WEBVTT 00:00:07.240 --> 00:00:10.679 Welcome to A Little Unscripted, the show where 00:00:10.679 --> 00:00:13.380 we pull a random title, spin a random genre, 00:00:13.919 --> 00:00:17.219 and then try to create a film that honestly shouldn't 00:00:17.219 --> 00:00:20.699 work, and is impossible, is way too expensive, 00:00:20.920 --> 00:00:23.399 and no one's asking for, but that's the fun, 00:00:23.640 --> 00:00:27.379 one idea, one hour, and zero guarantees. Let's 00:00:27.379 --> 00:00:33.219 make this thing. Good day. I'm Ryan and I'm Logan 00:00:33.219 --> 00:00:36.479 and no matter what we are going to make a movie 00:00:36.479 --> 00:00:39.619 today again and again and again until somebody 00:00:39.619 --> 00:00:42.579 tells us to stop Yeah, or somebody says we want 00:00:42.579 --> 00:00:45.140 you to do this professionally and take over. 00:00:45.140 --> 00:00:48.380 Yeah The machine. Yeah, we become the machine. 00:00:48.600 --> 00:00:52.039 Viva la revolution. We live so long, we become 00:00:52.039 --> 00:00:55.219 the enemy we thought we were. I got you. I want 00:00:55.219 --> 00:00:58.560 to I want to live and be successful enough that 00:00:58.560 --> 00:01:01.659 we can sell out. Yes. And then redeem ourselves. 00:01:01.920 --> 00:01:05.359 Yes. In a M. Night Shyamalan fashion. But he 00:01:05.359 --> 00:01:08.799 never fell off to me. I really liked all of his 00:01:08.799 --> 00:01:12.439 stuff. He maintained. And the one like his indie 00:01:12.439 --> 00:01:14.500 comeback, The Visit. Is that what it was called 00:01:14.500 --> 00:01:16.989 with the? kids who go to the grandparents. Is 00:01:16.989 --> 00:01:18.950 that what it was? Did you see that one? I'll 00:01:18.950 --> 00:01:21.129 be honest. I'll be honest. I have not been up 00:01:21.129 --> 00:01:23.469 on my I'm not even sure I'm on. It's so good. 00:01:23.569 --> 00:01:27.150 Is it that one? And trap the one with heart. 00:01:27.530 --> 00:01:30.590 Oh, OK. Yeah. That one did seem like it was a 00:01:30.590 --> 00:01:34.060 good time. OK. Yeah, I'm a Hartnett fan. It was 00:01:34.060 --> 00:01:37.560 like his big comeback, wasn't it? I thought maybe 00:01:37.560 --> 00:01:41.180 Oppenheimer was, you know, because I was delighted 00:01:41.180 --> 00:01:43.819 to see him. He's not really gone away. OK, it's 00:01:43.819 --> 00:01:46.420 just he's just been doing a little quieter. OK, 00:01:47.040 --> 00:01:48.840 just been quieter. I'm not going to rock the 00:01:48.840 --> 00:01:51.200 boat. He's really good in trap and trap. I need 00:01:51.200 --> 00:01:54.260 to add to the list because it is. That's exactly 00:01:54.260 --> 00:01:56.840 what it sounds like. You know, it's a sting operation 00:01:56.840 --> 00:02:01.319 inside a arena pop concert. All right. Which 00:02:01.319 --> 00:02:04.620 is only like 20 percent of the movie. Only 20 00:02:04.620 --> 00:02:07.799 percent. Spoiler alert. Have you seen anything 00:02:07.799 --> 00:02:10.099 fun recently? Are you going to be influenced 00:02:10.099 --> 00:02:13.740 today? No, I have not seen. I mean, nothing too 00:02:13.740 --> 00:02:15.919 crazy. Been on a rewatch of Peaky Blinders because 00:02:15.919 --> 00:02:17.939 I got to watch the movie that just came out. 00:02:17.939 --> 00:02:20.560 Sure. So I got just that. But no, nothing too 00:02:20.560 --> 00:02:24.379 crazy, though. I will say just because it's going 00:02:24.379 --> 00:02:26.680 to date us right now. OK, I want to see ready 00:02:26.680 --> 00:02:29.900 or not to. And then I also want to see they're 00:02:29.900 --> 00:02:32.919 going to get you back to back. Double feature. 00:02:33.400 --> 00:02:38.259 That's maybe our plan for an upcoming day this 00:02:38.259 --> 00:02:43.699 weekend because I like the thrust of those movies. 00:02:44.599 --> 00:02:49.099 Fun, some comedy, some practical effect, horror. 00:02:49.659 --> 00:02:52.479 you know, interesting writing, hopefully. Strong 00:02:52.479 --> 00:02:55.620 female leads, it looks like, in both. Yeah. The 00:02:55.620 --> 00:03:00.819 idea that Ready or Not was so clever and fun. 00:03:01.199 --> 00:03:03.699 Yeah, quite. You know what I mean? Even as a, 00:03:03.800 --> 00:03:05.759 like, I'm not the biggest horror movie fan, but 00:03:05.759 --> 00:03:08.939 it was a good, fun time. I enjoyed it. It was 00:03:08.939 --> 00:03:11.620 quite pleasant. I'm a super fan of Samara Weaving. 00:03:11.800 --> 00:03:15.340 It comes up on A Little Independent a lot. And... 00:03:15.810 --> 00:03:17.830 I'm trying to remember the first thing that I 00:03:17.830 --> 00:03:20.389 saw her, and she's been in, you know, big characters 00:03:20.389 --> 00:03:23.770 and things, but Mayhem was one. Did you see Mayhem 00:03:23.770 --> 00:03:26.169 where, like, there's a virus and leashes in a 00:03:26.169 --> 00:03:29.550 building? Oh, no, that was on my list. I never 00:03:29.550 --> 00:03:34.150 did get to it. Steven Yeun is so good. It's foul 00:03:34.150 --> 00:03:38.610 and filthy and so wondrously debaucherous. I 00:03:38.610 --> 00:03:41.610 feel like I always mix that one with, is it the 00:03:41.610 --> 00:03:47.180 Bilko experiment with John C. McKinley? Exactly. 00:03:48.159 --> 00:03:49.800 I feel like I need to watch. How would you not 00:03:49.800 --> 00:03:52.060 conflate those? Yeah. That's another good, yeah. 00:03:52.120 --> 00:03:54.039 Back to back. Yeah. I feel like if anybody wants 00:03:54.039 --> 00:03:56.280 to double feature it, let us know. Cause there'd 00:03:56.280 --> 00:03:59.199 be differences enough between them. Yeah. Um, 00:03:59.199 --> 00:04:01.919 but the similarities to make a good theme. So 00:04:01.919 --> 00:04:05.479 what's a good back to back, um, like food and 00:04:05.479 --> 00:04:08.500 drink combo for like a trapped in a building. 00:04:08.879 --> 00:04:12.879 Long Island iced tea. For sure. The strongest 00:04:12.879 --> 00:04:13.919 you can make it. Because you want to get fucked 00:04:13.919 --> 00:04:16.120 up immediately? Yeah, because you're in for a 00:04:16.120 --> 00:04:21.160 big ride. For sure. Because it's tasty and delicious. 00:04:21.259 --> 00:04:23.220 And then you think about it as like, how much 00:04:23.220 --> 00:04:24.680 did I just drink? And by the time you get to 00:04:24.680 --> 00:04:27.040 that much, you're like, it's too late. It's over 00:04:27.040 --> 00:04:28.540 now. I dated a girl, and we first met. She was 00:04:28.540 --> 00:04:30.459 a waitress at TGI Fridays. I'm not bragging. 00:04:31.019 --> 00:04:34.120 But this was the time when they had those fish 00:04:34.120 --> 00:04:39.009 bowl sides. long islands. And it was like the 00:04:39.009 --> 00:04:41.850 big gag and we'd go and you get one, not five 00:04:41.850 --> 00:04:45.550 dollars, but like, you know, I had a buddy who 00:04:45.550 --> 00:04:48.050 beat the record at a location, seven and a half 00:04:48.050 --> 00:04:51.209 of those. No. And we never saw him again. He 00:04:51.209 --> 00:04:53.990 was gone. He's still on the photo board. He's 00:04:53.990 --> 00:04:59.050 different. Now all of his meals through his draw. 00:04:59.310 --> 00:05:01.509 He talks a little differently. We still love 00:05:01.509 --> 00:05:05.490 them though. I cannot stand a Long Island iced 00:05:05.490 --> 00:05:07.389 tea. What would you make? All right, so you can't 00:05:07.389 --> 00:05:08.949 do a Long Island iced tea. No, that's a great 00:05:08.949 --> 00:05:11.889 idea. I'm wondering what a good food item is. 00:05:12.069 --> 00:05:14.769 What's a good snack item for that? Like a good 00:05:14.769 --> 00:05:17.689 dinner pairing for trapped in a building. I feel 00:05:17.689 --> 00:05:20.209 like, all right, well, which role are you taking? 00:05:20.329 --> 00:05:21.949 Are you taking that of the employee? No, it should 00:05:21.949 --> 00:05:24.879 be bagels. It should be like. A bagel spread. 00:05:25.459 --> 00:05:28.920 Bagel spread? Long Island bagels? Yeah, lox bagels, 00:05:29.220 --> 00:05:31.939 Long Island iced tea. That would be a wild combination. 00:05:31.939 --> 00:05:34.000 And then people are freaking out and puking. 00:05:34.720 --> 00:05:37.720 Just everywhere. It'd be a disgusting smelling 00:05:37.720 --> 00:05:39.959 theater. I feel so bad for the employee to clean 00:05:39.959 --> 00:05:43.300 it up. Well, in the dystopia, circling back to 00:05:43.300 --> 00:05:48.560 our last movie, food for the dystopia is just 00:05:48.560 --> 00:05:50.860 anything you can find, right? I feel like it. 00:05:51.969 --> 00:05:54.449 Food's not very important in the dystopia survival. 00:05:54.490 --> 00:05:56.490 Yeah, it sure doesn't seem like it. Anything 00:05:56.490 --> 00:05:59.029 goes, right? This is correct. This is correct. 00:05:59.370 --> 00:06:01.470 Whatever it takes to survive in a dystopia. Did 00:06:01.470 --> 00:06:04.250 we have Laura Dern in our last movie? I feel 00:06:04.250 --> 00:06:07.370 like we did have Laura Dern. Watched Is This 00:06:07.370 --> 00:06:10.870 Thing On? recently, the movie with Will Arnett. 00:06:11.000 --> 00:06:14.060 and Laura Dern. What? Huh? Excuse me. It's a 00:06:14.060 --> 00:06:16.660 Will Arnett, Laura Dern. Yeah, it's a drama. 00:06:17.040 --> 00:06:19.720 They're they're kind of divorcing and he just 00:06:19.720 --> 00:06:22.519 decides to walk up onto a New York standup stage 00:06:22.519 --> 00:06:25.259 and just start talking. Oh, and it's really good. 00:06:25.480 --> 00:06:28.519 But I'm just doubling down, I guess. Laura Dern 00:06:28.519 --> 00:06:32.240 is tremendous in everything. Yes. Continues to 00:06:32.240 --> 00:06:35.180 be. Yes. You know, I mean, wild at heart. She 00:06:35.180 --> 00:06:39.209 matches it with Nicolas Cage. I don't know, just 00:06:39.209 --> 00:06:41.589 super happy. Her and Willem Dafoe in that movie. 00:06:42.189 --> 00:06:44.329 I'd like to see them in a movie currently together, 00:06:44.449 --> 00:06:47.550 whatever that looks like, to be honest. Are you 00:06:47.550 --> 00:06:51.310 still happy with the layout of our last? Run 00:06:51.310 --> 00:06:53.930 me through it again. Give me some taste. Well, 00:06:54.029 --> 00:06:57.209 edge case, right? Yes, our dystopian film. And 00:06:57.209 --> 00:07:06.040 we had this idea that every big pharma and and 00:07:06.040 --> 00:07:09.180 mental health has made everybody equals and everything 00:07:09.180 --> 00:07:13.259 is fine. Yes. Good men do something. That was 00:07:13.259 --> 00:07:15.199 our tagline. That was indeed our tagline. You 00:07:15.199 --> 00:07:17.980 know, brought in some Harrison Bergeron elements, 00:07:18.199 --> 00:07:22.209 Sean Astin as a DJ, I think we got there. Who 00:07:22.209 --> 00:07:23.990 was our big bad? Remind me of the big bad. I 00:07:23.990 --> 00:07:25.490 thought it was quite clever. Daniel Day -Lewis. 00:07:25.970 --> 00:07:28.550 Oh, yes. Yes. Daniel Day -Lewis. Yeah. The man, 00:07:28.649 --> 00:07:31.670 the myth, the legend. If he agrees to this role, 00:07:31.790 --> 00:07:34.829 it'd be great. And remember, he's an immortal, 00:07:34.910 --> 00:07:37.189 you know? Yes. He's the alien representative. 00:07:37.430 --> 00:07:40.370 Yes. And they left, you know, thinking that this 00:07:40.370 --> 00:07:43.870 experiment was going to run itself. And yeah, 00:07:43.870 --> 00:07:46.250 here we are. We have a little Elijah Wood situation 00:07:46.250 --> 00:07:51.759 with his mean brother, not John Bernthal. Yes, 00:07:51.759 --> 00:07:53.660 I flipped it. I forget who that was. Michael 00:07:53.660 --> 00:07:57.639 C. Hall. Yes, Michael C. Hall, a la gamer. Yes, 00:07:57.740 --> 00:08:01.040 a la gamer. I love that movie. So how are you 00:08:01.040 --> 00:08:03.480 feeling now that we're smacking you right in 00:08:03.480 --> 00:08:05.459 the chops? Yeah, we brought in Lucy Lawless, 00:08:05.720 --> 00:08:08.399 right? Yes. Yes. As our female counterpart. Yeah, 00:08:08.540 --> 00:08:10.240 I feel like she's definitely got the chops to 00:08:10.240 --> 00:08:13.240 match Daniel Day -Lewis. I love her recent work 00:08:13.240 --> 00:08:16.759 in Ash versus the Evil Dead. Yes. Quite good. 00:08:16.860 --> 00:08:18.860 Quite good. You know what I'm really hoping for? 00:08:19.160 --> 00:08:20.660 I have a feeling it's going to happen, but I 00:08:20.660 --> 00:08:23.579 can totally see a Xena follow up. Oh, I wonder. 00:08:23.779 --> 00:08:25.699 I could see it happening. If they're going to 00:08:25.699 --> 00:08:28.579 do old Conan might as well do. We might as well 00:08:28.579 --> 00:08:30.800 do Xena. We might as well do Xena. And if we're 00:08:30.800 --> 00:08:33.139 going to do Xena, we might as well do Xena like 00:08:33.139 --> 00:08:35.080 Game of Thrones style. Like we should just give 00:08:35.080 --> 00:08:37.519 them the blood and guts. You know, we age with 00:08:37.519 --> 00:08:40.000 the show. It doesn't need to be. It can be as 00:08:40.000 --> 00:08:43.539 campy and fun. Yeah, I wonder if you can do it 00:08:43.539 --> 00:08:46.779 with that Evil Dead, like the Raimi -style gore. 00:08:46.860 --> 00:08:48.840 I think it could definitely fit that. Because 00:08:48.840 --> 00:08:51.100 it never really had that as much. In a different 00:08:51.100 --> 00:08:54.399 sense, I think, go animated for a quick second. 00:08:55.620 --> 00:08:58.740 Samurai Jack decided to age up with its audience. 00:08:59.100 --> 00:09:02.139 Firefly is coming back right now. So I think 00:09:02.139 --> 00:09:04.779 that the idea that even if it's not animated 00:09:04.779 --> 00:09:08.000 as a show, we could still age with the audience 00:09:08.000 --> 00:09:10.710 at this rate. Spend 30 years. They're allowed 00:09:10.710 --> 00:09:12.809 to see some blood and guts. We understand. It's 00:09:12.809 --> 00:09:16.289 an adult show. Yeah, absolutely. Why not? So 00:09:16.289 --> 00:09:20.129 are you feeling any recasts? No, I don't. I don't 00:09:20.129 --> 00:09:22.389 have anybody I want to recast. I feel like I 00:09:22.389 --> 00:09:24.809 thought the recast live in action. Who are you 00:09:24.809 --> 00:09:27.389 having direct this this fine flick? Paul Verhoeven. 00:09:27.529 --> 00:09:30.470 Paul. That's correct. Of all the masters of sci 00:09:30.470 --> 00:09:32.309 -fi. Yeah, you're right. I feel like he did. 00:09:32.590 --> 00:09:35.850 He does understand. He's he's. of a director's 00:09:35.850 --> 00:09:38.370 director, man, he's got quite the range. My son 00:09:38.370 --> 00:09:41.129 is side note, he's become obsessed with RoboCop 00:09:41.129 --> 00:09:44.350 RoboCop's great appropriate. It's great. I'm 00:09:44.350 --> 00:09:46.970 like, this is a satire, son. It is indeed. I 00:09:46.970 --> 00:09:49.350 mean, you have to look at it from that. So is 00:09:49.350 --> 00:09:51.350 Starship Troopers, though nobody wants to admit 00:09:51.350 --> 00:09:53.809 one of the best. It's so good that they forget 00:09:53.809 --> 00:09:55.830 that it's a satire. That's what makes the only 00:09:55.830 --> 00:09:59.769 good bug is a dead bug. It's so good. It brought 00:09:59.769 --> 00:10:03.879 back. What's wrong with me? I can't think of 00:10:03.879 --> 00:10:05.580 his name. This doesn't bode well for a show. 00:10:06.600 --> 00:10:12.039 Doogie Howser. Oh, yes. Neil Patrick Harris. 