WEBVTT

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Nick and Sue. This edition is brought to you

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in association with the Steel Union for men's

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gifts, presents and problem solving men's accessories.

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More from them in a bit. Chatterbox. When the

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stars talk, they talk to Nick and Sue. Welcome

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back to the Chatterbox Redux Podcast and today

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our special guests are Karen Turley and Naomi

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Campbell of Motel Sundown. This is Nick and Sue

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with Chatterbox giving you all you need to know

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about musical entertainment. Oh yeah! Chatterbox!

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Chatterbox. We're just lucky enough to welcome

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Karen Turley and Naomi Campbell of Motel Sundown.

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Hello, how are you? Hello, good thanks. Good,

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thank you. Great, well good here as well. I'd

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say 2026 has been quite a busy year for you.

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I know you've been on the road a bit. You got

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this EP. We got a single we're talking about.

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Probably more than one single by now because

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the press release was a few weeks ago now. So

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what's the highlight? Who grabs the talking stick?

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Whoever starts talking first? So who's the lead

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singer, by the way? So we don't have one actually.

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Excellent. Even better. All three of us take

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turns, yep. So whoever answers the question then,

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do it that way. So 2026 looks like a really,

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really great year for Motel, Motel Sundown. So

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what do you think, now we're just over halfway

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through, what do you think the peak or the highlight

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of the year has been so far? Radio 2, wasn't

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it really? Yeah, definitely, yeah. Yeah, we were

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selected to play country to country by our local

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presenter, Dave Monks. And then we found out

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that we were going to be doing a live session

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on Radio 2 at the festival. So, yeah, that was

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with Bob Harris. Bob Harris and do a live session.

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So that was probably a highlight, I would say,

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for us. Yeah. Well, Bob Harris himself, bless

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him. He's just retired, as you might know, but

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through a bit of pain. He was 80, I think. But

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I mean, those of us that have been in music or

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into music for some time, I could remember him,

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you probably heard anyway, back in the 70s, the

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old Grey Whistle Test on BBC2 TV. And he presented

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that, I think, all the way through the 70s and

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into the 80s, actually. So he actually is quite

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a figure when it comes to music and new music.

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He really has been quite something over the years.

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You know, so, yeah. Quite a great guy to have

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on your side. So, yeah, absolutely. Yeah, we

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were tough. No, the people that he's interviewed,

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you know. So we were we were very excited that

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day. And yeah. And then, of course, you retired.

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So we were very, you know, pretty lucky to be

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on the show before I did. So, yeah. Yeah. Great.

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Where are you guys based? What part of the country

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are you based? Where are you from? We're in Liverpool.

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Lovely. OK. Yeah. I know Liverpool has had some

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diverse sounds over the years, whether it be

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Frankie Goes to Hollywood, the 60s sound, or

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the real thing, whatever it might be. I did put

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them under the 60s, but I promise I hadn't forgotten

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them. The 60s thing is a big, big thing, you

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know, to cover. And then maybe, yeah, I'm just

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thinking across the board. To me, unless I'm

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naive to a whole front of music in Liverpool,

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this is a new sound to me coming from Liverpool.

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Is that right? Is it a Moto Sundown sound or

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is there like a whole movement in Liverpool that

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sounds like that? Yeah, I mean, there's a lot

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of indie stuff in Liverpool and there's always

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been like folky kind of acoustic -y stuff, I

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think. You know, there's a lot of songwriters

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nights and things like that that we all have

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been to and stuff over the years. But I know

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what you mean. I think it's just kind of like

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it's a small kind of unit as well. The people

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that do like the Americana stuff. So I think

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a lot of the times that we go down south, we

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can see that it's a lot bigger there, obviously,

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in London and places like that. But I guess just

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helps you to stand out more in Liverpool, which

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isn't a bad thing. You are standing out to South

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Coast near Brighton. Obviously, we're aware of

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the London scene, the Brighton scene and all

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that stuff. To me, it's a bit of a different

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sound, especially coming from Liverpool as well.

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It's an interesting sound. So whether you're

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an early one to break out down this far on the

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South Coast, I don't know with that sound, but

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it certainly sounds different and new to me.

