WEBVTT

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This edition of the Chatterbox Redux podcast

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is brought to you in association with the Old

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Glory Iconic Music and Sports Superstore. More

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from them in a bit. Chatterbox. When the stars

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talk, they talk to Nick and Sue. Welcome back

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to the Chatterbox Redux podcast with Sue and

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Nick and today our special guest is Roger Moore's

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son, Geoffrey Jaffa Moore. This is Nick and Sue

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with Chatterbox giving you all you need to know

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about music. My name is Michael Caine, and you

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are watching You and I. Now on Shatterbox UK,

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we're just lucky enough to welcome Jeffrey Jaffa

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Moore Jaffa. Welcome. How are you, sir? I'm very,

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very well. How are you? Thank you. Great. Thank

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you. And thank you for coming on Shatterbox.

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Okay, son of Roger Moore, godson to Frank Sinatra,

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and a friend to Hollywood's A -List. And you

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brought out a new album, single, and a wonderful

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all -star video to go along with it. And I urge

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everyone to take a look at that. So, okay. Dad,

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great. My favorite, James Bond. So, and I understand

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you started in the music business, 1973, which

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I think was the year that he became Bond. So...

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Tell us all about how you got into it and how

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you got to where we are now with this album and

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single and so on. In 1985 I got a record deal

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with EMI and I worked with Mike Rutherford, Mike

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and the Mechanics. Moving forward to present

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day, I was writing for an artist at Universal.

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and I was sending in the songs with the artist's

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notes on it and the, unfortunately, the artist

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couldn't show up on a couple of the songs and

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so they said, no, no, but send them anyway. I

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said, well, there's an engineer that's been doing

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a vocal, a guide so that they didn't waste time.

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So when they came in, they knew how to pitch

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and sort of deliver. the lines. And so he said,

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no, we'd like to meet the engineer. So I flew

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to London and I said, the engineer is coming.

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And then after 10 minutes sitting in the room

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with John Cotton from Bright Recordings, Nova

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Universal, he said, he said, he's late. I go,

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well, actually, it's me. Okay, opposed to writing

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for somebody else. Now I'm writing for myself.

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And so So now that I'm writing for myself, like

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I said, the camera never lies, nor does the microphone.

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I feel far more confident and belief in what

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I'm singing. I remember singing a long time ago.

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And once again, I never call myself a singer.

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I sort of come from a movie background, a film

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background. I did a film in 75 at Fox with John

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Huston. Being a son of an actor doesn't necessarily

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make me a good actor. see myself as the singer,

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so to speak. So now, yeah, I'm quite happy with

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the finished result. So I got up and sang at

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some party and someone came up to me and said,

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you know, you can really sing, you've got a great

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voice. So why don't you do this gig? I'll put

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something on and invite some people. And I got

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up and I was... sweating the night before, because

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I go, oh my goodness, I mean, I really am not

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prepared for this. And there are so many people

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that are coming to hear me. And I look down in

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the audience and there was so -and -so and so

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-and -so and so -and -so. And I thought to myself,

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I'm really in trouble now. So I've got this sort

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of, where I'm really in trouble now when I get

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up on stage, but you're in more experience. So

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I'll exhalate, but I still have that. that sort

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of cloud that lingers, you know, dark cloud that

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lingers every time I get up and sing, now that

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I'm speaking about it, I'm getting rid of the

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curse, so to speak. Well, I guess even when you

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did have those pre -stage nerves the night before,

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I guess the nerves are really the build -up to

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it, because once you're on that stage, and once

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that first note, you're singing the first note,

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you're there, you're doing it, and surely that

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must be fine once you've done that. I would have

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thought. What was all the fuss? The issue, you

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know, when you get to a sort of certain age,

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have you heard the album? No, all I've done is

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heard the single so far. Absolutely wonderful.

