dare you? You can't disparage

01:00:05.389 --> 01:00:07.150
Danny Devito's good name. It would be funny.

01:00:07.510 --> 01:00:10.349
Everything he says would be funny. The bit is

01:00:10.349 --> 01:00:13.449
that he's just in it. It's like the RT DT. We

01:00:13.449 --> 01:00:15.730
build a robot costume around Danny Devito and

01:00:15.730 --> 01:00:19.949
just let him do his thing. Robot, steampunk,

01:00:20.070 --> 01:00:24.489
steampunk, robot, Danny Devito. So Jules, they,

01:00:24.889 --> 01:00:28.150
I think that's, that's fine. You know, and, and

01:00:28.150 --> 01:00:30.690
sci -fi people, she could play absolutely against

01:00:30.690 --> 01:00:35.369
Kaylee's type. whatever it is. Maybe, um, she's

01:00:35.369 --> 01:00:39.969
the diplomat. Oh, she's, oh yeah. She is the

01:00:39.969 --> 01:00:43.010
mon Mothma. She, she is the conduit. She's like

01:00:43.010 --> 01:00:46.110
an, like a turncoat. Yeah. She's the one. She's

01:00:46.110 --> 01:00:49.389
the one who's feeding them information. Yeah.

01:00:49.570 --> 01:00:52.929
She's Christopher Lloyd's daughter. Oh, yep.

01:00:53.409 --> 01:00:56.449
Oh yeah. Oh, and she has a high place in the

01:00:56.449 --> 01:01:00.769
steam punk government and that's revealed later.

01:01:01.320 --> 01:01:05.880
Now we're building it. Yeah. I think that that

01:01:05.880 --> 01:01:11.739
feels right. Good. I mean, visually it doesn't

01:01:11.739 --> 01:01:16.420
because unless Christopher Lloyd, well, maybe

01:01:16.420 --> 01:01:18.699
Linda Blair and Christopher Lloyd's progeny isn't

01:01:18.699 --> 01:01:22.460
this person, but anyway, I like that. But because

01:01:22.460 --> 01:01:26.409
the element of danger. There's always that the

01:01:26.409 --> 01:01:28.949
turncoat, you know, that, and you don't know,

01:01:29.250 --> 01:01:31.389
or it's the silent one or there. Why are they

01:01:31.389 --> 01:01:34.409
never here? Well, we need to have some fun nightclubs.

01:01:34.409 --> 01:01:37.050
It needs to be like a really cool art deco nightclub.

01:01:37.369 --> 01:01:39.769
What would a, okay. What would a steam club,

01:01:39.929 --> 01:01:43.489
steampunk, Victoria? What would that look like?

01:01:43.550 --> 01:01:46.389
What would the food and drink be like for sure.

01:01:46.610 --> 01:01:50.050
But like again, gear works everywhere. Mechanical

01:01:50.050 --> 01:01:52.070
enhancements. What are they? What are we eating

01:01:52.070 --> 01:01:57.179
in steampunk? It is either exotics or delicacies.

01:01:57.599 --> 01:01:59.659
Oh, oh, I like that. That's fine. Right. Like

01:01:59.659 --> 01:02:02.179
it feels like it's either something so out there

01:02:02.179 --> 01:02:04.199
that you've never heard of it. A nightclub scene

01:02:04.199 --> 01:02:06.480
is great. Yeah. Because you need a nightclub

01:02:06.480 --> 01:02:08.880
scene. This this must be where I think the nightclub

01:02:08.880 --> 01:02:11.260
scene is where they meet the underground. Yes.

