WEBVTT

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You know, when you picture mining, especially

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up in the Canadian North, I think you probably

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get a very specific image in your head. Right.

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Yeah. Like those those massive yellow dump trucks.

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Exactly. The ones where the tires are literally

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twice the size of a standard pickup truck. Oh,

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yeah. I mean, it's all industrial. It's totally

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mechanized and, you know, high tech. Right. It's

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this modern engineering marvel. But I've been

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reading through. This narrative account we're

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looking at today, it's a piece called Oh Canada.

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And it honestly completely shattered that image

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for me. Yeah, it really takes you back, doesn't

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it? It does. It takes you right back to the years

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immediately following World War II. The big machines,

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you know, they aren't there yet. Instead, you

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just have men. And not just any men, right? Exactly.

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Yeah. You have these incredibly desperate guys.

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They were imported from a Europe that was basically

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just a smoke and ruin at that point. And they're

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out there digging into the frozen ground with

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pickaxes. It's such a striking contrast, and

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I think what's really unsettling about this source

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material isn't just the physical labor part of

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it, it's the who. Yeah, the who is the wildest

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part. Because we usually have this very noble...

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almost romanticized idea of post -war immigrants.

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We think of refugees, victims, people fleeing

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tyranny. The huddled masses yearning to breathe

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free, right? Exactly. And many of them absolutely

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were. But this document, it forces us to look

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at this very uncomfortable reality mixed in with

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the victims. Or the perpetrators. Right. Men

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who didn't just need a new home, they needed

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to disappear entirely. They needed a place where

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literally no one knew their names or what they

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had done. during the war. And that is really

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the core of what we're doing a deep dive into

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today. For everyone listening, we are unpacking

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this idea of Canada as a sanctuary, but maybe

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not in the way we usually use that word. No,

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not at all. We're talking about a sanctuary for

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secrets. And our mission today is to figure out

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how these dark personal histories were effectively

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buried in the Canadian wilderness in exchange

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for citizenship. And how those pasts kind of

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quietly persist. In modern society today? Right.

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And the source material is just fascinating.

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It reads almost like a noir detective story.

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It follows this guy named Yazeed and his friend

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Norman. But the wild thing is, it's not fiction.

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It's a real account of unraveling a family history

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that starts in Latvia and ends up... deep underground

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in the northwest territories it really challenges

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that whole clean slate mythology of immigration

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we tend to think you know you cross an ocean

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and you're born again but the story argues that

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you actually bring your ghosts with you you definitely

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do so what's um Let's set the scene here. The

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narrative starts in Montreal. It does. It opens

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on Rue Saint -Denis. It's just a regular evening.

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You've got Yazeed and Norman sitting in a bar

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just having a drink. Just two guys catching up.

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Exactly. It feels very casual, but then the vibe

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completely shifts. Norman has brought something

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with him. The envelope? Yes. He pulls out this

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yellowed, beat -up envelope from his bag, and

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you can tell immediately this isn't just standard

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paperwork. These are real artifacts. What exactly

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was in it? So inside, there's an old immigration

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card, a citizenship certificate, basically the

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bureaucratic proof of a life being rebuilt from

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scratch. But then he pulls out the photos, and

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this is where the story just takes a hard turn.

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I remember reading the description of this one

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specific photo. Norman's father is young, and

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he's standing there with his older brother. But

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it's what they're wearing that stops you cold.

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Yeah, they're in military uniforms. And specifically,

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they're uniforms of the Waffen -SS auxiliary.

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Okay, let's pause right there. Because when I

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see SS, my brain immediately goes to German soldiers.

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But Norman's father wasn't German? No, he wasn't.

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He was Latvian. He was from Riga. And this is

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where the historical context becomes really crucial

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to understand. The source explains that for a

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lot of these young men in the Baltic states,

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the motivation to join wasn't necessarily that

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they were die -hard ideological Nazis. Well,

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was it then? It was actually fueled by a massive,

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deep -seated hatred of the Russians. Ah, because

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of the Soviet invasion. Precisely. The Soviets

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had invaded Latvia in 1939. So when the Germans

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came through a bit later, some of these local

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men saw the SS as essentially a vehicle to fight

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the Russians. They wanted the Soviets out. Enemy

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of my enemies, my friend kind of thing. Exactly.

