WEBVTT 00:00:00.799 --> 00:00:03.220 Nick and Sue. This edition is brought to you 00:00:03.220 --> 00:00:06.299 in association with the Steel Union for men's 00:00:06.299 --> 00:00:09.259 gifts, presents and problem solving men's accessories. 00:00:09.740 --> 00:00:17.579 More from them in a bit. Chatterbox. When the 00:00:17.579 --> 00:00:30.140 stars talk, they talk to Nick and Sue. Welcome 00:00:30.140 --> 00:00:32.820 back to the Chatterbox Redux podcast with Sue 00:00:32.820 --> 00:00:35.340 and Nick and today our special guest is Rachel 00:00:35.340 --> 00:01:14.280 Brunet. This is Nick and Sue with Chatterbox 00:01:14.280 --> 00:01:17.900 giving you all you need to know about musical 00:01:17.900 --> 00:01:39.659 entertainment. Oh yeah! Chatterbox! And now in 00:01:39.659 --> 00:01:41.400 Chats Box, we're just lucky enough to welcome 00:01:41.400 --> 00:01:43.640 Rachel Brunette. Rachel, welcome. How are you? 00:01:43.819 --> 00:01:47.040 Hello, Rachel. Hi, Sue and Nick. I'm doing very 00:01:47.040 --> 00:01:49.799 well, thank you. Great. Very, very good. Great 00:01:49.799 --> 00:01:53.879 to meet you at last. And we got to know of you 00:01:53.879 --> 00:01:56.500 and your songs through Chris Spira of Space Angel 00:01:56.500 --> 00:02:00.680 Music. And of course, you've had quite a success 00:02:00.680 --> 00:02:05.120 this season in Hits or Misses because I think 00:02:05.120 --> 00:02:07.340 you were the first one this season and only the 00:02:07.340 --> 00:02:10.550 third artist and the fourth occasion of someone 00:02:10.550 --> 00:02:14.550 getting the maximum 24 points. With Last in Line? 00:02:15.330 --> 00:02:17.530 Correct, right. Let's start off, you tell us 00:02:17.530 --> 00:02:19.449 about that song, and I know Sue was bopping away, 00:02:19.650 --> 00:02:20.949 you really liked that, you were pleased when 00:02:20.949 --> 00:02:25.090 it got through, and the 24. So tell us a bit 00:02:25.090 --> 00:02:27.569 of the story about that song, then we'll talk 00:02:27.569 --> 00:02:30.759 about how it all started, perhaps. Okay, perfect. 00:02:31.159 --> 00:02:33.300 Well, that song last in line. Actually, I wrote 00:02:33.300 --> 00:02:35.419 it a few years ago. In fact, my children were 00:02:35.419 --> 00:02:37.939 quite young, although I did have them later on. 00:02:38.039 --> 00:02:40.460 One of my sons, I believe it was Thomas, he said, 00:02:40.960 --> 00:02:42.979 he asked me a question and I said, well, when 00:02:42.979 --> 00:02:44.780 you have a voice, then you have a choice. And 00:02:44.780 --> 00:02:47.039 I thought, I'm gonna write that down. That's 00:02:47.039 --> 00:02:50.259 gonna be good. And then I, you know, eventually 00:02:50.259 --> 00:02:54.659 I started writing the song and I then sort of 00:02:54.659 --> 00:02:56.539 parked it a little bit and wrote a few other 00:02:56.539 --> 00:02:59.889 songs in between. And then I just, I started 00:02:59.889 --> 00:03:02.590 again probably two years ago at rewriting it 00:03:02.590 --> 00:03:07.129 and it's a song that I wrote that is about um 00:03:07.129 --> 00:03:09.610 putting myself first and realizing to take the 00:03:09.610 --> 00:03:11.509 courage to put myself first and feeling good 00:03:11.509 --> 00:03:14.930 about that and um you know it's and it's then 00:03:14.930 --> 00:03:18.430 it's it's evolved quite a bit and into uh this 00:03:18.430 --> 00:03:22.550 song now. So would you say because this is the 00:03:22.550 --> 00:03:24.250 first song that we're talking about of course 00:03:24.250 --> 00:03:27.909 would would we to be fair to say working on one 00:03:27.909 --> 00:03:33.610 song Are your songs generally from real life 00:03:33.610 --> 00:03:39.050 experiences? Definitely, yes. So every song that 00:03:39.050 --> 00:03:42.310 you write or you've written is true to life, 00:03:43.229 --> 00:03:47.400 yeah? So far, yes, so far. The next ones are 00:03:47.400 --> 00:03:49.659 coming. I'm sort of going to, you know, I guess 00:03:49.659 --> 00:03:52.439 as a newer writer, I'm new to this. I produced 00:03:52.439 --> 00:03:55.979 my first song when I was 52. And that stemmed 00:03:55.979 --> 00:04:00.000 from real life experiences. And my second single, 00:04:00.099 --> 00:04:03.520 that was a collaboration and it's somewhat just 00:04:03.520 --> 00:04:07.919 sort of, you know, it's it meshed with the other 00:04:07.919 --> 00:04:11.080 sort of the other song. And this one, Last in 00:04:11.080 --> 00:04:14.340 Line, was more of my empowering song. That's 00:04:14.340 --> 00:04:16.079 why I think it took a little bit longer to write, 00:04:16.120 --> 00:04:19.079 but I'm very proud of it. So yeah, it has been 00:04:19.079 --> 00:04:22.339 a common theme. That's it. Maybe one thing that 00:04:22.339 --> 00:04:24.839 you should think of doing, Rachel, is perhaps 00:04:24.839 --> 00:04:27.360 you should think about writing a book or doing 00:04:27.360 --> 00:04:30.720 some podcasts or online videos or something of 00:04:30.720 --> 00:04:34.410 how to keep looking great in your 50s. Oh, wow. 00:04:34.949 --> 00:04:38.509 Whatever you're doing, you're doing right. Well, 00:04:38.889 --> 00:04:43.930 I wish I just had nice skin in my 50s. Whatever 00:04:43.930 --> 00:04:45.850 you're doing, keep doing it. It's working out, 00:04:45.910 --> 00:04:50.850 isn't it? I'll see you in the fresh air in Canada. 00:04:51.529 --> 00:04:56.370 In Canada, yeah. Right let's take you back to 00:04:56.370 --> 00:04:59.449 when you were a kid and that and what sort of 00:04:59.449 --> 00:05:02.829 stuff was being played at home? What sort of 00:05:02.829 --> 00:05:05.110 stuff was around you know when you were sort 00:05:05.110 --> 00:05:09.029 of like investigating your parents record collections 00:05:09.029 --> 00:05:11.750 or whatever was there or older siblings maybe? 