WEBVTT 00:00:01.540 --> 00:00:05.160 Nick and Sue This edition of the Chatterbox Redux 00:00:05.160 --> 00:00:07.740 podcast is brought to you in association with 00:00:07.740 --> 00:00:10.539 the Old Glory iconic music and sports fan merch 00:00:10.539 --> 00:00:17.920 superstore. More from them in a bit. Chatterbox. 00:00:17.980 --> 00:00:21.440 When the stars talk, they talk to Nick and Sue. 00:00:44.429 --> 00:00:46.509 Thanks for the Chatterbox Redux podcast with 00:00:46.509 --> 00:00:49.689 Sir Nick and today our special guest is Auntie 00:00:49.689 --> 00:01:16.900 Jane. We're Chatterbox giving you all you need 00:01:16.900 --> 00:01:25.260 to know about musical entertainment Oh yeah Chatterbox, 00:01:25.959 --> 00:01:30.120 the best interviews with Nick and Sue Chatterbox, 00:01:30.760 --> 00:01:38.739 the best news and reviews for you all Chatterbox! 00:01:43.840 --> 00:01:46.239 Angie, welcome back to Chatterbox. How are you? 00:01:46.560 --> 00:01:48.959 Hello, I'm great. Thank you so much for having 00:01:48.959 --> 00:01:51.560 me back on. You're welcome. Well, you're welcome. 00:01:51.799 --> 00:01:56.120 When we spoke last time when you came on, I think 00:01:56.120 --> 00:01:57.980 you'd had an EP or something. You were mentioned. 00:01:58.040 --> 00:02:01.519 You mentioned you were working on an album. So 00:02:01.519 --> 00:02:05.180 this is it. It's called The Ground is Changing. 00:02:05.760 --> 00:02:09.620 and we've got nine tracks on it. So remind me, 00:02:09.680 --> 00:02:11.699 I can't remember without looking up how long 00:02:11.699 --> 00:02:13.580 ago it was when you were last on. How long was 00:02:13.580 --> 00:02:15.680 this album in the planning of these nine tracks? 00:02:15.740 --> 00:02:18.500 How long did it actually take from start to end? 00:02:19.460 --> 00:02:22.419 It has been almost two years. It was March 2024 00:02:22.419 --> 00:02:24.780 when I went into the studio with a plan to record 00:02:24.780 --> 00:02:29.259 a six song EP and I came out with 14 songs. And 00:02:29.259 --> 00:02:32.430 so now they're on the album. I already got five 00:02:32.430 --> 00:02:36.050 more ready to go for the next one. Ah, wonderful, 00:02:36.330 --> 00:02:41.129 wonderful. Yeah. Now I've heard them all and 00:02:41.129 --> 00:02:44.250 I do like some of that honky -tonk type lively 00:02:44.250 --> 00:02:50.189 stuff but let's say how would you describe the 00:02:50.189 --> 00:02:53.129 album to somebody that's never heard you? Just 00:02:53.129 --> 00:02:56.550 say you were out and about, how would you describe 00:02:56.550 --> 00:02:58.009 it? If they said oh what sort of stuff you got 00:02:58.009 --> 00:03:01.360 on your album, you know? How would you describe 00:03:01.360 --> 00:03:06.060 it to someone? I would say it's a sassy Americana 00:03:06.060 --> 00:03:11.020 bluegrass blend. I like that. Yeah. Definitely 00:03:11.020 --> 00:03:14.280 on the upbeat side, you know, it centers around 00:03:14.280 --> 00:03:17.960 a love story. But yeah, I mean, it's not traditional 00:03:17.960 --> 00:03:20.340 bluegrass by any means. And I realized I had 00:03:20.340 --> 00:03:22.219 to start correcting myself when I would say bluegrass, 00:03:22.319 --> 00:03:24.659 because it does use a lot of bluegrass instrumentation. 00:03:24.900 --> 00:03:26.680 There's mandolin, there's banjo, guitar, upright 00:03:26.680 --> 00:03:31.460 bass, fiddle. But it really, it definitely does 00:03:31.460 --> 00:03:34.419 not fall in the traditional world whatsoever. 00:03:35.969 --> 00:03:39.349 I personally felt there's there's more than one 00:03:39.349 --> 00:03:43.590 more than one well I'm not gonna say genre more 00:03:43.590 --> 00:03:48.569 than one style on there we say perhaps so there's 00:03:48.569 --> 00:03:50.949 nothing wrong with that at all but yeah but of 00:03:50.949 --> 00:03:54.710 course I would know your voice even if somebody 00:03:54.710 --> 00:03:58.550 played me say to five tracks which I've not had 00:03:58.550 --> 00:04:00.900 the pleasure of hearing the five that you're 00:04:00.900 --> 00:04:03.139 going to put on the next album. If somebody blindfolded 00:04:03.139 --> 00:04:05.120 me and played me a hundred tracks, I would be 00:04:05.120 --> 00:04:06.960 able to name you all five as being Andy Jane 00:04:06.960 --> 00:04:09.879 songs. Yeah, I would know. Good. I really would. 00:04:10.539 --> 00:04:12.879 We've got no problems with the vocals now. I 00:04:12.879 --> 00:04:16.579 know Andy Jane's voice and it's unique. But I 00:04:16.579 --> 00:04:19.180 really would. I really would. So there we go. 00:04:19.920 --> 00:04:21.639 Awesome. Right. Well, let's start going through 00:04:21.639 --> 00:04:26.050 this album. I know we've got one. uh singles 00:04:26.050 --> 00:04:27.589 already been released let's talk about the single 00:04:27.589 --> 00:04:29.949 first then we go through the album so which one's 00:04:29.949 --> 00:04:33.310 actually the single fly away was the single it 00:04:33.310 --> 00:04:38.790 came out in january yeah and that one is uh you 00:04:38.790 --> 00:04:42.250 know that one i picked it because it's it's the 00:04:42.250 --> 00:04:44.550 most traditional bluegrass and instrumentation 00:04:44.550 --> 00:04:46.750 there's actually no drums on that one but it 00:04:46.750 --> 00:04:50.550 just starts strong with acapella vocals uh it's 00:04:50.550 --> 00:04:54.819 really bouncy it's fun It's super upbeat and 00:04:54.819 --> 00:04:59.019 I feel like it really declares who I am and that's 00:04:59.019 --> 00:05:02.800 why I chose that one as the single. Okay, so 00:05:02.800 --> 00:05:05.379 that's track one anyway. Track two, we've got 00:05:05.379 --> 00:05:10.220 Fool. Tell us a bit about that. Yeah, so