WEBVTT

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Welcome to A Little Unscripted. The show where

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we pull a random title, spin a random genre,

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and then try to create a film that honestly shouldn't

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work and is impossible. It is way too expensive.

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And no one's asking for. But that's the fun.

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One idea. One hour. And zero guarantees. Let's

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make this thing. Good day. I'm Ryan. I'm Logan.

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And no matter what, we're going to make a movie

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today. Today is a movie day. Today is a day.

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Today is a good day to make a movie any day.

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But today is the day we may have commented on

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this in the previous episode, but we have been

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outside our genre box for quite a few movies

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only in bed, which has been fun. Has it prompted

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you to watch anything outside of your comfort

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zone? No. I did go see, I will shout out, I saw

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Iron Lung. How was it? I loved it, honestly.

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You saw it in the theater? I saw it in the theater.

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Cool. I had to support an independent artist,

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seeing as he got two weeks in the run. That's

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cool. I'm at least going to try. You know what,

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at least win. Honestly, if I didn't know, like,

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who made it, I wouldn't have been able to tell

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you that it wasn't, like, a Hollywood production.

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Just out of context, you're told you're going

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to see a sci -fi. It's sci -fi, right? Yeah.

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Sci -fi, definitely. Horror. How was the score?

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Can you comment on the soundtrack or the score?

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Honestly, like, the whole time, it felt like

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you were in a submarine. I won't lie to you.

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And it's based on a video game, right? Yes. Does

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the video game have a discernible score? I'll

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be honest with you. I've never watched the actual

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play of him playing the game. That's cool. So

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I feel like a submarine, meaning like compressed

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and so tight and claustrophobic. The the premise

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is this convict is welded into a legitimate submarine

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and they descend into an ocean of blood. Fucking

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bonkers. It's it's so metal that it's like, how

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do you not want to see this? And we had a conversation

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about about my initial response to the trailer

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on this movie. Yeah. And. I found. OK, based

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on seeing the movie, would you redo that trailer

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in any way to get a broader audience? I don't

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know. I don't know if you should. I think the

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whole idea, it's kind of like I would argue it's

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like going to space movie, like what you're watching

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is insane and you just kind of along for the

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ride. Like I mean, does Nicolas Cage belong in

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the film anywhere? Oh. I don't know. What does

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he do to it? If he were to be in the film. Oh,

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hi. I would definitely see a sequel to Nicolas

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Cage. Same premise. Run it back. Well, I would

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do that. I have not read or heard much about

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that, but is it left open for a sequel type of

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thing or is it? Yeah, I mean, the type of story

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that even with. Yeah, I could definitely see

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a sequel. It's succeeding. So what are the odds?

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that it's corrupted and turned into something

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terrible immediately, if not sooner. I honestly

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don't think it's going to happen and be corruptible.

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I think if he's he owns probably all of it. So

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he got the rights like he got the rights from

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the guy who created the game. Right. But this

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is all punk rock. They seem to have been collaborating

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pretty well. And honestly, I mean, he's been

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working on for the last five years. So, I mean,

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it's not like he was rushing on. making this

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happen. I am. I'm stoked. I'm turned around on

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this whole thing. It's right up your alley. It's

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left with an ending that is blood ocean. It's

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metal. Like he honestly ended up in the hospital

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because of how much blood they used that he ended

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up in the hospital because there he broke a record.

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He broke a record for how much blood Hollywood's

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ever used. And he didn't even make it with Hollywood.

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You know, traditional Hollywood. So, you know,

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he blew away all the all the records. I'm just

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saying that, you know, if you want to make a

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movie with practical blood, you can make a movie

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with practical blood. It's doable. And hey, I'm

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stoked. It was worth it. Honestly, it was great

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genre because I'm thinking ahead of what we may

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get because the there's a lot of genres that

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we have, which is fun. Yeah, we could get something

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approximate to that. But if we look backwards

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for a second, we're just talking about our previous

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film, The Boy Who Invented Rain. The Boy Who

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Invented Rain, our romantic drama. We're feeling

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strong about it. In fact, we were praising the

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idea I was, I'll say, of Michael B. Jordan's

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weird... medical anomaly that he can only get

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jacked. Is he always shirtless? Is that something

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the script calls for? No, I think he's dressed

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like a hobo. We're going to treat him like the

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Sandman. And he's eating ice cream the whole

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time. I love it. He's just always eating. He

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was pulling the Brad Pitt while dressed as the

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Sandman. Yeah. And it'll be wonderful. Yeah.

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And the tagline. Yeah. Do you remember? I have

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written is Believe Me. Yes, I'm a fan of that

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as well. I love it because it's the boy who invented

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RAID. Yeah. Believe Me. Yeah. And Believe Me

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as a general idea with the ampersand behind it,

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right? Yeah, like something more is coming feels,

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right? Like that's what we're saying. Yeah. I'm

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a fan of Believe Me. I think it's great. Thank

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you for indulging the idea that we could have

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an Enya song. Of course. Of course. I don't know

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what this movie feels like it calls for an Enya

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song. Something quite earthy and uplifting. I

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feel like it needs it. Yeah. Yeah. Right. Oh,

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boy. Okay. Use earthy to describe music. Yes,

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oh, yeah, I'm okay. I just want to make sure

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I never thought I I think any is very earthy

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to be honest I just never heard it. I've never

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had that descriptor before I understand Again,

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once again, I amused on the movie and I would

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be happy to go see it. I would go see this movie

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This movie, I could see this movie might win

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awards. Oh, a side note before. Did did you look

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up if that was a legit disease? The I was going

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to. I did the muscle thing. No matter what happens.

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No, I did not. Did you look it up? No, I didn't.

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I'm cool with it being a fabricated disease.

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Anybody out there, please do get at us. You have

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it. And hopefully it's not very sad and life

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threatening. Yeah. Yeah. It can't be a thing.

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If it's a thing, we'll hire a jester to read

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your email so that it becomes not a sad thing,

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but a happy thing. Well, all right. If the listeners

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would indulge us, we're going to remind you of

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the rules of the game. One more time. Rules of

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the game. So in the next 60 minutes, we are going

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to get a random title. A random. I don't actually

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know any, do you know any of the titles? Have

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you seen any lists? No, no. Fresh list. No, we

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have a fresh list. We have multiple lists, but

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it'll be a total between one and a hundred. And

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we will get a random genre. Is it the same genre

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in my packet here? In case people are wondering.

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I went analog. I have a piece of paper in front

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of me. Oh, yeah, same. We're going through the

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genre. The genre won't repeat. We're just going

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to run out of genres. OK. So then we're all done.

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We're retired. We're hanging it up. Hopefully,

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as we gain momentum, we'll figure out how much

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of this we need and can have to do if we need

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to improvise. If we need to cut some. If we need

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to make up numbers. in numerals from another

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universe. We have to bring in somebody else to

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be our lead voice and we shout ideas at them.

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I hope we have too many decisions to make because

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people enjoy the show so much. That is a good

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problem to have. I'd like to have that problem.

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Once we do have said title and genre, we must

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complete a movie with a plot to conclusion. And

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we've we've been trying to get like one act,

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two act, three act type of structure. I don't

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think if we get to seven acts, I would be very

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shocked. That's quite a complex film. We're going

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to have a 12 act play. Breaking the fourth ball

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play or adjacent may be in this list. Do we need

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to do theater? We need the film that we create

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has to have a character. Singular for sure. At

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least. I mean, we haven't pushed those boundaries

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yet, which is fun. And it must have no character.

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Well, I mean, the boundaries. We figure that

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out. We haven't been pushed that hard. It must

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have a director and a tagline. And good to haves

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writer. Somebody's got to make the thing. Composer

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we've we've gotten pretty good with some we definitely

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tried Scores locations getting kind of nerdy

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with where it could be filmed and how you know,

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we're trying to give it to you people Yeah, we'll

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do a little bit of everything minimal credit

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Zero credit and if it gets into award season

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like literally just have us around no context

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Yeah, just just don't let people ask like who

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are these people? I will. I will wear a bow tie,

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but I don't know if he'll be tied. OK, because

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I don't know. I you know, please. That's the

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best. I was what great buzz that would build

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for. I will gladly accept the award for you.

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For anybody who wants to make this movie and

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we make this movie, I will go on stage to accept

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this award. But I I'm going to say whatever I

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would. I might black out. Say something wild.

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Oh, no. I don't know. We have to keep the persona

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of Joaquin Phoenix would be. Oh, of course. So

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upset with us if we if we drop the facade. Don't

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don't lose the facade. All right. So you're going

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to tell us our genre. Yes. And I'll tell us our

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title. All right. So we're spinning here in our

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genre. Do you want to start with the genre? Yeah.

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You know what? Let's hear a genre. All right.

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So I'll give you the number for the genre. It's

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twenty three. Twenty three. Oh, oh, oh, oh, you're

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going to be. Oh, what is it? I don't want to

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tell you. I want you to give me a name first.

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Oh, name first. Give me our spun title. You're

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going to be happy. I'm happy already, because

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I feel like we can force this to happen kind

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of no matter what. We have to force it to happen.

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Oh, no, no, no. It's going to be all organic.

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Like eggs. I always laugh when they say all organic

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eggs, because I'm always like, what are non -organic

00:11:08.279 --> 00:11:12.039
eggs? I'm curious. The ninth door. Oh, wait.

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Wait, wait, say it again, say it again. The Ninth

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Door. The Ninth Door. Ninth Door. I'm gonna write

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the number nine because I want to. Number nine,

00:11:21.879 --> 00:11:25.419
number nine, number nine. Yeah, yeah, yeah. The

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Ninth Door. Oh, I see. I see our genre. It is

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a disaster film, ladies and gentlemen. The Ninth

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Door, the disaster film. Ooh. I love it. I would

00:11:35.580 --> 00:11:38.019
see this movie. Have you always wanted to make

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a disaster movie? Well... Gosh, yes, and it's

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one of my favorite genres. I know who needs to

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produce it and how it needs to look Well, here's

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the thing. We can't start yet. We got we gotta

00:11:48.669 --> 00:11:51.029
wait for it We gotta wait for we have to wait

00:11:51.029 --> 00:11:54.029
for the official referee. I am really a Twitter,

00:11:54.029 --> 00:11:57.149
right? He's okay. He's jittering out of the so

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Yeah, so we will start our timer now. All right,

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we're legit. There we go. I heard a beep Yeah,

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there was times on well then is I feel like it's

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a unique title, although it smacks of the Ninth

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Gate. Yeah, yeah. As long as the AI universe

00:12:17.470 --> 00:12:20.309
says that this is original. I mean, it's a working

00:12:20.309 --> 00:12:22.350
title. We could change it. The Ninth Door. I

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like this. Disaster film. Do you have a favorite?

00:12:25.529 --> 00:12:30.269
Disaster film? Do I have a favorite? Independence

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Day? That's cool. Does that one count? Oh yeah.

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For sure. Yeah, it's one of the penultimate.

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I think I think that was pretty great. You know,

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volcanoes got a special place in my heart. Gosh,

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yeah. I I try to see as many of these as I can

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and have since the early 90s. Dante's Peak I

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saw twice. Yeah, I think that there's a special

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place for disaster movies and we can't get rid

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of them. And it starts with an annual tradition

00:12:57.200 --> 00:13:01.200
in our home for New Year's Eve is we watch my

00:13:01.200 --> 00:13:04.139
favorite New Year's Eve film. I won't stress

00:13:04.139 --> 00:13:06.559
you out as to what it is, but it's my favorite

00:13:06.559 --> 00:13:09.799
New Year's Eve in its existence. It's a classic,

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the Poseidon adventure. Oh, I've never thought

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of that being as a New Year's Eve film. That

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is absurd. That's a terrible way to bring in

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the New Year's. And we've done that, this forced

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trend. It's from me. And I love Irwin Allen,

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and I love The Towering Inferno, and I love all

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of those. I think Earthquake, they just hold

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this airport, the airport films, they all hold

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this weird, special place in my heart and have

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for a long time. Even when it maybe wasn't cool,

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like I saw Volcano in the theater, I've watched

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it recently. And it's that like thrill of, I'm

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not in danger, but I also love San Andreas and

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skyscraper. Give me those rock. Oh, hell yeah.

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Hell yeah. Greenland. Geostorm. Oh yeah. Shout

00:14:04.090 --> 00:14:07.919
out to another podcast. I fucking. Love these

00:14:07.919 --> 00:14:10.320
I want Gerard Butler in this immediately, but

00:14:10.320 --> 00:14:13.279
he's oversaturated. So is he do you have it?

00:14:13.360 --> 00:14:16.179
Do you or maybe I mean like I have no idea other

00:14:16.179 --> 00:14:18.539
than the name of this movie is the ninth door

00:14:18.539 --> 00:14:20.740
if it's a different What if it's a nice like

00:14:20.740 --> 00:14:23.220
a bizarre take on the disaster film and it's

00:14:23.220 --> 00:14:29.919
like a disastrous marriage That's that's no it's

00:14:29.919 --> 00:14:33.419
more fun to make a real disaster film but You

00:14:33.419 --> 00:14:36.299
are very, I've noticed this about you. You're

00:14:36.299 --> 00:14:38.960
very particular about things lining up. So this

00:14:38.960 --> 00:14:42.620
title, I think, needs to mean something. And

00:14:42.620 --> 00:14:46.200
I think we're in a pickle because the Ninth Door

00:14:46.200 --> 00:14:49.919
is a fucked up design. I mean, it's real art

00:14:49.919 --> 00:14:52.460
house, isn't it? What do you feel about that?

