WEBVTT 00:00:01.550 --> 00:00:05.990 And now here they are, Nick and Sue on Chatterbox. 00:00:06.150 --> 00:00:09.529 When the stars talk, they talk to Nick and Sue. 00:00:32.810 --> 00:00:35.270 to the Chatterbox Redux podcast with Sue and 00:00:35.270 --> 00:00:38.210 Nick, and today our special guest is Jill Saywood 00:00:38.210 --> 00:01:00.560 of Shack Attack. We're Chatterbox giving you 00:01:00.560 --> 00:01:04.760 all you need to know about musical entertainment. 00:01:06.420 --> 00:01:12.000 Oh yeah! Chatterbox, the best interviews with 00:01:12.000 --> 00:01:25.439 Nick and Sue. Chatterbox, the best news And now 00:01:25.439 --> 00:01:28.400 on Chatterbox UK, we're just lucky to welcome 00:01:28.400 --> 00:01:31.439 back Jill Sayward of Shack Attack. Jill, welcome. 00:01:31.540 --> 00:01:34.159 How are you? Hello, Jill. Oh, I'm fine, thank 00:01:34.159 --> 00:01:37.019 you. I'm boiling hot. I'm down in Sardinia where 00:01:37.019 --> 00:01:39.640 I live. most of the time and we are boiling I 00:01:39.640 --> 00:01:42.019 know the weather's awful because I'm just preparing 00:01:42.019 --> 00:01:45.359 to fly back to the weather report and to be depressing 00:01:45.359 --> 00:01:49.680 ah yes yeah I think we hit 20 something a few 00:01:49.680 --> 00:01:52.200 days running so that must have been our summer 00:01:52.200 --> 00:01:56.060 that was it it's probably all gone now Right, 00:01:56.359 --> 00:01:58.519 speaking to you at the moment, Joel, you're right. 00:01:58.659 --> 00:02:01.599 It's a very, very busy time for you guys, isn't 00:02:01.599 --> 00:02:04.799 it? I know that because we've got our own tickets 00:02:04.799 --> 00:02:07.799 to the Chequameed Theatre, and it's coincided 00:02:07.799 --> 00:02:11.810 on July 27th, but... You've just got so much 00:02:11.810 --> 00:02:14.030 on, so tell us a bit about what's remaining of 00:02:14.030 --> 00:02:16.050 the tour, and I think you're adding to it all 00:02:16.050 --> 00:02:18.689 the time, but yeah. It's in every day there's 00:02:18.689 --> 00:02:20.469 something going on there. Now you say Chequameed, 00:02:20.849 --> 00:02:24.310 tomorrow I'm heading back for a gig in Somerton, 00:02:24.370 --> 00:02:26.389 the Somerton Festival, so it's sort of like a 00:02:26.389 --> 00:02:29.969 Woodstock type thing, which is two dates plugged 00:02:29.969 --> 00:02:32.849 out really, but Chequameed is the next one after 00:02:32.849 --> 00:02:34.909 that, which is actually one of our favourite 00:02:34.909 --> 00:02:36.810 theatres. There's something about that place, 00:02:37.270 --> 00:02:39.569 really nice, and of course we have a lot of people 00:02:39.569 --> 00:02:42.110 that you to come and see us down at the Pizza 00:02:42.110 --> 00:02:46.090 Jazz in Maidstone and that closed down so it 00:02:46.090 --> 00:02:48.889 seems like we've got a whole posse of hardcore 00:02:48.889 --> 00:02:51.689 fans coming to check and meet and obviously you're 00:02:51.689 --> 00:02:54.490 two of them. Yes absolutely and it's the first 00:02:54.490 --> 00:02:59.629 time I've seen you since earlier it must be over 00:02:59.629 --> 00:03:02.930 40 years ago it would be yeah and I saw you at 00:03:02.930 --> 00:03:06.530 Hastings Pier I saw you What, with Shack Attack 00:03:06.530 --> 00:03:09.710 or the previous band? With Shack Attack, yeah, 00:03:09.729 --> 00:03:12.250 saw you on Shack Attack on Hastings Pier, when 00:03:12.250 --> 00:03:14.729 it was the old ballroom on the pier and it was 00:03:14.729 --> 00:03:17.090 quite a big venue