WEBVTT

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Nick and Sue This edition of the Chatterbox Redux

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podcast is brought to you in association with

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the Old Glory iconic music and sports fan merch

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superstore. More from them in a bit. Chatterbox.

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When the stars talk, they talk to Nick and Sue.

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Welcome to the 50th edition of the Chatterbox

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Redux podcast and our special guests today are

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Tabby and Monty from She's a Machine. This is

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Nick and Sue with Chatterbox giving you all you

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need to know about music And now in Chatterbox

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UK we're just lucky enough to welcome Monty Connor

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and Tabby Kirby from She's a Machine. Hi guys,

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welcome. Hi guys. Hello, thanks for having us.

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We appreciate it very much. Thank you, great

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to meet you. Likewise. In real life it is, isn't

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it, really, these days? Yeah. Great to meet you

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guys. Okay, the simple question is, the easy

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question that you're going to get asked all the

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time, I know the answer. But why the name though?

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Well, can I stop you there? Monty, right, Sue.

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How did you come up with a name? We poured over

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a couple of names and I had suggested Bad Apple

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and I really liked the name and I had a whole

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idea where I wanted to go with that name. And

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somehow our drummer at the time was guy helped

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us with a lot of the recordings and everything,

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but he had mentioned she's a machine and we kind

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of, you know, Joel and I looked at each other

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and Tabby and they're like, yeah, that's a cool

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name. And kind of stuck for a minute. But when

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I found out it was an Elvis song is what, you

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know, I just, for the short answer, I just tell

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people, yeah, it's an Elvis song. And I'm a huge

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Elvis fan and probably most of the world is an

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Elvis fan, but for the, for the short answer,

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it was an Elvis song. And it just, And if you

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knew Tabby, like we know Tabby, she works, I

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mean her work ethic, she does these, um, like

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three hour acoustic shows by herself, you know,

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solo shows where she plays, she runs her church's,

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uh, worship service. So she is a machine. So

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we thought, well, it fits the, and it's kind

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of a cool, you know, it just sounds, sounds cool.

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And you look back through the history of band

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names, you know, Yeah, you make the name rather

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than the name making the band. So that's what

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we figured, you know, if we were just called.

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whatever bad apple or yeah, whatever we're called.

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I can tell you if you have Tabby Kirby as your

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vocalist, you have a really good, you can name

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it whatever you want to and you're still in good

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shape because that's how much she knows. She

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knows we think the world over for sure. Well,

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she's a selling point here, isn't she? That's

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how we start talking as well. I think I was having

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a ladies night and that's how you say, how do

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you try to play this? Tabby, our lead singer

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is Tabby. She's blah, blah, blah. I don't think

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we played that night. But I said, I'm listening

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to it. Okay. Well, I nicknamed her the crown

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jewel so that I'll tell you what I think of her

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anyway. And we met the most crazy kind of just

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passing, you know, but here we are. That's the

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end game is here we are. So whether this stays

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in or not is up to how the answer goes. Are you

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expecting an F -bomb or something here when you

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preface the question with that? I've got various

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buttons here and I don't know what they all do.

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Okay, seven seconds, you better be quick. Anyway,

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so you got the suggestion from your former drummer.

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So it wasn't the case. It could have been any,

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any Elvis song. It couldn't have been rock a

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hula or some stupid name. Like it can be anything

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else or blue Hawaii. It was literally the drummer

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said that. And that's how it was. As soon as

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he said it, we started thinking, well, tabby

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is a bit of a machine because she plays show

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after show. You know, you have to be a machine

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of some sorts to keep up in a band. But she's

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got her, you know, her whole life to live, but

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she keeps up with the band. She keeps up with

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the praise and worship services she leads. And

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you know what I'm saying? She, she is a machine.

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So as soon as we heard it, we thought, well,

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that fits like a glove. We didn't, we didn't

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argue too much about it after that. We just went

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with it. It fit. And it was a, just a fortuitous

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moment, you know, that we got a good name that

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actually fits the. the room yeah and as a twist

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yeah and we can use the Elvis you know we can

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say if uh if the Elvis is a state starts wanting

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a royalty we'll change it to bad apple so oh

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and the happy birthday Elvis from the other day

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was no absolutely yeah 91 that's right wouldn't

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it i think is it 35 he was born i think so but

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was it 35 or 36 35 1935 i think so would be 91

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yeah 90, he was born in 35 and died in 77. So

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what is that? Yeah. Oh, he would have been 42

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when he passed. It was 42 when he died. I was

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trying to do the line. I remember that happening.

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I think if he were still alive and he could draw

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a breath, he'd probably be trying to sing or

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record or do... Oh, I've done that. And the thing,

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the thing I really find, I don't know how long

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we're going on talking about Elvis, but he never

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made it to... to the UK. Colonel Parker wouldn't

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have it. He never left the United States, I don't

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think. Anyway, he needed Doc McGee or somebody

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better. Anyway, before we move on to the current

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line up with you guys, now this drama, I've got

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to say it because we spoke off air, this drama

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of yours, Not after why he left, but I'll be

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going to have a Pete Best moment in like 40 or

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50 years time. I hope we have one a lot sooner

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than that. I hope we have one in about the next

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40 or 50 days. The guy, his name is Ryan C and

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it's spelled S -E -A -Y. If anybody should care

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to look him up because he's a spectacular drummer,

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terribly talented, but he's a... At the time,

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he was playing in a couple of tribute bands and

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stayed busy and he has young children and so

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on, you know, life happens. But he chose the

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tribute bands over working with us. So, I mean,

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we're still on good terms with the guy. And if

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I called him right now and said, hey, man, we

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need you or something, he would definitely, I

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think he would join us. Bergeron, our current

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drummer, is going to be hard. He's our Ringo,

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you know, he's our Ringo star for sure. And he's

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a young guy, full of energy, very smart, you

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know, well -trained musician. Perfect recall.