00:05:11.910 --> 00:05:13.569 What was in the collections and what were you 00:05:13.569 --> 00:05:17.139 listening to? Well, first and foremost, I'm an 00:05:17.139 --> 00:05:20.540 only child, and I do have a half -brother, but 00:05:20.540 --> 00:05:25.339 my father was the oldest of nine. And there was 00:05:25.339 --> 00:05:27.959 nine brothers and one sister, so they were... 00:05:28.009 --> 00:05:32.709 And I grew up listening to classic rock and everything 00:05:32.709 --> 00:05:37.430 from, you know, ELO to Steve Miller Band, ACDC, 00:05:37.750 --> 00:05:40.870 I mean, Glenn Campbell, like all of that across 00:05:40.870 --> 00:05:44.290 the board. And, you know, I've just I've just 00:05:44.290 --> 00:05:47.509 grown up with classic rock. And then I, you know, 00:05:47.709 --> 00:05:50.529 I grew up loving that and being exposed to those 00:05:50.529 --> 00:05:53.569 songs as well, even in the 50s and 60s as well. 00:05:53.970 --> 00:05:57.120 But I sort of grew a passion for you know, the 00:05:57.120 --> 00:06:00.220 big hair bands, you know, in the eighties and 00:06:00.220 --> 00:06:05.000 stuff. Yeah, so we did that. And so that was 00:06:05.000 --> 00:06:07.980 really a lot of the influences in the music growing 00:06:07.980 --> 00:06:10.639 up and just hearing lots of constant rock and 00:06:10.639 --> 00:06:13.939 roll, constant music, being such a, I'm the oldest 00:06:13.939 --> 00:06:16.579 now of 20 grandchildren. So we had big, big, 00:06:16.680 --> 00:06:19.980 and we have a large extended family. And so music 00:06:19.980 --> 00:06:21.939 is definitely key. It's always been a constant 00:06:21.939 --> 00:06:25.519 in my life for sure. Fantastic. And as a kid, 00:06:26.899 --> 00:06:30.620 How did this listening to the music become becoming 00:06:30.620 --> 00:06:33.100 a singer -songwriter? What sort of age were you 00:06:33.100 --> 00:06:35.720 when you decided you wanted to be a singer and 00:06:35.720 --> 00:06:39.050 a songwriter? What sort of age were you? Well, 00:06:39.069 --> 00:06:41.370 I started quite young I played piano for many 00:06:41.370 --> 00:06:44.810 years and you know I had entered some festivals 00:06:44.810 --> 00:06:48.490 and singing and singing and playing piano and 00:06:48.490 --> 00:06:51.009 then I was just you know back in the day where 00:06:51.009 --> 00:06:53.370 we had the radio the ghetto blaster and would 00:06:53.370 --> 00:06:56.029 listen to the countdown the five at five and 00:06:56.029 --> 00:06:58.170 and then it stopped record and write down the 00:06:58.170 --> 00:07:00.230 lyrics that's before the first albums came out 00:07:00.230 --> 00:07:04.350 and they had the the lyrics on them and Right. 00:07:04.430 --> 00:07:07.290 I don't know that I ever really thought of becoming 00:07:07.290 --> 00:07:10.050 a singer I I did like to write a lot. I was definitely, 00:07:10.149 --> 00:07:12.829 I journaled quite a bit and then that progressed 00:07:12.829 --> 00:07:15.589 into writing a lot of poetry. When I traveled, 00:07:15.769 --> 00:07:18.930 I traveled quite a bit in my twenties. And then 00:07:18.930 --> 00:07:21.230 I thought, you know what, why not? Let's write 00:07:21.230 --> 00:07:24.569 a song. And that all came about. And now I've 00:07:24.569 --> 00:07:26.490 got the bug and I don't think it's going to stop 00:07:26.490 --> 00:07:30.149 for a long time. I was going to ask, was it poetry? 00:07:31.029 --> 00:07:32.670 Writing poetry as a kid that turned into the 00:07:32.670 --> 00:07:35.189 songwriting. But you must have known it was coming. 00:07:35.290 --> 00:07:40.750 So you just... What do your children think of 00:07:40.750 --> 00:07:45.050 your music? My children support it very much. 00:07:45.649 --> 00:07:49.230 So they're now teenagers. One's almost 16 and 00:07:49.230 --> 00:07:52.990 the other one's 17. I don't know, they they support 00:07:52.990 --> 00:07:56.089 me. They love coming to my shows. I mean, especially 00:07:56.089 --> 00:07:58.709 my oldest Nathan, he's like our roadie now and 00:07:58.709 --> 00:08:01.470 he brings our gear because I also play in a band 00:08:01.470 --> 00:08:03.670 and lead singer for one of my bands, which is 00:08:03.670 --> 00:08:07.009 No Looking Back. So we do several shows and they 00:08:07.009 --> 00:08:09.310 enjoy it. They're quite proud of me. And of course, 00:08:09.310 --> 00:08:12.149 I'm always screaming and yelling and, you know, 00:08:12.430 --> 00:08:16.730 sharing all of my, you know, my my wins, if you 00:08:16.730 --> 00:08:19.689 wish, being on the radio and stuff. So they're 00:08:19.689 --> 00:08:22.329 happy. They're proud of me. It's not for sure. 00:08:22.970 --> 00:08:25.949 Tell us about your early gigs and concerts you 00:08:25.949 --> 00:08:28.149 did. What sort of venues was that when you did 00:08:28.149 --> 00:08:30.290 your first? Tell us about the first one. Was 00:08:30.290 --> 00:08:34.690 it a bar or what was it? My very very first ones 00:08:34.690 --> 00:08:37.990 were like when I was a child, much younger. Those 00:08:37.990 --> 00:08:41.250 were festivals and Kingswood festivals and stuff. 