WEBVTT

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Hello. In the Crown of Aragon 639 years ago,

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it was January 7th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's

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document. We are going to be sticking with Violant

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for a few days here. That's because, at this

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moment, she's in charge. She's there in Barcelona,

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in the capital, in the nerve center, where all

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of the important, powerful people are located.

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And she is doing the work to establish the reign.

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And so she's really busy. She's got a ton of

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letters. January 7th has a whole bunch of letters

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that Violant has sent out rapid fire a whole

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bunch of like these four liners one after the

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other to all of these super important people

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giving instructions she's also keeping Joan

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informed she sent him more than one letter today

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and so this is a really interesting moment for

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looking at how Violante is negotiating the establishment

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of a reign at the same time that she has to contend

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with not being the king so violating the gender

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rule that the king is in charge and so she's

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definitely talking to a bunch of different people

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shoring up authority and it all goes okay because

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no one is rising up to contest Joan's rule and

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he eventually does come in on January 19th he

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arrives to Barcelona and the reign is going and

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so whatever she's doing it it ends up working

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and whatever kinds of networking and messaging

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she's putting out there it ends up working. Part

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of that I think is visible in today's document.

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And I once again am in debt to Claire Ponsich

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and her 2008 article that is basically a whole

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series of close readings of letters from Violant

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and looking at the way that Violant is really

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exceeding the boundaries of what's expected in

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the gendered performance of a queen or a duchess

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or a widow and Claire Ponsich has done amazing

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work really establishing that Violant breaks

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out of the commonly accepted boundaries in the

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way that she employs language in addition to

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the choices that she makes about actions that

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she takes and so it's not it's an exercise of

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power is not just about whether you're leading

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an army or taking something. It's also, and I'm

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really drawing on an article by Theresa Earenfight

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here when I say this, power is also latent power.

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It's what happens when you invoke a threat or

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whether you may maybe imply a threat and also

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just what is assumed the assumptions that go

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into the way that you are interacting with somebody

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else that basically you're in charge and there's

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no push back against it in that moment that is

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an exercise of power and we see that in today's

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document. Today's document is one in which Violant

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is writing to Martí. Martí has not returned to

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Barcelona. He's taken care of the flight of Sibilla.

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He, at this time, has basically gotten Sibilla

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to surrender to his authority. She's come out

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of the castle. Her whole crew has basically said,

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okay, we give up. We are just going to turn our

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fate over to your mercy. And Marti has basically

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taken a bunch of them prisoner. Violent finds

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out about this development, and she sends this

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letter that's dated the 7th of January, one of

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the whole slew of January 7th letters, and she's

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writing to Marti, and she basically says that

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the prisoners, specifically one of them, the

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Count of Pallars, they are to be taken to a particular

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castle named the Castle of... Well, in English,

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it would be like... English. Well, in the common

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way of thinking of it, it would be Santa Cruz,

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which is not English, it's Spanish, but Sant Creu.

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is the way in Catalan it would be said. And so

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this castle, I put a link to the tourist website

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for this castle onto the webpage for today's

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document. it's a really imposing castle it looks

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it looks a little a little grim and it dates

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from centuries earlier and so Violant tells

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Marti to take the Count of Pallars and I think

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there's an implication here that there's other

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prisoners too and to imprison them in this imposing

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castle that is still quite a distance from Barcelona

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but she says do not put them in chains. So this

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is another letter that Claire Ponsich has flagged

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as an indication of Violant's commanding tone,

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and that in this instruction to Marti, she is

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taking on a supervisory identity. She's directing

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him in how these prisoners are going to be handled.

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So when Violant does things like this, and I

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have a feeling like she's doing these things

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all the time, she is laying a record down. She's

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establishing a tradition. She is taking the inherited

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tradition of Queen Lieutenancy in the Crown of

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Aragon, which fitting in with this larger pattern

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of these Iberian queenships is just a very expansive

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role for the Queen, historically. She's taking

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that and she's basically saying, that's not going

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to be my ceiling. That's going to be my floor.

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And I am in no way going to hesitate about issuing

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directives making decisions, and the more that

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she does this, the more that she'll have a foundation

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later on if this gets challenged. So she is building

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her power as she's doing this. It's not just,

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oh, I'm making this decision and that decision.