01:02:11.380 --> 01:02:15.639
So when they first get there, they're like, but

01:02:15.639 --> 01:02:17.760
then when they first get there, they're like,

01:02:17.760 --> 01:02:19.699
you know, there's the acclimating and then there's

01:02:19.699 --> 01:02:27.280
figuring out how to get Linda Cardinelli. She's

01:02:27.280 --> 01:02:29.360
not dressed in the aesthetics at all. But along

01:02:29.360 --> 01:02:31.980
the way, she's really being helpful in terms

01:02:31.980 --> 01:02:35.579
of history, in terms of mechanics. And you find

01:02:35.579 --> 01:02:37.420
out Chris Farley doesn't know as much as he thinks

01:02:37.420 --> 01:02:39.460
he does. Turns out all the people actually respect

01:02:39.460 --> 01:02:41.340
her because she understands what they're talking

01:02:41.340 --> 01:02:46.800
about. And Chris Farley's character is lightly

01:02:46.800 --> 01:02:50.659
furious. Now, I think we need, though, a classic

01:02:50.659 --> 01:02:53.789
Chris Farley yelling scene. Oh, for sure. And

01:02:53.789 --> 01:02:56.090
I feel bad for him. You know what I mean? Like,

01:02:56.150 --> 01:02:59.010
everybody's just waiting for him to go off. But

01:02:59.010 --> 01:03:01.909
it is fucking funny when he does it. And in this...

01:03:01.909 --> 01:03:03.849
Is it early or is it late? Does he get to go

01:03:03.849 --> 01:03:05.869
bananas at, like, the very end? I think it's,

01:03:05.869 --> 01:03:08.429
like, in front of somebody in a dress and he's

01:03:08.429 --> 01:03:11.250
just yelling at her stupid, friendly... I don't

01:03:11.250 --> 01:03:15.210
know. But, like, he's had enough with not being

01:03:15.210 --> 01:03:18.849
right. And he just goes off, I don't know anything.

01:03:19.130 --> 01:03:21.710
Look at this. This is probably a robot. And he's

01:03:21.710 --> 01:03:24.650
like pulling out a real woman's head. I don't

01:03:24.650 --> 01:03:28.510
know. There's definitely needs to be a freak

01:03:28.510 --> 01:03:31.670
out. See, just spit balling for sure. But like,

01:03:31.670 --> 01:03:33.869
you know, make sure that's worth this. Why is

01:03:33.869 --> 01:03:36.789
this head not coming off? I don't know. And Danny

01:03:36.789 --> 01:03:41.809
DeVito can be like, not a robot, boil your denim.

01:03:42.809 --> 01:03:48.239
I'm a steam patriot. Esteem Patriot. I like compatriot,

01:03:48.320 --> 01:03:51.599
but you know, we've got a few minutes here. You

01:03:51.599 --> 01:03:56.280
talked about the idea of this being a bit of

01:03:56.280 --> 01:04:01.320
social commentary. Yes. What turns you on about?

01:04:02.949 --> 01:04:05.809
the opportunities there, because clearly the

01:04:05.809 --> 01:04:09.269
corporate and ruining of the resources, that's

01:04:09.269 --> 01:04:11.050
a good, that's a good one. I think it gets to

01:04:11.050 --> 01:04:13.449
mirror like the world that we currently live

01:04:13.449 --> 01:04:15.670
in, you know, the resource stripping, the idea

01:04:15.670 --> 01:04:18.670
that like there are people that have the ability

01:04:18.670 --> 01:04:21.030
to essentially buy up the world and there's nothing

01:04:21.030 --> 01:04:23.170
anybody can do to stop it. Like Steampunk is

01:04:23.170 --> 01:04:25.269
one of those situations where like, hey, we're

01:04:25.269 --> 01:04:27.489
going to go somewhere and do something wild in

01:04:27.489 --> 01:04:29.849
a wild land. Because nobody else has gotten to

01:04:29.849 --> 01:04:31.570
do that yet because we got in our airship and

01:04:31.570 --> 01:04:33.190
got over there and did that. This is why we can

01:04:33.190 --> 01:04:35.329
eat these exotic things and do this exact stuff

01:04:35.329 --> 01:04:38.050
back home. But it's also like they're not recognizing

