WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was January 9th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season 1 is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's document.

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I'm really excited to talk about today's document

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because it's the first time that I'm talking

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about a document where there's a woman writing

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a letter to another woman. All of the previous

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documents thus far have been involving men in

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some way as either the writer or the recipient.

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And so today's letter is a welcome change. Violant

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is writing to Maria de Luna. I might have mentioned

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Maria de Luna in passing earlier on the episode.

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Maria de Luna is a big deal. First of all, she

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is Marti's wife. So basically this is the second...

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most powerful woman in the Crown of Aragon at

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this time. But Maria de Luna has a background.

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She is from the, well, if not the wealthiest

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family in the Crown of Aragon, one of like the

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top five wealthiest families. The de Luna family

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is incredibly powerful and wealthy. And in fact,

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Maria de Luna's uncle becomes pope a few years

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down the road. Well, talking about the Avignon

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Papacy, so history actually remembers Pedro de

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Luna, who is Pope Benedict. Oh gosh, what number.

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Benedict the something something. He's remembered

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as the anti -pope. So this is a very prestigious

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powerful family with so much established network

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connection to other families and political powerhouses

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in the Crown of Aragon. So Maria de Luna is very

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well connected and has deep roots in the Crown

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of Aragon. I say all that in order to bring out

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a contrast. Violant, remember, she grew up in

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France, and Joan set out to have a French wife.

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Like, the way that he got together with Violant

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is that he sent, like, a group of emissaries

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into France and asked them to basically compile,

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like, a dossier of marriageable high -up French

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ladies, and so and actually should, you know,

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specify that the age difference was quite significant

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and very hard for us in the modern age to wrap

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our heads around. So the age that Violant leaves

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France and moves to the Crown of Aragon to marry

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Joan, she's 15 years old. And so that is not

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what we would say in our time as a lady or woman.

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We would say that is a 15 year old girl. And

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so trying to figure out how to get our minds

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around what was considered a normal marriageable

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age in the Middle Ages, in the medieval era,

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it's very difficult for us and not easy at all

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to support or defend can only say that the notions

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that we have about childhood and adolescence

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are very much modern creations. And not to make

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excuses, but just observe that anthropologically

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there is variation across humanity and over time

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in regard to questions of when childhood ends.

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In our modern time, though, we don't have these

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questions. We are very clear on having a society

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that will not accept a child marriage as okay.

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So, all right. Maria de Luna is from a very well

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-connected, wealthy family, and she, by all accounts,

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is a very competent and responsible leader. Nuria

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Silleras Fernandez has written a fantastic book

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about Maria de Luna, and it's a wonderful parallel

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to thinking about Violant, because after Joan

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dies in 1396, Marti is off in Sicily and it takes

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him a really long time to get back to Barcelona

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to inherit the throne. And this is to say that

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there were no surviving male heirs at the time

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that Joan died. And so Martí takes several months

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to get to Barcelona, and in an interesting parallel

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to what we're looking at right now with the beginning

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of the reign of Joan and Violant. Just as

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Violante is stepping up and running things while

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waiting for Joan to arrive, Maria di Luna does

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that in 1396 and has to really get way deeper

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into governance because it takes so much longer

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for Marti to arrive from Sicily and also because

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that transition of power in 1396 is way more

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of a crisis. And the reason for that, without

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getting too digressive here, is that the circumstances

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surrounding Joan's death in May of 1396 are

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problematic. I would use the word suspicious.

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Other historians have not. definitely sudden.

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So Maria de Luna is a really interesting figure,

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and the portrait that Nuria Silleras Fernandez

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paints of Maria de Luna is one of just very responsible,

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very organized, very stable personality. And

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Violant, by contrast, has gone down in history

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as more aggressive, more hot -tempered, but I

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think the question that historians of Violant

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de Bar, such as Dawn Bratsch Prince, who started

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out a whole new revision of Violant de Bar

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in the late 1990s into the early 2000s, and now

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Claire Ponsich, who's currently writing about Violant

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de Bar, historians that look at Violant, they're

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starting to question a lot of the characterization

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of Violant as ill -tempered or hot -headed,

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and to notice how a lot of that has to do with

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the animus against her for being an outsider,

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for being somebody who had come in from France,

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and also maybe how Violant was pushing the

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boundaries in a way that made people angry. because

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of what Joan was doing too, and that there's

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a dynamic here that upset a lot of people that

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has to do with the way that Joan and Violant

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were working together. That last little twist

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is my own theory of this case. In any event,

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what we have in this letter, dated January 9th,

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1387, is Violant informing Maria de Luna that

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Pere has died, which to me is a bit of a mystery

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because I would be super surprised if Maria de

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Luna had not already been informed that Pere

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had died. I mean, that's pretty hot news. So

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maybe Violant is starting this out by just as

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a matter of courtesy saying Hey, I'm going to

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share this important news with you that the king

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is dead, and long live the new king, and I'm

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queen. She starts out the letter with a molt cara.

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You know, we always love that. That's nice and

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tender. So this one starts out molt cara sor.