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I can't remember. I can't remember anything,

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even songs I wrote myself. And he's like, Oh

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no, you remember that transition and it goes

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to see, I'm so I'm glad you're here, dude. Cause

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I can't remember half the songs, but he's, he's

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a brilliant young. Awesome drummer. I've seen

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you guys on YouTube videos. It certainly looks

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like lively shows that you guys do, so that's

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pretty good. Right, so you guys hail from Atlanta,

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Georgia, is that right? Atlanta, Georgia. We're

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actually scattered all around Atlanta. Tabby

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is southwest of Atlanta in a little town called

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Rockmark. Northwest. What is it? Northwest. Northwest.

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I'm sorry. Well, anyway, Joel, we're all like

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scattered around Atlanta. We're all maybe 50

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miles, 40, 50 miles out of Atlanta. But we, you

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know, we, if you go in there and say, Oh, she's

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a machine from Swanee, Georgia, people are gonna

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say, where are you aware? So we just, we, we're

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in the outskirts of Atlanta, but we're close

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enough to call it Call it home, I think. And

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50 miles being scattered around in the US is

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nothing, is it, to us? No, no, no. 50 miles that

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we drive. Right, right. You'll be in three different

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countries. Yeah, across the whole UK. Yeah, Tabby

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drives as far to rehearsal as it is across England,

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I think. Tabby drives the farthest, being the

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machine. She has the newest car and drives the

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farthest. I guess that's some kind of balancing.

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Okay, so how do we get together? I don't mind

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who grabs it. Whoever speaks first gets the mic.

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You're both on the ball, so it's not like...

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Well, Tabby, you go for it. Tabby, you tell her.

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See if it's accurate with my story. Maybe I need

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to know. You guys are brilliant. So take it away,

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Tabby. How did it all start? How did I...? I

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agree with She's a Machine. How did that start?

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See that body language when she said that, how

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did I get with She's a Machine? No, honestly,

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well, like Monty was saying, I was gigging south

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of Atlanta and a Facebook message came in and

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I was like, okay, I don't know who this guy is.

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Um, we laugh about it now, but we had talked

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about him coming to one of my other gigs that

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was closer To where he was and uh kind of in

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between the two of us And I had completely forgotten

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about it And then I left and my mom happened

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to be there and called me and she said Did you

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tell some guy that you were gonna meet him here?

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And I was like what and then I was like, oh no

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Oil spotted on our first Yeah, I got the oil

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spot on the first first meeting. Yeah, and so

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I had I had I was gone so Right, well, you know

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it was a public place and it was you know, it

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wasn't like hey Let me meet you and you know,

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and I brought my wife with me. So she she's like

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that girl's leaving You know, I watched her perform

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for about an hour and I thought man if we can

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get this girl to sing with us. I said, we got

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it made. I said, we got, and I was just so excited

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about the prospect of it. And she finished up

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her three hours. She's like, I'm Tabby Kirby.

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Thanks a lot. And you know, everybody's clapping

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is kind of a little outdoor restaurant type patio

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thing and saying brilliantly. And I was so excited

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to meet her and talk to her afterwards, puts

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her guitar in her case, starts closing everything

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up. And I thought, well, she's packing her gear

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and she'll come back and we'll sit down and have

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a talk. A few minutes went by, 20 minutes went

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by. I said, this chick's not coming back. So

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I told my wife and I knew, I recognized that

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that was her mom, you know, and I went over and

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I said, well, I've introduced myself. And I said,

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I'm supposed to meet Tabby about, you know, working

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on some songs together. She said, Oh honey, she's,

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she's long gone. So, but anyway, I, tenacity

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is probably my strong suit. So I just followed

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up and we got it together, but it was kind of

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a funny. I thought, well, I'm off to a bad start

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with her, but anyway. No, we laugh about it now.

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But, you know, after that, you know, you know

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what we met at Joel's house after that. Yeah.

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Yeah. Yeah. And I think that bowl move too. Cause

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Joel lives out in the middle of nowhere. And

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I invited her. I said, we've got an awesome studio

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and Joel's very well known guy. You know, he

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played for collective soul for about. 12 or 13

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years and has an awesome fan base. So it wasn't

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like I was asking her to come to, you know, some

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completely unknown destination, so to speak,

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but she came over, but I wouldn't have gone.

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If somebody invited me to go out to McDonough,

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Georgia at nighttime, I'd have probably had to

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take, take somebody with me, but she showed up

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and thank God for it. And that's when we recorded

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Undone. That's right. That's exactly right. Yep.

