WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was February 19, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season 1 is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's document.

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Today's document is super fun. It's about A troubadour!

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And we get a little window into some of the troubadour

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culture that Joan and Violant were setting

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up at the beginning of their reign. So this is

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a document from Joan. It's in a commune register,

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so these are the documents that don't really

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require the secret seal. and it's a letter of

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safe passage for a troubadour. This particular

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document is one that is in Latin, but it's fully,

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beautifully transcribed in the collection of

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music -related documents put together by Trenchs i Odena

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and Baiges i Jardi in their collection that

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I've referred to earlier on the podcast. So they

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have done a beautiful job of transcribing the

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Latin, and so I know exactly what this says.

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Not because when the paleography is taken out

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of the picture, I can understand Latin perfectly.

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No. But when I have a transcription that I can

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copy paste into Google Translate, then I can

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get a translation that I can then go through

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and proofread. And that is my method for handling

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the lovely situation when I have a document that's

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already transcribed for me. And so in this...

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document, we have a pretty straightforward situation.

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A troubadour is traveling through France and

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Joan has written him a safe conduct letter that

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he can show to the authorities and all of the

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territories that he's passing through as he is

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getting to his destination. But there's a lot

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that comes up in this fairly straightforward

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document. Its purpose is pretty straightforward,

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but then we can kind of read against the grain

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of this document in order to make some inferences

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about some aspects of troubadour culture. cultural

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diffusion as well as conditions in the royal

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family and so there's a way to get a lot out

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of this that has really nothing to do with the

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intention of the document itself. And so this

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is something that historians love to do and it's

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a key practice that you don't just kind of say,

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oh, this document is about a land sale, so it's

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only about land sale, or this document, in today's

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case, is about safe conduct, so it's only about

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traveling across territories. No, you want to

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look at the document and what's in it with questions

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in mind that could take you in directions other

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than what the stated purpose or surface level

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meaning of the document might be. This is a really

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great example of that. Let's start out with how

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the subject of this letter, the person who is

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at the center of this letter, is identified.

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In Latin, Jacobinus de Bar. Jacobinus de Bar.

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There we go. And it's the name Jacob. So Jacob

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of Bar. Sound familiar? Yeah, this is someone

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who's named after the same region that Violant

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is named after. So Violant came from Bar.

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She's the daughter of Robert of Bar, Robert

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de Bar. And that region in itself has a really

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interesting history. Duchy of Bar was created

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for Violant's father for staying loyal to the

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French king at the time. I think that was Jean

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I. And Robert was given this real kind of patchwork

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of lands that are what is today close to the

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German border, the eastern part of France, and

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they're really disconnected. It almost looks,

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if you're looking at it on a map, I'll see if

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I can actually find an image of it. put it on

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the webpage for today's document it looks like

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kind of like a bunch of grapes because there's

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these little units that are kind of connected

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by stems or something so it's an odd little dutchie

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but really the important thing is that not so

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much the the shape of it as just the status of

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it of being a duke is a really big deal and it

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elevates you in your status when you're hanging

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out in Paris And so that's really the reason

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for creating that duchy. And, you know, okay,

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we've got a minstrel who's from there. That's

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great. And maybe, maybe this is how Violant

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found out that the rumors had spread all the

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way back. to the eastern part of France about

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Joan's illness. Maybe she heard it from this

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minstrel. I don't know. I'm not quite sure how

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comfortable a minstrel would be saying, hey,

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you know, word has spread that the king was,

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you know, deathly ill. But I don't know. It's

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just interesting to note that on February 18th,

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we have Violant writing to her father saying,

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don't believe those rumors and then on December

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19th we have this minstrel who's from Bar being

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given this safe conduct letter so not not quite

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sure what to make of that i think it's not likely

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to be a pure coincidence but i'm also pretty

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sure that a minstrel would not be the messenger

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necessarily, but he could be the carrier of the

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letter. So perhaps Violant is sending the letter

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with this minstrel as he goes back to France.