that was, but long gone. But 00:03:17.090 --> 00:03:19.150 I saw you there, yes, I did see you there, so 00:03:19.150 --> 00:03:21.469 there we go. You know, that's really strange 00:03:21.469 --> 00:03:24.090 because a fan has sent me, I don't think it's 00:03:24.090 --> 00:03:28.169 you, photos, we did a photo call outside of the 00:03:28.169 --> 00:03:30.969 actual pavilion, so it was with Jackie Ball was 00:03:30.969 --> 00:03:33.150 in the band and that, and we were all, it was 00:03:33.150 --> 00:03:36.469 about 14, you know. one of our first photo sessions 00:03:36.469 --> 00:03:39.259 outside on the pier. Oh, brilliant. I think I 00:03:39.259 --> 00:03:41.699 looked about 14 at the time as well, so don't 00:03:41.699 --> 00:03:45.879 worry. It's brilliant. So it's great to see that 00:03:45.879 --> 00:03:49.699 Shack Attack are still as busy as ever, really. 00:03:50.960 --> 00:03:53.460 Looking at some of the gigs that are coming up, 00:03:53.560 --> 00:03:56.599 I mean, we've got, you're going to Birmingham, 00:03:57.000 --> 00:03:59.620 Macclesfield, Pizza Express Jazz Club, which 00:03:59.620 --> 00:04:03.099 you do quite a bit, I think, and Soho. Just looking 00:04:03.099 --> 00:04:24.879 down, yeah. Worthing, another one there. Absolutely 00:04:24.879 --> 00:04:27.560 and I see further down you you're there it looks 00:04:27.560 --> 00:04:30.079 like three days running in November November 00:04:30.079 --> 00:04:36.480 7th eighth night Wow I think people say when 00:04:36.480 --> 00:04:38.879 we're talking to the fans after the gig, why 00:04:38.879 --> 00:04:41.300 do we set out so quickly? What is it about this 00:04:41.300 --> 00:04:44.920 place? And I think we turn it into a bit like 00:04:44.920 --> 00:04:49.759 a private party. Each show is private, so you 00:04:49.759 --> 00:04:52.610 kind of check attacks. private party where we 00:04:52.610 --> 00:04:54.889 have a lot of fun together and I think you know 00:04:54.889 --> 00:04:57.470 it's such a small venue people are so in your 00:04:57.470 --> 00:04:59.970 face it literally is like being in your own living 00:04:59.970 --> 00:05:03.170 room I think it comes across as that now yeah 00:05:03.170 --> 00:05:05.709 since since we spoke last time I think we were 00:05:05.709 --> 00:05:08.870 heading to the end of lockdown and you know you 00:05:08.870 --> 00:05:11.709 were desperate to get gigging again which I can 00:05:11.709 --> 00:05:14.629 totally understand and touring and so on but 00:05:14.920 --> 00:05:18.100 More recently you have brought out a new album 00:05:18.100 --> 00:05:20.199 which is a few months back. Tell us about the 00:05:20.199 --> 00:05:22.319 new album and what, if people haven't listened 00:05:22.319 --> 00:05:24.300 to it yet or bought it yet, what can they expect 00:05:24.300 --> 00:05:27.709 from it? Well that was an interesting album to 00:05:27.709 --> 00:05:31.430 make. We seemed to explode with new material. 00:05:32.269 --> 00:05:34.629 Everyone was sort of getting down and writing 00:05:34.629 --> 00:05:36.810 initially and it just seemed that everything 00:05:36.810 --> 00:05:40.189 was turning out really good so we decided, we 00:05:40.189 --> 00:05:41.769 sent to the record company and said we have an 00:05:41.769 --> 00:05:44.529 awful lot of material here, do you want to edit 00:05:44.529 --> 00:05:47.509 etc and they said no, no, no, go with it. And 00:05:47.509 --> 00:05:49.769 so the album is packed with about 14 songs and 00:05:49.769 --> 00:05:53.649 they've gone there but the