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So I like one of our first meetings, we recorded

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Undone. So that was pretty cool. Yep, that's

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awesome. If everybody should be so lucky. There's

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a song title there for sure. Yep, yep. Let me

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write that down. As you say, get that one down,

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you know. Give Nick half credit on that song

00:13:42.080 --> 00:13:57.730
though. And Tutu present a radio show So here's

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Nick and Sue Your musical duo This is Nick and

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Sue with Chatterbox Giving you all you need to

00:14:08.029 --> 00:14:13.909
know about musical entertainment Chatterbox Chatterbox

00:14:13.909 --> 00:14:17.889
Chatterbox Chatterbox Chatterbox Chatterbox Chatterbox

00:14:17.889 --> 00:14:21.639
You could actually do a song Well, she's a machine

00:14:21.639 --> 00:14:24.460
in it, not an album. Oh yeah. We've got, we,

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we actually have one called like a machine that

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we're working on now, which is a play off of

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the play off of it. And also we have a song called

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bad apple that I wrote, you know, when I was

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thought we were going to close in on the bad

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apple, use the bad apple name, but, um, I've

00:14:41.460 --> 00:14:44.779
actually grown to like the song more. than I

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did using it as a band name. The song is very

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straightforward, hard rock. And I mean from the

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jump, you know, it's straight into the meat of

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it from the jump. So I think Bad Apple as a song

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title may be better than, you know, for the band

00:14:59.600 --> 00:15:01.919
name. But anyway, Bad Apple, you know, band name,

00:15:02.100 --> 00:15:04.860
song title, I'll take it either way. Well, let's

00:15:04.860 --> 00:15:08.620
send it across to us. Yeah, I just sent you two

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songs just before we got on here. You know, you,

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you hear one song from a band and it's like,

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well, you know, what else are they capable of?

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I sent a couple more and we're working on them.

00:15:20.879 --> 00:15:23.580
We have to work on these things. You know, we

00:15:23.580 --> 00:15:25.519
can all, it's hard for all five or six of us

00:15:25.519 --> 00:15:29.620
to get together. And, uh, you know, everybody's

00:15:29.620 --> 00:15:32.259
scheduling, Terry plays in a couple of different

00:15:32.259 --> 00:15:34.419
projects and you know, it's just always something.

00:15:34.979 --> 00:15:37.759
you know life you have to you have to put life

00:15:37.759 --> 00:15:40.059
over here and go do your music and then come

00:15:40.059 --> 00:15:43.600
back and you know resume resume what you do during

00:15:43.600 --> 00:15:45.620
the day yeah we have a bit of that we have to

00:15:45.620 --> 00:15:48.899
sometimes make sure that radio and uh and and

00:15:48.899 --> 00:15:50.200
life doesn't cross of course we do everything

00:15:50.200 --> 00:15:53.419
at home yeah I don't club DJing on it. I've retired

00:15:53.419 --> 00:15:56.100
from all that these days. But yeah, so everything's

00:15:56.100 --> 00:15:57.440
at home. So you do have to be careful. We have

00:15:57.440 --> 00:15:59.120
to make sure, don't we? And then, of course,

00:15:59.179 --> 00:16:01.399
I do have to work for a living. You know, I don't

00:16:01.399 --> 00:16:04.580
have to pay. Yeah. Yeah. Yeah. If we were if

00:16:04.580 --> 00:16:07.039
we were surviving on what original musicians

00:16:07.039 --> 00:16:09.500
make, I would have probably been dead about maybe

00:16:09.500 --> 00:16:13.419
a decade ago because original, you know, back.

00:16:13.559 --> 00:16:16.220
And I hate to harken back on things, but without

00:16:16.220 --> 00:16:19.940
a physical product is extremely I'll look at

00:16:19.940 --> 00:16:21.759
the streams, you know, we have songs on there

00:16:21.759 --> 00:16:24.259
and I'll look at the streaming and go down that

00:16:24.259 --> 00:16:27.799
column and look and think, oh boy, only, you

00:16:27.799 --> 00:16:30.559
know, you got enough there to hope, Tabby and

00:16:30.559 --> 00:16:32.279
I were hoping to buy a couple of Mercedes. I

00:16:32.279 --> 00:16:35.059
think we've, we've almost got enough. We've almost

00:16:35.059 --> 00:16:39.080
got enough in there to buy a model car. Half

00:16:39.080 --> 00:16:42.100
a million streams. Yeah, half a million streams.

00:16:42.259 --> 00:16:44.899
You got enough to maybe go one bag at the grocery

00:16:44.899 --> 00:16:47.220
store. If you're lucky. That's exactly right.

00:16:48.080 --> 00:16:50.799
But it's, you know, I love it more than anything.

00:16:51.000 --> 00:16:54.460
I mean, I can just tell you, we all do, or we

00:16:54.460 --> 00:16:57.559
wouldn't be doing it, but it's, it's beyond being

00:16:57.559 --> 00:17:00.299
about the money. I work what I do for a living

00:17:00.299 --> 00:17:03.159
to support my music habit. And that's what I

00:17:03.159 --> 00:17:05.059
tell my friends and they're like, well, I can

00:17:05.059 --> 00:17:08.259
understand, but it's to be able to just start

00:17:08.259 --> 00:17:11.039
with a blank page, put some words down, think

00:17:11.039 --> 00:17:13.539
of a melody, share that with your bandmates,

00:17:13.640 --> 00:17:16.789
let them expound on it. work on it and then all

00:17:16.789 --> 00:17:18.589
of a sudden you're out in front of a crowd playing

00:17:18.589 --> 00:17:21.549
it. I mean, that's the pay. That's the pay of

00:17:21.549 --> 00:17:25.890
it. Or getting to do interviews with people in

00:17:25.890 --> 00:17:30.569
the UK. That's as big of a deal as the money.

00:17:30.910 --> 00:17:34.529
I could just quit music and do my job and probably

00:17:34.529 --> 00:17:40.650
make more. I'd much rather be playing music,

00:17:40.710 --> 00:17:45.170
making nothing. My family might... I don't think

00:17:45.170 --> 00:17:48.730
otherwise, though. It's a question for both of

00:17:48.730 --> 00:17:50.910
you. What do your partners think of your music

00:17:50.910 --> 00:17:56.869
career? Debbie? Yeah, right. I don't think...