00:10:12.519 --> 00:10:14.899 NPH. I was thinking C. Thomas Howell. That's 00:10:14.899 --> 00:10:17.629 not correct. I can understand. Yes. People forget 00:10:17.629 --> 00:10:21.210 that he was, it's not like Harold and Kumar was 00:10:21.210 --> 00:10:23.470 his big comeback. He was in Starship Troopers. 00:10:23.610 --> 00:10:26.210 He was in some things. He was floating there. 00:10:26.250 --> 00:10:28.909 He was around in the background. Gosh. Well, 00:10:28.909 --> 00:10:31.669 I am really glad that you feel good about our 00:10:31.669 --> 00:10:35.990 movie and that we can move forward amicably and 00:10:35.990 --> 00:10:38.070 do something new. I should ask you, is there 00:10:38.070 --> 00:10:41.309 anything you want to change or adjust? No. Dana 00:10:41.309 --> 00:10:43.090 Day -Lewis, if we can't get him, I would like 00:10:43.090 --> 00:10:45.529 to replace him potentially with John Larroquette. 00:10:46.759 --> 00:10:48.940 Okay, who's John Learcat? Give me give me something 00:10:48.940 --> 00:10:51.139 else. I want to know like it's basing on my brain. 00:10:51.139 --> 00:10:55.919 I'm gonna take my cane and I'll leave. Night 00:10:55.919 --> 00:10:58.779 Court is probably what he's best known for. Movie 00:10:58.779 --> 00:11:00.940 wise, I'm going to struggle. House Guest with 00:11:00.940 --> 00:11:04.799 Kirsty Alley, Second Sight with Bronson Pinchot. 00:11:04.960 --> 00:11:09.740 It's kind of a joke answer. But if you give Learcat 00:11:09.740 --> 00:11:12.059 something meaty and like, you know, we're going 00:11:12.059 --> 00:11:13.600 to give you a chance and you're just going to 00:11:13.600 --> 00:11:16.659 be filthy evil. And you're an alien representative. 00:11:16.940 --> 00:11:19.259 It's one of those like, oh, he kind of stepped 00:11:19.259 --> 00:11:21.740 out of his thing. Because he could do a sleazy 00:11:21.740 --> 00:11:25.059 bad guy. But if you like, let's like really be 00:11:25.059 --> 00:11:29.059 evil. But I'm happy with Daniel Day -Lewis. But 00:11:29.059 --> 00:11:34.720 if he passes, I think a certain era John Lirikett. 00:11:35.240 --> 00:11:39.320 Which era? Give me an era. Early, I think that 00:11:39.320 --> 00:11:41.779 maybe only one era. OK, the whole era. I don't 00:11:41.779 --> 00:11:43.779 know what he's up to lately. Maybe he's killing 00:11:43.779 --> 00:11:46.320 it now. I need to look that up. But no, I feel 00:11:46.320 --> 00:11:49.519 good. So why don't we remind our listeners and 00:11:49.519 --> 00:11:51.940 if it's your first time, thank you for listening 00:11:51.940 --> 00:11:54.659 in and being on this whimsical journey for us. 00:11:54.679 --> 00:11:57.220 And if you're listening for a second or third 00:11:57.220 --> 00:12:00.200 time, thank you for coming back. Appreciate it. 00:12:00.620 --> 00:12:05.379 And in connecting with us and doing this meaningfully, 00:12:05.799 --> 00:12:10.769 potentially naked like we are. So when we created 00:12:10.769 --> 00:12:13.789 the show, we created some rules for ourselves. 00:12:14.169 --> 00:12:18.409 So in 60 Earth minutes. Yes. That's the only 00:12:18.409 --> 00:12:21.750 kind of minutes I know of. I don't know if you 00:12:21.750 --> 00:12:23.450 know any other ones. Look at us on the same page. 00:12:23.769 --> 00:12:27.429 We must create a plot, a movie plot to conclusion, 00:12:28.350 --> 00:12:32.169 a tagline of this movie. It's very important 00:12:32.169 --> 00:12:35.399 to me, near and dear. The movie plot. Must have 00:12:35.399 --> 00:12:39.220 a character, at least one. At least one. And 00:12:39.220 --> 00:12:42.419 we must name a director for this show. These 00:12:42.419 --> 00:12:45.279 are randomly generated titles and a randomly 00:12:45.279 --> 00:12:48.980 selected genre as a reminder that we get. And 00:12:48.980 --> 00:12:51.799 we give ourselves 60 minutes because that just 00:12:51.799 --> 00:12:55.019 seems fair. Seems just enough to stimulate the 00:12:55.019 --> 00:12:58.009 brain, just enough to force us to do it. We came 00:12:58.009 --> 00:13:00.409 to The Wire last episode. Yeah, yeah, it came 00:13:00.409 --> 00:13:02.929 down pretty close. Two minutes -ish. Yeah, we 00:13:02.929 --> 00:13:04.049 kind of came up on the tagline very quickly. 00:13:04.070 --> 00:13:06.009 And I forget what we meandered on so much. I 00:13:06.009 --> 00:13:07.750 think it was plot maybe? Yeah, I think we got 00:13:07.750 --> 00:13:09.950 hung up on plot. We figured out our cast fairly 00:13:09.950 --> 00:13:12.110 quickly on that one. We'll have to look back 00:13:12.110 --> 00:13:15.210 and see, you know, what, where, you know, do 00:13:15.210 --> 00:13:18.970 we have a trend? Do we hang up on plot or do 00:13:18.970 --> 00:13:22.629 we hang up on lead character? I... I genuinely 00:13:22.629 --> 00:13:25.009 don't know. I don't want to give us pitfalls. 00:13:25.269 --> 00:13:27.590 No, no. It's only smooth sailing. Like get into 00:13:27.590 --> 00:13:31.230 our own heads. Yeah, yeah. Let's be real. Your 00:13:31.230 --> 00:13:33.250 harshest critique is yourself, right? Yeah, you're 00:13:33.250 --> 00:13:35.629 probably right about that. So I'm not even going 00:13:35.629 --> 00:13:38.309 to dwell on it. We are going to... Are you good 00:13:38.309 --> 00:13:41.149 with the genre after I get the title? Yeah, of 00:13:41.149 --> 00:13:42.409 course, of course. All right. So we're generating 00:13:42.409 --> 00:13:45.289 our numbers, and our numbers are between one 00:13:45.289 --> 00:13:48.269 and 100, and that is our title. And our title 00:13:48.269 --> 00:13:52.679 number is three. And our number one and 55, those 00:13:52.679 --> 00:13:56.879 are genres, 55 genres, by the way. And again, 00:13:57.019 --> 00:13:59.120 we haven't looked at these ahead of time, so 00:13:59.120 --> 00:14:06.559 it's a surprise. 41. 41. So our title is, and 00:14:06.559 --> 00:14:10.679 you can hear your own, oh. Let's hear the title. 00:14:10.899 --> 00:14:16.220 Dead Letter. Dead Letter. All right. This is 00:14:16.220 --> 00:14:18.259 fun. I like Dead Letter. I love Dead Letter. 00:14:18.279 --> 00:14:22.519 My initial feeling is of joy. Uh -huh. Because 00:14:22.519 --> 00:14:24.500 I think that's kind of a rad title. All right. 00:14:24.500 --> 00:14:26.500 Let me write this down. Dead Letter, first of 00:14:26.500 --> 00:14:28.360 all. Dead Letter. Hold on. And it's not, we're 00:14:28.360 --> 00:14:30.360 not going to redo the Da Vinci code with this. 00:14:30.379 --> 00:14:33.519 No. No. Dead Letter. This here, Dead Letter, 00:14:33.759 --> 00:14:40.519 is going to be a sex comedy. God damn. Yeah, 00:14:40.539 --> 00:14:45.509 I... That's a, that's a genre. That's what we 00:14:45.509 --> 00:14:50.250 got. The sex comedy. Is there a, is there a classic 00:14:50.250 --> 00:14:52.769 sex comedy that you can think of? Any national 00:14:52.769 --> 00:14:55.809 lampoon is like any national lampoon just inherently 00:14:55.809 --> 00:14:57.889 count as a sex comedy. Oh yeah. There's a bunch 00:14:57.889 --> 00:15:01.200 of them. Right. Euro trips. Right. But One of 00:15:01.200 --> 00:15:03.480 the ultimate ones, and this came up in conversation 00:15:03.480 --> 00:15:05.759 maybe with us recently, was Porky's. Did we talk 00:15:05.759 --> 00:15:08.259 about Porky's recently? Yeah, probably. And why 00:15:08.259 --> 00:15:10.980 could it be made today? And it's not one of my 00:15:10.980 --> 00:15:14.840 favorites. One of my favorites is a movie which 00:15:14.840 --> 00:15:17.759 solidified me to my Hollywood crush, and it's 00:15:17.759 --> 00:15:21.220 called Road Trip. Oh, good selection, good selection. 00:15:22.340 --> 00:15:26.759 Really, really like that movie. Gosh, it's not 00:15:26.759 --> 00:15:30.440 a genre that maybe after a certain Maybe once 00:15:30.440 --> 00:15:33.360 I had kids, I stopped looking at it. Oh, oh, 00:15:33.559 --> 00:15:35.840 one of my also favorites is a movie called Tom 00:15:35.840 --> 00:15:40.000 Katz. Tom Katz. Jerry O 'Connell. OK. Shannon 00:15:40.000 --> 00:15:43.960 Elizabeth. Jake Busey. It is straight hilarious. 00:15:44.740 --> 00:15:49.159 Tom Katz. How about you? I think. Let's see. 00:15:49.539 --> 00:15:51.779 Well, let's see. The mid 2000s had what was it? 00:15:51.879 --> 00:15:54.009 Just sex trip. Right. That was just a movie. 00:15:54.210 --> 00:15:59.129 I think you're correct. No, I don't. You are. 00:15:59.309 --> 00:16:02.750 No, I don't think so. I think the mid 2000s were 00:16:02.750 --> 00:16:05.830 a bit wild. B movie. No, it was like that feels 00:16:05.830 --> 00:16:08.389 like the Beamer movie of road trip. They're like, 00:16:08.389 --> 00:16:10.789 fuck it. Call it sex trip. What did the whole 00:16:10.789 --> 00:16:15.750 thing was about? The kid trying to I know there's 00:16:15.750 --> 00:16:18.070 so many I'm thinking of super bad. Yeah, like 00:16:18.070 --> 00:16:20.710 super bad. Of course. Let's see the American 00:16:20.710 --> 00:16:23.529 Pie movies. That's probably. Yeah. Like, let's 00:16:23.529 --> 00:16:25.990 be real. They may have any time. Am I wrong? 00:16:26.129 --> 00:16:27.809 I probably mislabeled, but like, what was it? 00:16:27.809 --> 00:16:29.570 There was a movie like the whole, the whole thing 00:16:29.570 --> 00:16:32.049 was literally, well, maybe it was road trip. 00:16:32.049 --> 00:16:35.409 I forget what it was. Sex trip. I, I might be 00:16:35.409 --> 00:16:38.070 just be making it up. If they, if I am the AI 00:16:38.070 --> 00:16:40.330 overlords have pulled you wish there was a movie. 00:16:40.409 --> 00:16:44.110 I think a lot of the populace, you know what 00:16:44.110 --> 00:16:45.830 I bet you there is. And if not, there's going 00:16:45.830 --> 00:16:47.909 to be that we live in a time where there would 00:16:47.909 --> 00:16:50.210 definitely be a movie called porn version of 00:16:50.210 --> 00:16:57.169 rat race. Sextrep. I don't know. Logan Sextrep. 00:16:57.529 --> 00:17:02.090 Terrible. Terrible. Well, how do you have a real 00:17:02.090 --> 00:17:04.950 movie that like a real ties you to that genre? 00:17:05.369 --> 00:17:08.650 No, not like the other than remember seeing the 00:17:08.650 --> 00:17:10.750 American pies. Would you call Revenge of the 00:17:10.750 --> 00:17:14.470 Nerds a sex comedy? I feel like you have to. 00:17:14.939 --> 00:17:17.119 I feel like you could definitely, because it's 00:17:17.119 --> 00:17:18.859 all about them getting popular enough to sleep 00:17:18.859 --> 00:17:21.299 with the girls, right? Yeah, in the 80s. The 00:17:21.299 --> 00:17:24.220 80s movies were all about. Cocaine's a hell of 00:17:24.220 --> 00:17:26.400 a drug. I just want to point that out. And I 00:17:26.400 --> 00:17:27.980 think these have always been around, you know 00:17:27.980 --> 00:17:29.680 what I mean? It's just, I feel like they were 00:17:29.680 --> 00:17:31.680 more prolific in the 80s. They were definitely 00:17:31.680 --> 00:17:34.480 very prolific in the 80s. But American Pie was 00:17:34.480 --> 00:17:37.900 90s. Yep. Has there been one since the 2000s, 00:17:37.900 --> 00:17:42.970 really? What about that movie with Jennifer, 00:17:43.089 --> 00:17:46.630 Jennifer, Jennifer, Jennifer, Jennifer Lawrence, 00:17:47.130 --> 00:17:51.089 where the where she just recently. Yeah, that's 00:17:51.089 --> 00:17:53.329 a that one kind of sex comedy for sure. But they're 00:17:53.329 --> 00:17:55.589 not all over the place. And now it's like, oh, 00:17:55.710 --> 00:17:58.609 so and so gets naked, you know, in the movie, 00:17:58.750 --> 00:18:02.069 a Blake Edwards movie, SOB, Julie Andrews, you 00:18:02.069 --> 00:18:04.990 know, right. Topless does. Oh, my God. I mean, 00:18:05.049 --> 00:18:07.589 this pretty woman kind of has a sex movie comedy. 00:18:07.970 --> 00:18:11.920 Yeah. Yeah. All right. All right. Well, we're 00:18:11.920 --> 00:18:14.539 getting our definition comedy down and I feel 00:18:14.539 --> 00:18:16.660 pretty good about that So we are gonna start 00:18:16.660 --> 00:18:20.220 our timer and we're gonna make this sex comedy 00:18:20.220 --> 00:18:23.119 sex trip. We're making it I'm renaming it I'm 00:18:23.119 --> 00:18:24.900 gonna double and triple down on it. You know 00:18:24.900 --> 00:18:27.299 what live by the sword die by the sword I don't 00:18:27.299 --> 00:18:30.299 know where I pulled it but yeah sex comedies 00:18:30.299 --> 00:18:32.839 now Now I'm thinking about it more recently. 00:18:32.839 --> 00:18:36.670 There's been a couple of, and I forget the title, 00:18:37.250 --> 00:18:40.190 but some young teenage female -led comedies. 00:18:40.869 --> 00:18:42.930 So different perspectives are out there. Does 00:18:42.930 --> 00:18:45.390 Spring Breakers count as one? Maybe as a comedy? 00:18:45.569 --> 00:18:47.430 OK, so we're thinking about what is the tenet 00:18:47.430 --> 00:18:50.349 of a sex comedy? The tenet of a sex comedy, the 00:18:50.349 --> 00:18:54.190 subject clearly is around sex. Somebody wants 00:18:54.190 --> 00:18:56.670 it. Somebody has too much of it. Hitch could 00:18:56.670 --> 00:18:59.450 maybe even be seen. That's more of a love comedy. 00:18:59.470 --> 00:19:04.819 For sure. what's a topic that's interesting to 00:19:04.819 --> 00:19:08.299 you and funny around sex that maybe isn't talked 00:19:08.299 --> 00:19:10.980 about? Like you mentioned kink earlier. Could 00:19:10.980 --> 00:19:14.259 we have something that's maybe respectfully done 00:19:14.259 --> 00:19:18.940 around the world of kink? Or you talked about 00:19:18.940 --> 00:19:23.799 a incarceration festival, a sex comedy around 00:19:23.799 --> 00:19:27.259 music festivals, things that we like. What could 00:19:27.259 --> 00:19:31.210 be? There you could have musicians. You can bring 00:19:31.210 --> 00:19:34.109 in famous like a mock menary style. You can. 00:19:34.230 --> 00:19:36.349 Well, I'm not necessarily, but that gives the 00:19:36.349 --> 00:19:40.190 opportunity for musical cameos. Right. That would 00:19:40.190 --> 00:19:43.589 be interesting to have a sex comedy letter. That 00:19:43.589 --> 00:19:45.690 would be an interesting one. I forgot about that. 00:19:46.230 --> 00:19:47.890 I remember the title because the title is going 00:19:47.890 --> 00:19:49.970 to influence this a little bit. For some reason, 00:19:50.130 --> 00:19:52.789 my brain also went to like the 40 year old virgin. 