core of it was just 00:05:53.649 --> 00:05:56.209 taking into consideration the state of the world, 00:05:56.509 --> 00:05:59.970 the future of the world, kids, wars, the whole 00:05:59.970 --> 00:06:03.550 thing, but on a positive note, and imagining 00:06:03.550 --> 00:06:06.949 that something's looking down on us, the eyes 00:06:06.949 --> 00:06:09.870 of the world, it was all a bit earth, wind and 00:06:09.870 --> 00:06:15.110 fire. And of course JVC returned the compliment 00:06:15.110 --> 00:06:18.970 by designing an album cover that's very similar 00:06:18.970 --> 00:06:22.670 to that sort of vibe. So it suited the concept 00:06:22.670 --> 00:06:25.389 and now the graphics suit it. It's a lovely cover, 00:06:25.449 --> 00:06:28.569 the best cover we've ever had really. And also 00:06:28.569 --> 00:06:33.610 it's the biggest sale so far of our sort of last 00:06:33.610 --> 00:06:36.509 20, 30 years. So it's looking good. Wonderful. 00:06:36.829 --> 00:06:38.990 Wonderful. Good news, isn't it? Very good news. 00:06:42.689 --> 00:06:46.370 Just out of interest, the presence line -up of 00:06:46.370 --> 00:06:49.189 Shack Attack, are you all original members from 00:06:49.189 --> 00:06:52.829 when you had the first hit? I'm trying to think 00:06:52.829 --> 00:06:56.209 now. Are you all original members there? Well, 00:06:56.490 --> 00:07:00.509 yeah, good point because we are now, the four 00:07:00.509 --> 00:07:05.069 of us have been joined by our original guitarist, 00:07:05.170 --> 00:07:10.509 Keith Winter. our old guitarist Alan Womow unfortunately 00:07:10.509 --> 00:07:14.689 died last year very suddenly with a heart attack 00:07:14.689 --> 00:07:19.889 and we didn't know what on earth to do but it 00:07:19.889 --> 00:07:21.670 so happens that Keith who was struck down with 00:07:21.670 --> 00:07:26.389 a mystery nerve illness way back in 33 odd years 00:07:26.389 --> 00:07:31.050 ago was repairing very quickly nerves were coming 00:07:31.050 --> 00:07:34.170 back he's playing again so we sort of said do 00:07:34.170 --> 00:07:35.889 you think you'd be would you like to come back 00:07:35.889 --> 00:07:37.730 on the road with us after all these years and 00:07:37.730 --> 00:07:40.610 he said yes try and stop me and of course he's 00:07:40.610 --> 00:07:42.709 come on board again and he's taken the band to 00:07:42.709 --> 00:07:45.069 a whole new level i think that's why we're so 00:07:45.069 --> 00:07:48.189 busy because the gigs have been really well you'll 00:07:48.189 --> 00:07:51.370 see yourself when you come to a gig but he's 00:07:51.370 --> 00:07:53.930 added another dimension and of course as we stand 00:07:53.930 --> 00:07:57.060 on stage it's the complete complete line up again 00:07:57.060 --> 00:08:00.480 original yes well i'm sorry to hear about uh 00:08:00.480 --> 00:08:03.259 uh his passing but keith is the yeah uh yeah 00:08:03.259 --> 00:08:06.259 i i'm thrilled to see that you've got sort of 00:08:06.259 --> 00:08:09.800 keith back on board Yeah, he's superb, honestly. 00:08:10.000 --> 00:08:12.300 And he's great visually too, so I've got somebody 00:08:12.300 --> 00:08:16.660 else to pick on on stage. Well, you're the boss. 00:08:16.959 --> 00:08:19.579 OK, now I also get the impression from Shack 00:08:19.579 --> 00:08:22.660 Attack is you basically never stopped working. 