WEBVTT

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Hello. In the Crown of Aragon, 639 years ago,

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it was March 13th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season 1 is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's document.

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Today's document is written by Violant, and

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it is to certain authorities in Mallorca. And

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it's in Catalan, so I know exactly what's going

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on, which is nice after yesterday's toughy Latin

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document. So what's going on here is that certain

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people are being summoned to Barcelona from Mallorca.

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And these individuals are textile workers. So

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they're referred to as brodaders, which is sort

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of sounds like the English embroiderers. So they

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are artisans of textiles, and I think what we're

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looking at is the beginning of a project to get

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Violant some amazing new clothes for her wardrobe.

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Or, I mean, it could be for decorating the palace,

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but I like to think that this is about fashion.

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but it could be any kind of textile work. It

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doesn't really specify. There are two letters

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about the Brodaderos of Mallorca. The first

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one is in the center of folio 92 R, and the second

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one is at the bottom. Now it seems to me that

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these two letters are addressed to different

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recipients. So the one that's dated on the 13th

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in the center of the folio seems to be directed

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towards somebody who would be able to enforce

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Violant's wishes in Majorca, like some kind

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of official. And then the second letter, which

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is dated actually for tomorrow, March 14th, that

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one is to the brodadeiros themselves. So it's

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a little bit weird that the first of these two

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letters doesn't have a stated... yeah, it doesn't

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seem to have a stated addressee. So maybe because

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the second letter is there and it's clear that

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it needs to go to whoever is maybe the Veguer

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in Mallorca, the royal official, or the bailiff

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in Mallorca, or the governor in Mallorca. It's,

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yeah, I'm not sure who the person would be that

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would enforce this and would be the addressee

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for the first letter. What Violant is asking

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for is for the Brodaders named in these letters

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to leave Mallorca and come to Barcelona in order

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to do their amazing work that she has heard about.

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These documents reveal quite a lot. They're telling

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us that an artisan could just be summoned, like

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it doesn't... matter if you've got some reason

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why you don't want to journey to Barcelona. If

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you are these brodadeiros in Mallorca, you are

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going to be going to Barcelona, because at the

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end of the second letter, Violant talks about

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how there will be punishment, correctio e peña,

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if the brodaderos don't come to Barcelona. And

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then in the first letter, she talks about how,

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if there's any problem or delay, she uses the

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word Tarda, any delay with the Brodaders coming

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to Barcelona, then she is going to have some

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molt desplahens. So she's going to be very displeased.

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So... This is not a request or a question. This

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is a command. And if you are a subject in the

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Crown of Aragon and the monarch wants you to

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go to their palace and do your artisanship there

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for them, you kind of just have to. And there's

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no real freedom to say no. Maybe you could come

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up with some excuse. Oh, my family member is

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really sick. I can't leave right now. And they

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would understand. But I think you're pretty much

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at their command for doing your artisan work

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for them. And certainly the monarch herself has

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that expectation that these amazing textile artisans

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are going to be at her disposal and will show

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up in Barcelona. They'll be paid well. She does

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mention that. And they're going to create for

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her some amazing clothwork. I personally like

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to imagine this as fabulous dresses. but it could

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be, it really could be anything. We don't have

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a clue because it's referred to as artes or obras.

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All right. Another feature of this set of documents

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is that the letter that is sent out to the authorities

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of Mallorca to gather up these brodaders and

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get them to leave and go to Barcelona. That is

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dated on the 13th of March, and then the letter

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to the brodaders themselves, that letter is dated

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the following day. So I really want to know why.

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Why would you need to have these on different

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days? It's interesting to me to think about the

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logistics of the letter writing and the chancery

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operations and mail delivery. So if Violant

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was literally writing these letters on different

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days, It really is kind of strange, because why

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would she wait a day to do the second letter

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when it's on the exact same topic? Is it that

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she had this thought overnight that, ooh, you

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know, I should maybe write to these brodaderos

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directly instead of just to my officials in Mallorca?

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That's possible, I guess. And that would be revealing

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of something else about the thought process that

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Violant goes through as she's deciding to summon

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artisans to create textile work for her. But

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I just don't think that that's the likely explanation.

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I - especially because they're right next to

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each other in the register like the scribes had

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them these two letters both together and they're

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copying one right after the other so I think

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what's more likely is that they're written on

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the same day they're composed on the same day

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they're Maybe Violant is just verbally dictating

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these to Pere de Basant, the scribe who's in the

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probata for both these. So maybe it's the exact

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same day that Violant is saying to Pere de Basant,

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hey, I've heard about these amazing textile artisans

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in Mallorca. Here are their names. Get them here.