00:17:56.869 --> 00:18:03.009
My wife, I'll go first, has been extremely, extremely

00:18:03.009 --> 00:18:06.109
supportive from the word go. We've been together

00:18:06.109 --> 00:18:09.509
for a long time and married for a long time and

00:18:09.509 --> 00:18:13.220
not one time has she... You know, tried to ask

00:18:13.220 --> 00:18:16.339
me to quit or, you know, ask me, she just follows

00:18:16.339 --> 00:18:19.279
along, loves the music. She's a music fan. So

00:18:19.279 --> 00:18:22.500
if you marry somebody that's a music, music person,

00:18:22.640 --> 00:18:25.500
you'll stand a lot better chance of your longevity.

00:18:26.920 --> 00:18:30.640
Well, uh, very, I'm just, I'm just going to make

00:18:30.640 --> 00:18:33.700
the short answer. She's very supportive, extremely

00:18:33.700 --> 00:18:37.720
supportive. That's good. How about you? If you

00:18:37.720 --> 00:18:40.069
can answer that for us, please. Oh, well, I'm

00:18:40.069 --> 00:18:45.210
single, so. Have you got a cat? Is that okay?

00:18:46.490 --> 00:18:52.470
Yeah. She gets no argument from her partner at

00:18:52.470 --> 00:18:54.890
the moment. Right. Exactly. Although I do have

00:18:54.890 --> 00:18:57.930
two girls, so, you know, I just kind of juggle

00:18:57.930 --> 00:19:00.809
life around them and sometimes they get. They

00:19:00.809 --> 00:19:04.349
get to come with me to cool, cool gigs. And,

00:19:04.349 --> 00:19:06.829
you know, sometimes, you know, like, uh, what

00:19:06.829 --> 00:19:09.849
was it last summer? We got to go to Florida a

00:19:09.849 --> 00:19:11.829
couple of times. We've got to be on the beach.

00:19:11.950 --> 00:19:14.109
We got to play on the beach. You know, it's,

00:19:14.109 --> 00:19:16.509
it's some cool, some cool things that they've

00:19:16.509 --> 00:19:19.230
been able to be a part of. And so they enjoy

00:19:19.230 --> 00:19:23.009
it. One of our first gigs, one of our first performances

00:19:23.009 --> 00:19:27.589
with the band was, uh, It's a little small festival,

00:19:27.630 --> 00:19:30.190
but it was, you know, still a festival nonetheless.

00:19:30.430 --> 00:19:33.069
And that was Tabby's first performance with us.

00:19:33.269 --> 00:19:35.029
And I noticed her daughters, you know, it's this

00:19:35.029 --> 00:19:38.930
big, huge festival stage thing. And her daughters

00:19:38.930 --> 00:19:41.890
were, you know, wonderful. I think, I think they

00:19:41.890 --> 00:19:45.359
are. I think proud might be an understatement.

00:19:45.539 --> 00:19:47.640
They were the youngest one, especially she was

00:19:47.640 --> 00:19:50.000
like looking up like, holy cow, that's our mom

00:19:50.000 --> 00:19:52.119
up there. But you see your mom, you know, as

00:19:52.119 --> 00:19:54.779
a mom, then you see your mom up on the stage,

00:19:54.779 --> 00:19:57.519
you know, railing and Joel and I flanking her

00:19:57.519 --> 00:20:00.579
and Julio on each side, you know, wailing on

00:20:00.579 --> 00:20:02.819
the songs. It's, uh, I think they're proud of

00:20:02.819 --> 00:20:05.779
her. So her two, her two built -in partners,

00:20:05.920 --> 00:20:08.440
I think are very proud of her. At least they

00:20:08.440 --> 00:20:10.200
know, at least they don't embarrass anything

00:20:10.200 --> 00:20:11.660
mom does. At least they're proud. That's good.

00:20:12.329 --> 00:20:39.190
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my children are the ones that i think are the

