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Hello. In The Crown of Aragon, 639 years ago,

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it was January 20th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's

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document. Today's document is the first instance,

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according to the historian Jaumet Riera i Sans,

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that we see Jaume, the son of Joan and Violant,

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referred to as the Dauphin. and this is something

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that I've spoken about a couple different times

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on the podcast already the introduction of the

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term dauphin into the crown of aragon that is

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carried out that introduction is carried out

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by Joan and Violant when they are at the

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outset of their reign one of the first things

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they do as they're getting the government together

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on January 16th in Granollers, they formally

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name the heir to the throne after Joan, which

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is the three -year -old boy, Jaume. They formally

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name him a Dauphin, and they adjust that into

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Catalan as a Dalfi, D -A -L -F -I. This move

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is one that I think is an illustrative example

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of the enthusiasm with which Joan imported

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French culture into the Crown of Aragon. This

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is something that I myself have written about

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in an article that is available on the website

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for the journal Quidditas. And in that article,

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which I titled Medieval Hypebeast, The Conspicuous

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Consumption of Joan the First of Aragon, I go

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through and look at all these different ways

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that throughout his time as Duke of Girona and

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during his reign as King of the Crown of Aragon,

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Joan, as a cooperative project with Violant,

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they brought in whatever kind of hot cultural

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trends they could from France into the Crown

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of Aragon. And in a previous episode, I mentioned

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how French culture was kind of like the at the

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level of what we would think of as Hollywood

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cultural production in our world in the 21st

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century, where it's just seen as the cutting

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edge in terms of what is really popular and also

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artistically supported. with a lot of resources

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so that you're you're kind of in this sort of

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self perpetuating cycle where it's seen as the

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place to go to make great cultural products.

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I'm talking about movies and TV series not the

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only place to go, but it just has that power

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of having built up. a reputation as the source

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for cultural production. And so it's not like

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it's the only place where great culture is made.

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It's just that it has that kind of attraction,

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that kind of cachet. And so same deal with Southern

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France at this time. There was a culture of troubadour

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performance in Toulouse that was extremely innovative,

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and then spread throughout all of Provence and

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southern France, and a lot of those troubadours

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interacted with troubadours who would travel

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around the Crown of Aragon. And so Joan, at

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a very young age, he heard about what they were

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doing. And basically, this started a lifelong

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project of wanting to be in on the latest fashions,

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which is where kind of the hype beast connection

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comes from, like really going after what's trendy

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is what I see the behavior as here. And having

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a real craving for getting the stuff that has

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the best reputation for being cutting edge fashion.

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And so we see this a lot with the literature

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and the music. We see a bunch of letters that

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a lot of scholars have already written about

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where Joan and Violant are trying to get the

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latest copy of the Guillaume Machaut manuscripts,

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for example. So that is all to explain the presence

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of the phrase Mon car fil lo dalfi de Girona in

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the fourth line of this letter from Violant.

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But who is this letter to? Well, the letter starts

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Molt car Cosi. Got all the Molt cars happening

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again. Who's the cousin? The cousin is the brand

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new King of Navarre. Navarre is the kingdom to

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the north of the Crown of Aragon. And in a remarkable

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coincidence, Charles III ascended to the throne,

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inherited the throne. On January 1st of 1387,

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Charles II had died. And so in this really remarkable

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coincidence, both Violante and Joan and Charles

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III of Navarre, they all become the rulers of

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their kingdoms like right around the same time.

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And this really plays into this concept that

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I've toyed around with a little bit since starting

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this project, that there's a team next -gen.

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happening here, a real sense of the next generation

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is now coming into its own, and some of the stuff,

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especially like the warmongering that was going

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on, both from Charles II of Navarre and also

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Pere the Ceremonious and the Crown of Aragon

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and Pedro the Cruel and Castile, that That generation

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has concluded and now team next -gen is coming

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in and they want to do a bit of a reset it's

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one that is a cooperative project between the

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ruler of Navarre Prince or used to be Prince

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King Charles III and Violant and Joan because

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These folks are buddies, and I have a theory.