00:08:41.590 --> 00:08:46.669 But my first gig I think was at a club here in 00:08:46.669 --> 00:08:50.399 Ajax which was at we were We were the opener 00:08:50.399 --> 00:08:53.179 for the headliner and that was one of our first 00:08:53.179 --> 00:08:55.740 gigs with my band No Looking Back and then since 00:08:55.740 --> 00:08:58.440 then I've just progressed and actually tomorrow 00:08:58.440 --> 00:09:02.899 is going to be our 69th show. So it's yeah since 00:09:02.899 --> 00:09:07.940 we started at the end of 2024. Oh wonderful and 00:09:07.940 --> 00:09:10.460 tell us about some of the releases that you've 00:09:10.460 --> 00:09:12.519 done. Well first of all tell us about the first 00:09:12.519 --> 00:09:14.580 release tell us about that what was special about 00:09:14.580 --> 00:09:17.590 that one. That was my first single, it was called 00:09:17.590 --> 00:09:20.789 Morning, Noon and Night. And I wrote that one 00:09:20.789 --> 00:09:23.470 basically in four hours with a friend of mine 00:09:23.470 --> 00:09:26.289 remotely. And he called me up and he said, what 00:09:26.289 --> 00:09:28.669 do you think of this riff? And then we just, 00:09:28.909 --> 00:09:31.110 we started writing and it, you know, the lyrics 00:09:31.110 --> 00:09:33.090 were just pouring out. It was at a time that 00:09:33.090 --> 00:09:35.970 it was very, it was a time that I needed to make 00:09:35.970 --> 00:09:39.610 a change and the song just came together. And 00:09:39.610 --> 00:09:42.049 so that was my first single, Morning, Noon and 00:09:42.049 --> 00:09:46.509 Night. And then then I met a good friend of mine. 00:09:46.629 --> 00:09:48.549 In fact, he's a singer songwriter. He's actually 00:09:48.549 --> 00:09:51.169 a songwriter. And he approached me with one of 00:09:51.169 --> 00:09:53.330 his songs Oil and Water. So I put the melody 00:09:53.330 --> 00:09:57.769 to that. And then we brought that to Barry Haggerty, 00:09:57.850 --> 00:10:01.250 who was our producer at Haggerty Sound. And and 00:10:01.250 --> 00:10:04.429 we recorded that together. So that was my second 00:10:04.429 --> 00:10:09.970 one. Yeah. Cool. And how many would you say you've 00:10:09.970 --> 00:10:13.159 brought out so far? So, so far I have Morning, 00:10:13.159 --> 00:10:15.340 New, Tonight, Oil and Water. I just released 00:10:15.340 --> 00:10:20.320 Last in Line. I also did a really, really nice 00:10:20.320 --> 00:10:24.419 project that I'm very proud of. And NTQ Music 00:10:24.419 --> 00:10:26.600 approached me, a friend of mine, Dave McPherson, 00:10:27.039 --> 00:10:29.440 and he's done, he created a song called Happy 00:10:29.440 --> 00:10:31.700 Mother's Day. And it's something that's very 00:10:31.700 --> 00:10:34.620 different and unique. He's a rapper from Jamaica 00:10:34.620 --> 00:10:37.360 originally. And so this part here, I'm playing 00:10:37.360 --> 00:10:41.179 the R &B sound, the R &B music. And it's really 00:10:41.179 --> 00:10:43.700 cool. It's quite different. It's really a nice 00:10:43.700 --> 00:10:45.580 piece. It's celebrating all the mothers of this 00:10:45.580 --> 00:10:48.700 world. And so I was asked to do a collaboration 00:10:48.700 --> 00:10:51.700 on that and that was also released this year. 00:10:52.960 --> 00:10:54.840 And yeah, I have a few other ones that are coming 00:10:54.840 --> 00:10:57.840 out that I'm working on and that's exciting. 00:10:58.259 --> 00:11:00.139 Well, there was something that you sent me today, 00:11:00.259 --> 00:11:03.059 which I know you got to work on the master. So 00:11:03.059 --> 00:11:05.279 tell us about this new song that we can expect 00:11:05.279 --> 00:11:08.960 to hear pretty soon. This song is called I Have 00:11:08.960 --> 00:11:12.679 to Go. A friend of mine now, Robert Farnley, 00:11:13.179 --> 00:11:15.539 he's actually he's from England originally or 00:11:15.539 --> 00:11:17.759 in that area and he used to have a band that 00:11:17.759 --> 00:11:19.940 they played at the same time as The Beatles and 00:11:19.940 --> 00:11:22.720 he reached out to me on a platform called Bandmix 00:11:22.720 --> 00:11:24.620 that we have here in Canada. It's sort of a social 00:11:24.620 --> 00:11:27.879 media platform for artists. And he reached out 00:11:27.879 --> 00:11:30.500 to me and he said, I'm, I'm a songwriter and 00:11:30.500 --> 00:11:32.419 I used to be a singer, but I can't sing very 00:11:32.419 --> 00:11:35.539 well anymore. So let's, uh, you know, why don't 00:11:35.539 --> 00:11:38.179 we collaborate? And so he sent me a few songs 00:11:38.179 --> 00:11:40.779 and this one sort of, you know, touched my heart 00:11:40.779 --> 00:11:44.019 and we got together and, and we wrote it together. 00:11:44.360 --> 00:11:47.159 So that one's coming out. Well, I listened to 00:11:47.159 --> 00:11:49.039 it and to be honest with you, I don't know what 00:11:49.039 --> 00:11:50.620 needs mastering on it. It sounded pretty good. 00:11:51.259 --> 00:11:57.190 So there you go. Yeah you'll see some sort of 00:11:57.190 --> 00:11:58.710 perfections to whatever but it did sound very 00:11:58.710 --> 00:12:01.769 good but it did sound good. Let me fall to that 00:12:01.769 --> 00:12:04.250 one. And of course, The Last in Line, the one 00:12:04.250 --> 00:12:07.350 that we really got to know you through on our 00:12:07.350 --> 00:12:09.450 shows, like The Hit and Miss and the new release 00:12:09.450 --> 00:12:11.610 shows and things like that. That, of course, 00:12:11.649 --> 00:12:16.049 was a really great song, I think, to get the 00:12:16.049 --> 00:12:18.110 British audience to know you properly, you know, 00:12:18.210 --> 00:12:21.289 on a bigger scale. And, of course, Chatterbox 00:12:21.289 --> 00:12:24.129 going to all the 200 odd stations is also another 00:12:24.129 --> 00:12:26.470 good outlet. And it's a great song for them to 00:12:26.470 --> 00:12:28.370 get to know you. I really loved it. It kicks. 00:12:28.409 --> 00:12:30.879 It's good. You know, it really is. thank you 00:12:30.879 --> 00:12:32.779 thank you very much i know they're going to be 00:12:32.779 --> 00:12:36.700 loving that definitely okay so you're going to 00:12:36.700 --> 00:12:39.179 say something no it's just what you've just googled 00:12:39.179 --> 00:12:40.759 you know what's going to come up yeah i know 00:12:40.759 --> 00:12:44.899 what's coming su knows what's coming rachel does 00:12:44.899 --> 00:12:50.399 okay what we've gotten rachel we have gone to 00:12:50.399 --> 00:12:53.919 google gemini the ai thing and we put in your 00:12:53.919 --> 00:12:57.820 name And we've like to see what she knows about 00:12:57.820 --> 00:13:00.940 you, what she says about you, and how correct 00:13:00.940 --> 00:13:05.820 she might be. She tried telling me that you were 00:13:05.820 --> 00:13:08.519 from Whitby and I said, I thought she was from 00:13:08.519 --> 00:13:11.000 Asia. I said, ah, they're next to each other. 