WEBVTT 00:00:00.760 --> 00:00:03.220 Nick and Sue. This edition is brought to you 00:00:03.220 --> 00:00:06.660 in association with Distill Union for men's gifts, 00:00:06.839 --> 00:00:09.279 presents and problem -solving men's accessories. 00:00:09.740 --> 00:00:30.699 More from them in a bit. Welcome back to the 00:00:30.699 --> 00:00:33.340 Chatterbox Redux podcast and today our special 00:00:33.340 --> 00:01:13.760 guest is Tricia Marie. This is Nick and Sue with 00:01:13.760 --> 00:01:16.760 Chatterbox giving you all you need to know about 00:01:16.760 --> 00:01:24.019 musical entertainment. Oh, yeah! Chatterbox! 00:01:38.959 --> 00:01:41.060 And now in Chatterbox, we're just lucky enough 00:01:41.060 --> 00:01:43.620 to welcome Tricia Marie. Tricia, welcome to Chatterbox. 00:01:43.700 --> 00:01:45.939 How are you? Good, how are you? I'm good, thank 00:01:45.939 --> 00:01:48.180 you. I'm good, thank you. We met you the other 00:01:48.180 --> 00:01:50.200 week through Chris Spear. I think I had some 00:01:50.200 --> 00:01:52.040 stuff of yours a few months ago, actually, but 00:01:52.040 --> 00:01:57.980 we got stuff. Adrenaline and Jolene we got last 00:01:57.980 --> 00:02:01.260 year. Yes, so we got that. Definitely, I remember 00:02:01.260 --> 00:02:03.159 playing Jolene. Definitely remember doing your 00:02:03.159 --> 00:02:05.239 version of that. So we have played some of your 00:02:05.239 --> 00:02:08.159 stuff already, working more with Chris Beerer 00:02:08.159 --> 00:02:10.860 now, and we do a lot of work with him. And of 00:02:10.860 --> 00:02:12.159 course, you know, he said, oh, you got to listen 00:02:12.159 --> 00:02:14.840 to, you know, he sent us the sort of thing he 00:02:14.840 --> 00:02:17.379 put together, like the, I said, montage, call 00:02:17.379 --> 00:02:20.120 it what you like, of your stuff that's going 00:02:20.120 --> 00:02:22.180 out on the album. I like this. Yeah, we could 00:02:22.180 --> 00:02:24.960 do something with this. So, yeah, he sort of 00:02:24.960 --> 00:02:27.500 pushed that in our direction. So, yeah, rather 00:02:27.500 --> 00:02:30.900 glad he has. So, but he hasn't, of course, just 00:02:30.900 --> 00:02:35.680 started with this new album, we'll say. I've 00:02:35.680 --> 00:02:37.460 got a feeling singing songwriting's probably 00:02:37.460 --> 00:02:39.259 in your blood, but let's take it to the very 00:02:39.259 --> 00:02:42.400 beginning. As a kid, tell us what was going on, 00:02:42.400 --> 00:02:44.939 what was being played at home? What influences 00:02:44.939 --> 00:02:46.280 have you got from them? What did your parents 00:02:46.280 --> 00:02:49.139 have in the record collection? Honestly, I grew 00:02:49.139 --> 00:02:51.800 up listening to a mix of everything. And I've 00:02:51.800 --> 00:02:54.500 loved music since I was old enough to remember 00:02:54.500 --> 00:02:57.419 anything to do with it. But I grew up listening 00:02:57.419 --> 00:02:59.620 to music in the backseat of Mom Dad's vehicle. 00:03:00.759 --> 00:03:03.280 My mom listened to everything, from Whitney Houston, 00:03:03.580 --> 00:03:06.000 Celine Dion, Carrie Underwood, Rascal Flatts. 00:03:06.080 --> 00:03:09.020 We had a mix of absolutely everything. So I loved 00:03:09.020 --> 00:03:13.639 everything from a young age. Carrie, Rascal Flatts, 00:03:13.800 --> 00:03:16.479 those were pretty big for me. They were pretty 00:03:16.479 --> 00:03:19.080 big influences as a kid for me. Carrie Underwood's 00:03:19.080 --> 00:03:23.199 range was absolutely insane. And Rascal Flatts, 00:03:23.360 --> 00:03:27.250 everybody loves their music. Life as a Highway 00:03:27.250 --> 00:03:29.449 kind of got overplayed for me because my brother 00:03:29.449 --> 00:03:34.189 got super into the Cars movie. So I love Rascal 00:03:34.189 --> 00:03:36.949 Flatts but that one maybe not so much anymore. 00:03:39.169 --> 00:03:42.930 Heard it to death maybe but yeah. Okay so what 00:03:42.930 --> 00:03:44.610 about when it comes to actually writing a song? 00:03:44.729 --> 00:03:46.750 Did it start off with poetry as a kid or was 00:03:46.750 --> 00:03:48.550 it actually proper songwriting from the beginning 00:03:48.550 --> 00:03:50.849 when you were a kid? Well how did it work out 00:03:50.849 --> 00:03:54.020 to start with? I started out in choir pretty 00:03:54.020 --> 00:03:56.199 much from the second I could join. My mom was 00:03:56.199 --> 00:03:59.039 a choir kid and I wanted to be like her. So I 00:03:59.039 --> 00:04:02.120 joined choir. I loved it and I even threw out 00:04:02.120 --> 00:04:04.180 high school until I couldn't anymore. I was in 00:04:04.180 --> 00:04:06.360 every choir class I could be. I even went into 00:04:06.360 --> 00:04:08.780 the extracurriculars where I'd have to audition 00:04:08.780 --> 00:04:12.080 to get into those. I ended up being, I think, 00:04:12.300 --> 00:04:14.580 in three choir classes at once at one point in 00:04:14.580 --> 00:04:17.540 time in my junior or senior year of high school. 00:04:19.160 --> 00:04:22.920 But I didn't start songwriting in the normal 00:04:22.920 --> 00:04:25.019 songwriting structure you'd imagine. I started 00:04:25.019 --> 00:04:28.199 out therapeutically writing down how I'd feel, 00:04:29.000 --> 00:04:31.459 and eventually that turned into putting it into 00:04:31.459 --> 00:04:35.699 music. I didn't actually start doing anything 00:04:35.699 --> 00:04:38.459 with it until maybe a year or two ago where I 00:04:38.459 --> 00:04:40.399 actually started to put my own music out, but 00:04:40.399 --> 00:04:43.680 I started pretty much with karaoke and bars. 00:04:44.160 --> 00:04:46.660 And I'd have to have a drink or two to even get 00:04:46.660 --> 00:04:49.220 up there. I'd shake so bad when I had the microphone. 