WEBVTT

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Welcome to My Weekly Mixtape, a podcast that

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takes the classic mixtape approach to building

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a modern playlist. I'm your host, Brian Colburn.

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Joining me for tonight's collaboration is Alex

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Gomez, and if that sounds strangely familiar

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to you, he's also known as Just Gomez from Playlist

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Wars, and now The Sleepy G Show. Gomez, welcome

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to My Weekly Mixtape. What's up, Brian? How you

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doing, man? Long time no see, as we did first

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episode one on The Sleepy G Show. Yeah, been

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a long time. Even though we talk every single

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day, it's been a long time since we've been in

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a podcast discussion for our shows. It's always

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good to see you, and it's really awesome to be

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back on your show finally. Well, I'm excited

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to have you. It's bright and early on a Sunday

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morning. The birds are outside chirping. Most

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people that listen to this show are still asleep

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right now. And I'm going to start off this episode

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the way I start off each episode, meaning there

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is no get out of jail free card for you, Gomez.

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What does the word mixtape mean to you? Man,

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reminds me of sitting home and remembering listening

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to the radio. hitting record that time when the

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song comes out and it's your favorite song that

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you want to keep hearing over and over again.

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I remember I had the big speaker system, you

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know, with the stereo, with the five disc CD

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changer and, you know, just listening to the

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music of back in the day, you know, even trying

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to get the TV volume up so you can record, bring

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the speaker near the TV so you can record that

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one song live. That's my memories, you know,

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and. from djs at that time too you know what

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i mean when you know when underground mixtapes

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were being made and all that great stuff too

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and just and then making my own you know when

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i hear something on z100 or at that time k -rock

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and uh before it became ktu you know all that

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good stuff so you know it brings back a lot of

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cool memories Well, tonight's going to be a lot

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of fun, and I'm taking a page out of the old

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Playlist Wars notebook here because I, for one,

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happen to know through 80 -something episodes

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of Playlist Wars that you happen to be a fan

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of movies or something along those lines. So

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what better way to kick off a series of movie

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-themed My Weekly Mixtape episodes than to dive

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into what I think might be your personal favorite.

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movies category and that is the songs that are

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featured on 80s movie soundtracks and this decade

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like the 90s was part of what i feel was the

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peak of soundtracks because once you work your

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way into 2000s soundtracks became less of an

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event and more of just a compilation of songs

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but in the 80s and 90s The movie companies and

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labels worked really hard to make the soundtrack

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as big as an event as the movie itself. So I've

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got a ridiculous bank of songs ready to go for

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tonight. And specifically, I gave myself one

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rule. There are no rules on this show, but I

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like to kind of confine myself when I'm pulling

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together my list. So my rules for tonight are

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the song. For the most part, I'll put that little

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asterisk right there. Okay. For the most part,

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the songs need to have been created specifically

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for the soundtrack or came out on the soundtrack

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prior to the band using the song on their official

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album. Now, Gomez, I know you're a big 80s movie

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buff, so I'm sure you spent an inordinate amount

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of time coming up with your list. What were you

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looking for in the songs that you brought to

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the table? So the songs I was looking for is

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the ones that remind me in the movie. Of course,

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you know what I mean? Where they used it and

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how they used it. But let me tell you something.

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It was very difficult to choose. I could have

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had 900 songs written down from almost every

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80s movie probably put out. Almost. There's some

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movies I didn't like. There was so many great

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songs in every movie I loved. You know what I

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mean? So a lot of this of the 80s passion for

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me was my childhood. It was just very difficult,

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but I went with, I resided with movies that I

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do love. You're trying to nail down a certain

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amount of songs. And like I said, I could have

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done a hundred songs easily, but I kind of contained

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to like 25 somehow. And now we're going to whittle

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it down together to 10 each. So let's get down

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to business tonight. As I mentioned earlier,

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Gomez and I will be creating the ultimate. 1980s

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movie soundtrack songs mixtape, and we'll use

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the old cassette deck approach, meaning our mixtape

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will be broken up into two sides, side A and

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side B. Gomez, as the special guest, will begin

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side A with his first song choice, and then I'll

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add a song that I feel best follows up his choice.

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We'll then flip -flop choosing songs until we've

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mapped out 10 songs for side A. We'll then give

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our mixtape a proverbial flip and we'll map outside.

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Be only this time, I'll kick things off with

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Gomez choosing second. Our overall goal for tonight's

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episode is to craft the best 80s movie soundtrack

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mixtape possible through only 20 songs. At the

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end of the show, you can take our conversation

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to the next level by visiting the 80s soundtrack

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songs page at myweeklymixtape .com to give our

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final mixtape a listen via the embedded playlist.

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And finally, if you like what you're hearing

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on the show, please consider becoming a Patreon

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mixtaper at patreon .com forward slash myweeklymixtape.

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And speaking of those Patreon mixtapers, a few

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have chimed in with some of the songs they would

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kick off their 80s soundtrack mixtape with. Starting

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with Cactus Pete, who chimed in with his all

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-time favorite, The Power of Love from Back to

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the Future by Huey Lewis and the News. With a

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close second to Get Out of My Dreams, Get Into

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My Car. From Licensed to Drive. Licensed to Drive.

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Yeah, by the one and only Billy Ocean. I couldn't

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resist. I was up early this morning and it was

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on, so it was kind of funny you mentioned that.

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And he says, we almost have to say Simple Minds,

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Don't You Forget About Me from The Breakfast

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Club because that might be the ultimate one.

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Also, Patreon mixtaper Ben from the Too Vague

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podcast chimed in with Wang Chung's Wait from

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the To Live and Die in L .A. soundtrack. Elsewhere

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on the socials, those who follow me at My Weekly

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Mixtape on Facebook, Instagram, Twitter, and

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TikTok also chimed in, and here's what they had

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to say. Philip Bergman chimed in with Kenny Loggins'

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Danger Zone from Top Gun. Jim Santora chimed

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in with Kenny Loggins' I'm Alright from Caddyshack.