00:14:52.639 --> 00:14:56.620
Like the Ninth Door, is that on a space station?

00:14:56.990 --> 00:15:01.009
Is that like, is that a literal thing or a metaphoric?

00:15:01.129 --> 00:15:04.190
And do we have to work ourselves into some kind

00:15:04.190 --> 00:15:08.049
of metaphor that makes sense of the ninth door?

00:15:09.470 --> 00:15:12.110
Ah, that's a good question. I don't know. Okay,

00:15:12.370 --> 00:15:14.980
well, looking backwards, most... disaster films,

00:15:15.120 --> 00:15:17.600
their title is right on the nose. Yeah, usually

00:15:17.600 --> 00:15:21.200
it's exactly what you write, what it is. Independence

00:15:21.200 --> 00:15:24.179
Day is interesting because it's just notable

00:15:24.179 --> 00:15:26.320
because it's it's that's kind of cool because

00:15:26.320 --> 00:15:31.220
it's on the attack is on Independence Day. Yeah,

00:15:31.240 --> 00:15:34.279
Pullman gets to say that it's beautiful line.

00:15:34.279 --> 00:15:36.700
That's all right. And that's he's great. How

00:15:36.700 --> 00:15:40.440
dare you? How dare you? Just great. He's love

00:15:40.440 --> 00:15:42.799
him. We can put him in this. Ooh, that'd be fun.

00:15:43.059 --> 00:15:45.240
Should he be the lead in this, like an older

00:15:45.240 --> 00:15:49.179
lead? Lone Star style. Lone Star. With Spaceballs

00:15:49.179 --> 00:15:52.620
2 coming out, that's great. Excitement levels.

00:15:53.179 --> 00:15:56.240
Go Millbrooks. Anywho, back to our disaster film.

00:15:56.820 --> 00:15:59.559
Does Tremors count as a disaster movie? I think

00:15:59.559 --> 00:16:01.360
it's a monster creature feature. Ah, creature

00:16:01.360 --> 00:16:03.320
feature. Fair enough, fair enough. Oh, you do

00:16:03.320 --> 00:16:07.200
agree? I mean, it could be, because loosely based,

00:16:07.480 --> 00:16:09.620
but you see that cover and I'm like, what's that

00:16:09.620 --> 00:16:12.600
monster under the ground? without thinking of

00:16:12.600 --> 00:16:16.039
like too deeply of like, you know, stylized,

00:16:16.120 --> 00:16:17.480
cause I can definitely see it as an art house,

00:16:17.799 --> 00:16:19.559
like almost project where like we're going to

00:16:19.559 --> 00:16:22.259
take some wild artistic choices. I can see that

00:16:22.259 --> 00:16:25.539
movie happening. Maybe we should go to a smaller

00:16:25.539 --> 00:16:29.299
question of like, where do we imagine the story

00:16:29.299 --> 00:16:32.649
going? Do we imagine this being almost religious

00:16:32.649 --> 00:16:35.509
in the sense of, like, Hellraiser -esque kind

00:16:35.509 --> 00:16:40.129
of, like, occult, adjacent, eldritch deity, the

00:16:40.129 --> 00:16:42.509
Ninth Door disaster movie, like, humans open

00:16:42.509 --> 00:16:46.970
this realm to something else. Is that something?

00:16:47.509 --> 00:16:50.230
Or, like, is it...? How about maybe more, like,

00:16:50.529 --> 00:16:52.649
hyper -focused? Like, what's going on during

00:16:52.649 --> 00:16:56.539
a disaster, like a trauma surgeon? Trauma team

00:16:56.539 --> 00:16:58.779
you want to take like almost like a clover fields

00:16:58.779 --> 00:17:01.620
approach. Yeah, and you have no idea what's going

00:17:01.620 --> 00:17:03.460
on in the background But like this thing's going

00:17:03.460 --> 00:17:08.819
down so we can work backwards, okay? Is that

00:17:08.819 --> 00:17:10.960
what's happening that you wanna see what about

00:17:10.960 --> 00:17:14.480
like, you know, let's like I'm just curious because

00:17:14.480 --> 00:17:16.519
like the day after tomorrow is pretty great and

00:17:16.519 --> 00:17:18.619
you get to happen to see it from multiple angles

00:17:18.619 --> 00:17:20.140
of that movie you get to see it from multiple

00:17:20.140 --> 00:17:24.779
angles simultaneously, yeah from you know Well,

00:17:25.200 --> 00:17:28.259
is there something a disaster movie that I mean,

00:17:28.420 --> 00:17:30.680
a disaster movie that would be fun to play around

00:17:30.680 --> 00:17:35.440
with? You know, you do have the end of the world,

00:17:35.700 --> 00:17:40.490
you have by by any means, right? You have Things

00:17:40.490 --> 00:17:43.630
that are more earthquakes. We talked about there's

00:17:43.630 --> 00:17:47.089
plague, you know There's and I would consider

00:17:47.089 --> 00:17:49.470
those disaster movies. Definitely disaster movies

00:17:49.470 --> 00:17:53.049
like the Ninth Door could be like that like this

00:17:53.049 --> 00:17:57.410
Oh, yeah, so this could be Something that's more

00:17:57.410 --> 00:17:59.849
I can't sense that's you know, and that's in

00:17:59.849 --> 00:18:02.369
people's minds now, you know Are we far enough

00:18:02.369 --> 00:18:04.970
from zombies that zombies count as a disaster

00:18:04.970 --> 00:18:08.869
film? I think zombies are I mean that's Depends

00:18:08.869 --> 00:18:11.410
like do you do like a 28 years later situation

00:18:11.410 --> 00:18:13.509
where like humans are on the brink and like,

00:18:13.890 --> 00:18:16.150
you know, you know, don't know what's going to

00:18:16.150 --> 00:18:18.410
happen next. Well, rolling through, like thinking

00:18:18.410 --> 00:18:20.730
about other disaster movies we talked about at

00:18:20.730 --> 00:18:24.329
the sea by air. Yeah. What I like about disaster

00:18:24.329 --> 00:18:27.089
movies is that could we do a good plane disaster

00:18:27.089 --> 00:18:29.150
movie now? Has it been too long? Could we do

00:18:29.150 --> 00:18:31.210
another? You know what? A helicopter. What if

00:18:31.210 --> 00:18:33.849
it's really small? Just a small disaster. What

00:18:33.849 --> 00:18:36.150
I think I like about disaster movies is that.

00:18:36.440 --> 00:18:42.119
The antagonist is nature and nature's scary.

00:18:42.400 --> 00:18:46.539
Antagonist is nature and nature is scary. I mean,

00:18:46.559 --> 00:18:49.119
someone made a joke. The happening, for example,

00:18:49.200 --> 00:18:53.700
will go way the other side. Disaster movie? Yeah,

00:18:53.720 --> 00:18:57.799
I'd say. Yeah. Hell yeah. Mass casualty events.

00:18:58.500 --> 00:19:02.799
Yeah. Yeah. Okay. Interstellar has elements,

00:19:03.019 --> 00:19:05.750
sci -fi, disaster. Yeah, humans on the brink

00:19:05.750 --> 00:19:11.549
of famine, only able to harvest one or two resources.

00:19:12.069 --> 00:19:14.509
Yeah. Yeah. But so there's a couple of different

00:19:14.509 --> 00:19:17.150
categories. Yeah. Like we're defining that there's

00:19:17.150 --> 00:19:20.349
a traditional, although, like, you know, there's

00:19:20.349 --> 00:19:22.190
a period of volcano movies. Yeah, I was going

00:19:22.190 --> 00:19:24.890
to say, for some reason, my Nostalgia Rosie,

00:19:24.890 --> 00:19:28.150
you know, glasses. Do you want to make a nostalgic

00:19:28.150 --> 00:19:31.309
one? I really want to make a 90s as real as we

00:19:31.309 --> 00:19:34.799
can do. Volcano is about the idea of an active

00:19:34.799 --> 00:19:37.839
volcano under a major city. Yeah. You want something

00:19:37.839 --> 00:19:41.660
like pairing two non -sequiturs? I mean, let's

00:19:41.660 --> 00:19:45.380
be real, like, we... Like, we need to figure

00:19:45.380 --> 00:19:48.579
out what the threat is. You said the... Who and

00:19:48.579 --> 00:19:52.779
what is our antagonist? What's fun for our heroes

00:19:52.779 --> 00:19:56.720
to have to survive? You know, what kind of thing...

00:19:56.720 --> 00:19:59.119
Which disaster do you want to do? You know...

00:19:59.099 --> 00:20:02.940
And I've been around tornadoes. I've been in

00:20:02.940 --> 00:20:07.039
a hurricane You know floods, I mean the wave

00:20:07.039 --> 00:20:10.660
is a movie your drowning scares the shit out

00:20:10.660 --> 00:20:13.480
of me. Yeah Yeah, yeah, that one's a little spooky.

00:20:13.539 --> 00:20:16.640
Oh, let's be real there. So so many disasters

00:20:16.640 --> 00:20:19.819
Yeah, you know things like that. Like I get really

00:20:19.819 --> 00:20:22.000
unnerved by stuff like that Are we making like

00:20:22.000 --> 00:20:25.480
an R rated almost like final destination disaster

00:20:25.480 --> 00:20:28.720
movie? We're like we were hard into people dying

00:20:29.039 --> 00:20:31.819
And we get to show it. It could be, you know,

00:20:31.920 --> 00:20:35.660
and I also love a movie like Daylight, which

00:20:35.660 --> 00:20:37.799
is, you know, Stallone and a bunch of other people

00:20:37.799 --> 00:20:41.680
trapped under this collapsed dam, which maybe

00:20:41.680 --> 00:20:43.640
that's a smaller scale. Does Cliffhanger count

00:20:43.640 --> 00:20:47.339
as a disaster movie? No, that's more action adventure.

00:20:47.500 --> 00:20:50.200
Action adventure, fair enough. Again, love that

00:20:50.200 --> 00:20:52.720
run of those two. I fucking love those. I watched

00:20:52.720 --> 00:20:55.059
those back to back. They're great. On the annual,

00:20:55.400 --> 00:20:59.970
to be honest. Movie star. Yes, absolutely. And

00:20:59.970 --> 00:21:03.730
do we have Prime Stallone at our behest? We could.

00:21:03.849 --> 00:21:05.109
We could have a Prime Stallone for this. Because

00:21:05.109 --> 00:21:07.609
there was this idea that he was supposed to fight

00:21:07.609 --> 00:21:10.829
a hurricane and like hurricane heist. So he was

00:21:10.829 --> 00:21:13.990
supposed to stop like a heist during a hurricane.

00:21:14.890 --> 00:21:16.769
That would be, that would be interesting. So

00:21:16.769 --> 00:21:19.369
it's combining two genres. It sounds like Geostorm,

00:21:19.529 --> 00:21:24.130
right? It does sound interesting. Yeah. How about

00:21:24.130 --> 00:21:27.470
surviving an avalanche? Oh, has that been like

00:21:27.470 --> 00:21:30.829
Avalanche is old, but we could, you know, like

00:21:30.829 --> 00:21:33.170
and combine it with a heist that goes wrong.

00:21:33.349 --> 00:21:35.490
Does vertical limit count as a disaster movie?

00:21:35.509 --> 00:21:37.809
Hell yeah. I love that movie. That movie terrified

00:21:37.809 --> 00:21:40.490
me. It still does. Scary as fuck. That movie.

00:21:40.730 --> 00:21:42.710
All right. That of all the disaster movies, I

00:21:42.710 --> 00:21:45.369
do an avalanche. Yeah, people surviving an avalanche.

00:21:45.450 --> 00:21:48.210
Yeah. Is there another element that you want

00:21:48.210 --> 00:21:51.869
to to combine it with? You know what? What? Like

00:21:51.869 --> 00:21:54.109
I just recently got into what's another like

00:21:54.109 --> 00:21:58.900
big, big Another big kind of big story drama

00:21:58.900 --> 00:22:02.099
or big I'm not quite sure but for some reason

00:22:02.099 --> 00:22:05.019
I got into like so in Norway in places like where

00:22:05.019 --> 00:22:06.680
there's just you know mountains that are publicly

00:22:06.680 --> 00:22:09.059
accessible yeah people just put on their skis

00:22:09.059 --> 00:22:11.079
and cross -country ski up the top of a mountain

00:22:11.079 --> 00:22:13.279
yeah and if you know they don't judge it right

00:22:13.279 --> 00:22:15.619
like that's an avalanche yeah and they just get

00:22:15.619 --> 00:22:17.619
to judge it it's like that's kind of terrifying

00:22:17.619 --> 00:22:21.140
you just out there can we have one dangling like

00:22:21.140 --> 00:22:23.549
danger Oh, of course. Like a main character.