01:04:38.050 --> 01:04:39.969
that they're destroying the thing in which they

01:04:39.969 --> 01:04:42.789
love. Right. I think that's a very much. But

01:04:42.789 --> 01:04:45.690
again, the idea of steampunk is not to be as

01:04:45.690 --> 01:04:48.449
destructive generally. Right. That's the idea

01:04:48.449 --> 01:04:50.510
now. I think it's really cool. Yeah. Because

01:04:50.510 --> 01:04:52.530
if you if you look at wind power, if you look

01:04:52.530 --> 01:04:55.349
at steam, if you look at how it can be naturally

01:04:55.349 --> 01:04:58.099
generated, that's pretty cool. And the idea of

01:04:58.099 --> 01:05:01.059
a more utopian society and that's what I think

01:05:01.059 --> 01:05:04.239
they need to get closer to nature. Yeah, is the

01:05:04.239 --> 01:05:06.800
idea and that this introduction of the sludge

01:05:06.800 --> 01:05:10.719
to, you know, it makes society better is the

01:05:10.719 --> 01:05:13.639
whole promise. But the idea that they're slowly

01:05:13.639 --> 01:05:15.760
introducing it like there could be a good scene

01:05:15.760 --> 01:05:18.679
at the nightclub where they're like, no, that's

01:05:18.679 --> 01:05:20.940
not what you think it is. Like where they have

01:05:20.940 --> 01:05:22.679
that like that looks like something from our

01:05:22.679 --> 01:05:25.820
world. Yeah. Yeah, yeah, yeah. And they're recognizing

01:05:25.820 --> 01:05:28.380
it. Dings the underground. They're like, what's

01:05:28.380 --> 01:05:32.340
oh, wait, something's up. Yeah. Uh huh. And it's,

01:05:32.360 --> 01:05:35.219
you know, it's a, you know, it's an easy risk.

01:05:35.579 --> 01:05:37.579
And getting kidnapped in this world would be

01:05:37.579 --> 01:05:39.340
fun. Oh, yeah, it'd be a fun time. Because for

01:05:39.340 --> 01:05:47.440
them, we need another and maybe it's like a huge

01:05:47.440 --> 01:05:49.840
guy for the resistance because we need somebody

01:05:49.840 --> 01:05:54.070
who can overpower Chris. Oh, right. Do we do

01:05:54.070 --> 01:05:57.630
we need that person? But we need like John Cena

01:05:57.630 --> 01:06:03.050
or John Candy. Do you know what I mean? Because

01:06:03.050 --> 01:06:07.909
my idea is that they need to be kidnapped, right?

01:06:08.190 --> 01:06:11.349
by the resistance. Now, how are they doing? Chris

01:06:11.349 --> 01:06:13.550
Farley is a pretty big guy. Sean Astin. I think

01:06:13.550 --> 01:06:15.989
like they're trained. I think the idea is I think

01:06:15.989 --> 01:06:18.789
the idea is that Chris Farley doesn't get kidnapped

01:06:18.789 --> 01:06:21.670
in the traditional sense, more of a dark. No,

01:06:22.130 --> 01:06:23.969
I think they're like, hey, follow me into this

01:06:23.969 --> 01:06:27.250
dark room and have a drink. And I'm like, oh,

01:06:27.329 --> 01:06:30.570
so he's more coerced over confidence. I get some.

01:06:30.869 --> 01:06:33.469
Yeah. Yeah. A hundred percent. everybody else,

01:06:33.469 --> 01:06:35.030
you can kind of bag over the head and get them

01:06:35.030 --> 01:06:36.510
out of there. But like his is like, no, no, we

01:06:36.510 --> 01:06:38.070
got to, let's, let's, let's try and convince

01:06:38.070 --> 01:06:40.030
them to come with us. Well, what's interesting

01:06:40.030 --> 01:06:43.110
is, Oh, I know why. Because if there is lore

01:06:43.110 --> 01:06:45.869
and this key is true, then on the other side,

01:06:45.869 --> 01:06:48.849
they have to know. So they can either notice

01:06:48.849 --> 01:06:51.250
that they notice something's up or notice the

01:06:51.250 --> 01:06:53.550
key. Like, Oh, okay. These people got here and

01:06:53.550 --> 01:06:57.070
they're not from here clearly. Yeah. And yeah,

01:06:57.070 --> 01:06:59.389
he's, he's not hiding the key at all for sure.