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And it's certainly been worth an interview and

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have a chat and play some of your stuff. So,

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yeah. Whether everyone sounds like that in the

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whole part of Liverpool or not, well maybe they

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do, but you're the ones that got the press release

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to me. Yeah I guess it's kind of American influenced

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as well, some of it too. A lot of the people

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we know and the musicians that we play with and

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stuff and that Naomi plays with, they all love

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the 60s and 70s. stuff and we all kind of are

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influenced by that so it kind of the three of

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us have different um things that we listen to

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so it kind of comes out in that way when you

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kind of mash it together i guess and what about

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you two girls uh when it comes to let's go Naomi

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then i'll switch back to Karen uh what about

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stuff that you Naomi what were you you were listening

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to at home what did your parents have in their

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record or cd collections what what sort of stuff

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were you listening to before you bought your

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own stuff um well there's a lot of country stuff

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And in Ireland, I think there's quite, there's

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a lot of American country and old classic country

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and, and yeah, just stuff like the Beach Boys

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and stuff like that. Whatever was in the car,

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really. I mean, they weren't really like big,

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like music lovers like devout, like, you know,

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loads of record collections or anything like

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that. And yeah, and then more so when I went

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to school, I kind of discovered more stuff like,

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you know, Fleetwood Mac and Bob Dylan and all

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those bands from the 60s and 70s, really. But

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yeah. There was a lot of country growing up,

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I guess, which was which was nice. Sure. Karen,

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what about you? What was being played? What was

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in your parents' record collection and stuff?

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What was being played at home before you got

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into music yourself? Yeah, pretty much the same.

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My dad was playing Johnny Cash and Garth Brooks.

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But then my mum loved like the Bee Gees and,

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you know, people like that. And yeah. A lot of

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Elvis. Elvis. Yeah, she loved Elvis. Loads of

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different things. So, yeah, but then I discovered

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Fleetwood Mac and became a big fan of Bluegrass

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as well. I love Bluegrass, that's Alice in Christ

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and all that. So, yeah, different, all the songwriters

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as well from like the noddies, like Katie Tunstall

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and people when I was learning guitar when I

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was a teenager. So there's a little bit different

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influences coming in. Yeah sure, what about,

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I mean obviously Liverpool for a very long time,

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centuries and centuries, has been the first stop

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for Irish people getting off and arriving, being

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the first port of call, where they usually arrive

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from, or they did. So Irish influences, I can

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hear Irish influences, whether you think it's

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there or not. How strong an influence do you

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think, if you think about it? Oh yeah, okay.

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How much stronger influence do you think there

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is? I mean, you mentioned Fleetwood Mac and stuff

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like that and what you both got into. What sort

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of Irish influence do you think there is there,

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being Liverpool and everything else and such

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a strong Irish? front there I suppose you know

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a lot of Irish people live now they've gone through

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the through the docks and port live there for

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a while move through on their way to Kilburn

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or wherever it might be they're going to they've

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obviously left a mark so how strong do you think

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that might be? Yeah it's a sense of community

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I think and like you know Irish people just like

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getting in a room together and having a jam or

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whatever and that kind of stuff it's a bit stronger

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you know coming from from home and go on to like

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things like that and the pub and stuff you know

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we just like to to get in a room and sing together

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which probably um drawn us to start singing together

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in harmony as well probably maybe and also we

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get compared to the chorus a lot recently so

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they're irish really bad thing is it really they're

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all right sound good look good yeah made it now

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something right okay so we've got uh an ep uh

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which has got quite a lot of tracks on from the

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ep it's almost an LP isn't it or am i yeah I've

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actually had somebody I've interviewed in the

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past who came up with a six track LP and I thought

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I used to buy EPs that had six tracks, between

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four and six tracks. So a seven track EP is probably

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the biggest one I've ever dealt with, seriously

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by one track. So, signs in the rush of lights

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we got. What out of these, I'm looking at these

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seven tracks, how many of these have been singles

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so far? How many are going to be singles? I think

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all of them have been singles apart from Rosie,

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maybe. Yeah, I think so. Yeah. Yeah, we added

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Rosie on at the end, didn't we? So I think that

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was an extra. Was that an extra add on kind of

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thing? Yeah. We're going to be six and then we

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had... that so we it wasn't on a wasn't on a

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compilation so we thought we'd put that on as

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well and then it became I think nowadays nowadays

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you kind of to release them all as singles just

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kind of helps get the tracks out there because

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you know people like to listen to to just you

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know if you put out an EP altogether there's

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a risk that you know some of the songs you know

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might not get as much traction so we decided

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to do them all as singles and then why was the

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last one which we released in March Are all these

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songs, all seven of the songs, are they all real

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life experiences from any one of you three and

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then you take to put it on the table to the rest

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of the others? I mean, are they all real life

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experiences or do you just sit down and write

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songs and jam and come up with something? How

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does it really work in general for you guys?