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Jason Whistle from the It's Not That Bad and

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There Can Only Be One podcasts, as well as our

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friends at the Nostalgia Test podcast, both chimed

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in with Robert Tepper, No Easy Way Out from Rocky

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IV. Kuya Ozzy chimed in with Stan Bush's The

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Touch from Transformers The Movie. The Music

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Rewind podcast chimed in with Elda Barge's Who's

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Johnny from Short Circuit. The 80s movie soundtrack

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podcast chimed in with Flesh for Lulu's I Go

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Crazy from Some Kind of Wonderful. The So Wizard

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podcast chimed in with Kenny Loggins. Again,

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Meet Me Halfway from Over the Top. Rob Jones

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chimed in with John Parr's St. Elmo's Fire, Man

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in Motion from St. Elmo's Fire. Gnarly Thotep

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chimed in with Eve, The Walls Come Down for Rock

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and Roll from Armed and Dangerous. There's a

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deep cut. That is a deep cut. Tony R., R .L.

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Lewis, and Jeff Scoble all chimed in with Simple

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Minds' Don't You Forget About Me from The Breakfast

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Club. The Music List podcast chimed in with anything

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from The Big Chill. Hutch chimed in with Dokken's

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Dream Warriors from Nightmare on Elm Street 3.

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Matt Kennedy from the X Radio X podcast chimed

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in with Plastic Bertrand's Kaplan Pour Moi from

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National Lampoon's Vacation. With me adding my

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sincere apologies if I butchered the pronunciation

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on that last one. Tazi44 chimed in with the Blues

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Brothers Soul Man from Blues Brothers. Ken aka

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Mr. Gentleman and Ryan Pack from the Soundtrack

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Your Life podcast both chimed in with Prince's

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Let's Go Crazy from Purple Rain. LiSportsFan

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chimed in with the Jesus and Mary Chain's The

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Hardest Walk from Some Kind of Wonderful. Amy

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Borchin chimed in with Cyndi Lauper's The Goonies

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Are Good Enough from The Goonies. The Dr. Matt

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FM chimed in with Huey Lewis and the News' Back

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in Time. And both Chris Darling and Sean Faust

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both chimed in with Huey Lewis and the News'

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The Power of Love, with both of those songs coming

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from Back to the Future. Now, Gomez, you said

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you had 100 songs. I think I just rattled off

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100 there. And you'd actually named some of it

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that's on my list already. All right. Well, with

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that amazing list of 80 soundtrack songs out

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in the atmosphere, let's officially press the

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record button on this mixtape. And I'll start

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by throwing it over to you, Gomez. What Kenny

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Loggins song are you starting tonight's 80s movie

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soundtrack mixtape with? I am actually not. And

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why? I am not starting with Kenny Loggins this

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first. What? Yes. He's in the mix. Don't get

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me wrong. He's in the mix somewhere. Remember,

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once an artist or movie is pulled, that's it.

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They're off the table. The one I would start

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off with, one of my favorite songs from the 1986

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Transformers movie, the cartoon, and it was already

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mentioned. I'm going with Stan Bush, The Touch.

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I love that scene of the movie. Once Optimus

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Prime sees Megatron, he goes, one shall stand

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and one shall fall. And he transforms and you

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hear the song. And then towards the end of the

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movie, if anybody's not seen it, sorry, but I'm

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going to spoil it. Oh, you're doing spoilers

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on the show? These poor people. It's from 1986.

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They must have seen this movie by now. But even

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when Hot Rod turns into Rodimus Prime, and you

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hear that song, and he's telling Galvatron that

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this is the end of the road, which was like that

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one -liner in the movie. So that's how I'm starting

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this little mixtape up with us. It's definitely

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Stan Bush, The Touch, 1986 Transformers, man.

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Absolutely love it. Easily on my list. Kuya Ozzy

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chimed in with that one. I have sound waves all

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over the studio where I record here. Of course,

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that is in my list. But Gomez, you're giving

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me the Kenny Loggins lob. You have lobbed me.

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Kenny Loggins on an 80s movie. This is like,

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I don't even have to swing at this one. I'm obviously

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taking the bait and pulling a Kenny Loggins song.

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Now, here's the problem. Here's the problem.

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I have five Kenny Loggins songs on my list. I

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think I got two. I have Danger Zone from 86's

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Top Gun, Footloose from 84's Footloose, I'm Alright

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from 1980's Caddyshack. Nobody's Fool from 1988's

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Caddyshack 2, and Meet Me Halfway from 1987's

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Over the Top. Now, Meet Me Halfway, I'm going

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to pull right out of the mix. As much as I love

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the song, we're only track two into a mixtape,

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and it's too soon to hit the balance. It's way

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too soon. It would be a vibe killer. It would

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ruin the mixtape. But I love the song. I'm all

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rights a little too breezy and happy coming out

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of Stan Bush's The Touch. So I'm going to take

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that out of play. I'm down to Danger Zone, Footloose,

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and Nobody's Fool. Believe it or not, my favorite

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song in the mix is Nobody's Fool. But I'm not

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going to put that in here because that is not

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really a massively popular song. You and I talked

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about this song. On the It's Not That Bad podcast

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with Jason Whistle when we did the Caddyshack

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2 episode. I love the movie. I love the song.

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But man, this is like whittling down just Kenny

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Loggins here. You could do a Kenny Loggins 80s

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soundtrack mixtape alone. Alone, yeah, because

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he's got way too many. Now, coming out of the

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touch, I've got Danger Zone and Footloose. The

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only song that seems to like, they both work,

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but I think I got to give the edge to danger

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zone. The need for speed. Yeah. 1986 is top gun

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coming out of the touch. I feel like we're setting

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the energy level at a 10 and I feel like footloose

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is a little too dancey to come out of the touch.