00:22:32.000 --> 00:22:35.759
embarrassed and they're grown they they they

00:22:35.759 --> 00:22:37.539
wonder about their dad sometimes but they're

00:22:37.539 --> 00:22:40.490
very supportive You know, in their own way, I'll

00:22:40.490 --> 00:22:43.569
put it that way. My youngest son kind of keeps

00:22:43.569 --> 00:22:46.809
me in check most of the time. My daughter, I

00:22:46.809 --> 00:22:50.309
think my daughter might be secretly a fan of

00:22:50.309 --> 00:22:52.470
mine. She tries to act like she's too cool for

00:22:52.470 --> 00:22:56.650
it, but I think she likes it. There's some quite

00:22:56.650 --> 00:23:02.609
famous musicians, kids can be. Embarrassed and

00:23:02.609 --> 00:23:05.630
all that. We've got to say about Robbie Williams

00:23:05.630 --> 00:23:09.650
the other week who just got his 17th in the UK,

00:23:09.710 --> 00:23:13.369
got his 17th studio album, number one. Yeah,

00:23:13.470 --> 00:23:17.279
I love him. He's awesome. the kids and he said

00:23:17.279 --> 00:23:20.319
oh I said to one of the kids he said well that's

00:23:20.319 --> 00:23:23.099
that's the broken the record 17 number yeah the

00:23:23.099 --> 00:23:25.819
kids turned around said yeah only in the uk though

00:23:25.819 --> 00:23:28.700
dad yeah yeah that's not good enough yeah not

00:23:28.700 --> 00:23:31.420
good enough yeah yeah he's uh I'm a big fan so

00:23:31.420 --> 00:23:33.500
he's got at least one fan over here in the United

00:23:33.500 --> 00:23:37.849
States he's done well he's awesome he's Timeless

00:23:37.849 --> 00:23:40.309
kind of, you know, his music is this timeless

00:23:40.309 --> 00:23:43.250
kind of thing. Right. It's grown up with it and

00:23:43.250 --> 00:23:44.970
it's grown around him. He's grown around the

00:23:44.970 --> 00:23:48.190
music and it's just, yeah. That's the biggest

00:23:48.190 --> 00:23:51.789
teenage response though. Yeah. Yeah. Only in

00:23:51.789 --> 00:23:56.069
the, yeah. The one good thing about my two sons

00:23:56.069 --> 00:23:58.029
are they make good body guards. They're both

00:23:58.119 --> 00:24:01.240
huge muscle bound guys. So we look good when

00:24:01.240 --> 00:24:03.000
we walk up with them. We look like we have our

00:24:03.000 --> 00:24:08.220
own security security team. Almost many black,

00:24:08.339 --> 00:24:11.819
is it almost? Uh, I think, I think they snap

00:24:11.819 --> 00:24:18.119
those two and I think over overall, I don't think

00:24:18.119 --> 00:24:22.539
we have anybody in our circle that, you know,

00:24:22.680 --> 00:24:26.599
Julio's girlfriend is completely supportive and

00:24:27.079 --> 00:24:29.539
You know, when we play shows, everybody promotes

00:24:29.539 --> 00:24:31.500
the show and everybody's all, you know, wanting

00:24:31.500 --> 00:24:34.380
to hear the new songs and help us. So I don't

00:24:34.380 --> 00:24:38.180
think anybody in our extended circle has anything,

00:24:39.500 --> 00:24:42.680
you know, we don't get much resistance to what

00:24:42.680 --> 00:24:45.339
we're doing. It could change at any moment, but

00:24:45.339 --> 00:24:48.180
so far so good. Sure. Now you told me you sent

00:24:48.180 --> 00:24:50.319
some CDS stuff, which we're filtering when we

00:24:50.319 --> 00:24:55.200
edit anyway. Yeah. uh awesome new songs now most

00:24:55.200 --> 00:24:57.460
of the stuff i've seen online from you is live

00:24:57.460 --> 00:25:02.140
stuff so uh is is the i mean is there many studio

00:25:02.140 --> 00:25:04.500
singles out there or is there enough to do an

00:25:04.500 --> 00:25:08.000
album or we work we we have enough in the works

00:25:08.000 --> 00:25:10.480
right now to do a either a really awesome ep

00:25:10.480 --> 00:25:13.740
or if we buckle down we could have an album's

00:25:13.740 --> 00:25:16.619
worth in no time but it goes back to the timing

00:25:16.619 --> 00:25:21.190
issue joel is our producer and helps co -write

00:25:21.190 --> 00:25:23.769
and plays guitar on these things. He's a brilliant

00:25:23.769 --> 00:25:28.049
songwriter and exceptional guitar player. So

00:25:28.049 --> 00:25:31.829
it's just like we work at his studio and it's,

00:25:31.829 --> 00:25:34.869
you know, trying to get us all in there at one

00:25:34.869 --> 00:25:38.470
time is the biggest problem. But as far as backlog

00:25:38.470 --> 00:25:41.630
or song, you know, we've got enough to... I'm

00:25:41.630 --> 00:25:43.769
sure if we just buckle down today, we could have

00:25:43.769 --> 00:25:47.160
an album, you know... We got, there's plenty

00:25:47.160 --> 00:25:49.539
out there. It's just not recorded. And the video

00:25:49.539 --> 00:25:52.180
wise, we're trying to get started on the video

00:25:52.180 --> 00:25:55.759
for Undone right now. And currently in Georgia,

00:25:55.779 --> 00:25:57.779
we have about two or three inches of snow on

00:25:57.779 --> 00:25:59.140
the ground. So I don't know if today would be

00:25:59.140 --> 00:26:02.720
a good day to start production on it, but we're

00:26:02.720 --> 00:26:05.859
working on it. It all comes down to just having

00:26:05.859 --> 00:26:09.720
time. I mean, it just really is just about, you

00:26:09.720 --> 00:26:12.640
know, all of us have something, a life and a

00:26:12.640 --> 00:26:14.759
family to look after. And it's just. You know,

00:26:14.759 --> 00:26:18.859
if we were out there with just time, buckets

00:26:18.859 --> 00:26:21.579
of time to work with, we'd have all this completed

00:26:21.579 --> 00:26:24.819
by now. But the songs are, everybody's extremely

00:26:24.819 --> 00:26:27.339
excited about it. We played, you know, we played

00:26:27.339 --> 00:26:30.000
all of them live. So at least, you know, we've

00:26:30.000 --> 00:26:32.579
got the pleasure of getting to share them in

00:26:32.579 --> 00:26:35.279
a live performance, but we're anxious to get

00:26:35.279 --> 00:26:43.079
this stuff out there for sure. I mean, it's...

00:26:49.769 --> 00:27:00.130
This is Nick and Sue with Cheddar Box giving

00:27:00.130 --> 00:27:02.910
you all you need to know about musical entertainment

00:27:02.910 --> 00:27:10.029
Cheddar Box Cheddar Box Cheddar Box Cheddar Box

00:27:10.029 --> 00:27:13.829
Cheddar Box Cheddar Box Let's put it on his head

00:27:13.829 --> 00:27:15.930
a little bit, put you on the spot a bit. I'll

00:27:15.930 --> 00:27:20.109
just say, we get you two guys to come back in

00:27:20.109 --> 00:27:24.009
six months time. All the end of the summer, so

00:27:24.009 --> 00:27:26.049
we're getting into autumn, into the fall or whatever.