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I think those ones probably are a bit autobiographical.

00:11:49.909 --> 00:11:55.210
But then I think there's one that Rob did maybe

00:11:55.210 --> 00:11:59.889
from a book, an idea from a book. But yeah, sometimes

00:11:59.889 --> 00:12:04.990
you might start with lyrics or an idea that you

00:12:04.990 --> 00:12:06.750
had personally and then it can change into something

00:12:06.750 --> 00:12:10.610
else as well. in particular, more of a kind of

00:12:10.610 --> 00:12:12.610
personal on this one, because I think I just

00:12:12.610 --> 00:12:14.490
kind of made random stuff up for the two that

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I wrote. Fantastic. The waiting game though,

00:12:18.470 --> 00:12:20.370
the waiting game is about the music industry,

00:12:20.509 --> 00:12:23.370
isn't it? Yeah, I guess. Yeah, it's about that.

00:12:23.490 --> 00:12:28.740
Just a bit about everything, both of them. We're

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CBUKRDUX. How long have you guys been together?

00:14:55.350 --> 00:14:57.169
I mean there's been albums and bits and pieces

00:14:57.169 --> 00:14:59.549
before I could say it's nothing new there's signs

00:14:59.549 --> 00:15:01.450
in the rush of light so how long have you guys

00:15:01.450 --> 00:15:08.049
actually been together? Yeah so it was from 2019

00:15:08.049 --> 00:15:11.009
we've known each other probably over 10 years

00:15:11.009 --> 00:15:14.490
and we're playing together in pubs and bars and

00:15:14.490 --> 00:15:18.200
stuff and started singing together and thought,

00:15:18.200 --> 00:15:21.299
well, this kind of sounds good. So started the

00:15:21.299 --> 00:15:24.279
band and we released a single in like 2019, late

00:15:24.279 --> 00:15:28.720
2019. And then of course, COVID happened and

00:15:28.720 --> 00:15:30.580
then we kind of stalled a little bit and then

00:15:30.580 --> 00:15:33.419
we did the album in lockdown and the first album

00:15:33.419 --> 00:15:36.620
and that came out in 2022. So we just, then we

00:15:36.620 --> 00:15:39.299
released another EP in 2024 and then this is

00:15:39.299 --> 00:15:44.100
the second EP. So yeah, we have plans for an

00:15:44.100 --> 00:15:45.899
album as well. We're going to start working on

00:15:45.899 --> 00:15:49.299
an album hopefully this year. That's the next

00:15:49.299 --> 00:15:53.299
thing. Okay, let's get Naomi. I couldn't just

00:15:53.299 --> 00:15:55.580
keep blurting it out. I mean what I love when

00:15:55.580 --> 00:15:59.419
I've got like two people now in different zooms,

00:15:59.679 --> 00:16:01.679
it's quite great. I've blurted out a question.

00:16:02.169 --> 00:16:04.529
And what I really like is someone say yes, someone

00:16:04.529 --> 00:16:12.029
say no to a question. Pass it on. So yeah, well,

00:16:12.049 --> 00:16:14.070
it is working out because you guys will see that

00:16:14.070 --> 00:16:15.950
you know what you're doing. But that's just quite

00:16:15.950 --> 00:16:19.409
funny when that happens. Let's ask Naomi. Right,

00:16:19.710 --> 00:16:22.909
Naomi. So you guys were jamming around, like

00:16:22.909 --> 00:16:26.730
Karen says, and for quite a while. Whose idea

00:16:26.730 --> 00:16:30.210
was it? to say, right, we're former band, we're

00:16:30.210 --> 00:16:32.330
always working together, we work well together,

00:16:34.309 --> 00:16:37.149
let's form a band, let's make it permanent. Whose

00:16:37.149 --> 00:16:39.450
idea was that actually to do that? I don't know.