01:06:59.769 --> 01:07:02.900
So again, lovable meathead. Just a dummy though.

01:07:03.099 --> 01:07:04.880
Really doing his best. Beautiful dummy. So they

01:07:04.880 --> 01:07:08.400
need to get kidnapped. The Danny DeVito robot

01:07:08.400 --> 01:07:12.019
interrogation scene. I'm very much looking forward

01:07:12.019 --> 01:07:14.320
to it. Yes. Please. I didn't even think about

01:07:14.320 --> 01:07:17.280
that. I like a fake truth serum scene. So like

01:07:17.280 --> 01:07:20.360
they give it to Farley and he's like, Oh God.

01:07:20.539 --> 01:07:22.599
And he spills everything. And it's like that.

01:07:22.599 --> 01:07:25.679
It's not real. Yes. All right. Here's my question

01:07:25.679 --> 01:07:27.780
for you. Before we get lost too far into the

01:07:27.780 --> 01:07:29.039
sauce. I don't even know how much time is left.

01:07:29.179 --> 01:07:30.219
I've just been enjoying myself. Eight minutes.

01:07:30.480 --> 01:07:32.679
In eight minutes, Ryan, we have to figure out

01:07:32.679 --> 01:07:35.539
who's going to direct this movie. Oh, we've we've

01:07:35.539 --> 01:07:37.539
done everything else as good as I think we can

01:07:37.539 --> 01:07:40.440
do. It feels like Robert Rodriguez. Oh, very

01:07:40.440 --> 01:07:42.760
indie, very, very well. Have you seen Alita Battle

01:07:42.760 --> 01:07:45.460
Angel? I have not. Is it is it deserving of your

01:07:45.460 --> 01:07:47.880
list recommendation? Yeah. OK. I think he'd crush

01:07:47.880 --> 01:07:50.219
this and he could write it at it. Put the soundtrack.

01:07:50.219 --> 01:07:52.500
I'm down with Robert Rodriguez. Yeah. Oh, Mariachi

01:07:52.500 --> 01:07:54.780
is great. I'm so sorry that that came so quickly.

01:07:55.119 --> 01:07:57.360
But honestly, like we were just talking about.

01:07:57.500 --> 01:08:00.320
Yeah. And that's what she said. Just going to

01:08:00.320 --> 01:08:03.059
get it out of the way. I think it was just lingering.

01:08:03.139 --> 01:08:05.360
It was just anybody listening. You know, I'm

01:08:05.360 --> 01:08:08.360
just trying to stomp out their fire on that one.

01:08:08.760 --> 01:08:10.840
The best thing you could do is take the enemy

01:08:10.840 --> 01:08:13.340
fire before the enemy can shoot it at you. And

01:08:13.340 --> 01:08:18.840
I'm not just like thinking of the action in this

01:08:18.840 --> 01:08:23.210
because it. I don't know if it has to be. There's

01:08:23.210 --> 01:08:24.510
definitely action, but I don't know if there

01:08:24.510 --> 01:08:26.170
needs to be a lot. I think this is very much

01:08:26.170 --> 01:08:28.029
like a drama, but like this doesn't feel like

01:08:28.029 --> 01:08:30.890
it needs to be like it's actually creating a

01:08:30.890 --> 01:08:34.130
world. I creating like Guillermo del Toro comes

01:08:34.130 --> 01:08:37.369
right to mind. But I think that a good action

01:08:37.369 --> 01:08:39.390
piece to compare this to, I think would actually

01:08:39.390 --> 01:08:42.550
be Indiana Jones. Sure. I think that'd be very

01:08:42.550 --> 01:08:44.850
comparable. It's like, is there action? Yes.