00:22:24.009 --> 00:22:25.970
Yeah. There's something really scary. Really

00:22:25.970 --> 00:22:28.269
scary. Really scary. Yeah. That's adjacent to

00:22:28.269 --> 00:22:32.009
this. All right. Yes. So the Ninth Door can have

00:22:32.009 --> 00:22:34.789
anything to do with this. It sounds like the

00:22:34.789 --> 00:22:37.990
Ninth Door is like, like this, like Holy Grail,

00:22:37.990 --> 00:22:41.430
like ski passage, like once in a million years.

00:22:41.789 --> 00:22:44.230
That's exactly like somewhere buried in the back

00:22:44.230 --> 00:22:46.789
country. Maybe. Okay. Maybe that's the thing

00:22:46.789 --> 00:22:49.390
that caused the avalanche. Yeah. We can work

00:22:49.390 --> 00:22:54.630
that into it somehow. And if it's marketed right,

00:22:55.069 --> 00:22:59.210
you know, the Ninthor, it's woven in and like,

00:22:59.390 --> 00:23:03.609
that's the thing. I just recently watched Apollo

00:23:03.609 --> 00:23:05.769
13. So this is taking place as like a ski resort

00:23:05.769 --> 00:23:08.549
in the mountains. Yeah, I like that. Which mountains?

00:23:09.069 --> 00:23:11.650
This is, you know, because I love Cliffhanger,

00:23:11.710 --> 00:23:15.049
but it's not the same. Yeah. Which mountains

00:23:15.049 --> 00:23:17.970
I don't know like Rockies you want to be like

00:23:17.970 --> 00:23:20.869
the the Appalachian you want to be out like the

00:23:20.869 --> 00:23:24.089
Alps where you want to be What if it's like a

00:23:24.089 --> 00:23:26.930
really intense place and it's filled with people

00:23:26.930 --> 00:23:28.849
who are normally good at this stuff And they're

00:23:28.849 --> 00:23:32.190
really tested. Oh like like it never had like

00:23:32.190 --> 00:23:34.569
it's like they're doing like an actual like ski

00:23:34.569 --> 00:23:37.630
patrol It's something that's a little more actually

00:23:37.630 --> 00:23:42.009
goes down. Yeah Like an actual event. And so

00:23:42.009 --> 00:23:46.569
you do have a good mix. And it's on a day when

00:23:46.569 --> 00:23:48.769
there's somebody they're visiting. You know what

00:23:48.769 --> 00:23:51.890
I mean? But you normally have a really tough

00:23:51.890 --> 00:23:54.910
contingency. Here's what happens. They're showing

00:23:54.910 --> 00:23:58.069
off. And there's like little lawyers there. And

00:23:58.069 --> 00:23:59.650
they're showing off for the lawyer. Jurassic

00:23:59.650 --> 00:24:03.799
Park style. Fucking lawyer. I'm not going to

00:24:03.799 --> 00:24:05.779
reveal where I worked or what I did, but there

00:24:05.779 --> 00:24:07.599
was a time when my manager brought out the lawyer

00:24:07.599 --> 00:24:10.460
and right as they said something to the lawyer

00:24:10.460 --> 00:24:12.519
about nothing ever happening, that's when the

00:24:12.519 --> 00:24:15.079
thing happened. And it was to this day, the funniest

00:24:15.079 --> 00:24:18.200
thing looking back hindsight, 2020. So it's like,

00:24:18.460 --> 00:24:21.259
of course we do it. It's like, and I don't know

00:24:21.259 --> 00:24:24.180
if this exists, but this changes direction a

00:24:24.180 --> 00:24:26.839
little bit, but it's like a high end resort ski

00:24:26.839 --> 00:24:30.680
thing in a really dangerous place. Yes. That

00:24:30.680 --> 00:24:33.900
is very known to be safe, but it's like only

00:24:33.900 --> 00:24:37.740
for the really macho strong in this thing It's

00:24:37.740 --> 00:24:42.160
yeah, it has it has its own elite It's got some

00:24:42.160 --> 00:24:46.200
like who are you know, it's grandiose. Yeah Yeah,

00:24:46.319 --> 00:24:48.660
yeah, did we talk about this recently? Did we

00:24:48.660 --> 00:24:50.519
talk about on the last show which holy shit?

00:24:51.740 --> 00:24:55.079
There's a movie called I think Copper Ridge does

00:24:55.079 --> 00:24:58.029
this make sense Jim Carrey and Alan Thicke? It's

00:24:58.029 --> 00:25:01.710
a ski, it's like a ski bum movie. Sounds, it's

00:25:01.710 --> 00:25:05.190
Howard. It's on MST3K and it's a buddy movie

00:25:05.190 --> 00:25:07.809
from before when Jim Carrey was really famous,

00:25:08.049 --> 00:25:11.569
him and Alan Thicke. Yeah, Robin's father. Yes.

00:25:12.230 --> 00:25:16.390
And it's a weird like buddy ski comedy. It sounds

00:25:16.390 --> 00:25:18.529
very Canadian, which of course they are. Unbelievable.

00:25:18.529 --> 00:25:22.150
I bet it is. So this stuff's on my mind. I think

00:25:22.150 --> 00:25:26.500
this kind of thing is scary to me. The avalanche.

00:25:26.799 --> 00:25:29.779
Well, it's natural. The thing about nature is

00:25:29.779 --> 00:25:33.220
nature scary. Yeah. And I think with technology

00:25:33.220 --> 00:25:36.640
now, if we do this modern, we could use technology

00:25:36.640 --> 00:25:39.519
to make the experience like really scary, like

00:25:39.519 --> 00:25:42.039
to make like I want you to feel like you're being

00:25:42.039 --> 00:25:45.119
suffocated, like there's hope. You don't have

00:25:45.119 --> 00:25:50.950
hope. So this feels ensemble. Ensemble. I feel

00:25:50.950 --> 00:25:53.730
like. Oh, hell yeah. Yes. That's the best part

00:25:53.730 --> 00:25:55.789
of disaster films. You've got to bring in everybody

00:25:55.789 --> 00:25:57.750
from everywhere. Like there's got to be a really

00:25:57.750 --> 00:26:00.670
old school star. Yeah, you've got a family. OK,

00:26:01.009 --> 00:26:03.750
we're going to. We have 45 minutes. You want

00:26:03.750 --> 00:26:07.829
to do this? Yeah. OK, so we have a family. Got

00:26:07.829 --> 00:26:11.089
to have the family trope. OK, you have the lawyer.

00:26:11.569 --> 00:26:13.990
Oh, yeah, definitely the lawyer. Who's our main?

00:26:14.170 --> 00:26:16.700
We have to have a main. Are they like the GM

00:26:16.700 --> 00:26:18.779
or is this like the server? Is this like the

00:26:18.779 --> 00:26:20.500
cook who got called in on reserve? Doesn't want

00:26:20.500 --> 00:26:26.140
to be there. It's like it's Steven Seagal. Yes.

00:26:26.319 --> 00:26:30.359
Is this an everyday person? Is that like ish

00:26:30.359 --> 00:26:32.579
an everyday person who's stuck in this? This

00:26:32.579 --> 00:26:35.079
is this is exactly like I like that like a worker.

00:26:35.160 --> 00:26:37.240
It's like it's like beside with a checker cast.

00:26:37.759 --> 00:26:40.859
Can it be Tom Jane? Thomas Jane? In his prime?

00:26:41.140 --> 00:26:46.299
Oh, of course. I love him. But is he too close

00:26:46.299 --> 00:26:51.660
to Deep Blue Sea? You know, because he's like

00:26:51.660 --> 00:26:55.200
the guy with the checkered past. Anyway, if we're

00:26:55.200 --> 00:26:57.779
going to... There's always that guy. You know

00:26:57.779 --> 00:27:01.500
what? We're not doing an adventure. Like a fighting

00:27:01.500 --> 00:27:03.160
thing. No, no, they're not fighting. So we just

00:27:03.160 --> 00:27:06.259
need somebody. Is this a male lead? Are you seeing

00:27:06.259 --> 00:27:09.220
a male lead who's like a worker? I was just thinking

00:27:09.220 --> 00:27:11.279
you need to have somebody that's an everyday

00:27:11.279 --> 00:27:14.400
person who... Could potentially survive this

00:27:14.400 --> 00:27:17.039
right? I like the idea of the the actually the

00:27:17.039 --> 00:27:21.240
hero being one of the weaker people Yeah, like

00:27:21.240 --> 00:27:23.460
is it or somebody that you don't know the fan?

00:27:23.559 --> 00:27:25.579
Yeah, there's a family. There's always I think

00:27:25.579 --> 00:27:27.380
the family's always got to have at least somebody

00:27:27.380 --> 00:27:30.140
survives it Well, yeah, I think most of the family

00:27:30.140 --> 00:27:33.299
should die. Yeah, like maybe our lead is this

00:27:33.299 --> 00:27:36.720
member of the family who's visiting? Or there

00:27:36.720 --> 00:27:40.279
they're a family visiting this intense Resort

00:27:40.279 --> 00:27:42.880
and this is maybe the wicker lace that has like

00:27:42.880 --> 00:27:46.420
the best ski hills the best jumps like super

00:27:46.420 --> 00:27:49.200
elite Yeah, I like that is super rich and they're

00:27:49.200 --> 00:27:51.099
ready. They're like this is great Yeah, yeah,

00:27:51.099 --> 00:27:53.259
this is this is like a ranked like, you know

00:27:53.259 --> 00:27:56.359
high echelon So is he the weakest link of this

00:27:56.359 --> 00:27:59.140
really kick -ass family? Who the one who survives

00:27:59.140 --> 00:28:02.420
buddy and he is the star of the film. So we give

00:28:02.420 --> 00:28:08.500
ourselves a and cheesy 80s vibe, a cliffhanger

00:28:08.500 --> 00:28:11.319
vibe, but make the lead a little bit younger.

00:28:12.440 --> 00:28:15.039
For some reason, I'm not saying that this needs

00:28:15.039 --> 00:28:17.339
to be the main. But and they need to play down

00:28:17.339 --> 00:28:20.359
how kick ass they are. I would love our heroic

00:28:20.359 --> 00:28:22.599
father figure, the one who's probably ultimately

00:28:22.599 --> 00:28:24.940
going to sacrifice himself. Oh, yeah. I would

00:28:24.940 --> 00:28:27.970
love that to be Denzel Washington. Can I, can

00:28:27.970 --> 00:28:30.109
I say that? I would love Denzel Washington. That's

00:28:30.109 --> 00:28:33.230
a huge win for this movie. That he seems like

00:28:33.230 --> 00:28:36.130
he would kill in a disaster movie on this scale.

00:28:36.569 --> 00:28:41.250
I know Kurt Russell would do it, but, but I want

00:28:41.250 --> 00:28:44.269
Denzel to do this. You son of a bitch. Yeah.

00:28:44.549 --> 00:28:46.450
Like Kurt Russell's great. Billy's name would

00:28:46.450 --> 00:28:48.829
be great, but I think Denzel. Oh yeah. I like

00:28:48.829 --> 00:28:51.190
that idea. I like Denzel. I really like, okay,

00:28:51.230 --> 00:28:54.609
so this gives us a, a that's our gravitas and

00:28:54.609 --> 00:28:59.460
that's our big. Yeah. our like our big he's he's

00:28:59.460 --> 00:29:02.579
he's our dad is the death early. No, I think

00:29:02.579 --> 00:29:06.059
the death is late. He barely made it. We make

00:29:06.059 --> 00:29:09.880
it like they'll never get to the 90 percent mark.

00:29:09.940 --> 00:29:13.019
Ninety nine right at the finish line. And he

00:29:13.019 --> 00:29:17.940
penultimate sacrifice. Holy cow. Have to. Have

00:29:17.940 --> 00:29:20.539
to. Oh, this is good. I don't know how he's going

00:29:20.539 --> 00:29:22.319
to sacrifice himself to save everybody from an

00:29:22.319 --> 00:29:24.119
avalanche, but he's going to do it. We're going

00:29:24.119 --> 00:29:28.059
to make this happen. Yeah. And hopefully we're

00:29:28.059 --> 00:29:29.700
going to have base jumping. I don't know. He's

00:29:29.700 --> 00:29:31.240
going to look either. We're going to run out

00:29:31.240 --> 00:29:33.920
of parachutes and he's going to wear their avalanche.

00:29:33.940 --> 00:29:36.599
There could have to be like we have to fall and

00:29:36.599 --> 00:29:39.200
then go. There's a helicopter over there and

00:29:39.200 --> 00:29:41.079
we don't have the space for this many people.

00:29:41.140 --> 00:29:43.420
And he's like, don't worry, I'll divert the avalanche

00:29:43.420 --> 00:29:47.059
with my my TNT. I don't know. I'll shoot a flare

00:29:47.059 --> 00:29:51.259
at it, you know. Oh, this is great. This sounds

00:29:51.259 --> 00:29:54.180
so fun. I'm sorry. I don't mean to be tripe.