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We want to keep the pedal to the metal and we

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want to go with Kenny Loggins danger zone, but

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I'm glad that I got a chance to at least chime

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in on all of the. that you gave me in the, what

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I am now calling the Loggins Lob. Yeah, I know,

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right? The Loggins Lob. Don't worry, there might

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be another Kenny Loggins somewhere in these 10

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songs. He's off the table now. Oh, that's true.

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He is done. And now Top Gun is off the table,

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so your pick of Berlin's Take My Breath Away

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has floated away. Actually, I didn't make my

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list, but Kenny Loggins' Danger Zone. Didn't

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make mine either. But Kenny Loggins' Danger Zone

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did make mine, which we're off, and then meet

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me halfway. But you're right, it's too early

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for a battle. We're going from... the touch to

00:13:46.330 --> 00:13:48.690
danger zone yeah that just went well for that

00:13:48.690 --> 00:13:51.570
one yeah honestly i think the earliest that you

00:13:51.570 --> 00:13:55.070
could drop a power ballad on a mixtape is track

00:13:55.070 --> 00:13:57.269
three or four you need to get the energy level

00:13:57.269 --> 00:14:00.190
up and if you're putting a power ballad that

00:14:00.190 --> 00:14:03.029
early in a mixtape it's got to be one that's

00:14:03.029 --> 00:14:06.529
so perfect for that tape yeah that it needs to

00:14:06.529 --> 00:14:09.330
be there unless of course You're doing an all

00:14:09.330 --> 00:14:11.769
power ballads mixtape, which is the only time

00:14:11.769 --> 00:14:14.110
you could start track one or two with a power

00:14:14.110 --> 00:14:16.490
ballad. Exactly. I agree with you 100 % on that

00:14:16.490 --> 00:14:19.129
one. All right. Well, now I am tossing it back

00:14:19.129 --> 00:14:22.110
to you. We've got a pretty top notch mixtape

00:14:22.110 --> 00:14:23.750
started here. What are you going to follow up

00:14:23.750 --> 00:14:27.269
to touch in Danger Zone? So I'm going to go take

00:14:27.269 --> 00:14:31.049
it back to one of my other favorite movies. And

00:14:31.049 --> 00:14:34.309
no, it is not another Kenny Longin song, but

00:14:34.309 --> 00:14:39.100
this particular artist was. in the same movie

00:14:39.100 --> 00:14:41.559
with the Kenny Loggins, and no, it's not Top

00:14:41.559 --> 00:14:44.340
Gun. I want to go back to Over the Top. Okay,

00:14:44.399 --> 00:14:47.399
Sammy Hagar's Winner Takes It All. Yes. Okay,

00:14:47.480 --> 00:14:49.500
because we're getting that vibe. The first three

00:14:49.500 --> 00:14:52.059
songs, we're going mano y mano. How's that? I'll

00:14:52.059 --> 00:14:55.919
do Spanish here. I love this song. I remember

00:14:55.919 --> 00:14:57.620
hearing it for the first time in this movie,

00:14:57.860 --> 00:15:00.600
Winner Takes It All. It was just one of those

00:15:00.600 --> 00:15:02.639
songs that I don't know what it was about it.

00:15:02.919 --> 00:15:04.879
Hearing the song during the arm wrestling matches,

00:15:05.080 --> 00:15:08.269
it just fit that movie perfectly. At that time,

00:15:08.429 --> 00:15:11.029
you'd just seen, of course, one of my favorite

00:15:11.029 --> 00:15:12.830
actors, Sylvester Stallone at that time. You

00:15:12.830 --> 00:15:15.009
know what I mean? He did his Rockies. He did

00:15:15.009 --> 00:15:17.129
this. He's done a bunch of great 80s movies,

00:15:17.289 --> 00:15:20.830
too. And just seeing him in this was just ridiculously

00:15:20.830 --> 00:15:23.370
awesome. And I thought he did the character.

00:15:24.090 --> 00:15:27.629
Oh, my God. What the hell is his name? Lincoln

00:15:27.629 --> 00:15:29.490
Hawk. I couldn't think of his name. Holy shit.

00:15:30.309 --> 00:15:32.649
Lincoln Hawk. It's early on a Sunday. I'll let

00:15:32.649 --> 00:15:35.909
it slide. I remember Bull Hurley because he had

00:15:35.909 --> 00:15:38.419
the cutoff shirt like I do. So maybe that's probably

00:15:38.419 --> 00:15:41.980
why. I love the whole movie, but that song stood

00:15:41.980 --> 00:15:44.879
out to me always in the movie. The only thing

00:15:44.879 --> 00:15:47.720
about that movie that I feel like didn't stand

00:15:47.720 --> 00:15:50.600
the test of time, and I know it works in the

00:15:50.600 --> 00:15:53.519
80s, but the whole turning, like the switch that

00:15:53.519 --> 00:15:57.480
happens when he turns the hat around. I mean,

00:15:57.500 --> 00:15:59.899
you've got yours already in arm wrestling mode.

00:15:59.940 --> 00:16:02.240
I always do that. I always have it in the front.

00:16:02.279 --> 00:16:05.230
Before I do a show, I switch it over. You turn

00:16:05.230 --> 00:16:07.049
the switch and then you're ready to arm wrestle.

00:16:07.230 --> 00:16:09.970
You know, as he does it, I do the switch. That's

00:16:09.970 --> 00:16:13.610
actually my favorite Sammy Hagar song over I

00:16:13.610 --> 00:16:16.830
Can't Drive 55. I love this song easily on my

00:16:16.830 --> 00:16:21.370
list. And I'm glad you did that because I was

00:16:21.370 --> 00:16:23.889
definitely going to pick that tonight. But now

00:16:23.889 --> 00:16:28.269
following that up, we are at, again, high energy,

00:16:28.370 --> 00:16:30.929
high energy, high energy. The Touch, Danger Zone,

00:16:31.129 --> 00:16:34.019
Winner Takes It All. I think I'm going to stay

00:16:34.019 --> 00:16:37.960
with a movie that I know I am taking from you,

00:16:38.019 --> 00:16:40.580
and I apologize in advance. We're lucky we're

00:16:40.580 --> 00:16:42.860
on Zoom here, Matt, because this would have been

00:16:42.860 --> 00:16:46.919
Mono Emon. I'm only kidding. Well, this is different

00:16:46.919 --> 00:16:49.039
for us. Usually we're working against each other,

00:16:49.059 --> 00:16:51.100
and we can have crossovers on Playlist Wars.