00:19:53.349 --> 00:19:55.690 Definitely counts as a sex comedy. Right. That's 00:19:55.690 --> 00:19:58.019 a that's a that's a pinnacle one. Right. takes 00:19:58.019 --> 00:20:02.519 the other the other turn. Right. Dead letter. 00:20:02.759 --> 00:20:05.319 Well, you know, dead letter on the nose, you 00:20:05.319 --> 00:20:07.640 know, sounds like it's literary. Sounds like 00:20:07.640 --> 00:20:10.440 it's a postal worker, you know, a lonely postal 00:20:10.440 --> 00:20:13.059 worker. We might hate this idea or it might be 00:20:13.059 --> 00:20:18.339 great. Yeah. I'm I'm not I'm not sure. You know 00:20:18.339 --> 00:20:19.960 what? Live by the sword, die by the sword. I 00:20:19.960 --> 00:20:23.059 am your baby bird. I'm here. I'm going to feed 00:20:23.059 --> 00:20:26.700 me. Are you ready for this? Feed me. With the 00:20:26.700 --> 00:20:29.039 idea of dead letter I like the idea for some 00:20:29.039 --> 00:20:32.619 reason of it taking place of like this is somebody's 00:20:32.619 --> 00:20:35.140 elderly parent grandparent and like the old folks 00:20:35.140 --> 00:20:38.000 home and it's talking about their exploits and 00:20:38.000 --> 00:20:40.500 potentially like before like this is their dead 00:20:40.500 --> 00:20:43.339 letter like they get to read like hey so what's 00:20:43.339 --> 00:20:44.839 those paths? I'm gonna postmark that because 00:20:44.839 --> 00:20:46.880 we kind of did that with another movie with the 00:20:46.880 --> 00:20:49.140 William H. Macy. Yeah I know but this one feels 00:20:49.140 --> 00:20:51.240 like this is exactly what it is but like it's 00:20:51.240 --> 00:20:52.680 more debaucherous than that. Because isn't that 00:20:52.680 --> 00:20:56.349 Dirty Grandpa? No, I think not necessarily. No, 00:20:56.349 --> 00:20:59.230 I think that this is more like instead of it 00:20:59.230 --> 00:21:02.769 being that I think it's more flashback like they 00:21:02.769 --> 00:21:05.230 get there like they open this letter, the dead 00:21:05.230 --> 00:21:07.670 letter. And it turns out like their parent, whoever 00:21:07.670 --> 00:21:11.809 they are, was like a well established porn star 00:21:11.809 --> 00:21:15.289 from the 70s. Like they were known like something 00:21:15.289 --> 00:21:18.150 to that effect, like, hey, just something wild. 00:21:18.269 --> 00:21:20.329 And it's a sex comedy. So like we can really 00:21:20.329 --> 00:21:23.450 stare at a retired madam. Oh, that could be, 00:21:23.609 --> 00:21:27.470 you know, like, like a, there's a book that I'm 00:21:27.470 --> 00:21:30.150 obsessed with and, and I'm going to forget the 00:21:30.150 --> 00:21:31.750 name. I'm forgetting the name of the book. Karen 00:21:31.750 --> 00:21:33.509 Abbott wrote it. It's about the Everly sisters, 00:21:33.769 --> 00:21:36.829 but it's, and it could be a version of this and 00:21:36.829 --> 00:21:40.029 it's about the most successful brothel in Chicago. 00:21:41.289 --> 00:21:46.089 And it's it's true story. You know, it's amazing. 00:21:46.130 --> 00:21:48.069 It's where, you know, the Kaiser drank the champagne 00:21:48.069 --> 00:21:50.390 out of the out of the shoe. It's where the term 00:21:50.390 --> 00:21:53.410 getting laid came from. They were the Everly 00:21:53.410 --> 00:21:57.890 sisters and the shortening of it as are you going 00:21:57.890 --> 00:22:00.509 to Chicago? Are you going to the Everlays? Are 00:22:00.509 --> 00:22:02.650 you going to get Everlaid? Are you going to get 00:22:02.650 --> 00:22:06.589 laid? So it's an amazing story about these two 00:22:06.589 --> 00:22:10.200 really powerful and strong women in a time. It 00:22:10.200 --> 00:22:14.339 was nuts. But they gave their their ladies regular 00:22:14.339 --> 00:22:16.359 medical treatment. They took care of them. They 00:22:16.359 --> 00:22:18.460 weren't. They took slaves. Sounds like a great. 00:22:18.640 --> 00:22:21.220 But like I am fascinated because the book starts 00:22:21.220 --> 00:22:24.660 with, you know, calling these two women in New 00:22:24.660 --> 00:22:27.339 York in the 50s who denied that they were them. 00:22:27.539 --> 00:22:29.640 They're like, we're not them. Sorry. And it turns 00:22:29.640 --> 00:22:32.619 out that they were like the. I, yeah, it's very 00:22:32.619 --> 00:22:36.039 strongly, but like their origins, you know, we're 00:22:36.039 --> 00:22:38.480 dubious, you know, because when you talk to them 00:22:38.480 --> 00:22:40.519 back in the day, where are you from? St. Louis? 00:22:40.660 --> 00:22:43.980 Or are they be from somewhere else? Yeah. But 00:22:43.980 --> 00:22:46.339 it's I'm going to remember the name of the book, 00:22:46.380 --> 00:22:48.900 but the book is amazing. And I'm obsessed with 00:22:48.900 --> 00:22:52.079 the idea of these women in the fifties who did 00:22:52.079 --> 00:22:54.720 this thing in the twenties. Heck, yeah. And it 00:22:54.720 --> 00:22:58.880 was just on. Sounds fun. American gangster style. 00:22:58.960 --> 00:23:01.059 Yeah. But it's these ladies who run a brothel. 00:23:01.079 --> 00:23:03.759 Uh -huh. OK. But they're doing it honorably. 00:23:04.160 --> 00:23:06.980 You know, they're doing it in a way. As a comedy. 00:23:07.720 --> 00:23:10.059 Yeah. But the idea of that could be spun into 00:23:10.059 --> 00:23:12.380 made a comedy. There could be tons of social 00:23:12.380 --> 00:23:15.500 commentary. Heck, yeah. But I was also just, 00:23:15.539 --> 00:23:18.019 you know, we've got some time. I wanted to kind 00:23:18.019 --> 00:23:23.660 of spitball the idea of, you know, it being like 00:23:23.660 --> 00:23:27.519 the origin of sex in your world, like the world, 00:23:27.519 --> 00:23:30.900 the philosophy, the world of antiquity. dead 00:23:30.900 --> 00:23:35.119 letter, philosophers talking about things like 00:23:35.119 --> 00:23:38.180 that. Yeah. But if you're down with like grandma 00:23:38.180 --> 00:23:43.859 was a really noted I think our stories can definitely 00:23:43.859 --> 00:23:47.799 be combined. I feel like they could be that sounds 00:23:47.799 --> 00:23:50.000 really interesting. Because the concept, if you 00:23:50.000 --> 00:23:52.579 didn't know, you know, it was really gnarly. 00:23:52.920 --> 00:23:55.339 The women from Poland and other places would 00:23:55.339 --> 00:23:58.519 be lured to Chicago by ads for work. And then 00:23:58.519 --> 00:24:01.519 at the train station, they'd be grabbed. They 00:24:01.519 --> 00:24:04.920 would be brutalized and then they'd be told you're 00:24:04.920 --> 00:24:08.099 doing the sex work. Yeah. And the difference 00:24:08.099 --> 00:24:11.160 between the Everly sisters were, again, they 00:24:11.470 --> 00:24:13.410 Wanted to do it honorably. They saw there was 00:24:13.410 --> 00:24:16.170 money to be made I'm buying down with notably 00:24:16.170 --> 00:24:19.009 and it just one like really quick tidbit I thought 00:24:19.009 --> 00:24:22.190 that's so brilliant What they did was like if 00:24:22.190 --> 00:24:25.250 you didn't have provable money, they like denied 00:24:25.250 --> 00:24:28.910 you so they had standards they set a grand opening 00:24:28.910 --> 00:24:32.289 and They did not let anybody in like for a couple 00:24:32.289 --> 00:24:34.230 of days. I think and I may be paraphrasing this 00:24:34.230 --> 00:24:38.349 they created demand By making people think it 00:24:38.349 --> 00:24:42.059 was so busy that you had to go And for their 00:24:42.059 --> 00:24:43.440 grand opening they didn't open the door. They 00:24:43.440 --> 00:24:46.460 were the club. They were the club. Hell yeah. 00:24:46.940 --> 00:24:49.980 Hell yeah. I've been obsessed by these ladies 00:24:49.980 --> 00:24:52.960 because I imagine meeting them in the 50s in 00:24:52.960 --> 00:24:54.839 New York and some high rise. Having a little 00:24:54.839 --> 00:24:57.319 bit of American history knowledge, one thing 00:24:57.319 --> 00:24:59.000 that people forget is like, oh, the West was 00:24:59.000 --> 00:25:01.559 won by this. You forget that there was a lot 00:25:01.559 --> 00:25:04.019 of strong independent women who owned businesses 00:25:04.019 --> 00:25:07.460 in the West. Truly, there was a lot of women. 00:25:09.299 --> 00:25:11.079 forgotten to history, unfortunately, but like 00:25:11.079 --> 00:25:13.480 they did exist. I can't give you names because 00:25:13.480 --> 00:25:16.099 my brain is like, you're out of here. Don't like 00:25:16.099 --> 00:25:18.380 you remember the event, but not the person. Unfortunately, 00:25:18.559 --> 00:25:21.420 kudos to our public schooling system. You know, 00:25:21.440 --> 00:25:23.900 I tried to specialize, but I couldn't get everything 00:25:23.900 --> 00:25:26.440 then, you know, this gives us another really 00:25:26.440 --> 00:25:30.779 fun opportunity to cast the grandma version. 00:25:30.839 --> 00:25:34.799 Yes. And then do we want are we having a grandma 00:25:34.799 --> 00:25:37.019 version? Are we just having the person kind of 00:25:37.019 --> 00:25:40.109 find those letters and like We have it as their 00:25:40.109 --> 00:25:42.930 flashback that itself. Oh, that's fascinating 00:25:42.930 --> 00:25:44.970 Yeah, what what if grandma makes an appearance 00:25:44.970 --> 00:25:47.910 at the end who write it like unbelievable? Oh, 00:25:47.910 --> 00:25:50.569 maybe we can like like it turns out like they're 00:25:50.569 --> 00:25:52.970 seeing Frank Sinatra for one last time like oh 00:25:52.970 --> 00:25:54.690 blue eyes Come on something like that. Okay, 00:25:54.869 --> 00:25:58.710 so main character young girl Yeah, young actor 00:25:58.710 --> 00:26:01.809 what age and what like precipitates this journey? 00:26:02.829 --> 00:26:04.630 Who's finding the letters or are we talking about 00:26:04.630 --> 00:26:06.849 this grandmother character? Yeah, like the girl 00:26:06.849 --> 00:26:08.890 who finds the letters like I think we it would 00:26:08.890 --> 00:26:11.750 be fun to work in in Who is the main character 00:26:11.750 --> 00:26:16.029 of yeah? Good question good question because 00:26:16.029 --> 00:26:17.910 it could be a full period piece Yeah, I feel 00:26:17.910 --> 00:26:20.589 like it fits very nicely as like you almost just 00:26:20.589 --> 00:26:22.690 we get to the letter. Okay, so that kind of sounds 00:26:22.690 --> 00:26:27.180 like To tee it up, it's kind of like Prince's 00:26:27.180 --> 00:26:29.480 Bride. Yeah, it almost feels like we have a bit 00:26:29.480 --> 00:26:31.400 of a small little vignette at the beginning. 00:26:31.460 --> 00:26:33.660 Like, let me tell you about this story and then 00:26:33.660 --> 00:26:35.759 bam. Yeah, it feels like that. So I don't know 00:26:35.759 --> 00:26:39.019 if I want to go that route. I feel like it's 00:26:39.019 --> 00:26:42.099 been done and we could do it that way. Beautiful. 00:26:42.160 --> 00:26:45.299 It works. You can't fault it. So you like the 00:26:45.299 --> 00:26:49.220 idea of this person who does this thing, a la 00:26:49.220 --> 00:26:51.299 sinners, you know, like does this thing, did 00:26:51.299 --> 00:26:54.630 this thing. Yeah. And we could borrow from that 00:26:54.630 --> 00:26:57.670 true story. They did it with honor, but it was 00:26:57.670 --> 00:27:02.250 hard. And again, not to make light of the violence 00:27:02.250 --> 00:27:06.690 and stuff, but it was a period, a la later Johnny 00:27:06.690 --> 00:27:10.740 Dangerously. As the comedy bit. What kind of 00:27:10.740 --> 00:27:12.799 comedy era are like, how are we staring into 00:27:12.799 --> 00:27:15.000 this? Are we thinking like slapstick kind of 00:27:15.000 --> 00:27:17.299 stuff? Are we thinking like, oh, fast, you know, 00:27:17.420 --> 00:27:19.420 are you thinking like we're doing political, 00:27:19.700 --> 00:27:21.140 like they're talking about the times, talking 00:27:21.140 --> 00:27:23.640 about events and how things kind of haven't really 00:27:23.640 --> 00:27:25.619 changed that much. That's because I feel like 00:27:25.619 --> 00:27:27.799 we can do a real time. Say more about that. I 00:27:27.799 --> 00:27:29.880 really think that, like, even though we're let's 00:27:29.880 --> 00:27:32.039 say, you know, you're talking 1920s, like we're 00:27:32.039 --> 00:27:34.039 100 years later. It's like. Things have changed, 00:27:34.140 --> 00:27:37.400 but have things really changed? Like in all actualities, 00:27:37.640 --> 00:27:39.640 like having hasn't really shifted that much or 00:27:39.640 --> 00:27:41.579 does it feel like we're kind of living the same 00:27:41.579 --> 00:27:45.380 timeframes? Yeah, that's like that's a really 00:27:45.380 --> 00:27:48.400 fascinating concept. I mean, I bet you could 00:27:48.400 --> 00:27:51.140 pull. Articles from a newspaper a hundred years 00:27:51.140 --> 00:27:53.920 ago and we can all relate to something in it 00:27:53.920 --> 00:27:56.339 I sure there there's something about right stock 00:27:56.339 --> 00:27:59.000 markets something about some war some famine 00:27:59.000 --> 00:28:02.339 some fluff piece and then sports, right? You 00:28:02.339 --> 00:28:04.480 know, like those those things haven't changed 00:28:04.480 --> 00:28:06.819 in a hundred years, unfortunately Yeah, so it's 00:28:06.819 --> 00:28:09.279 like I feel like we can really do some like if 00:28:09.279 --> 00:28:11.440 not historical commentary some definitely like 00:28:11.440 --> 00:28:14.339 yeah Political commentary on just the times and 00:28:14.339 --> 00:28:16.539 how everything's different but the same. Yeah, 00:28:16.539 --> 00:28:20.359 I love that. I love that The book is called Sin 00:28:20.359 --> 00:28:23.000 in the Second City, Madams, Ministers, Playboys, 00:28:23.180 --> 00:28:25.400 and the Battle for America's Soul. It's going 00:28:25.400 --> 00:28:27.819 on my to -be -read list, for sure. Yeah, it's 00:28:27.819 --> 00:28:30.119 so fantastic. And what's cool about it is the 00:28:30.119 --> 00:28:33.579 elements you have. You have the Madams. You have 00:28:33.579 --> 00:28:36.319 the first, like the alderman, like the crooked 00:28:36.319 --> 00:28:40.000 ones who are trying to keep it going, you know, 00:28:40.039 --> 00:28:42.400 would have this annual party, for example. Of 00:28:42.400 --> 00:28:45.319 course. And it's described as when you left the 00:28:45.319 --> 00:28:48.559 beer and just liquid was like over your ankles 00:28:48.559 --> 00:28:51.880 at the end of this part. Yeah. Drainage clearly 00:28:51.880 --> 00:28:55.160 a problem. But and then you have the religious 00:28:55.160 --> 00:28:58.690 rites and it's chronicled in the book. a major 00:28:58.690 --> 00:29:02.910 character who really risks their safety by trying 00:29:02.910 --> 00:29:05.869 to go into Chicago and stop all this stuff. Just 00:29:05.869 --> 00:29:08.430 putting a box on the corner and going, this is 00:29:08.430 --> 00:29:12.730 wrong, this is wrong. And so you have all that 00:29:12.730 --> 00:29:15.210 confluence of... Yes. So we need a couple of 00:29:15.210 --> 00:29:17.009 characters here. Of intensity and elements that 00:29:17.009 --> 00:29:20.190 we could borrow from this. But to your point 00:29:20.190 --> 00:29:25.009 about the comedy... I'm citing Johnny dangerously 00:29:25.009 --> 00:29:28.029 a lot because it's not necessarily totally slapstick. 