00:27:26.970 --> 00:27:28.490
So we've got the majority of the year out of

00:27:28.490 --> 00:27:31.410
the way. And what would you like to be telling

00:27:31.410 --> 00:27:33.750
Sue and myself that you've actually achieved?

00:27:34.450 --> 00:27:37.190
I would like to... tell you to come pick us up

00:27:37.190 --> 00:27:40.230
at the airport in London. That's, that's what

00:27:40.230 --> 00:27:42.450
I really want to be telling you. And Tabby can

00:27:42.450 --> 00:27:47.089
back. Yeah. It's, uh, that is probably an album.

00:27:47.390 --> 00:27:50.650
I'm trying to, yeah, an album. Yeah, the album.

00:27:51.069 --> 00:27:53.369
We've had some good shows put together. We've

00:27:53.369 --> 00:27:56.529
got some music videos out. We have a load of

00:27:56.529 --> 00:27:59.609
merch and we are headed your way. Headed your,

00:27:59.789 --> 00:28:02.809
no, we're already there. Yeah. If they're speculating

00:28:02.809 --> 00:28:05.500
or, you know, but uh, I don't know. It's always

00:28:05.500 --> 00:28:07.400
been, I was trying to think if there's anything

00:28:07.400 --> 00:28:11.220
higher on my bucket list than to perform in the

00:28:11.220 --> 00:28:15.759
UK. And I don't think there is. What about a

00:28:15.759 --> 00:28:20.380
venue? If I could just get there and step off

00:28:20.380 --> 00:28:23.200
the plane and say, okay, I'm here, hit one big

00:28:23.200 --> 00:28:25.619
power cord and go home. I could at least say

00:28:25.619 --> 00:28:30.480
I did. You know, we're, we're primarily looking

00:28:30.480 --> 00:28:34.039
for For us to come over cold and just try to

00:28:34.039 --> 00:28:36.619
do anything, you know, I don't know what that

00:28:36.619 --> 00:28:39.200
would have, if it would do us any good. We want,

00:28:39.279 --> 00:28:41.039
when we come over there, we want to make sure

00:28:41.039 --> 00:28:44.059
we're either in a support position, you know,

00:28:44.099 --> 00:28:46.140
opening for somebody that's touring where we

00:28:46.140 --> 00:28:49.099
can work in with them. But I mean, I would do

00:28:49.099 --> 00:28:50.859
it. And I know Tabby would do it. We could go

00:28:50.859 --> 00:28:54.000
over there with our, you know, busk. Then what

00:28:54.000 --> 00:28:57.500
do y 'all call it? The tube? The tube and busk.

00:28:57.720 --> 00:29:01.619
But we would love to come over. And, and perform

00:29:01.619 --> 00:29:04.920
soon. And that's, I've always been a huge fan

00:29:04.920 --> 00:29:07.460
of all, you know, I think when you're in the

00:29:07.460 --> 00:29:09.400
United States, you like all the bands that come

00:29:09.400 --> 00:29:13.579
out of the UK and vice versa, but it's, um, that's

00:29:13.579 --> 00:29:16.920
just been my goal to get there. So, uh, in addition

00:29:16.920 --> 00:29:19.859
to what Tabby said, the album, the videos, you

00:29:19.859 --> 00:29:23.460
know, the merchant and on and on and to get across

00:29:23.460 --> 00:29:27.279
there and. and perform in the UK. I mean, if

00:29:27.279 --> 00:29:29.019
anybody out there is listening that's a booking

00:29:29.019 --> 00:29:33.500
agent or a tour manager, you know, she's a machine

00:29:33.500 --> 00:29:37.230
is available. Let's do it. get some sort of a

00:29:37.230 --> 00:29:39.630
video reel together with a few of the songs and

00:29:39.630 --> 00:29:42.569
things on. It sounds good, not tinny like you're

00:29:42.569 --> 00:29:45.089
in. I don't mean you sound tinny, but I mean,

00:29:45.529 --> 00:29:49.490
when you're doing a live stream. Yeah, you want

00:29:49.490 --> 00:29:52.190
a board recording if you're doing a live performance.

00:29:53.230 --> 00:29:55.210
Something like that will make it sound like really

00:29:55.210 --> 00:29:58.410
good. We've got the studio stuff, but the pictures

00:29:58.410 --> 00:30:02.700
of you, Phil. Let me have that. I always send

00:30:02.700 --> 00:30:04.799
it around, but it doesn't mean... See, the thing

00:30:04.799 --> 00:30:07.700
is, yeah, I know people, but the point is, it

00:30:07.700 --> 00:30:09.720
doesn't matter who you know, at the end of the

00:30:09.720 --> 00:30:11.339
day, it's only if they're looking for someone

00:30:11.339 --> 00:30:15.000
at that time. It's only as good as that. It's

00:30:15.000 --> 00:30:18.079
all timing and luck. I mean, you can say what

00:30:18.079 --> 00:30:21.000
you want to because I know some brilliant, brilliant