00:29:54.259 --> 00:29:55.799
You know, Denzel is going to kill this role.

00:29:56.420 --> 00:30:03.180
Yeah. OK, so the lawyer is the lawyer. I like

00:30:03.180 --> 00:30:05.099
having a lawyer there for no reason. Yeah, I

00:30:05.099 --> 00:30:07.079
love the lawyers. Like a shithead. Like, can

00:30:07.079 --> 00:30:09.500
we the lawyer be Zander Berkeley? Do you know

00:30:09.500 --> 00:30:11.119
who that is? I don't know who that is. He's a

00:30:11.119 --> 00:30:13.980
character actor. Do you have your? I'll use my

00:30:13.980 --> 00:30:21.119
internet device. He's. He's. always kind of a

00:30:21.119 --> 00:30:25.200
turd in something, but he's the good guy, in

00:30:25.200 --> 00:30:28.799
my opinion, in Gattaca. Okay. And Gattaca is

00:30:28.799 --> 00:30:31.900
a movie. Have you seen Gattaca? I have not. Even

00:30:31.900 --> 00:30:33.799
my wife has told me it needs to be on my list.

00:30:33.980 --> 00:30:37.720
All right. His top four. Oh my gosh. Well, he's

00:30:37.720 --> 00:30:42.019
Van Cleef and Shanghai Noon. He's in Apollo 13.

00:30:42.569 --> 00:30:45.069
Do you not know who this person is? Holy cow.

00:30:45.369 --> 00:30:47.630
We're doing it again. I'm showing my age. I was

00:30:47.630 --> 00:30:49.390
like, I've seen all these movies that he's in,

00:30:49.410 --> 00:30:53.029
but it's like, but he's just this guy. Just this

00:30:53.029 --> 00:30:55.769
guy. He's this guy, just this dude. But I think

00:30:55.769 --> 00:30:58.809
he'd be great in this. All right. So I'm going

00:30:58.809 --> 00:31:01.190
to, I'm going to say Xander Berkeley, unless

00:31:01.190 --> 00:31:04.910
you end up like nixing it, but he's, he's our

00:31:04.910 --> 00:31:07.049
lawyer guy. He's yeah. Just a lawyer guy who

00:31:07.049 --> 00:31:08.809
could be a good guy who could be a shit head.

00:31:08.930 --> 00:31:13.980
Just perfect in between. Okay. Just a guy. Yeah

00:31:13.980 --> 00:31:17.319
All right. I like what we're doing because we're

00:31:17.319 --> 00:31:21.099
we're in an older demographic right now. Mm -hmm

00:31:21.099 --> 00:31:24.259
Dipping we're dipping into that like 90s theme.

00:31:24.259 --> 00:31:27.039
Yeah, but our leads gonna be younger Yeah, our

00:31:27.039 --> 00:31:29.220
leads gonna anchor this and something younger

00:31:29.220 --> 00:31:31.779
and something cooler. All right, so Denzel's

00:31:31.779 --> 00:31:35.420
our father heroic father figure We have our lawyer

00:31:35.420 --> 00:31:40.079
Do we have a general manager of this resort?

00:31:40.650 --> 00:31:42.230
They don't even have to be the general manager

00:31:42.230 --> 00:31:44.430
of the resort They could be like the ski shack

00:31:44.430 --> 00:31:46.410
guy like that I want that I want there to be

00:31:46.410 --> 00:31:48.789
a blue -collar person who somehow go away Wilson

00:31:48.789 --> 00:31:53.410
Oh Wilson and now he was going on the ski shack.

00:31:53.470 --> 00:31:57.009
It seems he's the GM to he's also go Martinson.

00:31:57.410 --> 00:32:01.650
Oh As the ski bum done. Yeah done Vigo, please

00:32:01.650 --> 00:32:06.509
any any time any movie? We will make it for you,

00:32:06.569 --> 00:32:09.549
please. Yeah, no, I like that a lot. I like that

00:32:09.549 --> 00:32:12.359
a lot That would be fun. That would be a great

00:32:12.359 --> 00:32:17.799
time. How many kids? Are they adult children?

00:32:17.920 --> 00:32:20.079
Are they younger children? We need our lead.

00:32:20.259 --> 00:32:23.640
This is the thing. We're thinking it's the kids.

00:32:24.180 --> 00:32:27.079
You want the kid to be the lead? Is the mom our

00:32:27.079 --> 00:32:38.279
lead? Oh, I like that. So an older... Yeah. Very

00:32:38.279 --> 00:32:40.680
rarely do we get to see moms be heroes in these

00:32:40.680 --> 00:32:43.400
disaster movies and moms are heroes and if that's

00:32:43.400 --> 00:32:46.859
not a shirt I would love to make moms our hero

00:32:46.859 --> 00:32:50.279
sure and We're making a mom's our hero shirt.

00:32:51.180 --> 00:32:54.900
I Don't really like that Cuz shout out everybody's

00:32:54.900 --> 00:32:57.480
moms, even if they're terrible at least you got

00:32:57.480 --> 00:33:04.279
a mom Could it be Viola Davis It could easily

00:33:04.279 --> 00:33:08.619
by be Viola Davis and her pride in her prime.

00:33:10.380 --> 00:33:13.660
Does it feel like we're, not to say that she's

00:33:13.660 --> 00:33:16.500
a bad choice, not to say that she's not a bad

00:33:16.500 --> 00:33:19.099
choice. Does it feel like she's the low fruit

00:33:19.099 --> 00:33:21.799
on like the easiest pick on the tree? Like not

00:33:21.799 --> 00:33:25.180
to say that she isn't going to, not to say like

00:33:25.180 --> 00:33:27.980
she isn't amazing and would definitely do this

00:33:27.980 --> 00:33:29.779
role. I'm just trying to be like, can we dig

00:33:29.779 --> 00:33:34.039
further? Angela Bassett, like strange days. Angela

00:33:34.039 --> 00:33:37.809
Bassett, jacked in that. I can see that. You

00:33:37.809 --> 00:33:40.869
can look it up if you're not. I'm going to look

00:33:40.869 --> 00:33:45.769
it up. Device, help me. Strange days came up

00:33:45.769 --> 00:33:48.809
recently and I haven't seen it in a long time.

00:33:48.910 --> 00:33:50.549
We're actually just you and I were just talking

00:33:50.549 --> 00:33:56.490
about. Ray Fiennes in in brooch, but I was very

00:33:56.490 --> 00:34:01.450
attracted to Angela benefit in the movie. Strange

00:34:01.450 --> 00:34:05.089
days, she's just kind of lean and mean and tough

00:34:05.089 --> 00:34:11.590
as shit. I don't know. I'm down, I'm down. And

00:34:11.590 --> 00:34:13.769
again, she's just a great actress and she's somebody

00:34:13.769 --> 00:34:18.269
who, you know, I think could survive something

00:34:18.269 --> 00:34:23.190
like this. We're definitely forcing them to play

00:34:23.190 --> 00:34:26.440
against type, right? Everybody's expecting Denzel

00:34:26.440 --> 00:34:29.039
to do the heroic thing and not say that like

00:34:29.039 --> 00:34:30.539
Angela Bassett's character is gonna be doing

00:34:30.539 --> 00:34:33.739
It would be nice to tee her up with some kind

00:34:33.739 --> 00:34:36.760
of you know weakness or like she's not the strongest

00:34:36.760 --> 00:34:40.880
like you may not think like Neve Campbell in

00:34:40.880 --> 00:34:43.860
In skyscraper. Have you seen skyscraper not seen

00:34:43.860 --> 00:34:45.780
skyscraper? Yeah, you fucking amazing fucking

00:34:45.780 --> 00:34:48.940
amazing movie Neve Campbell on that fucking rock

00:34:48.940 --> 00:34:53.780
star. She plays his wife And she is like an army

00:34:53.780 --> 00:34:56.139
medic or something. She's trapped with the kids.

00:34:56.179 --> 00:34:58.380
He's on his own thing outside the fucking building

00:34:58.380 --> 00:35:00.559
trying to get in. She is with them trying to

00:35:00.559 --> 00:35:03.219
get out and it's bad ass. And you're like, Neve

00:35:03.219 --> 00:35:05.480
Campbell's been the shit since the beginning

00:35:05.480 --> 00:35:08.800
and is still the shit in 2000, whatever that

00:35:08.800 --> 00:35:13.019
is. And Scream 17 or whatever is coming up. It's

00:35:13.019 --> 00:35:16.380
going to be amazing. But I like that. And she's

00:35:16.380 --> 00:35:18.860
like the unsuspecting star of that fucking movie.

00:35:19.039 --> 00:35:21.860
Although fucking Dwayne Johnson is duct taped

00:35:21.860 --> 00:35:26.079
to the outside of a building in Asia. It's fucking

00:35:26.079 --> 00:35:29.039
spectacular. All right. So that's the energy.

00:35:29.039 --> 00:35:30.219
That's the energy you want to bring to it. What

00:35:30.219 --> 00:35:34.119
you said got me pumped up about that. It's Angela

00:35:34.119 --> 00:35:37.340
Bassett trying to get her family out of an avalanche.

00:35:37.420 --> 00:35:39.500
She gets to be... This is our Sarah Connor moment.

00:35:39.579 --> 00:35:41.000
She gets to show that she's a badass. Yeah. And

00:35:41.000 --> 00:35:43.059
I think about that same thing. Like, I remember

00:35:43.059 --> 00:35:46.030
what a moment it was that... After all that time,

00:35:46.130 --> 00:35:49.889
I get it. And you see her doing those pull ups.

00:35:50.210 --> 00:35:52.550
All right. Let's see. All right. So what's the

00:35:52.550 --> 00:35:55.010
premise that brings this family? Let's not forget

00:35:55.010 --> 00:35:57.329
Demi Moore. Demi Moore, G .I. Jane. Of course.

00:35:57.409 --> 00:35:59.590
Of course. Because I think she did like a one

00:35:59.590 --> 00:36:02.610
-handed pull up on Late Show or something. Or

00:36:02.610 --> 00:36:05.269
a push up on Late Show. All right. I love this.

00:36:05.769 --> 00:36:08.210
So do we have a premise that brings this family

00:36:08.210 --> 00:36:11.539
to this? Elite ski resort. It could be anything.

00:36:11.780 --> 00:36:14.260
Like they could just be like a disaster movie.

00:36:14.360 --> 00:36:16.760
It's so light hearted. Don't you feel here for

00:36:16.760 --> 00:36:19.320
Christmas? Whatever the fuck. But you know, I'm

00:36:19.320 --> 00:36:21.820
interested in some subplotting. Yeah, but we

00:36:21.820 --> 00:36:24.019
need some more people. I love this Viggo Mortenson

00:36:24.019 --> 00:36:29.320
GM. So we have a family. Could we have a what

00:36:29.320 --> 00:36:31.860
are other characteristics of intense people like

00:36:31.860 --> 00:36:35.000
somebody on a vision quest journey like Garrett

00:36:35.000 --> 00:36:39.010
Headland? You know, Tron. Yeah, on legacy. OK,

00:36:39.110 --> 00:36:42.309
yeah. Mojave. OK, yeah. Garrett Hedlund's there

00:36:42.309 --> 00:36:44.730
on this Vision Quest, and he's like this shit.

00:36:44.949 --> 00:36:48.969
Or he's a retired athlete. He's wealthy and doesn't

00:36:48.969 --> 00:36:50.030
know what to do with his money anymore. Hell

00:36:50.030 --> 00:36:52.769
yeah. That's kind of like his character in Mojave,

00:36:52.909 --> 00:36:55.949
in a way. But he's hilarious. OK. He's comic

00:36:55.949 --> 00:36:58.590
relief. Oh, this is a comic relief? Not Viggo

00:36:58.590 --> 00:37:00.130
Mortensen? Viggo Mortensen's art? No, no, no.

00:37:00.269 --> 00:37:03.969
And I think you could have Viggo out of character

00:37:03.969 --> 00:37:10.980
is just... to a point like, like, like, and it's,

00:37:10.980 --> 00:37:13.880
it's to a point of like obscenity. No. And it's

00:37:13.880 --> 00:37:16.440
curious. And this is insider baseball, but how

00:37:16.440 --> 00:37:19.480
this place operates so efficiently. Okay. Because

00:37:19.480 --> 00:37:22.119
that's against this tight. You think this resorts

00:37:22.119 --> 00:37:25.719
got somebody so fucking wired tight that they're

00:37:25.719 --> 00:37:28.980
a dickhead. You know, this guy's just Andy Garcia

00:37:28.980 --> 00:37:31.340
and the oceans. The most chill dude there's ever

00:37:31.340 --> 00:37:33.480
been. My hotel is everybody's watching, you know.

00:37:34.079 --> 00:37:36.639
This is the total opposite. He's like, I love

00:37:36.639 --> 00:37:39.659
this guy. Super chill and fun, but this place

00:37:39.659 --> 00:37:43.280
operates ship fucking shape like he is beating

00:37:43.280 --> 00:37:46.619
them. I love it. So there's this weird like comedy

00:37:46.619 --> 00:37:49.260
there. You can have some like, he's the most

00:37:49.260 --> 00:37:51.860
intense person. Like, what are you doing? It's

00:37:51.860 --> 00:37:55.039
nothing, man. It's all good. Yeah, I love it.