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Of course, it's got the wonderful voice of the

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late Naya Riviera on there and Nile Rodgers as

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well. So I've heard the single and the single

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sounds absolutely amazing. So anyway, let's talk

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about it. I mean the the point with Naya Rivera

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point with that she passed away I think in 2020

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very sad and that so was she going to Release

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the song as a single as a solo or were you always

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going to do do that with her? Yeah, this was

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this was part of My daughter Ambra helped me

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produce the video um was watching Glee and I

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walked by and I was mesmerized by her uh you

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know natural flamboyant um she just had such

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a sultry presence and such a beautiful voice

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as a god she'd be wonderful because you know

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let's face it we're going to make a video but

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if someone's hearing on the radio they don't

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know what what the girl looks like you can imagine

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her voice that she's got to have, there's got

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to be, you know, she takes all the right boxes

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and her voice was just sensational. And so we

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said, right now we have to find a male singer

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to sing alongside her. I couldn't find anyone.

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So that's why I ended up singing alongside her.

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But no, this was part of the project she was

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giving her time. And I so wish she was here to

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talk about it with me. I know it would be amazing.

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rest in peace but left us something very very

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special and of course i guess you know where

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you've uh where you've written that yourself

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you know exactly how it should be sung really

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so uh it just works it works as you say very

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sad out of interest um silly question you white

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jaffa how did you get that nickname in the middle

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ah okay great thank you and um talk about the

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album What tracks, I mean, do you have a favourite

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track from it or do you just love them all in

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a different way? I tell you what, I think it's

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the mood, I mean. You know, Do I, the first song

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on the album is a real opera. There's a bit of

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everything. It's rock, it's sort of, you know,

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it's a tribute from the 70s where, you know,

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live instruments... then eventually became electronic

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ones in the eighties. And so the influence of

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that and having spent so much time in America

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is very much a west coast sound. And I was getting,

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you know, there's a bit of Tom Petty, but it

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is for fears. And I was thinking, God, these

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are wonderful comparisons. I won't, I won't blush.

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This is great. But in terms of, you know, the,

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the one song I think you and I is that you're

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going to have to take that song to the desert

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island. I think that's the one you probably could

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listen to. more than in the other one, whether

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it's the better song. I think across the board,

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they're all good enough, if you see what I mean.

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I get that. That's hopefully amazing. So yeah,

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I'm quite happy and I can't wait. If this thing

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really does fly, I can't wait for the second

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album because I've improved. I've learnt a lot

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from this writing process. And I mean, to put

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it all together, it took about a year in total

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to sing all the songs. and then sort of seven

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year build up to it. And I sort of just didn't

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feel I had enough body of work. And then after

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COVID, I wrote like 20 different songs on top

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of what I've done now. So I know that if this

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works, the label are gonna go, all right, number

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two, let's go. And so I won't be wasting time

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with that. As we say the video as you say in

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your press release is a must see and now we've

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an all -star lineup Michael Cain, Joan Collins,

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Joanna Lumley, Stephen Fry, Liam Neeson, Paris

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Hilton they're all there and more and it's just

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a great video and if people can get the opportunity

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it's on YouTube if you get the opportunity to

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see it please do I urge you to it's amazing absolutely

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amazing. Nick and Sue Supporting the show means

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supporting the brands that keep the lights on

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and today I'm thrilled to talk about a personal

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favourite of mine, Old Glory. Old Glory is the

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ultimate destination for music, sports and pop

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founded back in 1969. Now Old Glory and I actually

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I appreciate that What's Next could be a second

00:11:37.379 --> 00:11:40.159
album, so let's hope this first one does really

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really well for you. Now a couple of little stories,

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in fact you've got millions of them, in your

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press release it says one of your sort of anecdotes

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is being stalked by Michael Jackson. Am I allowed

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to ask you about that? It's funny how these things

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sort of snowball into something. I wasn't really

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stalked. I was at an Oscar party that was hosted

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by Swifty Lazar, who was one of the greatest

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publicists and he basically, I don't know if

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you recall, from Nixon and Frost. he put he was

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the one that the bridge that interview yes yes

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yes yes yes and so uh swifty was it was a pioneer

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and he was the only one that that could throw

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an after after you know after the oscars the

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party and so they had this little restaurant