00:04:49.420 --> 00:04:52.439 It took practice, but eventually I stood there. 00:04:52.800 --> 00:04:56.139 I stopped shaking and actually started performing 00:04:56.139 --> 00:04:58.019 and people seemed to like my voice and that's 00:04:58.019 --> 00:05:00.610 where I started putting my own music out. Cool. 00:05:00.970 --> 00:05:03.810 And what about performing now? What sort of performing 00:05:03.810 --> 00:05:06.670 you do now? You obviously moved on from the karaoke 00:05:06.670 --> 00:05:09.189 bit. You must be doing some concerts and gigs 00:05:09.189 --> 00:05:12.069 somewhere. What sort of size venues and has the 00:05:12.069 --> 00:05:15.589 shaking stopped or is there still some pre -concert 00:05:15.589 --> 00:05:18.649 nerves? Still pre -concert nerves, but I feel 00:05:18.649 --> 00:05:21.310 like, you know, for most people there are those 00:05:21.310 --> 00:05:23.189 jitters that you'll get. But once you get on 00:05:23.189 --> 00:05:25.870 stage, you stop shaking, you get real into your 00:05:25.870 --> 00:05:27.589 performance. You want your crowd to have a good 00:05:27.589 --> 00:05:32.019 time. I still haven't had a gig necessarily of 00:05:32.019 --> 00:05:35.980 my own yet. I'm getting there. I'm looking around 00:05:35.980 --> 00:05:37.980 in my community, looking to see where I can get 00:05:37.980 --> 00:05:41.139 into to start that process. But I'm right at 00:05:41.139 --> 00:05:45.680 the beginning. With the nerves thing. I mean, 00:05:45.800 --> 00:05:48.620 I think it's the live stuff is wonderful. It's 00:05:48.620 --> 00:05:52.199 like live radio really for us. It is great because 00:05:52.199 --> 00:05:57.620 to be honest with you. The worst -case scenario 00:05:57.620 --> 00:06:01.240 is, yeah, you may mess up and do something wrong, 00:06:01.339 --> 00:06:03.379 but I'll tell you what, you've got to get yourself 00:06:03.379 --> 00:06:05.160 out of it that second. It's not actually that 00:06:05.160 --> 00:06:07.680 much of a problem. I could be a gibbering wreck 00:06:07.680 --> 00:06:09.560 behind the mics, but you get yourself out of 00:06:09.560 --> 00:06:12.040 it. And live is all part of the thrill of it, 00:06:12.040 --> 00:06:13.819 and it becomes more of a thrill as you go along, 00:06:13.920 --> 00:06:16.480 I think. So, of course, doing live radio is our 00:06:16.480 --> 00:06:18.680 version of it as presenters, but of course... 00:06:18.480 --> 00:06:20.839 And it is a thrill, isn't it? I mean, it's an 00:06:20.839 --> 00:06:22.620 amazing experience when you're there and you 00:06:22.620 --> 00:06:24.740 wait to do a headline in your own stuff, you 00:06:24.740 --> 00:06:28.480 know, but you love it. Yeah. Yeah. Yeah, absolutely. 00:06:29.100 --> 00:06:31.879 Right, what sort of stuff have you brought out 00:06:31.879 --> 00:06:34.980 so far? We'll talk about the new album in a bit. 00:06:35.060 --> 00:06:37.220 What have you done before this in particular? 00:06:37.379 --> 00:06:41.560 I mean, I mentioned Jolene and Adrenaline already. 00:06:42.060 --> 00:06:43.459 What other stuff have you sort of brought out 00:06:43.459 --> 00:06:45.060 and when did the first stuff come out? I think 00:06:45.060 --> 00:06:46.699 you said a couple of years ago, was it you started? 00:06:47.639 --> 00:06:51.680 A year or two ago, yeah. So I've kind of... I've 00:06:51.680 --> 00:06:53.480 done a mix of everything. I don't want to hold 00:06:53.480 --> 00:06:56.199 myself necessarily to one genre, although I've 00:06:56.199 --> 00:06:58.339 heard in the music industry, it's really hard 00:06:58.339 --> 00:07:01.600 when you're multi -genre. It's easier when you're 00:07:01.600 --> 00:07:03.839 one. So at some point I'm going to have to get 00:07:03.839 --> 00:07:05.819 forced to choose one or the other. But I've been 00:07:05.819 --> 00:07:09.360 into pop music and country music. I even put 00:07:09.360 --> 00:07:12.519 out a couple of rock songs. So I like to do a 00:07:12.519 --> 00:07:15.850 mix of everything. All of them have been... emotion 00:07:15.850 --> 00:07:18.470 -based, either things I've gone through or seen 00:07:18.470 --> 00:07:21.509 other people go through. I have some more upbeat, 00:07:21.649 --> 00:07:24.430 more fun type music too that's focused more on 00:07:24.430 --> 00:07:29.209 like being who you are, not being apologetic 00:07:29.209 --> 00:07:33.529 for that. I love those songs. Cowgirl Impulses 00:07:33.529 --> 00:07:36.610 is actually one of those songs and it's all about 00:07:36.610 --> 00:07:39.930 being you unapologetically and living your life 00:07:39.930 --> 00:07:43.089 the way you want to. That song actually is going 00:07:43.089 --> 00:07:45.649 to be airing on my first commercial mainstream 00:07:45.649 --> 00:07:49.009 radio station. It's 99 .5 Detroit Country Radio 00:07:49.009 --> 00:07:52.399 in Michigan. So that's pretty exciting. It's 00:07:52.399 --> 00:07:54.899 going to air on the 12th this month on my daughter's 00:07:54.899 --> 00:07:57.459 birthday. So we're going to do we'll talk about 00:07:57.459 --> 00:08:00.579 the album and the tracks in a bit. There's a 00:08:00.579 --> 00:08:03.379 bit I want to do here. I love doing this. You 00:08:03.379 --> 00:08:07.699 tell me how wrong it is. So I tap in Trisha Marie 00:08:07.699 --> 00:08:10.500 Singer from Michigan, Portland. I think it is. 00:08:10.600 --> 00:08:13.879 Yeah. Put that in and see what AI says about 00:08:13.879 --> 00:08:16.459 you. So you could tell me if it's right or wrong. 