00:29:29.150 --> 00:29:32.349 It is a little bit, but it's clever wordplay. 00:29:32.730 --> 00:29:34.710 It's okay. Would you consider that? You know 00:29:34.710 --> 00:29:37.690 what I mean? Like, yeah, I can see that. Is there 00:29:37.690 --> 00:29:40.730 a parallel that we could work off of? Because 00:29:40.730 --> 00:29:42.829 I don't, you know, slapstick. I don't necessarily 00:29:42.829 --> 00:29:47.150 want it to be. I want to be what I like cleverly 00:29:47.150 --> 00:29:49.490 written. And your social commentary is great. 00:29:49.589 --> 00:29:52.859 Like I think Coming from the heart, as a big 00:29:52.859 --> 00:29:54.940 Pythons fan, I love the Pythons because they 00:29:54.940 --> 00:29:58.160 reach everybody. But also, once you start thinking 00:29:58.160 --> 00:30:00.460 about it a little more, the jokes get funnier. 00:30:00.579 --> 00:30:02.880 Yeah. So it's like it's it's it's funny. It's 00:30:02.880 --> 00:30:05.079 flat. It's it's just like, ah, and that's funny. 00:30:05.220 --> 00:30:07.440 And it's like, hey, wait a minute. And then you 00:30:07.440 --> 00:30:10.119 like you kind of dig like. That's funny on this 00:30:10.119 --> 00:30:12.119 level, too. And it's like it's even better as 00:30:12.119 --> 00:30:14.460 a joke. Yeah. It's like I think that something 00:30:14.460 --> 00:30:16.799 like that would definitely work in this. I do 00:30:16.799 --> 00:30:19.059 like the idea of wordplay and it being like these 00:30:19.059 --> 00:30:22.140 women are quite witty and snappy and like we're 00:30:22.140 --> 00:30:24.500 talking in the 20s, like the flapper era is in 00:30:24.500 --> 00:30:28.519 full swing. These women are not who they're not 00:30:28.519 --> 00:30:31.380 who the previous generation was like a little 00:30:31.380 --> 00:30:34.680 gangster. Yeah, I like this idea. I do, especially. 00:30:34.920 --> 00:30:37.619 Yeah, I think that as a sex company, the idea 00:30:38.129 --> 00:30:41.109 that we could have, let's go with music for a 00:30:41.109 --> 00:30:43.210 quick second, because jazz is on the, this is 00:30:43.210 --> 00:30:45.369 definitely a jazz soundtrack. I was just in New 00:30:45.369 --> 00:30:48.170 Orleans, so I'm not being influenced, but it 00:30:48.170 --> 00:30:50.509 doesn't have to be in Chicago, it could be in 00:30:50.509 --> 00:30:52.849 another. I like the idea of it being in Chicago. 00:30:54.109 --> 00:30:56.150 I like the idea of a city, I like the idea of 00:30:56.150 --> 00:30:59.130 it kind of being this, in my head, Victorian 00:30:59.130 --> 00:31:02.049 house, gigantic old Victorian house. That's exactly 00:31:02.049 --> 00:31:04.920 what they did. That's what I'm thinking. You 00:31:04.920 --> 00:31:07.259 see in the book there's real photos. Yeah, it 00:31:07.259 --> 00:31:10.220 really puts you there. Yeah, you just To your 00:31:10.220 --> 00:31:12.019 point you smell the smells you and they're not 00:31:12.019 --> 00:31:14.440 all great, you know, but like that's we definitely 00:31:14.440 --> 00:31:17.279 have to have a scene where we get the tour of 00:31:17.279 --> 00:31:19.940 the house and that's definitely like the intro 00:31:19.940 --> 00:31:24.140 like the the establishment what's the movie with 00:31:24.140 --> 00:31:30.779 my Dolly Parton and Burt Reynolds greatest of 00:31:30.779 --> 00:31:33.400 the best little whorehouse. Yes Definitely a 00:31:33.400 --> 00:31:36.500 sex comedy. Definitely a sex comedy. Burt Reynolds. 00:31:37.440 --> 00:31:41.680 Ooh, that mustache. Dolly Parton is a goddamn 00:31:41.680 --> 00:31:45.420 national treasure. Sure is. I would put her in 00:31:45.420 --> 00:31:48.880 this in a bit part in a way. Hell yeah. Dolly 00:31:48.880 --> 00:31:50.960 Parton is in this? Yeah. For sure. I'm going 00:31:50.960 --> 00:31:53.920 to put Dolly. For sure. Is she the madam in this 00:31:53.920 --> 00:31:58.089 as well? Fuck yeah. Is Dolly our lead? And I 00:31:58.089 --> 00:32:00.650 want her to sing a song. Oh, for sure. Like it's 00:32:00.650 --> 00:32:03.750 not a musical, but her voice is a salve to all 00:32:03.750 --> 00:32:08.190 of my ills and wounds. She is so effervescent. 00:32:08.730 --> 00:32:09.910 I'm going to say I'm going to say it as much 00:32:09.910 --> 00:32:14.289 as I can. I say it publicly now. Rhinestone is 00:32:14.289 --> 00:32:17.930 a fucking tremendous movie. She and Sylvester 00:32:17.930 --> 00:32:20.670 Stallone, I think, are a singular match. The 00:32:20.670 --> 00:32:23.430 soundtrack crushes. She wrote and performed pretty 00:32:23.430 --> 00:32:25.259 much all the songs. Do I need to add that one 00:32:25.259 --> 00:32:26.819 to my list? Oh, we talked about this before. 00:32:27.380 --> 00:32:30.779 Again, much maligned. And I can see again, I 00:32:30.779 --> 00:32:32.819 get why people make fun of the Fast and Furious. 00:32:32.980 --> 00:32:37.200 I get like, hey, why people don't like it's 2026. 00:32:37.500 --> 00:32:40.519 We can't kink shame anybody. But this movie just 00:32:40.519 --> 00:32:42.880 makes me happy. You know what I mean? It's like 00:32:42.880 --> 00:32:45.980 guilty pleasure without guilt. I could see why 00:32:45.980 --> 00:32:48.380 people make fun of them, but I truly think they're 00:32:48.380 --> 00:32:50.720 great. I'm not going to fight you over it, but 00:32:50.720 --> 00:32:54.079 I'm going to slowly say that you're wrong. and 00:32:54.079 --> 00:32:56.099 move along with my life. Agree to disagree. And 00:32:56.099 --> 00:32:57.359 she'd be like, you know what? I'm going to live 00:32:57.359 --> 00:32:59.380 a happier life because of it. But it only makes 00:32:59.380 --> 00:33:02.319 you realize how effervescent and wonderful Dolly 00:33:02.319 --> 00:33:05.180 Parton is. I love having Dolly in this movie. 00:33:05.539 --> 00:33:07.700 She'll kill it, for sure. It makes me want Lily 00:33:07.700 --> 00:33:10.839 Tomlin in it, too, though, because of 9 to 5. 00:33:10.940 --> 00:33:15.039 OK. Because Lily Tomlin has that kind of smart 00:33:15.039 --> 00:33:18.019 caustic. Yeah, I can see it. She could be an 00:33:18.019 --> 00:33:22.880 enemy. She could be a villain. We got a lot of 00:33:22.880 --> 00:33:26.660 roles here. She could be the priest or the holy 00:33:26.660 --> 00:33:29.380 roller. She's like the nun who comes and sets 00:33:29.380 --> 00:33:31.839 up on a soapbox across the street with her sign. 00:33:32.400 --> 00:33:36.180 That'd be fun. That'd be fun. For some reason, 00:33:36.779 --> 00:33:38.920 I don't know in what role or what capacity. I 00:33:38.920 --> 00:33:43.359 feel like Nicole Kidman would be great. Even 00:33:43.359 --> 00:33:46.680 as a cameo, I feel like she would be a lot of 00:33:46.680 --> 00:33:49.559 fun. All right, so. It would be cool to have 00:33:49.559 --> 00:33:52.460 a main character who is in Dolly, and would Emma 00:33:52.460 --> 00:33:58.720 Stone fit in this? As the one who finds the letters? 00:33:59.079 --> 00:34:03.700 No, as, like, she's like a main character. She 00:34:03.700 --> 00:34:05.180 doesn't maybe have to work at the brothel. What 00:34:05.180 --> 00:34:07.859 if she's, like, the new, she's the newest one? 00:34:08.320 --> 00:34:09.400 She's getting showed? Yeah, yeah, yeah, yeah. 00:34:09.480 --> 00:34:13.789 It turns out it's her letters. Yeah. Yeah. Yeah. 00:34:13.949 --> 00:34:16.389 It's her. She's the grandma. Yeah. Yeah. Yeah. 00:34:16.489 --> 00:34:17.989 I've got a good way. We don't play it that way. 00:34:17.989 --> 00:34:20.889 She is older. So Nicole, I'd love this. Lily 00:34:20.889 --> 00:34:25.030 Tomlin, maybe the quote bad in a way. And I've 00:34:25.030 --> 00:34:26.710 got an idea. I feel like all right, you got to 00:34:26.710 --> 00:34:28.170 have a gangster. Of course, I feel like there's 00:34:28.170 --> 00:34:30.090 got to be a city official or two who's in on 00:34:30.090 --> 00:34:31.710 it. Right. Like you're saying there's this elder 00:34:31.710 --> 00:34:35.110 man like class. So you got to have that, you 00:34:35.110 --> 00:34:37.809 know, the city needs, you know, Nick Offerman. 00:34:38.150 --> 00:34:41.369 Oh, Beautiful. Beautiful. Is he the mayor? Is 00:34:41.369 --> 00:34:43.690 he like he's he's in on it? Yeah, he's got to 00:34:43.690 --> 00:34:45.690 be the mayor and he's as crooked as shit. Yeah, 00:34:45.730 --> 00:34:48.610 really bad. Love it. I love what we got going 00:34:48.610 --> 00:34:52.469 on here. I love it. Is there a prostitution going 00:34:52.469 --> 00:34:56.510 on in here? Who's the gangster? Who's the gangster? 00:34:56.789 --> 00:34:59.269 Is the gangster opposed to them? Like also an 00:34:59.269 --> 00:35:02.429 enemy, but also like, well, I like the idea that 00:35:02.429 --> 00:35:06.260 the the gangster is kind of in and opposed to 00:35:06.260 --> 00:35:09.960 them, but then the gangster aligns with Lily 00:35:09.960 --> 00:35:12.980 Tomlin. Oh, to help bring, like, joins the church. 00:35:12.980 --> 00:35:14.840 Somehow she convinces them. They get married. 00:35:15.099 --> 00:35:17.900 The gangster has this religious epiphany or some 00:35:17.900 --> 00:35:20.719 shit. Yeah. Okay. I could definitely see it. 00:35:21.099 --> 00:35:26.559 So, and Lily Tomlin has to morally bend to like, 00:35:26.699 --> 00:35:28.440 you know, because it's fun when the righteous 00:35:28.440 --> 00:35:31.920 have to fall or at least do something uncomfortable. 00:35:32.300 --> 00:35:34.980 to like, well, in the name of taking down this 00:35:34.980 --> 00:35:37.820 thing. Yeah. So like she convinces the gangster 00:35:37.820 --> 00:35:40.579 that all of that's wrong. Like he's going to 00:35:40.579 --> 00:35:43.000 start. You know, she has to sleep. He gets tossed 00:35:43.000 --> 00:35:45.320 out. The gangster gets tossed out of the brothel. 00:35:45.340 --> 00:35:48.159 He stumbles into her. But I like Lily Tomlin 00:35:48.159 --> 00:35:50.579 having to work on this gangster and then ultimately 00:35:50.579 --> 00:35:52.900 like sleeps with them. All right. It's like something 00:35:52.900 --> 00:35:55.940 unholy. Who do we want in our whole nice gangster? 00:35:56.179 --> 00:35:59.800 Oh, that's Lily Tomlin. I'm sorry. I did that. 00:36:00.099 --> 00:36:02.809 You did do this. I did do that. The gangster. 00:36:03.010 --> 00:36:05.349 All right. So we've got Nick Offerman, who's 00:36:05.349 --> 00:36:08.929 a like an alderman or the mayor who is condoning, 00:36:09.030 --> 00:36:14.150 making all the money, giving all the right paperwork, 00:36:14.269 --> 00:36:16.429 making sure everything passes inspection. Do 00:36:16.429 --> 00:36:22.550 you want the gangster to be like somebody in 00:36:22.550 --> 00:36:27.489 ironic, tough guy who's being funny, like Liam 00:36:27.489 --> 00:36:29.429 Neeson in A Million Ways to Die in the West, 00:36:29.610 --> 00:36:33.880 George C. Scott in Dr. Strangelove, because you 00:36:33.880 --> 00:36:37.780 could put somebody like that in a role like this, 00:36:38.260 --> 00:36:42.159 who brings that seriousness, but it's hilarious 00:36:42.159 --> 00:36:47.480 that they're funny. Yeah. Yes, I could see it. 00:36:47.480 --> 00:36:50.599 I could see it. I'm just trying to imagine who 00:36:50.599 --> 00:36:53.699 we would want in the role. Harvey Keitel. Harvey 00:36:53.699 --> 00:36:57.079 Keitel. It'd be fun. I could see that. As a gangster. 00:36:57.219 --> 00:36:59.559 As a gangster. When is he even funny? That's 00:36:59.559 --> 00:37:02.440 a good point. Like we want you to be your character 00:37:02.440 --> 00:37:04.980 from bad lieutenant, but just hilarious. It's 00:37:04.980 --> 00:37:07.380 just really funny. We could, we could remake 00:37:07.380 --> 00:37:09.280 a scene from bad lieutenant where it's like jerking 00:37:09.280 --> 00:37:11.800 off on a stage coach. He's like, suck on your 00:37:11.800 --> 00:37:14.599 finger, suck on your finger. Have you seen the 00:37:14.599 --> 00:37:16.960 bad lieutenant? Forgive me. I have not out of 00:37:16.960 --> 00:37:19.239 context. I'm so sorry for what just happened. 00:37:19.880 --> 00:37:25.920 Yeah. Yeah. How dare you? How dare I, you salty 00:37:25.920 --> 00:37:33.800 dog. Okay, this is worth it with time left. This 00:37:33.800 --> 00:37:35.239 is terrible. This is the worst thing ever. This 00:37:35.239 --> 00:37:36.920 is sex comedy. We're allowed to say terrible 00:37:36.920 --> 00:37:40.480 things. The Bad Lieutenant is renowned as being 00:37:40.480 --> 00:37:43.079 one of the filthiest bad bad movies. Like in 00:37:43.079 --> 00:37:45.219 the 90s, you couldn't remake this movie today 00:37:45.219 --> 00:37:48.139 if you tried. It's so fucking filthy. Like the 00:37:48.139 --> 00:37:51.380 end of it in Harvey Keitel plays the lead character 00:37:51.380 --> 00:37:54.360 and he's a cop and he's the worst. He's on every 00:37:54.360 --> 00:37:56.900 drug ever. He's the worst. The end of it, he's 00:37:56.900 --> 00:37:59.019 like naked in a church, weeping on a nut. It's 00:37:59.019 --> 00:38:02.820 fucked up this movie. And in an infamous scene, 00:38:03.760 --> 00:38:08.380 he pulls two girls over, like two young girls, 00:38:08.480 --> 00:38:11.480 and he pulls them over for something. I forget 00:38:11.480 --> 00:38:14.780 what it is, speeding or whatever. They're very 00:38:14.780 --> 00:38:16.460 nervous. They don't want to get a ticket. So 00:38:16.460 --> 00:38:19.239 what he does in order to let them go is he has 00:38:19.239 --> 00:38:20.960 the girl in the passenger seat get up and hike 00:38:20.960 --> 00:38:23.059 up her skirt and the girl in the driver's seat 00:38:23.059 --> 00:38:25.400 starts sucking her finger and he jerks off on 00:38:25.400 --> 00:38:29.059 their car to completion and he leaves. This is 00:38:29.059 --> 00:38:31.579 a movie that they made this movie. It's a major 00:38:31.579 --> 00:38:35.309 film starting. major actor Harvey Keitel. OK. 00:38:35.489 --> 00:38:37.429 And you want Harvey Keitel? I've got a I've got 00:38:37.429 --> 00:38:39.949 a I think it's a DVD over here if you want to 00:38:39.949 --> 00:38:44.250 take it. But that is a that could be like the 00:38:44.250 --> 00:38:49.949 sickest remake ever. So he pulls over a stagecoach. 