WEBVTT

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So there's this question that at first seems

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really easy to answer, but then when you start

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thinking about it, you soon discover it's not

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easy at all. It's really difficult. Surreal,

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even. The question is this. What is history?

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My name is Jonathan Seyfried, and this is The

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Historian's Notebook, a podcast about how history

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gets made. So let's talk about that question

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again. What is history? And why is this podcast

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going to be doing something different? with the

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subject of history. All right. Well, if you look

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at a lot of historical content out there, whether

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it's a podcast or a movie or a book written by

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a scholar who is credentialed at some university

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or a historical fiction novel or a Netflix series,

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there's all kinds of history out there. So we

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can talk about what is history in terms of all

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the different formats that it could be. But where

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does it come from? Like, how is it that we get

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these varieties of products that all take us

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to some place in the past, using our imagination,

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really, as viewers, listeners, or readers? History

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is stuff that happened, right? And in some ways,

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it seems like it should be a pretty simple thing,

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because it's in the past, so it can't be changed.

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And therefore, it's gotta just be all about recovery,

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right? Let's just go find it. But when you really

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start getting into the question of what happened

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in the past? What you really start to confront

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is that we have, in some situations, a lot of

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information, and in other situations, hardly

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any information. And so, how is it that we can

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construct what happened in the past in some kind

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of narrative format, in some kind of story? How

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does that happen? How do people, whether they're

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a novelist writing historical fiction or a scholar

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going into the archives and looking at hundreds

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of documents from the past, how do they decide

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what story they're going to tell? This is a really

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difficult set of choices that everybody who works

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with history has to make because you can't just

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record every single thing that would be impossible

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and on the other hand you can't just stick to

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only the facts because what's in between the

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facts can really be super important and the heart

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of the human experience for example If you come

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across some document that says, in such and such

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year and in such and such land, a great pestilence

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took hold. Well, you've got the information that

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there was some kind of disease that happened

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at that time and place. But that's not really

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what we're looking for when we're trying to get

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into history. What we're looking for is some

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kind of understanding of what it meant. What

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did it mean to be in that land at that time,

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dealing with whatever disease that was? That's

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what we're really looking for. Not just the fact

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that a disease outbreak happened. We're looking

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for the experience. And in order to get at that,

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it requires some imagination, for sure. but it

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also requires some judgment calls, at times really

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tough judgment calls. And that's where the heart

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of this podcast is really going to be. The Historian's

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Notebook will give you an in -depth look at how

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professional historians, those whose job it is

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to present with their training and expertise,

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a narrative of something that happened in the

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past, how they go about making those judgment

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calls. So we're going to, in the course of this

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podcast series, explore all kinds of different

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times and places. And we're going to see not

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just how historians have come up with these conclusions

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that at times can be extremely surprising. But

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we're also going to see how, in many ways, the

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work of a historian with all their expertise

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will inevitably involve mistakes and errors and

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guesses that turn out to be wrong, but those

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never really make it into the final product.

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Of course, there'd not really be a whole lot

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of reason to include that in the final product.

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Because the whole job of an expert is to say

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look I have used my expertise in order to arrive

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at Some kind of conclusion that can be trusted.

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That's the result of my expertise So you don't

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want to go through a whole litany of things that

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you got wrong if you're having that goal So a

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lot of the errors the guesses all of that where

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actually a lot of the real interaction with history

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takes place, it gets hidden. And this podcast

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has a different approach. The goal, strangely,

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is to expose the errors and the mistakes at the

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same time as you get to watch somebody, me, try

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to develop a level of understanding and expertise

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regarding something that had happened in the

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past. And sometimes, with some subjects, it feels

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a little bit easier or a little bit more difficult.

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But the reasons for that can be pretty surprising.

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The podcast is going to run for a few seasons

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and On the first season, we're going to journey

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to the 14th century in the Crown of Aragon, what

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is today a part of Spain. And we're going to

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look at gender dynamics on the part of a particular

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king and queen. Later seasons will feature places

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as far away as India and as close, to me at least,

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as Roswell. So stick around and keep coming back

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to check to see what new seasons have to offer.

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But the first one is going to be something. And

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so look out for the season trailer for the first

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season of the Historian's Notebook. The title

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of that season is Molt Cara Companyona.