00:08:16.459 --> 00:08:18.220 I personally think it's probably quite right 00:08:18.220 --> 00:08:22.279 because We got a link to Trisha Marie Facebook 00:08:22.279 --> 00:08:24.180 profile. It certainly looks like you I think 00:08:24.180 --> 00:08:26.220 probably the info is quite good here. It's not 00:08:26.220 --> 00:08:28.720 always as good as this. Trust me So we got Trisha 00:08:28.720 --> 00:08:31.980 Marie is an emerging American country and alternative 00:08:31.980 --> 00:08:34.899 pop singer songwriter based in Portland, Michigan 00:08:34.899 --> 00:08:38.279 Known for her deeply personal lyrics. She gained 00:08:38.279 --> 00:08:43.360 viral traction on Trisha Marie TikTok and cracked 00:08:43.360 --> 00:08:48.740 the top 30 in KICR indie country radio for hits 00:08:48.740 --> 00:08:51.860 like Voices. How have we done so far? Sounds 00:08:51.860 --> 00:08:55.940 pretty good. Oh cool. Musical style, Trisha Marie 00:08:55.940 --> 00:08:59.470 produces much of her music at home. Her discography 00:08:59.470 --> 00:09:02.870 spans both country and pop influences, tackling 00:09:02.870 --> 00:09:06.970 subjects like identity crisis, life's expectations, 00:09:07.649 --> 00:09:11.250 mental health awareness. Her track Voices explores 00:09:11.250 --> 00:09:15.090 the struggle of living on autopilot, while other 00:09:15.090 --> 00:09:18.429 releases have focused heavily on battling suicidal 00:09:18.429 --> 00:09:20.710 thoughts and spreading messages of hope. We're 00:09:20.710 --> 00:09:24.809 still on the right track? Yes. Cool. Recent releases 00:09:24.809 --> 00:09:27.350 and recognition. It should be the big one, won't 00:09:27.350 --> 00:09:30.730 it? Her authentic songwriting continues to build 00:09:30.730 --> 00:09:33.610 a loyal listenership base across the Midwest 00:09:33.610 --> 00:09:37.669 and online. She earned a spot in the top 30 of 00:09:37.669 --> 00:09:42.590 the Tim Kelly Show on KICR Indie Country Radio 00:09:42.590 --> 00:09:44.929 and has generated one, this member list could 00:09:44.929 --> 00:09:48.110 be old information, generated over 1 .8 million 00:09:48.110 --> 00:09:51.330 views on specific awareness -focused videos. 00:09:51.929 --> 00:09:54.710 You can keep up with her latest videos, news, 00:09:54.950 --> 00:09:58.669 photos, music drops by following her on her official 00:09:58.669 --> 00:10:03.169 Trisha Marie Facebook profile. So we're still 00:10:03.169 --> 00:10:06.669 good. Are we on all that? Yeah, but with the 00:10:06.669 --> 00:10:10.049 it is kind of older. I have had videos on TikTok 00:10:10.049 --> 00:10:12.429 that have hit eleven point two million, which 00:10:12.429 --> 00:10:14.710 is mind blowing. But it did start out at the 00:10:14.710 --> 00:10:17.309 one point eight million. Yeah, it's nothing new. 00:10:17.470 --> 00:10:19.909 That's why I sort of said, yeah, but you don't 00:10:19.909 --> 00:10:22.769 play. When we come to figures like that, it nearly 00:10:22.769 --> 00:10:25.690 always is so out of date. So basically you've 00:10:25.690 --> 00:10:28.330 got 10 times that at least. That's good. So next 00:10:28.330 --> 00:10:30.529 time we speak, you can do it by another 10, put 00:10:30.529 --> 00:10:31.909 another naught on the end, can't you? So that's 00:10:31.909 --> 00:10:35.389 good. uh let me ask you so so um voices is something 00:10:35.389 --> 00:10:38.789 that's mentioned a few times now is voices a 00:10:38.789 --> 00:10:42.190 song uh about personal experiences or you're 00:10:42.190 --> 00:10:45.029 just trying to help people uh you know who may 00:10:45.029 --> 00:10:47.649 be battling problems or are all of nearly all 00:10:47.649 --> 00:10:50.629 your songs well the songs you write are they 00:10:50.629 --> 00:10:54.730 all songs that uh are based on life experiences 00:10:54.730 --> 00:10:59.259 from you maybe Most of them are from my point 00:10:59.259 --> 00:11:01.220 of view where I've gone through something, but 00:11:01.220 --> 00:11:03.600 I do have other songs where it's through the 00:11:03.600 --> 00:11:05.720 perspective of somebody else that I've seen go 00:11:05.720 --> 00:11:09.919 through something. Voices. Initially, I started 00:11:09.919 --> 00:11:12.960 out writing for people who suffer with schizophrenia. 00:11:13.399 --> 00:11:17.080 I've done songs for people with different mental 00:11:17.080 --> 00:11:19.360 illnesses, things that they go through and deal 00:11:19.360 --> 00:11:22.139 with every day. I did one for ADHD, which hit 00:11:22.139 --> 00:11:25.620 four million views. My daughter has ADHD and, 00:11:25.620 --> 00:11:28.210 you know, the things that she goes through. It's 00:11:28.210 --> 00:11:31.690 really hard, I think, for them to focus their 00:11:31.690 --> 00:11:36.490 mind on things. And people, they, I wanted people 00:11:36.490 --> 00:11:38.370 to be able to have a better understanding. So 00:11:38.370 --> 00:11:40.909 I put people in the shoes of that person and 00:11:40.909 --> 00:11:43.950 I want them to understand how it feels. That's 00:11:43.950 --> 00:11:53.129 really cool. That's really cool. mental awareness 00:11:53.129 --> 00:11:54.850 of whatever. I never know what the correct wording 00:11:54.850 --> 00:11:56.250 is and of course it could be different either 00:11:56.250 --> 00:11:58.289 side of the pond and regionally and things like 00:11:58.289 --> 00:12:02.250 that. But any form of mental awareness or anything 00:12:02.250 --> 00:12:07.309 along those lines is good in my book. And opening 00:12:07.309 --> 00:12:10.850 people's eyes to it. Good on you. Yeah, absolutely. 