00:08:22.819 --> 00:08:25.920 I think it was only the lockdown that really 00:08:25.920 --> 00:08:29.160 slowed you up because basically you... We say 00:08:29.160 --> 00:08:31.620 you're touring at the moment, but... Technically 00:08:31.620 --> 00:08:34.360 I don't think you ever really stop do you I mean 00:08:34.360 --> 00:08:36.299 somebody rings up once a gig here and a gig there 00:08:36.299 --> 00:08:38.679 I think you you tend to book it in and off you 00:08:38.679 --> 00:08:55.090 go. I think is that right? Yeah, it's pretty 00:08:55.090 --> 00:08:59.590 heavy going. That's why we can't stand this revival 00:08:59.590 --> 00:09:03.750 tag. We don't need to be revived. We haven't 00:09:03.750 --> 00:09:06.389 gone anywhere. We've been on the road since 1980. 00:09:06.950 --> 00:09:09.509 That's good. I like it. I like that. Yeah, absolutely. 00:09:10.669 --> 00:09:12.789 So anyway, we turned up, Sue and I turned up 00:09:12.789 --> 00:09:19.009 to East Grinstead on Saturday 27th and I'm assuming 00:09:19.009 --> 00:09:21.539 or I'm hoping that we're going to have some of 00:09:21.539 --> 00:09:23.159 the classics that we know from the charts but 00:09:23.159 --> 00:09:25.860 also be greeted with something from the uh new 00:09:25.860 --> 00:09:28.240 album and new material is that what we will get 00:09:28.240 --> 00:09:30.799 that's right yeah yeah you'll get the classic 00:09:30.799 --> 00:09:33.080 all of them uh you can't possibly leave them 00:09:33.080 --> 00:09:40.860 out it's two 45 um slots so they'll be there 00:09:40.860 --> 00:09:44.559 for you but there are tracks from some more obscure 00:09:44.559 --> 00:09:49.460 albums and um all tracks possibly from the new 00:09:49.460 --> 00:09:52.870 album sure brilliant I remember I mean we've 00:09:52.870 --> 00:09:55.210 done the the history of shack attack twice before 00:09:55.210 --> 00:09:57.789 once on chatterbox and once on the live station 00:09:57.789 --> 00:10:01.210 and I remember my favorite bit from that well 00:10:01.210 --> 00:10:04.149 I like the way you got the name but my favorite 00:10:04.149 --> 00:10:09.460 bit I gotta say is When you told me that you 00:10:09.460 --> 00:10:13.019 were session music musicians on those old top 00:10:13.019 --> 00:10:17.000 the pops albums I think it's brilliant. I like 00:10:17.000 --> 00:10:30.649 it. Yeah albums we were on roger and myself and 00:10:30.649 --> 00:10:33.929 niger was on cables as well back then uh yeah 00:10:33.929 --> 00:10:36.409 dill didn't do so many dill did show up for quite 00:10:36.409 --> 00:10:39.750 a few tracks but yeah this the hardcore was chuck 00:10:39.750 --> 00:10:41.610 attack we were session players and we were all 00:10:41.610 --> 00:10:44.350 on there working our butts off that's how we 00:10:44.350 --> 00:10:46.570 started you know but yet roger was nearly on 00:10:46.570 --> 00:10:48.970 every track and i any any of the female vocals 00:10:48.970 --> 00:10:52.590 but me i was everybody The more diverse the better. 00:10:54.149 --> 00:11:12.669 Kate Bush was my speciality. They didn't mention 00:11:12.669 --> 00:11:20.970 the artist. There were a lot of big names. I 00:11:20.970 --> 00:11:23.309 took over from her doing her job at the Mecca, 00:11:23.590 --> 00:11:26.830 but she did some of the early albums with the 00:11:26.830 --> 00:11:29.070 same band that I was in. So yeah, we were there 00:11:29.070 --> 00:11:31.690 for a bit. But as I say, there are definitely, 00:11:31.909 --> 00:11:35.190 if you put in Jill Sayward's Top of the Pops 00:11:35.190 --> 00:11:37.350 albums, you'll get the whole lot of boys. Some 00:11:37.350 --> 00:11:42.309 of them are just awful. Well, I can remember 00:11:42.309 --> 00:11:44.509 somebody on one of the albums doing the Smurfs, 00:11:44.610 --> 00:11:49.129 oh my god. I know that wasn't you. No, that's 00:11:49.129 --> 00:11:52.570 a nice little touch. After all these years, I 00:11:52.570 --> 00:11:58.230 didn't know. So there you go. The first album 00:11:58.230 --> 00:12:01.389 I ever bought with Jill Sayward on was Top of 00:12:01.389 --> 00:12:04.509 the Pops' album and her doing Wordering Heights. 