WEBVTT

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Hello. In The Crown of Aragon, 639 years ago,

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it was December 30th, 1387. My name is Jonathan

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Seyfried. I'm a PhD candidate in history at the

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University of New Mexico. And this is The Historian's

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Notebook, a podcast about how history gets made.

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Season one is titled Molt Cara Companyona. We're

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looking at a document from each day of the first

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year of the reign of King Joan I of Aragon and

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Queen Violant de Bar. Let's begin today's

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document. Alright folks, we are now entering

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into a different kind of zone in the story here.

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Thus far, it's seemingly been a kind of a humdrum,

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business -as -usual type feeling. Joan and

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Violant, they don't know that Pere is about

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to die, that the current king is about to expire.

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It's unclear when they really find this out.

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Maybe they do have an awareness that he's been

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just unconscious for several days. I'm not quite

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sure about the information flow getting to Joan

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and Violant. Something definitely shifts, though,

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on December 30th. And that's because on the day

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before, on December 29th, the current queen,

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whose name is Sibilla de Fortia, She leaves Barcelona.

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She flees. She gathers up a bunch of her stuff.

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Her brother is there, and he helps to get a whole

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staff of people to pack up a whole bunch of things,

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including the jewelry, and they leave. They flee

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the bedside of the dying king and travel to a

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castle in Catalonia, one of her brother's castles,

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and hold up there. Why did she do this? It turns

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out that Sibilla had a lot of good reason to

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fear what would happen to her after Pere died.

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I'm gonna take you back about 12 years before

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this moment in 1387. Joan's mother, Queen Elionor,

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she dies in 1375. Pere is a widower. About seven

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months later, he publicly recognizes a woman

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named Sibilla de Fortia as his, well, the technical

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term for it is concubine. The person that he

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is having a relationship with but he's not married

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to. And this is a situation that is not as controversial

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as you might think. The status of royal concubines

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in Iberia is actually not as scandalous as you

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might think. There's a lot of people who actually

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prefer concubinage to a new marriage. Those who

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are the current power holders, because when you

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have a new marriage, you have someone coming

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in from the outside, maybe with their own power

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base, they can really disturb the order of things.

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So specifically with Joan and Marti, they would

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be afraid that if pair married somebody else

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who had a big international stature, and then

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the two of them had a son, that person could

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one day make a play for the throne. It's not

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an outlandish fear. Why? Because the exact situation

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I just described actually happened to Pere himself

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in 1336. when his father died. There had been

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a second marriage and the young children of that

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marriage were used as pretenders in order to

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justify a rebellion that then Pére had to suppress

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in order to solidify his own authority as king.

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So Joan was actually okay with Sibilla. It's

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way better than having some powerful outsider

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who's part of a dynasty come in and become the

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next wife of the king. So even though Sibilla

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was of the lower nobility and had been working

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on sort of like on staff for the previous Queen

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and That seems like it would be a scandalous

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thing for Pere to start having an affair with

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her, it's actually not the worst case scenario

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by far in the opinions of a lot of stakeholders

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around the court So things were going okay in

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the first couple years, but then in 1377, Pere

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decides that he and Sibilla are going to get

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married. And that starts to shake things up.

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Sibilla herself is completely aware that she

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does not have the kind of safety and security

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that would come from being the member of a prestigious

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family. Not only that, but she doesn't know how

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to read or write. She's illiterate. And Pere

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hires somebody to help her learn. So basically

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she's in a position of real weakness in relation

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to a lot of the other power players around and

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one of those people becomes Violant. In 1380

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is when Joan marries Violante de Bar. Pere

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had wanted Joan to marry somebody else and

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that's a whole other story and it's really a

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bizarre story in my opinion but but we're gonna

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save that one for another time. For our purposes

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here, Sibylla is threatened by Violant. Pere

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is against Violant as even like an idea. He calls

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her... you know all kinds of names I mean not

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like directly it's all like subtle but it's it's

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all just kind of like digging there's all these

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little kind of like you know insults that are

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kind of traded back and forth and and over time

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the dissension and acrimony just grows and grows

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and there's a bunch of little incidents where

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they're just kind of like digging at each other.

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Joan versus Pere, Sibilla versus Violant,

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and then kind of crisscrossing also. And I will

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I will say too that Pere's daughter, Pere's daughter,

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Joanna, she doesn't like Sibilla. And at one point

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in a pretty dramatic moment, Joanna comes in

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to complain about something Sibilla's doing,

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and Pere, in front of the entire court, slaps

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her across the face. So the whole family is just

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really thrust into dissension with the way that

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Pere and Sibilla are acting, and then the reactions

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from the kids. So when Pere is about to die in

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1387, Sibilla knows that there might be revenge

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wrought upon her from Joan and Marti and Joanna,

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the three kids. So it's reasonable in that light

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that she flees. By December 30th, Joan has found

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out about this. And what does he do? That is

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our document for today. It's been a long buildup.