Fool, 00:05:10.800 --> 00:05:14.139 that one's kind of the ballad. So that one's 00:05:14.139 --> 00:05:17.220 a little more down tempo. The premise of this 00:05:17.220 --> 00:05:21.120 song is, so this love story that the album is 00:05:21.120 --> 00:05:25.259 sort of centered around, was a person who was 00:05:25.259 --> 00:05:27.959 really, you know, not particularly healthy for 00:05:27.959 --> 00:05:31.120 me, great for my art. I love the songs that I 00:05:31.120 --> 00:05:34.240 wrote from this relationship. But this person 00:05:34.240 --> 00:05:36.620 was somebody who would always promise the world 00:05:36.620 --> 00:05:39.579 and just never deliver. You know, even saying 00:05:39.579 --> 00:05:42.300 I want to stop doing this and then just never 00:05:42.300 --> 00:05:44.740 wanted to actually stop doing that. Just it was 00:05:44.740 --> 00:05:50.220 all empty promises. And the hook on that is it's 00:05:50.220 --> 00:05:54.199 almost like you wished I was a fool. Like, you 00:05:54.199 --> 00:05:56.420 want me to believe you, which means you want 00:05:56.420 --> 00:05:59.120 to be with a fool, which is just kind of crazy 00:05:59.120 --> 00:06:02.480 to me. And I actually showed it to him. I showed 00:06:02.480 --> 00:06:05.360 him this song that I had written about him. And 00:06:05.360 --> 00:06:07.620 he said to me after listening to it, and at the 00:06:07.620 --> 00:06:09.480 end of the song, it's, yeah, you almost, it's 00:06:09.480 --> 00:06:10.839 almost like you wished I was a fool. And I said 00:06:10.839 --> 00:06:13.319 that three times, repeated it. And he said to 00:06:13.319 --> 00:06:16.100 me, the first thing was, you know, you keep saying 00:06:16.100 --> 00:06:18.060 it's almost like you wished I was a fool, but 00:06:18.060 --> 00:06:22.920 really aren't you the fool? And I was like, oh, 00:06:23.040 --> 00:06:27.720 damn. So I changed the last lyric to, it's almost 00:06:27.720 --> 00:06:31.199 like, I really am a fool. Because he was right. 00:06:31.639 --> 00:06:35.180 Yeah. I was thinking the song could, the song 00:06:35.180 --> 00:06:38.399 with the title fool could go to either party, 00:06:38.540 --> 00:06:42.300 couldn't it? So it could bounce back in his direction. 00:06:43.160 --> 00:06:47.250 Right. This could keep bouncing around this one. 00:06:48.490 --> 00:06:51.170 At the moment it's gone back to him, so there 00:06:51.170 --> 00:06:58.329 you go. Well, at least he knew. I'm sure we talked 00:06:58.329 --> 00:07:03.069 about this before, happy with somebody. The Your 00:07:03.069 --> 00:07:07.089 So Vain moment where Warren Beatty claims it's 00:07:07.089 --> 00:07:10.579 about him. This is about this guy, isn't it? 00:07:12.079 --> 00:07:16.360 He doesn't think, he knows, that's even better. 00:07:17.259 --> 00:07:23.399 Yep, exactly. I think he agreed. Fantastic, even 00:07:23.399 --> 00:07:27.259 better. Track three, we've got Teardrop Island. 00:07:29.120 --> 00:07:32.100 Yeah, Teardrop Island. That one was actually 00:07:32.100 --> 00:07:35.079 written with this person that I was in this relationship 00:07:35.079 --> 00:07:38.279 with. And that one was pretty cool. We were at 00:07:38.279 --> 00:07:40.480 a music festival and I started telling him the 00:07:40.480 --> 00:07:43.939 story of this little island in the creek where 00:07:43.939 --> 00:07:47.279 I grew up as a kid that my best friends and I 00:07:47.279 --> 00:07:49.279 would go down there shaped like a teardrop and 00:07:49.279 --> 00:07:51.800 we would, it was tiny, but we would try to fit 00:07:51.800 --> 00:07:53.779 three of us on this little island because an 00:07:53.779 --> 00:07:58.120 island is so special to a child, you know. And 00:07:58.120 --> 00:08:01.120 I went back as an adult and I was going to show 00:08:01.120 --> 00:08:04.180 my nieces this little teardrop island. I was 00:08:04.180 --> 00:08:05.860 like, you guys want to come see teardrop island? 00:08:06.100 --> 00:08:10.939 And we get down there and it's gone. It has washed 00:08:10.939 --> 00:08:15.839 away as islands do in running creeks. And I was 00:08:15.839 --> 00:08:18.939 telling this story to this fella and he got out 00:08:18.939 --> 00:08:21.019 a notebook and he started writing. And I was 00:08:21.019 --> 00:08:23.300 like, oh, you have inspiration. I'll shush up 00:08:23.300 --> 00:08:25.420 and I'll let you write it. And he's like, no, 00:08:25.480 --> 00:08:28.220 no, keep going. And so I kept talking and he 00:08:28.220 --> 00:08:30.040 started writing and he started writing lyrics. 00:08:30.220 --> 00:08:31.600 And when we got back home from that festival, 00:08:32.100 --> 00:08:35.220 we sat down and we built that song and a lot 00:08:35.220 --> 00:08:37.740 of its imagery from my childhood. But really, 00:08:37.899 --> 00:08:40.100 it is the premise of the album because it is 00:08:40.100 --> 00:08:43.779 about how the ground is always changing and. 00:08:44.749 --> 00:08:47.490 You can appreciate the way things used to be, 00:08:47.570 --> 00:08:49.669 but don't get too attached to them because it's 00:08:49.669 --> 00:08:51.309 gonna grow, it's gonna evolve, the trees are 00:08:51.309 --> 00:08:53.350 gonna fall, the meadows are gonna burn, the islands 00:08:53.350 --> 00:08:56.610 are gonna wash away, and you have to figure out 00:08:56.610 --> 00:08:59.490 where you belong in that growing, evolving, and 00:08:59.490 --> 00:09:03.220 changing world. We were aware of Teardrop Island 00:09:03.220 --> 00:09:07.259 before, weren't we? Yeah, I thought so. Didn't 00:09:07.259 --> 00:09:10.580 it come from, was it Peacock Farm, was it Peacock 00:09:10.580 --> 00:09:13.100 Farm EP, or something rather? Yeah, that was 00:09:13.100 --> 00:09:16.500 on the live studio