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So Norman's father joined up, and so did his

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older brother. The brother ended up dying in

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combat. But the father survived. And he left

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behind a wife and kids in Latvia when he fled,

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right? He did. He left an entire life behind.

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But here's the thing that really gets me about

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this scene in the bar. Norman is sitting there,

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showing this picture to his friend Yazeed, and

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he admits something pretty terrifying. He has

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absolutely no idea what his father actually did

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during the war. That's the black box of this

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whole narrative. Yeah. I mean, he sees the uniform,

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he knows the timeline, but the specific actions

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his dad took. It's just blank. And that ambiguity

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is what drives the real horror of this story,

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because the source lays out the possibilities

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of what his father could have been doing, and

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they are stark. Possibility A is that he was

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out on the Eastern Front fighting a conventional

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war against the Red Army, just a soldier caught

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up in a terrible, brutal conflict. And possibility

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B? Possibility B is that he never actually left

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Riga. Which implies what, exactly? What was happening

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in Riga? Well, the source gets very specific

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here. It describes the Riga ghetto. And the description

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is just chilling. It says the ghetto was no bigger

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than a large American hotel. Wait, hold on. A

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large hotel? Yeah. For an entire ghetto? Essentially

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a single city block. That's tiny. It is. And

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into that tiny, confined space, the Nazis packed...

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30 ,000 Jews. 30 ,000 people in one city block.

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I can't even picture that kind of density. It's

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completely suffocating. And the source is very

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explicit about the role of the guards there.

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Their primary job was to shoot anyone trying

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to enter or leave. Wow. And we know how that

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historical story ends. All 30 ,000 inhabitants

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of that ghetto were subsequently murdered. So

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the question haunting Normans and the question

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the source really forces you to ask yourself

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as a reader, was his father one of the men on

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that perimeter? Was he the one pulling the trigger?

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There's a term the document uses here that I

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definitely wanted to ask you about. It talks

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about the subcontracting of atrocities. That

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sounds incredibly corporate and sterile for something

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so gruesome. It is a very cold term, but it perfectly

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describes a dark historical reality. The source

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notes that German leadership often delegated

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the actual dirty work, the massacres of Jews

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and Romanes, to local populations. Like the Latvians,

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Lithuanians, and Estonians. Yes. They formed

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these local groups which were called Einsatzgruppen.

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Einsatzgruppen. Those are the mobile death squads,

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right? Yes, they were. And the source includes

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this. devastating little detail that really grounds

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the horror of it all. It says these local squads

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often carried out these exterminations in exchange

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for a bottle of vodka or schnapps. A bottle of

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vodka? Literally just alcohol. It reduces the

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Holocaust and that specific localized moment

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to a transaction for liquor. It's banal and it

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is absolutely terrifying. So Norman is sitting

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there looking at this photo of his dad, who later

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just became this quiet suburban guy in Montreal,

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and he has to wonder. Did you fight a conventional

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war or did you wipe out entire families for a

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drink? And the tragedy is he never got an answer.

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His father never spoke a word about it. That

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silence seems to be a huge running theme here.

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But let's transition a bit and talk about how

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he actually got out of Europe. Because the war

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ends, the Germans lose, and the Soviets are coming

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back in. He obviously can't stay in Latvia. Right.

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If he stays there, he's either dead or he's going

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straight to the gulag. So he retreats alongside

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the German army. He ends up spending about three

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years in Germany, but he's basically in limbo.

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Is he can't get papers? Exactly. They refuse

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him resident status. He's just another displaced

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person floating around a ruined continent. But

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eventually, he manages to get a laissez -passer.

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It's a travel document, and it's simply marked

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stateless. With that, he gets on a boat to Halifax.

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Okay, so he arrives at the port in Canada. And

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this is where I want to really dig into the deal

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that the source talks about. Yeah. Because it

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describes these guys arriving at the port. as

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young, blonde, vigorous Slavs. To the Canadian

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authorities looking at them... They didn't look

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like war criminals. They looked like a workforce.

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Precisely. You have to put yourself in the economic

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context of Canada in the late 40s and early 50s.

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The post -war boom is just starting to rev up.

