WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was March 2, 1387. My name is Jonathan Seyfried.

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I'm a PhD candidate in history at the University

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of New Mexico. And this is the Historian's Notebook,

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a podcast about how history gets made. Season

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one is titled Molt Cara Companyona. We're looking

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at a document from each day of the first year

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of the reign of King Joan I of Aragon and Queen

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Violant de Bar. Let's begin today's document.

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Today's document is a short letter from Joan

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to somebody he addresses as Marquis Car Cosi.

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This is in the... Secret seal register and remember

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secret is a little bit of a false cognate here

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Because it's more of just like it's the private.

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I mean, it's it's secret in the sense that it's

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got a different level of protection Like it's

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not a document that just anybody can access You'll

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have to have special permission to look at these

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later if you're wanting to consult them in the

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archive but in this particular case, we have

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family correspondence and that's usually where

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the the secret seal comes in where when it's

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kind of family correspondence. That's what I'm

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noticing. It's not like the only things in the

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secret seal registers are family correspondence,

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but but that's typically it's here's what I'll

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say. It's rare to see a family letter. someone

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who's Joan or Violant are writing to, or it's

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a family relative, in something that's not the

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secret seal. And in the case of Violant, we've

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got that register called Varia, which I believe

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is actually composed of a bunch of different

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types of seals, but they were just getting organized

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with her chancery. processes in the beginning

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of the reign, and so they hadn't yet set up the

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separate secret seal register, and so they dumped

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a lot of the early stuff of all kinds of different

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levels of seal into the register called Varia.

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Okay, so today's document is in the secret seal

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register for Joann. The addressee is Marquis

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car cosi that's in the first line but then at

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the bottom of the document we have an expanded

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version of the addressee and that reads marquis

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de villena consanguinis domini regis i think is

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how we expand the end of that so What it means,

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regardless of the exact Latin ending there, is

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that the person who is addressed by this letter

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is the Marquis of Vienna. Consanguinis means

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relative. So you can see the word for blood in

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this sanguine. So of a blood connection, consanguin,

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a relative of the Lord King. So this is a relative

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of the King who has the noble title of Marquis,

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which is below the level of a Duke in the hierarchy

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of nobility titles in this realm. Somehow, Joan

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considers him at the level of cousin. Alright,

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did a little bit of research here on the Marquis

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de Villena, and what's also really helpful is that

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in the last sentence of the letter before the

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dating clause, and it's the second to the last

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line of the letter, there's a name. Don Alfonso

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vostra fi. So Alfonso, your son. Now, this gets

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really tricky because there was in the lineage

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of the Marquis of Villena, there were two Alfonso's.

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There was an Alfonso the older and an Alfonso

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the younger. So is this person that's being addressed

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in this letter, the father of Alfonso the Elder,

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or is it is the addressee Alfonso the Elder himself

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and and he has a son named Alfonso. So we have

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to kind of work out according to lifespans and

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dates in order to figure that out. And it's very

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clear that in 1387, This would be Alfonso the

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Elder as the recipient of this letter, as the

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addressee. And Alfonso Vostra Fill is Alfonso the

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Younger. Okay. The Marquis de Villena, in this

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letter, he has been very active in a lot of battle

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campaigns and such that I am just not going to

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get into the weeds about. But the part of this

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that really caught my attention and got me excited

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when I saw it was that he, the addressee of this

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letter, is the grandfather of somebody who is

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very important in understanding the cultural

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efflorescence of the reign of Joan and Violant.

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The grandson, so the son of Alfonso the Younger,

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right? The grandson of Alfonso the Elder. His

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name is Enrique. Enrique de Villena was a writer

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of several different treatises. One of them,

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weirdly, was called The Art of the Scissors,

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in which he wrote this whole book about the correct

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way to cut meat. It's like really... I could

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write a whole book about that? Yes. And to say

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the art of the scissors is a little bit of a

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mistranslation, but it's sort of like that. I

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mean, it's the art of the cutting. All right.

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So anyway, that is a little interesting sort

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of factoid about Enrique de Villena, but way more

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important is that, alas, these Alfonso's die

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and Enrique is left as an Orphan? Okay, wait

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a second, hold on, I got that wrong. Wait a second.