00:30:21.000 --> 00:30:24.180
musicians. I mean, I could just... Where I live,

00:30:24.299 --> 00:30:26.039
I could go right down the road, my neighbors

00:30:26.039 --> 00:30:28.829
and... awesome drummer. You don't have to go

00:30:28.829 --> 00:30:31.890
far, but it's not necessarily what you know as

00:30:31.890 --> 00:30:34.450
much as who you know, unfortunately. You can

00:30:34.450 --> 00:30:37.630
be the most brilliant guitarist, pianist, vocalist,

00:30:37.710 --> 00:30:40.650
whatever you want to bring to the table. And

00:30:40.650 --> 00:30:43.490
if you just don't, you know, if X and Y don't

00:30:43.490 --> 00:30:46.789
cross there somewhere, it's just you're never

00:30:46.789 --> 00:30:51.269
out there. And you have to keep that X and Y

00:30:51.269 --> 00:30:55.539
going some way. And it boils down to tenacity

00:30:55.539 --> 00:30:59.140
and timing is what timing to me timing to us

00:30:59.140 --> 00:31:02.180
is important yeah maybe timing and tenacity and

00:31:02.180 --> 00:31:06.119
tabby since we're on the tee go tabby in there

00:31:06.119 --> 00:31:10.220
with it sometimes i mean we rarely ask people

00:31:10.220 --> 00:31:12.640
on there normally we get approached by all levels

00:31:12.640 --> 00:31:14.680
of you know whoever they are even a and b listers

00:31:14.680 --> 00:31:18.400
but in the earlier days was this more the early

00:31:18.400 --> 00:31:21.200
days and we were this is how i learned about

00:31:21.200 --> 00:31:26.009
timing you're never out of your depth, but it's

00:31:26.009 --> 00:31:27.829
all to do with timing. Now that person's got

00:31:27.829 --> 00:31:31.769
that album out, you drop that email at that time

00:31:31.769 --> 00:31:33.650
when they need to be doing it. And if they don't

00:31:33.650 --> 00:31:36.430
go on BBC Radio 2, Chatterbox is the biggest

00:31:36.430 --> 00:31:41.109
thing they can get. And it is. And yeah, and

00:31:41.109 --> 00:31:42.970
we learned that, didn't we? Because we start

00:31:42.970 --> 00:31:44.970
thinking, my god, we've got so and so, we've

00:31:44.970 --> 00:31:48.150
got that. And we think, but no, it's timing.

00:31:48.630 --> 00:31:50.309
We're offering service, we're offering a chat

00:31:50.309 --> 00:31:52.619
show. Yeah, but they're not going to come on

00:31:52.619 --> 00:31:55.200
and waste their, but they've got something to

00:31:55.200 --> 00:31:57.579
sell or an album or a book. That's when they

00:31:57.579 --> 00:31:59.720
come on. Just all dropping it at the right time.

00:32:01.200 --> 00:32:03.940
Yeah. Yeah. It's like you guys, when you get

00:32:03.940 --> 00:32:07.440
taken up to support somebody in the UK, it's

00:32:07.440 --> 00:32:10.200
that, it's just that, that, that real landing

00:32:10.200 --> 00:32:16.680
that day, isn't it? It is. No matter. One thing

00:32:16.680 --> 00:32:19.200
in this business, you've had to have the thickest

00:32:19.259 --> 00:32:23.359
Skin and tabby can tell you One half of my body

00:32:23.359 --> 00:32:26.180
has thick skin, but if you get me on the wrong

00:32:26.180 --> 00:32:29.519
day on the wrong day But you have to be able

00:32:29.519 --> 00:32:33.000
to take no for an answer. You have to be resilient

00:32:33.000 --> 00:32:35.619
bounce back However, you want to put that but

00:32:35.619 --> 00:32:38.640
you will hear no Even if you're great, you know

00:32:38.640 --> 00:32:40.700
if you're out there the food fighters or the

00:32:40.700 --> 00:32:43.119
killers or Billy Eilish or somebody Nobody's

00:32:43.119 --> 00:32:45.920
gonna tell you no but leading up to that kind

00:32:45.920 --> 00:32:49.319
of level you're gonna hear no a lot more than

00:32:49.319 --> 00:32:52.200
you hear yes and i mean it just you put all your

00:32:52.200 --> 00:32:55.579
stuff together your photo and your video reel

00:32:55.579 --> 00:32:58.700
and your studio songs and hand it to somebody

00:32:58.700 --> 00:33:01.279
and you're just like nah you know and it's you

00:33:01.279 --> 00:33:04.079
have to just say well let me brush that off and

00:33:04.079 --> 00:33:07.420
you know get on with the next yeah we just we

00:33:07.420 --> 00:33:09.859
once we got an example uh couple years three

00:33:09.859 --> 00:33:13.119
years ago of somebody that appeared on the Ed

00:33:13.119 --> 00:33:16.140
Sullivan show in the 60s more than once uh we

00:33:16.140 --> 00:33:20.160
approached We got shunned quite badly. Oh yeah.

00:33:21.000 --> 00:33:23.579
When it came to the second song coming out and

00:33:23.579 --> 00:33:26.079
Radio 2 didn't want to know, they came crawling

00:33:26.079 --> 00:33:31.599
to us. Are we going to have them on or not? He

00:33:31.599 --> 00:33:35.369
said yeah, go on, we're good my child. It's been

00:33:35.369 --> 00:33:37.049
something that's had masses of number ones in

00:33:37.049 --> 00:33:40.529
the 60s. His initials aren't Tom Jones, is it?