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Canadian capitalists desperately needed manpower,

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specifically for the mines up in the Northwest

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Territories. It was brutal work. Incredibly brutal.

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It was dangerous, back -breaking labor that local

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Canadians didn't necessarily want to do. So the

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government basically looked at these men and

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said, we don't care where you came from or what

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uniform you wore, as long as you can hold a shovel

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and dig. Essentially, yes. The vetting process

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was porous, to put it mildly. The absolute priority

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was raw labor. The arrangement was simple and

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highly transactional. You give us three years

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of your life, you go up north, you dig for gold

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and copper in what the source literally calls

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the hell of the mines. And if you survive. If

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you survive that for three years, we give you

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the right to stay. We give you full citizenship.

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It's almost biblical, isn't it? It sounds like

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purgatory. It really does. And the source uses

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this incredible metaphor of the minds to describe

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what was happening psychologically. Think about

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the physical act of what he's doing. He goes...

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deep into the belly of the earth. He is literally

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digging holes in the dark. Right. The author

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argues that he was burying himself and burying

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his past life in those mines. That is such a

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powerful image. Every single shovel of dirt is

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just covering up Regal a little bit more. Exactly.

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It operates as a ritual cleansing through physical

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labor. He goes in as a stateless refugee with

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a potential war crime hanging over his conscience.

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He works in the dark, in the freezing cold, barely

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speaking any English. for three solid years.

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And when he comes out. The source says he emerged

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purified of his sins and absolved of his crimes.

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Through that labor, he earned his ticket to paradise.

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And paradise in this case was Montreal. Right.

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He moves to Montreal to just melt into the crowd.

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And it was the perfect place for it at the time.

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The city was transforming. It was becoming this

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bustling metropolis. You could be anyone. He

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didn't speak French, did he? No, not a word.

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And his English was just the rough, broken stuff

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he picked up from the other guys in the mines.

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So he was quiet. He kept his head down. He was

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completely anonymous. He eventually meets Norman's

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mother, who was a Kivikwa woman. And he just

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starts this whole second life. And here's where

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the source material gets really psychological.

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There was one thing he actually did tell Normas.

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Yeah. Just one specific detail about his mindset

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during the war. This part is disturbing, but

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it offers a very raw, unfiltered insight into

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the human animal in wartime. He told his son

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that during the horror of the war, the proximity

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of death was just constant. He never knew if

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he'd still be alive in an hour. So the only reality

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that, as he put it, hooked him to life was sex.

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The urgent need to make love whenever he met

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a woman. Yes. It was a desperate, urgent need

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to prove to himself that he was still a living,

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breathing creature. That is so raw. It is. And

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interestingly, Yazeed, the friend who is sitting

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across the table listening to all this, he connects

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this feeling to his own knowledge of a totally

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different historical conflict. He brings up the

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Algerian Civil War. Okay, this part of the source

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was a bit complex for me when I was reading it.

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Yazeed starts comparing the Latvian experience

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of World War II to things that happened in Algeria.

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Can you break down that connection for us? I

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can. Yazeed is drawing a parallel to the Islamist

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guerrillas in Algeria. He talks about women who

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were taken captive by these groups. These women,

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realizing that help just wasn't coming, that

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their husbands or the state couldn't save them,

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they sometimes became what he calls consenting

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captives. Consenting captives. That sounds like

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a very loaded, complicated term. It is incredibly

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complicated. He's describing a profound psychological

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survival mechanism. You align yourself with the

00:12:03.029 --> 00:12:04.929
person holding the gun because it is literally

00:12:04.929 --> 00:12:08.220
the only way to survive the situation. Yazeed

00:12:08.220 --> 00:12:11.000
is suggesting that, in a bizarre way, Norman's

00:12:11.000 --> 00:12:13.679
father and men like him were consenting captives

00:12:13.679 --> 00:12:16.580
of the Nazi war machine. So they bet on the Germans

00:12:16.580 --> 00:12:19.539
just to survive the Soviets. Exactly. They bet

00:12:19.539 --> 00:12:22.639
on the strong horse. The source also mentions

00:12:22.639 --> 00:12:25.740
the Harkis in this exact context. I've heard

00:12:25.740 --> 00:12:27.720
the term Harkis before, but refresh my memory.