00:12:05.049 --> 00:12:09.940 And I've gone 46 years without knowing. You said 00:12:09.940 --> 00:12:12.220 there's girls on the front with their shoes hanging 00:12:12.220 --> 00:12:16.860 out. I didn't get around to that. No, I didn't 00:12:16.860 --> 00:12:39.759 think so. It's fine, Joe. This is Nick and Sue 00:12:39.759 --> 00:12:42.059 with Chatterbox, giving you all you need to know 00:12:42.059 --> 00:12:48.519 about musical entertainment Chatterbox, Chatterbox, 00:12:52.340 --> 00:13:09.200 Chatterbox, Chatterbox As UK venues go, there's 00:13:09.200 --> 00:13:11.019 one venue that gets it completely right, and 00:13:11.019 --> 00:13:14.240 that is The Stables in Milton Keynes, in Wimbledon. 00:13:14.440 --> 00:13:18.080 You know, that's owned by Cleo Lane and Dankworth. 00:13:18.559 --> 00:13:21.240 It's a very special place because they designed 00:13:21.240 --> 00:13:24.059 it for musicians and it provides everything that 00:13:24.059 --> 00:13:26.279 most venues don't, which is a dressing room, 00:13:26.720 --> 00:13:29.639 a toilet, a green room. everything is catered 00:13:29.639 --> 00:13:33.220 for and the audience the auditorium is set out 00:13:33.220 --> 00:13:36.240 in such a way everybody gets 100 % clear view 00:13:36.240 --> 00:13:39.480 there's no restrictive view in nothing it's it's 00:13:39.480 --> 00:13:42.399 a brilliant venue so it's stables but there are 00:13:42.399 --> 00:13:45.360 so many that we actually enjoy being i mean the 00:13:45.360 --> 00:13:47.600 pizza gigs they're a they're a drag to get to 00:13:47.600 --> 00:13:50.679 for us and load in but actually being there's 00:13:50.679 --> 00:13:52.879 a it's a nice feeling all week and i like check 00:13:52.879 --> 00:13:55.590 and lead i like the small theatres personally 00:13:55.590 --> 00:13:58.210 i like you know the dressing room and the whole 00:13:58.210 --> 00:14:01.389 theatrical side of it so that's for me but anything 00:14:01.389 --> 00:14:04.809 in the theater yeah we we like the checker mead 00:14:04.809 --> 00:14:09.309 it's uh i mean it's uh i mean it's like a proper 00:14:09.309 --> 00:14:11.750 theater is it with the circle and stalls it's 00:14:11.750 --> 00:14:15.009 uh it's all there but uh yes it is a nice little 00:14:15.009 --> 00:14:18.179 venue but we uh I won't let this stay out. We 00:14:18.179 --> 00:14:20.139 had a bit of a sound issue with Marty Wilde, 00:14:20.240 --> 00:14:22.299 didn't we? And then they had to do some... Yeah, 00:14:22.299 --> 00:14:24.240 because I thought it was my ears, didn't I? And 00:14:24.240 --> 00:14:26.220 I asked somebody, can you hear this problem? 00:14:26.600 --> 00:14:29.440 And it was in the second hour they correctified 00:14:29.440 --> 00:14:31.600 the sound issue. Well, I knew it was the guy 00:14:31.600 --> 00:14:34.080 at the back and not Marty Wilde. And you kind 00:14:34.080 --> 00:14:36.379 of... Do you say something? Don't you say something? 