00:12:11.889 --> 00:12:13.750 Let's look at some of these songs that we got. 00:12:13.830 --> 00:12:16.289 Now what's the album that's come out? What's 00:12:16.289 --> 00:12:20.370 the title of it? Neon Confessions. Neon Confessions. 00:12:20.549 --> 00:12:23.580 Beautiful name. I like it. Now, there's a track 00:12:23.580 --> 00:12:27.360 here that I like, which I think could be a good 00:12:27.360 --> 00:12:30.320 one for the British audiences to get to know 00:12:30.320 --> 00:12:34.480 you, because it'd be funny on the old country 00:12:34.480 --> 00:12:38.440 stuff the Brits are. It's not massive here, although 00:12:38.440 --> 00:12:40.460 certain things. Dolly Parton, you cover Jolene 00:12:40.460 --> 00:12:42.000 and that. I mean, Dolly Parton's been massive 00:12:42.000 --> 00:12:46.480 here since... Country across the board is not 00:12:46.480 --> 00:12:48.940 the most massive thing. When we find an artist 00:12:48.940 --> 00:12:50.399 that's good, we think, yeah, we're going to give 00:12:50.399 --> 00:12:52.419 them a go, let's get them played, let's get them 00:12:52.419 --> 00:12:54.740 listened to, and stuff like that. So you probably 00:12:54.740 --> 00:12:57.360 find that we do play quite a lot of country stuff, 00:12:57.620 --> 00:13:00.000 especially that Chris has introduced us to. But 00:13:00.000 --> 00:13:02.840 one that I think is a great one to break into 00:13:02.840 --> 00:13:06.289 the British audiences is you... uh you still 00:13:06.289 --> 00:13:08.610 say i think it's a great song to get them to 00:13:08.610 --> 00:13:11.610 know you and the way it sort of lifts you know 00:13:11.610 --> 00:13:14.429 i mean that that really is quite a bit of an 00:13:14.429 --> 00:13:16.169 oomph in it and i think that's a quite a good 00:13:16.169 --> 00:13:18.049 one for a british audience to get to know you 00:13:18.049 --> 00:13:20.549 um so there'd be a good few plays on that and 00:13:20.549 --> 00:13:22.210 that's the one we'd like to put in hit and miss 00:13:22.210 --> 00:13:25.090 as well so uh there's that one tell us what the 00:13:25.090 --> 00:13:28.659 story is behind that one anyway It's one of my 00:13:28.659 --> 00:13:32.320 favorites to this day. It's one of the most personal 00:13:32.320 --> 00:13:35.360 songs I think I've written so far. It's basically 00:13:35.360 --> 00:13:39.519 about finding somebody who chooses you. Even 00:13:39.519 --> 00:13:42.340 though they've seen the most messy parts of your 00:13:42.340 --> 00:13:45.399 life, who you are, they choose you in not only 00:13:45.399 --> 00:13:48.539 the good days, but the bad days as well. I think 00:13:48.539 --> 00:13:52.899 as a whole for the population across the world, 00:13:53.179 --> 00:13:56.289 we all have insecurities and scars. Moments where 00:13:56.289 --> 00:13:59.330 we wonder if we're enough or not and the song 00:13:59.330 --> 00:14:02.269 is about The kind of love that says I see all 00:14:02.269 --> 00:14:06.429 of that and I still choose you. I'm still here 00:14:06.429 --> 00:14:13.289 We're taking a quick break to talk about the 00:14:13.289 --> 00:14:15.789 things we carry with us every single day and 00:14:15.789 --> 00:14:18.210 we've all been there fumbling with a bulky wallet 00:14:18.210 --> 00:14:20.549 or dealing with jumbled mess of keys that sounds 00:14:20.549 --> 00:14:23.320 like a tambourine in your pocket Well, this show 00:14:23.320 --> 00:14:25.360 is proud to be brought to you in association 00:14:25.360 --> 00:14:28.740 with the Distill Union. Since 2011, the Distill 00:14:28.740 --> 00:14:31.019 Union have been on a mission to simplify your 00:14:31.019 --> 00:14:33.740 life through a less is more philosophy, creating 00:14:33.740 --> 00:14:37.179 sleek essentials to solve everyday problems with 00:14:37.179 --> 00:14:39.860 serious style. Distill Union doesn't just make 00:14:39.860 --> 00:14:42.899 accessories, they engineer intuitive tools that 00:14:42.899 --> 00:14:45.629 declutter your routine. 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And by using our code CBUKRDUX, you 00:15:43.039 --> 00:15:45.500 aren't just getting a better way to carry your 00:15:45.500 --> 00:15:48.159 gear, you're supporting the show and the planet. 00:15:49.019 --> 00:15:51.200 As part of the Chatterbox community's commitment 00:15:51.200 --> 00:15:54.559 to the environment, 1 % of all commissions from 00:15:54.559 --> 00:15:57.480 your purchases are donated to the Stripe Climate 00:15:57.480 --> 00:16:00.480 Program to help remove CO2 from the atmosphere. 00:16:01.100 --> 00:16:03.919 It's a small way to make a big difference while 00:16:03.919 --> 00:16:06.559 upgrading your daily carry. We've worked with 00:16:06.559 --> 00:16:09.019 Distill Union to arrange the highest exclusive 00:16:09.019 --> 00:16:13.220 discounts specifically for you, 20%. Head over 00:16:13.220 --> 00:16:16.740 to distillunion .com or simply scroll down to 00:16:16.740 --> 00:16:19.779 the link below in the show notes and just add 00:16:19.779 --> 00:16:41.620 CBUKRDUX. I got Chevrolet yesterday. What's that 00:16:41.620 --> 00:16:46.279 one about? Chevrolet yesterday, it's more or 00:16:46.279 --> 00:16:51.899 less about who I am as a person. It represents, 00:16:51.899 --> 00:16:54.799 you know, just a nostalgic time for me thinking 00:16:54.799 --> 00:16:57.840 back from where everything started to where I 00:16:57.840 --> 00:17:03.529 am today. Okay, cool. Backseat hallelujah. So 00:17:03.529 --> 00:17:06.269 backseat hallelujah and whiskey lips are more 00:17:06.269 --> 00:17:11.470 about chemistry. It's more about somebody pulling 00:17:11.470 --> 00:17:14.750 you back, even when you know they probably shouldn't, 00:17:14.849 --> 00:17:21.329 but feeling good about it. Small town gold. Small 00:17:21.329 --> 00:17:24.750 town gold. That one is more or less realizing 00:17:24.750 --> 00:17:27.789 the richer parts of your life aren't things you 00:17:27.789 --> 00:17:31.240 can buy. They're the memories community and, 00:17:31.240 --> 00:17:33.940 you know, people who make a small town feel like 00:17:33.940 --> 00:17:39.440 home. Nice. Okay. Better somehow. What's the 00:17:39.440 --> 00:17:42.299 story behind that one? Better somehow. Actually, 00:17:42.500 --> 00:17:45.759 I had a friend of mine, her daughter was going 00:17:45.759 --> 00:17:50.619 through a lot being bullied in school and she 00:17:50.619 --> 00:17:54.369 ended up I don't know if I can really share this 00:17:54.369 --> 00:17:57.009 information. She went through a hard time and 00:17:57.009 --> 00:18:01.269 she needed to go through seeking help for that. 00:18:01.670 --> 00:18:04.930 She was in a really rough spot and I wrote this 00:18:04.930 --> 00:18:08.269 song for her and for other young girls, other 00:18:08.269 --> 00:18:11.910 people, even adults that needed to hear it. But 00:18:11.910 --> 00:18:15.670 no matter what you go through in life, you can 00:18:15.670 --> 00:18:17.849 fight through it. There are people here for you. 00:18:18.529 --> 00:18:22.289 Things will get better. It just takes time. Yeah, 00:18:23.690 --> 00:18:26.349 I mean, if you're concerned about mentioning 00:18:26.349 --> 00:18:29.430 anything on the British audience, mental awareness 00:18:29.430 --> 00:18:32.250 is widely discussed, but you haven't mentioned 00:18:32.250 --> 00:18:34.509 anyone's name or anything, so I can't see anyone 00:18:34.509 --> 00:18:36.930 getting upset with you at all. But as far as 00:18:36.930 --> 00:18:40.349 the subject goes, it's very open on broadcasting 00:18:40.349 --> 00:18:43.309 in the UK now. It's very openly discussed and 00:18:43.309 --> 00:18:45.890 very much encouraged as well. So the actual subject 00:18:45.890 --> 00:18:48.930 matter is, you know, totally there for a British 00:18:48.930 --> 00:18:51.990 audience, we really are there. Okay. Independent, 00:18:52.509 --> 00:18:55.430 BBC, whatever, it really is openly discussed, 00:18:55.869 --> 00:18:57.490 you know, phone -ins, you know, it's not just 00:18:57.490 --> 00:18:59.109 something that's occasionally done, it really 00:18:59.109 --> 00:19:01.430 is, the awareness is amazing. So for you to discuss, 00:19:01.730 --> 00:19:03.930 absolutely fine, but if you were concerned about 00:19:03.930 --> 00:19:05.630 the people themselves being discussed, you've 00:19:05.630 --> 00:19:08.309 not mentioned anyone, then even if they're listening, 00:19:08.430 --> 00:19:10.390 they may know who they are, but you've not mentioned 00:19:10.390 --> 00:19:12.869 any names. So the hundreds of thousands listening 00:19:12.869 --> 00:19:14.589 across the stations of the UK won't actually 00:19:14.589 --> 00:19:16.740 know who they are. Right. Apart from the fact 00:19:16.740 --> 00:19:18.200 they're real people. So don't worry about that. 00:19:18.259 --> 00:19:19.900 It's fine to, you know, in my book is fine to 00:19:19.900 --> 00:19:21.079 say, but, you know, and you haven't mentioned 00:19:21.079 --> 00:19:26.279 anyone, so we're all good, really. And we got 00:19:26.279 --> 00:19:29.160 a thing here called Ain't So Common. Tell us 00:19:29.160 --> 00:19:35.559 about that one. Ain't So Common. So for me, at 00:19:35.559 --> 00:19:38.180 least in my family, how I was raised and a lot 00:19:38.180 --> 00:19:40.599 of other people I've met, you know, it feels 00:19:40.599 --> 00:19:45.880 like common sense isn't common anymore. I hear 00:19:45.880 --> 00:19:48.180 a lot of people say common sense should be something 00:19:48.180 --> 00:19:52.440 taught in high school and it's there. I don't 00:19:52.440 --> 00:19:57.299 know how to explain this one. So with common 00:19:57.299 --> 00:19:59.339 sense, it feels like most people just don't have 00:19:59.339 --> 00:20:02.259 it anymore. There's a lot of people that don't. 00:20:02.319 --> 00:20:04.980 There's a lot of people that do. So like you 00:20:04.980 --> 00:20:07.440 might be driving down the road and there's some 00:20:07.440 --> 00:20:10.559 jerk that's flying past you, cuts you off. Where's 00:20:10.559 --> 00:20:15.079 the common sense? Not there. What else can we 00:20:15.079 --> 00:20:17.460 find on the album and what would you like people 00:20:17.460 --> 00:20:20.880 to be listing out for? I have a few favorites 00:20:20.880 --> 00:20:23.160 on the album. Obviously, I like them all. I worked 00:20:23.160 --> 00:20:25.400 on all of them. They were all really fun to do. 00:20:25.660 --> 00:20:28.279 My personal favorites, I think, on this album 00:20:28.279 --> 00:20:33.000 are going to be Pretty When I'm Reckless, Cherry 00:20:33.000 --> 00:20:35.400 Lipstick, Tears, Smoke in My Hoodie, and You 00:20:35.400 --> 00:20:43.380 Still Stay. You touched on You Still Stay already. 00:20:43.769 --> 00:20:50.009 The other three I enjoyed a lot. And with smoke 00:20:50.009 --> 00:20:52.250 in my hoodie, that one talks about being trapped 00:20:52.250 --> 00:20:55.349 in toxic relationship, knowing it's not healthy, 00:20:55.369 --> 00:20:57.329 but still choosing each other. I feel like a 00:20:57.329 --> 00:20:59.710 lot of people have gone through a toxic relationship 00:20:59.710 --> 00:21:03.789 where it felt really hard to leave. So basically 00:21:03.789 --> 00:21:07.430 focusing on how that feels. Cherry lipstick tears, 00:21:07.470 --> 00:21:12.170 it came from the idea of looking completely put 00:21:12.170 --> 00:21:15.859 together, but On the inside, you're falling apart. 