00:13:11.860 --> 00:13:15.200 They are. Oh, she's not that right. OK. Durham 00:13:15.200 --> 00:13:19.600 region. That's good. Yeah, perfect. Because I 00:13:19.600 --> 00:13:21.080 wouldn't have known that in a million years. 00:13:21.679 --> 00:13:27.360 OK. Your lead vocalist for the Ontario rock band 00:13:27.360 --> 00:13:30.600 No Looking Back, NLB in brackets, so you've got 00:13:30.600 --> 00:13:36.460 a little trendy track line, NLB is it? Solo songs, 00:13:36.600 --> 00:13:38.820 Morning, Noon and Night you've talked about, 00:13:39.259 --> 00:13:42.419 debut single from October 2023, she got that 00:13:42.419 --> 00:13:45.620 right? Yes, around there, correct. You're doing 00:13:45.620 --> 00:13:48.559 all right, really. It's described as an uplifting 00:13:48.559 --> 00:13:51.679 country rock track about resilience, emotional 00:13:51.679 --> 00:13:59.179 recovery, and finding self -worth. Sue Gemini, 00:13:59.340 --> 00:14:05.399 not us. Oil and Water, single from 2025. and 00:14:05.399 --> 00:14:11.539 last in line single from July 2026 a country 00:14:11.539 --> 00:14:14.779 rock anthem based on standing up for yourself 00:14:14.779 --> 00:14:17.679 overcoming toxic relationships and taking back 00:14:17.679 --> 00:14:19.059 control of your life which is basically what 00:14:19.059 --> 00:14:22.039 you said wasn't it so yeah she's doing quite 00:14:22.039 --> 00:14:27.360 well yeah she is she is yeah good you know what 00:14:27.360 --> 00:14:29.820 i will do i will promise you that if there was 00:14:29.820 --> 00:14:31.419 anything really bad and i thought was totally 00:14:31.419 --> 00:14:36.850 wrong or if it was funny and wrong fine uh because 00:14:36.850 --> 00:14:38.370 there is a way of getting it corrected but if 00:14:38.370 --> 00:14:40.169 it was really bad and wrong then i wouldn't just 00:14:40.169 --> 00:14:43.370 bring it up on air i promise thank you because 00:14:43.370 --> 00:14:47.850 it could be because it's so easy for an ai to 00:14:47.850 --> 00:14:51.789 get somebody with a similar name mixed up or 00:14:51.789 --> 00:14:59.210 pronouncing it wrong or you know Okay, your solo, 00:14:59.370 --> 00:15:01.750 it's not much else, but yeah, your solo recordings 00:15:01.750 --> 00:15:06.110 are produced at Hackety Sound Studios alongside 00:15:06.110 --> 00:15:10.129 Barry Hackety, a multi -time Canadian country 00:15:10.129 --> 00:15:15.230 music association, a CCMA, Guitar Player of the 00:15:15.230 --> 00:15:18.850 Year nominee, and her music often weaves themes 00:15:18.850 --> 00:15:22.289 of personal growth and self -empowerment into 00:15:22.289 --> 00:15:27.419 radio -friendly melodies. I think that's... I 00:15:27.419 --> 00:15:29.440 like the picture. Yes, a good picture has come 00:15:29.440 --> 00:15:31.000 up. I wonder where that's come from. You're on 00:15:31.000 --> 00:15:34.159 stage? It's from Facebook, so they've nabbed 00:15:34.159 --> 00:15:36.600 one from your Facebook profile, but a nice picture 00:15:36.600 --> 00:15:39.480 of you on stage has come up with as well. I think 00:15:39.480 --> 00:15:42.299 with just a few songs, I think that's quite a 00:15:42.299 --> 00:15:44.700 nice little write -up, and they've got the right 00:15:44.700 --> 00:15:47.399 person. That's good. Well, that's good. It's 00:15:47.399 --> 00:15:48.860 something to build on, isn't it? So with this 00:15:48.860 --> 00:15:51.679 music, there'll be more. So, yeah. Probably, 00:15:51.759 --> 00:15:52.879 when you've come on this show, it'll probably 00:15:52.879 --> 00:15:54.299 go there, because a lot of the guests, once you've 00:15:54.299 --> 00:15:56.480 been on Chatterbox and they've... podcast and 00:15:56.480 --> 00:15:59.000 things it does seem to tie them up which is brilliant 00:15:59.000 --> 00:16:02.720 so yeah she's quite a good person into you she's 00:16:02.720 --> 00:16:05.879 very helpful to you Gemini yes you have to obviously 00:16:05.879 --> 00:16:08.539 have your wits about you to think hold on you 00:16:08.539 --> 00:16:11.039 know just in case and you've got to think that 00:16:11.039 --> 00:16:12.820 doesn't sound right and of course the good thing 00:16:12.820 --> 00:16:15.179 is what people are going to realize when they're 00:16:15.179 --> 00:16:19.940 dealing with any of these AI assistants is that 00:16:19.940 --> 00:16:22.600 of course especially Gemini it does have in a 00:16:22.600 --> 00:16:25.320 very light gray very light writing at the side 00:16:25.320 --> 00:16:28.759 it says where the information's come from okay 00:16:28.759 --> 00:16:31.200 as long as you remember that and if you double 00:16:31.200 --> 00:16:33.220 click that you're not sure then that's pretty 00:16:33.220 --> 00:16:34.720 good because that's where you need to be going 00:16:34.720 --> 00:16:37.620 to correct it so i think generally she's done 00:16:37.620 --> 00:16:41.039 quite well hasn't she yeah in general you know 00:16:41.039 --> 00:16:43.559 when we bring it up with artists so there you 00:16:43.559 --> 00:16:47.059 go Glad Gemini passed the test, that's good. 00:16:48.200 --> 00:16:50.320 Nick and Sue. We're taking a quick break to talk 00:16:50.320 --> 00:16:52.519 about the things we carry with us every single 00:16:52.519 --> 00:16:54.879 day. Now we've all been there, fumbling with 00:16:54.879 --> 00:16:57.360 a bulky wallet or dealing with jumbled mess of 00:16:57.360 --> 00:16:59.500 keys that sounds like a tambourine in your pocket. 