00:37:55.139 --> 00:37:57.739
We need you to be McConaughey, Viggo. He's like,

00:37:57.980 --> 00:38:00.579
can I be naked in one scene? Of course. Can I

00:38:00.579 --> 00:38:03.860
bring my horse? I think he should have an animal

00:38:03.860 --> 00:38:06.760
that he needs to save. That would be fun. A nod

00:38:06.760 --> 00:38:10.760
to his intensity in Lord of the Rings. So he

00:38:10.760 --> 00:38:14.039
has a beloved horse. He just has a beloved animal.

00:38:14.280 --> 00:38:15.460
And it makes sense that that's here. There's

00:38:15.460 --> 00:38:18.659
a stable on property. We find him in the stable.

00:38:18.739 --> 00:38:19.940
That's where it is. That's where he's found.

00:38:20.059 --> 00:38:23.980
He was saving a horse. Um, I like, thank you

00:38:23.980 --> 00:38:26.420
for indulging the Garrett headland character

00:38:26.420 --> 00:38:32.079
as, as this shaman, this guy on a spirit on a

00:38:32.079 --> 00:38:35.059
vision quest. Yeah. Yeah. I'm down. This sounds

00:38:35.059 --> 00:38:36.960
like he's trying to learn an instrument. He's

00:38:36.960 --> 00:38:39.860
like, this dude guitar too. This dude's like,

00:38:39.860 --> 00:38:44.280
he's, he's on hard drugs when the disaster happens,

00:38:44.280 --> 00:38:47.619
right? Like he's on a hard trip, right? Yeah.

00:38:47.639 --> 00:38:49.840
No, you know, since I was a pro athlete forever.

00:38:50.139 --> 00:38:54.570
Yeah. Yeah. He's like the scene with him is like

00:38:54.570 --> 00:38:57.090
him in the room like he just did whatever drugs

00:38:57.090 --> 00:38:59.630
We're gonna have him do and then like all of

00:38:59.630 --> 00:39:01.630
a sudden like he feels a rumbling now This is

00:39:01.630 --> 00:39:04.349
interesting because Denzel Washington dies. Yeah

00:39:04.349 --> 00:39:07.590
late. Are you okay with all this? Yes, unfortunately

00:39:07.590 --> 00:39:10.309
that's oh Goodbye, Denzel. You're gonna be the

00:39:10.309 --> 00:39:12.650
last you will not be the first Anthony Hopkins

00:39:12.650 --> 00:39:16.210
was on screen what 12 minutes in silence of the

00:39:16.210 --> 00:39:19.639
lambs and one bus, you know, yeah, so You're

00:39:19.639 --> 00:39:21.980
going to get all the way. I mean, you can still

00:39:21.980 --> 00:39:24.800
have your character die and still be the best

00:39:24.800 --> 00:39:28.099
character. Getting very excited about this movie.

00:39:28.280 --> 00:39:32.800
All right. So we have Denzel, Angela Bassett,

00:39:33.199 --> 00:39:37.139
Bego Moritz. Garret. 32 minutes. This is good.

00:39:37.239 --> 00:39:39.840
Do we want to get bold and add some more characters?

00:39:40.019 --> 00:39:41.739
I don't know. And then try to throw out a subplot.

00:39:41.820 --> 00:39:43.599
And are we good with characters? Does it matter

00:39:43.599 --> 00:39:50.300
how old these children are? Is Denzel and Angela's

00:39:50.300 --> 00:39:53.440
children in this story? Oh yeah, like they're

00:39:53.440 --> 00:39:56.260
kids. Like are they teenagers? Or is this like

00:39:56.260 --> 00:39:58.480
a family reunion? Like the kids are all grown

00:39:58.480 --> 00:40:01.320
up and like, this is kind of like, we need to

00:40:01.320 --> 00:40:06.159
get right back together. Could this be a little

00:40:06.159 --> 00:40:09.000
bit like, nope, where they've got a mixed race

00:40:09.000 --> 00:40:13.139
couple? So their kid has got a mixed race fiance

00:40:13.139 --> 00:40:15.440
or something? could we could I guess who's coming

00:40:15.440 --> 00:40:18.019
to dinner sort of thing very very easily could

00:40:18.019 --> 00:40:20.920
be a whole thing we add into the little spice

00:40:20.920 --> 00:40:23.260
we add into this yeah because I mean if we're

00:40:23.260 --> 00:40:25.960
going again the 90s disaster movies just put

00:40:25.960 --> 00:40:29.360
any cocktail together yeah and as long as the

00:40:29.360 --> 00:40:33.059
characters are interesting and you have the components

00:40:33.059 --> 00:40:36.820
which we've got good I think cool amounts of

00:40:36.820 --> 00:40:39.360
we have some people out of character yeah You

00:40:39.360 --> 00:40:42.800
have options for comedy, you have options for

00:40:42.800 --> 00:40:47.659
tension, Denzel, goodbye. Angela Bassett as the,

00:40:47.659 --> 00:40:50.420
because I think honestly it'd be cool if you

00:40:50.420 --> 00:40:55.019
introduce the fiance as the hero. Oh, as well?

00:40:55.559 --> 00:40:59.280
Well, no, at all. And then Angela Bassett. I

00:40:59.280 --> 00:41:04.559
want to subvert her being the absolute hero as

00:41:04.559 --> 00:41:07.769
much as possible. You know what I mean? So who

00:41:07.769 --> 00:41:14.329
could be their kids? Do you want to be kids or

00:41:14.329 --> 00:41:17.570
kid? And then, like, like you say, like, it's

00:41:17.570 --> 00:41:22.590
Oh, okay. Like he's Stan felt like he's Stan

00:41:22.590 --> 00:41:25.570
felt like he stands. Yes. Internet device. He's

00:41:25.570 --> 00:41:29.269
like, well, sorry to bother you is the best thing

00:41:29.269 --> 00:41:33.929
he is in, in my opinion. He's in Knives Out.

00:41:34.210 --> 00:41:39.079
He's in Selma. I'm down. I enjoy him. So I think

00:41:39.079 --> 00:41:42.320
he is so tremendous. He definitely he definitely

00:41:42.320 --> 00:41:45.360
could bring that role to life for sure. You know,

00:41:45.400 --> 00:41:49.179
and give him some action. Yeah. Something new,

00:41:49.260 --> 00:41:51.079
something different. Let him get jacked for no

00:41:51.079 --> 00:41:54.179
reason. He's he's this he's this movie's Michael

00:41:54.179 --> 00:41:57.519
Jordan. Yes. No, not that he has a medical condition,

00:41:57.659 --> 00:42:02.000
but again, everybody here is peak peak peak.

00:42:02.199 --> 00:42:03.880
All right. All right. Denzel is going to say

00:42:03.880 --> 00:42:08.159
that a bunch. For sure. All right. Who is his?

00:42:08.280 --> 00:42:11.380
Wait a second. We need. Oh, well, gosh, we are

00:42:11.380 --> 00:42:14.519
almost cardinal law that we're breaking here.

00:42:14.760 --> 00:42:19.000
We need a classic actor to make a cameo on this.

00:42:19.000 --> 00:42:23.159
For sure. Classic. Somebody huge. It could be

00:42:23.159 --> 00:42:26.480
ironic. We could it could be a pairing. You know,

00:42:26.619 --> 00:42:31.460
Russell Crowe. Oh, get a little, you know, what's

00:42:31.460 --> 00:42:35.039
the movie where Russell Crowe gets out of? He's

00:42:35.039 --> 00:42:39.860
like a digital. Shit, your space and you're losing

00:42:39.860 --> 00:42:42.659
me. No, no, no. Denzel is a cop. He's let out

00:42:42.659 --> 00:42:45.760
of prison to track down a young Russell Crowe

00:42:45.760 --> 00:42:48.139
and he's like a program. He's a program that's

00:42:48.139 --> 00:42:50.960
come to life. Virtuosity. We never saw that.

00:42:51.079 --> 00:42:53.960
What? What? No, what? Nobody told me this ridiculous

00:42:53.960 --> 00:42:57.320
movies in the world. Virtuosity, Denzel and prime

00:42:57.320 --> 00:43:01.050
and prime themselves prime. If anybody cares,

00:43:01.250 --> 00:43:05.190
I have a little bit of like flower gas. Too long.

00:43:05.329 --> 00:43:08.730
Too long to get there. But he got there. I just

00:43:08.730 --> 00:43:10.849
want anybody at home to keeping track that like

00:43:10.849 --> 00:43:13.190
that is a Ryan's recommendation. If you're keeping

00:43:13.190 --> 00:43:15.309
track, that's added to the list. Just add it

00:43:15.309 --> 00:43:18.110
to list. Add it to my list. Not classic enough.

00:43:18.369 --> 00:43:21.150
I think. Oh, not enough. Scratch it. If you put

00:43:21.150 --> 00:43:27.929
somebody. He wants a pair up here in their prime

00:43:27.929 --> 00:43:30.710
like I mean I'm thinking too old and I know we

00:43:30.710 --> 00:43:32.849
have some fantasy but I think we have some reality

00:43:32.849 --> 00:43:35.150
to this one and I want to put somebody who wants

00:43:35.150 --> 00:43:38.170
away with some with some weight you know like

00:43:38.170 --> 00:43:40.409
a Kirk Douglas you know what I'm saying like

00:43:40.409 --> 00:43:43.590
somebody who's been in one before or a classic

00:43:43.590 --> 00:43:45.650
musician who's rarely in a movie you know what

00:43:45.650 --> 00:43:48.670
I mean like Fred Astaire is in the Towering Inferno

00:43:50.759 --> 00:43:53.179
Exactly. So something like that, you know, you're

00:43:53.179 --> 00:43:56.280
thinking, you know what I mean? But that classic

00:43:56.280 --> 00:43:58.380
actor out of retirement, Michael Caine, bring

00:43:58.380 --> 00:44:00.900
him back, you know, something like that. Michael

00:44:00.900 --> 00:44:04.699
Caine as the GM would be fun. Or like Vigo's

00:44:04.699 --> 00:44:07.719
dad coming to visit, like checking on the Empire.

00:44:08.780 --> 00:44:11.380
Maybe it's better. OK, if we work from Vigo's

00:44:11.380 --> 00:44:14.269
dad, Vigo's British. You know, somebody who's

00:44:14.269 --> 00:44:17.210
really... Sean Connery comes out of retirement.

00:44:17.429 --> 00:44:19.210
It's like that kind of thing. But I like the

00:44:19.210 --> 00:44:21.849
idea of Michael Caine being like this billionaire

00:44:21.849 --> 00:44:24.610
now. Like, he's just there. Like, this is his

00:44:24.610 --> 00:44:29.530
resort. All right. And just him in a tux. Apparently

00:44:29.530 --> 00:44:33.230
Vin Diesel is doing this with The Last Witch

00:44:33.230 --> 00:44:35.690
Hunter 2. Yeah, he's coming back for that. Michael

00:44:35.690 --> 00:44:38.679
Caine is literally... I think that's true. But

00:44:38.679 --> 00:44:40.800
it's something like that. Do not want Sean Connery

00:44:40.800 --> 00:44:44.159
because he it's not that it's Sean Connery couldn't

00:44:44.159 --> 00:44:47.039
do it. It's a really want Michael Cain Michael

00:44:47.039 --> 00:44:50.159
Cain. Okay. Which version? Michael Cain young

00:44:50.159 --> 00:44:56.079
old. Oh, gosh. Have you seen the answers? Yes.

00:44:56.099 --> 00:44:59.679
Michael Cain at any range. But typically this

00:44:59.679 --> 00:45:02.559
is somebody who is older, who's like, like so

00:45:02.559 --> 00:45:05.150
it'd be really fun to see him as a young. Michael

00:45:05.150 --> 00:45:08.210
Caine as a billionaire owner of this resort.

00:45:08.469 --> 00:45:11.710
And like, it'd be interesting to see. Making

00:45:11.710 --> 00:45:16.530
a cameo. Yeah. And this is. And young Michael

00:45:16.530 --> 00:45:18.789
Caine making the impact. Are you saying Michael

00:45:18.789 --> 00:45:21.449
Caine or Michael Caine? Michael Caine. Michael

00:45:21.449 --> 00:45:26.320
Caine. Michael Caine. Sorry. Anybody listening?

00:45:26.460 --> 00:45:27.019
That's not how you say that. But you're saying

00:45:27.019 --> 00:45:31.119
a young Michael Caine is Vigo's dad. So is Vigo

00:45:31.119 --> 00:45:33.460
12? Like Vigo doesn't tell him that he's... No,

00:45:33.460 --> 00:45:36.019
no, no. No, he's the 40 -year -old who just never

00:45:36.019 --> 00:45:38.179
grew up and it's like he owns the resort and

00:45:38.179 --> 00:45:41.239
like his son just can't get fired. Oh, so he's

00:45:41.239 --> 00:45:43.780
a big get for this shitty movie is what you're

00:45:43.780 --> 00:45:45.539
saying. Yeah, yeah, yeah. Okay. Michael Caine

00:45:45.539 --> 00:45:48.440
in his prime. Michael Caine. Is just a millionaire

00:45:48.440 --> 00:45:50.980
dropping in. Michael Caine. All right. I like

00:45:50.980 --> 00:45:52.960
it. It's either that or it's Leslie Nielsen.