00:21:16.059 --> 00:21:18.460 So you put on this fake face, this fake smile, 00:21:18.740 --> 00:21:22.500 but you are falling apart inside. A lot of people 00:21:22.500 --> 00:21:25.539 have moments where you put on this smile, you 00:21:25.539 --> 00:21:27.480 fix your makeup, and you keep going even though 00:21:27.480 --> 00:21:30.160 your heart's breaking. And share your lipstick 00:21:30.160 --> 00:21:33.140 tears is about, you know, the strength that you 00:21:33.140 --> 00:21:35.440 have and finding a way to move forward even when 00:21:35.440 --> 00:21:39.140 love leaves a mark. Yeah, go back to the fake 00:21:39.140 --> 00:21:43.599 smile. Is it a brave smile? or do you think it's 00:21:43.599 --> 00:21:47.599 false or do you think what way or are you leaving 00:21:47.599 --> 00:21:50.420 that for the people listening at home to make 00:21:50.420 --> 00:21:54.559 their own minds up on how they listen to the 00:21:54.559 --> 00:21:56.700 song and how they work out what it means is that 00:21:56.700 --> 00:21:58.519 how it is or is there a message there that you've 00:21:58.519 --> 00:22:02.400 already got it made up and that fake smile could 00:22:02.400 --> 00:22:04.539 be brave because they're putting on a face to 00:22:04.539 --> 00:22:05.480 because they don't want people to know what's 00:22:05.480 --> 00:22:07.900 going on inside and they have a load of bad stuff 00:22:07.900 --> 00:22:11.880 going on maybe but you know Putting on that face 00:22:11.880 --> 00:22:14.220 is more or less, it's one, you're trying to show 00:22:14.220 --> 00:22:16.759 you're being brave. Two, you're trying to show 00:22:16.759 --> 00:22:19.099 people there's nothing wrong. Like I'm strong, 00:22:19.140 --> 00:22:21.220 I can go through this, nothing's affecting me 00:22:21.220 --> 00:22:25.680 right now. I'm happy, I'm healthy, but on the 00:22:25.680 --> 00:22:28.579 inside you're falling apart. It feels like you 00:22:28.579 --> 00:22:31.279 just wanna like bang on the wall, you wanna do 00:22:31.279 --> 00:22:33.140 something, you wanna scream, but you can't let 00:22:33.140 --> 00:22:35.559 it out. You're showing you're happy instead. 00:22:37.040 --> 00:22:40.700 Okay now is this album a collection of, I'm not 00:22:40.700 --> 00:22:42.339 saying it's the greatest hits or anything, but 00:22:42.339 --> 00:22:43.779 are we saying it's going to be a collection of 00:22:43.779 --> 00:22:45.240 singles and they're all going to come out and 00:22:45.240 --> 00:22:48.519 be available as singles? Or is there only some 00:22:48.519 --> 00:22:50.980 that's earmarked? Are they being released in 00:22:50.980 --> 00:22:54.019 stages? So you know a few at a time or whatever 00:22:54.019 --> 00:22:55.799 over a period of a few months? Or how are we 00:22:55.799 --> 00:22:59.180 going to work this out? So they are already released, 00:22:59.220 --> 00:23:02.000 all of them, but I wanted to put them out in 00:23:02.000 --> 00:23:04.720 an album. Instead, I accidentally messed up and 00:23:04.720 --> 00:23:07.059 all of them released a single. So I need to go 00:23:07.059 --> 00:23:09.960 back through and release them as an album instead. 00:23:11.400 --> 00:23:14.240 Even artists make mistakes. I do all the time. 00:23:15.119 --> 00:23:18.480 But it will be in an album. And I'm coming out 00:23:18.480 --> 00:23:20.380 with merchandise and whatnot that I'm going to 00:23:20.380 --> 00:23:22.700 start selling here soon. And the album will be 00:23:22.700 --> 00:23:26.480 available in vinyl and CD as well. Sure. As you 00:23:26.480 --> 00:23:29.079 say, you're relatively like two years in or whatever. 00:23:29.359 --> 00:23:33.240 to into releasing material what would you how 00:23:33.240 --> 00:23:35.099 does it feel that you've got interest in the 00:23:35.099 --> 00:23:37.500 uk already on certain stations how does that 00:23:37.500 --> 00:23:40.180 feel honestly that's mind -blowing because i 00:23:40.180 --> 00:23:42.440 remember when i first started i'm like i don't 00:23:42.440 --> 00:23:44.279 know how i'm gonna get anyone to listen to my 00:23:44.279 --> 00:23:48.779 music like there's no way and now here i am fast 00:23:48.779 --> 00:23:51.640 forward and now i'm you know talking with you 00:23:51.640 --> 00:23:53.240 and you guys are based in the united kingdom 00:23:53.240 --> 00:23:56.779 that's absolutely insane to me Yeah, you'd have, 00:23:57.039 --> 00:24:00.619 say, our stations, they're mostly proper FM, 00:24:00.700 --> 00:24:04.160 AM, digital stations, DAB stations. So when this 00:24:04.160 --> 00:24:06.319 goes out in London, it goes out on FM, there'd 00:24:06.319 --> 00:24:09.759 be people in black cabs, cab drivers, taxi drivers, 00:24:10.099 --> 00:24:12.079 driving around with your interview going out 00:24:12.079 --> 00:24:14.180 with people in the back. It's going to be like 00:24:14.180 --> 00:24:17.019 that. So even more surreal for you. So you've 00:24:17.019 --> 00:24:18.259 got to think about that. When it's playing on 00:24:18.259 --> 00:24:20.019 R &I, you've got to think about that. It's going 00:24:20.019 --> 00:24:21.539 to be playing in bars in London. It's going to 00:24:21.539 --> 00:24:22.920 be in black cabs in London. You've got to think 00:24:22.920 --> 00:24:25.509 about that. That's absolutely incredible. And 00:24:25.509 --> 00:24:27.849 I've always wanted to visit. So maybe one day 00:24:27.849 --> 00:24:29.890 I'll show up and I'll be in that taxi and I'll 00:24:29.890 --> 00:24:33.930 hear it. On your way to do a concert somewhere 00:24:33.930 --> 00:24:37.650 in London. Oh, yeah. Got a bit, isn't it? Yeah. 00:24:38.269 --> 00:24:40.549 With us coming to interview you live. Yeah, that'd 00:24:40.549 --> 00:24:42.430 be the live interview. They might not have sorted. 