EP. I know that we, yeah. 00:09:16.700 --> 00:09:18.240 I don't want to say anything just in case I was 00:09:18.240 --> 00:09:21.200 wrong, but yeah. Yeah, you're right. That one 00:09:21.200 --> 00:09:25.029 was just with a trio. um you know it's just a 00:09:25.029 --> 00:09:27.169 live a live take so i really wanted to do the 00:09:27.169 --> 00:09:30.350 song justice and give it the full um yeah the 00:09:30.350 --> 00:09:32.669 full studio experience well that'd be the first 00:09:32.669 --> 00:09:34.490 time we played the studio version so there you 00:09:34.490 --> 00:09:40.549 go so yes sorted uh okay track number four uh 00:09:40.549 --> 00:09:45.769 the one you're crying over yeah that's a barn 00:09:45.769 --> 00:09:50.909 burner you guys great title yes thank you um 00:09:50.909 --> 00:09:52.629 yeah this one could be a little confusing if 00:09:52.629 --> 00:09:54.289 you don't really buckle in and listen to the 00:09:54.289 --> 00:09:56.389 lyrics because it's about two different people 00:09:56.389 --> 00:10:01.610 okay so yeah the story was uh it was this is 00:10:01.610 --> 00:10:03.450 really the story that began all the stories in 00:10:03.450 --> 00:10:07.570 in this particular love tale because i was heartbroken 00:10:07.570 --> 00:10:09.370 over somebody that was just supposed to be a 00:10:09.370 --> 00:10:13.019 little casual fling and uh and he just disappeared. 00:10:13.799 --> 00:10:16.440 And I was sad. And I ran to this best friend 00:10:16.440 --> 00:10:19.539 of mine for comfort. And in that moment, I realized 00:10:19.539 --> 00:10:22.639 that he was the one that I really loved. I did 00:10:22.639 --> 00:10:24.700 not love the one that I was actually crying over. 00:10:25.100 --> 00:10:28.500 And so it was a, oh, wow, holy shit moment. Oh, 00:10:28.500 --> 00:10:42.649 can I say that? Sorry. or whatever time in the 00:10:42.649 --> 00:10:44.929 evening, you can have the F word on Radio 2 on 00:10:44.929 --> 00:10:50.769 the BBC. Wow. Different times as to what time 00:10:50.769 --> 00:10:53.850 the words can come on. But you're fine on that. 00:10:54.029 --> 00:10:56.610 That could be. We're in the clear. That'd be 00:10:56.610 --> 00:10:58.049 two o 'clock in the afternoon. You'd be all right. 00:10:58.370 --> 00:11:01.129 That's a mild one, isn't it? So you certificate? 00:11:01.250 --> 00:11:03.610 Yeah. General. But yeah, it's a G certificate 00:11:03.610 --> 00:11:10.009 in America. Yeah. Yeah. Cool. A thousand little 00:11:10.009 --> 00:11:15.570 lies. And you've heard this one as well. I've 00:11:15.570 --> 00:11:17.590 heard all the track. I have heard them all myself. 00:11:18.110 --> 00:11:20.230 Sue hasn't. She likes them to be a surprise for 00:11:20.230 --> 00:11:23.029 when the show goes out or if we put them on hit 00:11:23.029 --> 00:11:27.309 or miss. So she's not heard them. I've heard 00:11:27.309 --> 00:11:29.610 the whole album though. Sure. Well, this one 00:11:29.610 --> 00:11:32.590 was also one that I did live in the studio. So 00:11:32.590 --> 00:11:34.590 that came out on the Peacock Farm EP as well. 00:11:35.170 --> 00:11:37.350 Just as, well actually that one was a five piece 00:11:37.350 --> 00:11:39.389 version, but I wanted to once again do the whole 00:11:39.389 --> 00:11:43.830 production for that. So yeah, this one was kind 00:11:43.830 --> 00:11:48.629 of an interesting story. I've always been really 00:11:48.629 --> 00:11:54.299 fascinated with con artists. I dated somebody 00:11:54.299 --> 00:11:57.840 who lost his entire life savings and the life 00:11:57.840 --> 00:12:00.320 savings of his family and his partner because 00:12:00.320 --> 00:12:03.559 he was conned by a con man. And I'm like, whoa. 00:12:03.700 --> 00:12:07.539 And he told me the story and I'm like, wow, like 00:12:07.539 --> 00:12:11.679 to put so much risk into like a person, that 00:12:11.679 --> 00:12:15.259 person has to be so genuine. They have to sell 00:12:15.259 --> 00:12:19.159 it so well. They have to be such a good liar 00:12:19.159 --> 00:12:21.879 in order to hook you in for that much money. 00:12:22.960 --> 00:12:25.600 And then I just started thinking about what if 00:12:25.600 --> 00:12:29.039 I were that con woman, not me particularly, but 00:12:29.039 --> 00:12:31.980 like putting myself in the position of that person 00:12:31.980 --> 00:12:34.940 that you used all of the good things about yourself, 00:12:35.100 --> 00:12:37.539 all of your charisma, all of your ability to 00:12:37.539 --> 00:12:41.539 love and draw people in, in order to take from 00:12:41.539 --> 00:12:45.360 them. And that's where the story of Thousand 00:12:45.360 --> 00:12:48.100 Little Lies went. Cool. That's an interesting 00:12:48.100 --> 00:12:50.740 one, so a little bit different to being ripped 00:12:50.740 --> 00:12:53.100 off by a Ponzi scheme then, this is big time 00:12:53.100 --> 00:12:57.480 and a personal. Big time, yeah. So could this, 00:12:57.639 --> 00:12:59.460 do you think, I mean I listen to it again with 00:12:59.460 --> 00:13:02.320 an open mind now. I've heard that from you, but 00:13:02.320 --> 00:13:04.220 do you think somebody listening at home, do you 00:13:04.220 --> 00:13:07.000 think that could open up to meaning something 00:13:07.000 --> 00:13:08.580 different to different people? Like there could 00:13:08.580 --> 00:13:10.980 be some one of these. Oh, yeah. It's been a victim 00:13:10.980 --> 00:13:13.000 of being a love cheat and things like that and 00:13:13.000 --> 00:13:15.179 had lost all the money in that way. Somebody 00:13:15.179 --> 00:13:18.519 we say we won't typecast anybody, but we say 00:13:18.519 --> 00:13:21.259 they probably come from an African call center. 