00:16:39.590 --> 00:16:41.850
I don't even know if the band came first or if

00:16:41.850 --> 00:16:43.909
we just decided to record stuff together because,

00:16:44.370 --> 00:16:47.110
well, I knew Karn before I knew Rob, really,

00:16:47.190 --> 00:16:49.679
and then Karn knew Rob. And then we all knew

00:16:49.679 --> 00:16:51.500
each other in pairs. And then I think when the

00:16:51.500 --> 00:16:54.220
three of us came together, I can't even remember

00:16:54.220 --> 00:16:55.759
now. There's probably a lot of Guinness going

00:16:55.759 --> 00:16:59.559
around back then. I think we decided to record

00:16:59.559 --> 00:17:03.200
songs. And then I think we did a lot of playing

00:17:03.200 --> 00:17:04.940
together in the bars and stuff. So that was kind

00:17:04.940 --> 00:17:06.839
of like a way of making money and stuff. So I

00:17:06.839 --> 00:17:09.299
guess when we did that so often, we thought,

00:17:09.480 --> 00:17:12.970
well, maybe we could... released some music under

00:17:12.970 --> 00:17:15.170
this, you know, umbrella. I don't really know

00:17:15.170 --> 00:17:16.890
as such whose idea it was, but I think it just

00:17:16.890 --> 00:17:19.009
kind of happened more naturally. But yeah, it

00:17:19.009 --> 00:17:22.289
was just, you know, we all had songs, you know,

00:17:22.450 --> 00:17:25.470
separately. So eventually released them. And

00:17:25.470 --> 00:17:28.069
then I think that led to there was a band whether

00:17:28.069 --> 00:17:32.099
we wanted it or not. I think probably but what

00:17:32.099 --> 00:17:34.160
I say because I've been doing radio since the

00:17:34.160 --> 00:17:37.519
80s actually and naturally formed bands rather

00:17:37.519 --> 00:17:39.460
than ones that would be more as forced together

00:17:39.460 --> 00:17:43.039
naturally formed bands do tend to last a lot

00:17:43.039 --> 00:17:46.880
longer and go on and on and on and on and I do

00:17:46.880 --> 00:17:50.200
you fight that you know from looking in and interviewing

00:17:50.200 --> 00:17:53.440
many people over the years so yeah because it's

00:17:53.440 --> 00:17:55.279
natural You know, you guys have naturally, you

00:17:55.279 --> 00:17:59.000
know, things will happen in your lives. One or

00:17:59.000 --> 00:18:02.119
both of you, all three of you will raise families

00:18:02.119 --> 00:18:03.740
and things will happen, then you might go back.

00:18:03.920 --> 00:18:06.640
You know, things will happen, but there's potential

00:18:06.640 --> 00:18:09.279
for it to be almost a lifelong thing if it's

00:18:09.279 --> 00:18:12.400
a natural formation. I do think that. Yeah, hopefully.

00:18:12.680 --> 00:18:15.680
Thank you, yeah, hope so, yeah. So depending

00:18:15.680 --> 00:18:17.960
how long I hang on for, we could be talking for

00:18:17.960 --> 00:18:23.099
decades yet, you know. Let's hope so. Let's talk

00:18:23.099 --> 00:18:25.619
about, you sound quite exciting and the music

00:18:25.619 --> 00:18:28.480
you're into and the music you play, so let's

00:18:28.480 --> 00:18:30.960
talk about festivals. What sort of festivals

00:18:30.960 --> 00:18:33.279
are you doing this year or are you planning festivals

00:18:33.279 --> 00:18:37.039
in the future? Yeah, we just did Beardy Folk,

00:18:37.039 --> 00:18:38.619
which was nice. That was the first time we've

00:18:38.619 --> 00:18:40.140
ever played that one. Don't know if you know

00:18:40.140 --> 00:18:42.930
it. I've heard of it, haven't been yet. Yeah,

00:18:43.089 --> 00:18:50.549
it's it was it. Where was that again? Um. And

00:18:50.549 --> 00:18:53.690
it was like, yeah, it used to be called Hole

00:18:53.690 --> 00:18:55.190
in the Wall Festival, but that was a good one

00:18:55.190 --> 00:18:57.309
because sadly Red Wrister was cancelled this

00:18:57.309 --> 00:18:59.410
year, which is one that we've done a couple of

00:18:59.410 --> 00:19:01.609
years and we've done Black Deer Festival before.