00:17:00.029 --> 00:17:01.970 Well, this show is proud to be brought to you 00:17:01.970 --> 00:17:04.890 in association with the Distill Union. Since 00:17:04.890 --> 00:17:07.390 2011, the Distill Union have been on a mission 00:17:07.390 --> 00:17:09.809 to simplify your life through a less is more 00:17:09.809 --> 00:17:12.789 philosophy, creating sleek essentials to solve 00:17:12.789 --> 00:17:16.150 everyday problems with serious style. Distill 00:17:16.150 --> 00:17:19.109 Union doesn't just make accessories, they engineer 00:17:19.109 --> 00:17:21.529 intuitive tools that declutter your routine. 00:17:21.829 --> 00:17:24.250 The Wallet Wallet is a real game changer for 00:17:24.250 --> 00:17:26.589 anyone tired of pocket bulk. It's a minimalist 00:17:26.589 --> 00:17:30.210 slim profile wallet that uses innovative magnetic 00:17:30.210 --> 00:17:32.829 closures to keep your cards in cache incredibly 00:17:32.829 --> 00:17:35.869 secure while remaining effortlessly accessible. 00:17:36.269 --> 00:17:38.670 With the Ferris Key Organizer you can say goodbye 00:17:38.670 --> 00:17:42.069 to the clutter. The Ferris uses a modular magnetic 00:17:42.069 --> 00:17:44.849 system to snap your keys and essentials together 00:17:44.849 --> 00:17:49.710 into one streamlined silent setup. It's customizable, 00:17:50.000 --> 00:17:54.039 tactile and honestly a joy to use. All products 00:17:54.039 --> 00:17:56.799 are premium quality and crafted from premium 00:17:56.799 --> 00:18:00.700 full grain leather. It's durable, sophisticated 00:18:00.700 --> 00:18:04.299 and actually ages beautifully over time developing 00:18:04.299 --> 00:18:07.579 a unique character plus they stand behind their 00:18:07.579 --> 00:18:11.450 work in a three -year guarantee. When you choose 00:18:11.450 --> 00:18:13.950 the Distill Union, you're choosing quality over 00:18:13.950 --> 00:18:20.509 quantity. And by using our code CBUKRDUX, you 00:18:20.509 --> 00:18:22.950 aren't just getting a better way to carry your 00:18:22.950 --> 00:18:25.609 gear, you're supporting the show and the planet. 00:18:26.470 --> 00:18:28.670 As part of the Chatterbox community's commitment 00:18:28.670 --> 00:18:32.009 to the environment, 1 % of all commissions from 00:18:32.009 --> 00:18:34.890 your purchases are donated to the Stripe Climate 00:18:34.890 --> 00:18:37.950 Program to help remove CO2 from the atmosphere. 00:18:38.599 --> 00:18:41.339 It's a small way to make a big difference while 00:18:41.339 --> 00:18:44.000 upgrading your daily carry. We've worked with 00:18:44.000 --> 00:18:46.480 Distill Union to arrange the highest exclusive 00:18:46.480 --> 00:18:50.680 discounts specifically for you, 20%. Head over 00:18:50.680 --> 00:18:54.200 to DistillUnion .com or simply scroll down to 00:18:54.200 --> 00:18:57.240 the link below in the show notes and just add 00:18:57.240 --> 00:19:10.759 CBUKRDUX. Chatterbox. Chatterbox. Chatterbox. 00:19:11.920 --> 00:19:14.319 Chatterbox. Chatterbox. Chatterbox. Chatterbox. 00:19:14.559 --> 00:19:16.880 Rachel, is there anybody you'd like to do a duo 00:19:16.880 --> 00:19:19.319 with? Well, absolutely. Funny that you mentioned 00:19:19.319 --> 00:19:24.660 that. I did meet, um, so on the, um, on R &I, 00:19:24.980 --> 00:19:27.539 we joined the, uh, we, you know, we joined the 00:19:27.539 --> 00:19:31.680 chat room and, uh, Recently, I met Chad Rivett 00:19:31.680 --> 00:19:34.599 in the chat room, and he had mentioned that, 00:19:34.599 --> 00:19:37.319 you know, he liked my voice. And funny enough, 00:19:37.500 --> 00:19:39.799 he said, you know, I'd like to maybe do a duet 00:19:39.799 --> 00:19:43.380 with you. And I was really excited that he had 00:19:43.380 --> 00:19:45.599 proposed that. And it turns out that both of 00:19:45.599 --> 00:19:48.740 our families are originally from Cornwall, Ontario, 00:19:48.859 --> 00:19:51.599 my family and his family. So what a small world. 00:19:52.180 --> 00:19:54.359 He lives only a few hours away from me here. 00:19:54.720 --> 00:19:58.079 But so I think Chad, we had just discussed it 00:19:58.079 --> 00:20:00.460 and probably it might be in the works by the 00:20:00.460 --> 00:20:05.539 end of the year. So definitely. Okay, wonderful. 00:20:08.079 --> 00:20:11.259 So we've got that as a potential plan. We know 00:20:11.259 --> 00:20:13.799 about your brand new single, Just Me's Mastering. 00:20:14.279 --> 00:20:17.140 What else have we got between now and the end 00:20:17.140 --> 00:20:19.700 of the year? Just say if we had you back in six 00:20:19.700 --> 00:20:21.839 months time, what would you like to be telling 00:20:21.839 --> 00:20:24.599 Sue and myself and the Chatterbox listeners that 00:20:24.599 --> 00:20:28.500 you've achieved? Well, I will be also I'm working 00:20:28.500 --> 00:20:31.240 currently in the studio with another on another 00:20:31.240 --> 00:20:34.720 collaboration a friend of mine Who was written 00:20:34.720 --> 00:20:38.220 a lovely song and it's called take care So we're 00:20:38.220 --> 00:20:41.299 and we're just starting to to produce that and 00:20:41.299 --> 00:20:43.180 that'll probably be out in about a month a month 00:20:43.180 --> 00:20:46.220 and a half as well and I've got that one and 00:20:46.220 --> 00:20:48.700 I've got probably two or three more singles that 00:20:48.700 --> 00:20:52.490 I'm working on so definitely I would say by probably 00:20:52.490 --> 00:20:55.730 by next year, next March or so, I'm looking at 00:20:55.730 --> 00:20:58.329 having three more releases. So I've got some 00:20:58.329 --> 00:21:01.849 momentum now and I'm building on that. And it's 00:21:01.849 --> 00:21:05.890 just, I find that there's bouts of creativity. 