00:45:54.269 --> 00:45:59.010
Holy shit! Sorry, is that... Are you scratching?

00:45:59.030 --> 00:46:00.809
Can we please do that? You want to do Leslie

00:46:00.809 --> 00:46:03.230
Nielsen? Yeah, of course. Right towards the end,

00:46:03.309 --> 00:46:05.650
because that puts us in the 90s, like that later,

00:46:05.849 --> 00:46:09.989
Leslie Nielsen. Sorry, Michael Caine. He'll show

00:46:09.989 --> 00:46:12.130
up in something else. We'll get you there. We'll

00:46:12.130 --> 00:46:15.610
make a movie for you. He was in Airplane, but

00:46:15.610 --> 00:46:18.550
this is back to being serious. You know, he was

00:46:18.550 --> 00:46:21.800
in Forbidden Planet. He's he's the he's pretty

00:46:21.800 --> 00:46:24.519
great. He's he everything is serious. That's

00:46:24.519 --> 00:46:26.980
what makes him so funny. Started out as a leading

00:46:26.980 --> 00:46:29.179
man, you know, he is. What do you mean started

00:46:29.179 --> 00:46:31.659
out ended as a leader? Oh, yeah. This is let's

00:46:31.659 --> 00:46:34.420
be real. But but serious. You know what I mean?

00:46:34.519 --> 00:46:37.900
We are. But he still got their hell or high water.

00:46:37.940 --> 00:46:41.099
He did it. Well, OK, I've been thinking about

00:46:41.099 --> 00:46:44.739
this particular movie, this particular director

00:46:44.739 --> 00:46:48.019
and writer for a while. And I think you're not

00:46:48.019 --> 00:46:51.969
going to. But I like. This weird idea, but boots

00:46:51.969 --> 00:46:56.349
Riley who did sorry to bother you Okay, have

00:46:56.349 --> 00:46:58.269
you seen sorry to bother you we talked about

00:46:58.269 --> 00:47:01.469
that one with what you have to use your white

00:47:01.469 --> 00:47:04.829
voice Yeah, yeah. Yeah, it's this feels like

00:47:04.829 --> 00:47:08.010
yeah, I would love to see him do a disaster He

00:47:08.010 --> 00:47:11.329
yeah, I can see this this would be it would be

00:47:11.329 --> 00:47:14.510
early in his career But like I think he could

00:47:14.510 --> 00:47:16.670
take the tongue and cheek of it. He could take

00:47:16.670 --> 00:47:19.480
this could be a real political like commentary

00:47:19.480 --> 00:47:23.960
satire walls being on, on elitism. Yeah. Because

00:47:23.960 --> 00:47:26.599
you could have that if this is in the nineties,

00:47:26.599 --> 00:47:30.159
the Denzel family, there could be some light

00:47:30.159 --> 00:47:33.420
racism. There could be a lot of shade. Yeah,

00:47:34.099 --> 00:47:36.000
there, yeah, there needs to be, and I liked the

00:47:36.000 --> 00:47:38.239
idea of Garrett headlands, like on the, on the

00:47:38.239 --> 00:47:41.260
surface, like having to be this perfect person,

00:47:41.260 --> 00:47:43.519
but You know, he's got a little bit of a dark

00:47:43.519 --> 00:47:46.219
side and yeah, nobody's trying to let loose and

00:47:46.219 --> 00:47:48.599
try to keep tries to keep everybody together.

00:47:48.619 --> 00:47:51.260
Turns out like he just won like a some sports

00:47:51.260 --> 00:47:54.260
championship and like feeling the pressure. Yeah,

00:47:54.280 --> 00:48:00.340
I can see that. All right. So Boots Riley. That

00:48:00.340 --> 00:48:03.300
that started to take such a fucking crazy turn.

00:48:03.619 --> 00:48:09.559
I it's on my list. Recently, I've just, I've

00:48:09.559 --> 00:48:12.960
gasped out loud at quite a few movies. They're

00:48:12.960 --> 00:48:18.219
like, go! Brawl and Cell Block 99. I've heard

00:48:18.219 --> 00:48:21.139
good things about that as well. I gasped out

00:48:21.139 --> 00:48:24.320
loud in horror maybe, like a few times. I was

00:48:24.320 --> 00:48:29.599
like, whoa! Like, wild. Have you seen Bone Tomahawk?

00:48:29.940 --> 00:48:33.280
Yes. Well, it's same writer -director. Same level

00:48:33.280 --> 00:48:39.099
of gore, violence. Yeah. Bone Tomahawk is fucking

00:48:39.099 --> 00:48:42.500
vicious. So I even knew stuff was like, I was

00:48:42.500 --> 00:48:45.500
aware kind of like peripherally, like what was

00:48:45.500 --> 00:48:50.019
coming. And even that was not, I was not prepared

00:48:50.019 --> 00:48:54.519
for that movie. That movie. I know it really

00:48:54.519 --> 00:48:57.599
takes a turn. It's such a slow burn, but you

00:48:57.599 --> 00:49:02.230
slow burn when the gore happens, you know, It's

00:49:02.230 --> 00:49:06.570
so intense that I'm just like, I'm not ready.

00:49:07.150 --> 00:49:08.809
Yeah. I mean, talk about a movie that goes zero

00:49:08.809 --> 00:49:12.989
to a hundred at breakneck speeds. Yeah. Yeah.

00:49:13.409 --> 00:49:15.989
It's the slowest hundred mile an hour movie you've

00:49:15.989 --> 00:49:19.090
ever watched. And so much sticks with you. And

00:49:19.090 --> 00:49:21.349
yeah. Yeah. If it's one of those movies that

00:49:21.349 --> 00:49:24.670
you definitely like, it kind of gets seared into

00:49:24.670 --> 00:49:28.780
your brain matter and just settles there. And

00:49:28.780 --> 00:49:31.119
yeah, unfortunately or fortunately, depending

00:49:31.119 --> 00:49:35.139
on your brain is with you forever. Yeah. Super

00:49:35.139 --> 00:49:38.119
amazing. So kudos to the director. Kudos to everybody

00:49:38.119 --> 00:49:40.039
that started in that Kurt Russell. I know you

00:49:40.039 --> 00:49:44.380
were there was there as was his facial hair.

00:49:44.380 --> 00:49:48.579
That beautiful, beautiful mustache. So I like

00:49:48.579 --> 00:49:53.400
the idea that this place is really extreme. Yes.

00:49:53.519 --> 00:49:57.599
Quite a top remote. Yes. You know what I mean?

00:49:57.800 --> 00:50:00.719
Yes. Yes. Yes. You have to take a zeppelin to

00:50:00.719 --> 00:50:05.420
get here. Sorry. I don't know. Yeah, I don't

00:50:05.420 --> 00:50:09.179
know why. I love it. Some just ridiculous, absurd

00:50:09.179 --> 00:50:11.760
mode of transportation. Yeah, it's just it's

00:50:11.760 --> 00:50:13.559
out there like, no, you can't get a car here.

00:50:13.599 --> 00:50:15.579
There's no other way up here. You have to take

00:50:15.579 --> 00:50:18.920
a balloon into the mountains. Do we need to have

00:50:18.920 --> 00:50:24.280
any subplot with somebody's cheating. Oh, no,

00:50:24.280 --> 00:50:27.260
we don't have like Keith Stanfield's Beyonce.

00:50:27.760 --> 00:50:30.320
Yeah, that was the one character we a white lady.

00:50:30.579 --> 00:50:32.920
We need a white lady. White just needs to be

00:50:32.920 --> 00:50:36.239
not be African. Oh, yes. This is a good point.

00:50:36.400 --> 00:50:38.639
You know, I know we always like the easy fruits

00:50:38.639 --> 00:50:40.940
to be like, make it a white label. Oh, does not

00:50:40.940 --> 00:50:44.300
have Fina Aquafina. I like her. I think she's

00:50:44.300 --> 00:50:51.909
cool. I'm not sure if I want Awkwafina. No opposition

00:50:51.909 --> 00:50:56.769
to you, Awkwafina. I can see the row. I'm intrigued

00:50:56.769 --> 00:51:02.869
by what you're saying. But now I'm thinking,

00:51:03.489 --> 00:51:10.849
who plays Churi in the Black Panther movies?

00:51:10.929 --> 00:51:15.429
I'm obsessed with her. Even if we were not going

00:51:15.429 --> 00:51:17.989
for a biracial family, she would just be fun.

00:51:18.579 --> 00:51:21.380
forget that. Yeah, I really, I like it feels

00:51:21.380 --> 00:51:23.599
low fruit. It feels low fruit. Not to say we

00:51:23.599 --> 00:51:26.219
couldn't make it. It's of the time, though. Exactly.

00:51:26.699 --> 00:51:28.840
Not to say we couldn't make the same social and,

00:51:28.840 --> 00:51:32.300
you know, racial commentaries through this family.

00:51:32.760 --> 00:51:36.739
Leticia Wright is her name. I I'm bored. I'm

00:51:36.739 --> 00:51:39.500
bored. She would be. It could be light. It could

00:51:39.500 --> 00:51:43.239
be fun survival. Yeah. She is so damn charming.

00:51:43.420 --> 00:51:45.639
She definitely gets to turn the charm up to eleven

00:51:45.639 --> 00:51:50.510
in this. Yes. She's amazing. I like the idea

00:51:50.510 --> 00:51:52.829
that there's some tension though in the relationship

00:51:52.829 --> 00:51:55.610
or maybe they're meeting for the first time and

00:51:55.610 --> 00:51:58.230
that's competitive or maybe they the kids screwed

00:51:58.230 --> 00:52:01.730
dad out of a business deal. So there's some just

00:52:01.730 --> 00:52:04.349
beef. There's just some beef between father and

00:52:04.349 --> 00:52:08.070
the lawyer is there and there's something going

00:52:08.070 --> 00:52:10.929
on like some thievery and they uncover some shit.

00:52:11.090 --> 00:52:13.250
Xander Berkeley is doing some dirty. Okay. I

00:52:13.250 --> 00:52:15.050
thought the lawyer would be there at the best

00:52:15.050 --> 00:52:20.219
of Leslie Nielsen's ownership. I was thinking

00:52:20.219 --> 00:52:22.159
like he's there. He's the owner. Yeah, yeah,

00:52:22.159 --> 00:52:24.840
yeah. I want to say Michael Caine, but yeah,

00:52:25.019 --> 00:52:27.119
yeah, I get you. Leslie Nielsen is the owner.

00:52:27.679 --> 00:52:29.739
I'm sad just because I want to keep saying it

00:52:29.739 --> 00:52:34.059
that way now. Leslie Nielsen has the deadpan.

00:52:34.420 --> 00:52:37.659
Maybe do we want to keep that or do we want to

00:52:37.659 --> 00:52:39.699
have him get out of character a little bit like

00:52:39.699 --> 00:52:42.219
he wasn't repossessed? Yeah, like he doesn't

00:52:42.219 --> 00:52:43.820
necessarily need to be deadpan. He could play

00:52:43.820 --> 00:52:48.139
this with some gravitas and some like Yeah, I

00:52:48.139 --> 00:52:53.079
would like to see that. I saw him in a one man

00:52:53.079 --> 00:52:55.980
play. This was in Chicago doing Clarence Darrow,

00:52:55.980 --> 00:53:00.280
the lawyer, and it was un fucking believable.

00:53:01.079 --> 00:53:03.000
It was something I bought a ticket to by myself

00:53:03.000 --> 00:53:05.460
just so I could see Leslie Nielsen on stage.

00:53:06.079 --> 00:53:10.119
He would kill it. But, you know, and he's one

00:53:10.119 --> 00:53:11.960
of those people, though, I think who's probably

00:53:11.960 --> 00:53:15.159
so effortlessly funny. So you almost like feel

00:53:15.159 --> 00:53:18.320
like you're you're you want them to be funny

00:53:18.320 --> 00:53:22.719
in the moment. But he was so captivating. And

00:53:22.719 --> 00:53:25.639
I've seen a few one person shows in my life and

00:53:25.639 --> 00:53:30.300
props to anybody who does that. It's on the intensity,

00:53:30.300 --> 00:53:33.400
what it takes just again, not to say a dumb line,

00:53:33.480 --> 00:53:36.380
but like just to memorize all that stuff, to

00:53:36.380 --> 00:53:39.579
say it right. Once me as an audience member can

00:53:39.579 --> 00:53:42.739
get over my nerves of them like flubbing a line.

00:53:43.039 --> 00:53:45.199
Because I think if it happened, I'd have to just

00:53:45.199 --> 00:53:48.019
like commit suicide in the audience right now.