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And then the second sentence in the letter also

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reiterates moltkara sor. Most dear sister. So,

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Violant is addressing Maria de Luna in the same

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way that she addresses Marti. And that led me

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on my initial read of this letter to say, okay,

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this kind of tone here is just nice and, you

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know, friendly. And the content of the letter

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is basically saying, hey, come to Barcelona,

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please. But... I just was kind of curious what

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would happen if I fed this into ChatGPT and the

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kind of analysis that I might get. Was there

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anything hidden in this letter that maybe ChatGPT

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might find and could kind of spark some additional

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questions in my mind? And that's exactly what

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happened. So ChatGPT has an interesting interpretation

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of this letter and the AI has made an interpretation

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that this letter is actually not all that polite,

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but is instead a more assertive and commanding

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summons, that Violant is summoning Maria de

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Luna to Barcelona. It's an interesting angle

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on this, and I would have to have way deeper

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familiarity with the tone of the language of

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letters like this than I do now. I'm still a

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relative beginner at looking at these documents,

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and so maybe if I come back to this about six

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months from now, it'll seem obvious to me. that

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this is a summons, that there's really kind of

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like a power play happening here where Violant

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is asserting that she has the power to demand

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the presence of Maria de Luna, like as a subordinate.

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Or maybe that's not what's going on here at all.

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Maybe it is a request. The key phrase that ChatGPT

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pulled out that is, I think, the one that we're

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really trying to figure out in a close read,

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whether it's demanding or not, is in the second

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-to -the -last full line where basically Violant

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is saying, oh, sorry, it's the third -to -the

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-last line, kind of in the center. Al pus breu.

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So basically saying, you know, move it. It should

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be fast the way you get here. I'm not sure that

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that's necessarily the tone that is being conveyed

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in this letter. Maybe, you know, it's not going

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to come across to Maria de Luna as uh sort of

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edging on rudeness level of summons, but you

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know maybe it is. And you know I asked a series

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of questions the other day about Marti and how

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Marti reacts to being issued directives from

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Violante, and the same thing can be asked about

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Maria. Is Maria de Luna at this point in full

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support of Violant, or is she... feeling a certain

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kind of annoyance at a level of presumption from

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this foreigner, this French lady who is now going

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to become the Queen of the Crown of Aragon. So

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a lot of questions about the operation and exercise

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of power are at work here. And I talked about

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this quite a bit in previous episodes. But I

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go in deeper on this question of the exercise

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of power in some of the show notes on the webpage

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for this document on the website. So do check

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that out. There's a lot of really interesting

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bibliographic citations. If you're wanting to

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learn more about how scholars today discuss the

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exercise of power. by medieval women. And I can

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highly recommend some of the works that I had

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mentioned yesterday, but also I want to mention

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two more. First, an article by Marie Kelleher

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titled, What Do We Mean by Women and Power? That's

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from 2016. And then a really great contrast to

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the book by Nuria Silleras Fernandez about Maria

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de Luna is one by Elizabeth Casteen about Johanna

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of Naples. It's titled From She -Wolf to Martyr,

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the Reign and Disputed Reputation of Johanna

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the First of Naples, and it's also about the

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14th century and about a woman who pushed the

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boundaries of power and a way more violent fate

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awaited Joanna of Naples versus that experienced

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by Violant and Maria de Luna, and also Sibilla

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de Fortia, who the three of them in the Crown

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of Aragon, they had a lot of ups and downs and

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excitement, but their physical safety was never

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in super risk. I'm sure Sibilla is pretty frightened

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at this moment, but she ends up being okay and

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lives a long life after this, long enough to

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see Violante go down after Joan's death in

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1396. Alright, so a lot of really interesting

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stuff being written about powerful women in the

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Middle Ages. Oh, but one last thing to mention

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about this letter before I bring this episode

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to a close, which is that Violant mentions the

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Infanta Joanna is there with her. And this is

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a really interesting moment because I had not

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understood that there were any of the children

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around. But this is actually Violant's stepdaughter,

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a daughter that Joan had with his previous

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wife, Matha of Armagnac. And by all accounts,

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Violant and Joanna got along very, very well.

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But I think that... mentioning Joanna in this

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moment helps to maybe imply a little bit to Maria

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that the women are going to be a force together,

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working together on team next gen for this upcoming

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reign. So I think that's a really interesting

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moment that I wanted to make sure I didn't forget

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to talk about that that Violant mentions that that

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the Princess Joanna is there with her in this

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moment. Thanks for listening to this episode

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of the Historian's Notebook, Season 1, Mult Cara

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Companyona. If you are leaving with more questions

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than you arrived with, then this episode has

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succeeded according to the criteria, dissatisfaction

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guaranteed, which is the motto of this podcast.

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Visit the website to see an image of today's

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document and additional show notes. And listen

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again tomorrow to hear more about the first year

00:18:46.900 --> 00:18:51.420
of the reign of King Joan I of Aragon and Queen

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Violant de Bar. Take care.