00:21:06.029 --> 00:21:09.430 Sometimes it's like, I can't even write one sentence. 00:21:09.430 --> 00:21:11.569 And then when sometimes in the morning you wake 00:21:11.569 --> 00:21:13.529 up and it's just like, where are all of these 00:21:13.529 --> 00:21:17.289 ideas coming from? So I'm certainly, I bank on 00:21:17.289 --> 00:21:19.470 those and write everything down. So right now 00:21:19.470 --> 00:21:22.410 I feel like I'm in a period of creativity. and 00:21:22.410 --> 00:21:25.170 yeah just playing lots of music lots of shows 00:21:25.170 --> 00:21:28.750 and you know working on uh working on with the 00:21:28.750 --> 00:21:30.970 band and they're learning my songs which i'm 00:21:30.970 --> 00:21:34.789 very very grateful for and yeah sure it's good 00:21:34.789 --> 00:21:39.470 now if do you look upon as the songwriting and 00:21:39.470 --> 00:21:41.930 uh the you know the platforms where people can 00:21:41.930 --> 00:21:44.470 download the songs or stream them are you looking 00:21:44.470 --> 00:21:48.230 upon that as perhaps being uh the shop window 00:21:48.230 --> 00:21:54.079 for the gigs or the concerts, or are you looking 00:21:54.079 --> 00:21:58.079 upon the concerts, the live shows, being a shop 00:21:58.079 --> 00:22:00.640 window for the streaming and the downloading 00:22:00.640 --> 00:22:03.000 and people to actually buy your stuff? Which 00:22:03.000 --> 00:22:04.779 way round do you look at it? Because people have 00:22:04.779 --> 00:22:08.819 different ways. Right. I think for myself probably 00:22:08.819 --> 00:22:13.680 is probably the live shows. Definitely. So yes, 00:22:13.680 --> 00:22:15.900 because I'm using my band sort of as a segue 00:22:15.900 --> 00:22:18.799 to, you know, we play a lot of the classic rock 00:22:18.799 --> 00:22:22.579 and we use what we play my songs. As far as the 00:22:22.579 --> 00:22:25.500 platforms and social media, you have to invest 00:22:25.500 --> 00:22:28.859 a lot of time in that. And, you know, quite frankly, 00:22:29.160 --> 00:22:31.700 I'm not I'm just I'm doing really well, I feel. 00:22:32.160 --> 00:22:34.299 But I think it's it's really just about getting 00:22:34.299 --> 00:22:36.500 getting the word out there as opposed to, you 00:22:36.500 --> 00:22:39.990 know. Maybe one day I'll hit it big with a big 00:22:39.990 --> 00:22:44.789 single and that sort of will continue. That'd 00:22:44.789 --> 00:22:46.230 be a worldwide single, won't it? It wouldn't 00:22:46.230 --> 00:22:47.990 just be an Asian one, it'd be worldwide because 00:22:47.990 --> 00:22:50.450 you're getting quite a bit of notice now in the 00:22:50.450 --> 00:22:57.990 UK. Yes, absolutely. Thanks to Chris Byer, right? 00:22:58.990 --> 00:23:02.369 When he does for me as an artist and I see him 00:23:02.369 --> 00:23:06.230 with a lot of other artists, I'm very, very grateful 00:23:06.230 --> 00:23:09.299 for that. Well, he's a good person because basically, 00:23:09.440 --> 00:23:11.319 I mean, obviously we choose who we have on, we 00:23:11.319 --> 00:23:14.140 choose our airplanes, hopefully choose our playlists 00:23:14.140 --> 00:23:18.619 and things, but when he comes in with the Space 00:23:18.619 --> 00:23:22.180 Angel music artists and anybody that's involved 00:23:22.180 --> 00:23:25.920 with him in any capacity, it's very much a case 00:23:25.920 --> 00:23:27.960 that he does know as well enough, of course, 00:23:28.180 --> 00:23:31.970 he's got... We message each other many times 00:23:31.970 --> 00:23:35.829 each week. We work together a lot. Always something 00:23:35.829 --> 00:23:37.970 going on. But the whole point is he says, oh, 00:23:37.970 --> 00:23:39.910 I've got this great song from Rachel Brunet. 00:23:40.049 --> 00:23:43.589 I must send it to you. So he'd give it a listen. 00:23:45.849 --> 00:23:48.980 So what he basically does is that. is wearing 00:23:48.980 --> 00:23:51.980 a mind, I get several thousand emails a week 00:23:51.980 --> 00:23:55.460 off of people just soliciting their songs or 00:23:55.460 --> 00:23:58.420 whatever the right wording would be. I can't 00:23:58.420 --> 00:24:00.440 even look at them. Somebody's got to grab me 00:24:00.440 --> 00:24:02.640 that way. Because when we work with him, because 00:24:02.640 --> 00:24:07.019 we're in constant direct contact, I'll send you 00:24:07.019 --> 00:24:08.980 some songs, Dick, blah, blah, blah. So that's 00:24:08.980 --> 00:24:12.059 how we got to know about you. So of course he 00:24:12.059 --> 00:24:14.460 breaks down that big barrier of getting straight 00:24:14.460 --> 00:24:18.940 to us. Exactly. I'm sure you're bombarded with 00:24:18.940 --> 00:24:22.000 artists. I mean, I think there's probably 100 00:24:22.000 --> 00:24:25.339 ,000 songs being released a week on Spotify, 00:24:25.400 --> 00:24:29.380 for example. So that's a lot. And exactly. So 00:24:29.380 --> 00:24:32.480 having him in my corner has been definitely a 00:24:32.480 --> 00:24:34.480 blessing. And he's just lovely, right? He really 00:24:34.480 --> 00:24:38.519 cares about his artists. And then, you know, 00:24:38.619 --> 00:24:41.339 we just hope that you on the other end will like 00:24:41.339 --> 00:24:45.140 the songs. Yeah, so it's great. It's definitely 00:24:45.140 --> 00:24:49.779 a good way to network and to get into the music 00:24:49.779 --> 00:24:53.500 scene for sure. And Rach, we say thank you to 00:24:53.500 --> 00:24:55.440 you for coming in the chat room on a regular 00:24:55.440 --> 00:24:58.839 basis and supporting the other artists. That's 00:24:58.839 --> 00:25:01.220 important. There's a number of artists which 00:25:01.220 --> 00:25:03.480 is really great. It's nice. It's really good. 00:25:03.900 --> 00:25:06.750 It makes them feel special because You probably 00:25:06.750 --> 00:25:10.670 