00:16:51.179 --> 00:16:53.539
Here we're working together, which we did a couple

00:16:53.539 --> 00:16:56.440
of times when we did tag team episodes on Playlist

00:16:56.440 --> 00:16:59.480
Wars. So this is kind of the process that you

00:16:59.480 --> 00:17:03.029
and I went through for that. The episode we did

00:17:03.029 --> 00:17:05.150
on weekend anthems with Jay and Kay from the

00:17:05.150 --> 00:17:07.809
F My Work Life podcast. This is how you and I

00:17:07.809 --> 00:17:09.390
kind of put the mix together. Yeah, exactly.

00:17:09.690 --> 00:17:12.509
So we're doing it now in real time. And the movie

00:17:12.509 --> 00:17:15.089
I'm going to steal from you. And as soon as I

00:17:15.089 --> 00:17:16.670
say the movie, you're going to know exactly what

00:17:16.670 --> 00:17:18.769
song I'm talking about. But I actually had a

00:17:18.769 --> 00:17:21.289
couple of songs from the soundtrack on my list.

00:17:21.349 --> 00:17:24.549
And I'm going to go with 1987's The Lost Boys.

00:17:24.890 --> 00:17:27.490
Yep. And I think you know exactly what song.

00:17:27.980 --> 00:17:30.519
Energy wise, I'm going here with Lou Graham from

00:17:30.519 --> 00:17:34.039
foreigner lost in the shadows, keeping that energy

00:17:34.039 --> 00:17:37.839
level up. I had Gerard McMahon cry, little sister

00:17:37.839 --> 00:17:42.079
on my list. And I just, again, that's dragging

00:17:42.079 --> 00:17:44.599
the energy down right now. And I want to keep

00:17:44.599 --> 00:17:48.400
it exciting and fun and keep it just amped up

00:17:48.400 --> 00:17:51.839
to 10. So coming out of the touch danger zone

00:17:51.839 --> 00:17:54.339
and winter takes it all. Lost in the Shadows

00:17:54.339 --> 00:17:56.940
just fits so perfectly. It does. It does. That's

00:17:56.940 --> 00:17:59.079
actually a great pick. Was it on my list? Yes.

00:17:59.299 --> 00:18:01.539
But I actually went with Cry Little Sister because

00:18:01.539 --> 00:18:03.799
it went with the popular one. But that's a really

00:18:03.799 --> 00:18:06.460
good pick, though. I like that one. All right.

00:18:06.640 --> 00:18:09.960
Throwing it back to you. So the next song, you

00:18:09.960 --> 00:18:11.900
know, we're in this cool power vibe, but you

00:18:11.900 --> 00:18:15.000
know what? Kind of bring it back to the future.

00:18:15.200 --> 00:18:18.819
1985. I'm going to put Huey Lewis in the news.

00:18:18.859 --> 00:18:20.910
The power of love. All right. You know what I

00:18:20.910 --> 00:18:22.990
mean? It's just that song when you hear him,

00:18:22.990 --> 00:18:25.390
when he's skateboarding and the song's on, you

00:18:25.390 --> 00:18:26.630
know what I mean? It just makes sense. And then

00:18:26.630 --> 00:18:30.210
when he tries to jam that song in his, the auditorium

00:18:30.210 --> 00:18:32.109
and you see, he's like, you're just too damn

00:18:32.109 --> 00:18:34.710
long. No, no, you're done. You know? And it's

00:18:34.710 --> 00:18:36.509
Huey Lewis right there. You know what I mean?

00:18:36.609 --> 00:18:39.509
Telling him you can't do it. No. Having him actually

00:18:39.509 --> 00:18:41.069
play a couple songs in the movie back to the

00:18:41.069 --> 00:18:43.069
future, you know, back in time is another one

00:18:43.069 --> 00:18:45.289
towards the end of the movie, but this was hard

00:18:45.289 --> 00:18:47.319
in the movie in the beginning. which I thought

00:18:47.319 --> 00:18:49.180
was a great fit so far what we're doing here

00:18:49.180 --> 00:18:52.720
on this Side A. It's absolutely a fantastic pick.

00:18:52.880 --> 00:18:56.500
Obviously in my list, so was Back in Time. It

00:18:56.500 --> 00:18:58.880
was just a matter of when. There are certain

00:18:58.880 --> 00:19:02.079
songs I feel like will make this mixtape tonight

00:19:02.079 --> 00:19:04.799
no matter how we spin it, and that is definitely

00:19:04.799 --> 00:19:08.619
one of them. Come on. When you talk about iconic

00:19:08.619 --> 00:19:11.619
soundtrack songs, I think the first two that

00:19:11.619 --> 00:19:15.779
might come to people's mind, and again, I'm generalizing

00:19:15.779 --> 00:19:19.000
here, but for the most part, we had a lot of

00:19:19.000 --> 00:19:22.299
chime ins for two specific songs. And that was

00:19:22.299 --> 00:19:25.359
the power of love by Huey Lewis in the news from

00:19:25.359 --> 00:19:27.599
back to the future. And don't you forget about

00:19:27.599 --> 00:19:30.299
me by simple minds from the breakfast club, which

00:19:30.299 --> 00:19:32.000
we haven't gotten to yet. And we're not going

00:19:32.000 --> 00:19:35.279
to get there yet because I'm not picking that

00:19:35.279 --> 00:19:38.339
song yet. Same here. So we're on the same page.