00:38:50.030 --> 00:38:53.769 No, it's already pulled over. And he's like, 00:38:53.769 --> 00:38:58.210 get up on the seat. And then he's telling the 00:38:58.210 --> 00:39:00.530 lady like in the like holding the reins like 00:39:00.530 --> 00:39:03.230 drop those reins. Suck on your finger. That's 00:39:03.230 --> 00:39:05.630 what I'm saying. That's that's an intense scene. 00:39:05.750 --> 00:39:08.989 That's funny for like eight people for eight. 00:39:09.130 --> 00:39:11.789 And you're one of them. I might not even laugh. 00:39:11.909 --> 00:39:14.469 I might say this is too much. I don't know if 00:39:14.469 --> 00:39:16.269 you can. Anyway, as a producer, I don't think 00:39:16.269 --> 00:39:18.409 you could tell as the tough, but he has to be 00:39:18.409 --> 00:39:21.769 funny. OK. As an idea. Well, we put John Bernthal 00:39:21.769 --> 00:39:24.010 in the last movie. He might fit really well in 00:39:24.010 --> 00:39:27.750 this. He might. Or a Frank Grillo. I love Frank. 00:39:27.949 --> 00:39:30.570 He's pretty fucking awesome. He's ripped. He 00:39:30.570 --> 00:39:32.949 is ripped. He definitely would fit the aesthetics 00:39:32.949 --> 00:39:35.769 of all those people. Gene Hackman in his time, 00:39:35.869 --> 00:39:39.429 you know, a lot like The Unforgiven. Yes, he 00:39:39.429 --> 00:39:42.170 could do, you know, a rip on the end. He was 00:39:42.170 --> 00:39:51.030 in shoot with DiCaprio, Western. Oh, the Quick 00:39:51.030 --> 00:39:52.909 and the Dead. Quick and the Dead. Great film 00:39:52.909 --> 00:39:55.349 starring DiCaprio at the end. No, definitely 00:39:55.349 --> 00:39:58.489 not stars. Russell Shannon and Russell Crowe. 00:39:58.610 --> 00:40:00.880 Shannon Stone. Sharon Stone, Sharon Stone. I 00:40:00.880 --> 00:40:03.119 was going to say Shannon Tweed. No, it was not 00:40:03.119 --> 00:40:06.420 her. That's the B version of it. The quick and 00:40:06.420 --> 00:40:09.619 that was the playboy produced version, the tits 00:40:09.619 --> 00:40:13.980 and the dead, the porn parodies about. Oh, yeah, 00:40:14.019 --> 00:40:17.559 they're great. So. All right. So we need to, 00:40:17.699 --> 00:40:19.940 I think, flush out. All right. I've got Dolly 00:40:19.940 --> 00:40:23.559 Parton as Adam. Nicole Kidman is her heavy. Oh, 00:40:23.579 --> 00:40:26.659 she's like she's a bouncer. OK, I did have an 00:40:26.659 --> 00:40:29.460 idea for this gangster. I have an idea. Go. I 00:40:29.460 --> 00:40:33.340 would like to see Robert Redford. Yes. Fuck yeah. 00:40:33.619 --> 00:40:36.199 Feels against height. How did you do that? Where 00:40:36.199 --> 00:40:38.400 did that come from? I've been feeling who was 00:40:38.400 --> 00:40:44.820 it? Who's the his partner in Sundance? Paul Newman. 00:40:45.019 --> 00:40:47.460 I was like throwing Paul Newman. I was like, 00:40:47.460 --> 00:40:50.440 he feels kind of that way in like he feels like 00:40:50.440 --> 00:40:52.519 he's got that. But let him have some. But I feel 00:40:52.519 --> 00:40:54.860 like Robert Redford would definitely fit that 00:40:54.860 --> 00:40:56.880 aesthetic and he feels against hype, especially 00:40:56.880 --> 00:41:01.889 his name. Be like Scarface McGee and the irony 00:41:01.889 --> 00:41:04.230 is like he's not he's handsome and beautiful 00:41:04.230 --> 00:41:07.469 Oh, yeah, like his like in the tee up to his 00:41:07.469 --> 00:41:10.909 introduction is like he's just hideous like so 00:41:10.909 --> 00:41:17.869 much He's like hi, yeah, he's just pleasant. 00:41:17.869 --> 00:41:20.010 He's super pleasant and it's not addressed at 00:41:20.010 --> 00:41:23.570 all like plastic surgery Yeah, I have an idea 00:41:23.570 --> 00:41:26.829 for the town doctor. Okay, Billy Zane love. It's 00:41:26.829 --> 00:41:29.469 like a weird as like he keeps coming in to check 00:41:29.469 --> 00:41:33.010 on the ladies. He's still not past the Wild West. 00:41:33.010 --> 00:41:35.670 Yeah, stuff yet, but he's still modern. But he's 00:41:35.670 --> 00:41:37.389 like, you know, are you sure we shouldn't try 00:41:37.389 --> 00:41:40.670 a leech? Are you sure we should laudanum? I think 00:41:40.670 --> 00:41:43.750 laudanum would be great. I think his name should 00:41:43.750 --> 00:41:49.070 be Dr. Laudanum. Oh, yeah. Just handed it out 00:41:49.070 --> 00:41:52.110 here. Take this. I mean, that's like a that's 00:41:52.110 --> 00:41:54.610 a Mel Brooks thing. Yeah, Dr. Laudanum. Definitely 00:41:54.610 --> 00:41:57.639 feels Mel Brooks. Speaking of which, is Mel Brooks 00:41:57.639 --> 00:42:00.079 going to direct this thing? Could he do it? Yes, 00:42:00.079 --> 00:42:02.099 he can. Of course he could. Of course he could. 00:42:02.119 --> 00:42:03.880 I would love to see Mel Brooks direct this. Does 00:42:03.880 --> 00:42:06.460 he always write his stuff? Because I'd be interested 00:42:06.460 --> 00:42:10.780 in exploring. I think he does. Could a serious 00:42:10.780 --> 00:42:13.840 writer do this? I mean, all right, so let's put 00:42:13.840 --> 00:42:16.260 Mel Brooks on the background. Because he could 00:42:16.260 --> 00:42:18.760 definitely do this. He's my vote. He's my number 00:42:18.760 --> 00:42:21.079 one vote. It wouldn't be too slapsticky either. 00:42:21.199 --> 00:42:23.079 No, he can do very serious. What I love about 00:42:23.079 --> 00:42:26.090 his movies is that again, it's on those levels 00:42:26.090 --> 00:42:28.050 where it's like, it's funny, not because like, 00:42:28.190 --> 00:42:29.949 oh, he's doing the things like, no, he's doing 00:42:29.949 --> 00:42:32.110 the thing because he's pointing out the hypocrisy 00:42:32.110 --> 00:42:34.730 of the thing. That's why it's so funny. Yeah. 00:42:35.010 --> 00:42:41.110 And I do like having, you know, a certain bit 00:42:41.110 --> 00:42:45.070 of that social commentary. Like, it definitely 00:42:45.070 --> 00:42:48.329 might make a good choice because think about 00:42:48.329 --> 00:42:52.010 Blazing Saddles. Yeah. I mean, even Spaceballs 00:42:52.010 --> 00:42:56.070 has it. And he can do Just chooses not to lean 00:42:56.070 --> 00:42:58.230 into serious stuff. Yeah, but you think of the 00:42:58.230 --> 00:43:01.690 productions that Brooks films is done He's been 00:43:01.690 --> 00:43:03.840 a part of He's all over the place. Huge, serious 00:43:03.840 --> 00:43:06.840 movies. Forever. But you just remember him as 00:43:06.840 --> 00:43:09.440 just making you smile and making you happy. Yeah. 00:43:09.440 --> 00:43:11.159 So I like that idea a lot. I love the idea of 00:43:11.159 --> 00:43:13.559 Mel Brooks making this movie. He's only 99. He 00:43:13.559 --> 00:43:16.420 could still do it. We got time. We got time. 00:43:16.579 --> 00:43:19.019 Well, we give ourselves leverage. So this could 00:43:19.019 --> 00:43:21.659 come right after Blazing Saddles. Yeah. Does 00:43:21.659 --> 00:43:22.880 this feel like a movie that comes out in the 00:43:22.880 --> 00:43:26.219 70s, for sure? We could have Seth Rogen and Evan 00:43:26.219 --> 00:43:29.079 Goldberg write it. We could. Like, give it that 00:43:29.079 --> 00:43:31.550 super bad. It definitely could. Like, I can feel 00:43:31.550 --> 00:43:35.130 it. But you need to. Here's a question as it's 00:43:35.130 --> 00:43:38.409 not that they can't do it. It's that do we want 00:43:38.409 --> 00:43:42.590 more white guys writing women roles, strong female 00:43:42.590 --> 00:43:44.429 characters? That's just a question I want to 00:43:44.429 --> 00:43:48.050 ask, because it feels like very, very woman forward 00:43:48.050 --> 00:43:50.610 in this, especially because they're both like 00:43:50.610 --> 00:43:53.190 where there's a madam, there's a female bouncer. 00:43:53.369 --> 00:43:56.480 We're talking about. Not only women in the brothel, 00:43:56.699 --> 00:43:58.539 but I'm assuming at least a lot of women because 00:43:58.539 --> 00:44:00.539 like let's not exclude like there's definitely 00:44:00.539 --> 00:44:03.920 men in the brothel, right? Maybe not to the extent 00:44:03.920 --> 00:44:06.260 that anybody thinks but I'm sure that there was 00:44:06.260 --> 00:44:09.320 male prostitutes just as long as you know, I'm 00:44:09.320 --> 00:44:13.119 saying who's Can we have Channing Tatum as our 00:44:13.119 --> 00:44:16.000 male prostitute? Oh, yeah single male. Yes, the 00:44:16.000 --> 00:44:19.059 only one dressed yet. No, I don't think so. You're 00:44:19.059 --> 00:44:24.050 a genius Channing Tatum is our solo male prostitute. 00:44:24.050 --> 00:44:29.469 Love it. Love it. I love it. And he gets abused 00:44:29.469 --> 00:44:32.170 by both the women and the men. Like he just gets 00:44:32.170 --> 00:44:35.969 the short end of the stick at every corner. Oh 00:44:35.969 --> 00:44:37.710 God. I'm sorry Channing. I feel like it'd be 00:44:37.710 --> 00:44:39.469 a lot of fun. I feel like you could have a could 00:44:39.469 --> 00:44:43.030 we make it so like he accidentally invents something 00:44:43.030 --> 00:44:46.030 brilliant like down the line. Oh yeah. Yeah. 00:44:46.030 --> 00:44:48.070 Like he is his redemption arc for sure. Something 00:44:48.070 --> 00:44:50.469 like it's a it's a subtle drop and you're like 00:44:50.539 --> 00:44:53.519 Oh, shit. That led to the invention of something. 00:44:53.519 --> 00:44:55.519 He figures out the automatic blender or something 00:44:55.519 --> 00:44:57.360 like that, like he's behind the bar. And he's 00:44:57.360 --> 00:44:58.360 like, no, I'm telling you, there's a better way 00:44:58.360 --> 00:45:00.139 to do this. And everybody's like, you're ridiculous. 00:45:00.539 --> 00:45:02.840 Well, if he got serious, speaking of writers, 00:45:03.139 --> 00:45:05.219 Simon Moore wrote The Quick and the Dead, also 00:45:05.219 --> 00:45:10.880 wrote Traffic. Oh, OK. Not a lot of, oh, not 00:45:10.880 --> 00:45:13.739 a lot of movies. Interesting. Not a lot, not 00:45:13.739 --> 00:45:15.960 a lot at all. That movie wasn't that bad shit. 00:45:17.519 --> 00:45:20.719 Sometimes you just did what you came to do. All 00:45:20.719 --> 00:45:22.980 right. So what we have essentially for plot, 00:45:23.320 --> 00:45:27.019 because what we have is a general idea of Dolly 00:45:27.019 --> 00:45:28.880 Parton as a madam. She's got this thing. Nicole 00:45:28.880 --> 00:45:31.639 Kidman is her heavy, her second in command, her 00:45:31.639 --> 00:45:34.800 business. So we're thinking Emma Stone is our 00:45:34.800 --> 00:45:40.679 lead. And is getting accustomed to how they do 00:45:40.679 --> 00:45:45.420 things. Is she the reluctant, like, she didn't 00:45:45.420 --> 00:45:47.599 want, or she knew exactly what she was getting 00:45:47.599 --> 00:45:50.239 into? Yeah. OK. I think, like, and maybe we tie 00:45:50.239 --> 00:45:53.880 that to a modern thing, like, you know, I'm studying 00:45:53.880 --> 00:45:57.360 for my marine biology degree. Or, you know, like, 00:45:57.440 --> 00:46:00.360 it's temporary. I want to become an actor. This 00:46:00.360 --> 00:46:04.039 is a good way. I'm down. So things like that. 00:46:04.039 --> 00:46:07.090 OK. And the disruption clearly could be Lily 00:46:07.090 --> 00:46:10.050 Tomlin's character showing up coming in. Now 00:46:10.050 --> 00:46:17.429 you could have the natural Emma and Channing 00:46:17.429 --> 00:46:21.989 Tatum romance. So we could create a romance there. 00:46:21.989 --> 00:46:25.590 You could. I definitely, I like the idea of there 00:46:25.590 --> 00:46:27.329 being a romance with her character, but I don't 00:46:27.329 --> 00:46:29.409 know if it'd be changed to him because if he's 00:46:29.409 --> 00:46:31.590 going to also be the only male prostitute, I'd 00:46:31.590 --> 00:46:33.650 like the idea of it. Like whoever falls in love 00:46:33.650 --> 00:46:36.670 with her is some Joe off the street. Like, you 00:46:36.670 --> 00:46:39.030 know, falls madly in love with Emma Stone's character. 00:46:39.230 --> 00:46:42.030 So a visitor. Yeah. Like an out of town. Yeah. 00:46:42.150 --> 00:46:44.750 Somebody who's okay. And then like the story 00:46:44.750 --> 00:46:47.869 is they keep coming back, you know, Oh, it's 00:46:47.869 --> 00:46:50.320 one of Lily Tomlin's crew. Yeah. Yeah, yeah. 00:46:50.400 --> 00:46:51.980 It's like, it's like one of her. Alright, so 00:46:51.980 --> 00:46:55.579 who's the Emma Stone equivalent? Uh huh. Who's 00:46:55.579 --> 00:46:59.980 holier than thou and it's really fun if they 00:46:59.980 --> 00:47:04.000 get turned. Somebody, you know, like really mild 00:47:04.000 --> 00:47:07.380 mannered. Yeah, like you said, holier than thou, 00:47:07.679 --> 00:47:11.079 they're righteous, they're pure. And you would, 00:47:11.219 --> 00:47:14.400 I guess, see this as the co -star. Yeah, definitely. 00:47:14.539 --> 00:47:16.780 Okay, so that's a big deal. It needs to be somebody 00:47:16.780 --> 00:47:22.949 really, with good chops, who's charming. who's 00:47:22.949 --> 00:47:27.329 Seemingly not corruptible Yeah, yeah, yeah, let's 00:47:27.329 --> 00:47:30.909 see, let's see That's an interesting character 00:47:30.909 --> 00:47:34.070 that's definitely like all right. Do we want 00:47:34.070 --> 00:47:36.750 to go new school or old school anywhere anywhere? 00:47:36.909 --> 00:47:40.630 Yeah, I it's fun to think about the kind of unsuspecting 00:47:40.630 --> 00:47:43.869 leading men over the years You know who start 00:47:43.869 --> 00:47:46.789 out as zeros and turn out to be heroes, you know 00:47:46.789 --> 00:47:48.909 that kind of thing I could see Daniel Craig doing 00:47:48.909 --> 00:47:53.239 this A young Daniel Craig. Yeah. Yeah. Yeah. 00:47:53.260 --> 00:47:55.699 Daniel Craig. I can see him doing this role. 00:47:56.159 --> 00:47:59.719 It feels like he can definitely do nondescript. 00:47:59.880 --> 00:48:02.019 And he can do westerns because we've seen Cowboys 00:48:02.019 --> 00:48:05.480 versus Aliens. I like that. So he's a straight 00:48:05.480 --> 00:48:08.360 and he's like a very holier than thou pious person 00:48:08.360 --> 00:48:10.920 and he's doing an American accent. Yes. But he's 00:48:10.920 --> 00:48:14.199 ripped. Just. Oh, there could be a great scene. 00:48:14.960 --> 00:48:18.039 Where like the the connection is Channing Tatum 00:48:18.039 --> 00:48:21.980 because they they they connect like over Workouts, 00:48:22.460 --> 00:48:24.159 you know, cuz you don't normally see in the West 00:48:24.159 --> 00:48:26.460 like workout routines. Yeah, so that's where 00:48:26.460 --> 00:48:28.920 they like secretly He's like, well, I'm just 00:48:28.920 --> 00:48:31.059 working out with this guy and Lily Thomas like 00:48:31.059 --> 00:48:34.920 but he works He's not that bad. He's a pretty 00:48:34.920 --> 00:48:37.800 nice guy. I'm like I had this not you know, like 00:48:37.800 --> 00:48:40.559 in my lower glutes And you see like Channing 00:48:40.559 --> 00:48:43.440 Tatum just rubbing Daniel Craig's bare ass I 00:48:43.440 --> 00:48:46.039 love this. It sounds very fun. It sounds like, 00:48:46.639 --> 00:48:49.400 man, you could bounce a silver dollar all this. 00:48:50.360 --> 00:48:54.679 Bam. And it like flies into the sky. Yes. And 00:48:54.679 --> 00:48:56.400 then he goes to throw it again and like, oh, 00:48:56.460 --> 00:49:00.159 I got it. Let me get that right in the crack. 