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Hello. In The Crown of Aragon, 639 years ago,

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it was March 7th, 1387. My name is Jonathan Seyfried.

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I'm a PhD candidate in history at the University

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of New Mexico. And this is The Historian's Notebook,

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a podcast about how history gets made. Season

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one is titled Molt Cara Companyona. We're looking

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at a document from each day of the first year

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of the reign of King Joan I of Aragon and Queen

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Violant de Bar. Let's begin today's document.

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Today's document is really kind of hilarious.

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So you've noticed that what we really do on this

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podcast is we look at letters attributed to Joan

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or attributed to Violant. My original idea for

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the podcast was that sometimes I'd be able to

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work in letters from other people, like we have

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registers of letters from Marti. or Maria de

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Luna. So that's really kind of difficult to do

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because just navigating these registers and finding

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letters takes a whole lot of time. But occasionally

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I'll come across something in the secondary literature

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that I feel would be a great addition to the

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Joan and Violant authorship that dominates

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the podcast. And actually this one It wasn't

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really all that hard to find because it's right

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on the next page of register 1751 after what

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we were looking at yesterday. But I came across

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it before I was going through this register for

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the purposes of yesterday's podcast. It was written

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about in an article by the scholar Jaume Riera

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i Sans in a 1987 article about Joan and Violant's

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first son, Jaume, coincidentally the same name

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as the scholar who was writing that piece. So

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Jaume has been mentioned before on the podcast.

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He was designated the Dauphin in early January,

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and this was a move that a lot of critics of

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Joan and Violant saw as a bridge too far in

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terms of the importation of French customs into

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the crown of Aragon. But for Joan, there was

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no bridge too far when it came to the importation

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of French customs. He loved French culture so

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much, and the more that he could bring in, the

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better. And so he designate, he and Violent designated

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Jaume officially as the Dauphin. So it's a French

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term for the first in line to the throne. And

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Jaume the Dauphin is in the beginning of 1387.

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He's three years old, and he's about to turn

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four at the time of this letter that we're going

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to look at today. His birthday is March 23rd.

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1384 oh that would mean that he's actually turning

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uh three so yeah problem with counting there

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he's about to turn three and and so uh what do

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you do if you've got you know a near three -year

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-old child and you're you're just starting out

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your reign and you're establishing some groundwork

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with the Avignon Pope in that nerve center of

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diplomacy and reaching out to try to lay groundwork

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for how you're going to relate to this extremely

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powerful authority who has control over so much

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property and so much power in your realm through

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all of the ecclesiastical positions, what are

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you going to do? Well, I don't know if you thought

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of this already, but Joan and Violant had

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kind of a fun idea. They decided that they would

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compose a letter in the voice of their three

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-year -old. in the voice of their three -year

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-old son to the pope and the letter itself is

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a hoot because what's so funny is that the scribe

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writing in latin okay latin is so hard like oh

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my gosh like what three -year -old would be able

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to write in latin definite genius So the scribe

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is self -consciously playing with this whole

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thing. And the letter, it starts out with this

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statement, which is quite funny, I think, in

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which he's saying, even though, so in the voice

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of Jaume. So, okay, so I have a translation

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here. Hold on, hold on just a second and bring

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it up. Here's how and I got this translation

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from Claude by the way, I think did a pretty

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good job It's provisional. All right, but even

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if we just get a general sense here and there

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are some certain mistakes we we can follow along

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with the Latin especially because There's a certain

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really really fun moment in the letter right

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at the beginning so the letter translated into

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English goes most blessed and most Clement father.

