WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was February 27th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season 1 is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's document.

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Alright, we're getting to the end of February,

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and I don't know about you, but I'm really gonna

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miss those double Fs for February. They were

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really fun to look at each day this month. Alright,

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let's talk about this document. Guess what? Violant

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is writing to the Pope. Again. And, spoiler alert,

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tomorrow, February 28th, She's gonna write to

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the Pope yet again, Violant. She's like real

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pen pals with Clement VII, writing him almost

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every day, it seems. What do we make of that?

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Well, hopefully by the end of this year we'll

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make something of that. All right, so this is

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Violant writing to the Pope again, and... This

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letter seems to be a pretty straightforward recommendation

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regarding personnel. Yeah, so there's another

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vacancy. So it seems like someone named Bonanatus

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de Podio has died. And that person, I think,

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was somehow like maybe a bishop or somebody in

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Urgell. So the place name of Urgell comes up

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a whole lot and Violant is recommending somebody

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for that post named Jacobo de Avelanda. Oh gosh,

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here's the problem is that When I'm looking at

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this letter, it seems to me like the last name

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for Jacobo is A -V -E -L -L -A -N -E -D. Avelaneda.

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Avelaneda. But it is possible that the second

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letter of that name, that surname is a n, so

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it might be anellaneda. Oh gosh, could go kind

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of either way. So well anyway, Jacobo is apparently

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a stand -up fellow, and Violant goes on for

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a little while about how he's really qualified

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to take over for the dead Bonanatas de

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Podio. And there's someone else that appears

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in the letter. I think the bishop of Urgell who's

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somebody else named Berenguer. Yeah Can't have

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too many Berenguers in medieval Crown of Aragon.

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So Urgell is the place here being mentioned.

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We haven't really talked too much about Urgell.

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There's a Count of Urgell that Joan is really

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close to and over the course of his reign he

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shares a lot of his treasures with. Actually,

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it's more like the other way around that Joan

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demands that the Count of Urgell sends him a

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lot of treasures, especially... Unicorn Horn.

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I don't know if I've mentioned the Unicorn Horn

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yet on the podcast, but Joan was a big fan.

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I'm not sure that he writes about Unicorn Horn

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at any point in this the First Year of His Reign,

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but he might and hopefully we'll get one of those

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letters and that'll be fun to talk about because

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Joan was a big believer in the power of the

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Unicorn Horn. Well, this was actually Narwhal

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Tusk, and there's a whole lot of research about

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that. I'll just kind of fill in some additional

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notes on Unicorn horn in today's episode, but

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we are like way off on a tangent here talking

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about Unicorn horn. It's just that one of the

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most funny episodes in the story of Joann and

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his pursuit of Unicorn horn is when he finds that

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the Count of Urgell, which I think is like...

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Is it his cousin? They're related, uncle -cousin,

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something like that. He finds out that the Count

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of Urgell has obtained some unicorn horn, and

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he writes him to say, hand it over, give me your

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unicorn horn. So, moment of family tension there.

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So anyway, Urgell, that's all I think about when

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I think of Urgell. Apologies to all of the current

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listeners who live there. So, all right, we've

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got this letter. It's about an ecclesiastical

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position. Violant is making a recommendation.

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And what else is there to say? I can't really

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pick out any subtleties here in this particular

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letter, even though it seems pretty long. I did

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try a new technique with the AI chatbots. Yep,

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I used... basically a whole lot of resources

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environmentally, a lot of water probably, in

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order to have both Gemini and Claude work on

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this sort of together. So I started with Gemini.

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I got a transcription. I was not too pleased.

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Again, I mean Gemini was doing so great. couple

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days ago and now it's just flubbing it. So it

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got some things right. And so what I did is I

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had Claude do a transcription and then put Gemini's

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results into a reply and said to Claude, hey,

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I had another LLM generate a transcription. Please

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use it in order to identify some things that

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you might improve. in yours. And I think that

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that was good. I'm quite sure that there's a

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lot that's missing from the transcription. There's

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a lot that's missing in the subsequent translation.