00:49:00.579 --> 00:49:03.619 It is a comedy. It is indeed a comedy. It's a 00:49:03.619 --> 00:49:06.679 sex comedy. Do we have nudity in it or do we 00:49:06.679 --> 00:49:10.570 have no nudity? Because I don't think a sex comedy 00:49:10.570 --> 00:49:12.710 has to have me if you're gonna do doody you got 00:49:12.710 --> 00:49:14.829 to do tasteful nudity, right? You can't like 00:49:14.829 --> 00:49:18.670 not say you can't go for the pottery or the chaos 00:49:18.670 --> 00:49:20.090 It depends on what you're trying to do But I 00:49:20.090 --> 00:49:22.150 feel like you could definitely get away with 00:49:22.150 --> 00:49:23.989 no nudity and you could definitely get away with 00:49:23.989 --> 00:49:26.050 a lot of implied nudity in this film It's still 00:49:26.050 --> 00:49:29.190 are for the comedy the sex and yeah, not what 00:49:29.190 --> 00:49:33.150 what not but yeah, so Robert Rufford's gangster 00:49:33.150 --> 00:49:39.389 I like the idea that he He kind of takes a shine 00:49:39.389 --> 00:49:42.429 to Channing Tatum's character. Like he's a little 00:49:42.429 --> 00:49:44.570 bit, a little bit goes both ways. That would 00:49:44.570 --> 00:49:47.389 be fun. That'd be a fun art because it's definitely 00:49:47.389 --> 00:49:50.170 a story that's never told. Yeah. It definitely 00:49:50.170 --> 00:49:52.289 existed. Don't let anybody fool you. A history 00:49:52.289 --> 00:49:56.389 is full of people of all makes and models. And 00:49:56.389 --> 00:49:58.869 we could have, I mean, all right, if we've, we're 00:49:58.869 --> 00:50:01.460 going to have I guess Robert Redford isn't going 00:50:01.460 --> 00:50:08.960 to jerk off on, on the side of the trolley. We 00:50:08.960 --> 00:50:13.079 can apply it. You could definitely have an implicating. 00:50:13.300 --> 00:50:14.800 Well, you know what? We could have somebody be 00:50:14.800 --> 00:50:19.119 like, whatever Gatsby, like a great Gatsby nod 00:50:19.119 --> 00:50:22.059 and Channing Tatum can definitely do a magic. 00:50:22.079 --> 00:50:24.599 Mike not like a little dance for sure. Like a 00:50:24.599 --> 00:50:28.570 pole dance. Yes. Yeah. Yeah. I'm more and more 00:50:28.570 --> 00:50:31.469 obsessed with the male prostitute in the late 00:50:31.469 --> 00:50:35.289 20s or the late 1800s or late 1900s. I like the 00:50:35.289 --> 00:50:37.590 idea of this being almost the 20s for sure, because 00:50:37.590 --> 00:50:39.929 I bet you it's a thing that happened, but nobody 00:50:39.929 --> 00:50:41.710 ever talked about. And those that did were just 00:50:41.710 --> 00:50:44.190 like, yeah, we took that one to the graves. And 00:50:44.190 --> 00:50:48.829 you're like, huh. Who is? Did we figure out who 00:50:48.829 --> 00:50:54.670 are? Oh, yeah. Daniel Craig is our. And so he 00:50:54.670 --> 00:50:58.699 is. kind of absconded into this world. Yeah. 00:50:58.739 --> 00:51:00.880 Of the brothel. I wonder if he goes in to find 00:51:00.880 --> 00:51:02.480 that they're not bad people. Lily Tomlin sends 00:51:02.480 --> 00:51:04.800 him in to like, you know, surveil the place and 00:51:04.800 --> 00:51:08.119 come back. And so what happens is Lily Tomlin 00:51:08.119 --> 00:51:10.619 needs to connect with Robert Redford because 00:51:10.619 --> 00:51:13.760 she gets to a boiling point. Yeah. Now, and Redford's 00:51:13.760 --> 00:51:15.920 like, oh, that young Daniel Craig over there. 00:51:16.019 --> 00:51:20.760 You need help wrangling him back in. Oh, yeah. 00:51:20.780 --> 00:51:24.320 OK. So she's got to, you know, like dirty up 00:51:24.320 --> 00:51:29.800 herself. to recruit him to like take down Dolly 00:51:29.800 --> 00:51:34.199 and Kidman. My question is, does does this movie 00:51:34.199 --> 00:51:36.739 kind of end with the place being burned down? 00:51:38.760 --> 00:51:40.480 It kind of feels like we're drawing to this conclusion 00:51:40.480 --> 00:51:43.780 where like the place, if not accidentally that 00:51:43.780 --> 00:51:47.679 potentially with intention gets lit on fire. 00:51:47.960 --> 00:51:50.219 But my idea is like, if it's the dead letters, 00:51:50.340 --> 00:51:52.000 the idea could be like, it's in the safe and 00:51:52.000 --> 00:51:53.940 like, you know, somebody just dug this up. You 00:51:53.940 --> 00:51:57.320 know, they're we're building a new city block. 00:51:57.519 --> 00:52:01.039 And that fast forward to this girl is reading 00:52:01.039 --> 00:52:03.280 that letter on the site of. Yeah, well, it's 00:52:03.280 --> 00:52:07.139 like it's a condo now, which is kind of interesting. 00:52:07.320 --> 00:52:09.699 This is why I've always been drawn to this place. 00:52:09.780 --> 00:52:14.039 If you want to have a. But yeah, having it, having 00:52:14.039 --> 00:52:17.079 it burned down and then maybe show that that. 00:52:17.099 --> 00:52:20.599 Dolly is the like, well, I'm just going to rebuild 00:52:20.599 --> 00:52:25.019 it better. Yeah. And then, you know, in the next 00:52:25.019 --> 00:52:28.699 iteration, there's a coffee shop like right there 00:52:28.699 --> 00:52:32.519 or something. And then in the fast forward into 00:52:32.519 --> 00:52:34.980 her condo, that coffee shops, everything's still 00:52:34.980 --> 00:52:37.219 there. Yeah. Just that. Yeah. After the initial 00:52:37.219 --> 00:52:41.480 thing burns down. So you have this, you know, 00:52:41.539 --> 00:52:44.219 it's yeah, I'm going to I'm not going to be stopped 00:52:44.219 --> 00:52:46.829 by this. I could see that. Because you could, 00:52:46.829 --> 00:52:48.929 you know, have a little bit of narrative tension, 00:52:49.130 --> 00:52:51.429 like, well, maybe she's just not going to do 00:52:51.429 --> 00:52:55.250 it. But I like that kind of rebel at heart. Yeah. 00:52:56.030 --> 00:52:59.349 Type of thing. Always. Or you could have something 00:52:59.349 --> 00:53:02.389 interesting where like Dr. Laudanam or a surprise 00:53:02.389 --> 00:53:04.969 character is like, oh, well, I invested in this 00:53:04.969 --> 00:53:09.239 here thing. Yeah. I'll help you out. You could. 00:53:09.599 --> 00:53:12.619 Yeah. You know, this Apple to see a lot for his 00:53:12.619 --> 00:53:15.119 company to like, Oh, you got this. It turns out 00:53:15.119 --> 00:53:17.559 stocks are doing stocks, you know, like that. 00:53:17.559 --> 00:53:19.239 I've heard about this Henry Ford and I gave him 00:53:19.239 --> 00:53:22.519 a couple of dollars. I don't know how the timing 00:53:22.519 --> 00:53:25.039 works, but you always like that last minute. 00:53:25.039 --> 00:53:27.840 Like always been there. Like, Oh yeah, I can 00:53:27.840 --> 00:53:30.280 help out. Yeah. Like we end on a little optimistic 00:53:30.280 --> 00:53:33.199 note. I like that in a way. Yeah. The idea of 00:53:33.199 --> 00:53:35.519 a little tragedy, then better sweet trying to 00:53:35.519 --> 00:53:39.599 get into an empire. Yeah. that this kid just 00:53:39.599 --> 00:53:41.619 didn't know about. Yeah, it turns out like it 00:53:41.619 --> 00:53:43.500 was a beauty empire that she built after this 00:53:43.500 --> 00:53:45.320 or something else. I like the idea that just 00:53:45.320 --> 00:53:47.800 maybe fast forward. Yeah, it didn't become anything. 00:53:47.800 --> 00:53:50.920 Yeah, like just that land, just whatever. And 00:53:50.920 --> 00:53:52.820 you don't know what happened. I don't know that 00:53:52.820 --> 00:54:00.199 she's in a condo. I love this there. And so again, 00:54:00.199 --> 00:54:01.940 we may be getting into the weeds a tad, but we 00:54:01.940 --> 00:54:04.159 got a second. The idea that she's found these 00:54:04.159 --> 00:54:06.099 letters and she's taken them back to her place 00:54:06.099 --> 00:54:08.760 to read. Yep. This happens to be a and it's kind 00:54:08.760 --> 00:54:11.320 of sappy, but it has happens to be a condo on 00:54:11.320 --> 00:54:13.460 the side. We can make it where like, oh, it's 00:54:13.460 --> 00:54:16.360 been family land or something. So like, you know, 00:54:16.460 --> 00:54:18.400 she got a deal. You can even do it where like 00:54:18.400 --> 00:54:20.780 it was grandma's like, you know, like the story. 00:54:21.000 --> 00:54:23.480 Yeah. And like, like, it's loosely related. Yeah. 00:54:23.480 --> 00:54:26.579 She doesn't know how big I love. So she's back 00:54:26.579 --> 00:54:33.940 in her place reading these things. And the last, 00:54:33.940 --> 00:54:38.190 you know, like scene could be grandma walking 00:54:38.190 --> 00:54:41.250 in. This is our surprise grown -up Emma Stone. 00:54:41.429 --> 00:54:44.269 So you can cast. Yeah. Yeah. Like, Oh, I was 00:54:44.269 --> 00:54:45.690 going to tell you about that. Oh, you know what 00:54:45.690 --> 00:54:48.110 we could do? It could be Jane Fonda and we could 00:54:48.110 --> 00:54:51.130 complete the nine to five trilogy if we wanted 00:54:51.130 --> 00:54:54.289 to. We could. Because that's fun for maybe just, 00:54:54.289 --> 00:54:57.030 again, eight people. Like just enough to say, 00:54:57.090 --> 00:54:59.469 haha, see what you did there. Well, I always 00:54:59.469 --> 00:55:01.909 like that. That's that's a little bit of dopamine 00:55:01.909 --> 00:55:04.989 for me that gives me a little longevity in life. 00:55:05.320 --> 00:55:09.440 But again, the idea that she there there's yeah 00:55:09.440 --> 00:55:12.780 some kind of pole to grant I think families can 00:55:12.780 --> 00:55:16.340 identify with that like my wife Her her family 00:55:16.340 --> 00:55:18.800 settled Cedar Falls, Iowa and they all streets 00:55:18.800 --> 00:55:21.059 named after them. She's got her own Jessica Drive 00:55:21.059 --> 00:55:24.219 Yeah, so I I get that and it's kind of funny 00:55:24.219 --> 00:55:26.159 to see and like there's your fucking street. 00:55:26.320 --> 00:55:30.280 Uh -huh. Yeah You tie it to the place. I think 00:55:30.280 --> 00:55:31.380 that's pretty cool. But it's just fun to know 00:55:31.380 --> 00:55:33.699 that it came from that, to know that there were 00:55:33.699 --> 00:55:37.179 positive stories of those brothels in general 00:55:37.179 --> 00:55:40.260 is all awful. But some people did try to make 00:55:40.260 --> 00:55:42.280 an honorable business out of it. I think that's 00:55:42.280 --> 00:55:44.460 an actually really interesting concept to tackle. 00:55:44.820 --> 00:55:46.800 They're making a sex comedy and be like, no, 00:55:46.800 --> 00:55:49.099 it's pretty funny. We can still laugh at these 00:55:49.099 --> 00:55:51.400 situations. It's OK. It's allowable to laugh 00:55:51.400 --> 00:55:53.119 at this and be like, nope, this is ridiculous. 00:55:53.400 --> 00:55:56.619 I think as a comedy, that's the point. We'd be 00:55:56.619 --> 00:55:59.329 like, You're supposed to laugh with it is ridiculous. 00:55:59.409 --> 00:56:02.590 We have a scene where Lily Tomlin goes undercover 00:56:02.590 --> 00:56:05.289 into the brothel just to see what it's like. 00:56:05.510 --> 00:56:07.869 Turns out she loves it. Or like, well, then she 00:56:07.869 --> 00:56:10.010 she meets Channing Tatum and she's like, Oh, 00:56:10.010 --> 00:56:12.789 I didn't know that. Yeah. Like, yeah, there's 00:56:12.789 --> 00:56:14.650 like a burlesque show going on or something. 00:56:14.949 --> 00:56:17.329 It's all right. And he starts like bouncing his 00:56:17.329 --> 00:56:20.989 specs like, Oh, you can feel them. That's fine. 00:56:21.489 --> 00:56:23.730 You know what I mean? Like all the fish out of 00:56:23.730 --> 00:56:25.809 water stuff is always what makes them funny. 00:56:26.519 --> 00:56:29.119 instances. Because of this time, it's a little 00:56:29.119 --> 00:56:31.500 bit wild west. It's a little bit city. Yeah, 00:56:31.619 --> 00:56:34.579 it's this. So you have some modern things, some 00:56:34.579 --> 00:56:37.659 remnants of the old days. What's what's really 00:56:37.659 --> 00:56:39.179 funny is like, if you look at history, like this 00:56:39.179 --> 00:56:41.099 is the time when like people started believing 00:56:41.099 --> 00:56:43.980 in fairies and like Ouija boards and like tarot 00:56:43.980 --> 00:56:46.880 cards, like really more like it became not that 00:56:46.880 --> 00:56:49.900 it didn't exist, but like it hit the mainstream. 00:56:50.170 --> 00:56:52.389 But it's like, but it's also a time when technology 00:56:52.389 --> 00:56:54.530 is hitting a stride in which I've never been 00:56:54.530 --> 00:56:56.650 seen before. And you're like, I wonder if people 00:56:56.650 --> 00:56:58.869 are reaching back to for something that, like, 00:56:58.969 --> 00:57:00.909 didn't really exist because the new world is 00:57:00.909 --> 00:57:03.590 something nobody knows. Right. Right. It's like, 00:57:03.610 --> 00:57:06.489 yeah, this is a real fun, like, time frame amalgamation. 00:57:06.690 --> 00:57:08.750 Like, you know, you're stepping into the future, 00:57:08.869 --> 00:57:11.929 but like, you know, the remnants are still clearly 00:57:11.929 --> 00:57:15.670 here in front of you. Yeah. You know, and I think 00:57:15.670 --> 00:57:20.800 the idea that you can have these It's still more 00:57:20.800 --> 00:57:23.900 of the same. Yeah. You can throw these societal 00:57:23.900 --> 00:57:26.800 like there's so many ideas. Religion is this 00:57:26.800 --> 00:57:28.980 and this is this. Do we have a Hemingway character 00:57:28.980 --> 00:57:32.420 show up in this? Say more. I don't know. I just 00:57:32.420 --> 00:57:34.679 like I feel like in the time frame. We don't 00:57:34.679 --> 00:57:37.539 have a sheriff in this town. Yeah, but I mean 00:57:37.539 --> 00:57:40.039 like feels like like a traveling. Yeah, you just 00:57:40.039 --> 00:57:41.800 need a traveling like author. He could be somebody 00:57:41.800 --> 00:57:44.099 who comes in to visit the brothel. Yeah, yeah, 00:57:44.099 --> 00:57:46.599 yeah. Oh, you mean Ernest Hemingway? No, just 00:57:46.599 --> 00:57:49.960 or somebody like Al Capone or like a real person 00:57:49.960 --> 00:57:51.719 comes in. No, I just like the idea of there being 00:57:51.719 --> 00:57:54.260 like a Hemingway -esque like author type character. 