00:19:01.630 --> 00:19:05.630
That was a great one. When Cheryl Crowe was headlining

00:19:05.630 --> 00:19:09.269
and also we've played, well, obviously country

00:19:09.269 --> 00:19:12.589
to country this year, which was great. But yeah,

00:19:13.150 --> 00:19:16.329
there's some great Americana festivals. So hopefully

00:19:16.329 --> 00:19:18.190
next year we'll be able to do more and even get

00:19:18.190 --> 00:19:19.910
on to even some more mainstream ones as well.

00:19:20.170 --> 00:19:24.509
I love a good festival. Yeah, yeah. Well, a bit

00:19:24.509 --> 00:19:26.930
of a bit of Glastonbury maybe sometime. Yeah,

00:19:27.009 --> 00:19:30.950
that'd be nice. The big family one up in Suffolk.

00:19:31.049 --> 00:19:32.569
That's a whole long weekend at the end of August.

00:19:32.710 --> 00:19:37.650
That's a good one. They invite me to compare

00:19:37.650 --> 00:19:41.940
every few years. So they haven't asked me yet

00:19:41.940 --> 00:19:43.740
this year, so if they do ask me I'll have to

00:19:43.740 --> 00:19:45.279
remember what it's called and turn up at the

00:19:45.279 --> 00:19:52.920
right place. Cool, absolutely, I can introduce

00:19:52.920 --> 00:19:59.240
you on stage. So we talk about an album, you

00:19:59.240 --> 00:20:01.380
mentioned that that's sort of like the next plan

00:20:01.380 --> 00:20:06.460
maybe. Let's jump ahead a little bit more. Let's

00:20:06.460 --> 00:20:10.180
say we are having a chat in June or July next

00:20:10.180 --> 00:20:12.519
year. Well, talk about the album. You're obviously

00:20:12.519 --> 00:20:14.559
hoping the album might be completed now by then.

00:20:14.859 --> 00:20:17.460
What else would you like to be telling me and

00:20:17.460 --> 00:20:19.319
the listeners on Chatterbox that you've achieved?

00:20:21.480 --> 00:20:22.980
I don't know who goes first, but you can both

00:20:22.980 --> 00:20:28.500
answer it. I don't know. That's tough. I think

00:20:28.500 --> 00:20:32.630
Glastonbury would be amazing to play. even if

00:20:32.630 --> 00:20:35.589
it's a tiny, tiny stage in the corner, to go

00:20:35.589 --> 00:20:39.349
and play would be a great thing for us and probably

00:20:39.349 --> 00:20:42.130
on the bucket list as well. So that would be

00:20:42.130 --> 00:20:45.410
good. Yeah, I've never been to Glastonbury, I'd

00:20:45.410 --> 00:20:51.609
love to go. It's very muddy. Probably another

00:20:51.609 --> 00:20:54.390
tour as well, a UK, Ireland, maybe even Europe

00:20:54.390 --> 00:20:57.690
tour, that'd be nice. Yeah, a good support tour

00:20:57.690 --> 00:21:00.960
would be something we're good to... to support

00:21:00.960 --> 00:21:03.460
somebody a little bigger would be great as well.

00:21:03.640 --> 00:21:08.599
Yeah, sure, sure. Excluding perhaps Liverpool,

00:21:09.660 --> 00:21:11.240
maybe, but as you're going around the country,

00:21:11.420 --> 00:21:14.299
around Ireland and places, is there a particular

00:21:14.299 --> 00:21:18.400
region or area where you feel you're more popular

00:21:18.400 --> 00:21:21.380
than others that really reach out for you? Or

00:21:21.380 --> 00:21:25.940
are you reaching out across the whole UK, perhaps,

00:21:26.039 --> 00:21:30.390
and Ireland as a whole? It's the same sort of

00:21:30.390 --> 00:21:33.710
popularity, perhaps, all over. I don't know.

00:21:33.769 --> 00:21:36.269
I think, like Naomi said, when we go down south,

00:21:36.369 --> 00:21:41.390
we always get, you know, a good crowd, like,

00:21:41.410 --> 00:21:44.529
you know, a large, large crowd. And, you know,

00:21:44.609 --> 00:21:46.670
there's definitely more of an audience for this

00:21:46.670 --> 00:21:50.650
kind of stuff down there, I think. We went down

00:21:50.650 --> 00:21:54.210
to, yeah, like Norfolk and Suffolk and stuff.