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But my main goal, remember, is at this point

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in the initial run through of the documents to

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try to identify documents that I would come back

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to later that are really pertinent to my research

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question. And certainly, if I'm using these chat

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bots, I'm going to miss some stuff that I would

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not miss if I was spending, you know, multiple

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hours. on doing the transcription and translation

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myself, but I would say that for a letter like

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this where it seems to just kind of fit a lot

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of the patterns for the way that the king and

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queen interacted with the ecclesiastical administration

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and personnel changes, there's just not a lot

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to really work with here in terms of what I'm

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focused on. So I'm going to just kind of let

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it go with the kind of sketched out knowledge

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that I have about this document and maybe come

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back to it. if it reappears in some way, any

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of the people in there happen to show up again

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in different context, different situation that

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is connected to my main research question about

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how Joan and Violant ruled together. And of

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course I'm always kind of flipping back and forth

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in the registers trying to just develop a general

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sense of what else they're writing about on these

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same days. And maybe I'll happen upon a document

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from Joan that is also about the ecclesiastical

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vacancy in Urgell. And then it becomes very connected

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to my main research question. So this might be

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a good time to take a step back and just remind

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everybody what this project is. all about. Yeah,

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I kind of want to do that every, you know, dozen

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episodes or so, and I don't think I've done it

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for a while. So this project is all about conveying

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the abundance of the archive of the Crown of

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Aragon. The documents that we look at every day,

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they are copies of the official thing that was

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sent out. Before the letter was folded and before

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a wax seal was applied to it, the chancery scribes

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would write a copy of it on a different piece

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of paper that would be kept. And that's what

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we're looking at. So for every single letter

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that we see in these registers, there is a twin

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that went out there and maybe has not been preserved.

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I mean likely has not been preserved. So there

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are a couple that came back to the Archive of

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the Crown of Aragon. for the letters generated

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in the year 1387 and I was lucky enough to be

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able to reunite one of those to its copy because

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there's been a scan of each so the outgoing letter

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was found its way back into the archive and then

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there was the copy so if you're interested in

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that definitely go back to episode recorded for

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January 18th and I didn't know it when I was

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recording the episode that I would actually find

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the the copy the register copy because I had

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actually chosen to use the outgoing copy for

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that episode and so that was a pretty satisfying

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experience to reunite the outgoing copy a digital

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image of the outgoing copy with a digital image

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of the register chancery copy and I wrote about

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that on the website even though I didn't mention

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it in the episode itself because I only discovered

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it later kind of by happenstance. So that's a

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little bit about the material that we're looking

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at in this podcast in terms of how it was created.

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One thing I also want to review is that the paleography

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is called Gothic Secretarial Hand. It's 14th century

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Gothic Secretarial Hand, and it's like a cursive.

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So there are manuscripts that are produced at

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this time that are not in this script but are

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in the I guess what you could call like stereotypically

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like what you would think of when you think of

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a medieval manuscript like kind of the blocky

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letters and those are scripts that are reserved

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for the fanciest products and these letters that

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we're looking at they are businessy so there's

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not really a concern with the art history of

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the written word as it appears on the page. The

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purpose of these documents is to record the information

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quickly and efficiently, and so it's a script

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that could be written very fast. cursive handwriting.

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The letters will flow together much more easily.

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And then also there are a ton of abbreviations

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and all of those abbreviations added up will

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cut down on the amount of time that it takes

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to get letters entered in to the archival register.

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The abbreviations are indicated most frequently

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by a horizontal line across the top of the word

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we call that a macron and then there are other

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abbreviations that are like curved above the

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letter or like a little loop or there's a bunch

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of different abbreviation marks and so you kind

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of get used to recognizing which marks mean which

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letters or entire words can be rendered as a

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mark or a kind of non -alphabetical character

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so that when these scribes are writing, they're

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deploying all of these conventions and fortunately

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for me, it's a lot of these have been recorded

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and they're quite standard. So it's pretty rare

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that there's some kind of unusual novel never

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-before -seen abbreviation in one of these letters.

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It all makes for a very big challenge to transcribe

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and translate. I'll talk a little bit more about

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that tomorrow and some of the really wonderful

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resources that I have in order to help with that

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challenge, not just in terms of technology or

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in terms of glossaries, but in terms of people

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that have helped me out along the way. So you'll

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hear a lot more about that for tomorrow's document.

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Thanks for listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, I've done my job. Because remember, the

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motto of the Historian's Notebook is, dissatisfaction

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guaranteed. Visit the website to see an image

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of today's document and additional show notes.

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and to listen again tomorrow to hear about the

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next day in the first year of the reign of King

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Joan I of Aragon and Queen Violant de Bar.

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In the meantime, take care.
