WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was January 21st, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's

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document. If you're looking at the image of today's

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document on the website, then you might notice

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that we have seen this document before. And that's

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because way back in episode five, I went to this

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page in the treasury records and noticed that

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there was a record on the top half for a baker,

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someone who was a baker in the household of Violant

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during her time as the Duchess of Girona in the

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second half of 1386, and the payment though was

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made in 1387, but within the date of the terms

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for which that baker was being paid for, the

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period of time, it had ended on December 31st,

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and so I linked it in to the day of December

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31st in that episode, and now we've arrived to

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the date that the record was actually written

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down on January 21st, and I'll tell you... January

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21st was a big day for treasury records because

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if you go to this register on PARES you will

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see that there are actually pages and pages of

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records dated on January 21st. I don't know what

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to make of that. Was it that there was a backlog

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and they just kind of got around to entering

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all these things on January 21st? Was January

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21st actually a day that was designated for recording

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a bunch of treasury records, payment records,

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and will we see this again in a lot of the other

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treasury record books that there's a particular

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day when it's just I guess maybe that day in

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the cycle when they enter in a lot of records,

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I will be watching to see if I can understand

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why January 21st is over -represented in the

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payment records for this period of time. What

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I can also say is that they had to get up and

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running with the record -keeping services of

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a whole new reign. Keep in mind that Pere the

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Ceremonious had ruled for over 50 years and all

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of the record -keeping and operations and bureaucracy

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had been, you know, done according to traditions

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and plans and Moving from one year to the next,

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they knew how to do it and they didn't really

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have to do as much starting over from scratch.

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And so when Joan begins his reign, they're gonna

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have to figure out, well, how are we going to

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handle payment systems when a lot of the people

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who are getting paid would have been paid out

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of a different fund or a different process being

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a member of the staff of the Duke of Girona and

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now that same person is getting paid out of a

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different fund probably now that Joan and Violant

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are king and queen and then how are they going

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to make records for all of that it's quite possible

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that it them a while to figure out, okay, how

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are we going to arrange the records? So today's

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document is the one that's on the second half

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of that same page, and this document was listed

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in the collection by Trenchs i Odeña and by Jaiges

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i Jardi that I referred to in episode 22 on January

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15th. So it's minstrels and the document collection

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has a full transcription of this payment record.

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Nothing in it is immediately eye -catching with

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one exception. This is a husband and wife team.

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The first line has the name of the treasury official,

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Johan Callos, and then in the second half, it

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lists who's going to be getting the payment.

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So starting from a little bit after the first

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half of the line, En Jacquet de Port Albert e

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Ana Isabel Mullier. Seva. Mullier Seva are the

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first two words on the second line. His wife.

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This is a husband and wife troubadour team. It

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is very unusual to come across a woman troubadour

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at this time. So they are naturally really interesting.

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And it turns out that these two are pretty awesome.

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because there's quite a lot of documentation

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of their services to the royal family of the

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Crown of Aragon over the years and also to others

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in the region. So in 1385, Père the ceremonious

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recommended the Portalberts to the King of

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Navarre and then Many years later, in 1388, Violant

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recommended them again, but of course to the

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next king and queen of Navarre. But Violant

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recommended the Portalberts to somebody else

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as well. Someone who hasn't yet come up on the

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podcast, but was hugely influential from a cultural

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standpoint for Joan and Violant. That person

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is Gaston Febus, the Count of Foix-Bearn. Gaston

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Febus has become very well known to scholars of

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the Middle Ages who are interested in hunting

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because he wrote, Gaston Febus, wrote one of the

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most copied and most prominent treatises on hunting

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of the Middle Ages. And Gaston Febus was quite

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the guy. He was like the sort of masculine political

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elite that I think Joan aspired to in a lot

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of ways. He was not like Père the Ceremonious

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in that Gaston Feboux didn't have quite the kind

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of cruelty and warmongering level that Père the

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Ceremonious did. but they had something in common,

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Père and Gaston Febus. They were really like

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womanizers. So Gaston Febus did not have anything

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like a relationship of respect and equity with

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his wives that we see taking place between Joan

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and Violant. I think Joan aspired to write

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some kind of manuscript on poetry, music, and

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hunting and just culture in general. And I think

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if he had lived longer, he would have done that.

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Because Gaston Febus's book, which was titled

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Le Livre de la Chasse, The Book of the Hunt,

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The Book of the Chase, it was one that Joan

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read and I'm pretty sure he enjoyed it immensely.

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And it was very much like a kind of self -fashioning

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project from Gaston Febus. Gaston Febus was very

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famous for basically building himself up as a

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big man of the elite class. He was very successful

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in battle and also got a lot of plunder, and

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so he was very very wealthy. His territory was

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kind of like a mountainous territory in the in

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the region of the Pyrenees, and also he had this

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amazing blonde hair so that when people looked

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at him, it was like looking at like this yellow

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sun shape because of how golden his hair was.

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And so that's actually how he got that name,

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Febus, which is from Phoebus. The name for Apollo

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in Greek myth, you know, the shining of the sun

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basically is what's attributed to the glow around

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Apollo. Alright, so I got a little sidetracked

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talking about Gaston Febus, but all of this is

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to say that when Violant was writing about the

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Portalberts, she recommended them to one of the

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brightest cultural luminaries in the entire region,

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Gaston Febus, as well as to her buddy, the King

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of Navarre. So the Portalberts, they're really

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good. They have a track record performing for

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the royal family of the Crown of Aragon according

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to the documentation we have from 1385 until

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1393 and there might be more than that that we

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just haven't found yet in the documents. So they

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are one of the favorite troubadour performers

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for Joan and Violant and so here we are looking

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at their payment record which is one that covers

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about a three month period of time and they get

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267 Solidis which is about this it's like comparable

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like well actually it's a hundred Solidis less

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than what the Baker got but the record here is

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interesting because there's this other amount

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that's listed as like the per day so maybe they're

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not actually there every single day during that

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three months and so it actually comes out to

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being a higher rate than the baker on the same

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page but not not quite sure about that what is

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clear in this record though is that they were

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minstrels that performed for Joan and Violant

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when they were living in Girona in the latter

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part of 1386. And then they continued on with

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them and moved to Barcelona. So it's interesting

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to see that the minstrel team, the husband and

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wife minstrel team, were one of the staff members,

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the household members that we know accompanied

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Joan and Violant from Girona to Barcelona. So

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you might be wondering, as I'm wondering, what

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were their performances like? Were they doing

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any of the Ars Nova or Ars Subtilior? I don't

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know. And one of the things that I'm hoping to

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find out over the course of this year that I'm

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working with these documents is a little bit

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more about what troubadour performances were

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like. So I'm going to be doing a little bit more

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reading in the secondary literature about that.

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And then we'll see if anything comes up as I

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look at other records that are in the collection

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from Trenchs i Odena and Baijes i Jardi, and see

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if I can get a little bit more information about

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exactly what they did when they performed. Alright,

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thanks for listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, I have done my job. Because remember, the

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motto of the Historian's Notebook is, dissatisfaction

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guaranteed. You always want to know more at the

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end than you had thought of at the beginning,

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hopefully. Visit the website to see an image

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of today's document and additional show notes,

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and listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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I of Aragon and Queen Violant de Bar. In the

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meantime, take care.