00:21:55.309 --> 00:21:57.349
And, yeah, there seems to be a big Americana

00:21:57.349 --> 00:22:03.210
scene. We had a couple of shows in London as

00:22:03.210 --> 00:22:04.869
well, on the Green Note in Camden, and that was

00:22:04.869 --> 00:22:12.650
a lovely venue as well. Getting heard in London

00:22:12.650 --> 00:22:14.750
is not a bad thing at all, is it? Yeah, I know

00:22:14.750 --> 00:22:21.880
it's really bad. Let's see what we've got coming

00:22:21.880 --> 00:22:24.380
up. I'm looking at your UK tour dates at the

00:22:24.380 --> 00:22:26.160
moment. Let's actually get onto your website.

00:22:26.259 --> 00:22:29.000
That'd be better. So we do social media before

00:22:29.000 --> 00:22:35.000
we let you go. So we've got www .motel -sundown

00:22:35.000 --> 00:22:40.299
.co .uk. I know I saw something here. So yeah.

00:22:41.039 --> 00:22:43.960
So we've got a tour dates always announced on

00:22:43.960 --> 00:22:46.759
there. Something here on the 9th of October.

00:22:46.920 --> 00:22:49.660
I'm sure I saw somewhere on Lisa Dave's... promotions

00:22:49.660 --> 00:22:52.220
that you had some other stuff booked up somewhere

00:22:52.220 --> 00:22:55.940
um yeah well i think we might have done those

00:22:55.940 --> 00:23:00.859
since so we had yeah we had the beardy folk festival

00:23:00.859 --> 00:23:03.640
and and we also did a nice gig recently in chester

00:23:03.640 --> 00:23:06.759
which was the story house lantern sessions which

00:23:06.759 --> 00:23:10.200
was um it's an event that they put on every month

00:23:10.910 --> 00:23:14.170
So that was great. And then we've also done one

00:23:14.170 --> 00:23:16.529
more since I think it was maybe London as well.

00:23:16.650 --> 00:23:18.369
We did, like Karen mentioned, we did the Green

00:23:18.369 --> 00:23:21.490
Note. Yeah, yeah. But we're actually working

00:23:21.490 --> 00:23:25.390
on a tour at the minute for October. So we're

00:23:25.390 --> 00:23:26.710
going to be putting some dates together, like

00:23:26.710 --> 00:23:30.009
that Liverpool date. So, yeah. That could be

00:23:30.009 --> 00:23:32.890
our next chat. That could be our next chat, what

00:23:32.890 --> 00:23:35.940
you're doing outside with it maybe. Yeah. Okay

00:23:35.940 --> 00:23:39.059
so anyway I mentioned the website motelsundown

00:23:39.059 --> 00:23:43.589
.co .uk if we click on that I did notice that

00:23:43.589 --> 00:23:45.930
you got some just underneath the picture on the

00:23:45.930 --> 00:23:48.190
home page of all three of you nice venue there

00:23:48.190 --> 00:23:50.750
where is that actually on the home page it's

00:23:50.750 --> 00:23:53.029
lovely it looks like so panels all over the ceiling

00:23:53.029 --> 00:23:55.109
and the wall oh that's that's probably st peter's

00:23:55.109 --> 00:23:57.809
tavern in liverpool yeah it's like pictures taken

00:23:57.809 --> 00:24:00.569
recently actually beautiful the photographer's

00:24:00.569 --> 00:24:02.730
so good but yeah it's it's like an old church

00:24:02.730 --> 00:24:04.849
and it used to be a nightclub and now it's like

00:24:04.849 --> 00:24:07.789
a bar but yeah it's really really beautiful inside

00:24:08.200 --> 00:24:11.400
yeah absolutely absolutely uh so anyway yeah

00:24:11.400 --> 00:24:14.000
so we get onto your uh your website home page

00:24:14.000 --> 00:24:16.059
under that beautiful picture and all your links

00:24:16.059 --> 00:24:18.559
to all your social media is there anyway your

00:24:18.559 --> 00:24:20.640
instagram your facebook facebook twitter it's

00:24:20.640 --> 00:24:23.299
all there so basically all someone's got to remember

