WEBVTT

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Hello. In the Crown of Aragon, 639 years ago,

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it was January 4th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is the Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Molt Cara Companyona. and

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we're looking at a document from each day of

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the first year of the reign of King Joan I of

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Aragon and Queen Violant de Bar. Let's begin

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today's document. There's a lot going on in today's

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document, both in the content of it, but also

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just in how it is appearing on the page and the

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things that we can infer about how the chancery

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staff is operating and also how letters are going

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back and forth between various correspondents

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at this time. There's just a lot. So starting

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with just the paper itself, if you're able to

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take a look at this, and there's a web page for

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every document on my website, jonathanseyfried.net,

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in the section for the podcast, The Historian's

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Notebook. So see if you can get over there to

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take a look at this page, because what we see

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on folio 8R of this register 1952, is that at

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the very top of the page it says, lo primogenit.

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And then we have the letter that's our letter

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of focus today from Joan to Marti. And then

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below that letter on the right hand side, we've

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got the usual kind of probata in a way. We do

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have a scribe signing off on it, and it's Bernardo

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de Jonquero, one that is in this register a lot.

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But then to the left of that, in the center of

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the page, we've got a couple lines in Latin,

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and those lines amount to a message saying that

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Pere has died and Joan has become king, and the

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register is going to reflect that from now on.

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And indeed, in the letter at the bottom of the

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page, it starts out with Rex. r -e -x at the

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upper left corner above the text block of that

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letter. So on a single page we go from primogenit,

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firstborn heir, to king. Also I want to go back

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into the probata message at the bottom of the

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letter that takes up most of this page. And you

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can see that the word REX is on the first line

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of that probata statement. So the second line

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is just Bernardo de Jonquero and Bernardo is

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abbreviated. So what you can see there is a B

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and an N and then D and then the straight line

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down is a J, which actually can also be an I.

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And so that's the name of the scribe, Bernardo

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de Jonquero. And what we have above that is an

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interesting statement. And I think that the first

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word is something like a D -O. It's an abbreviation

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for Dominus or Dominum, and that would be Lord.

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So you would see something in the earlier letters

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like Lord, Duke. Here we've got both. It's kind

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of weird. Domino, Rex, Dux. So we have Lord,

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King, Duke, and then MA. and then m but above

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the ma is a macron and so what that is abbreviating

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is mandauit and then the m with a kind of a well

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it's not really a straight up and down mark it's

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kind of looking like an accent grav there that's

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for an i and that stands for mihi mandauit mihi

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okay commanded to me, or dictated to me, or gave

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to me. So the whole probata here in its meaning

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is saying that the Lord, King, and Duke has given

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this, has mandated this of me, and I'm saying

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as Bernard de Jonquero that I attest that this

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is exactly what has been sent out in the outgoing

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letter form. All right. In an earlier episode,

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we talked about how Joan had received a letter

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that had been time stamped for the third hour

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of the day. In this letter, at the beginning,

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the first couple lines refer to other correspondence

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that Joan has been getting information from.

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The letter begins Molt Car Frere. Vostra letra

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havem rebuda, meaning my dearest brother, I have

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received your letter. You might notice that the

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The pronoun and verb here is in plural, so Joan

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refers to himself in first person plural, Havem,

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and he's referring to his brother in second person

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plural, Vostra. And so that's, of course, the

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honorific version of the plural form there, which

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a lot of royalty and elites adopt for themselves.

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Next, we see that he has received also letters

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from two people. One is Vicente Ferrer and the

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other is Gerau de Cerveo. So what we can tell

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already is that there's a flurry of letters going

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back and forth, right? And it's it's very difficult

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to take account of all that is coming in and

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going out, even though we we have a lot in these

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registers. I don't think we have any outgoing

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letters in reply to Vincent Ferrer or in reply

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to Gerau de Cerveo, but maybe they're just in

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other registers. that would be a different kind

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of project than the one that I'm undertaking

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in this podcast to try to track those down. So

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it's hard to tell where Joan is getting all

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the different information from, and it's also

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hard to tell where he is at which time, because

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if you flip through the pages of this register,

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The documents are not in chronological order.