00:57:54.440 --> 00:57:57.679 I'm an author here. Yeah. Oh, how about? But 00:57:57.679 --> 00:57:59.659 I mean, we could definitely have somebody playing 00:57:59.659 --> 00:58:02.760 Hemingway to real life because that dude lived 00:58:02.760 --> 00:58:07.760 a wild lifetime. I'm also fascinated by people 00:58:07.760 --> 00:58:12.039 who explored America early as we were coming 00:58:12.039 --> 00:58:15.010 up. the French, the British. Other explorers 00:58:15.010 --> 00:58:17.570 were coming here in the late 1800s, seeing how 00:58:17.570 --> 00:58:20.650 we're growing and seeing what we're doing. An 00:58:20.650 --> 00:58:23.369 early commentary about this country was we're 00:58:23.369 --> 00:58:26.829 fast, we're moving, we're progressive, new ideas, 00:58:26.989 --> 00:58:29.489 new, new, new, not what's old, always moving 00:58:29.489 --> 00:58:34.130 forward. And there's still oppression and equality 00:58:34.130 --> 00:58:36.630 and all that kind of stuff. But I'm really fascinated 00:58:36.630 --> 00:58:38.909 by maybe if that visitor is somebody from off 00:58:38.909 --> 00:58:41.989 in the country. Yeah. OK. They're a writer from 00:58:41.989 --> 00:58:44.630 somewhere back home. But they're also an explorer. 00:58:46.050 --> 00:58:49.530 Yeah. World renowned character. It could be eccentric. 00:58:49.730 --> 00:58:51.710 I can imagine I could see some eccentric person. 00:58:52.409 --> 00:58:56.769 Yeah. Yeah. Yeah. Christoph Waltz. Oh my God. 00:58:57.630 --> 00:59:00.389 I was going to say Richard E. Grant. Christoph 00:59:00.389 --> 00:59:05.480 Waltz is perfect. Oh my God. Yeah. Christoph 00:59:05.480 --> 00:59:08.760 Waltz. Be wonderful. He has a pipe. I don't know 00:59:08.760 --> 00:59:11.039 why. To observe your culture. Yeah. Just here 00:59:11.039 --> 00:59:13.280 to observe. Like he's always got a pencil. Who's 00:59:13.280 --> 00:59:16.780 that man dancing on that pole? Yes. Yes. Please. 00:59:17.320 --> 00:59:19.820 Please. What a great addition to this. And he 00:59:19.820 --> 00:59:22.179 joins him in the dance. Oh yeah. 100%. I love 00:59:22.179 --> 00:59:24.559 the idea. He's very hedonistic and like has no 00:59:24.559 --> 00:59:26.920 inhibitions. It's kind of like a coyote ugly, 00:59:27.059 --> 00:59:31.579 but with dudes. I just love the idea that like, 00:59:31.739 --> 00:59:33.380 because he's from abroad, but he's like, no, 00:59:33.380 --> 00:59:35.820 I just don't care what your perception of us 00:59:35.820 --> 00:59:39.000 is. And I was like, Oh, he's so exotic. It's 00:59:39.000 --> 00:59:41.460 like the Richard Harris character in the unforgiven. 00:59:41.579 --> 00:59:44.079 You know, he's, he's having his biography read 00:59:44.079 --> 00:59:48.699 and, and that's where it gets real where, and 00:59:48.699 --> 00:59:51.880 we can maybe play with it in this, the stories, 00:59:51.880 --> 00:59:54.920 you know, cause like the Gene Hackman character 00:59:54.920 --> 00:59:59.929 is poking holes in the Duke of Death's stories. 00:59:59.929 --> 01:00:01.909 He's like, Oh, really? Is that what he told you? 01:00:01.909 --> 01:00:05.110 Uh huh. I was there. Yeah. It was only one guy. 01:00:05.230 --> 01:00:08.050 No, he shot him in the back. It's not what you 01:00:08.050 --> 01:00:10.809 know. It's all bullshit and it was easy to make 01:00:10.809 --> 01:00:13.250 up. Yeah. You know what I mean? I can see that. 01:00:13.250 --> 01:00:15.650 All right. So the angle I kind of see is like 01:00:15.650 --> 01:00:17.769 we could either bring him in like one. He's coming 01:00:17.769 --> 01:00:19.769 just to visit the brothel. No, it's great. It's 01:00:19.769 --> 01:00:22.429 beautiful. Or he's coming in as like the biographer 01:00:22.429 --> 01:00:26.300 for a our gangster character here, Mr. Day. I 01:00:26.300 --> 01:00:28.679 like that he's just, he's just, he's traveling. 01:00:28.940 --> 01:00:30.659 I do like the idea. He's just a traveling writer. 01:00:30.960 --> 01:00:33.119 He's an early writer and I'm here to write about 01:00:33.119 --> 01:00:35.780 American culture. I do like that. He gets a room 01:00:35.780 --> 01:00:37.480 and he's just like, I don't need anybody to accompany 01:00:37.480 --> 01:00:39.860 me, but I'd like to have a room for like, yeah, 01:00:39.940 --> 01:00:41.699 you know, for hour long. Tons of humor because 01:00:41.699 --> 01:00:43.960 it's at fish out of water. Same thing with Redford. 01:00:44.099 --> 01:00:47.539 You can give him a real mean streak, but then 01:00:47.539 --> 01:00:50.110 make him sweet on Channing Tatum. make him sweet 01:00:50.110 --> 01:00:52.389 on Daniel Craig. You got a lot of fucking man 01:00:52.389 --> 01:00:54.730 candy in this movie. Holy shit. My nipples are 01:00:54.730 --> 01:00:56.409 getting hard. So there's some hot dudes and cadets 01:00:56.409 --> 01:00:58.570 in this film. Yeah, but then you have the lightness 01:00:58.570 --> 01:01:02.530 of Dolly Martin, Lily Tomlin being, because again, 01:01:02.730 --> 01:01:05.449 she can be perfectly uptight, serious, this nun 01:01:05.449 --> 01:01:09.309 character going undercover. I can see her just 01:01:09.309 --> 01:01:11.489 carrying a briefcase and just setting the briefcase 01:01:11.489 --> 01:01:14.090 down and just start spewing just nonsense. And 01:01:14.090 --> 01:01:18.079 that's what happens in... in that book. Yeah. 01:01:18.599 --> 01:01:20.480 Like I said, I'm adding this book to my to be 01:01:20.480 --> 01:01:21.840 read list. I'm going to find it. I'm going to 01:01:21.840 --> 01:01:25.699 read it. Is the guy and he's pelted with rocks. 01:01:25.699 --> 01:01:29.440 He's like in it again, there is a movement to 01:01:29.440 --> 01:01:31.460 be had, you know, and that's what's fun. Like 01:01:31.460 --> 01:01:34.360 Daniel Craig, his conversion should be really 01:01:34.360 --> 01:01:36.699 funny. Oh yeah. You know what I mean? Like the 01:01:36.699 --> 01:01:40.739 reveal of his buffness should be awesome. Yeah. 01:01:40.940 --> 01:01:43.699 And Lily Thomas, we don't talk about it. No, 01:01:43.699 --> 01:01:46.159 no, we don't talk. What happens is, uh, he's 01:01:46.159 --> 01:01:48.559 there. Like he's still undercover. He's not undercover, 01:01:48.579 --> 01:01:51.780 but like he keeps going. She goes in, she goes 01:01:51.780 --> 01:01:53.400 in to figure out what happens to him after a 01:01:53.400 --> 01:01:55.179 while. Cause he keeps going back only like every 01:01:55.179 --> 01:01:57.239 time he's more and more enthusiastic to go back 01:01:57.239 --> 01:01:59.860 in and like she finally goes into like chase 01:01:59.860 --> 01:02:01.460 him down. And like, this is the time he gets 01:02:01.460 --> 01:02:04.300 pulled up on stage with Channing. Yeah. Like 01:02:04.300 --> 01:02:07.780 I was just, I was just dancing. I like the idea 01:02:07.780 --> 01:02:10.980 of them having to get clothes to blend in, and 01:02:10.980 --> 01:02:13.739 he gets something that accentuates his ass real 01:02:13.739 --> 01:02:16.500 good. That's the only service that they have. 01:02:17.360 --> 01:02:20.059 I love this. This is great. Here's a question 01:02:20.059 --> 01:02:22.639 for you. I don't know how much time is left, 01:02:22.699 --> 01:02:24.539 and I'm genuinely curious. Oh, sorry. 15 minutes, 01:02:24.820 --> 01:02:26.300 58 seconds. OK, so lots of time. Lots of time. 01:02:26.920 --> 01:02:28.500 No, we're all good. It's bad production. No, 01:02:28.500 --> 01:02:30.780 no, it's OK. I like because it's like I'm just 01:02:30.780 --> 01:02:33.230 running. It doesn't matter. What I want to know 01:02:33.230 --> 01:02:38.670 is, do you have an idea for a tagline? Dead Letter 01:02:38.670 --> 01:02:44.949 is fun, because you could tie that in anyway. 01:02:44.989 --> 01:02:46.889 She finds these letters that they thought were 01:02:46.889 --> 01:02:50.630 gone, dead letter, what have you. Too spicy to 01:02:50.630 --> 01:02:53.030 tell you in real life? I like the idea that maybe 01:02:53.030 --> 01:02:55.250 we haven't come up with a name for the brothel, 01:02:55.250 --> 01:02:57.289 and it could have something to do with that. 01:02:57.289 --> 01:03:01.880 Yeah. But so let's think about this. We've got 01:03:01.880 --> 01:03:06.239 a a madam Who's running this honorably and it's 01:03:06.239 --> 01:03:09.280 hard to do you have a Emma Stone? Who's our main 01:03:09.280 --> 01:03:15.579 character? who meets Somebody so like it's the 01:03:15.579 --> 01:03:18.519 conversion. Mm -hmm. It's mistakes things. We 01:03:18.519 --> 01:03:21.119 don't understand. It's being free. It's freedom, 01:03:21.119 --> 01:03:29.099 right? you know like It's freedom, baby I don't 01:03:29.099 --> 01:03:30.860 know. It feels good to be bad. So now I'm going 01:03:30.860 --> 01:03:32.900 to start spitballing because it's the only thing 01:03:32.900 --> 01:03:37.840 I can think of. You got me here with this idea 01:03:37.840 --> 01:03:39.980 of like, what's the title of the brothel? Like 01:03:39.980 --> 01:03:42.619 what's the name of the brothel? And yeah, I think 01:03:42.619 --> 01:03:45.099 that's I feel like that's as much a character 01:03:45.099 --> 01:03:47.260 as the rest of them, right? That's true. I feel 01:03:47.260 --> 01:03:49.500 like because in the book, it's the Everly Club. 01:03:49.579 --> 01:03:52.199 You know, so the names were kind of banal back 01:03:52.199 --> 01:03:54.840 in the day. So maybe we turn it around and it's 01:03:54.840 --> 01:03:58.059 really wild, like the pink nipple, the pink nipple, 01:03:58.320 --> 01:04:00.500 the exotic lady. And then the joke is like, well, 01:04:00.500 --> 01:04:03.659 why the why one? Right. Or something like that. 01:04:04.239 --> 01:04:06.739 You know, or the yeah, the exotic lady or like 01:04:06.739 --> 01:04:09.739 the purple dildo. I don't know if that's maybe 01:04:09.739 --> 01:04:13.420 a bit too grotesque for that would lean it into 01:04:13.420 --> 01:04:15.500 being absurdist. Yeah. Yeah. I don't know if 01:04:15.500 --> 01:04:17.679 we want absurdist. I'd like the idea of it being 01:04:17.679 --> 01:04:20.400 somewhat eloquent. Only because of the place 01:04:20.400 --> 01:04:22.260 that we're trying to put it in. We're putting 01:04:22.260 --> 01:04:24.300 it in this old Victorino. So I was like, this 01:04:24.300 --> 01:04:27.219 has some regalness to it. The oyster necklace. 01:04:27.860 --> 01:04:30.139 Oh, that would be a clever one. It's not the 01:04:30.139 --> 01:04:34.019 pearl necklace. Or the oyster bracelet. The oyster 01:04:34.019 --> 01:04:39.570 bracelet. shell shocked. It's right on the come 01:04:39.570 --> 01:04:41.849 and get shell right on the water. Well, it could 01:04:41.849 --> 01:04:44.670 be on Lake Michigan, technically on Navy Pier. 01:04:44.670 --> 01:04:48.510 Yeah, it's really Navy Pier institution. But, 01:04:48.750 --> 01:04:52.110 you know, again, the idea is, you know, come 01:04:52.110 --> 01:04:56.210 in and, you know, eat here and get laid. Yeah. 01:04:56.210 --> 01:04:58.469 What have you just called it like the regal house? 01:04:59.349 --> 01:05:03.860 Just something simple, you know? And then they 01:05:03.860 --> 01:05:06.099 would shorten it to the regal, of course, in 01:05:06.099 --> 01:05:10.300 Vegas. It's like cheetahs. It's, you know, things 01:05:10.300 --> 01:05:13.320 like mothers are interesting names for clubs 01:05:13.320 --> 01:05:17.139 like this. You know, like the velvet stash. Maybe 01:05:17.139 --> 01:05:19.340 we call it the velvet stash. And it's funny because 01:05:19.340 --> 01:05:24.780 they're not dudes. They just called, you can 01:05:24.780 --> 01:05:26.539 always go, obviously the ones who know it's like, 01:05:26.599 --> 01:05:28.820 isn't there one club known as the velvet room? 01:05:29.300 --> 01:05:31.480 Am I making that one up? Oh yeah. Okay. I was 01:05:31.480 --> 01:05:34.260 like, that's a real place. Yeah. Yeah. So it's 01:05:34.260 --> 01:05:36.519 like, so we called it the velvet stash. That's 01:05:36.519 --> 01:05:38.960 kind of funny. And hearing dollars, they're like, 01:05:38.960 --> 01:05:40.679 welcome to the velvet stash. Why do you call 01:05:40.679 --> 01:05:42.679 it that? I don't know. It's the stash house. 01:05:42.699 --> 01:05:45.440 They're stashing people away. Oh yeah. And this 01:05:45.440 --> 01:05:47.420 could also be, oh shit, we didn't even think 01:05:47.420 --> 01:05:49.059 about it. It could be during prohibition. So 01:05:49.059 --> 01:05:51.440 you can always have like, you got speakeasy in 01:05:51.440 --> 01:05:55.539 there as well. For sure. Hell yeah. So the tagline, 01:05:55.539 --> 01:05:59.039 you know, I like that. Like it feels good. Oh, 01:05:59.179 --> 01:06:01.559 wait. It feels good to feel good. I was going 01:06:01.559 --> 01:06:04.610 to say, uh, Because the idea is they're trying 01:06:04.610 --> 01:06:07.730 to oppress this. They're not doing anything wrong. 01:06:08.869 --> 01:06:11.670 And there's a great comedy line about selling 01:06:11.670 --> 01:06:14.510 sex. Like, I understand it. I'm just selling 01:06:14.510 --> 01:06:17.429 an orgasm. I'm selling, you're giving somebody 01:06:17.429 --> 01:06:20.010 a good feeling. It's not like you're hooking 01:06:20.010 --> 01:06:23.289 them to a drug. I am selling an orgasm. I am 01:06:23.289 --> 01:06:27.590 selling happy. So like, come on, it feels good 01:06:27.590 --> 01:06:31.030 to feel good. So that's the idea is like, well, 01:06:31.550 --> 01:06:33.650 There's kind of this fall from it doesn't have 01:06:33.650 --> 01:06:35.650 to be a spiritual fall from grace for Daniel 01:06:35.650 --> 01:06:39.389 Craig It's just a physical and it's a break from 01:06:39.389 --> 01:06:42.849 you know Lily Tomlin strict moral code and she 01:06:42.849 --> 01:06:45.510 could have you know And we could she could have 01:06:45.510 --> 01:06:48.550 a bit of an awakening herself where she and Redford 01:06:48.550 --> 01:06:51.369 are just fuck buddies forever Know each other 01:06:51.369 --> 01:06:53.030 forever. Well, that's the logical conclusion, 01:06:53.030 --> 01:06:56.269 right? He has to like get into the gutter. Uh 01:06:56.269 --> 01:07:00.469 -huh. They clearly they clearly win. Yeah All 01:07:00.469 --> 01:07:02.070 right. And it doesn't feel good. The victory 01:07:02.070 --> 01:07:05.210 doesn't feel great. So it just hit me. As I said, 01:07:05.989 --> 01:07:08.070 the idea is like the stupid ass. No, no, no. 01:07:08.070 --> 01:07:10.550 I just think I was like, so dead letter. I don't 01:07:10.550 --> 01:07:11.969 know. For some reason, I like the idea of it. 01:07:12.090 --> 01:07:15.909 Just the tagline being speak easy. Speak easy. 01:07:16.070 --> 01:07:18.869 Yeah. Beautiful. It just seems very simple. Dead 01:07:18.869 --> 01:07:21.590 letter. Yeah. I don't know if it's a double entendre 01:07:21.590 --> 01:07:23.429 or anything. It just feels like, I don't know. 01:07:23.449 --> 01:07:26.730 It feels like, yeah. Could it be like suggestion? 