00:53:48.320 --> 00:53:50.719
You just got to you can't stop. That's the secret.

00:53:51.500 --> 00:53:53.440
But yes, kudos to those who could do a one man

00:53:53.440 --> 00:53:57.099
show. All right. I have I have a wild card. I

00:53:57.099 --> 00:53:58.159
had to look it up. I had to use the Internet

00:53:58.159 --> 00:54:01.260
device while you're. Yeah, absolutely. My my

00:54:01.260 --> 00:54:04.739
wild card here for our billionaire owner of the

00:54:04.739 --> 00:54:08.139
resort. Are you ready for this? I think Jim Varney.

00:54:08.840 --> 00:54:12.739
Oh, my God. Yeah, always. Oh, yeah. For those

00:54:12.739 --> 00:54:15.820
in the know, he was earnest that because he's

00:54:15.820 --> 00:54:18.760
a Shakespearean trained like Julia. Like classic.

00:54:19.199 --> 00:54:23.219
Can we please give him a song to sing? He's there

00:54:23.219 --> 00:54:25.179
doing it like they call him up on stage for a

00:54:25.179 --> 00:54:28.619
talent show. Yes, of course. I have one of his

00:54:28.619 --> 00:54:32.400
records. He's the fact that he plays the lovable

00:54:32.400 --> 00:54:35.449
fool. so convincingly, but it's like he could

00:54:35.449 --> 00:54:37.690
then turn around and do King Lear like in the

00:54:37.690 --> 00:54:39.989
next breath. And you're like, wait, what? Yeah.

00:54:39.989 --> 00:54:45.789
It's like this dude is beloved for not the wrong

00:54:45.789 --> 00:54:49.269
reasons, but perhaps the misinterpreted reasons.

00:54:49.309 --> 00:54:51.269
Like he should have had more. He should have

00:54:51.269 --> 00:54:54.429
been one of those stars who is like enshrined

00:54:54.429 --> 00:54:59.530
for every role he ever did. What, um, what brought

00:54:59.530 --> 00:55:02.719
you to that? To him thinking of him because have

00:55:02.719 --> 00:55:06.480
you seen any of his films? Oh, yeah, I grew up

00:55:06.480 --> 00:55:09.099
on earnest scares, too But that one was my shit.

00:55:09.300 --> 00:55:11.960
Yeah that movie. Sorry for the the swear Have

00:55:11.960 --> 00:55:15.639
I I may have fucking said this fucking piece

00:55:15.639 --> 00:55:19.099
of country shit before oh, how dare you but I

00:55:19.099 --> 00:55:26.610
was racist to the Irish. Yeah. I saw in the theater

00:55:26.610 --> 00:55:29.510
earn a saves Christmas and it was standing room

00:55:29.510 --> 00:55:32.989
only. Oh, yeah. It was like, and when he said

00:55:32.989 --> 00:55:37.090
air brakes, it killed when he joins the military,

00:55:37.110 --> 00:55:40.230
everybody dies. When he, when he goes to boot

00:55:40.230 --> 00:55:42.190
camp, I saw that one as obviously I was a small

00:55:42.190 --> 00:55:45.230
child. Like when his Sergeant tells him to eat

00:55:45.230 --> 00:55:47.590
like the whole thing of candy, like he just eats

00:55:47.590 --> 00:55:51.789
the whole thing. Plus the box. I remember reading

00:55:51.789 --> 00:55:54.889
a class the next day and just laughing out loud

00:55:54.889 --> 00:55:56.949
in the middle of class, just laughing again,

00:55:57.369 --> 00:56:00.510
because it was funny. So I don't know. I feel

00:56:00.510 --> 00:56:02.469
like he deserves. Well, Jim Varney should sing

00:56:02.469 --> 00:56:04.769
the song. He should sing the name of the movie,

00:56:04.929 --> 00:56:06.690
The Ninth Door. That should be the name of the

00:56:06.690 --> 00:56:09.929
song. Oh, 100%. He gets a theme song. Jim Varney's

00:56:09.929 --> 00:56:11.369
getting our theme song. Because we need to go

00:56:11.369 --> 00:56:13.710
back to the theme song. We need theme songs.

00:56:13.949 --> 00:56:16.929
intro outro. I don't care where you burn his

00:56:16.929 --> 00:56:19.309
beautiful voice. We should get outro song from

00:56:19.309 --> 00:56:21.269
Jim Varney. We also need a post credit scenes

00:56:21.269 --> 00:56:24.550
of him on stage singing the song with the cast.

00:56:24.590 --> 00:56:26.809
For sure. That needs to happen. Beautiful. At

00:56:26.809 --> 00:56:29.329
the very end, everybody and on the various states

00:56:29.329 --> 00:56:32.929
of death, Denzel's like all frozen, like burn

00:56:32.929 --> 00:56:38.329
face off. We end on the happiest. No, for a sad

00:56:38.329 --> 00:56:41.070
movie. We wait. You wait till after like the

00:56:41.070 --> 00:56:43.449
main credits and then we get like you don't show

00:56:43.449 --> 00:56:46.230
it until you get to like after like the deep

00:56:46.230 --> 00:56:49.269
like your three, four minutes into the credits.

00:56:49.409 --> 00:56:52.030
Yeah. And this just comes back and it's everybody

00:56:52.030 --> 00:56:55.989
doing. I wonder how many movies and that there's

00:56:55.989 --> 00:56:58.429
probably a search of that. I have post credit

00:56:58.429 --> 00:57:00.369
scenes that you just don't know about because

00:57:00.369 --> 00:57:05.210
I I would my goal as we do viewers in the credits.

00:57:05.590 --> 00:57:09.050
Do we for sure? We got we I feel like I feel

00:57:09.050 --> 00:57:11.170
like this bloopers. I feel like this is the blooper

00:57:11.170 --> 00:57:14.349
for sure. This is this blooper. Do you remember

00:57:14.349 --> 00:57:19.550
the movies? The Cannonball Run one and two with

00:57:19.550 --> 00:57:22.030
Brent Reynolds and I have never seen them, but

00:57:22.030 --> 00:57:26.889
like the story I honestly just got into. I I'm

00:57:26.889 --> 00:57:29.710
just personally a fan. They may or may not be

00:57:29.710 --> 00:57:32.909
great. That's not for me to judge, but they're

00:57:32.909 --> 00:57:35.929
infamously known. I'll tell you. I think a couple.

00:57:36.219 --> 00:57:38.039
I don't think they start in the post -credit

00:57:38.039 --> 00:57:40.860
scene, but what they would do is they would show

00:57:40.860 --> 00:57:44.320
particularly Burt Reynolds and Dom Delores cracking

00:57:44.320 --> 00:57:47.019
up. And Dom Delores' laugh was infamous, like

00:57:47.019 --> 00:57:49.780
he was just out of breath and it's just a squeal.

00:57:50.260 --> 00:57:53.880
And Burt Reynolds, with his laugh, and it's infectious

00:57:53.880 --> 00:57:57.019
to watch. Like you watch this movie and like

00:57:57.019 --> 00:57:59.679
people would go to the theater, apparently, just

00:57:59.679 --> 00:58:04.440
to see... Just to see that end. Which, and to

00:58:04.440 --> 00:58:08.500
this day, they're hilarious. Because, and like,

00:58:08.719 --> 00:58:11.400
side note, Burt Reynolds literally, like, snagged

00:58:11.400 --> 00:58:13.739
on Deleuze in the face. Like, what are you doing?

00:58:13.940 --> 00:58:16.980
Like, not, like, part of the scene? Like, really

00:58:16.980 --> 00:58:20.900
hard. They're probably super drunk. I don't know,

00:58:21.000 --> 00:58:25.179
but it's fucking delightful. Don't know if any

00:58:25.179 --> 00:58:27.980
disaster movie has ever done and we end on a

00:58:27.980 --> 00:58:31.599
blooper reel for a movie on a 3d Yeah, I feel

00:58:31.599 --> 00:58:33.880
like but it's quite a tone shift. It'd be like

00:58:33.880 --> 00:58:36.400
the idea of bloopers I really do in like Jim

00:58:36.400 --> 00:58:38.500
Varney and Viggo Mortenson just blowing lines

00:58:38.500 --> 00:58:41.539
together. Yeah Viggo singing the song with yeah,

00:58:41.559 --> 00:58:45.980
I bet Viggo sings I'm betting he does Yeah, I'm

00:58:45.980 --> 00:58:48.380
from all right. I'm saying so remember Viggo

00:58:48.380 --> 00:58:52.739
has a horse to save Yeah, all right. So we have

00:58:52.739 --> 00:58:56.460
a director We have some stars. We have some characters.

00:58:56.639 --> 00:58:59.539
Trevor Jones to compose the music. Trevor Jones.

00:59:00.320 --> 00:59:03.380
Cliffhanger. Last of the Mohicans. Dark City.

00:59:03.920 --> 00:59:07.260
He gets the assignment. That's what he's best

00:59:07.260 --> 00:59:09.340
known for. Trevor Jones, you understand the assignment

00:59:09.340 --> 00:59:14.519
here. We want tension. Last of the Mohicans as

00:59:14.519 --> 00:59:17.480
a soundtrack is one of the greatest of all time.

00:59:17.920 --> 00:59:21.059
It is wild like when you break it down like could

00:59:21.059 --> 00:59:22.960
you imagine movies that didn't have soundtracks

00:59:22.960 --> 00:59:26.480
like how awkward movies would sound? Yeah, if

00:59:26.480 --> 00:59:30.980
we get deep he did Sea of Love. He did Free Jack.

00:59:31.300 --> 00:59:33.639
Did you ever see Free Jack? Free Jack? I have

00:59:33.639 --> 00:59:39.159
not. No. Free Jack is a movie with Emilio Restavez

00:59:39.159 --> 00:59:44.400
and Mick Jagger. Wait, wait, wait. And Sir Anthony

00:59:44.400 --> 00:59:49.559
Hopkins. I'm sorry, what? Did it win any awards?

00:59:49.860 --> 00:59:52.039
No, I don't think it did. It was a wild movie,

00:59:52.239 --> 00:59:54.940
I'll tell you that. I'm sorry, Mick Jagger, Sir

00:59:54.940 --> 00:59:57.440
Anthony Hopkins, and Emilia Clarke. I like the

00:59:57.440 --> 01:00:00.619
idea, because Dark City. Have you seen that movie,

01:00:00.800 --> 01:00:02.280
Dark City? No, I feel like I need to see it.

01:00:02.340 --> 01:00:04.239
It's really one of the greatest sci -fi films

01:00:04.239 --> 01:00:05.980
I've ever seen. Is this one going on the Ryan

01:00:05.980 --> 01:00:08.420
List? Ryan List recommendations. Well, and I

01:00:08.420 --> 01:00:12.016
would further recommend The Director's Cut, because...

01:00:12.010 --> 01:00:15.650
It's better. It is better. And it's it's singularly

01:00:15.650 --> 01:00:19.949
unique. I saw it in the theater and kind of like

01:00:19.949 --> 01:00:22.989
pitch black. I knew like this is fucking special

01:00:22.989 --> 01:00:25.210
and this is fucking cool. That's all I could

01:00:25.210 --> 01:00:28.530
say. Dark City and Kiefer Sutherland is in it.

01:00:29.130 --> 01:00:31.570
And Rufus Sewell, I believe that's how you pronounce

01:00:31.570 --> 01:00:33.849
his name as a lead. I hadn't really seen him

01:00:33.849 --> 01:00:38.389
in much. But William Hurt just depressed. And

01:00:38.389 --> 01:00:42.510
it's this movie's fucked up. But it's like nothing

01:00:42.510 --> 01:00:44.329
I've ever seen. It's one of those movies that

01:00:44.329 --> 01:00:45.829
you can kind of draw a line to and be like, this

01:00:45.829 --> 01:00:48.530
movie changed movies. Well, you know, probably

01:00:48.530 --> 01:00:51.130
in a way that I don't think I'm articulate on

01:00:51.130 --> 01:00:55.250
it enough, but like, I bet a hundred percent.

01:00:55.369 --> 01:00:57.130
If you had more time to stew on it, you think

01:00:57.130 --> 01:00:59.750
about it. Very stylized, you know, like, kind

01:00:59.750 --> 01:01:01.449
of like The Matrix is one of those zeitgeist

01:01:01.449 --> 01:01:05.150
movies. Well, yeah, and I think maybe it is talked

01:01:05.150 --> 01:01:07.909
about. I just don't know. It will be as as more.

01:01:08.599 --> 01:01:10.480
This is one of those movies that influenced the

01:01:10.480 --> 01:01:12.199
movie that influenced everybody. And I know after

01:01:12.199 --> 01:01:14.559
a time people have really, you know, Jennifer

01:01:14.559 --> 01:01:17.000
Connelly's in it, she sings this like sultry

01:01:17.000 --> 01:01:20.480
night song, like it's fucking crazily and unique

01:01:20.480 --> 01:01:22.179
and fucking cool. Turns out it's cult classic

01:01:22.179 --> 01:01:25.420
and we just don't realize. Yeah. But he did the

01:01:25.420 --> 01:01:27.880
music for it and it's definitely, but he did

01:01:27.880 --> 01:01:33.250
13 days. He did From Hell. I like him doing this.