00:24:43.509 --> 00:24:45.410 That's right. OK, if you were to come back and 00:24:45.410 --> 00:24:47.789 say six months time, years time, somewhere in 00:24:47.789 --> 00:24:50.329 between the two, what would you like to be telling 00:24:50.329 --> 00:24:55.380 me that you've achieved in that time? Huh, that's 00:24:55.380 --> 00:24:58.319 a hard question. That's a really good question. 00:24:59.660 --> 00:25:04.339 You know, I really do kind of want my songs to 00:25:04.339 --> 00:25:07.579 resonate with people. If I can even have just 00:25:07.579 --> 00:25:11.680 five people come and say, your music really resonated 00:25:11.680 --> 00:25:13.980 with me, I want my music to feel real. I want 00:25:13.980 --> 00:25:16.460 it to be something people can connect with and 00:25:16.460 --> 00:25:19.160 realize you're seen, you're heard. There are 00:25:19.160 --> 00:25:21.740 other people that go through what you go through 00:25:21.740 --> 00:25:23.720 and there are people that are there for you. 00:25:24.269 --> 00:25:28.250 I want my music to bring peace to people. There's 00:25:28.250 --> 00:25:31.210 too much bad in the world. I want there to be 00:25:31.210 --> 00:25:34.130 some good that comes out of this. Yeah, no, I 00:25:34.130 --> 00:25:37.490 like that. I like that as well. Let's do your 00:25:37.490 --> 00:25:41.369 social media. So, you know, websites, YouTube, 00:25:41.710 --> 00:25:43.349 Facebook, whatever you got, just chuck it at 00:25:43.349 --> 00:25:46.430 them now, please. Yeah. I am on honestly all 00:25:46.430 --> 00:25:49.049 platforms. The only thing I'm not on yet that 00:25:49.049 --> 00:25:51.829 I have been getting yelled at by everyone in 00:25:51.829 --> 00:25:54.670 my corner is I need to make an Instagram. So 00:25:54.670 --> 00:25:58.109 I will be making an Instagram page at some point 00:25:58.109 --> 00:26:01.670 in time here soon in the next week. But I'm on 00:26:01.670 --> 00:26:04.809 Facebook, TikTok. My TikTok is probably my biggest 00:26:04.809 --> 00:26:06.910 with the most following I have so far. I'm on 00:26:06.910 --> 00:26:10.130 Spotify, YouTube, SoundCloud. I'm on everything 00:26:10.130 --> 00:26:12.730 right now. Have you got a website set up yet? 00:26:12.769 --> 00:26:15.930 Or is there one on its way? I do. Brilliant. 00:26:16.309 --> 00:26:21.690 So what is it? Yeah. TrishaMarieMusic .com. Okay. 00:26:22.710 --> 00:26:24.250 Well, what we got to do, we're not letting you 00:26:24.250 --> 00:26:26.529 go anywhere till we've had to learn to tell them 00:26:26.529 --> 00:26:32.549 all about it, right? I'm doing some work on it. 00:26:32.670 --> 00:26:36.509 It's not pretty quite yet, but it's been hard 00:26:36.509 --> 00:26:39.329 when it's been me doing mostly everything. But 00:26:39.329 --> 00:26:42.289 my boyfriend has started to help me out. So it's 00:26:42.289 --> 00:26:44.529 been going a little bit smoother. Yeah. And I 00:26:44.529 --> 00:26:46.769 do need to give. Yeah. If he's in the back, are 00:26:46.769 --> 00:26:48.170 you telling him for me to sort your stuff out? 00:26:48.289 --> 00:26:51.009 But yes, you're doing good. You're getting there. 00:26:51.089 --> 00:26:53.430 But yeah, it's good. But doing it single handedly. 00:26:53.750 --> 00:26:57.549 Yeah. Yeah. Needing boyfriend is part of the 00:26:57.549 --> 00:27:00.589 team and all that. It is important because it 00:27:00.589 --> 00:27:02.609 is such hard work doing it yourself. It's hard 00:27:02.609 --> 00:27:04.549 work with just three or four of you, whatever. 00:27:04.869 --> 00:27:07.740 Just, you know. But then you will get your followers 00:27:07.740 --> 00:27:10.079 that will help out as well in time, you know, 00:27:10.200 --> 00:27:13.000 there'll be fans that come along, sensible fans. 00:27:14.839 --> 00:27:17.940 So, yeah, I'm finding it all now, yeah, TikTok 00:27:17.940 --> 00:27:19.700 and everything else. I'm on the wrong side of 00:27:19.700 --> 00:27:21.740 50 for TikTok. I know you could say any age does 00:27:21.740 --> 00:27:25.180 it. I can't get my head around it. But I can 00:27:25.180 --> 00:27:27.200 see you're pretty much here everywhere. So, yeah, 00:27:28.059 --> 00:27:30.900 it's all good. It's a pretty good start, yeah. 00:27:30.990 --> 00:27:33.730 I do need to give Chris a shout out too because 00:27:33.730 --> 00:27:35.990 Chris has done a lot for me too as far as promotion 00:27:35.990 --> 00:27:39.210 goes and he helped me to get through to you guys 00:27:39.210 --> 00:27:43.170 too. So he actually like he put together that 00:27:43.170 --> 00:27:45.950 preview to my album that was awesome of him. 00:27:46.069 --> 00:27:48.390 I am very thankful for him and all the work he's 00:27:48.390 --> 00:27:50.640 done to help me out. Yeah, you put that together. 00:27:50.640 --> 00:27:52.680 He said, Oh, Nick, I'm gonna send you this. You 00:27:52.680 --> 00:27:54.259 give this a listen. I'll always if he says give 00:27:54.259 --> 00:27:55.759 something listen, I always give it a listen. 