00:13:22.679 --> 00:13:24.539 That's not what's being taken in by something 00:13:24.539 --> 00:13:27.419 like that. We say, yeah, one of these love cheats, 00:13:27.500 --> 00:13:31.779 something like that. It could be in a relationship 00:13:31.779 --> 00:13:33.720 where the person doesn't exist or got a double 00:13:33.720 --> 00:13:39.799 family, even. Exactly. Yeah, I mean, it definitely 00:13:39.799 --> 00:13:43.240 what it's really embodying is that inner struggle 00:13:43.240 --> 00:13:45.799 when you are lying, when you're actively lying 00:13:45.799 --> 00:13:47.559 and you have to deal with it. It's, you know, 00:13:47.820 --> 00:13:49.600 you've got the ghosts all buttoned down. Don't 00:13:49.600 --> 00:13:51.799 look them in the eye. Don't let them out. I know 00:13:51.799 --> 00:13:53.820 how you try and try. Still, they keep you up 00:13:53.820 --> 00:13:57.460 at night. Those thousand little lies. So, I mean, 00:13:57.480 --> 00:13:59.379 anything. anything that you're lying about. I 00:13:59.379 --> 00:14:01.799 was just thinking of a compliment, but yeah. 00:14:02.019 --> 00:14:03.899 I just love the titles of the songs. They're 00:14:03.899 --> 00:14:09.440 brilliant. How about you, Bill? Thank you. It 00:14:09.440 --> 00:14:17.539 takes two to tangle And two to present a radio 00:14:17.539 --> 00:14:25.000 show So here's Nick and Sue Your musical duo 00:14:25.960 --> 00:14:28.360 This is Nick and Sue with Chatterbox, giving 00:14:28.360 --> 00:14:31.159 you all you need to know about musical entertainment. 00:14:33.840 --> 00:14:37.220 Chatterbox! Chatterbox! Chatterbox! Chatterbox! 00:14:37.659 --> 00:14:40.320 Chatterbox! Chatterbox! Chatterbox! What about 00:14:40.320 --> 00:14:42.899 two buildings? Yeah. It's all buildings! So that 00:14:42.899 --> 00:14:46.700 one's the cover on the album. Not a super well 00:14:46.700 --> 00:14:49.720 -known cover, but it seemed really appropriate 00:14:49.720 --> 00:14:53.539 for me. It's a John Hartford cover I I only started 00:14:53.539 --> 00:14:56.100 listening to John Hartford when I moved to Nashville. 00:14:56.100 --> 00:14:59.500 I learned about him and He's much like John Prine 00:14:59.500 --> 00:15:02.539 and then he's like playful and he's funny But 00:15:02.539 --> 00:15:05.899 he's still very poignant and very creative and 00:15:05.899 --> 00:15:09.120 very smart in his songwriting in this particular 00:15:09.120 --> 00:15:14.509 song is about Getting a job and going to work 00:15:14.509 --> 00:15:16.929 in tall buildings and missing out on all the 00:15:16.929 --> 00:15:19.789 beautiful things in life because you just got 00:15:19.789 --> 00:15:23.629 to get into the grind. And I thought it was it 00:15:23.629 --> 00:15:25.889 was a good one to include on the album because 00:15:25.889 --> 00:15:30.450 I had to get a job in order to afford to record 00:15:30.450 --> 00:15:34.909 this record. So I had to go to work in tall buildings, 00:15:35.190 --> 00:15:42.549 even though I'm only on the second floor. Okay, 00:15:42.789 --> 00:15:47.350 track seven, we've got running out of time. Yeah, 00:15:47.690 --> 00:15:50.970 this is the fun one. This is my favorite. My 00:15:50.970 --> 00:15:55.149 favorite rowdy one on the record. I just, man, 00:15:55.289 --> 00:15:58.090 I tell you what, I feel like I am always running 00:15:58.090 --> 00:16:01.409 out of time. I have this tendency towards being 00:16:01.409 --> 00:16:04.429 like stressed. And when I have something on my 00:16:04.429 --> 00:16:06.970 list, instead of thinking, okay, I'm gonna do 00:16:06.970 --> 00:16:09.820 that this week. my mind goes to you should have 00:16:09.820 --> 00:16:13.700 already had it done. So I just get this idea 00:16:13.700 --> 00:16:16.860 that I'm always running out of time. And that 00:16:16.860 --> 00:16:19.539 hook came to me. And the hook is, why do I always 00:16:19.539 --> 00:16:22.360 feel like I'm running out of time? Instead of 00:16:22.360 --> 00:16:24.539 going step by step, I feel like I ought to be 00:16:24.539 --> 00:16:28.120 flying. Oh, why do I always feel like I'm running 00:16:28.120 --> 00:16:32.940 out of time? So I had that hook and I had it 00:16:32.940 --> 00:16:35.539 for like six months and I kept coming back to 00:16:35.539 --> 00:16:37.100 it and I kept singing it and I was like one of 00:16:37.100 --> 00:16:38.759 these days I'm gonna write a really good song 00:16:38.759 --> 00:16:41.480 around this and I brought it to a couple people 00:16:41.480 --> 00:16:42.879 I was like maybe we could co -write it because 00:16:42.879 --> 00:16:45.340 I felt like I was stuck and then one day it just 00:16:45.340 --> 00:16:48.940 like it came to me like that and it was just 00:16:48.940 --> 00:16:53.240 bouncy and fun and I played it for a couple people 00:16:53.240 --> 00:16:54.600 what I had so far and they're like it really 00:16:54.600 --> 00:16:57.299 kind of reminds me of Dolly's 9 to 5. And I'm 00:16:57.299 --> 00:17:00.059 like, oh, okay. So then I, I had to call out 00:17:00.059 --> 00:17:03.700 Dolly in the bridge. So, so she gets a little 00:17:03.700 --> 00:17:06.279 shout out in the bridge of the song, but it's 00:17:06.279 --> 00:17:10.079 a fun one. It's a fast one. It's silly. This 00:17:10.079 --> 00:17:13.059 edition of the Chatterbox Redux podcast is brought 00:17:13.059 --> 00:17:15.579 to you in association with the Old Glory iconic 00:17:15.579 --> 00:17:19.470 music and sports fan merch superstore. 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Chatterbox has joined a 00:19:12.500 --> 00:19:14.859 growing community committed to carbon removal 00:19:14.859 --> 00:19:18.140 and scaling techniques to combat climate change. 