know yourself with radio, Rachel. The majority 00:25:10.670 --> 00:25:12.769 of people that listen to a radio station, you 00:25:12.769 --> 00:25:17.190 don't see, you don't hear. On R &I and some of 00:25:17.190 --> 00:25:18.849 the stations the chat box goes to is actually 00:25:18.849 --> 00:25:22.430 on FM and things, and in London it's on FM. These 00:25:22.430 --> 00:25:24.750 people are driving around in their cars and working 00:25:24.750 --> 00:25:26.470 and that. Of course, they're not in chat rooms, 00:25:26.490 --> 00:25:28.250 they don't do that. They have the radio in the 00:25:28.250 --> 00:25:30.029 background for what the radio's for. It's what 00:25:30.029 --> 00:25:32.670 we traditionally would have the radio on it for, 00:25:32.750 --> 00:25:35.250 it's for company. It's not to do the chat room 00:25:35.250 --> 00:25:38.809 and do it... else. So the majority, huge majority, 00:25:39.329 --> 00:25:43.109 are at home listening. Huge majority. And we're 00:25:43.109 --> 00:25:46.309 talking about 90 odd percent easy, you know. 00:25:47.369 --> 00:25:50.109 To say that even in London there's probably a 00:25:50.109 --> 00:25:52.470 minimum of 2 ,000 people listening on FM on just 00:25:52.470 --> 00:25:55.930 one station without the 230 stations, that's 00:25:55.930 --> 00:26:00.200 the sort of powerful I think it is. So when people 00:26:00.200 --> 00:26:03.200 like you come and support in the chat room, that 00:26:03.200 --> 00:26:06.259 I think gives the others a lift. Yes, I agree. 00:26:06.819 --> 00:26:08.960 Seeing figures is only good for advertisers. 00:26:09.140 --> 00:26:10.759 It's not good for anyone's morale when they're 00:26:10.759 --> 00:26:13.980 in the chat room. So having that there, yeah, 00:26:14.140 --> 00:26:15.660 but so it's great. And of course the band is 00:26:15.660 --> 00:26:18.039 good, you tell them how good, you know, so it's 00:26:18.039 --> 00:26:19.539 important. So if you can get that chat room to 00:26:19.539 --> 00:26:22.619 10 or 15 or something, that's good because there's 00:26:22.619 --> 00:26:24.980 national stations. I mean, I'm talking about 00:26:24.980 --> 00:26:27.740 major stations that would love to have 15 people 00:26:27.740 --> 00:26:30.519 in on a Monday or a Saturday or Sunday. They 00:26:30.519 --> 00:26:34.829 would though. I know, it's incredible. I find, 00:26:35.650 --> 00:26:38.769 honestly, it takes up a, you know, I really look 00:26:38.769 --> 00:26:40.890 forward to it. I feel like I have an extended 00:26:40.890 --> 00:26:45.410 family now on the chat, you know, and we're constantly 00:26:45.410 --> 00:26:47.670 supporting each other. And it just, it really 00:26:47.670 --> 00:26:51.049 uplifts me. It's a big part of my week. And I 00:26:51.049 --> 00:26:53.309 really look forward to it again. And we were 00:26:53.309 --> 00:26:55.230 talking, like, there's a few of the artists that 00:26:55.230 --> 00:26:58.650 are in the UK. And, you know, I'm thinking, okay, 00:26:58.670 --> 00:27:03.559 now I want to go visit them. So it's great. And 00:27:03.559 --> 00:27:05.880 we do encourage each other. And I find that it's 00:27:05.880 --> 00:27:09.819 very sincere. And I like that very much. And 00:27:09.819 --> 00:27:12.099 all the different styles of music, right? Because 00:27:12.099 --> 00:27:16.000 it's nice to support each other, for sure. And 00:27:16.000 --> 00:27:19.359 of course to hear you on the air, that's always 00:27:19.359 --> 00:27:23.970 a pleasure. The bantering, yes, I love that. 00:27:24.710 --> 00:27:26.349 A lot of people do that. It's funny sometimes. 00:27:26.990 --> 00:27:29.849 Great, the Americans get it because they find 00:27:29.849 --> 00:27:32.089 the humour zany, although we don't think we're 00:27:32.089 --> 00:27:34.369 zany. The Canadians get our humour, the Brits 00:27:34.369 --> 00:27:36.150 get our humour, but you do get people from some 00:27:36.150 --> 00:27:38.670 countries that actually think we're arguing. 00:27:39.690 --> 00:27:42.329 Don't actually argue. There's some extreme sarcasm 00:27:42.329 --> 00:27:46.529 there. And I tell you what, I get as much as... 00:27:47.359 --> 00:27:50.299 Seriously, that's totally even, trust me. I had 00:27:50.299 --> 00:27:53.180 a phone call from my mobile company. I'll move 00:27:53.180 --> 00:27:55.200 the camera down if you can. Sorry, I've actually 00:27:55.200 --> 00:27:56.460 got a headache, the light's going right in my 00:27:56.460 --> 00:27:58.880 eye. I had a phone call from my phone company 00:27:58.880 --> 00:28:01.359 one day and we were having banter in the background 00:28:01.359 --> 00:28:03.000 and the guy goes, do you want me to call the 00:28:03.000 --> 00:28:06.359 police? Do you feel safe? Seriously, when he 00:28:06.359 --> 00:28:10.559 was in Scotland? Seriously, yes. Can I introduce 00:28:10.559 --> 00:28:15.309 you to somebody? Yes. Okay. This is Twinkle. 00:28:15.609 --> 00:28:18.789 This is our love of our life. She's been beautiful. 00:28:19.589 --> 00:28:21.450 She's been beautiful. I want you to say hello. 00:28:21.529 --> 00:28:24.150 She's just moved next to us. There she is. Nice. 00:28:24.730 --> 00:28:27.670 There you go. There you are. That's Rachel. Salty. 00:28:27.809 --> 00:28:30.430 There you go, my darling. I'm looking. I have 00:28:30.430 --> 00:28:35.269 two cats as well. Bullet and shave. They're snoozing. 00:28:35.910 --> 00:28:39.730 I don't blame them. I don't blame them. So let's 00:28:39.730 --> 00:28:41.910 do your, before we let you go, let's do your 00:28:41.910 --> 00:28:45.309 social media. Websites, if you got it. If not, 00:28:45.410 --> 00:28:48.509 what social media platforms? The whole lot. Chuck 00:28:48.509 --> 00:28:51.630 it up now, please, Rachel. Right. I have. I don't 00:28:51.630 --> 00:28:54.730 have a website, but I am on on social media with 00:28:54.730 --> 00:28:58.170 so Rachel Brunette Music for Facebook and Instagram. 