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The document we're looking at today is in Violant's

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register, one of Violant's registers. But it's

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written by Joan. It's at the very end of a whole

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long register of documents that relate to what

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Violant owns in terms of properties and rents.

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The Duchess and the Queen in the Crown of Aragon,

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they have what you could call a portfolio. They

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are in charge In a sense, they are the governing

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authority for several different polities. And

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actually, as a hint of some further things to

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come, the Muslim and Jewish communities, they're

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separate, municipalities within municipalities,

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and those come under the direct authority of

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particular royal family members. And so Violant

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has a few of the Jewish communities and a bunch

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of other territories. And it all adds up to,

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I think a great word for it is a portfolio, a

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business portfolio, really. And so Sibilla, also

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had a business portfolio. Today's document is

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Joan authorizing and ordering the transfer of

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Sibylla's entire portfolio to Violant. This is

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a long document It's in Latin. So my facility

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with every single word in it is not so good,

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but I know enough to see what's going on here.

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And of course I rely on the secondary literature.

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So this document, which is fairly long, it's

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three folios long. So we go from folio 197 verso.

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to folio 198 verso in the register 1808 Violant's

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register a document from Joan in her register

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and it's the last one in this volume so it's

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it's interesting how this kind of closes out

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the record of Violant's portfolio as a duchess

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and someone wrote in there it had to have been

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afterward at the top of the beginning of this,

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Regine Iolantis. It's in a different handwriting.

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So it's not from the script of the time. Someone

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later, maybe in the 19th century, wrote that.

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So Iolantis is the Latin for Violant. The document

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begins with the recipient, but the recipient

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is basically this far and wide audience. So what

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I think this is saying here in Latin is Novinter,

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universi. Okay, so I think what this is meant

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to say is to everyone out there, universal audience.

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Not quite sure what the OS stands for afterwards.

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It could also be a DS. But then we get into Nos

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Infans Yohannes. And this is the authorship

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of this official charter. And then in the next...

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at the end of the first line we've got the si

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and then in the second line bilia for this that's

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Sibilla the Queen of Aragon and then we get into

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the next right at the beginning of the letter

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it's it's all going to Violant and the end of

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the letter this is i shouldn't say it's a letter

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it's more of a charter the end of this charter

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is instead of saying the usual like date in,

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made in, we have quod est actum in the city of

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Girona, meaning this was enacted. So this is

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like an official action. transferring all of

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Sibilla's properties to Violant. That is some

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drama. So this is like quite the way to start

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a succession, taking the current queen's entire

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property and saying it's no longer hers, it now

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belongs to the next queen who's about to ascend

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the throne as soon as the king dies. Okay. This

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summary has been just filled with all of these

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questions that have been unstated in the background.

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There's so much that I don't know. I really want

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to know how the information flowed. Like, how

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quickly was Joan and Violant... how quickly

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were they getting new information? What were

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the sources of the information? Who, besides

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Marti, was keeping Joan informed? Also, like,

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what kinds of worries did Joan and Violant have

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about the transition? Did they think that it

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was going to be rocky, or did they anticipate

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that it would be a pretty smooth transition of

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power? I also want to know where were the children

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at this time? So, Joan and Violant, they've

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got, I think at this point, two living children.

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The children thing is a whole other story I'll

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get into later. And then another question is,

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when does Joan start experiencing the symptoms

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of the illness that is going to delay his arrival

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to Barcelona? Historians, they differ on when

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Joan falls ill and also exactly when he recovers.

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But it's a serious illness that happens in January

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of 1387. We'll get into that a little bit more

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in the upcoming episodes. Before I close out

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today's episode, I want to credit a few secondary

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sources that have been incredibly, incredibly

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helpful as I have been putting together my understanding

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of today's document and also the at times very

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difficult to figure out chronology and also the

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location of this period of the transition of

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the succession. So first of all, An article by

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Nuria Silleras-Fernandez about Sibilla de Fortia

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has been super helpful. There's been a whole

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bunch of scholarship done by LIedo Ruiz Domingo

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that's been incredibly helpful. And also Zita

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Rohr and Claire Ponsich have been helpful in helping

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me to figure out what was going on in these particular

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days. Go to the web page for this episode on

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jonathanseyfried.net in order to see the

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full citations for those sources Okay There's

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so much more to say But we will save that for

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upcoming episodes We are just doing our sweep

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through the documents here, even when there's

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a juicy interesting one like this Thanks for

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listening to this episode of the Historian's

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Notebook, Season 1, Molt Cara Companyona. If

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you are leaving with more questions than you

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arrived with, I have once again done my job because

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the motto of the Historian's Notebook is dissatisfaction

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guaranteed. Visit the website to see an image

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of today's document and to look through this

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whole bunch of show notes for this one and listen

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again tomorrow to hear about the next day in

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the first year of the reign of Joan I of Aragon

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and Queen Violant de Bar. In the meantime,

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take care.