00:12:27.860 --> 00:12:30.340
Who were they exactly? The Harkis were Muslim

00:12:30.340 --> 00:12:32.879
Algerians who chose to serve as auxiliaries in

00:12:32.879 --> 00:12:34.980
the French army during the Algerian War of Independence.

00:12:35.440 --> 00:12:38.000
So they were fighting for the European colonial

00:12:38.000 --> 00:12:40.960
power against their own countrymen. I see. So

00:12:40.960 --> 00:12:43.120
when France ended up losing that war. Exactly.

00:12:43.120 --> 00:12:45.820
When France withdrew, the Harkis were left in

00:12:45.820 --> 00:12:48.919
a terrible, vulnerable position. They were viewed

00:12:48.919 --> 00:12:52.179
as traitors by the victorious Algerians, and

00:12:52.179 --> 00:12:54.360
they were often completely abandoned by the French

00:12:54.360 --> 00:12:56.460
who they fought for. So the comparison Yazid

00:12:56.460 --> 00:12:58.850
is making is about betting on the wrong. horse.

00:12:58.909 --> 00:13:00.950
That's it. You choose a side thinking you're

00:13:00.950 --> 00:13:03.110
fighting for your survival or even the right

00:13:03.110 --> 00:13:05.710
cause at the time and then history turns against

00:13:05.710 --> 00:13:08.370
you. You lose and the multi -generational price

00:13:08.370 --> 00:13:11.710
you pay for that choice is exile. So Norman's

00:13:11.710 --> 00:13:13.889
father bet on the Nazis beating the Russians.

00:13:14.070 --> 00:13:18.049
He lost and the ultimate price was lifelong silence

00:13:18.049 --> 00:13:21.649
in Canada. Yes. And that brings us to a really

00:13:21.649 --> 00:13:24.169
provocative accusation that the source makes

00:13:24.169 --> 00:13:27.549
about Canada itself as a nation. We usually love

00:13:27.549 --> 00:13:30.029
to pat ourselves on the back for being this great,

00:13:30.070 --> 00:13:32.950
peacekeeping, polite society. But the source

00:13:32.950 --> 00:13:36.269
describes Canada as, and I'm quoting the French

00:13:36.269 --> 00:13:39.580
term used here, poubelle de l 'histoire. The

00:13:39.580 --> 00:13:42.759
trash can of history. Ouch. It's a brutal phrase.

00:13:43.100 --> 00:13:45.360
But the argument the author is making is that

00:13:45.360 --> 00:13:49.279
Canada effectively became a refuge for torturers

00:13:49.279 --> 00:13:52.120
and criminals. Because if you needed to disappear,

00:13:52.320 --> 00:13:54.340
if you needed a vast place where people wouldn't

00:13:54.340 --> 00:13:56.299
ask too many questions about your weird accent

00:13:56.299 --> 00:13:59.539
or your missing past, Canada was wide open for

00:13:59.539 --> 00:14:02.159
business. And the document gives a specific example

00:14:02.159 --> 00:14:05.259
of this that honestly just shocked me. It mentions

00:14:05.259 --> 00:14:08.179
a Hungarian Nazi criminal. Yes. This guy apparently

00:14:08.179 --> 00:14:10.659
organized the deportation of half a million Jews

00:14:10.659 --> 00:14:13.340
to the death camps. Half a million people. That's

00:14:13.340 --> 00:14:15.740
a staggering, incomprehensible number. It's an

00:14:15.740 --> 00:14:18.480
entire genocide all on its own. Right. And where

00:14:18.480 --> 00:14:20.500
did this guy end up settling down? The west of

00:14:20.500 --> 00:14:22.460
Montreal. In a Jewish neighborhood. That's the

00:14:22.460 --> 00:14:24.940
specific detail that just floors you. He settled

00:14:24.940 --> 00:14:28.340
in a heavily Jewish neighborhood. Wait. How was

00:14:28.340 --> 00:14:30.759
that even remotely possible? You organize the

00:14:30.759 --> 00:14:33.159
death of 500 ,000 people, and then you pack up

00:14:33.159 --> 00:14:35.080
and move in next door to the survivors. Did he

00:14:35.080 --> 00:14:37.580
live there for a long time? 50 years. 50 years.