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in in uh in west hollywood called my maison and

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on every table a table of maybe 10 there were

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maybe seven tables of 10 and on every table there

00:12:42.600 --> 00:12:45.769
was four four or five oscars So everyone who

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was a recipient or was close to getting it were

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invited. And so it was just to see a room of

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these gold statues everywhere. And I was the

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youngest guy there. I was in a renter tux. That's

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how young I was. And I go into the restroom and

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he walks in and I look up and I thought to myself,

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today, when I look back, I think, goodness, if

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I would have had a smartphone. Because no one

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would believe me in school, so I just never said

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anything. He walked in with a glove and the Carrera

00:13:12.980 --> 00:13:15.740
glasses, you know, when he was just, you know,

00:13:15.860 --> 00:13:20.080
thriller. And he said, who, you know, hey, what's

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going on, man? I said, well, I'm here. My dad

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gave an award. Who's your dad? I said, Simon

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Templer. And he said, my mother's favorite. Can

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I meet him? So I walked across this room and

00:13:29.519 --> 00:13:31.559
I noticed that everyone was turning their heads.

00:13:31.620 --> 00:13:34.419
So he was definitely a big deal. And I bring

00:13:34.419 --> 00:13:37.720
him over to my dad's table and they sit and he

00:13:37.720 --> 00:13:39.950
says, Come and have a seat. Nice to meet you,

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young man. Come and have a seat. And so thereafter,

00:13:42.730 --> 00:13:44.990
we sort of stayed in touch. And then I'm sitting

00:13:44.990 --> 00:13:48.110
in Sinatra's dressing room, and Sammy David brings

00:13:48.110 --> 00:13:54.049
him in to meet Frank, and Sammy says, Frank,

00:13:54.389 --> 00:13:58.299
this is... He goes, yeah, I know who he is. How

00:13:58.299 --> 00:14:01.139
you doing, kid? He said, I'm great, Mr. Sinatra.

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How are you? I'm fantastic. And I was sitting

00:14:03.460 --> 00:14:05.779
on this couch in the corner. And then he turns

00:14:05.779 --> 00:14:07.379
and looks at me and goes, hey, Jeff, how's it

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going? You should have seen the look on the face

00:14:11.220 --> 00:14:14.379
of Sammy Davis and Frank Sinatra. What the heck

00:14:14.379 --> 00:14:16.899
did you deserve to be called Jeff, you know,

00:14:17.179 --> 00:14:20.120
better than us. Terrific. Terrific. That was

00:14:20.120 --> 00:14:25.820
my war hole moment. And one other one. One last

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story. You apparently you had your first alcoholic

00:14:30.679 --> 00:14:35.039
drink in a Las Vegas casino with Frank Sinatra,

00:14:35.340 --> 00:14:39.730
among many others. So, yeah. Yes, yes, I had

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five whiskey old fashions and at the time I was,

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it wasn't actually in Vegas, it was in the south

00:14:47.110 --> 00:14:51.940
of France. in in in monaco very strange flavors

00:14:51.940 --> 00:14:55.539
of all places and yes he he kept ordering me

00:14:55.539 --> 00:14:57.159
a drink and i just think he was he was testing

00:14:57.159 --> 00:14:59.720
me to see how i could handle it on this fifth

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drink um i would still like you know tapping

00:15:02.659 --> 00:15:04.840
the glass on the table going no problem keep

00:15:04.840 --> 00:15:07.080
them coming you know and then by the time i had

00:15:07.080 --> 00:15:09.860
my fifth i could barely walk and i felt his his

00:15:09.860 --> 00:15:11.659
hand on my shoulder and he said i got you kid

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keep walking Lovely. I love that very much. It

00:15:15.639 --> 00:15:19.259
was my first experience, yes. Brilliant. So,

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Jaffa, okay, let's do your social media stuff

00:15:22.080 --> 00:15:25.080
and chuck it all at them now so they can have

00:15:25.080 --> 00:15:28.299
a look at you and your website, et cetera, et

00:15:28.299 --> 00:15:32.659
cetera, whatever you have. You know what, the

00:15:32.659 --> 00:15:35.759
joke is, you know, our generation invented this

00:15:35.759 --> 00:15:38.360
technology. I'm the last to know how to use it.

