WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was March 20th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season 1 is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's document.

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Today's document comes from the secret seal register

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of Joan and again, just want to repeat because

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I haven't said it for a little while when we

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use the word secret. We're really talking about

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something that would today in English be designated

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as private. It's not like the top secret designation

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of classified documents. It's more about how

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these are the letters that have a level of privacy,

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but it's not like they're revealing anything

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dangerous if they fell into the wrong hands.

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And this letter is a really good example of that

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because it is a whole bunch of pleasantries and

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vague positive updates. There's a few things

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in it that are definitely worth noting, and we'll

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get to that. The sender is of course Joan. The

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recipient is the King of Navarre. the letter

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begins muy caro hermano, and you might notice

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that that sounds a little bit different than

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the Catalan words that we're used to, and that's

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because this letter is not in a kind of pure

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Catalan. This letter is really a Castilian and

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Argonese and maybe a little bit of Catalan thrown

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in there here and there, but it's demonstrating

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an effort to write in the language that's more

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comfortable for the recipient. So it's not a

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Catalan letter, and also hermano has an H, which

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is something that anyone who speaks Castilian

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today would immediately recognize when often

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in the Catalan you'll see hermano with a G at

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the beginning. Also, muyto in Catalan versus

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muy in Spanish. And then caro with an aro with

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an aro with an o at the end. All right, so I

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went out of order there with those three words,

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but you know, you get the idea, right? This is

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not the kind of Catalan that is typical. And

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that's just a reflection of how either Joan himself

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or the Chancery scribes are making adjustments

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in order to come across as more inviting and

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pleasant and considerate and courteous to the

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recipient, the King of Navarre. Something else

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about the Addressee line. So the first line in

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Latin, Fuit missa regi navarre. or Navar -i?

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Navar -em? Oh gosh. Once again, this would, I

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think, be the genitive of Navarre. Ah, okay. Just

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gonna let that go. That line is very clear. All

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right, this was sent to the king of Navarre. The

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second line, similis fuet, and then we've got

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something like another word with an F, so I think

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that is amounting to a similar one was also sent,

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and then we've got regina for queen, and the

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next word was one that really stumped me, and

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initially it also stumped Gemini and Claude,

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and I like to think that if I just really worked

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at this for another 10 minutes or like taking

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a break and come back to it, I could have figured

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it out on my own because once Claude came up

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with the answer based on my just telling Claude

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what I could see, Claude was able to figure it

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out quite quickly. So the letters that I see

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are a capital U or a V. They were very interchangeable

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at this time, U and V. Then the letter X, and

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then there's a space, and then an S -U -E. And

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I was not remembering one of the most early words

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that you learn as you're learning Latin, which

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is uxore. It means wife. And so once I put in

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UX into the conversation that I was having with

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Claude, Claude was like, ah, of course, this

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is Uxore Sue, his wife, the queen, his wife.

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So once again, we have an episode in which the

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chat bot is able to help me make the breakthrough.

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In this situation, it saved me some time. I am

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quite sure that I would have gotten that eventually.

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I like to think so. Is it diminishing my abilities

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by using it as a crutch like that? Yeah, but

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again, bigger picture. My destiny is not to be

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a long -term practicing medievalist, and so for

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my purposes, this is an okay thing. If you are

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listening to this, and you plan to do about 20

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or 30 years of work in medieval studies, please

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don't do what I do. Please take that time to

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really learn Latin, because it will pay off for

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you in all kinds of ways. And then later on,

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I'm sure AI will have developed where you can

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do some supervision of it. And that's great.

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But um yeah Shadow is echoing my sentiment there

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if you're really going to go into medieval studies

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then learn that latin because it will open up

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meanings and understandings for you and is an

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investment that will pay off if you're in this

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for that long haul let's talk about the content

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of this letter It is, like I said before, just

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a series of general pleasantries. Hi, I hope

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you're doing all right, I think of you affectionately,

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blah blah blah, give me good news, I have good

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news, da da da. There's a couple things though

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that have additional resonance when we have in

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mind what we've already learned about Joan and

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Violant. First, in the fifth... So he is saying

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he has been delivered and he has been freed well

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from the accident misfortune that he had had

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in his body. So he's talking about the illness

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that they're trying to make everybody forget

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about. So there's this major damage control that

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we've seen happening from Violant as she's writing

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to her family and others in France. Don't believe