01:08:45.119 --> 01:08:47.100
Is it blood and guts and like we're having knocked

01:08:47.100 --> 01:08:49.460
down, drag out fights every time that there's

01:08:49.460 --> 01:08:52.439
a perception of action? No, we're changing it

01:08:52.439 --> 01:08:54.020
up. We're doing different things, but there's

01:08:54.020 --> 01:08:56.180
still events happening that are fun. We're going

01:08:56.180 --> 01:08:57.520
to have a kidnap scene. We're going to have a

01:08:57.520 --> 01:09:01.359
chase scene. They they them going down the tunnel.

01:09:01.659 --> 01:09:03.579
Yeah, the clockwork tunnel is going to be a fun

01:09:03.579 --> 01:09:06.739
time. Yeah. Eric Idle, like singing them whispers

01:09:06.739 --> 01:09:08.779
like things of like how great their trip is going

01:09:08.779 --> 01:09:10.260
to be or something is going to be hysterical

01:09:10.260 --> 01:09:14.359
to watch. So then Robert Rodriguez had shark

01:09:14.359 --> 01:09:17.079
-borne lava girl, like he can do family, he can

01:09:17.079 --> 01:09:19.140
do funny. He can do it. He can do action. He

01:09:19.140 --> 01:09:20.840
did all this. He did the first three spy kids

01:09:20.840 --> 01:09:27.979
movies. Yeah. And the idea that you have a couple

01:09:27.979 --> 01:09:30.500
of surprises, you know, I think he handles that

01:09:30.500 --> 01:09:33.439
stuff really well, too. You know, like we don't

01:09:33.439 --> 01:09:36.439
want once upon a time in Mexico. Are you sure?

01:09:36.640 --> 01:09:40.779
but we'd like more of spy kids. Yeah. Maybe not

01:09:40.779 --> 01:09:43.819
with all the green screen and that, but you know

01:09:43.819 --> 01:09:47.319
what? But the family aesthetic PG -13 rating.

01:09:47.380 --> 01:09:49.720
Yeah. Kind of look at the lab. PG -13 because

01:09:49.720 --> 01:09:51.640
you get one to kill these people. You get to

01:09:51.640 --> 01:09:54.659
say it one time. Right. Cause new rules. What?

01:09:54.760 --> 01:09:58.619
Oh, who says the fuck? Who gets to say it? Damn.

01:09:59.050 --> 01:10:02.649
I wonder if it's not Eric Idle. It's going to

01:10:02.649 --> 01:10:04.609
be Eric Idle right at the end where he realizes

01:10:04.609 --> 01:10:08.010
his mistake. He's the mistake. Four funerals,

01:10:08.149 --> 01:10:12.090
one mistake. And then that can't be the tagline.

01:10:13.989 --> 01:10:16.489
But see the world that could have been. Yeah,

01:10:16.630 --> 01:10:18.770
I like that as a tagline. That's a pretty good

01:10:18.770 --> 01:10:24.090
tagline. Because that's the idea. And again,

01:10:24.270 --> 01:10:26.329
Christopher Lloyd's character is trying to sell

01:10:26.329 --> 01:10:31.350
this. this, but better and faster. Yeah. And

01:10:31.350 --> 01:10:34.409
they're like, we don't that's we don't want that.

01:10:34.409 --> 01:10:37.069
That's the point. Yeah. And he's like, but you're

01:10:37.069 --> 01:10:41.789
already there. And then he reveals like they've

01:10:41.789 --> 01:10:46.890
they've been doing it for eons. Does does he

01:10:46.890 --> 01:10:51.229
have a like a weapon? Is he does he have a secret

01:10:51.229 --> 01:10:55.800
Christopher Lloyd? Yeah. Type of like They have

01:10:55.800 --> 01:10:58.100
a, they have a, they have an oil, they have a

01:10:58.100 --> 01:11:00.460
mech, they have a mech that runs on oil and they're

01:11:00.460 --> 01:11:02.300
going to do some destruction. Yeah. You know?

01:11:02.420 --> 01:11:03.739
Yeah. There needs to be something. So you can

01:11:03.739 --> 01:11:05.199
have a battle. There needs to be something that

01:11:05.199 --> 01:11:07.100
runs off sludge for sure that they have to stop.