00:19:38.400 --> 00:19:41.059
We're on the same way. Yeah, well, this next

00:19:41.059 --> 00:19:44.039
one I think is going to work really well because

00:19:44.039 --> 00:19:49.859
I feel by track six, we need a montage. And I'm

00:19:49.859 --> 00:19:53.920
going to go with Side A's perfect montage song,

00:19:54.240 --> 00:19:57.460
Robert Tepper, No Easy Way Out from Rocky IV.

00:19:57.940 --> 00:20:00.859
Now, mind you, there are other Rocky movies.

00:20:01.140 --> 00:20:03.859
So there is a gray area here. If you have other

00:20:03.859 --> 00:20:05.839
Rocky songs you like, you just have to make sure.

00:20:06.730 --> 00:20:08.569
It was on that soundtrack. So I'm just putting

00:20:08.569 --> 00:20:10.789
that out in the universe. But to me, no easy

00:20:10.789 --> 00:20:13.849
way out. I go back to the days at St. Mary's

00:20:13.849 --> 00:20:15.849
High School when we were practicing and working

00:20:15.849 --> 00:20:19.990
out. And this song was always on Coach Parcell's

00:20:19.990 --> 00:20:23.769
workout mixtape. I love this track. I love the

00:20:23.769 --> 00:20:27.930
montage in the movie. Rocky IV is the Rocky that

00:20:27.930 --> 00:20:31.690
was. Pretty much made for our generation. Yes.

00:20:31.769 --> 00:20:34.789
The Rocky one, two and three were my parents

00:20:34.789 --> 00:20:36.829
movies, but I felt like Rocky four was the one

00:20:36.829 --> 00:20:39.490
where it was aimed at us, the kids that were

00:20:39.490 --> 00:20:43.890
getting older. And that movie to me was the Rocky

00:20:43.890 --> 00:20:48.150
movie. It still is the Rocky movie. It's the

00:20:48.150 --> 00:20:50.170
one that everybody kind of holds up. Some of

00:20:50.170 --> 00:20:52.930
the parts, you know, obviously dated with the

00:20:52.930 --> 00:20:55.089
eighties, you know, vibe and stuff. And I do,

00:20:55.109 --> 00:20:57.839
I have to say. Not that we're a movie podcast

00:20:57.839 --> 00:21:01.380
here, but Rocky Balboa is right up there with

00:21:01.380 --> 00:21:03.559
it. I think that movie was absolutely fantastic,

00:21:03.779 --> 00:21:05.779
but it wasn't done in the 80s. No, it was done

00:21:05.779 --> 00:21:08.640
much later in the years, you know, after Rocky

00:21:08.640 --> 00:21:12.119
V. Yeah, we won't talk about that. No. Let's

00:21:12.119 --> 00:21:15.960
not talk about Bruno or Rocky V. But, you know,

00:21:15.960 --> 00:21:18.000
it was kind of funny that you wanted to do a

00:21:18.000 --> 00:21:20.440
montage. I actually have one of my favorites

00:21:20.440 --> 00:21:22.720
from Rocky IV's soundtrack. Now, you're right.

00:21:22.799 --> 00:21:24.799
Taking it back to the same areas might be here

00:21:24.799 --> 00:21:27.859
too. uh during weight lifting and day before

00:21:27.859 --> 00:21:32.140
games we had the uh the rocky greatest hit soundtrack

00:21:32.140 --> 00:21:35.759
you know what i mean so the one i always that

00:21:35.759 --> 00:21:39.859
put me in a zone before a game was war uh slash

00:21:39.859 --> 00:21:42.819
fanfare nice training montage you know what i

00:21:42.819 --> 00:21:46.640
mean hearing that and that was by uh victor cola

00:21:46.640 --> 00:21:49.960
and rocky four yes yeah vince also did some great

00:21:49.960 --> 00:21:51.980
stuff for the transformers the movie yes he did

00:21:51.980 --> 00:21:55.180
so i mean Either way, no matter what song you

00:21:55.180 --> 00:21:57.599
pick, and Robert Tepper was on my list too, actually.

00:21:58.119 --> 00:22:00.539
No matter what you pick from there, it was one

00:22:00.539 --> 00:22:03.779
of those great movies, great soundtrack, great

00:22:03.779 --> 00:22:06.680
everything about that movie. It was at the time

00:22:06.680 --> 00:22:09.160
in the 80s where US and Russia were battling.

00:22:09.660 --> 00:22:11.900
So they made the right movie at the right time

00:22:11.900 --> 00:22:14.819
for our generation. Definitely. Great pick, dude.

00:22:14.940 --> 00:22:16.400
Oh my God, I feel like we're back in Playlist

00:22:16.400 --> 00:22:19.960
Wars. Yeah. Well, I'm now throwing it back to

00:22:19.960 --> 00:22:23.299
you. And we've got a fantastic side A being built

00:22:23.299 --> 00:22:25.339
right here. So what do you have for track seven?

00:22:25.359 --> 00:22:28.960
So now that we're talking a little montage, okay,

00:22:29.059 --> 00:22:31.200
I'm actually going to kick it back to the 1987

00:22:31.200 --> 00:22:35.819
movie, Less Than Zero, with the Bengals' Hazy

00:22:35.819 --> 00:22:38.680
Shade of Winter. Yes. Thank you. It's just flowing

00:22:38.680 --> 00:22:40.519
in nicely with this mix that we're doing here.

00:22:40.640 --> 00:22:43.619
Yes. Great movie, let me tell you. Robert Downey

00:22:43.619 --> 00:22:48.390
Jr. in a very, really weird role. I'm not even

00:22:48.390 --> 00:22:50.190
going to give that up because if no one's seen

00:22:50.190 --> 00:22:53.829
this movie, I highly recommend watching it. These

00:22:53.829 --> 00:22:56.309
guys did a great job. And then this song they

00:22:56.309 --> 00:22:59.470
were playing in the movie, you know, where he's

00:22:59.470 --> 00:23:02.450
driving his, I'm going to say it was a 65 Corvette

00:23:02.450 --> 00:23:05.170
convertible with Jamie Girtz. And, you know,

00:23:05.190 --> 00:23:08.130
they're trying to make out and trying to find,

00:23:08.150 --> 00:23:10.089
you know, Robert Downey Jr. It was like one of

00:23:10.089 --> 00:23:12.609
the best scenes, but such a great song, great

00:23:12.609 --> 00:23:16.589
movie too. Absolutely love. the less than zero

00:23:16.589 --> 00:23:19.569
soundtrack. Another example of a soundtrack that

00:23:19.569 --> 00:23:21.690
I love and adore to a movie I've never seen.