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the rumors! And Joan here is saying to the King

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of Navarre, you might have heard that I was kind

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of sick, but you know what? It is done. I am

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totally fine. Everything's fine. Nothing to worry

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about. It's all great. And then he goes on after

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that to talk about how the Queen and the Prince

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Jaume, who's referred to here as the Dauphin,

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they are also doing great and his daughters the

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infantas they're doing great too everybody's

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so great thanks to god and i did want to point

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out that in line six we've got Violant referred

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to as I'm not sure why he doesn't go for the

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full -on Molt Cara Companyona, like the title of

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the podcast, but he I think is really, you know,

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indicating still that by using this word he's

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saying, you know, this is the person that is

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my companion in this whole journey here of co

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-rule life, so on and so forth. So... Nostra

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cara companyana. Our dear companion. And then

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all of the rest of the letter is, hey, you know,

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there's all these things that, you know, I know

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would be great if you just told me your news,

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all your happy tidings, blah, blah, blah. It's

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all just very boilerplate. In some earlier episodes

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where we had Violant writing to Charles III,

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there was a lot more personal touch and not so

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much the boilerplate. And I think that's definitely

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reflective of how Violant might have had some

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longer -term history with Charles III of Navarre.

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I have a theory that they knew each other in

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Paris way back when Violant was in the court

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of Charles V of France just because she was part

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of the royal family Charles V was her uncle and

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then the future Charles III of Navarre had been

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sort of like taken prisoner in Paris around the

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time, like the late 1370s, so he was sort of

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like a hostage. They didn't really call him a

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hostage. I like to use the phrase quasi -hostage,

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but anyway Charles III of Navarre was in Paris

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and not able to leave while his father was working

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out some issues. with whether he was going to

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continue being oppositional to French interests.

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So that's the past, about more than 10 years

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in the past, and in the current moment, in 1387,

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Charles has ascended, Charles III has ascended

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to be the king of Navarre, and he's kind of of

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the same generation. as Joan and Violant.

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So Violant, when writing to Charles III of Navarre,

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you can really tell that there's some more personal

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touches in there, but it seems that Joan just

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doesn't have that level of closeness. And I say

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that because it's really hard to pick out any

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personal touches in this letter, like this could

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have been written by anybody. you know, who just

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said it could have been written by a chatbot.

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I mean, it's like, it's like the scribes were

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like the AI chatbots of the time, where Joan

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basically just put in a prompt saying, I just

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need to let the King of Navarre know that I'm

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very healthy. Fill this thing with pleasantries,

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make it nice. And that's what the scribes then

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provided. And not only that, but he just does

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like a copy paste for the Queen. by not writing

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anything separate, just trusting it to the scribes

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that they've made another copy and changed the

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gendered endings to the nouns, like from hermano

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to hermana. And he's just like, yeah, copy paste

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that. So that's my interpretation of the surface

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level kind of boilerplate feeling of this letter

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that Violante has some additional history or

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rapport with Charles III of Navarre, and Joan

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just doesn't have that. There is definitely a

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need to make other people, other powerful people

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believe that he's perfectly healthy. And in my

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mind, if you send a boilerplate letter, that,

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you know, doesn't have any kind of personal touch

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to it all that much. You're not really being

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all that convincing, but I don't know. Maybe

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it's like if you get a direct letter from one

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king to another, it's got, you know, some additional

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umph in terms of its believability. And so I

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don't know. I mean, I just don't quite see how

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this is better than just the rumor mill. Like,

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just, you know, let the King of Navarre know

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that I'm healthy now. And maybe it's because

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Showan is not all that healthy. So maybe this

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is not a purely honest letter. And they're still

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in damage control mode because maybe the truth

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of the matter is that Joan has not really been

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bien quitio of his accident. Maybe there are

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some lingering effects. Well, there's no way

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to know. Maybe we can treat this as its surface

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-level meaning and say, ah yeah, he would only

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write this to a fellow king if he really was

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100 % recovered. Or we can doubt it. and we'll

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see what else we can find as we continue on in

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our journey through the documents. Thanks for

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listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, I've done my job. Because, remember, the

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motto of the Historian's Notebook is dissatisfaction

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guaranteed. Visit the website to see an image

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of today's document and additional show notes,

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which will include links back to those earlier

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episodes that involved Charles III of Navarre,

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and listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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I of Aragon and Queen Violant de Bar. In the

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meantime, take care.
