WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was January 10th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Multi Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's

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document. Today's document is weird. If you look

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at the image of this document, it's like a mess

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because it's so basically it's on the inside

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cover of the back cover of the register. And

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as you're looking at the picture that the Archive

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of the Crown of Aragon has produced for this,

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you can see a lot of the preservation practices

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from earlier eras. Like in other documents we've

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seen how archivists from long ago had used reinforcing

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paper. underneath and around the edges of a document

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that had been attacked by worms. maybe like reinforcing

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paper might be cut with like sort of this curvy

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edge in order to include some of the writing

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if it kind of went into the margin a little bit

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and so the reinforcement paper will kind of,

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you know, have this like little peninsula cut

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out of it in order to accommodate where there

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was some additional writing. We see a similar

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tearing out happening here where it's clear that

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there was like a knife taken to this reinforcement

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paper in order to make sure that we could read

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this Latin inscription. And by the way, I just

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said reinforcement paper, but as I'm looking

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at it and noticing the texture of this kind of

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top surface reinforcement material here. It looks

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like it could be parchment. It looks like it

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could be a little bit thicker than paper and

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it has kind of a texture to it that reminds me

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of parchment. So it's very possible that at some

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point the archival reinforcement work that was

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done here utilized parchment because parchment

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is sturdier than paper when we're talking about

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the long term of this material. One other thing

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I want to point out about this material is that

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you can see all of the holes on the right side

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of the image here. Those holes are part of the

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original binding. of these papers into some kind

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of unit and the the string would have gone through

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those holes as a way of connecting all of the

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different pieces of of the the paper together

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and so you can see how it was very thick right

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this very thick volume because of the number

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of holes that we can observe there and and so

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that everything you see in the whole part of

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it that's how you know that that's the side of

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this like if it's a book and it's laying on it

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on a table like that part is going to be vertical

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where those holes are and then the cover is folded

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over so That is a really interesting glimpse

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into some of the history of the material format

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of these record books, and I'm really not clear

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about, you know, which kind of bindings were

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used originally when they were bound originally

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and then when they were taken out of their bindings

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and given new bindings there is literature on

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that but I have not for all of my love of the

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archive of the crown of aragon i haven't really

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gotten into the details of of those questions

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so now we're looking at the back cover of a volume

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in the treasury records. So we're not in the

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Cancelaria Real. We're not in the Royal Chancery

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Records. We're instead in the Patrimonio Real,

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which is the treasury records. And we've looked

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at a treasury record once before. It was actually

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way back toward the beginning of the podcast

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in episode five. But today instead of a payment

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record we're looking at this notice that essentially

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just kind of closes out this record book because

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it is the Treasury record book of King Pere the

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ceremonious who has died So they're not gonna

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let him spend any money anymore because once

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you're dead you don't get to do that anymore

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so this notice in the back is like literally

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closing the book on the reign of king pair the

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ceremonious the long reign over 50 years of king

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Pere the ceremonious it's in latin and actually

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this latin is very accessible to me so the first

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the first A few words here are actually pretty

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standard words that commemorate someone's death.

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The first words here are migrauit ab hoc seculo.

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And what that translates to is he departed from

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this earthly world. so migrauit you can sort

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of detect in there an english word that we have

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that derives from this migration right moving

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so in this sense though he's departing he's moving

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with kind of like a one -way ticket and then

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we have ab hoc from this and then the word seculo

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seculo is basically it's a name for a world

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it's a word for world in latin but it's got a

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real kind of earthly world kind of meaning to

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it because there's other words that if you want

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to use world you can you can use besides seculo

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so this is really to emphasize that he has left

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the earthly world he's gone on into the heavenly

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world and then after that phrase we've got uh

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the illustrious and magnificent prince and lord

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of all of these dominions and then there's the

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list of all of the dominions where you know it

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starts with aragon and then valencia and then

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you've got sardinia in there and so a long list

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of all these different territories and then in

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the fourth line in the middle you have the the

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date the number five Quinta and then D I E

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a day fifth day of January and then you've got

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the year in the next line right below the word

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die you can see septimo very clearly that's the

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seven in 1387 so here we've got another corroboration

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of the date of Pere's death and then what comes

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after that is a statement about when he was interred,

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like when he was buried. And that is listed as

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the tenth day so right below septimo there's

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another die and before that is an x that folks

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is an x oh my gosh that used to drive me crazy

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when i was starting out with the paleography

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to see that in the middle of a word in a letter

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and to remember that that is how the letter x

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is written Oh, it took me so much getting used

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to, but now it feels like very obvious when I

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see that that is an X. So the 10th day of the

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month in that year mentioned before. So remember

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how Violant in a document we looked at a little

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while ago said we're burying Pear on Tuesday?