00:14:36.460 --> 00:14:38.799 Then the couple next to us on the circle did 00:14:38.799 --> 00:14:41.759 say something. So it was a matter of just altering 00:14:41.759 --> 00:14:44.100 his voice. So we were on the circle. We had all 00:14:44.100 --> 00:14:48.070 the drums deafening us. And all the volumes were 00:14:48.070 --> 00:14:51.210 just wrong, but in our two, it was perfect. But 00:14:51.210 --> 00:14:53.929 we are quite happy to be, we've seen the venue 00:14:53.929 --> 00:14:56.610 now, and quite happy to be in the front row with 00:14:56.610 --> 00:14:58.210 our eyesight. I can't wait for that front row. 00:14:58.409 --> 00:15:00.929 So yeah, so we've worked out where we're going 00:15:00.929 --> 00:15:02.730 to sit in the future. So we were lucky enough 00:15:02.730 --> 00:15:07.460 to get a front row seat there. This might sound 00:15:07.460 --> 00:15:09.580 a really dark question Jill, because I'm going 00:15:09.580 --> 00:15:17.279 to say, what are your plans for the future? Between 00:15:17.279 --> 00:15:20.159 now and this time next year, where would we find 00:15:20.159 --> 00:15:24.440 Shack Attack saying July next year? Well the 00:15:24.440 --> 00:15:27.059 gigs are ranking up completely, all you've got 00:15:27.059 --> 00:15:29.679 to do is go to the website www .shackattack .com 00:15:29.629 --> 00:15:32.789 Because you can see each day there's a different 00:15:32.789 --> 00:15:35.509 show coming in. There's talk of Thailand, there's 00:15:35.509 --> 00:15:38.269 talk of going back to Japan again. We're out 00:15:38.269 --> 00:15:41.169 there every year. So you don't get much chance 00:15:41.169 --> 00:15:43.509 to plan. It's all planned ahead for you because 00:15:43.509 --> 00:15:45.950 things are coming in. But there is some great 00:15:45.950 --> 00:15:49.309 news. We signed with a major record label called 00:15:49.309 --> 00:15:53.610 JVC and they had the option. We had a three album 00:15:53.610 --> 00:15:57.620 option. in which case the record company decides 00:15:57.620 --> 00:16:00.179 whether they want you to re -sign or not. So 00:16:00.179 --> 00:16:01.779 we've been with them for so many years, we're 00:16:01.779 --> 00:16:04.000 thinking maybe this year they won't take up the 00:16:04.000 --> 00:16:06.919 option and that'll be it. We'll just do our little 00:16:06.919 --> 00:16:10.019 gigs in the UK and they've come back to our manager 00:16:10.019 --> 00:16:12.279 and said no we'd like another album out Shack 00:16:12.279 --> 00:16:15.480 Attack next year please. Oh my god, we've just 00:16:15.480 --> 00:16:18.899 finished one. So we're holding off that to the 00:16:18.899 --> 00:16:21.659 middle of next year. So the new album's starting 00:16:21.659 --> 00:16:25.440 to be written sort of spring next year. but before 00:16:25.440 --> 00:16:28.080 that they want to put out another compilation 00:16:28.080 --> 00:16:30.500 of The Best Of, so that'll go out worldwide. 00:16:31.000 --> 00:16:33.120 So there's a Best Of album coming out in the 00:16:33.120 --> 00:16:46.980 new year, a new Best Of, and the new... That's 00:16:46.980 --> 00:16:50.179 pretty good though, isn't it? Pretty good. So 00:16:50.179 --> 00:16:52.559 basically working non -stop and I do think really 00:16:52.559 --> 00:16:56.620 looking at this with perhaps status quo finishing 00:16:56.620 --> 00:16:58.679 and not touring anymore and things like that 00:16:58.679 --> 00:17:02.899 and they were called Britain's most hard -working 00:17:02.899 --> 00:17:05.940 band I almost think looking at the way the gigs 00:17:05.940 --> 00:17:07.359 you've done this year already what you've got 00:17:07.359 --> 00:17:08.440 coming up. It's got to be Shack