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It's not something I can substantiate in any

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of the literature yet, but I have a theory that

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Violant and Charles, they knew each other and

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hung out in the years 1378 and 1379 in Paris,

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because as Prince, the future Charles III had

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been sent by his father to go do some diplomacy

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with France, but then his father did some kind

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of like shady move and like did an attack somewhere

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and the King of France was like mad. Charles

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V was like, what are you doing? Like you're basically

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like trying to trick me. And so he made Charles

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the Prince a hostage. So the future King of Navarre

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was a hostage in Paris at the time that Violant

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was there, and in the months that Violant was

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finding out that she was going to be marrying

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into the royal family of the Crown of Aragon

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and heading to Iberia. And so she might have

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sought out Charles to kind of get the lowdown

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on what it's like to be on the other side of

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the Pyrenees. And I have a feeling they knew

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each other in France. Eventually, Prince Charles

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gets released from captivity in Paris and goes

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back to Navarre. And then in the time that Charles

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is waiting for his father to die so he can become

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Charles III, and in the time that Joan is waiting

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for Père to die so that he can become King of

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the Crown of Aragon, there were regular visits

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between the Prince of Navarre and Joan and

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Violant. And we know that they were buddies

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because of an extraordinary letter from May of

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1386. This letter has surfaced earlier in the

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scholarship, but Dawn Branch Prince has written

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about it in a way that I think really brings

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it out a lot more in its meanings. This letter

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is one that Violant wrote to, at the time, Prince

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Charles of Navarre, and she says, and I'm doing

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a faithful paraphrase here, but once you hear

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this, you're just gonna have to, like, rewind

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to be like, what? Violante writes to Charles,

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and this is what she says, danced so hard that

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I had a miscarriage. Not only that, but the child

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that I had in my womb was one that I was going

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to name after you. Okay, so there's just a lot

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to, like, really figure out what's going on there.

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First of all, they had a great time dancing together,

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that's for sure, to the extent that Violant

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can come to the conclusion that it was the hard

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dancing that led to her miscarriage. So we know

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that they were getting along, having a good time.

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That was a real Molt car cosi there. But then

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there's this statement about the miscarriage.

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It's a tremendous, tremendous problem as a royal

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family member for a woman to have a miscarriage.

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I mean, it would be in... all kinds of cases,

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not to minimize the miscarriage experience at

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all. But for women who were in these elite positions,

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the potential of having a child, especially a

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male child, was very tied to the opportunity

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to increase their own power, their own stature,

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the stature of their husband, because so much

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was invested in producing an heir. And so to

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have miscarriage is something that is a very,

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very sensitive, even beyond whatever you could

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put as the baseline of like sensitivity and trauma

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of having a miscarriage. And so when Violant

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says, I was going to name that baby after you,

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is she trying to make Charles feel bad for like

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how hard he was dancing with her? Or is this

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actually like a level of irony that Violante

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is sending off to Charles as a kind of like,

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you know, I'm not gonna hold it against you even

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though I'm saying that I'm holding it against

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you. Yeah, it's really hard to untangle the meaning

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behind that letter of 1386. But look at what

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we have here in the following year. A letter

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that is really gushing with affection. She's

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writing to the King of Navarre with just Molt car,

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Molt car, car cosi, car cosi all throughout. I

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mean, this is one of the most gushy letters that

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I've ever seen. And so the affection that Violant

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has for Charles III, King of Navarre, is, I think,

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pretty much confirmed in this letter. So what

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to make of the kind of message that appeared,

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you know, in the prior year, May of the prior

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year, about about their interaction. That is

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something that actually I hope I'm going to be

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able to talk about in a bonus episode of the

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podcast when I get to have an interview with

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one of my classmates here in the graduate program

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at the University of New Mexico, Katie Despeaux,

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who specializes in studying medieval pregnancy

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in the late Middle Ages. So we'll see if we get

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to have that happen. I hope so. All right, that

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is today's document and just a whole lot of background

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information about it. Oh, one last detail. I

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wanted to specify how Charles III King of Navarre

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and Violant are related, because they are cousins.

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So Charles is the son of Violante's mother's

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sister. So that is how they're related, because

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Charles III's father, Charles II, married a daughter

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of the French king, and that's how they're cousins.

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Because same thing with Violante. Her father,

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Robert de Barre, married another daughter of

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the French king. Okay, hopefully that isn't super

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confusing. I think it might be time for, like,

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a family tree, if I can try to find one and put

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it on the website. Alright, that does it for

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today's episode. Thanks for listening to this

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latest installment of the Historian's Notebook,

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Season 1, Molt cara Companyona. If you are leaving

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with more questions than you arrived with, I

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have done my job. Remember, the motto of the

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Historian's Notebook is dissatisfaction guaranteed.

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Visit the website to see an image of today's

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document and additional show notes. And listen

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again tomorrow to hear about the next day in

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the first year of the reign of King Joan I of

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Aragon and Queen Violant de Bar. In the meantime,

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take care.
