WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was March 5th, 1387. My name is Jonathan Seyfried.

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I'm a PhD candidate in history at the University

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of New Mexico. And this is the Historian's Notebook,

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a podcast about how history gets made. Season

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one is titled Molt Cara Companyona. We're looking

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at a document from each day of the first year

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of the reign of King Joan I of Aragon and Queen

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Violant de Bar. Let's begin today's document.

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Today's document takes us back to the mystery

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of Joan's health. It's not a document by Joan.

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It's a document, a letter written by Violant.

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So the recipient of this letter is addressed

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in the first line as Molt Car Oncle. Violante's

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uncles are powerful people because, well, one

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of her uncles was King of France, Charles V.

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Charles V, he is no longer alive. It's currently

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Charles VI that is the, well, the King in name,

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but Charles VI was very young when his father

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died, and so two of Violant's uncles have been

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ruling France as regents. One is the duke de

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Berry, and then another is the addressee of this

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letter, the duke of Burgundy, also known as Philip

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the Bold. So these two uncles of Violant's are

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in many ways co -ruling France at this time,

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and really they've got about one more year of

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doing this, and then Charles VI becomes old enough

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to actually wrest control from his uncles. It

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was not a smooth handover of power as Charles

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VI became old enough to assert his own authority.

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But that's in the future, that's in 1388, and

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right now we're still very firmly in a state

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of affairs where the duke de Berri and the duke

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of Burgundy are really the rulers of France.

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And that's who Violant is writing to in this

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letter. There's a lot of very nice just sort

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of courtesies in this letter saying oh I'm asking

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you about your health and hope everything is

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going great with you but then we get into some

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interesting territory and remember the date of

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this letter is March 5th all right so when we

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get into let's see line five we have this line

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about and it reads and then we've got some damage

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to the document something like hold on wait That's

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what it's supposed to be And then we've got some

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interesting abbreviations I think So what this

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is saying is that is convalescing, and he's almost

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done with it. He's almost done with convalescing

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from his illness, de sa malaltia. And then there's

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the hope, espera, se espera, that in a short

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time, I think that might... Gosh, that word is

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a very tricky one. It looks like it's something

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like C -E -R with a macron above it for abbreviation.

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But maybe it's actually something more like tempore.

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I'm not sure. But in a short something, he's

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expected to be perfect. All right. What illness

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is this referring to? Is it the illness that

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struck Joan in January? Because, I mean, now

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we're, like, over a month after that initial

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onset, and is he still convalescing? That seems

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odd, but maybe illnesses just lingered longer?

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during this time, and we do have that document

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from the middle of February, in which Joan is

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not able to sign his own name. So maybe this

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is a very long recovery. But then we had another

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another letter from Violant saying that Joan

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is no longer in peril. And that was on February

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18th, which is Yeah, still a ways away from this

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still convalescing message. So it is just so

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interesting to see when mention of Joan's illness

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happens and how it's phrased and how it's always

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this like positive spin, like, oh, he's out of

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peril. Oh, he's convalescing. He's going to be

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perfect really soon. What is the actual state

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of affairs for Joan's health? It is like just

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a constant effort, I think, that Violant is

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making to maintain a view of Joan's body as

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strong, right? And I'm alluding to, of course,

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that King's, that idea of King's two bodies that

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was so powerful in the Middle Ages, and has been

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explained by that foundational work by Ernst

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Kantorowicz, which I'll again refer to in the

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bibliography on this episode's webpage. But yeah,

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so I mean, it's really hard to figure out whether

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there's new illnesses or whether this is just

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one long, lingering troublesome illness where

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Violant is just trying to put a positive spin

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on it and of course it's not just like the desire

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to maintain power but it's also I think legitimately

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her hope that okay this week is the week that

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Joan is going to no longer have that lingering

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illness that it really is going to look better

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after after this week so Yeah, it's definitely

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a both -and situation. I think it's clear from

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this letter that word has spread far and wide

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that Joan has some kind of sickliness about