Attack hasn't 00:17:08.440 --> 00:17:10.579 it? I think it's got to be Shack Attack to get 00:17:10.579 --> 00:17:13.799 that title. Quite seriously as well, I mean you 00:17:13.799 --> 00:17:17.500 never stop, it's amazing. I know, it really is 00:17:17.500 --> 00:17:20.819 good. I think we moan sometimes about the build 00:17:20.819 --> 00:17:22.279 up to the gig and once you get there and the 00:17:22.279 --> 00:17:26.950 lights go off. Yeah, I'm sure I'm sure there 00:17:26.950 --> 00:17:29.390 must be a real buzz when there's people you know 00:17:29.390 --> 00:17:32.430 You see people's faces and the rounds of applause 00:17:32.430 --> 00:17:34.609 and you're really making their evening with your 00:17:34.609 --> 00:17:36.950 songs That's got to be a mega buzz for you. I'm 00:17:36.950 --> 00:17:45.269 sure Yeah, when what you did give out the the 00:17:45.269 --> 00:17:48.289 website, but I think I half talked over you So 00:17:48.289 --> 00:17:52.130 we do the social media now Jill and the website 00:17:52.130 --> 00:17:57.529 WWW dot shak attack dot com once again shak attack 00:17:57.529 --> 00:18:01.789 dot com I am now going to click on that and you've 00:18:01.789 --> 00:18:03.950 got everything anyone wants to know biography 00:18:03.950 --> 00:18:09.829 gigs news archives and videos audio and also 00:18:10.039 --> 00:18:13.220 In the top right hand corner there's further 00:18:13.220 --> 00:18:16.299 social media. You've got the Twitter link or 00:18:16.299 --> 00:18:19.359 X link as it is now and a Facebook link so people 00:18:19.359 --> 00:18:22.740 can go to further social media by doing that. 00:18:25.819 --> 00:18:28.440 Brilliant. Jill, it's been an absolute pleasure 00:18:28.440 --> 00:18:31.220 chatting to you again. We will invite you to 00:18:31.220 --> 00:18:33.680 talk about one of the albums or something that's 00:18:33.680 --> 00:18:35.799 happening next year for sure. So we'll invite 00:18:35.799 --> 00:18:38.759 you next year and have an update. And Jill Sayward, 00:18:39.119 --> 00:18:40.940 it's been an absolute pleasure again. Thank you 00:18:40.940 --> 00:18:43.960 so much. Thank you, Jill. Thank you. It's great 00:18:43.960 --> 00:18:45.940 to speak to you both again. Thank you, Jill. 00:18:46.059 --> 00:19:14.900 You take care. You've been listening to the Chatterbox 00:19:14.900 --> 00:19:17.880 Redux podcast with Sue and Nick and today our 00:19:17.880 --> 00:19:20.380 special guest was Jill Saywood of Shack Attack. 00:19:20.880 --> 00:19:23.539 If you're interested in becoming a future guest 00:19:23.539 --> 00:19:26.400 on the Chatterbox Redux podcast or the radio 00:19:26.400 --> 00:19:28.819 show Chatterbox UK, you're welcome to submit 00:19:28.819 --> 00:19:32.279 songs, books or whatever it is you do and send 00:19:32.279 --> 00:19:35.420 us a CV, synopsis or press release. However, 00:19:35.579 --> 00:19:38.380 we receive several thousand such press releases 00:19:38.380 --> 00:19:41.559 every week, and it's impossible to reply to each 00:19:41.559 --> 00:19:44.480 one individually. Why not email us or leave a 00:19:44.480 --> 00:19:46.460 comment, because we'd love to know what you think 00:19:46.460 --> 00:19:49.359 of the podcast. 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Nick and Sue with Chatterbox giving 00:21:04.299 --> 00:21:08.900 you all you need to know about musical entertainment. 00:21:10.539 --> 00:21:16.119 Oh yeah! Chatterbox, the best interviews with 00:21:16.119 --> 00:21:20.200 Nick and Sue. Chatterbox, the best news.