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All right, so Jacob de Bar, let's talk about

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minstrels and their traveling habits. It's really

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clear from the work of music historians that

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Joan was recruiting minstrels from very far

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away, like Flanders and Bavaria. England way

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early in in his lifetime so pretty much as soon

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as he can he's trying to commission the travel

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of minstrels to perform in his in his ducal court

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as the Duke of Girona, and we see this in the

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time that he was married to his first wife, Mata

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d'Armagnac, in the 1370s. and of course this really

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picks up steam after he's able to plug in to

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the social network of Violant de Bar after their

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marriage. So minstrels are coming from all over

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the place, and also musical instruments are coming

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from all over the place. Joan really likes to

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collect musical instruments, and we had a document

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earlier in the podcast about that. So This Jacob

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de Bar is a minstrel that has traveled quite

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far in order to perform, but to perform for somebody

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quite special, the three -year -old Prince Jaume.

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And here... Jaume is referred to as Jacoby. So

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in Latin, the name that we would associate with

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Jacob was used for Jaume. It's interesting because

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James is like an English form of Jacob. And in

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English, though, we think of these very different

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names, but in fact, James and Jacob, they're

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in Latin, they're the same. Well, they have the

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same origin point in Latin, I guess is a better

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way to say it. So, Jaume, who's referred to here

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as Primogeniti Nostri Carissimi, our most dear

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firstborn, and then we've got his French title,

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Dauphini Gerunde, the Dauphin of Gerona. And

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then he also has another title that's listed

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here, the Count of Cervera, Comites Cervarie.

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So this minstrel is designated as a minstrel

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for the three -year -old prince. What does that

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mean? Does that really mean that he is dedicated

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really only to performing for the three -year

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-old? I sort of, I mean, obviously it's not going

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to only be the minstrel and the toddler. It's

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going to be the other people around at all the

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performances. But I just, I get the feeling that

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Jacob de Bar might specialize in, I don't know,

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like the medieval equivalent of baby shark. That

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this is somebody who's capable of doing music

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and entertainment for kids. And this is probably,

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you know, not somebody who is only going to be

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performing that crazy cutting edge, ours subtilior

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that you know, is very kind of hard on the ears,

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but can be an acquired taste for those sophisticated

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enough to enjoy it. So yeah, maybe Jacob de Bar

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can also do some ars subtilior for the adults

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after little Jaume's bedtime. But here he is

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identified as the minstrel that is really for

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the Prince Jaume. So that's a really interesting

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feature of all of this that we've got minstrels

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that are associated with individuals in the royal

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family and that is actually something that's

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corroborated by a bunch of other documents where

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there's a particular minstrel who is identified

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as belonging to the house of the queen or the

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king's royal court royal household. So there's

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certain minstrels that have long term appointments

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in the households of different members of the

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royal family. And then there's other minstrels

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who are just passing through and they're not

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really getting that long term appointment. And

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so That's just another distinction for how this

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musical patronage was organized. And I think

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it's super interesting to see all these different

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angles on it and to try to imagine how there

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were. acts that were passing through and would

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perform for just one night or two nights maybe,

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and then maybe they could have kind of jam sessions

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with the long -term house troubadours. It'd be

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pretty cool. Anyway, that's just my guessing

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at how all of this might work. One thing that

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I want to mention before I forget, and I actually

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wanted to put it earlier in today's podcast,

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is the vocabulary around minstrels. The word

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that's used to describe Jacob de Bar in this document

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is ministrerius. And in Catalan, the most direct

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translation of that is ministrer, which sounds

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to us like minister, but that is a false cognate,

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so it's more like minstrel. And so when we're

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talking about the troubadours, they're often

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referred to as minstrels, but you'll also see

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the word joglar or joglars. So that's another

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word to look out for. And I think there is another

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word that begins with the letter T, something

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like that sounds close to troubadour, but I can't

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remember at the moment. If I do find that, I'll

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put it in the webpage for today's episode. Something

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else to point out as we're reading against the

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grain of this letter, which is that there's a

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specification of his belongings, Jacob de Bar,

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the minstrel, that are protected in this letter

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of safe conduct. That's super interesting. It's

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in the line that begins... oh, let's see, where

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does it start? Okay, so it's line one, two, three,

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four, five, six. The end of line six. It starts

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with this phrase, duobus equatoris, his two horses.

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So the list begins his two horses, his servants,

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his gold, his joc. This word is something that

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wasn't easily translated. I think his instruments,

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his jocalibus. And then other goods, aliis bonis.

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So there's this list of his things as he's traveling.