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It's really common to have a primogenit letter

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in the middle of Rex letters in the upcoming

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pages. And then also tomorrow we're going to

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take a look at a document that claims that Joan

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was in Girona when it's very clear that he was

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not in Girona. Why is it so clear that he was

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not in Girona? after a certain date, after the

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third of January? Well, it's because right here

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we have in this letter, at the bottom, the second

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to the last line begins, dada en los tal de la

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bella dona. That is a place. it is a little bit

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on the outskirts of Girona. He didn't get too

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far, and actually today there's a luxury resort

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there that you can rent out, and the claim on

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the website of the Belladonna Lodge is that it's

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a building from the 15th century. So what I'm

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guessing is that there is a centuries -long building

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there that is sort of, it's known as a resting

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spot and had been already by the 15th century

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at the time that the current structure was built

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and that there was another structure there at

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the time that Joann was there. It's also possible

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that the website is wrong and that actually the

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structure that currently exists, the building

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that you can stay in today, if you're willing

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to shell out quite a lot of money, is the same

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structure that Joan was in when he composed this

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letter. So he's outside of his usual residence

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in Girona. He's on his way to Barcelona. The

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question at this point is, is he starting to

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feel the symptoms of the illness that we know

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is on its way? And we know it's on its way because

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Violant leaves him and goes into Barcelona.

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There'd be no reason for her to do that. And

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also no reason for him to not go, to slow it down.

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There's no reason for him to slow down his journey.

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All of his motivation is to get to Barcelona

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as fast as possible to claim the throne at the

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moment of his father's death. And he doesn't.

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Violant goes ahead and he stays behind, and

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historians have found that there's mention of

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him getting very seriously ill in these days.

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And so we're trying to track that and find mention

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of it. But I haven't seen any mention of it yet,

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and I've done a little looking ahead at the documents

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coming up, and there's no mention of it. It's

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all just silenced. Why? Well... you don't want

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to put the word out there that you're in a weakened

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state right in the moment that you're trying

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to assert your authority as the new king. So

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this is a very kind of hush -hush sort of situation.

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So we'll see in the coming days how Joan is phrasing

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his progress on the way to Barcelona. But the

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content of this letter, we haven't even gotten

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to like the main point of this letter. The main

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point of this letter to Marti, his brother, is

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that Joan has become aware that Marti is pursuing

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Sibilla, the queen who has fled, and the main

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line of this letter, the instruction that Joan

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is communicating out to his brother, I think

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is in, let's see, one, two, three, four, five,

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six, seven, eight, like the seventh line down

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in which he tells his brother that Sibylla should

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not be allowed to enter Barcelona without my

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Joan's permission. Don't let her get back

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into the city and I think the implication here

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is you need to take her prisoner. You need to

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be in charge of her movement so that she does

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not try to come back into Barcelona. Now something

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that you've got to keep in mind is that people

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can be close to death and then bounce back and

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we know, and on this very page it is recorded,

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that Pere died. But Joan hasn't seen Pere,

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and he's certainly had his own rounds of illness

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that bring him in a very dire state, and then

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he's bounced back. So it is within the realm

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of possibility that Pere could survive this bout,

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that he could regain consciousness. And then,

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well, then Joan and Marti will have to answer

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for their actions. So Joan wants to make sure

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that he is in control of what happens to the

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Queen, Sibilla, the current Queen, and also that

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she doesn't try to make some kind of outlandish

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claim that Pere has returned to consciousness

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and is still in a state of ruling the kingdom.

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So Joan is moving to try to have as much control

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over a wild card as he possibly can. And of course

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that wild card is Sibilla de Fortia. And he also

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wants to get her brother's falcons. as we talked

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about in that other letter. Oh, something I forgot

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to mention when I was talking about the importance

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of Joan projecting that he is strong and that

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he is not weakened by illness. There's a very,

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very foundational work of scholarship about political

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kingship in the Middle Ages, and that book is

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titled The King's Two Bodies, and it's by Ernst

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Kantorowitz. And it's still very foundational

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to a lot of the ways that scholars, historians

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think about representations of kingship in the

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Middle Ages and what was on the minds of those

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who were trying to create the perception of being

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an effective king, trying to shore up their own

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authority. And the idea in a nutshell is that

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the king has two bodies, the physical human body

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of the king, but also the body of the government,

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the body politic, and that these are very symbolically

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connected. And so if the king's physical human

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body is in bad shape, then it's symbolically

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connected to the state and strength of the kingdom

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and vice versa. So that is a really interesting

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symbolic connection that Kantorowitz argues was

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very strong in the communication and political

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theory of the time and could argue that it's

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actually still quite prominent in the way that

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we think about our political leaders and how

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they reflect the status of the state and the

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larger body politic, even in our times. Alright,

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well, that does it for this episode. Thanks for

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listening to this latest Episode of the Historian's

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Notebook, Season 1 Molt Cara Companyona. If you

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are leaving with more questions than you arrived

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with, then I have done my job. Remember, the

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motto of the Historian's Notebook is dissatisfaction

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guaranteed. Visit the website to see an image

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of today's document and additional show notes,

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and listen again tomorrow to hear about the next

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day in the first year of the reign of King Joan

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of Aragon and Queen Violant de Bar. In the meantime,

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take care.