00:14:37.700 --> 00:14:41.000
Half a century. And nobody knew. Or nobody said

00:14:41.000 --> 00:14:44.100
anything. The source notes he lived in perfect

00:14:44.100 --> 00:14:47.200
harmony with his neighbors for all those decades.

00:14:47.259 --> 00:14:49.620
I genuinely cannot wrap my head around that.

00:14:49.720 --> 00:14:52.340
How do you borrow a cup of sugar from a neighbor

00:14:52.340 --> 00:14:54.659
whose extended family you might have personally

00:14:54.659 --> 00:14:57.480
helped exterminate? That is sociopathic. It's

00:14:57.480 --> 00:14:59.750
the ultimate camouflage, isn't it? hiding in

00:14:59.750 --> 00:15:02.649
plain sight. But the deeper, more unsettling

00:15:02.649 --> 00:15:05.070
point the source is making here is about the

00:15:05.070 --> 00:15:08.950
actual nature of social peace. It suggests that

00:15:08.950 --> 00:15:11.529
Canada's renowned social peace is built on a

00:15:11.529 --> 00:15:14.610
tacit, unspoken agreement, don't ask, don't tell.

00:15:14.950 --> 00:15:17.490
These immigrants have no interest in making noise

00:15:17.490 --> 00:15:19.570
or causing trouble because they have terrible

00:15:19.570 --> 00:15:22.320
secrets to protect. And the society around them

00:15:22.320 --> 00:15:24.360
has no interest in digging up the dirt because

00:15:24.360 --> 00:15:26.820
society just wants cheap labor and economic growth.

00:15:27.000 --> 00:15:29.600
So the piece we see isn't actual resolution or

00:15:29.600 --> 00:15:32.679
harmony. It's just silence. It's everyone collectively

00:15:32.679 --> 00:15:35.159
looking the other way. Precisely. It's a piece

00:15:35.159 --> 00:15:37.740
that is fundamentally built on amnesia. Wow.

00:15:38.580 --> 00:15:41.059
Okay, this brings us to the end of the narrative

00:15:41.059 --> 00:15:43.899
account where the story jumps from the bar to

00:15:43.899 --> 00:15:46.799
the present day. Yazeed is sitting in the back

00:15:46.799 --> 00:15:50.059
of a taxi in Montreal. And he has this moment

00:15:50.059 --> 00:15:53.399
of, I guess you'd call it paranoia. But reading

00:15:53.399 --> 00:15:56.080
it, it feels more like a profound realization.

00:15:56.620 --> 00:15:59.919
It's a very cinematic, powerful scene. He's looking

00:15:59.919 --> 00:16:01.679
at the back of the taxi driver's head. The driver

00:16:01.679 --> 00:16:04.159
is completely silent, just doing his job, navigating

00:16:04.159 --> 00:16:06.879
the streets. And Yazeed starts profiling that

00:16:06.879 --> 00:16:09.100
silence. He starts wondering who is actually

00:16:09.100 --> 00:16:11.179
hiding behind the wheel of this car. He starts

00:16:11.179 --> 00:16:12.759
running through all these modern conflicts in

00:16:12.759 --> 00:16:14.519
his head. He looks at the driver and thinks,

00:16:14.580 --> 00:16:17.120
is this guy a Rwandan Hutu who participated in

00:16:17.120 --> 00:16:19.200
the genocide? Is he a Christian soldier from

00:16:19.200 --> 00:16:21.360
the South Lebanon Army? Could he be a killer

00:16:21.360 --> 00:16:23.980
from the FIS, the Islamic Salvation Front in

00:16:23.980 --> 00:16:26.500
Algeria? That really changes how you look at

00:16:26.500 --> 00:16:28.440
living in a diverse city. You're sitting there

00:16:28.440 --> 00:16:30.379
in the backseat checking your phone, and the

00:16:30.379 --> 00:16:32.700
guy driving you to the airport might have been

00:16:32.700 --> 00:16:35.419
a warlord or a torturer in a past life. And now

00:16:35.419 --> 00:16:37.600
he's just a guy trying to pay rent and buy groceries

00:16:37.600 --> 00:16:40.860
in Montreal. The source is reminding us that

00:16:40.860 --> 00:16:43.120
people carry their ghosts with them no matter

00:16:43.120 --> 00:16:46.860
how far they travel. Norman's father might have

00:16:46.860 --> 00:16:49.580
been a totally new man to his Canadian wife.