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What an interesting insight into the material

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culture of travels that the minstrel, first of

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all, has all it has two horses, this specific

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number, and then also has servants, and then

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has a bunch of goods and then that he's got these

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instruments that it's like this whole little

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caravan that's going and he's not just traveling

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on his own this is like i guess you're um You're

00:17:14.519 --> 00:17:18.799
like coach bus like when bands travel from city

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to city in in our culture today Like they have

00:17:22.740 --> 00:17:25.819
the big coach bus This is kind of like the equivalent

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of that like there's a little entourage and so

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they all need to be specified and protected not

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just the body of Jacob de Bar himself and if you

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have that specified then he can point to it and

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say you tried to take one of my horses, I'm supposed

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to have two. Interesting question arises if somehow

00:17:48.789 --> 00:17:51.509
they obtain a third horse on the way, but I guess

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that is something you could expect to be consistent,

00:17:53.710 --> 00:17:57.309
that if you set out with two horses, you'd have

00:17:57.309 --> 00:18:00.970
two horses the whole time, unless one of them

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got into some kind of health problems or something.

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All right, so a wonderful use of the ablative

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case. I was talking about Latin case endings

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in an earlier episode, and this one has this

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whole list of belongings that are all with the

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endings that match their particular Declension

00:18:28.880 --> 00:18:33.339
is the term in Latin for the group of nouns that

00:18:33.339 --> 00:18:37.440
have the same pattern of ending. And so that's

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why we have this whole list of things and they

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don't all have the exact same ending. Some of

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them have the ending of BUS and others have the

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ending of IS. It's because they're in different

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noun groups and those groups of nouns are called

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declensions. So a little bit of a Latin lesson

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there for you. All right, one other thing I wanted

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to mention with this letter, which is that it

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specifies a time period. That's really interesting.

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In the last line of the letter, last two lines

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I should say, Joan specifies that this safe conduct

00:19:20.319 --> 00:19:25.960
letter is for the upcoming month of April. That

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makes sense. But then he ends that sentence with

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et non ultra, no other time period. So this safe

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conduct letter is time stamped. And it's a really

00:19:43.640 --> 00:19:47.000
interesting thing to ponder. Why do you need

00:19:47.000 --> 00:19:51.279
to time stamp your safe conduct letter? Well,

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There was this incident that I just found out

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about from 1384, in which a minstrel was engaged

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to assassinate the King of France. Yeah, in 1384.

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Who hired him to do that? It was... the father

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of Charles III of Navarre, Violant de Bar's

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buddy, so Charles II, whose cognomen is The Bad.

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So Charles the Bad, I mean, this is one of the

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reasons he got that cognomen, he hired a minstrel

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to go poison the king of france and like everybody

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he was like get the duc de Berry too like anyone

00:20:40.740 --> 00:20:44.440
who's there kill them all and and so he set him

00:20:44.440 --> 00:20:48.000
up with a bunch of poison and and then this minstrel

00:20:48.000 --> 00:20:52.000
got caught and executed And there's a really

00:20:52.000 --> 00:20:55.599
interesting article about that, like an old article

00:20:55.599 --> 00:20:59.460
written in 1949. It was an English minstrel,

00:20:59.579 --> 00:21:02.180
actually. So there's a whole, like, 100 years

00:21:02.180 --> 00:21:06.240
war dynamic going on in that to the enmity between

00:21:06.240 --> 00:21:08.900
England and France and so on. All right, that

00:21:08.900 --> 00:21:12.400
was a digression. But it's all to point out that

00:21:12.400 --> 00:21:16.400
you don't want to have a minstrel or really anybody

00:21:16.400 --> 00:21:19.700
having this, like, blanket safe letter conduct

00:21:19.700 --> 00:21:23.269
that they could use at any time because you don't

00:21:23.269 --> 00:21:25.089
know what they're going to be getting up to in

00:21:25.089 --> 00:21:29.769
the future. So you need to time stamp. that you

00:21:29.769 --> 00:21:33.609
need to time limit your safe conduct letter.

00:21:34.109 --> 00:21:37.509
And that's what's happening here. So I really

00:21:37.509 --> 00:21:42.450
hope that Jacob de Bar made it to his next destination

00:21:42.450 --> 00:21:46.470
during the month of April, because if not, he

00:21:46.470 --> 00:21:49.109
would have needed to get another safe conduct

00:21:49.109 --> 00:21:53.960
letter from somebody else. Oh, and then here's

00:21:53.960 --> 00:21:56.279
one last question. Oh my gosh, I'm really going

00:21:56.279 --> 00:21:58.460
long on this, but there's just so many that come

00:21:58.460 --> 00:22:03.819
up. Why do you need a safe conduct letter? What's

00:22:03.819 --> 00:22:07.440
so risky or dangerous about travel at this time?