00:19:18.890 --> 00:19:22.009 1 % of all commissions is deducted at source 00:19:22.009 --> 00:19:25.089 and donated to the Stripe Climate Program and 00:19:25.089 --> 00:19:28.430 helping to remove CO2 from the atmosphere. Making 00:19:28.430 --> 00:19:34.509 me crazy is track 8. Yeah, that's the duet on 00:19:34.509 --> 00:19:37.970 the album. I've got Wild Bill from Wild Bill 00:19:37.970 --> 00:19:41.289 and the Bruisers is joining me on that one. And 00:19:41.289 --> 00:19:45.029 it is inspired by John Primes In Spite of Ourselves, 00:19:45.210 --> 00:19:49.559 which also gets a call out in the song. And it's 00:19:49.559 --> 00:19:53.619 just about this couple that may be a little insufferable 00:19:53.619 --> 00:19:58.799 in their own ways and how they still stick together 00:19:58.799 --> 00:20:01.400 and they still love each other. But they don't 00:20:01.400 --> 00:20:04.119 really have very many redeeming qualities, I 00:20:04.119 --> 00:20:07.680 would say. I think John Prine gave his characters 00:20:07.680 --> 00:20:09.759 a few more redeeming qualities. This was definitely 00:20:09.759 --> 00:20:13.079 a clashy part of our relationship that I wrote 00:20:13.079 --> 00:20:17.069 this song. Wonderful. And then we have track 00:20:17.069 --> 00:20:22.710 nine, Endless Mornings. Yeah, this one's actually 00:20:22.710 --> 00:20:27.710 low -key my favorite song on the record. It's 00:20:27.710 --> 00:20:29.630 got beautiful three -part harmonies. It's got 00:20:29.630 --> 00:20:33.349 a great key change in it. And this is just how 00:20:33.349 --> 00:20:38.670 it felt to be with somebody who couldn't really 00:20:38.670 --> 00:20:40.470 see outside of their own perspective, you know, 00:20:40.509 --> 00:20:46.029 had some narcissistic tendencies. And the title, 00:20:46.309 --> 00:20:48.430 Endless Mornings, is what I would always experience. 00:20:48.549 --> 00:20:52.170 So we would have a fight the night before. And 00:20:52.170 --> 00:20:53.910 the next day I would wake up and I would just 00:20:53.910 --> 00:20:56.170 want to rectify the situation. I would want to 00:20:56.170 --> 00:20:58.809 connect. I would want to talk it out. I would 00:20:58.809 --> 00:21:02.230 want to come to some sort of peace. And he would 00:21:02.230 --> 00:21:04.730 still be sleeping and his phone would be dead 00:21:04.730 --> 00:21:07.109 until deep into the afternoon or maybe evening. 00:21:07.390 --> 00:21:09.869 And so I'm just sitting here in this unsettled 00:21:09.869 --> 00:21:13.099 state. all morning. And the only thing that I 00:21:13.099 --> 00:21:15.859 could do in these situations was write songs. 00:21:16.339 --> 00:21:18.059 It was the only thing that gave me peace. It's 00:21:18.059 --> 00:21:19.839 the I mean, as songwriters, that's our therapy. 00:21:20.220 --> 00:21:22.519 So they were my they were my endless mornings. 00:21:22.519 --> 00:21:24.759 And that's, yeah, that's how I wrote that one. 00:21:25.339 --> 00:21:28.099 Sure, sure. When did the album come out? It's 00:21:28.099 --> 00:21:30.019 literally just come out, just coming out. Good 00:21:30.019 --> 00:21:34.619 day! It is today! February 13th, Friday the 13th, 00:21:34.619 --> 00:21:35.940 the day before that. I was going to say Friday 00:21:35.940 --> 00:21:37.900 the 13th, but wasn't quite sure. You've got the 00:21:37.900 --> 00:21:39.680 date and you're better, couldn't you? But yeah, 00:21:39.839 --> 00:21:41.059 obviously it's going to take a week or two to 00:21:41.059 --> 00:21:47.460 get out. So yeah, like that. I'm going to ask 00:21:47.460 --> 00:21:51.259 how you got that lovely pose, sat by that tree. 00:21:51.740 --> 00:21:54.339 That is so beautiful. Andy's a perfectionist, 00:21:54.380 --> 00:21:58.809 dear. I think there's a story behind it. Yeah, 00:21:59.029 --> 00:22:01.450 there is. So I actually had a photo shoot in 00:22:01.450 --> 00:22:03.529 my living room that has a lot of cool plants 00:22:03.529 --> 00:22:08.130 and mirrors and curtains and things. And we had 00:22:08.130 --> 00:22:11.809 intended to get the cover that day and I just 00:22:11.809 --> 00:22:14.839 wasn't. I wasn't sold on any of them. What I 00:22:14.839 --> 00:22:17.599 really wanted is I wanted vines growing up from 00:22:17.599 --> 00:22:21.259 the ground and overtaking me. And we tried doing 00:22:21.259 --> 00:22:23.259 some viney things with my plants in my living 00:22:23.259 --> 00:22:25.400 room and nothing really worked. And so I called 00:22:25.400 --> 00:22:29.660 up my friend Eli Meltzer. His little photo company 00:22:29.660 --> 00:22:33.599 is called Nash Nouveau. And I was like, I need 00:22:33.599 --> 00:22:35.740 to do this outside. It was the middle of winter. 00:22:36.339 --> 00:22:39.519 This was like in December, I believe. And there 00:22:39.519 --> 00:22:42.039 was a day that was going to be 55. And we're 00:22:42.039 --> 00:22:44.740 like, let's get it. Let's go. And we went out 00:22:44.740 --> 00:22:48.220 there and we did. You say perfectionist, like 00:22:48.220 --> 00:22:52.059 not just me, but he was too. The sun had gone 00:22:52.059 --> 00:22:54.539 down. He brought the spotlight out. And I'm like, 00:22:54.579 --> 00:22:56.460 I feel like we probably have it. And he's like, 00:22:56.500 --> 00:22:58.339 I am not going to stop taking pictures until 00:22:58.339 --> 00:23:02.059 I know for sure that we have it. And sure enough, 00:23:02.180 --> 00:23:03.940 the ones that we liked and the one that ended 00:23:03.940 --> 00:23:06.400 up on the cover was from after the sun went down. 00:23:06.539 --> 00:23:08.619 We had the spotlight that adds a little bit of 00:23:08.619 --> 00:23:11.819 a yellow glow and my washboard's sitting there. 