WEBVTT

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Hello. In The Crown of Aragon, 639 years ago,

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it was February 12th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's document.

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Welcome to the 50th document for the podcast.

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Wow, they really do just add up, don't they?

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I can't believe that this is number 50. If you've

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been listening to all of them, wow. Yeah, it's

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adding up, and we are not even 25 % done. because

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we are going for the long haul of 365 and I have

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to admit that I'm not sure if it's actually gonna

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materialize the 365 because it does take a lot

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of time especially if it's a Latin document for

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me to figure out what's going on and to do some

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of the work to contextualize what's happening

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in a particular document, and it is more than

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I thought it would be. I knew that it would be

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a lot, but sometimes there can be just a very

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long period of investigation to figure out even

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just some of the basics. So we'll see what happens.

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I'm still really pumped to do a whole year, because

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I think we'll get to see things that we otherwise

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wouldn't see. So I'm still into it. Let's see

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what happens when we get to episode 100. But

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yeah, it's a process. But I've been enjoying

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it so much, and I hope you are too. And all right,

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let's talk about today's document. The document

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is from the very earliest folios of a secret

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seal register of Joan's. So we are looking at

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folio 2V of register 1954. And the wormholes

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and bug holes that we see here are very extensive.

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It's not actually the worst that I've seen, but

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it's pretty bad. I think that these patterns

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are beautiful to look at, honestly. I think that

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there's kind of a sadness at the destruction

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of the historical content and the idea that we're

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missing out on the information, so there's a

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sense of loss there, but There's also this kind

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of commemoration of the passage of time and the

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force of the non -human actors on these material

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objects. So the patterns that we see are sort

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of like a Rorschach kind of experience. where

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you can look at them and see destruction, or

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you can look at them and see collaboration of

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material and living entities over this gigantic

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period of time. Although I would like to know

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how long it takes for this destruction to to

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occur. So once a worm gets in or once the bugs

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get in, how many days does it take or years does

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it take to generate this? The holes that we see

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don't go all the way through. So there's certain

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holes that will appear on every single folio

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of a register because some kind of worm went

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just you know perpendicular to you know the thing

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and uh and then other times we see like in this

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one this particular register the damage is really

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extensive in like the first 10 folios but once

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you get deeper in they just didn't go further

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and so they stayed sort of along those surface

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layers so I'm really curious to know the time

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span of this action that we see a remnant of

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on the part of the worms and bugs. I'd also really

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like to know more specific details about, if

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we can, what kinds of worms and bugs did this?

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I just am interested in the materiality of this

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archive. And remember, over six centuries, paper

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has been sitting around with this information,

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this ink and paper. It's just sometimes easy

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to say 639 years, but just take a moment and

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think about how much time that is. Where, for

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example, stuff that feels so, so long ago, like

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the American Revolution is like only about a

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third of the way back to getting to when these

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characters were written with ink on this paper.

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So I just wanted to riff about the experience of

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the archive and indulge in a little romanticization

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of this particular archive. And you know, there's

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There's a critique of that, that historians can

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be too indulgent when it comes to romanticizing

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the archive, and so occasionally I do pull back

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and... take notice of how the archive is commissioned

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with a purpose and that purpose is to bolster

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power and to bolster an unequal social hierarchy

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that was exploitative for a lot of people. So

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it's always good whenever you slip into the romanticizing

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of the archive to pull back and notice that this

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is an instrument of power and that it was bolstering

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and holding up a society that benefited the most

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powerful and the most wealthy and harmed those

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with little power. Let's talk about the document

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itself here. So it's in Latin. The addressee

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is very difficult to read because of the worm

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damage. at the top, but at the bottom we can

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see it very clearly. So the College of Cardinals

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is the group that Joan is writing to in this

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letter, and it's about the request or intercession

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to promote somebody to be a cardinal for the

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Avignon Papacy. And that person is someone that

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Joan is very well aware of. It's Joan's first

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cousin once removed. So I always need a little

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bit of an explanation when I get into some of

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the cousin descriptors. So... What's going on

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in this familial relationship is that Joan's

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father Père the Ceremonious, his cousin is the

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person who is being discussed here. So the cousin

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of Père the Ceremonious is named James and is

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a bishop in Valencia. He eventually does get

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accepted into the College of Cardinals, so he

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becomes the Cardinal of Valencia. He was in Avignon

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starting in 1388, so I think it might have taken

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a good year or more for his application to be

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a cardinal to be processed and accepted. So at

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this moment, I think it seems like we're getting

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the ball rolling, or we might be continuing on

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with a process initiated by Pere the Ceremonious.

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So in the interline between line four and five,

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we can see that Joan is referencing his own

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father. And I think it's really interesting to

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notice the word choices that he uses. And I'm

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not quite sure of the valence. and resonance

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of those word choices right now, but I want to

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note them because I still can't get it out of

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my head when he wrote to his father -in -law

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and called him most dear father. That was a couple

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episodes ago. In this letter he refers to pair

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his father in the following way. Serenissimi

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Domini Regis Petri Genitoris Nostri. Our...genitor.

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I don't think the translation works quite at

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that level of cognate. Our progenitor. The person

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who progenied me. I didn't actually look up this

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word in the dictionary, the Latin to English

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dictionary. So maybe there's a nice smoother

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transition or translation there. But anyway,

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I just wanted to point that out. Another Latin

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word that's coming up again and again in this

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letter is publicaciones. And it's a really interesting

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word because I did look that one up and it's

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like there's all these different resonances that

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can be used for that word. It has something to

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do with of the state of the public body, but

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I can't quite figure out why it's being used

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so much in this context. And why it's being used

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in association with. the Bishop of Valencia,

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Joan's first cousin once removed, named James.

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One other thing that I want to bring in about

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James, who is the Bishop of Valencia, soon to

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be Cardinal of Valencia, is that he was really

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into literature and he commissioned a bunch of

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translations of classical literature, one of

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which was a text that's already come up in the

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podcast, Valerius Maximus. So this was the classical

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text that Joan was really anxious about securing

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from his father's library and he wrote to his

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brother Marti as their father was dying and said

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it's just really important for you to get these

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items and make sure to hold on to them for me

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and one of them was the Valerius Maximus text

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and then there was like another there was one

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that was like a dog one of the that was had a

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name So, anyway, James Bishop of Valencia, he

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is someone who has been recorded as commissioning

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translations of classical texts, and I found

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that reference in a secondary source on the classical

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tradition in Catalan culture. I can't remember

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the exact title. I will put it, though, in the

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web page in the bibliography for today's document.

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There's one other thing that I want to point

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out about this document, and that is on line

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12, there's this interesting cross out. And then

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in the interline, we see a word that looks to

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me like inquisitura. So maybe this is something

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that has to do with an inquisition. But then

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we have after that regalis sanguinis. So something

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about like the royal blood. So I am I'm curious

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about what's going on there and what is the content

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of this long letter that Joan is writing in

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support of James Bishop of Valencia becoming

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a cardinal and how that word Inquisitura might

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relate to it and just have to leave that as an

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open question for now. and come back to it after

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getting a bit more practice with Latin this year.

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Thanks for listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, then I have once again For the 50th time,

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done my job, because remember, the motto of the

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Historian's Notebook is, dissatisfaction guaranteed.

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Visit the website to see an image of today's

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document and additional show notes, and listen

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again tomorrow to hear about the next day in

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the first year of the reign of King Joan I of

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Aragon and Queen Violant de Bar. In the meantime,

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take care.