00:22:07.920 --> 00:22:11.220
Okay, certainly there's like the fear of bandits

00:22:11.220 --> 00:22:14.680
on the road, like getting robbed, but like they're

00:22:14.680 --> 00:22:17.460
not gonna care if you have a safe conduct letter,

00:22:17.660 --> 00:22:23.400
probably. So what's the... risk? Like is it really

00:22:23.400 --> 00:22:28.339
so risky to like show up to the next realm in

00:22:28.339 --> 00:22:32.460
the line of realms between, you know, Barcelona

00:22:32.460 --> 00:22:36.779
and wherever you're going in France? Why is this

00:22:36.779 --> 00:22:41.559
so necessary? I have a feeling it's not so much

00:22:41.559 --> 00:22:45.619
about physical danger, although it could be,

00:22:45.619 --> 00:22:49.180
but I think there's certain costs that might

00:22:49.180 --> 00:22:53.819
be incurred, like taxes or tolls. It was really

00:22:53.819 --> 00:22:58.720
common when you got to a new territory that you

00:22:58.720 --> 00:23:02.519
were going from one place that was ruled by one.

00:23:03.190 --> 00:23:05.990
monarch into some place that was ruled by another

00:23:05.990 --> 00:23:09.289
monarch or duke that you'd have to pay like a

00:23:09.289 --> 00:23:13.049
gate fee to pass through. And I think maybe,

00:23:13.069 --> 00:23:15.089
I'm not sure about this, I have to research it

00:23:15.089 --> 00:23:19.049
more, but maybe in some cases the safe conduct

00:23:19.049 --> 00:23:22.730
was to get you out of having to pay as much.

00:23:23.349 --> 00:23:26.930
I'm not sure it could like get you like a kind

00:23:26.930 --> 00:23:31.730
of exemption from tolls or taxes, but maybe that's

00:23:31.730 --> 00:23:34.160
part of it? Not sure, and maybe they was just

00:23:34.160 --> 00:23:36.700
dangerous. Maybe, you know, the first instinct

00:23:36.700 --> 00:23:40.079
when someone saw Minstrel entering the territory,

00:23:40.500 --> 00:23:42.900
the guardhouse, they were like, oh, this person's

00:23:42.900 --> 00:23:45.779
not vouched for by anybody, so let's take one

00:23:45.779 --> 00:23:49.019
of their two horses. I don't know. I need to

00:23:49.019 --> 00:23:52.880
research a little bit more about travel in the

00:23:52.880 --> 00:23:58.019
Middle Ages, try to figure out why Jacob de Bar

00:23:58.019 --> 00:24:04.190
really needed a safe conduct letter. Alright,

00:24:04.430 --> 00:24:07.210
well, there's other questions and other things

00:24:07.210 --> 00:24:09.769
that we could do reading against the grain with

00:24:09.769 --> 00:24:13.730
this document, but we have reached the end of

00:24:13.730 --> 00:24:18.250
the time. For this episode, at least. Thanks

00:24:18.250 --> 00:24:21.569
for listening to this latest installment of the

00:24:21.569 --> 00:24:25.809
Historian's Notebook, Season 1 Molt Cara Companyona.

00:24:26.150 --> 00:24:29.170
If you are leaving with more questions than you

00:24:29.170 --> 00:24:33.720
arrived with, I've done my job. Remember, the

00:24:33.720 --> 00:24:37.799
motto of the Historian's Notebook is dissatisfaction

00:24:37.799 --> 00:24:41.599
guaranteed. Visit the website to see an image

00:24:41.599 --> 00:24:45.220
of today's document and additional show notes.

00:24:45.839 --> 00:24:48.619
And listen again tomorrow to hear about the next

00:24:48.619 --> 00:24:52.299
day in the first year of the reign of King Joan

00:24:52.299 --> 00:24:56.799
I of Aragon and Queen Violant de Bar. In the

00:24:56.799 --> 00:24:58.599
meantime, take care.