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him. And so we also see in this letter, I think,

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a level of damage control. But then we're starting

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to approach April where we have that real bold

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letter that Josep Roca has identified initially

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and other historians have gravitated toward that

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admits that Joan was given last rites, that talks

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about how there's a suspicion that someone used

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sorcery in order to strike him with this grave

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illness. That is all outlined in a letter in

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April, and so what we're really looking out for

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is some indication of whether this is just one

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long convalescence, and we're just seeing another

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mention of it here, or whether there's been some

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real ups and downs, like whether we can say that

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Joanne fully bounced back at the end of January,

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and then got hit again with some other illness,

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maybe around this time in March, or maybe later

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on in April, that's what we're really looking

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for here. But what we can also see is Violant

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maintaining the front of strength and talking

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about her seynor nostre molt car, your most dear

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lord, and referring to Joan with tenderness

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for sure. But is it more than just the expected

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formula of tenderness. We're looking out for

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that, too. One other mystery in this letter,

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and it really is unfortunate that the worms had

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their way with this page, because there's a word

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that's been blocked out by some of the damage,

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and it's in line seven. Right in the middle,

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there's a signora. mentioned. Signora Nostra

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and then this is where the damage is. It looks

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like the letter M and then the damage and then

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RA. Signora Nostra blank mult reverent. So someone

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else is making their appearance in this letter,

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and it's someone who is definitely worthy of

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a high level of honor, and it's a woman, a signora.

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So it's, you know, not too frequently that we

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see women mentioned in these letters, and so

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I am super curious to know who is being referred

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to here. The chatbots are leaning towards this

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being a reference to Violant's own mother, and

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I'm not quite sure because of the reverent. I

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would expect it to be Violant's mother if it

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was Molt Cara, right? Signora Nostra something

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Molt Cara. So I'm not quite sure who is being

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referred to here. I'll just keep mulling. on

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that, and hopefully be able to figure that out

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at some future point. All right, let's see. What

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else can we say about about this? I think what

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we've got is just a lot of pleasantries, the

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usual pleasantries. There's just a lot of general

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statements of I hope you're doing very well,

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and may, you know, the Lord keep you strong,

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blah, blah, blah. Yeah, I'm trying to think if

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there's anything I can pull out of here that

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is beyond just a whole lot of well wishes, general

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well wishes, but I think that's that's pretty

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much what we have. And all of the matters that

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that might have inspired Violante the day before

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and on the folio prior to this one to call Ramon

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de Perellos's back from Avignon. We're not quite

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seeing any mention of this. This letter written

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to the Duke de Burgundy on the next day seems

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like just a kind of run -of -the -mill check

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-in. Oh, I did want to mention what appears below.

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This is an interesting moment. Maybe it's an

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indication that the Chancery scribes are still

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getting used to the new routines in this new

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reign, because what we see below this letter

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is a new letter addressed to Rey muy caro e muy

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amado hermano. that's usually how Violant addresses

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the king of Castile. And then we have Nos la

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reyna d'aragon, and then sending, you know,

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wishes for much health. And then in the middle

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of the second line, it just kind of drops off.

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And the little note on the left is indicating

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that this letter actually in another register

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and so the scribe started to write down the next

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letter and then realize oops wait this goes someplace

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else and exactly where it goes that is really

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hard to read because it looks like we've got

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scrito in the second line of that little note

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on the left and it and and then what has been

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written about the letter's destination has been

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marred by the damage from the worms or the insects.

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So it's hard to figure out exactly where this

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letter was actually written, but it is funny

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to note that they just kind of left it there.

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They didn't really bother to like do any strike

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throughs. They're just like, oopsie, and just

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kind of moved on to the next thing. Alright,

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thanks for listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, I've done my job. Remember, the motto of

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the Historian's Notebook is, dissatisfaction

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guaranteed. Visit the website to see an image

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of today's document and additional show notes,

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and listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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I of Aragon and Queen Violant de Bar. In the

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meantime, take care.