00:16:49.840 --> 00:16:52.080
He might have been a good dad, a hard worker

00:16:52.080 --> 00:16:54.860
who mowed the lawn, but inside. He was still

00:16:54.860 --> 00:16:57.419
the young Latvian guy in the SS uniform. Exactly.

00:16:57.480 --> 00:16:59.480
He was still the man who stood guard at the ghetto.

00:16:59.659 --> 00:17:02.820
Or, you know, just... A terrified kid who made

00:17:02.820 --> 00:17:05.619
a terrible, unforgivable choice to survive. Right.

00:17:05.720 --> 00:17:08.559
It's all of that all at once. And the silence

00:17:08.559 --> 00:17:11.059
is the absolute only thing holding that fragile

00:17:11.059 --> 00:17:13.519
new reality together. Because if that taxi driver

00:17:13.519 --> 00:17:15.960
turns around and tells you his true story, his

00:17:15.960 --> 00:17:18.599
life in Canada is over. So he drives, he stays

00:17:18.599 --> 00:17:21.240
silent. And you, sitting in the passenger seat,

00:17:21.440 --> 00:17:25.099
you stay silent too. That is the new social contract.

00:17:25.440 --> 00:17:27.539
It's really chilling. You know, we started this

00:17:27.539 --> 00:17:30.210
deep dive talking about mining. about digging

00:17:30.210 --> 00:17:32.690
massive holes into the earth. Norman's father

00:17:32.690 --> 00:17:35.089
dug in the dark for three years just to earn

00:17:35.089 --> 00:17:37.869
his citizenship. He buried his past deep in that

00:17:37.869 --> 00:17:40.589
rock. But the thing about burying history is

00:17:40.589 --> 00:17:43.230
that it doesn't actually go away. It's just waiting.

00:17:43.680 --> 00:17:45.839
It's always just under the surface. And every

00:17:45.839 --> 00:17:48.039
once in a while, like on a random Tuesday in

00:17:48.039 --> 00:17:51.019
a bar on Rue Saint -Denis, someone pulls out

00:17:51.019 --> 00:17:53.000
a yellowed envelope and the ghost comes spilling

00:17:53.000 --> 00:17:55.299
right back out into the light. It forces us to

00:17:55.299 --> 00:17:57.819
ask a really difficult, almost philosophical

00:17:57.819 --> 00:18:01.220
question. Is redemption real? Can you actually

00:18:01.220 --> 00:18:03.420
wash away the horrors of the past with three

00:18:03.420 --> 00:18:06.420
years of hard labor in a mine? Or is starting

00:18:06.420 --> 00:18:08.839
over really just a matter of changing your geography?

00:18:09.299 --> 00:18:10.960
That's the question we want to leave you with

00:18:10.960 --> 00:18:14.279
today as you go about your week. We all value

00:18:14.279 --> 00:18:17.460
our social peace. We love the idea that people

00:18:17.460 --> 00:18:20.420
can cross a border and completely reinvent themselves

00:18:20.420 --> 00:18:23.039
for the better. But if that peace is built on

00:18:23.039 --> 00:18:25.839
a collective agreement not to look at the monsters

00:18:25.839 --> 00:18:28.599
sitting in the room with us, is it genuine peace?

00:18:29.079 --> 00:18:32.380
Or are we just unknowingly living next door to

00:18:32.380 --> 00:18:34.640
history's darkest secrets, totally protected

00:18:34.640 --> 00:18:37.299
by our own polite silence? It's a very heavy

00:18:37.299 --> 00:18:39.079
thought, but sometimes you have to be willing

00:18:39.079 --> 00:18:41.230
to look inside the envelope. Definitely something

00:18:41.230 --> 00:18:43.069
to think about the next time you're sitting in

00:18:43.069 --> 00:18:45.970
the back of a quiet cab ride home. Thanks for

00:18:45.970 --> 00:18:47.930
listening to this deep dive into the shadows

00:18:47.930 --> 00:18:50.109
of the past. We'll see you next time. Goodbye.
