WEBVTT

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Hello. In The Crown of Aragon, 639 years ago,

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it was February 16th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is The Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Molt Cara Companyona. we're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's

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document. Well, today's document has a couple

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layers of mystery to it. To be honest, I did

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not expect to see something like this. The topic

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of today's letter is the same as the one from

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February 14th. It's in the Varia register. Just

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a couple... actually wait it's in a different

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Varia register so it's written a couple days

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later but it's put into a different register

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and it's from Violant to the Pope and it's about

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I think that same topic so it's almost like Violant

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is sending a reminder or like a follow -up it

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is really something I didn't expect to see because

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well she would have to understand that the first

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letter couldn't have arrived all that much earlier

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than this second one I really don't think that

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you could deliver a letter from Barcelona to

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Avignon in 24 hours. I am also pretty skeptical

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that it could be done in 48 hours, but maybe

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not. For some reason, Violant is writing a letter

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on the same topic to days later and the language

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in this letter is one that has more urgency than

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what we saw in the February 14th letter. So once

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again we have the name Petra Serva or something

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like Peter servant in English or maybe Pere Servent

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in Catalan, but I'm not sure. The title associated

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with Petrum or Petra serva is Archidiacone or

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maybe Archidiaconum and then there's a word following

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that which is something like Penitentem. And

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so that's what we know about this Petrum Serva.

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We know that he's an ecclesiastical official

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an Archdeacon. We don't know where he's from,

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like what region of the Crown of Aragon. And

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in the previous letter, I thought that a reasonable

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interpretation, based on the not extensive work

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that I did with it, was that he was being supported

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for some kind of ecclesiastical office. But this

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letter really makes it seem like Violant has

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sent him to Avignon. And the reason for that

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is the word that comes after his name and title

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on the fourth line of this letter, which is Commisimus.

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We commission him. And then a little ways down

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in the letter, we have a phrase at the end of

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it's the fourth line from the bottom it starts

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with so there will be an end to some kind of

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debt obtained by the same Petrus or Petrum in

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doing the work of resolving whatever issue and

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so there's these two factors in this letter that

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makes it seem that this Petrus Serva is an emissary

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which I didn't get from the previous letter but

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looking at it again, I see that it's possible.

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So I think that Violant has sent this person

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to Avignon, but then what's mysterious is that

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there's these two letters in such close proximity

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to each other so that we have a kind of... I

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don't even know what to call it. Is it... is

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it like nagging? I mean that's a really kind

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of there's a lot of connotations and a lot of

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gendered connotations to that so I don't really

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want to use that word but I'm trying to think

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of what is the purpose of sending a follow -up

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letter so soon or maybe this was just how things

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worked that you just had to send follow -up letters

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and that would just be a signal that the matter

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was an important one? There's just so many questions

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in my mind seeing this return to the same topic

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after such a short span of time from the previous

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letter. So I don't know what is the issue that

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is trying to be resolved here. I hope to find

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out at some point. I did do a little searching

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through a good old ChatGPT for somebody named

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Pere Servent or Petrus Serva. Nothing really seemed

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to come up. So this has opened up quite quite

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a mystery for me, and I'm hoping that I will

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come across some other additional correspondence

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that has to do with this archdeacon, and I'll

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get some kind of clue regarding what this is

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about. And while we're on the topic of Violant

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writing to the Pope, the Avignon Pope, where

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This is taking place during the Great Western

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Schism, where there's a pope in Rome, Urban VI,

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then there's a pope in Avignon, Clement VII.

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I just want to draw attention to what I have

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seen about the way that Violant considers the

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pope within the larger scheme of her projects

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and her rulership. The papal court in Avignon

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is yes a religious center, but almost more importantly

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it's a diplomatic center. So there are so many

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instances of conflict resolution or conflict

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intensification that take place in the Papal

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Court at Avignon. It's also a cultural center

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where there's troubadour performances regularly.

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There's a lot of manuscripts constantly being

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added into the library in the Papal Court of

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Avignon. So this is a place where people of high

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power send emissaries they themselves might visit.

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I'm thinking in particular of an episode with

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Joanna of Naples who is in Avignon and in the

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midst of tense conflict over her own rulership

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of Naples. The papal court in Avignon where big

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deals get done and in particular marriage negotiations.