00:23:12.700 --> 00:23:14.440 I was going to ask what that was. I wasn't quite 00:23:14.440 --> 00:23:17.619 sure if it was a washboard. Yeah, yeah, it's 00:23:17.619 --> 00:23:20.960 the washboard that I play on the album. I love 00:23:20.960 --> 00:23:23.859 how the skirt lays when you sat there. It's just 00:23:23.859 --> 00:23:27.420 perfect. I'm glad you mentioned a washboard because 00:23:27.420 --> 00:23:30.440 that's why I don't always say something. Without 00:23:30.440 --> 00:23:32.039 my glasses on I thought that was something they 00:23:32.039 --> 00:23:38.460 put in the bee thing. I knew it was a washboard 00:23:38.460 --> 00:23:41.200 because I've seen it before but I don't know 00:23:41.200 --> 00:23:42.720 the way I've seen it. So if I'm not too sure 00:23:42.720 --> 00:23:44.759 I just shut up it's a good job I did then. All 00:23:44.759 --> 00:23:45.900 right we've got to laugh out of it but it's a 00:23:45.900 --> 00:23:50.420 good job I didn't in all honesty just ask a serious 00:23:50.420 --> 00:23:54.259 question and then no. It's better we have the 00:23:54.259 --> 00:23:59.960 laughs now. That is beautiful. Thank you. Andy 00:23:59.960 --> 00:24:03.240 J's new album released Friday 13th of February. 00:24:03.480 --> 00:24:05.920 It's called The Ground is Changing. Fantastic. 00:24:07.279 --> 00:24:11.079 Okay, Andy, what is this? What's next? You've 00:24:11.079 --> 00:24:13.759 got five songs to the next one. So is it the 00:24:13.759 --> 00:24:16.880 album next? Is it the gigging all the time? What 00:24:16.880 --> 00:24:18.480 are we going to be? Right. We have a chat in 00:24:18.480 --> 00:24:20.720 six months time. What would you like to be? Yeah. 00:24:21.119 --> 00:24:23.670 What would you like to be? Well. Yeah, so I'm 00:24:23.670 --> 00:24:25.589 trying to decide if I just put those five songs 00:24:25.589 --> 00:24:27.329 out. They're almost done. I have just vocals 00:24:27.329 --> 00:24:29.390 left to do on one of them. They're so almost 00:24:29.390 --> 00:24:31.390 done, ready to mix and master. So part of me 00:24:31.390 --> 00:24:34.109 just wants to put those out as an EP. And then 00:24:34.109 --> 00:24:35.990 the other part of me wants to just record four, 00:24:36.109 --> 00:24:38.349 maybe five more songs and put out a whole nother 00:24:38.349 --> 00:24:40.890 album. And then that would have to be next year. 00:24:41.670 --> 00:24:44.230 But if I go the EP route, I'll put it out this 00:24:44.230 --> 00:24:46.730 year. Let's just get them out and then start 00:24:46.730 --> 00:24:55.960 recording the next. It takes two to tangle And 00:24:55.960 --> 00:25:01.660 two to present a radio show So here's Nick and 00:25:01.660 --> 00:25:08.900 Sue Your musical duo This is Nick and Sue with 00:25:08.900 --> 00:25:11.259 Cheddar Box Giving you all you need to know about 00:25:11.259 --> 00:25:16.839 musical entertainment Cheddar Box Cheddar Box 00:25:16.839 --> 00:25:22.420 Cheddar Box Cheddar Box I've got to say one thing 00:25:22.420 --> 00:25:25.039 and you're probably aware like with Hit and Miss 00:25:25.039 --> 00:25:28.720 and things that the British audience can be not 00:25:28.720 --> 00:25:30.480 knockin' them all because I mean if you came 00:25:30.480 --> 00:25:32.980 and did some concerts here you'd pack out venues 00:25:32.980 --> 00:25:35.420 and we'd love to see you as well but they're 00:25:35.420 --> 00:25:38.740 very funny about covers very funny about songs 00:25:38.740 --> 00:25:43.420 being done as covers and I thought that your 00:25:43.420 --> 00:25:48.400 version of Crazy it should have won won the bloody 00:25:48.400 --> 00:25:52.220 season, let alone struggled. What an amazing 00:25:52.220 --> 00:25:58.680 cover. How exciting it was. I love it. But in 00:25:58.680 --> 00:26:01.039 the UK, don't say anything like Noel Sparkle. 00:26:01.059 --> 00:26:02.720 I think that's the point of doing the cover, 00:26:02.960 --> 00:26:05.940 but they don't quite get it. Some covers could 00:26:05.940 --> 00:26:09.650 be better. Yeah, so, but concert wise, I think 00:26:09.650 --> 00:26:12.690 it'd be amazing, wouldn't it? But we're certainly 00:26:12.690 --> 00:26:14.690 going to be pushing your tracks. They will all 00:26:14.690 --> 00:26:16.490 get played at some point or another on our live 00:26:16.490 --> 00:26:21.069 shows. But I just wanted to say, Crazy was amazing. 00:26:21.869 --> 00:26:24.549 Oh, thank you. Glad you like it. No, it just 00:26:24.549 --> 00:26:27.089 was. It was the excitement of standing so different 00:26:27.089 --> 00:26:32.029 as well. And so far. And so fast. Right. I can't 00:26:32.029 --> 00:26:33.650 remember the lead singer from Null Sparkly now, 00:26:33.650 --> 00:26:37.089 but I hope he's heard it. And I really hope he 00:26:37.089 --> 00:26:39.690 has heard it because it's such a great different 00:26:39.690 --> 00:26:41.869 take. It's almost because it's such a different 00:26:41.869 --> 00:26:44.289 take. I think it's really respectful to it. You 00:26:44.289 --> 00:26:46.890 know, it's so different. And I hope he's heard 00:26:46.890 --> 00:26:48.470 it and I hope he likes it. There's no reason 00:26:48.470 --> 00:26:51.029 why he wouldn't. Yeah. I mean, that's one thing 00:26:51.029 --> 00:26:54.419 I love about Bluegrass is we often take songs 00:26:54.419 --> 00:26:58.359 and we cover them faster. And, and that's, I 00:26:58.359 --> 00:27:00.099 mean, that's one of it. One of my favorite things 00:27:00.099 --> 00:27:01.720 about going to bluegrass show is here and how 00:27:01.720 --> 00:27:04.640 they cover songs that I love and make them sound 00:27:04.640 --> 00:27:07.160 completely different. Yeah. But don't you think 00:27:07.160 --> 00:27:10.259 that's the idea of covering a song? There was 00:27:10.259 --> 00:27:12.059 absolutely no point making it sound the same, 00:27:12.099 --> 