01:01:33.530 --> 01:01:35.389
Sounds like the right guy. And I'd love for him

01:01:35.389 --> 01:01:37.710
to make it a little light, you know, a little

01:01:37.710 --> 01:01:40.969
like of the time, like serious, have a good theme.

01:01:41.889 --> 01:01:44.050
But, you know, Jim Varney is going to be doing

01:01:44.050 --> 01:01:45.929
this thing. He's going to sing the song. You

01:01:45.929 --> 01:01:49.269
know, make it fun and exciting. Death is online.

01:01:49.550 --> 01:01:51.889
So we have 10 minutes. I just really want to

01:01:51.889 --> 01:01:53.909
hear. I wonder what this Jim Varney song is going

01:01:53.909 --> 01:01:55.710
to be now. Now I want to know. You know what?

01:01:55.929 --> 01:01:58.070
Like I said, I've been I've been writing and

01:01:58.070 --> 01:02:00.489
recording a lot of stuff that would be a switch

01:02:00.489 --> 01:02:03.760
of Style and tone for me. Yeah, if you wrote

01:02:03.760 --> 01:02:05.760
a song, but I'd like to maybe I'll get the old

01:02:05.760 --> 01:02:08.079
acoustic and see All right. Here's something

01:02:08.079 --> 01:02:09.780
that I know that we don't have. Are you ready

01:02:09.780 --> 01:02:12.219
for this? We don't have a tagline. Yeah, I know

01:02:12.219 --> 01:02:15.199
ten minutes left I know we bum rush a tagline.

01:02:15.199 --> 01:02:16.880
Sorry to all bombs out there listening to us

01:02:16.880 --> 01:02:20.079
Oh, I think we can I think we can improvise night

01:02:20.079 --> 01:02:23.360
doors avalanche disaster movie in the mountains.

01:02:24.519 --> 01:02:31.099
Yeah Any thoughts Tagline movie poster draw them

01:02:31.099 --> 01:02:35.099
in Denzel the star who's in reach? What's in

01:02:35.099 --> 01:02:38.000
reach? You know like I know that's kind of a

01:02:38.000 --> 01:02:39.940
stretch, but like you're trying to get to this

01:02:39.940 --> 01:02:43.500
door Knock knock yeah, that's the thing like

01:02:43.500 --> 01:02:46.900
you know because there's there's a lot of like

01:02:46.900 --> 01:02:49.099
Decision -making and do we have to figure out

01:02:49.099 --> 01:02:53.059
who lives and dies no everybody die? I know in

01:02:53.059 --> 01:02:58.920
fact Denzel, Angela Bassett lives. Do both the

01:02:58.920 --> 01:03:02.000
kids live? Ooh, I would like to say yes. Okay.

01:03:02.219 --> 01:03:04.619
Barely. Okay. So Garrett headland. He's got to

01:03:04.619 --> 01:03:07.139
go. Yeah. He dies on a spirit. Leslie Nielsen

01:03:07.139 --> 01:03:09.719
or Jim Varney goes. Yeah. Jim Varney, unfortunately

01:03:09.719 --> 01:03:14.869
dies. The horse lives. Vigo lives. We don't do

01:03:14.869 --> 01:03:18.050
it. Maybe video, but badly named. We don't explain

01:03:18.050 --> 01:03:20.230
how he lives. He just kind of like survives rides

01:03:20.230 --> 01:03:22.789
off on the horse. Sunset just rides off into

01:03:22.789 --> 01:03:25.329
the sunsets or sunrise. He rides into the sunrise.

01:03:26.489 --> 01:03:30.750
Okay. The last line he says to Alexander Berkeley's

01:03:30.750 --> 01:03:36.650
corpse. You can have it. That's terrible. And

01:03:36.650 --> 01:03:41.190
he got a laugh. But Well, OK, so the idea, a

01:03:41.190 --> 01:03:44.030
lot of the taglines were pretty serious. They

01:03:44.030 --> 01:03:47.010
were pretty, you know, can you breathe? Hold

01:03:47.010 --> 01:03:50.789
your breath. You know, so the idea of this is

01:03:50.789 --> 01:03:53.389
suffocating, right? The main death in an avalanche

01:03:53.389 --> 01:03:55.630
is suffocation. Yeah. The main way of getting

01:03:55.630 --> 01:03:59.820
out is digging a clawing, you know, your. you

01:03:59.820 --> 01:04:02.199
know, the idea is you're trapped in one spot

01:04:02.199 --> 01:04:05.099
for a bit unless, you know, you're trapped in

01:04:05.099 --> 01:04:07.360
this part of this hotel, you know. So we've got

01:04:07.360 --> 01:04:09.760
options for them to be trapped in various...

01:04:09.760 --> 01:04:13.059
But being trapped in getting out of pressure.

01:04:13.840 --> 01:04:15.880
That's, you know, another thing that's kind of

01:04:15.880 --> 01:04:18.239
big, right? I mean, I'm just talking a spitball.

01:04:18.420 --> 01:04:20.280
I'm feeling something like the word encased for

01:04:20.280 --> 01:04:24.059
some reason. Oh, all right. Just something, you

01:04:24.059 --> 01:04:27.320
know... Different angle something like an edge,

01:04:27.440 --> 01:04:31.159
you know where you don't normally say. Yeah It's

01:04:31.159 --> 01:04:35.360
a it's a the ninth door The ninth door it's it's

01:04:35.360 --> 01:04:37.860
a tougher. Yeah name for this because that's

01:04:37.860 --> 01:04:42.039
the mechanism of their of their destruction You

01:04:42.039 --> 01:04:44.760
know, I feel like you should be like don't open.

01:04:44.760 --> 01:04:48.059
Okay, don't open it or something like that Is

01:04:48.059 --> 01:04:51.940
the easy one to go for? Yeah, cuz yeah, I can

01:04:51.940 --> 01:04:55.340
easily see a movie like Oh, yeah. And that's

01:04:55.340 --> 01:04:58.539
the thing. Don't open it. Don't open it. And

01:04:58.539 --> 01:05:00.460
that's the thing that screws everything up. It's

01:05:00.460 --> 01:05:02.800
a simple error that causes the avalanche. Don't

01:05:02.800 --> 01:05:07.000
open. And I like that being a throwaway line

01:05:07.000 --> 01:05:09.980
and because people are like, gosh, oh, shit,

01:05:10.059 --> 01:05:13.239
that's what they did. Yeah. Don't open. Because

01:05:13.239 --> 01:05:15.679
you think it's what's gonna save them like he's

01:05:15.679 --> 01:05:17.619
going out onto the balcony to like smoke a cigarette

01:05:17.619 --> 01:05:19.539
like Jim Varney's going out to smoke a cigar

01:05:19.539 --> 01:05:25.780
and like It hit the ninth door they're supposed

01:05:25.780 --> 01:05:30.840
to because in Apollo 13 Yeah, when it what I

01:05:30.840 --> 01:05:33.199
just stirred the tanks. He told me to stir the

01:05:33.199 --> 01:05:36.010
tanks I just want to say that like - He's so

01:05:36.010 --> 01:05:39.389
angry and it's a simple thing and it sucks. Do

01:05:39.389 --> 01:05:42.150
we have that moment where it hyper focuses into

01:05:42.150 --> 01:05:45.630
like where the thing causes a poop and then you

01:05:45.630 --> 01:05:48.250
know it all comes down? What I want is knowing

01:05:48.250 --> 01:05:50.449
how like do you know how they prevent avalanches?

01:05:52.050 --> 01:05:54.989
By creating them? So they shoot an artillery

01:05:54.989 --> 01:05:56.869
shell at a mountain from like you know miles

01:05:56.869 --> 01:05:59.050
away. Yeah that's an avalanche. And then they

01:05:59.050 --> 01:06:01.800
like so It'd be really cool if, like, Jim Varney

01:06:01.800 --> 01:06:04.380
being there as this billionaire person, like,

01:06:04.400 --> 01:06:06.199
he's the one who tells them, like, just do it.

01:06:06.219 --> 01:06:08.179
I don't care when you do it. Just do it. And,

01:06:08.179 --> 01:06:11.739
like, they do it. And, like, it goes wrong. And

01:06:11.739 --> 01:06:14.360
he inadvertently causes this disaster to happen.

01:06:14.719 --> 01:06:18.639
So he's OK. Well, having having the guilty ad,

01:06:18.840 --> 01:06:21.260
he's the big bad. He is our big bad. Unfortunately,

01:06:21.300 --> 01:06:25.579
you are making Jim Varney the big bad against

01:06:25.579 --> 01:06:29.179
type. I'm sorry. You haven't seen Ernest goes

01:06:29.179 --> 01:06:33.539
to prison. It seemed bad, Ernest. Hey, no. A

01:06:33.539 --> 01:06:37.820
lot of people find them sexy. I would love to

01:06:37.820 --> 01:06:41.940
see him in his prime doing Shakespeare, Titus

01:06:41.940 --> 01:06:44.480
Andronicus. Well, yeah, and he could be a really

01:06:44.480 --> 01:06:46.920
sophisticated kick -ass bat. Could you imagine

01:06:46.920 --> 01:06:49.719
him being Titus Andronicus in like a full on

01:06:49.719 --> 01:06:53.619
Cleopatra, like, you know, epics, like just...

01:06:53.199 --> 01:06:55.940
Does he have some weird kind of like sex fish?

01:06:56.059 --> 01:06:58.260
Is that what you're saying? No, just dancing

01:06:58.260 --> 01:07:00.519
around. Just the Titus Andronicus doesn't get

01:07:00.519 --> 01:07:04.760
the love in this. And I feel like him playing

01:07:04.760 --> 01:07:09.360
this inspired this blood -drenched Roman general

01:07:09.360 --> 01:07:13.760
returning home would be wild to see. Yeah, that's

01:07:13.760 --> 01:07:15.400
super cool. How much time we got left? Do we

01:07:15.400 --> 01:07:17.639
do it? Do we? Yeah, we did it. Do we have everything

01:07:17.639 --> 01:07:20.239
we required? Absolutely everything we hit it

01:07:20.239 --> 01:07:23.019
all. We're about to hit our limit. There might

01:07:23.019 --> 01:07:26.519
be a machine yelling at us at a moment. No, no,

01:07:26.559 --> 01:07:31.699
I think we've done well. We have all the different

01:07:31.699 --> 01:07:37.400
components that we need. You know, we could have

01:07:37.400 --> 01:07:39.960
a celebrity cameo. What is Billy Zane played

01:07:39.960 --> 01:07:42.239
himself? You talked about Billy Zane earlier.

01:07:42.380 --> 01:07:46.980
I did. He dies in this movie. He's playing himself.

01:07:47.159 --> 01:07:50.820
He's at this resort. Yeah, that'd be funny. That'd

01:07:50.820 --> 01:07:54.440
be really funny. Oh my gosh, yeah, like a celebrity.

01:07:54.500 --> 01:07:57.019
Yes, because that happens to a celebrity cameo

01:07:57.019 --> 01:07:59.079
on these things. There's always somebody who,

01:07:59.360 --> 01:08:04.800
yeah, there's always a celebrity cameo. Oh my

01:08:04.800 --> 01:08:08.940
gosh, yeah. I mean, I know he's already a celebrity

01:08:08.940 --> 01:08:10.860
cameo, but you brought him up, right? That's

01:08:10.860 --> 01:08:14.719
awesome. All right, this is cool. I think we

01:08:14.719 --> 01:08:16.840
have fulfilled our contract, and hopefully you're

01:08:16.840 --> 01:08:19.869
listening. Enjoyed it and didn't get too frustrated

01:08:19.869 --> 01:08:22.369
banging your heads all on the wall going Christopher

01:08:22.369 --> 01:08:24.510
Walken should be in this but if you think he

01:08:24.510 --> 01:08:27.310
should be in everything we do Email us and let

01:08:27.310 --> 01:08:29.109
us know email us and let us know what you think

01:08:29.109 --> 01:08:32.710
of our shenanigans Yeah, we will gladly take

01:08:32.710 --> 01:08:34.970
the shenanigans to you. We'll make these movies.

01:08:35.090 --> 01:08:38.810
Yes again, we're giving it to you For free for

01:08:38.810 --> 01:08:40.430
now. But if somebody wants to pay us to make

01:08:40.430 --> 01:08:42.949
it again at award season, just have us up there.

01:08:43.090 --> 01:08:46.250
Not don't reference us, please. South Park, Trey

01:08:46.250 --> 01:08:49.329
Parker. Don't say anything. Just have us there.

01:08:49.430 --> 01:08:52.590
Right. Well, hey, you know, Logan, we did it

01:08:52.590 --> 01:08:56.829
right. I'm glad that we did. And Hollywood should

01:08:56.829 --> 01:08:59.729
get at us. Right. Reach out. I mean, reach out.

01:08:59.729 --> 01:09:02.270
We're getting there. Reach out to someone.