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So what's going to be coming up in a few episodes

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from now and then in others throughout the year

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is that Joan and Violant are working to arrange

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a marriage for their oldest child, who historically

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is known as Yolande of Aragon. So named after

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Violant. Yolande of Aragon eventually does marry

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Louis II of Anjou, but that is a long process.

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The marriage negotiations, they take at least

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a year, and they're carried out in Avignon. And

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it's not Petra Serva who comes up in those negotiations.

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It's somebody else. A Genoese fellow named Lucchino

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Scarampi. There will be a lot more about him

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coming up. I think I might have mentioned him

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once already. But I wanted to mention that these

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marriage negotiations are high level, diplomatic,

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encounters and endeavors that the papal court

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in Avignon is the venue in which that plays out

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and that it is extremely important work. So in

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our time we might think, oh why, you know, you

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just kind of decide to get married, you figure

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it out, you know, you just pair them up. but

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actually these are intense negotiations that

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have all these additional stipulations and territorial

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exchanges and money for dowry and all kinds of

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deal making gets packed into this marriage negotiation

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the marriage is more of like the title of the

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bill and then the bill like in like congress

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or something like it's packed with all these

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other provisions and these provisions are all

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up for negotiation so the marriage negotiation

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is a big big deal i don't see anything in here

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about Petrus Serva in today's letter being involved

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in the marriage negotiation that is about to

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be initiated by Joan and Violant in Avignon.

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I don't know if he's involved or not. He could

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be an emissary for a completely different matter,

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but the important thing to keep in mind when

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we're seeing Violant writing to the Pope is

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that she is writing to a nerve center of international

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diplomacy and she is asking for the intercession

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or participation of one of the biggest power

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players that you could possibly have. in the

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constellation of power elites in western Europe

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at this time i mean i would put the Duc de Berry

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as like in the top five i would put the Avignon

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Pope Clement the seventh in the top five i would

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probably put Joan and Violant in the top five

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actually and so there's this sense that I'm getting

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that when we see Violant writing to the Pope

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like every day and writing a letter like this,

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which is like a very quick follow -up. I mean,

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the earlier letter in this one might have been

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delivered to the Pope's hands at the same time.

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When I see this happening, I'm thinking that

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what is being represented here is that Violant,

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of course, feels very comfortable writing to

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the pope about all kinds of stuff. Yes, the letter

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includes the typical language of we, you know,

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are requesting your help. We are humbly humiliter.

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We are humbly requesting your attention to this,

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but those words are completely drowned out by

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the volume and then just also this kind of immediate

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following up kind of behavior that we're seeing

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from Violant. I get the sense that Violant

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expects the Pope to be acting in accordance with

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the allegiance with the kind of partnership that

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the Crown of Aragon has established with the

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Avignon Papacy at the time of a very troublesome

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schism. The Crown of Aragon has thrown its weight

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as as Joan has ascended to the throne. The neutrality

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that Père the Ceremonious had has been put into

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the past, and now the Crown of Aragon is firmly

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behind the Avignon Papacy, and I think Violant

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knows that that was a heavy move, and so I get

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the sense, and maybe I'm wrong, and I could find

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out later things, maybe Violant is intimidated

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writing to the Pope, but I kind of get the sense

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that Violant is not intimidated at all in writing

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to the Pope, and that she has expectations of

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partnership and maybe even expectations of compliance

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from the Pope. So that might be taking it a little

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bit too far, but I just wanted to riff for a

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little while on the possible attitude that Violant

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displays toward the Avignon Pope because to

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me this letter raises some really interesting

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possibilities about that and how Violant sees

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her own status in relation to one of the most

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powerful figures in Western Europe at this time.

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We'll keep track of how Violant corresponds

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with the Pope because there's no shortage of

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letters from Violant to Pope Clement VII. Alright,

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thanks for listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, I have done my job, because remember, the

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motto of the Historian's Notebook is dissatisfaction

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guaranteed. If you're feeling satisfied completely

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by any history that you are reading, you're probably

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reading some bad history. Good history, accurate

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history, always raises more questions and leaves

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you dissatisfied. Visit tomorrow. Oh, visit tomorrow.

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Should I delete that? No, I'm just going to keep

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it. Visit tomorrow. Let's all visit tomorrow.

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I like that. In a show about the past, we'll

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visit tomorrow. I think Maybe more reasonably,

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you should visit the website to see an image

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of today's document and additional show notes,

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and listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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I of Aragon and Queen Violant de Bar. In the

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meantime, take care.