00:15:39.159 --> 00:15:42.759
Can I? How do I get this to you? I tell you what,

00:15:43.360 --> 00:15:48.360
I can do something. And Jaffer, I see you've

00:15:48.360 --> 00:15:52.879
got some social media. So we have a Facebook

00:15:52.879 --> 00:15:57.840
profile. That's easy to find. And Twitter is

00:15:57.840 --> 00:16:02.299
twitter .com forward slash more Swiss, as in

00:16:02.299 --> 00:16:06.320
spelled by L surname, more Swiss. and also instagram

00:16:06.320 --> 00:16:10.059
nice and easy to find is instagram .com forward

00:16:10.059 --> 00:16:14.559
slash jeffrey moore so a nice social media presence

00:16:14.559 --> 00:16:17.919
there so that's the single you and i featuring

00:16:17.919 --> 00:16:22.580
uh naya uh rivera uh bless her and niall rogers

00:16:22.580 --> 00:16:27.960
and the album is called photograph what else

00:16:27.960 --> 00:16:32.940
brilliant Every success, Jaffer, and it's been

00:16:32.940 --> 00:16:35.600
an absolute pleasure having you on Chatterbox,

00:16:35.620 --> 00:16:39.440
and I'll get a copy of you to hear via your social

00:16:39.440 --> 00:16:42.779
media. Okay, sir? Thank you. It's been an absolute

00:16:42.779 --> 00:16:45.399
pleasure having you. Thank you so much. Thanks

00:16:45.399 --> 00:16:47.580
for having me. Thank you. Cheers. Bye -bye. Bye

00:16:47.580 --> 00:16:50.879
-bye. Bye. My name is Michael Caine, and you

00:16:50.879 --> 00:17:24.180
are watching You and I. you You've been listening

00:17:24.180 --> 00:17:26.799
to the Chatterbox Redux podcast with Sue and

00:17:26.799 --> 00:17:29.880
Nick and today our special guest was Roger Moore's

00:17:29.880 --> 00:17:33.240
son, Geoffrey Jaffa Moore. If you're interested

00:17:33.240 --> 00:17:35.759
in becoming a future guest on the Chatterbox

00:17:35.759 --> 00:17:38.880
Redux podcast or the radio show Chatterbox UK,

00:17:39.019 --> 00:17:41.640
you're welcome to submit songs, books or whatever

00:17:41.640 --> 00:17:45.539
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00:17:45.539 --> 00:17:48.460
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00:17:48.460 --> 00:17:51.220
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00:17:51.220 --> 00:17:54.740
to reply to each one individually. Why not email

00:17:54.740 --> 00:17:57.039
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00:17:57.039 --> 00:17:59.559
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00:17:59.559 --> 00:18:04.160
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00:18:04.160 --> 00:18:08.359
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00:18:08.359 --> 00:18:11.980
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00:18:12.200 --> 00:18:17.559
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00:18:17.559 --> 00:18:19.920
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00:18:19.920 --> 00:18:23.079
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00:18:28.880 --> 00:18:33.079
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00:18:33.079 --> 00:18:35.940
cat, thank you very much for your company and

00:18:35.940 --> 00:18:38.000
we look forward to welcoming you again next time

00:18:38.000 --> 00:18:41.259
for another Chatterbox Redux podcast. In the

00:18:41.259 --> 00:18:43.519
meantime, take care, we thank you for your company,

00:18:43.920 --> 00:19:02.799
and we'll catch you then. Bye bye. This is Nick

00:19:02.799 --> 00:19:05.980
and Sue with Chatterbox giving you all you need

00:19:05.980 --> 00:19:13.279
to know about musical entertainment. Oh yeah!

00:19:13.660 --> 00:19:17.440
Chatterbox, the best interviews with Nick and

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Sue. Chatterbox, the best news and