00:24:23.299 --> 00:24:27.519
is uh is yeah motel sundown .co .uk and rather

00:24:27.519 --> 00:24:29.319
than read it all out it's all there underneath

00:24:29.319 --> 00:24:30.700
that picture just click on it and you're going

00:24:30.700 --> 00:24:33.559
straight there so that's all good yeah easy yeah

00:24:33.559 --> 00:24:36.839
yeah uh great meeting you guys wish you every

00:24:36.839 --> 00:24:41.819
success with the EP, the singles and whatever

00:24:41.819 --> 00:24:45.160
else you're doing, you know through the summer

00:24:45.160 --> 00:24:47.140
with the LP, everything in October, hopefully

00:24:47.140 --> 00:24:49.799
we can catch up about that time, have an update

00:24:49.799 --> 00:24:52.359
and then you could tell us more about the album

00:24:52.359 --> 00:24:54.319
then couldn't you, because you'll definitely

00:24:54.319 --> 00:24:57.119
be writing loads for it then. Definitely yeah,

00:24:57.259 --> 00:25:00.460
hopefully yeah. Yeah, but in the meantime, it's

00:25:00.460 --> 00:25:02.339
great meeting you. It's great being able to share

00:25:02.339 --> 00:25:04.579
some of your songs with the Chats Box audience

00:25:04.579 --> 00:25:07.339
and the member stations. And yeah, Karen and

00:25:07.339 --> 00:25:10.039
Naomi. Thanks for coming on. Great to meet you.

00:25:10.119 --> 00:25:14.000
Thank you so much. Thank you. Bye. Thank you.

00:25:48.720 --> 00:25:51.119
You've been listening to the Chatterbox Redux

00:25:51.119 --> 00:25:54.119
podcast and today our special guests were Karen

00:25:54.119 --> 00:26:00.079
Turley and Naomi Campbell of Motel Sundown. If

00:26:00.079 --> 00:26:02.200
you're interested in becoming a future guest

00:26:02.200 --> 00:26:05.079
on the Chatterbox Redux podcast or the radio

00:26:05.079 --> 00:26:07.480
show Chatterbox UK, you're welcome to submit

00:26:07.480 --> 00:26:10.960
songs, books or whatever it is you do and send

00:26:10.960 --> 00:26:14.079
us a CV, synopsis or press release. However,

00:26:14.279 --> 00:26:17.039
we receive several thousand such press releases

00:26:17.039 --> 00:26:20.240
every week and it's impossible to reply to each

00:26:20.240 --> 00:26:23.160
one individually. Why not email us or leave a

00:26:23.160 --> 00:26:25.119
comment because we'd love to know what you think

00:26:25.119 --> 00:26:28.019
of the podcast. Our email address is nickelbum

00:26:28.019 --> 00:26:32.079
at myyahoo .com. Alternatively, you could write

00:26:32.079 --> 00:26:36.480
to us. at P .O. Box 26, the Old Observer Building,

00:26:36.779 --> 00:26:40.480
Telford Road, St. Leonard -on -Sea, East Sussex,

00:26:40.720 --> 00:26:46.000
England, TN38 -9LZ. And wherever it is you choose

00:26:46.000 --> 00:26:49.220
to listen to the Chatterbox Redux podcast, don't

00:26:49.220 --> 00:26:52.000
forget to give us a like, a follow, a favorite,

00:26:52.279 --> 00:26:55.150
or whatever it is on that platform. just so you

00:26:55.150 --> 00:26:58.569
don't miss a future episode Sue, myself Nick

00:26:58.569 --> 00:27:02.309
and Twinkle the tuxedo cat thank you very much

00:27:02.309 --> 00:27:04.430
for your company and we look forward to welcoming

00:27:04.430 --> 00:27:07.329
you again next time for another Chatterbox Redux

00:27:07.329 --> 00:27:10.250
podcast in the meantime take care and thank you

00:27:10.250 --> 00:27:44.630
for your company and we'll catch you then This

00:27:44.630 --> 00:27:48.630
is Nick and Sue with Chatterbox giving you all

00:27:48.630 --> 00:27:52.589
you need to know about musical entertainment.

00:27:54.190 --> 00:27:57.190
Oh yeah! Chatterbox!