00:27:17.009 is it? You might as well just remaster it and 00:27:17.009 --> 00:27:21.170 re -release it. Right, exactly. It's like Sam 00:27:21.170 --> 00:27:24.589 Ryder, didn't he? He did Bohemian Rhapsody. I 00:27:24.589 --> 00:27:27.730 can't say that word. It's actually better than 00:27:27.730 --> 00:27:30.710 the original. That's my opinion. It's a matter 00:27:30.710 --> 00:27:33.970 of opinion, but he's the one person that's actually 00:27:33.970 --> 00:27:36.349 pulled off a cover of Bohemian Rhapsody and made 00:27:36.349 --> 00:27:40.089 it sound good. It's a hard one, isn't it? That's 00:27:40.089 --> 00:27:42.410 a tough one. How many people have we heard kill 00:27:42.410 --> 00:27:47.150 it? I wouldn't want to attempt it. I hate when 00:27:47.150 --> 00:27:48.950 somebody picks that on karaoke night, I will 00:27:48.950 --> 00:27:51.299 tell you what. I'm like, this is about to be 00:27:51.299 --> 00:27:54.200 a drunken mess for seven and a half minutes. 00:27:54.720 --> 00:27:58.099 I don't know. Squeaking like a mouse on the Galileo 00:27:58.099 --> 00:28:02.180 bit. Yeah, I mean, but sometimes they're at least 00:28:02.180 --> 00:28:05.440 very funny about it. But never does it sound 00:28:05.440 --> 00:28:08.559 good, not one time. Nick has done the squeaky 00:28:08.559 --> 00:28:12.440 part singing Galileo. I've done all sorts, but 00:28:12.440 --> 00:28:15.720 not in karaoke. Sorry, what was that? Oh, no, 00:28:15.759 --> 00:28:17.619 that's great. I would love to hear it sometime. 00:28:19.279 --> 00:28:21.079 It's only when he's heard the song saying he 00:28:21.079 --> 00:28:23.619 sings along with it and it's just, yeah. Well, 00:28:23.740 --> 00:28:26.720 I have to do my own backing. I know. We won't 00:28:26.720 --> 00:28:29.319 go into backing. No, we won't go that far. It's 00:28:29.319 --> 00:28:34.079 another story. It's another story. He's also 00:28:34.079 --> 00:28:38.559 done backhoe vocals for Ray Dorsett, Mungo and 00:28:38.559 --> 00:28:41.640 Jerry in the summertime. Yeah, that was something 00:28:41.640 --> 00:28:43.940 else. That's for a joke, darling. We interviewed 00:28:43.940 --> 00:28:46.079 him and I said to him, could you sing a couple 00:28:46.079 --> 00:28:51.400 of the song? And he did. It's as long as you 00:28:51.400 --> 00:28:57.480 come and do the backing vocals. I'm sure you 00:28:57.480 --> 00:28:59.420 know Mungo Jerry in the summertime, massive hit 00:28:59.420 --> 00:29:01.700 in the early 70s but you know it's a classic 00:29:01.700 --> 00:29:03.920 and of course yeah of course by the time I done 00:29:03.920 --> 00:29:07.460 it I was going this bloke was just singing along 00:29:07.460 --> 00:29:10.259 to it I mean it did do very well in the USA but 00:29:10.259 --> 00:29:11.660 I think you've got I think it was number one 00:29:11.660 --> 00:29:14.819 in the UK for six weeks it was the mega hit and 00:29:14.819 --> 00:29:18.839 he just said well I don't know if that was the 00:29:18.839 --> 00:29:24.920 best or worst backing I've ever had but Yeah, 00:29:24.940 --> 00:29:28.519 you know. Oh, that's awesome. Yeah. So, I mean, 00:29:28.559 --> 00:29:31.980 I think we must pay homage at this moment to 00:29:31.980 --> 00:29:34.660 Chris Spear, of course, because without Chris 00:29:34.660 --> 00:29:39.019 Spear we would never have met you. And I'm glad 00:29:39.019 --> 00:29:40.500 that Pals Cross because we've got nothing like 00:29:40.500 --> 00:29:42.079 you in the UK and we don't want anything like 00:29:42.079 --> 00:29:46.920 you because we've got you. So I'm certainly grateful 00:29:46.920 --> 00:29:50.059 to him for that. Yes, absolutely love Chris. 00:29:50.240 --> 00:29:52.539 He's got great taste in music. I have to say 00:29:52.539 --> 00:29:54.440 everybody that I've heard that he's been pushing 00:29:54.440 --> 00:29:57.900 out just really great, you know, artists that, 00:29:57.900 --> 00:30:01.220 you know, we're smaller artists. So we really 00:30:01.220 --> 00:30:03.759 need the support of people like Chris, like you 00:30:03.759 --> 00:30:06.539 guys. It really means the world that you guys 00:30:06.539 --> 00:30:09.319 lift us up. and put our music out there, so thank 00:30:09.319 --> 00:30:11.359 you and thanks to Chris. It means the world to 00:30:11.359 --> 00:30:13.799 us for you to come on and let us interview you. 00:30:13.940 --> 00:30:16.460 Yeah, it's a shop window for them, isn't it? 00:30:16.859 --> 00:30:18.619 But it's like with Hit or Miss or The Chatterbox 00:30:18.619 --> 00:30:22.220 Show, now we do the records as well, we say. 00:30:22.440 --> 00:30:25.839 So we've got your songs in your interview. We 00:30:25.839 --> 00:30:27.799 have to at least two interviews a week But there's 00:30:27.799 --> 00:30:29.720 all the time before in between the interviews 00:30:29.720 --> 00:30:32.079 and they were now playing songs a lot of Chris 00:30:32.079 --> 00:30:34.059 artists Chris's artists get in there So some 00:30:34.059 --> 00:30:35.420 of your tracks from the album would be getting 00:30:35.420 --> 00:30:38.079 in there on other weeks. So awesome That's a 00:30:38.079 --> 00:30:39.839 good shop window as well. So basically it's a 00:30:39.839 --> 00:30:42.380 shop window, but we always say like with hit 00:30:42.380 --> 00:30:47.940 or miss or Whatever the show maybe we just say 00:30:47.940 --> 00:30:51.759 that the the the stars are the artists of course 00:30:51.759 --> 00:30:54.859 it's not nick and sue we put it together we presented 00:30:54.859 --> 00:30:58.079 but hit me or chatterbox the stars are the guests 00:30:58.079 --> 00:31:01.299 we're not stars yeah we don't we don't do that 00:31:01.299 --> 00:31:07.500 no we're presenters but we're not like well famous 00:31:07.500 --> 00:31:10.140 you guys are and that's how it is that's what 00:31:10.140 --> 00:31:14.250 the show's about yeah You know, we have show 00:31:14.250 --> 00:31:16.789 as a live show on a Thursday. I have one on a 00:31:16.789 --> 00:31:19.009 Saturday We talk about what we do on those shows 00:31:19.009 --> 00:31:23.269 That's our time, but we don't write. Yes, it's 00:31:23.269 --> 00:31:25.829 you guys. So yeah, that's what it's about Well, 00:31:26.430 --> 00:31:28.849 I love the hit or miss show I love the I love 00:31:28.849 --> 00:31:31.369 the chat room So if you if you're listening now 00:31:31.369 --> 00:31:33.029 and you haven't been in the chat room You should 00:31:33.029 --> 00:31:34.990 definitely join the community really cool people 00:31:34.990 --> 00:31:38.440 it support and love great music. Thank you And 00:31:38.440 --> 00:31:40.180 anything for Andy, because we've got to do her 00:31:40.180 --> 00:31:41.759 social media and let her go. No, I've got nothing 00:31:41.759 --> 00:31:44.740 at the moment. Well, you'll have to be messaging 00:31:44.740 --> 00:31:46.259 her otherwise, because this is going to finish 00:31:46.259 --> 00:31:50.579 in a minute. I know that. It's not waffing. Chatterbox. 00:31:51.220 --> 00:31:55.279 Yes, dear. Andy, social media, how can people 00:31:55.279 --> 00:31:56.839 that are listening, especially for the first 00:31:56.839 --> 00:31:58.680 time, how can they take a look at you? Where 00:31:58.680 --> 00:32:00.599 can they find out more about you? What social 00:32:00.599 --> 00:32:03.599 media have you got? Sure. Well, the most important 00:32:03.599 --> 00:32:05.940 thing to know is I'm Andy with an I. So A -N 00:32:05.940 --> 00:32:10.380 -D -I -J -A -N -E. Music is most of my social 00:32:10.380 --> 00:32:12.960 media. That's Instagram, that's TikTok, Facebook. 00:32:13.919 --> 00:32:16.480 If you just want to go to my website, I've got 00:32:16.480 --> 00:32:19.660 links to everything. So andyjane .com, A -N -D 00:32:19.660 --> 00:32:23.319 -I -J -A -N -E .com. And you can find videos, 00:32:23.480 --> 00:32:25.720 my YouTube, I always put up new videos all the 00:32:25.720 --> 00:32:28.859 time. So you can get songs beyond what's on Spotify. 00:32:29.599 --> 00:32:31.519 And I do post a lot on TikTok and Instagram. 00:32:31.720 --> 00:32:33.759 So try to keep it fun, try to keep it interesting. 00:32:34.279 --> 00:32:37.299 And did you mention YouTube? You did mention 00:32:37.299 --> 00:32:39.279 YouTube, because I know that. Yes. Definitely 00:32:39.279 --> 00:32:41.039 seen some of your videos on that. Yeah, definitely 00:32:41.039 --> 00:32:43.319 have. So yeah, brilliant. Well, Andy, it's been 00:32:43.319 --> 00:32:45.980 great catching up with you. and uh absolutely 00:32:45.980 --> 00:32:48.500 next time yeah we wish you every success with 00:32:48.500 --> 00:32:50.660 with your album the ground is changing and as 00:32:50.660 --> 00:32:52.920 Sue says we look forward to the next time Adi 00:32:52.920 --> 00:32:54.839 -Jay it's been great and uh looking forward to 00:32:54.839 --> 00:32:56.940 the next time already and thank you so much for 00:32:56.940 --> 00:32:58.200 coming back on to chat with us yeah we'll do 00:32:58.200 --> 00:33:00.380 the best to luck with your music correct absolutely 00:33:00.380 --> 00:33:02.599 thank you so much Nick and Sue -Elle it was great 00:33:02.599 --> 00:33:05.839 to chat with you cheers Adi bye bye now okay 00:33:05.839 --> 00:33:37.950 bye You've been listening to the Chatterbox Redux 00:33:37.950 --> 00:33:40.829 podcast with Sue and Nick and today our special 00:33:40.829 --> 00:33:43.880 guest was Andy Jane. If you're interested in 00:33:43.880 --> 00:33:46.539 becoming a future guest on the Chatterbox Redux 00:33:46.539 --> 00:33:49.500 podcast or the radio show Chatterbox UK, you're 00:33:49.500 --> 00:33:52.039 welcome to submit songs, books or whatever it 00:33:52.039 --> 00:33:55.859 is you do and send us a CV, synopsis or press 00:33:55.859 --> 00:33:58.769 release. However, we receive several thousand 00:33:58.769 --> 00:34:01.509 such press releases every week and it's impossible 00:34:01.509 --> 00:34:05.089 to reply to each one individually. Why not email 00:34:05.089 --> 00:34:07.369 us or leave a comment because we'd love to know 00:34:07.369 --> 00:34:09.869 what you think of the podcast. Our email address 00:34:09.869 --> 00:34:14.460 is nickelbum at myyahoo .com Alternatively, you 00:34:14.460 --> 00:34:18.699 could write to us at P .O. Box 26, the old Observer 00:34:18.699 --> 00:34:22.300 Building, Telford Road, St. Leonard -on -Sea, 00:34:22.519 --> 00:34:28.099 East Sussex, England, TN389LZ. And wherever it 00:34:28.099 --> 00:34:30.719 is you choose to listen to the Chatterbox Redux 00:34:30.719 --> 00:34:33.980 podcast, don't forget to give us a like, a follow, 00:34:34.300 --> 00:34:36.960 a favorite, or whatever it is on that platform. 00:34:37.360 --> 00:34:40.460 Just so you don't miss a future episode Sue, 00:34:40.659 --> 00:34:44.480 myself Nick and Twinkle the tuxedo cat Thank 00:34:44.480 --> 00:34:46.800 you very much for your company and we look forward 00:34:46.800 --> 00:34:48.920 to welcoming you again next time for another 00:34:48.920 --> 00:34:52.280 Chatterbox Redux podcast In the meantime, take 00:34:52.280 --> 00:34:54.960 care, we thank you for your company and we catch 00:34:54.960 --> 00:35:22.480 you then! Bye bye! This is Nick and Sue with 00:35:22.480 --> 00:35:25.480 Chatterbox giving you all you need to know about 00:35:25.480 --> 00:35:33.739 musical entertainment. Oh yeah! Chatterbox, the 00:35:33.739 --> 00:35:37.739 best interviews with Nick and Sue. Chatterbox, 00:35:38.440 --> 00:35:39.420 the best news