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Alfonso the Younger dies, and that was Enrique's

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father. And Enrique is raised by his grandfather

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for a little while, but then his grandfather

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does die. And at that moment around then is when

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he gets shipped off to live in Barcelona. And

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Violant is actually involved in getting Enrique

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de Villena to have a lot of time in Barcelona during

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his childhood. He grows up witnessing the big

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troubadour competition that takes place in 1391.

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Oh gosh, and then I think it happens a second

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time in 1393. The initial Jocs Florals.

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The Game of Flowers. And that is a troubadour

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competition based on something that had been

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happening in Toulouse that Joan decided to

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import into the Crown of Aragon. and it's Enrique

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de Villena who writes down some of what the procedures

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were and so it's actually the earliest record

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that we have of what the troubadour competition

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was like and what some of the rules were like.

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So I got really excited when I saw Marquise de

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Villena because of that larger connection. So What

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is this letter about? Really focused on the identity

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of the recipient and the place of this letter

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in the longer story of Joan's cultural efflorescence,

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along of course with Violant, who was like the

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key to having that cultural efflorescence. Because

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remember, he's importing this stuff from France,

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so anyway. Joan gets credit for the Jocs

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Florals, but it's got it. It must have been

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both Joan and Violant together. And now we

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have Shadow back to put her contribution into

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this. Okay, what's going on in this letter? What's

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going on in this letter is that Joan is demanding

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that the Marquis de Villena comes to Barcelona

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It seemed that there had been some kind of injury

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or condition that had prevented the Marquis de

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Villena from coming to Barcelona and Joan saying,

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okay, you're well enough now, so you need to

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come show up, right? I'm summoning you. Sorry

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that you went through that difficult thing, but

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now you gotta come. And then he also says something

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interesting at the very end that he has sent

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this messenger, Pere March, to deliver that summons,

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but also to bring the to Alfonso the Younger

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a designation. to a chivalric order. So the last

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sentence of this letter before the dating clause

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reads That was kind of like a rhyme. It seemed

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like a little rhymy. What that means is that

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we have sent to you through our messenger, Sir

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Pere March, we have sent to you the cross of our

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order of Saint George. San Jordi is Saint George.

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So Alfonso the Younger has been awarded admittance

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into this Cross of Saint George society or designation.

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It's just like an honor that the king bestows.

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And Joan got really into this and later on

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the order of the Cross of Saint George dwindles.

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But at this time, Joan is trying to really

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build it up and have a bunch of really elite

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people. in it, and I don't really have a ton

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of information about it. There is an article

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that Claude found that explains more about how

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Joan instituted these different chivalric orders.

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I think it's a little bit too in the weeds for

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my particular interest, but maybe not. I mean,

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I don't know, could be something gendery in there.

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But in any event, The content of this letter

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is basically saying, hey, we know you couldn't

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come to Barcelona before, but now you need to.

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And by the way, I'm giving your son a pretty

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cool prize. All right. Couple things I want to

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point out about this letter in its. more material

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aspects. First of all, if you're looking at the

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image, you can notice that the digitizers struggled

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with keeping the page open to the point where

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the margin could be captured by the photograph.

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So a lot of the words at the very right hand

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side of the page are kind of squished and I think

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the binding was just too tight to be able to

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get a good photo of this, so I just want to once

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again give a shout out to all of the people who

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worked to take photographs of these documents

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in this massive project that the Spanish government

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arranged in order to make these records from

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over 600 years ago available for anybody to see

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at any time. It's pretty amazing. and took a

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lot of work on the part of the staff of the digitizers.

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Okay, something else about this letter. Notice

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the handwriting. It's a little bit more, what

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do you want to say here, flowy than we're used

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to. And there's certain scribes that just have

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a different kind of handwriting than what I would

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consider something more of the standard. It looks

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a little bit more rushed, and this scribe actually

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had two crossouts. So the first one is at the

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beginning of the second line. It looks like Creenca

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is crossed out, but I'm not even sure about that.

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The more clear strikethrough is in the fifth

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word of the third line when the scribe was going

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to write venguda and accidentally wrote vengad

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and saw oh no i put an a instead of a u and so

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the scribe crossed that out and did venguda as

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a correction so a couple interesting moments

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in this letter to bring out some of the materiality

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of these documents as we're looking at them.

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Thanks for listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, I have done my job. Remember, the motto

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of the Historian's Notebook is, dissatisfaction

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guaranteed. Visit the website to see an image

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of today's document and additional show notes.

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And listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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I of Aragon and Queen Violant de Bar. In the

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meantime, take care.