00:23:21.789 --> 00:23:25.390
I have several songs from this soundtrack on

00:23:25.390 --> 00:23:28.230
my list. I had the bangles hazy shade of winter.

00:23:28.329 --> 00:23:32.349
I was actually holding that one to possibly close

00:23:32.349 --> 00:23:35.529
out this side, but you put it early. That's totally

00:23:35.529 --> 00:23:37.750
fine. I had Aerosmith's rock and pneumonia and

00:23:37.750 --> 00:23:40.609
the boogie woogie flu cover. I had poisons cover

00:23:40.609 --> 00:23:43.900
of kisses, rock and roll night. And I knew it

00:23:43.900 --> 00:23:45.700
wouldn't make the list because there was not

00:23:45.700 --> 00:23:48.200
much that could go into it. But Slayer's cover

00:23:48.200 --> 00:23:50.700
of Inigata De Vida by Iron Butterfly was also

00:23:50.700 --> 00:23:54.220
on there. Just an all -around fantastic soundtrack

00:23:54.220 --> 00:23:56.819
with a ton of cover songs. And you know my love

00:23:56.819 --> 00:23:59.819
for cover songs. But coming out of the bangles.

00:24:00.380 --> 00:24:03.619
It's hard. That one rocks. And I want to keep

00:24:03.619 --> 00:24:08.299
that energy going. And I was scrolling back and

00:24:08.299 --> 00:24:10.819
forth through the songs. All right. I think I'm

00:24:10.819 --> 00:24:14.619
going to go back to 1983. This one doesn't rock

00:24:14.619 --> 00:24:18.599
like Hazy Shade of Winter, but to me, it's one

00:24:18.599 --> 00:24:24.759
of the premier 1980s soundtrack songs. And it's

00:24:24.759 --> 00:24:28.180
because it's built around when I say the name

00:24:28.180 --> 00:24:30.819
of the song, you're immediately going to say

00:24:30.819 --> 00:24:33.779
the name of the movie. But this was actually

00:24:33.779 --> 00:24:38.799
a fictitious band. And the song is On the Dark

00:24:38.799 --> 00:24:42.160
Side. Oh, yes, yes. So immediately you're thinking,

00:24:42.259 --> 00:24:44.319
oh, that's by Eddie and the Cruisers. No, it's

00:24:44.319 --> 00:24:46.839
by John Cafferty and the Beaver Brown Band, who

00:24:46.839 --> 00:24:50.819
were also on my Rocky IV list for today for Hearts

00:24:50.819 --> 00:24:54.059
on Fire. Yes. But I am representing them because

00:24:54.059 --> 00:24:56.940
I put Robert Teppert's No Easy Way Out. I have

00:24:56.940 --> 00:25:00.079
to represent Eddie and the Cruisers soundtrack

00:25:00.079 --> 00:25:03.349
because that soundtrack is... amazing even the

00:25:03.349 --> 00:25:06.130
second one was amazing too like i like both oh

00:25:06.130 --> 00:25:08.210
running through the fire love that's such a great

00:25:08.210 --> 00:25:11.470
song and that was on my list too uh you know

00:25:11.470 --> 00:25:14.789
you just can't i have not put on this list eddie

00:25:14.789 --> 00:25:17.670
and the cruisers man you really can't i actually

00:25:17.670 --> 00:25:21.279
had thought about Also closing side A with Season

00:25:21.279 --> 00:25:24.299
in Hell, Fired Sweet. But that's a little bit

00:25:24.299 --> 00:25:27.380
of a downer song. Fantastic tune. And then I

00:25:27.380 --> 00:25:29.460
also thought if we did ballads, Tender Years

00:25:29.460 --> 00:25:31.339
could fit really well in here. But where we're

00:25:31.339 --> 00:25:33.960
going on side A, On the Dark Side is the only

00:25:33.960 --> 00:25:36.519
song that works. That I agree with you, man.

00:25:36.579 --> 00:25:39.460
That's just a kick -ass song. It just fit the

00:25:39.460 --> 00:25:42.279
movie well, too, On the Dark Side. It just had

00:25:42.279 --> 00:25:45.720
that rebel Eddie look. You know what I mean?

00:25:45.799 --> 00:25:47.680
If you've ever seen the movie, you'll know what

00:25:47.680 --> 00:25:50.240
I'm talking about. love both movies and i'll

00:25:50.240 --> 00:25:54.660
say it i love both movies i love part two so

00:25:54.660 --> 00:25:57.680
did i in all of its cheese there is more cheese

00:25:57.680 --> 00:26:00.259
on that movie layered on it you sometimes have

00:26:00.259 --> 00:26:03.019
to like take a lactate pill before watching yes

00:26:03.019 --> 00:26:05.380
because there's so much cheese in the movie but

00:26:05.380 --> 00:26:07.220
i love it you know in the beginning of the movie

00:26:07.220 --> 00:26:09.920
he's walking he's in canada the guy commits a

00:26:09.920 --> 00:26:12.619
suicide in new jersey off the raritan bridge

00:26:12.619 --> 00:26:15.980
which was two feet high only from the river compared

00:26:15.980 --> 00:26:18.920
to what it is now And then you find him in part

00:26:18.920 --> 00:26:23.200
two in Canada. And where's Eddie now? Is Eddie

00:26:23.200 --> 00:26:26.059
dead? And he's got his little horn stash. That's

00:26:26.059 --> 00:26:28.220
all it took for the whole world to not recognize

00:26:28.220 --> 00:26:31.339
him was a mustache. The greatest disguise ever.