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And maybe that's all she says. And then Père

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de Besant is the one who is creating the composition

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of the letter and couching it in all the terms.

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That's possible. It's also possible that Violant

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is dictating this word for word, so I don't even

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know which of those I would place as more likely

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at this point. I don't know. But I think... that

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there's a decision made, not sure if it's Violant

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who decides it, or if it's the Chancery staff

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who decide it, but there's a decision made to

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label these letters for two different days. And

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I think there's like a strategy at work, or not

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necessarily strategy, but just like an order

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of operations in mind. that they know that the

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way that mail delivery works, the letter that

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is labeled the 13th of March will be prioritized

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in its delivery over the letter that is labeled

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the 14th of March. That when these letters get

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to Majorca, that the officials, the royal officials

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in Mallorca, will get this news with some advanced

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notice ahead of when the news gets to the brodaderos

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themselves. Looks like there are three brodaderos.

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Nicolao Torrent, Johan Sabrega, and Francesc

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Clara. So those three brodadaires are going to

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find out that they've been summoned to Barcelona,

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and because their letter is dated the 14th of

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March, they're going to find it out after the

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governor already knows. So this is maybe a way

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to address a potential problem that might come

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up with the summons. Like, maybe if you let the

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officials know ahead of time, they themselves

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might deliver the letter to the brodaderos and

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know what's in it so that if the brodaderos

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try to protest, the official will be ready. I

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don't know. I mean, that's just kind of like

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real speculation there. But I just can't figure

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out why these letters would be on different dates.

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And it's not some kind of scribal error. Like

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it is clear that the number 13 is put there for

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the 13th day for the first letter and then the

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number 14 is put there as the day for the second

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letter it's just there's no there's no way around

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that paleographically it's just really easy to

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see the four strokes after the x for the second

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letter to indicate 14th so It's an interesting

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moment to try to imagine how all of this would

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play out very practically, which is something

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that I really like to imagine and try to guess

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about as I'm working with these documents. Hopefully

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at some point we'll see these brodaders come

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up in the archive again. I would really love

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to find the payment record for whatever they

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received for their work, because sometimes those

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payment records in the Patrimonio Real in the

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Treasury record books will specify a little bit

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more than just saying artes or obras. But unfortunately,

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we don't have the Treasury books from the first

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half of or at least the beginning months of Joan

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and Violant's reign. So I'm not sure if they

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are missing from the archive of the Crown of

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Aragon or if they just haven't yet been digitized,

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but it does seem like the treasury records did

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not survive as thoroughly, comprehensively as

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the letters did. The outgoing letters and documents

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were almost, they're almost all there. All the

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different registers in sequence. But the treasury

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books for not just Joan and Violant, but

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other monarchs around this time, the treasury

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books are not available on PARES. They're not

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digitized in as great volume or consistency.

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And I think I would have to really reach out

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and talk to the archivists. at the archive of

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the Crown of Aragon in order to figure out why

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that is. My guess though is that they're not

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there, that they were transported, that they

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were used a lot more maybe, and so they have

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been lost. But I'm not sure. Maybe they're there

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and they just haven't been digitized as a priority.

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All right, well, we talked about a document from

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the 14th of March. So I will admit that the idea

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occurred to me that I could kind of like have

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an easy episode tomorrow and just kind of split

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these two into two different episodes. But no,

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I'm not going to do that. It's kind of like because

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they're the same topic on the same folio. I don't

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know. I just feel like I would be Just doing

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too much of a shortcut on that wouldn't be...

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I wouldn't have fidelity to the mission of this

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project. So, we will have another different document

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tomorrow. Thanks for listening to this episode

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of the Historian's Notebook, Season 1, Molt Cara

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Companyona. If you are leaving with more questions

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than you arrived with, I have done my job. Remember,

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the motto of the Historian's Notebook is dissatisfaction

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guaranteed. Visit the website to see an image

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of today's document and additional show notes.

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I'll also add in there some bibliographic citations

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for textiles in the Crown of Aragon in the late

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Middle Ages and generally around the Mediterranean

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and Western Europe in the late Middle Ages. And

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listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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of Aragon and Queen Violant de Bar. In the meantime,

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take care.