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Although we are constituted in tender years and

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innocence, such that we can scarcely utter A

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-A -A, the artless babbling words of infancy,

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Nevertheless, among certain other little ones,

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even if older than us in age, there are those

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whom we hold dear and who had been attentive

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to us while we were formerly wailing in our cradle

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and afterward. And therefore we humbly supplicate

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your apostolic holiness that you deign to kindly

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admit and mercifully grant the small list enclosed

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with the present letter which we offer to your

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same holiness in favor of the aforesaid persons

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blah blah blah blah blah and then what comes

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is this weird request to um make it so that the

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particular privilege of uh who can get into the

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canonry in Girona like who can who can become

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an ecclesiastical official that it can only be

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for nobility like that's that's Jaume's request

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to the pope and the way that this letter ends

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after all of this is requested is kind of cute

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so on folio 23r There's the probata in which

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we have the scribe, Pere de Beniure, who's Joann's

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scribe for most of this register, taking credit

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for the work of writing this. But, you know,

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he's got the usual mandavit mihi saying this

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was commanded to me, but the people listed above

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that line on the probata Dominus Rex et Domina

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Regina. So what's happened here is that we have

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another moment where Joan and Violant are

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unified in voice, and now they're speaking through

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two other people. They are instructing the scribe

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Pere de Beniure to hold their words, the words

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that they're saying, but the words are in the

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voice of their son, Jaume. So the scribe probably

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responsible for some of the artistic and creative

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flourishes in this letter, but I would say that

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also Joan and Violant are sharing in some

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of the creative process here that led to a Latin

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letter written to the Pope in the voice of the

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young three -year -old Prince Jaume the Dauphin.

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So I just think that, you know, it's clear that

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when Jaume Riera i Sans, the scholar who wrote

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this article about Jaume, and he kind of notes

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that this is a kind of fun little thing, and

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it's cute, and that we should look at this and

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think about how Joan and Violant had a sense

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of humor about them. Claude, in its analysis

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of this letter, came up with another angle on

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it, which I think is a really interesting one,

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that if you send a request in this cute way,

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it makes it so that if the Avignon Pope, Clement

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VII, denies it, then he looks like he's a total

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curmudgeon like of course the pope knows that

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the three -year -old did not actually write this

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letter and that the three -year -old will have

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no idea that the pope has ruled against him but

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still he's rejecting this game if he were to

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deny the request that the sort of persona of

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Jaume is making. So the pope is in a position

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of looking like kind of a curmudgeonly grumpster

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if he says no. And so it's a bit of a manipulation

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to do this, to connect some kind of random request

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about who gets to be in the ecclesiastical postings

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in Girona to this voice of a child. So it's manipulative.

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It's cute. It's got a sense of humor. It's got

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an edge. It's just got this cleverness that I

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think speaks a whole lot to the way that Joan

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and Violant could work together. Because if

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you are not getting along together as a king

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and queen, if your marriage is just a formality

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and you don't really like each other, is this

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the kind of thing that you would be able to produce?

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Okay. Maybe, maybe, but probably not likely.

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It's way more likely that if you have a kind

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of working relationship that is functional and

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cooperative, that you would come up with this

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idea to do something like this. Okay, maybe this

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was a convention. Maybe medieval monarchs wrote

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to the pope in the voice of their toddler. all

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the time. I have never heard of that, but we

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have to also admit that that is a possibility.

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I just think it's not so likely. I think that

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I'm going to agree with the scholar Jaume Riera

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i Sans in his article that he wrote in 1987,

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and just say that This is a clever and original

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kind of thing to do. And this is right in line

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with exactly what I'm trying to investigate in

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this podcast, which is getting into some examples

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of how Joan and Violant were doing this

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cooperative rule that Their reign was this level

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of cooperation that was something different than

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what we usually see. Thanks so much for listening

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to this episode of the Historian's Notebook,

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Season 1, Molt Cara Companyona. If you are leaving

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with more questions than you arrived with, I've

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done my job. Remember, the motto of the Historian's

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Notebook is dissatisfaction guaranteed. Visit

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the website to see an image of today's document

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and additional show notes, and listen again tomorrow

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to hear more about the next day in the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. In the meantime, take

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care.