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She was writing that to Marti. Well, the 10th

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was not the next Tuesday. It's Thursday. And

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so why is the plan changed? Maybe they were waiting

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for Marti. They weren't waiting for Joan, because

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I think Joan is pretty sick at this point,

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but you know, Joan, I think, had written off

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his father at this point and was like, you can

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just put the dude in the ground and don't wait

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for me. I don't know, maybe Joan was a little

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torn up that he couldn't be there for his father's

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funeral. You know, speaking of this, I don't

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know if you had the chance to see the HBO TV

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show Succession, but whenever I think of Pere 

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the Ceremonious, and part of it is that I was

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watching that show as I was first learning about

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Pere . He's such a Logan Roy type of person. Logan

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Roy in the TV show succession is like this, you

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know, the patriarch who's kind of at the end

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of his life, but he's still trying to like do

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power plays and like mess with the heads of his

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kids. And it's all ego driven and total like

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sort of narcissist and womanizer whole kind of

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deal. So I really see a lot of similarity between

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the character of Logan Roy in the HBO series

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Succession and Pere the Ceremonious. And I just

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want to say you know, maybe I can give a little

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eulogy about the eulogy scene, the funeral scene

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in succession. That's what I was also trying

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to talk about, which is that that whole funeral

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scene is really like how I imagine a lot of the

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way that this funeral must have gone for Pere 

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because he just made so many people angry at

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the very end. But, you know, he he he had his

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cultured moments like, you know, he when he wanted

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to tell Joan not to marry Violant, what did

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he do? He wrote a poem. And he did have some

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cultural interests and did patronize the arts.

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And there were some, he was a multi -dimensional

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person. But, you know, I cannot let Pere go without

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relating to you my favorite anecdote that to

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me really encapsulates all that Pere the Ceremonious

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was capable of. Because remember, This guy, he

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was forged in fire. When he started his reign,

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he was super young and he had a rebellion right

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away from those pretenders that his stepmother

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had kind of used as a way to try to contest Pere's

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reign at the very beginning and then after that

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he had some of the cities rise up against him

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and try to break off from the crown of aragon

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so this rebellion that i'm talking about now

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is called the the union rebellion and so there's

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this moment at the end of it when Pere has crushed

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the union uprising and the city of Valencia had

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been really like the the most rebellious of all

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the cities and part of what they did well at

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one point they had captured Pere and like humiliated

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him like paraded him through the town and like

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made him dance at one point it was like really

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like you know brutal humiliation tactics. So

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at the end, Pere is so incensed with the rebels

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of Valencia that he comes up with his own very

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special way of executing them when they're defeated.

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Leaders, the rebel leaders of Valencia had used

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the town's bell tower as a way to organize themselves

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and rally themselves for military conflict against

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Pere's forces. So the bells were like very much

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associated with the rebellion. And so what Pere 

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did is he took those bells, he had them taken

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out of the tower and melted down and then he

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rounded up all of the defeated rebel leaders

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that he had captured and he had the molten iron

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from those bells poured down their throats. Just

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really like Game of Thrones level kind of execution

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method here. So, you know, that's my eulogy for

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Pere the Ceremonious. Oh, but I do have to say

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the man loved his archive. He really did. There's

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these stories of the scribes just like losing

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their minds because Pere is ordering them to

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reorganize the way that they're doing all the

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record keeping, developing all these additional

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categories of, okay, everything about Sardinia

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is going to go into this and everything about

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Majorca is going to go into this. Oh, but if

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it has to do with this person, it's going to

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go here and like all these different so they're

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going crazy trying to figure out like, oh my

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gosh, which register should I write down this

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letter in because the number of types of registers

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completely ballooned because Pere. He had ideas

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about organizational behavior and record -keeping

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and that was one of his passions. That's one

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of the reasons why his cognomen is Pere the ceremonious.

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So okay I gave you maybe like a little bit of

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a backhanded uh positive spin on Pere there oh

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Pere the ceremonious I think there are people

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that really consider his reign very successful

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a lot of military historians in particular so

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here we've got a guy who was I think, very much

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the kind of traditional masculine type of medieval

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king. And just keep all this in mind as we move

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forward and look at how Joan is going to be

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very different and how Violent is going to be

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involved in creating that difference. All right,

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I think that does it for today's episode. Thanks

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for listening to this episode of the Historian's

00:17:19.809 --> 00:17:23.950
Notebook, Season 1, Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, I have done my job. Remember, the motto

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of the Historian's Notebook is dissatisfaction

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guaranteed. Visit the website to see an image

00:17:38.450 --> 00:17:41.349
of today's document and additional show notes,

00:17:42.230 --> 00:17:45.369
and listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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I of Aragon and Queen Violant de Bar. In the

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meantime, take care.