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It's that you're laying this tradition of your

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own queenship. And I think that that's super

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exciting to see. I've got a whole bunch of questions,

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though. I'm really wondering about Marti's response

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to this. Is he seeing it as, like, cool? Is he

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receiving directives from Violant and thinking

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to himself, who is this woman to be acting toward

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me like I'm her subordinate? Or is he, like,

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cool with this? I mean, he certainly had enough

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time, you know, like, about, like, seven years

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to get to know Violant and what she's like and

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the dynamic between Joan and Violant. And

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Marti, I mean, by all accounts, is just, like,

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100 % loyal to Joan. And so... Maybe he's like,

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yeah, this is going to be the dynamic. I knew

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this going in and we are a team. We are like,

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you know, team. Next Gen here, and we're gonna

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rock it when we get to be in charge after having

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this, you know, like long, long reign of Pere

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the Ceremonious finally come to an end. And at

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last we're in charge and Team Next Gen is going

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to basically now have a chance to govern and

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we've already set out since we had so long to

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figure it out because, goodness, Pere just kept

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lingering on for a very long time. He was so

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old that it was kind of like an Elizabeth II

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situation where Prince Charles had no shortage

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of years to figure out what he would like to

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do when he became king. So it's a similar situation

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where they've had plenty of time to get to know

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each other, to establish expectations, and maybe

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that's what's happening here, and Marti is totally

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cool with this. So that's my guess, but of course

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I don't know. And it's also possible that Marti

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is like gritting his teeth, being... not supportive

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of Violant and her pushing on these gendered

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boundaries. And maybe also Marti is wondering,

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where is my brother in all this? And why is he

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not in Barcelona? I think that Marti is aware

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of Joan's delay because Joan had written to him

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as we looked at before. But how much info does

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Marti have? I have a feeling he's in the loop,

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but don't know for sure. So basically, this document

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is one that reveals so much about the operation

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of power when it comes to elite women in this

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time and place. So it's super interesting for

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that reason. And again, I just want to say that

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I'm grateful to Claire Ponsich for doing a really

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awesome analysis of the letter that we looked

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at yesterday as well as today's. All right. At

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this point, let's talk about something in the

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bigger background. A couple minutes ago, I brought

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up this tradition of Iberian queenship, granting,

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establishing, legitimizing these very expansive

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roles for queens throughout Iberia. So Crown

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of Aragon, Castile, Portugal. The queens in these

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polities, they have just... this portfolio that

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is really not typical of the roles that queens

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had in other regions of Western Europe in the

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late Middle Ages. The reasons for this are that

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essentially a lot of the and I'm drawing on Teresa

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Earenfight here. in her article, which is, I think,

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she titles it Absent Kings. So basically there's

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a tradition of the kings having to visit a lot

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of different places within their realms in order

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to maintain their authority because basically

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there's a lot of confederation type political

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entities where the kings, they just don't have

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the kind of centralized power that are in other

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places and the the authority that they have is

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based on a lot of deal making and agreements

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and they have to go visit these different realms

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very frequently they have to travel it's like

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a road job they have to travel a lot in order

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to handle things and be a presence so that they

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keep their realms from from the centrifugal force

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that, you know, is pushing to have all these

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different polities go off on their own. So with

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the King out and about, the Queen steps in as

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just one of the team to help bolster the authority

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of the regime. and so this is something that

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just kind of builds on itself over time and what

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you end up with in Iberia is something a bit

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different than what's happening in other parts

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of Europe in that the queen starts to have a

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portfolio so I've you know used that term a whole

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bunch on the podcast now at the same time in

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the last several years scholars have scholars

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of queenship have highlighted how there's this

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tendency there had been this tendency to characterize

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powerful women as exceptional and now they're

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kind of looking at this and saying wait a second

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If we're having one exceptional case after the

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other, and we're just keep discovering all of

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these exceptions, are we really seeing exceptions

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at all? Or are we actually noticing how once

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you look at the historical record as it is, powerful

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women are not exceptional? And so there was an

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edited volume by Heather Tanner. that had the

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subtitle moving beyond the exceptionalism debate.

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So there was this whole kind of moment where

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queenship studies moves beyond exceptionalism.

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And now what does that mean? It means that to

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look at queens and other powerful elite women

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in the Middle Ages is to look at routine and

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frequent uses and exercises of power that basically

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what we can see in a lot of regions around the

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the Western European countries and probably beyond

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that is that it was normal for women to exercise

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power Tomorrow's document is going to really

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hit on this more directly. So we'll leave it

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there for today and bring this episode to a close.

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Thanks for listening to the Historian's Notebook,

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Season 1, Molt Cara Companyona. If you are leaving

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with more questions than you arrived with, I

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have done my job. Remember, the motto of the

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Historian's Notebook is dissatisfaction guaranteed.

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Visit the website to see an image of today's

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document, as well as bibliographic citations

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for a bunch of the works that I just mentioned.

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And listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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I of Aragon and Queen Violant de Bar. In the

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meantime, take care!