00:33:40.569 --> 00:33:47.009
No. Didn't come from Wales, no. Well, I'm a huge

00:33:47.009 --> 00:33:56.329
fan. I go back and watch. all, I mean, I'm a

00:33:56.329 --> 00:33:59.569
sucker for all those, like the Ed Sullivan and

00:33:59.569 --> 00:34:02.069
even on up through the seventies, like the Burt

00:34:02.069 --> 00:34:04.809
Sugarman's Midnight Express and all those shows.

00:34:05.029 --> 00:34:07.930
I am just like a complete sucker for those things.

00:34:08.170 --> 00:34:09.929
So I'll figure out who you're talking about.

00:34:11.449 --> 00:34:13.710
You're working out two years ago. So get your

00:34:13.710 --> 00:34:15.429
historian in Liverpool to work out who was bringing

00:34:15.429 --> 00:34:20.829
stuff. Yeah. Yeah. Frank, probably having lunch

00:34:20.829 --> 00:34:23.739
with him right now. Yeah. Let's do social media.

00:34:23.920 --> 00:34:27.400
Tell them about what social media. Let's do the

00:34:27.400 --> 00:34:30.260
social media for this time. The socials are all

00:34:30.260 --> 00:34:37.360
like, um, Facebook, Instagram, obviously YouTube.

00:34:38.300 --> 00:34:41.300
Um, and we're just, we have the machine .com.

00:34:41.539 --> 00:34:48.210
We got the .com. Yeah. And then, um, And so that's

00:34:48.210 --> 00:34:50.449
um, I think monies here recently posted about

00:34:50.449 --> 00:34:55.130
more more shirts Yeah, yeah as well and so So

00:34:55.130 --> 00:34:57.949
we've got that and we post when you know, we're

00:34:57.949 --> 00:35:01.409
recording and where our shows are and you know

00:35:01.409 --> 00:35:04.030
We've got some some other plans in the works,

00:35:04.030 --> 00:35:07.170
you know, I think we've even talked about Introducing

00:35:07.170 --> 00:35:09.789
all of our pets, you know stuff like that and

00:35:09.789 --> 00:35:12.190
just kind of get to know you type stuff says

00:35:12.190 --> 00:35:14.610
we're introducing Ourself to the world, you know,

00:35:14.730 --> 00:35:17.460
let them know a little bit more Right, thank

00:35:17.460 --> 00:35:19.760
you very much. It leaves me to say, uh, Tammy

00:35:19.760 --> 00:35:22.139
Kirby and Monty Connor, thank you so much for

00:35:22.139 --> 00:35:24.179
coming on Chatterbox. Thank you for having us.

00:35:24.420 --> 00:35:25.360
Let's do it later in the year, shall we? That

00:35:25.360 --> 00:35:27.679
was fantastic. That's awesome. All right. We

00:35:27.679 --> 00:35:29.579
appreciate it very much. And thank you so much.

00:35:30.239 --> 00:35:33.159
Thank you. Bye -bye. Bye. Bye. Bye. Take care.

00:36:03.309 --> 00:36:05.429
You've been listening to the 50th edition of

00:36:05.429 --> 00:36:07.750
the Chatterbox Redux podcast and our special

00:36:07.750 --> 00:36:10.750
guests today were Monty and Tabby from She's

00:36:10.750 --> 00:36:13.050
a Machine. If you're interested in becoming a

00:36:13.050 --> 00:36:15.710
future guest on the Chatterbox Redux podcast

00:36:15.710 --> 00:36:18.250
or the radio show Chatterbox UK, you're welcome

00:36:18.250 --> 00:36:21.110
to submit songs, books or whatever it is you

00:36:21.110 --> 00:36:24.769
do and send us a CV, synopsis or press release.

00:36:25.070 --> 00:36:28.050
However, we receive several thousand such press

00:36:28.050 --> 00:36:31.030
releases every week, and it's impossible to reply

00:36:31.030 --> 00:36:34.170
to each one individually. Why not email us or

00:36:34.170 --> 00:36:36.190
leave a comment, because we'd love to know what

00:36:36.190 --> 00:36:38.869
you think of the podcast. Our email address is

00:36:38.869 --> 00:36:43.070
nickelbum at myyahoo .com. Alternatively, you

00:36:43.070 --> 00:36:47.329
could write to us at P .O. Box 26, the Old Observer

00:36:47.329 --> 00:36:50.869
Building, Telford Road, St. Leonard -on -Sea,

00:36:51.110 --> 00:36:56.519
East Sussex, England, TN 38. 9LZ and wherever

00:36:56.519 --> 00:36:58.860
it is you choose to listen to the Chatterbox

00:36:58.860 --> 00:37:02.019
Redux podcast don't forget to give us a like

00:37:02.019 --> 00:37:05.039
a follow a favorite or whatever it is it is on

00:37:05.039 --> 00:37:07.800
that platform just so you don't miss a future

00:37:07.800 --> 00:37:12.059
episode. Sue, myself Nick and Twinkle the tuxedo

00:37:12.059 --> 00:37:14.900
cat thank you very much for your company and

00:37:14.900 --> 00:37:16.960
we look forward to welcoming you again next time

00:37:16.960 --> 00:37:20.559
for another Chatterbox Redux podcast in the meantime

00:37:20.559 --> 00:37:23.570
take care thank you for your company and we catch

00:37:23.570 --> 00:37:49.750
them. Bye -bye. Nick and Sue with Chatterbox

00:37:49.750 --> 00:37:53.349
giving you all you need to know about musical

00:37:53.349 --> 00:38:01.650
entertainment Chatterbox, the best interviews

00:38:01.650 --> 00:38:06.150
with Nick and Sue Chatterbox, the best news