00:27:56.460 --> 00:27:58.759 So he's a good guy like that. And he doesn't 00:27:58.759 --> 00:28:00.259 just put anything through because at the end 00:28:00.259 --> 00:28:02.460 of the day, there's no point bogging me down 00:28:02.460 --> 00:28:05.279 with a load of rubbish because, you know, some 00:28:05.279 --> 00:28:07.640 of the good stuff and I don't mind. I don't mind 00:28:07.640 --> 00:28:10.420 if someone's unknown in that because we do have 00:28:10.420 --> 00:28:13.220 A -listers B -listers C -listers on Chatterbox. 00:28:14.039 --> 00:28:19.779 But what we also have we Obviously, we like to 00:28:19.779 --> 00:28:22.460 have somebody famous on with somebody not so 00:28:22.460 --> 00:28:24.200 well -known, but all we ask from the people that 00:28:24.200 --> 00:28:26.940 aren't so well -known, we just want them to be 00:28:26.940 --> 00:28:29.880 that standard as well. That's all we ask. You 00:28:29.880 --> 00:28:31.299 don't have to be well -known, just got to be 00:28:31.299 --> 00:28:34.660 that standard for the Chatterbox standard. Because 00:28:34.660 --> 00:28:38.660 people might have heard the famous person already 00:28:38.660 --> 00:28:42.660 on Chatterbox, but... Before they get to switch 00:28:42.660 --> 00:28:44.880 off or switch channel, the second interview has 00:28:44.880 --> 00:28:47.460 already started. If that interview is interesting 00:28:47.460 --> 00:28:50.160 and the music sounds good, there's no reason 00:28:50.160 --> 00:28:51.819 for them to switch off if you see what I mean. 00:28:52.259 --> 00:28:54.940 Yep. And that's all we ask for is that standard. 00:28:55.019 --> 00:28:57.339 So that's what Chris sends us. Yeah. Yeah. And 00:28:57.339 --> 00:28:59.880 I appreciate being, you know, chatterbox standard. 00:29:00.460 --> 00:29:02.119 I give myself a pat on the back. You've done 00:29:02.119 --> 00:29:05.099 it yourself. Well, I haven't done it for you. 00:29:05.500 --> 00:29:07.960 You hadn't recorded it to that level. Yeah. you 00:29:07.960 --> 00:29:10.240 wouldn't be here so that's good so keep up the 00:29:10.240 --> 00:29:12.940 good work and uh we'll have a chat again sometime 00:29:12.940 --> 00:29:14.940 and in the meantime we'll be playing some of 00:29:14.940 --> 00:29:16.740 your songs anyway as they come out because obviously 00:29:16.740 --> 00:29:19.059 i'll be being sent them so and as i said we'd 00:29:19.059 --> 00:29:20.680 already played joe lean and i've seen we got 00:29:20.680 --> 00:29:22.680 it last year so we've definitely played that 00:29:22.680 --> 00:29:24.299 i think it was at least twice or something it 00:29:24.299 --> 00:29:26.859 might not sound a lot but that'd be on the live 00:29:26.859 --> 00:29:29.990 shows of course so there you go and that's definitely 00:29:29.990 --> 00:29:32.210 you and it's definitely Jolene and definitely 00:29:32.210 --> 00:29:34.170 you so there you go so we did have a couple of 00:29:34.170 --> 00:29:36.789 your songs from last year so there you go thank 00:29:36.789 --> 00:29:40.109 you all right anyway uh these videos thank you 00:29:40.109 --> 00:29:41.849 very much for coming on Chatterbox it's been 00:29:41.849 --> 00:29:45.089 great meeting you and uh just just to say yeah 00:29:45.089 --> 00:29:48.109 Tasha Marie till next time thank you very much 00:29:48.109 --> 00:29:50.849 great meeting you thank you for having me nice 00:29:50.849 --> 00:29:53.089 meeting you it's a pleasure bye bye cheers bye 00:29:53.089 --> 00:30:06.140 bye bye You've been listening to the Chatterbox 00:30:06.140 --> 00:30:09.099 Redux podcast and today our special guest was 00:30:09.099 --> 00:30:11.579 Tricia Marie. If you're interested in becoming 00:30:11.579 --> 00:30:14.579 a future guest on the Chatterbox Redux podcast 00:30:14.579 --> 00:30:17.119 or the radio show Chatterbox UK, you're welcome 00:30:17.119 --> 00:30:19.980 to submit songs, books or whatever it is you 00:30:19.980 --> 00:30:23.660 do and send us a CV, synopsis or press release. 00:30:23.930 --> 00:30:26.910 However, we receive several thousand such press 00:30:26.910 --> 00:30:29.890 releases every week and it's impossible to reply 00:30:29.890 --> 00:30:33.009 to each one individually. Why not email us or 00:30:33.009 --> 00:30:35.049 leave a comment because we'd love to know what 00:30:35.049 --> 00:30:37.730 you think of the podcast. Our email address is 00:30:37.730 --> 00:30:41.950 nickelbum at myyahoo .com Alternatively, you 00:30:41.950 --> 00:30:46.170 could write to us at P .O. Box 26, the Old Observer 00:30:46.170 --> 00:30:49.769 Building, Telford Road, St. Leonard's -on -Sea, 00:30:50.009 --> 00:30:55.369 East Sussex, England, TN 38. 9lz and wherever 00:30:55.369 --> 00:30:57.730 it is you choose to listen to the chatterbox 00:30:57.730 --> 00:31:00.890 redux podcast don't forget to give us a like 00:31:00.890 --> 00:31:03.869 a follow a favorite or whatever it is it is on 00:31:03.869 --> 00:31:06.670 that platform just so you don't miss a future 00:31:06.670 --> 00:31:10.950 episode sue myself nick and twinkle the tuxedo 00:31:10.950 --> 00:31:13.769 cat thank you very much for your company and 00:31:13.769 --> 00:31:15.809 we look forward to welcoming you again next time 00:31:15.809 --> 00:31:19.390 for another chatterbox redux podcast in the meantime 00:31:19.390 --> 00:31:22.200 take care we thank you for your company And we 00:31:22.200 --> 00:32:02.180 catch them. Bye -bye. This is Nick and Sue with 00:32:02.180 --> 00:32:05.160 Chatterbox giving you all you need to know about 00:32:05.160 --> 00:32:13.460 musical entertainment. Oh yeah! Chatterbox, the 00:32:13.460 --> 00:32:17.480 best interviews with Nick and Sue. Chatterbox, 00:32:18.140 --> 00:32:19.059 the best news