01:07:27.269 --> 01:07:31.179 Yeah. It's easy on the tongue. Yeah. Oh, speak 01:07:31.179 --> 01:07:34.039 easy. It's easy on the mouth. I love the idea 01:07:34.039 --> 01:07:35.860 of it. It's easy on the tongue because it's also 01:07:35.860 --> 01:07:40.800 a bar. It's a bar brothel. Yeah, that's that's 01:07:40.800 --> 01:07:42.760 that fits the vibe that I feel like we're going 01:07:42.760 --> 01:07:46.480 for. Right. All right. Well, we can speak easy 01:07:46.480 --> 01:07:51.019 or it's easy on the tongue. Yeah, that's a toss. 01:07:51.320 --> 01:07:54.599 Oh, it feels good going down. Oh, Like that one 01:07:54.599 --> 01:07:56.780 feels good. That's probably that letters feels 01:07:56.780 --> 01:07:59.400 good. I mean, they don't have to be related. 01:07:59.599 --> 01:08:04.280 No, but it feels good going down. All right. 01:08:04.280 --> 01:08:06.920 Yeah, I think you like that. Feels good going 01:08:06.920 --> 01:08:11.460 down. I do. I like it. That's awesome. All right. 01:08:11.460 --> 01:08:19.420 That's fun. As far as music, you know, I like 01:08:19.420 --> 01:08:22.880 the, I can maybe liken it to a back to the future 01:08:22.880 --> 01:08:26.319 three. Okay. Where you have, you know, it's, 01:08:26.319 --> 01:08:30.239 it's a bit of Western bit. You get a little CZ 01:08:30.239 --> 01:08:34.380 Top song in there. So who's our musical, like, 01:08:34.579 --> 01:08:38.180 I like the idea of putting like Tito and Tarantula 01:08:38.180 --> 01:08:42.279 in from Dust Tell Dawn as the house slash vampire 01:08:42.279 --> 01:08:47.000 band. So can we have a house band for the Velvet 01:08:47.000 --> 01:08:51.340 Stash? Yes. Definitely a house band. It is, though, 01:08:51.340 --> 01:08:53.840 like a real band. Yes. You know, and we thought 01:08:53.840 --> 01:08:56.199 maybe it's something interesting, but I'd love 01:08:56.199 --> 01:09:00.619 a really with Dolly's help. Like, come on up 01:09:00.619 --> 01:09:03.659 and sing. So we have a custom Dolly Parton song 01:09:03.659 --> 01:09:09.380 collaboration. Yeah, like if it's real big fish 01:09:09.380 --> 01:09:13.380 clutch red fang, I don't even know. Like anybody 01:09:13.380 --> 01:09:16.140 but like dressed up in period clothes. Yeah, 01:09:16.220 --> 01:09:18.020 it could be. It feels like it's gotta be jazzy. 01:09:18.100 --> 01:09:20.020 I don't know why I feel like there's a jazz band. 01:09:20.300 --> 01:09:23.979 Well, I like ZZ Top is a rock band that had a 01:09:23.979 --> 01:09:26.180 little like I added some fiddle to it. Yeah. 01:09:26.319 --> 01:09:28.260 So this is the 20s. It could be blues. It could 01:09:28.260 --> 01:09:31.439 be jazz. It could be like if we wanted it to 01:09:31.439 --> 01:09:34.560 be period, it would have to be probably in those 01:09:34.560 --> 01:09:37.060 spaces or a band that could do it. Uh huh. Uh 01:09:37.060 --> 01:09:40.380 huh. Like if you got Green Day to write a jazz 01:09:40.380 --> 01:09:44.239 song a period song that's close right like or 01:09:44.239 --> 01:09:47.279 an 80s band like I don't know of a band particular 01:09:47.279 --> 01:09:49.060 I just know it feels like it's got to be a jazz 01:09:49.060 --> 01:09:51.680 I do like the idea of a house band is so boring 01:09:51.680 --> 01:09:54.319 It's not that it's not it's only jazz but the 01:09:54.319 --> 01:09:57.579 idea is like it's the we address it as you know 01:09:57.579 --> 01:10:00.840 They're the house jazz does country so you probably 01:10:00.840 --> 01:10:03.420 just got a voice for anything. She does the voice 01:10:03.420 --> 01:10:06.760 of an angel but you can't think of a band like 01:10:06.760 --> 01:10:09.470 if I I would love to see it. Tito and Tarantula 01:10:09.470 --> 01:10:15.069 is a great example because they're like a Western 01:10:15.069 --> 01:10:20.029 -style rock -ish, kind of, you know, dusty Mexican 01:10:20.029 --> 01:10:23.869 road band. What's the version of that for this? 01:10:23.970 --> 01:10:26.470 Yeah, I don't have an answer for you at the moment. 01:10:26.670 --> 01:10:27.909 All right, we're going to have to stall. I'm 01:10:27.909 --> 01:10:29.090 going to stall on that one. Or we don't have 01:10:29.090 --> 01:10:31.170 it. Or we don't have it. It's not necessary. 01:10:31.630 --> 01:10:35.430 But composer -wise, do you want like... You know, 01:10:35.489 --> 01:10:37.930 can you think of a composer that would be good 01:10:37.930 --> 01:10:40.130 for it? This is my weak point in thinking of 01:10:40.130 --> 01:10:42.210 a composer for for like a soundtrack, because 01:10:42.210 --> 01:10:44.689 I like the idea of it being like we let Dolly 01:10:44.689 --> 01:10:47.890 do it. Well, do we let Dolly do the whole thing? 01:10:48.050 --> 01:10:52.130 We let her compose the music. She's got the acumen 01:10:52.130 --> 01:10:59.970 to do it. Let's see. I think of like I'm going 01:10:59.970 --> 01:11:03.449 to ask what you can. You can just. Oh, OK. Wait. 01:11:04.720 --> 01:11:07.319 Fleetwood Mac's our band. Fleetwood Mac is the 01:11:07.319 --> 01:11:09.479 band in the block. I can see Fleetwood Mac doing 01:11:09.479 --> 01:11:13.239 that. Doing period -ish. Yeah. That's fucking 01:11:13.239 --> 01:11:16.680 great. I can see it. Stevie Nicks. Yeah. Mick 01:11:16.680 --> 01:11:21.640 Fleetwood. Lindsay Buckingham. The McVees. But 01:11:21.640 --> 01:11:24.380 dressed in like 20s. Yeah. Yes, that's fucking 01:11:24.380 --> 01:11:27.300 great. Because it's odd enough in a band like 01:11:27.300 --> 01:11:28.659 that would probably be like, oh, interesting. 01:11:29.000 --> 01:11:31.329 Yeah. Fuck yeah. That'd be fun to do. I'm going 01:11:31.329 --> 01:11:34.149 to have to write. And I wonder if Fleetwood Mac 01:11:34.149 --> 01:11:39.970 does the soundtrack because I think they've done 01:11:39.970 --> 01:11:44.430 movie soundtracks before. Well, I think sounds 01:11:44.430 --> 01:11:46.630 like they'd be great. I just looked up something 01:11:46.630 --> 01:11:50.689 really quickly. Yeah. Go Internet. Joel McNeely 01:11:50.689 --> 01:11:55.130 is the composer for the movie. A million ways 01:11:55.130 --> 01:11:57.479 to die in the West. OK. And you think he would 01:11:57.479 --> 01:12:00.180 do a decent job? Well, that's a great comedy. 01:12:00.340 --> 01:12:06.100 Western. He also did. Oh, boy. Soldier. I love 01:12:06.100 --> 01:12:08.239 that movie, Kurt Russell. Great movie. Air Force 01:12:08.239 --> 01:12:11.560 One. Great movie. Let's see. Well, he looks it 01:12:11.560 --> 01:12:15.579 looks like he works with what's his head a lot. 01:12:16.079 --> 01:12:20.140 Diorville, Ted. Oh, Seth MacFarlane, Seth MacFarlane. 01:12:20.300 --> 01:12:25.270 Yeah, I know who killed me. Mulan, too. Oh, okay. 01:12:25.350 --> 01:12:29.010 You did holes. So some family stuff. Okay. Yeah, 01:12:29.010 --> 01:12:31.250 I can see it. Adventures of young Indiana Jones. 01:12:31.270 --> 01:12:32.850 He would definitely understand the assignment. 01:12:32.850 --> 01:12:36.189 Yeah. Maybe if you combine Joel McNeely with 01:12:36.189 --> 01:12:38.489 Fleetwood Mac, we could have a magical fucking 01:12:38.489 --> 01:12:41.710 sound track. I can see it. I can see it. Okay. 01:12:41.949 --> 01:12:43.550 Got to find it in the notes. Where'd you go with 01:12:43.550 --> 01:12:48.069 it? It's all right. We're doing it. We are. We 01:12:48.069 --> 01:12:50.829 are definitely doing it. It's happening. All 01:12:50.829 --> 01:12:54.170 right. So I think that's everything. All right, 01:12:54.170 --> 01:12:56.270 let's go through it. Let's think about our list. 01:12:56.750 --> 01:13:00.109 Was it five minutes or so left? Yeah, five minutes. 01:13:00.270 --> 01:13:02.510 All right, we've got a plot to conclusion. And 01:13:02.510 --> 01:13:05.789 what happens is that this new person comes in, 01:13:05.810 --> 01:13:09.710 gets acclimated, gets in the fracas of the religious 01:13:09.710 --> 01:13:14.609 and social uprising. Yeah, of the brothels. But 01:13:14.609 --> 01:13:17.529 she meets a young Daniel Craig who is turned, 01:13:18.890 --> 01:13:23.260 ultimately. Lily Tomlin's character. has to unfortunately 01:13:23.260 --> 01:13:27.140 align with the Robert Redford gangster. Great. 01:13:27.140 --> 01:13:30.100 Great selection. Love it. Nick Offerman is our 01:13:30.100 --> 01:13:33.579 corrupt town official who is like he has to rub 01:13:33.579 --> 01:13:37.300 like, well, I think he has to kind of try to 01:13:37.300 --> 01:13:40.420 mitigate all of it because he's such a scumbag. 01:13:40.619 --> 01:13:43.340 It's fun. Dr. Laudanum is our town doctor who 01:13:43.340 --> 01:13:47.340 maybe like has a secret like stash of money and 01:13:47.340 --> 01:13:50.500 just gives them whatever. He keeps showing up 01:13:50.500 --> 01:13:53.100 to like, he's the doctor. But still tries to 01:13:53.100 --> 01:13:55.000 throw an old leech on you every once in a while. 01:13:55.260 --> 01:13:57.659 Like, are you sure it doesn't work? He's a really 01:13:57.659 --> 01:14:00.520 good snake oil salesman. Maybe he's like, you 01:14:00.520 --> 01:14:03.600 know, business on top, party below. Like he can't 01:14:03.600 --> 01:14:07.680 get his dressing correct, right? Mel Brooks is 01:14:07.680 --> 01:14:09.960 directing. Yeah, a great selection. He would 01:14:09.960 --> 01:14:13.199 definitely hit our satire, I think, is this comedy. 01:14:14.399 --> 01:14:18.260 Warrens Kasdan. I would suggest writing this. 01:14:18.600 --> 01:14:24.319 Oh, you want Lawrence Kasdan to write this? Besides 01:14:24.319 --> 01:14:29.920 the Star Wars, what else? The Big Chill, Silverado, 01:14:30.159 --> 01:14:34.880 I think. Raiders of the Lost Ark, Wyatt Earp. 01:14:37.760 --> 01:14:41.539 I don't know. Dreamcatcher, he did. I could see 01:14:41.539 --> 01:14:43.279 it. I don't know. Maybe it's not. He's not a 01:14:43.279 --> 01:14:45.220 good comedy writer. Yeah, I don't know. I still 01:14:45.220 --> 01:14:46.960 feel like Mel Brooks being the writer director 01:14:46.960 --> 01:14:49.460 is a solid choice of this. Yeah, because he'd 01:14:49.460 --> 01:14:51.859 get the satire. He would definitely. He's he's 01:14:51.859 --> 01:14:55.000 that's why we picked him. We want him to do it. 01:14:56.319 --> 01:14:59.699 The 2000 year old man. This is great. This movie 01:14:59.699 --> 01:15:02.760 is awesome. Dead Letter feels good going down. 01:15:03.159 --> 01:15:07.079 What a great line we got. It feels good feeling 01:15:07.079 --> 01:15:09.199 good and it's easy on the tongue. They might 01:15:09.199 --> 01:15:12.000 come up again. Those are the those are all alternative 01:15:12.000 --> 01:15:15.260 posters. We're on fire today. Yeah. This came 01:15:15.260 --> 01:15:17.659 together well. Yeah. Did we struggle anywhere? 01:15:17.880 --> 01:15:20.899 I don't know. Embarrassed. Maybe a couple of 01:15:20.899 --> 01:15:25.550 times. But no, you don't want it. Don't be so 01:15:25.550 --> 01:15:27.750 prudish. Maybe next time, if we want to have 01:15:27.750 --> 01:15:30.869 somebody jerk off on the side of somebody's wagon 01:15:30.869 --> 01:15:33.869 wheel, well, they could somebody show their ass 01:15:33.869 --> 01:15:36.289 like it's funny. I can't believe I put that in 01:15:36.289 --> 01:15:38.430 a movie show your ass and she's got to lift up 01:15:38.430 --> 01:15:41.130 like nine layers of cloth. And then he's like, 01:15:41.130 --> 01:15:47.989 fuck it. It's a filthy thing to parody. I don't 01:15:47.989 --> 01:15:49.989 know if that scene's ever been. It's a famous 01:15:49.989 --> 01:15:52.539 scene. Yeah, like it's That is a movie and there's 01:15:52.539 --> 01:15:54.899 so many out there, but that you're like, wow, 01:15:55.060 --> 01:15:58.399 I remember watched it in prime days. This is 01:15:58.399 --> 01:16:02.539 fucked up. But it was a badge of honor to say 01:16:02.539 --> 01:16:05.579 you saw that lieutenant. Side note, there's a 01:16:05.579 --> 01:16:08.300 sequel called Port of New Orleans and it stars 01:16:08.300 --> 01:16:11.000 Nicolas Cage and Val Kilmer. And it's actually 01:16:11.000 --> 01:16:15.220 quite good. And it's Nicolas Cage trying to outdo 01:16:15.220 --> 01:16:18.500 the insanity of Harvey Keitel in his prime. Does 01:16:18.500 --> 01:16:22.199 he do it? Close. It's different. But it's the 01:16:22.199 --> 01:16:26.020 idea of a cop, like, really burned out and just 01:16:26.020 --> 01:16:28.899 beyond all morals, just doesn't give a fuck anymore. 01:16:29.960 --> 01:16:33.600 All right. But it's not for everybody. Yeah, 01:16:33.960 --> 01:16:36.220 and Val Kilmer, tremendous in it. I forget what 01:16:36.220 --> 01:16:39.569 you're, maybe. 2008, nine, something like that. 01:16:39.750 --> 01:16:41.550 Would you like to recast Daniel Craig for Valley 01:16:41.550 --> 01:16:45.149 Kilms? Right here, right now? No. OK. No, I like 01:16:45.149 --> 01:16:48.949 a young, like tight bodied, because I like him 01:16:48.949 --> 01:16:52.369 just being ripped. And I just wasn't sure if 01:16:52.369 --> 01:16:54.109 we were going to go for that eight star job. 01:16:55.210 --> 01:16:59.149 But yeah, I like the idea of, I think they all 01:16:59.149 --> 01:17:03.890 merge really well together. I think so. Well, 01:17:04.050 --> 01:17:06.930 here's the thing. We did it with a minute 16. 01:17:07.199 --> 01:17:11.039 time to just write again for down to brass tacks. 01:17:11.079 --> 01:17:14.460 Well, thanks to everybody for listening. We're 01:17:14.460 --> 01:17:17.939 going to throw out an email address to you. You 01:17:17.939 --> 01:17:21.739 can finally email us. That is a little independent 01:17:21.739 --> 01:17:25.560 podcast at gmail dot com. So email us at a little 01:17:25.560 --> 01:17:30.640 independent podcast. If you have feedback, ideas, 01:17:31.079 --> 01:17:33.180 keep it kind or keep it mean. I don't care. We 01:17:33.180 --> 01:17:35.020 just want to hear from you. If you know somebody 01:17:35.020 --> 01:17:36.800 who knows somebody that wants us to make one 01:17:36.800 --> 01:17:39.560 of these movies, that's the place to do it. How 01:17:39.560 --> 01:17:42.939 about that? Catch me outside. Catch me outside. 01:17:44.319 --> 01:17:46.899 Is that hip or is that lame? I feel like it dates 01:17:46.899 --> 01:17:49.579 us a little bit. We're old now. That's OK. But 01:17:49.579 --> 01:17:51.859 Logan, thank you for making this movie. Thank 01:17:51.859 --> 01:17:54.720 you. Say it every time. Thank you for listening 01:17:54.720 --> 01:17:57.399 and Hollywood y 'all get at us if you want to 01:17:57.399 --> 01:17:59.779 you know See some of this shit or anybody get 01:17:59.779 --> 01:18:02.520 at us, right? That's right. Anybody wants to 01:18:02.520 --> 01:18:04.359 do it all it takes is a little bit of money and 01:18:04.359 --> 01:18:08.560 some faith Mostly that money mostly that money