00:26:31.420 --> 00:26:34.940
I'm sorry, Gomez, if you shaved your goatee,

00:26:34.980 --> 00:26:36.759
which I know you'll never do, but you just left

00:26:36.759 --> 00:26:39.539
a mustache, I still think I'd recognize you.

00:26:39.640 --> 00:26:41.380
I'm just putting it out there in the universe.

00:26:41.779 --> 00:26:43.220
I think you would, but if I shaved it all off,

00:26:43.259 --> 00:26:46.539
you might not. Maybe not. Maybe not. But I don't

00:26:46.539 --> 00:26:50.059
know if you were a world famous singer with hit

00:26:50.059 --> 00:26:52.640
songs like Eddie and the Cruisers had in the

00:26:52.640 --> 00:26:54.779
movie. Maybe somebody might have pointed out,

00:26:54.819 --> 00:26:57.859
dude, you bear a striking resemblance. Especially

00:26:57.859 --> 00:27:00.819
in Canada. You know, I guess his popularity didn't

00:27:00.819 --> 00:27:03.480
reach the Canadian tubes. Maybe not. We'll have

00:27:03.480 --> 00:27:06.579
to ask Jason Whistle about the Eddie and the

00:27:06.579 --> 00:27:08.900
Cruisers lure up in Canada. We definitely have

00:27:08.900 --> 00:27:11.069
to go and ask him about that one. All right.

00:27:11.089 --> 00:27:13.390
You've got one song left for Side A. What are

00:27:13.390 --> 00:27:14.970
you going with? All right. So I got a lot to

00:27:14.970 --> 00:27:17.150
choose from for Side A, especially like how we're

00:27:17.150 --> 00:27:21.190
going here. You know what? I'm going to go back

00:27:21.190 --> 00:27:25.269
to 1984. Beverly Hills Cop 1, Eddie Murphy. I'm

00:27:25.269 --> 00:27:27.569
going to go with Glenn Frey. The heat is on.

00:27:28.309 --> 00:27:30.009
It's literally right in the beginning of the

00:27:30.009 --> 00:27:32.490
movie is when he's in a truck full of cigarettes

00:27:32.490 --> 00:27:34.769
and he's from Buffalo. Let's just say that line

00:27:34.769 --> 00:27:37.849
right there. You know what I mean? You know,

00:27:37.849 --> 00:27:40.319
it was just a perfect fit for the movie. because

00:27:40.319 --> 00:27:42.740
they're chasing that truck full of cigarettes

00:27:42.740 --> 00:27:46.680
and destroying half of Detroit, which the guy,

00:27:46.680 --> 00:27:48.720
who knows what kind of jail time he was doing

00:27:48.720 --> 00:27:52.000
for that, smashed up every single car he hit.

00:27:53.140 --> 00:27:54.839
Fruits flying everywhere when he hit the fruit

00:27:54.839 --> 00:27:57.559
truck. It was just a lot of fun. It's a great

00:27:57.559 --> 00:28:00.099
song, great movie. Glenn Frey, The Heat Is On,

00:28:00.180 --> 00:28:02.400
Beverly Hills Cop, 1984. You can't go wrong.

00:28:03.000 --> 00:28:06.240
You certainly can't go wrong. I love that pic.

00:28:06.859 --> 00:28:10.059
I love that movie. That was prime Eddie Murphy.

00:28:10.460 --> 00:28:12.880
And I know they're doing a new one, but recently

00:28:12.880 --> 00:28:16.279
the track record on sequels that are long after

00:28:16.279 --> 00:28:20.160
the original, the newer Dumb and Dumberer, whatever

00:28:20.160 --> 00:28:22.859
the hell it was called, Coming to America 2,

00:28:22.900 --> 00:28:25.819
they just didn't hit the right way. It just felt

00:28:25.819 --> 00:28:28.180
forced. So, no, but I'm thinking this one might

00:28:28.180 --> 00:28:30.980
because, first of all, he wrote it, I think.

00:28:31.019 --> 00:28:33.900
Eddie Murphy wrote this one. Bear the Hills Cop

00:28:33.900 --> 00:28:36.509
3 was boom. Good soundtrack. Good soundtrack,

00:28:36.750 --> 00:28:39.730
yes. But one and two were better than three.

00:28:40.430 --> 00:28:42.789
Oh, yeah. So I think this fourth one with Judge

00:28:42.789 --> 00:28:45.910
Reinhold coming back as Billy Rosewood, the guy

00:28:45.910 --> 00:28:48.250
who plays John Taggart is coming back. There's

00:28:48.250 --> 00:28:50.549
a couple other people. There's more into this

00:28:50.549 --> 00:28:52.369
one. I think the way that it's being directed

00:28:52.369 --> 00:28:55.730
and being made, I think this might be one of

00:28:55.730 --> 00:28:59.410
those movies that will kind of forget the third

00:28:59.410 --> 00:29:02.930
one like Rocky Balboa did for Rocky V. Okay.

00:29:03.309 --> 00:29:09.140
Okay. Well, now I have the tough task of trying

00:29:09.140 --> 00:29:11.880
to close out this amazing side. Yeah, you do.

00:29:12.200 --> 00:29:15.839
Sorry. And I think I'm going to break my rule

00:29:15.839 --> 00:29:17.619
that I talked about earlier. I said I had one

00:29:17.619 --> 00:29:20.539
song in here that has an asterisk on it. And

00:29:20.539 --> 00:29:23.599
the reason this song has an asterisk on it is

00:29:23.599 --> 00:29:25.680
because the movie never had an official soundtrack

00:29:25.680 --> 00:29:29.180
that was released on any format. The song was

00:29:29.180 --> 00:29:33.019
released in February of 1986. and the movie was

00:29:33.019 --> 00:29:35.339
released in August of that year, I'm pulling

00:29:35.339 --> 00:29:39.140
the exception to my soundtrack list rule because

00:29:39.140 --> 00:29:43.799
A, no soundtrack exists, and B, because I can.