01:11:07.859 --> 01:11:10.920
Yeah. Climax is stopping the sludge machine.

01:11:12.199 --> 01:11:14.140
The sludge machine. I love it. What a good name.

01:11:14.260 --> 01:11:19.920
Yeah. The big battle mech versus our steam weapons.

01:11:21.340 --> 01:11:26.050
Sludge machine. You know, I like this. The bunker

01:11:26.050 --> 01:11:29.550
needs more throw pillows. What a great line.

01:11:30.550 --> 01:11:32.350
Can we make that a sticker? I love that as a

01:11:32.350 --> 01:11:34.750
sticker. I want that on my computer. The bunker

01:11:34.750 --> 01:11:37.329
needs more throw pillows. Well, I just said the

01:11:37.329 --> 01:11:40.149
bunker needs throw pillows. The bunker needs

01:11:40.149 --> 01:11:46.270
good food. I bet it's addressed in other movies.

01:11:46.829 --> 01:11:49.569
We're like, here, we just need something to remind

01:11:49.569 --> 01:11:52.050
us that we're not animals. We need something

01:11:52.050 --> 01:11:55.579
to remind us. Even if it's a ritual, even if

01:11:55.579 --> 01:11:57.619
it's a thing that we do, we all eat dinner at

01:11:57.619 --> 01:12:02.899
this time. But where do you see the most comedy?

01:12:03.359 --> 01:12:05.199
I mean, I see comedy right in the beginning.

01:12:05.520 --> 01:12:07.439
I see a lot of whimsy in that. I want to see

01:12:07.439 --> 01:12:10.119
the fucking house. I want to see his. I think

01:12:10.119 --> 01:12:13.300
we can find some comedy. I think that we could

01:12:13.300 --> 01:12:15.180
scatter a little bit of comedy into everything.

01:12:15.340 --> 01:12:16.539
Also, I don't think you could do Chris Farley

01:12:16.539 --> 01:12:18.520
without comedy. I just don't think it's possible.

01:12:18.579 --> 01:12:21.159
Even him being serious, there's still funny things

01:12:21.159 --> 01:12:24.159
happening around Chris Farley. Yeah. in, in fantastical

01:12:24.159 --> 01:12:28.000
things. Yeah. This dude is a rich kid who lives

01:12:28.000 --> 01:12:31.520
in a house, the steampunk who coasts to the Renaissance

01:12:31.520 --> 01:12:34.260
fair on like a day. It's closed to go see the

01:12:34.260 --> 01:12:36.420
dude who's got the hook up the like, no man,

01:12:36.420 --> 01:12:38.560
I'll get you in behind the scenes. Don't worry.

01:12:38.859 --> 01:12:42.300
Is he the son of like an oil baron? Oh, for sure.

01:12:42.460 --> 01:12:46.020
Like for sure. A BP. Yes. A hundred percent.

01:12:46.260 --> 01:12:51.850
His parents is an oil. Yes. Yes. That's his way

01:12:51.850 --> 01:12:54.069
to rebel. And he's constantly living it down

01:12:54.069 --> 01:12:57.329
like, God damn it. But he's like, oil paid for

01:12:57.329 --> 01:13:01.390
this. I'm cleaning my money. Yep. But the thing

01:13:01.390 --> 01:13:05.210
is and we didn't really touch on it too much

01:13:05.210 --> 01:13:09.029
But I like along the way that his girl gets conscripted