00:28:58.789 --> 00:29:02.450 And I also have my band No Looking Back. We're 00:29:02.450 --> 00:29:05.190 also on Facebook and Instagram as well. Those 00:29:05.190 --> 00:29:08.029 are the platforms. I also have all my things, 00:29:08.309 --> 00:29:11.329 my songs streaming on Spotify through Rachel 00:29:11.329 --> 00:29:15.119 Brunette and YouTube. And yeah, I think, and 00:29:15.119 --> 00:29:19.119 then Bandcamp and a few extras. Yeah, so I use 00:29:19.119 --> 00:29:21.900 the platform from CD Baby here and now, so you're 00:29:21.900 --> 00:29:26.279 able to download my music on iTunes as well and 00:29:26.279 --> 00:29:28.180 all the major platforms. So if you look for me, 00:29:28.180 --> 00:29:31.680 you'll find me. wonderful and brunette quite 00:29:31.680 --> 00:29:33.940 literally well rachel is uh it's all very actually 00:29:33.940 --> 00:29:37.039 quite easy spelling isn't it rachel is r -a -c 00:29:37.039 --> 00:29:41.799 -a -t -l brunette b -r -u -n -e -t so nice and 00:29:41.799 --> 00:29:44.240 easy uh i'm sure they would still come up with 00:29:44.240 --> 00:29:45.779 you even if they've done some weird spelling 00:29:45.779 --> 00:29:49.039 of rachel but nice and simple there um so just 00:29:49.039 --> 00:29:52.119 to uh recap we have last in line which is out 00:29:52.119 --> 00:29:54.160 at the moment all your songs are available for 00:29:54.160 --> 00:29:57.559 streaming and downloading but last in line um 00:29:57.559 --> 00:29:59.940 which has done very well on here final for a 00:29:59.940 --> 00:30:04.980 couple of weeks time. So yeah, that's about at 00:30:04.980 --> 00:30:08.380 the moment, we'll give that a play and your new 00:30:08.380 --> 00:30:10.680 one, which I'll get you to say the title again, 00:30:10.799 --> 00:30:13.279 I know I've got it here, and your new song which 00:30:13.279 --> 00:30:16.000 is about to come out once it's mastered, I have 00:30:16.000 --> 00:30:19.059 to go as well, it's something to look out for, 00:30:19.420 --> 00:30:24.859 so yeah. We'll have to go in a minute, we have 00:30:24.859 --> 00:30:26.619 to go in three minutes twenty seconds anyway. 00:30:27.270 --> 00:30:29.690 Rachel, please do me a favour, please give your 00:30:29.690 --> 00:30:32.609 cats a cuddle for me, please. I will, I will, 00:30:32.730 --> 00:30:34.869 absolutely. I should shake the treats, they'd 00:30:34.869 --> 00:30:39.130 probably come out. Rachel, it's been great meeting 00:30:39.130 --> 00:30:41.170 you, it's great having a chat. Likewise. And 00:30:41.170 --> 00:30:42.609 we look forward to the next time, darling. We 00:30:42.609 --> 00:30:45.369 do, there will be next time. So, yeah, keep us 00:30:45.369 --> 00:30:48.710 updated, but there's no harm in chucking me a 00:30:48.710 --> 00:30:50.630 little message when you've got a post or something 00:30:50.630 --> 00:30:56.289 or whatever. Yeah, there we go. Okay. Thank you 00:30:56.289 --> 00:30:58.410 very much, it was really nice meeting you both. 00:30:59.089 --> 00:31:00.809 I'll probably see you before, but if not, we 00:31:00.809 --> 00:31:06.970 will see you in the finals. There's no show Sunday, 00:31:07.069 --> 00:31:08.430 don't forget. We're not around Sunday. Yeah, 00:31:08.549 --> 00:31:09.990 we're not around Sunday, so there's no show. 00:31:11.150 --> 00:31:13.390 Okay. Take care Rachel. Take care. Cheers then, 00:31:13.450 --> 00:31:37.079 bye bye. Bye for now. You've been listening to 00:31:37.079 --> 00:31:39.819 the Chatterbox Redux podcast with Sue and Nick 00:31:39.819 --> 00:31:42.720 and today our special guest was Rachel Brunet. 00:31:43.039 --> 00:31:45.180 If you're interested in becoming a future guest 00:31:45.180 --> 00:31:48.039 on the Chatterbox Redux podcast or the radio 00:31:48.039 --> 00:31:50.460 show Chatterbox UK, you're welcome to submit 00:31:50.460 --> 00:31:53.930 songs, books or whatever it is you do. and send 00:31:53.930 --> 00:31:57.069 us a CV, synopsis, or press release. However, 00:31:57.250 --> 00:32:00.009 we receive several thousand such press releases 00:32:00.009 --> 00:32:03.230 every week, and it's impossible to reply to each 00:32:03.230 --> 00:32:06.130 one individually. Why not email us or leave a 00:32:06.130 --> 00:32:08.109 comment, because we'd love to know what you think 00:32:08.109 --> 00:32:11.009 of the podcast. Our email address is nickelbum 00:32:11.009 --> 00:32:15.089 at myyahoo .com. Alternatively, you could write 00:32:15.089 --> 00:32:19.450 to us at P .O. Box 26, The Old Observer Building, 00:32:19.750 --> 00:32:23.529 Telford Road, St. Leonard -on -Sea, East Sussex, 00:32:23.630 --> 00:32:28.990 England, TN389LZ. And wherever it is you choose 00:32:28.990 --> 00:32:32.190 to listen to the Chatterbox Redux podcast, don't 00:32:32.190 --> 00:32:34.990 forget to give us a like, a follow, a favorite, 00:32:35.190 --> 00:32:38.119 or whatever it is on that platform. just so you 00:32:38.119 --> 00:32:41.539 don't miss a future episode. Sue, myself Nick 00:32:41.539 --> 00:32:45.259 and Twinkle the tuxedo cat. Thank you very much 00:32:45.259 --> 00:32:47.400 for your company and we look forward to welcoming 00:32:47.400 --> 00:32:50.319 you again next time for another Chatterbox Redux 00:32:50.319 --> 00:32:53.059 podcast. In the meantime, take care, we thank 00:32:53.059 --> 00:32:55.839 you for your company and we catch you then. Bye 00:32:55.839 --> 00:33:34.039 bye. This is Nick and Sue with Chatterbox giving 00:33:34.039 --> 00:33:39.200 you all you need to know about musical attainment. 00:33:39.900 --> 00:33:45.880 Oh yeah! Chatterbox, the best interviews with 00:33:45.880 --> 00:33:50.019 Nick and Sue. Chatterbox, the best news