01:13:09.029 --> 01:13:12.350
Recruited for the other side either either through

01:13:12.350 --> 01:13:15.090
fantastical purposes or not. That's resolved

01:13:15.090 --> 01:13:17.949
So do we want all of our hero two minutes 48

01:13:17.949 --> 01:13:22.390
seconds? Do we want all of our heroes to to make

01:13:22.390 --> 01:13:25.789
it back after they complete their their or their

01:13:25.789 --> 01:13:29.010
final? Wait, you mean the all the good guy have

01:13:29.010 --> 01:13:32.520
any heroes die? I don't I don't know. Maybe I

01:13:32.520 --> 01:13:35.420
like the idea that we have everybody lives. We

01:13:35.420 --> 01:13:37.159
get a happy ending. Yeah. OK. Everybody right

01:13:37.159 --> 01:13:39.239
off into the sunset, which never made any sense

01:13:39.239 --> 01:13:41.060
because riding into the sunset just means you're

01:13:41.060 --> 01:13:43.800
camping in the dark. Exactly. Why don't you just

01:13:43.800 --> 01:13:46.699
stay at down at sunset? Yeah. Leave in the morning.

01:13:46.819 --> 01:13:48.479
Right. It looks good. It looks good. It looks

01:13:48.479 --> 01:13:52.899
great. I won't lie. I won't lie. It looks stunning.

01:13:53.500 --> 01:13:55.159
But when you're thinking about it, you're like,

01:13:55.159 --> 01:13:57.260
man, riding into the sunsets like the dumbest

01:13:57.260 --> 01:14:00.609
thing you could do right now. Well. Four funerals

01:14:00.609 --> 01:14:02.329
in one mistake. See the world that could have

01:14:02.329 --> 01:14:04.270
been. Do you like that? I like that one. That's

01:14:04.270 --> 01:14:07.149
great. I like that one. And that's that's maybe

01:14:07.149 --> 01:14:09.710
idols dying line. Like I missed a world that

01:14:09.710 --> 01:14:11.670
could have been. I like it being as like the

01:14:11.670 --> 01:14:14.250
sign for the clockwork tunnel as well. See a

01:14:14.250 --> 01:14:15.890
world that could have been. And that's amazing.

01:14:16.050 --> 01:14:18.390
That's like, you know, part of the bit that slips

01:14:18.390 --> 01:14:21.149
them into the alternate dimension. Ryan, do we

01:14:21.149 --> 01:14:23.409
figure out a movie in one hour? We did. We made

01:14:23.409 --> 01:14:26.180
a movie. We made it. I want to see this really,

01:14:26.180 --> 01:14:29.899
really, really well. Holograms bring back Chris

01:14:29.899 --> 01:14:33.380
Farley. Let's make it happen. Actually don't

01:14:33.380 --> 01:14:36.939
do that. I'm a little time machine back. Grab

01:14:36.939 --> 01:14:38.939
Chris Farley before his heart attack and we bring

01:14:38.939 --> 01:14:41.460
him to the now we created. We just have good

01:14:41.460 --> 01:14:46.699
feelings of wellness for him and we wish well

01:14:46.699 --> 01:14:49.779
wherever he is. I hope he's whoever he's partying

01:14:49.779 --> 01:14:52.079
with. I hope it's a good time. Yeah. But you'd

01:14:52.079 --> 01:14:55.300
crush in this. And, uh, we're going to keep doing

01:14:55.300 --> 01:14:58.840
this again and again and again, because, um,

01:14:59.079 --> 01:15:00.600
it's not that we don't have anything else to

01:15:00.600 --> 01:15:03.939
do. Um, it's just, we like to do this. Nobody's

01:15:03.939 --> 01:15:05.319
stopped me yet and I'm going to keep doing it

01:15:05.319 --> 01:15:08.739
until, uh, I want to not. And, uh, that's never,

01:15:08.979 --> 01:15:13.800
so I keep doing it, uh, until we meet again and

01:15:13.800 --> 01:15:16.960
until Hollywood calls us and says, stop. And

01:15:16.960 --> 01:15:18.859
cease and desist. They're going to write us.

01:15:19.000 --> 01:15:21.779
We have a trademark. We're making better movies

01:15:21.779 --> 01:15:23.779
than they are. That would be terrifying. On Linda

01:15:23.779 --> 01:15:30.159
Cardinale's name. Specifically the name. Logan,

01:15:30.800 --> 01:15:32.880
thank you. Pleasure as always. Let's make another

01:15:32.880 --> 01:15:34.199
movie. Let's do it again.