00:29:44.240 --> 00:29:47.019
I love that. This is a song that when I say the

00:29:47.019 --> 00:29:49.019
band's name, you're immediately going to raise

00:29:49.019 --> 00:29:52.220
an eyebrow. And that band is Honeymoon Suite.

00:29:52.660 --> 00:29:54.839
You're right, I am raising an eyebrow. Okay.

00:29:55.019 --> 00:29:59.549
And the song's name is What Does It Take? And

00:29:59.549 --> 00:30:02.529
again, the look on your face is perplexed. I'm

00:30:02.529 --> 00:30:06.769
trying to think of the movie. 1986, one crazy

00:30:06.769 --> 00:30:10.509
summer. Oh my God. How did I forget that? End

00:30:10.509 --> 00:30:15.309
of the movie. Uncle Frank wins the radio contest.

00:30:15.589 --> 00:30:19.509
And he pulls the phone plug out of the wall and

00:30:19.509 --> 00:30:22.769
proceeds to take a bazooka and blow up the radio

00:30:22.769 --> 00:30:26.990
station. And as... The Stork brothers are running

00:30:26.990 --> 00:30:30.990
to the exploding radio station with their marshmallows.

00:30:31.529 --> 00:30:34.990
If I could grow wings, I could do anything. That

00:30:34.990 --> 00:30:37.329
is Honeymoon Suite. What does it take? That was

00:30:37.329 --> 00:30:39.430
such a great song. And that was a perfect ending

00:30:39.430 --> 00:30:42.869
to that movie too. Oh my God. There were so many

00:30:42.869 --> 00:30:45.750
great songs. It is a deep cut. It is a strange

00:30:45.750 --> 00:30:48.890
way to end the song. But anybody who's as big

00:30:48.890 --> 00:30:52.230
as a... one crazy summer fan as I am understands.

00:30:52.430 --> 00:30:56.170
That's a great closing song to me. That's one

00:30:56.170 --> 00:30:58.390
of those songs that if you're a fan of one crazy

00:30:58.390 --> 00:31:00.589
summer, you know, the exact scene I'm talking

00:31:00.589 --> 00:31:03.210
about, you know, the lyrics to the song, you

00:31:03.210 --> 00:31:06.089
just don't know what song that is. And that is

00:31:06.089 --> 00:31:08.190
hopefully a lot of people out there that are

00:31:08.190 --> 00:31:10.410
going, Oh my God, I could listen to that on Spotify.

00:31:10.670 --> 00:31:14.220
Yes. Honeymoon Suite, What Does It Take, What

00:31:14.220 --> 00:31:17.460
Crazy Summer, Closing Out, Side A. Oh, my God.

00:31:17.519 --> 00:31:20.099
I totally forgot about that song. You know what's

00:31:20.099 --> 00:31:22.220
funny? I was watching the movie two weeks ago

00:31:22.220 --> 00:31:25.380
when it was still slow at work. We showed it

00:31:25.380 --> 00:31:27.759
to the girls recently, and it holds up. It's

00:31:27.759 --> 00:31:30.299
still just as funny. It still holds up. I just

00:31:30.299 --> 00:31:32.839
love the scene where he finds the money in the

00:31:32.839 --> 00:31:34.880
bathroom when he meets Demi Moore for the first

00:31:34.880 --> 00:31:37.700
time, and the guy with that purple spiked hair,

00:31:37.920 --> 00:31:40.299
and they go for the car chase, and he thought

00:31:40.299 --> 00:31:43.190
he could make the boat. And he was like, get

00:31:43.190 --> 00:31:46.089
me out of here. He's got fish. I love that movie.

00:31:46.170 --> 00:31:47.950
There's so many great lines in that movie too.

00:31:48.269 --> 00:31:51.049
Oh, the kids love the, Oh no, not the chili.

00:31:51.809 --> 00:31:56.750
Yes. Oh, come on, man. Have a heart. Let me just

00:31:56.750 --> 00:32:02.059
leave it. Well, there you have it, folks. Side

00:32:02.059 --> 00:32:05.740
A of our 80s movie soundtrack songs playlist.

00:32:06.279 --> 00:32:08.980
Kicking things off with Stan Bush, The Touch

00:32:08.980 --> 00:32:11.940
from Transformers, the movie. Kenny Loggins,

00:32:12.019 --> 00:32:15.400
Danger Zone from Top Gun. Sammy Hagar, Winner

00:32:15.400 --> 00:32:18.559
Takes It All from Over the Top. Lou Gramm, Lost

00:32:18.559 --> 00:32:21.720
in the Shadows from Lost Boys. Huey Lewis in

00:32:21.720 --> 00:32:24.059
the News, The Power of Love from Back to the

00:32:24.059 --> 00:32:27.579
Future. Robert Tepper, No Easy Way Out from Rocky

00:32:27.579 --> 00:32:31.140
IV. the bangles hazy shade of winter from less

00:32:31.140 --> 00:32:34.079
than zero john cafferty and the beaver brown

00:32:34.079 --> 00:32:36.799
band on the dark side from eddie and the cruisers

00:32:36.799 --> 00:32:39.720
glenn fray the heat is on from beverly hills

00:32:39.720 --> 00:32:43.859
cop and honeymoon suite what does it take from

00:32:43.859 --> 00:32:47.059
one crazy summer head over to my weekly mixtape

00:32:47.059 --> 00:32:49.619
.com to hear all the songs we've discussed in

00:32:49.619 --> 00:32:52.710
this mix through the playlist embedded on the

00:32:52.710 --> 00:32:55.150
episode page. Now, Gomez, I know we're still

00:32:55.150 --> 00:32:57.089
only at the halfway point, but I'm just going

00:32:57.089 --> 00:32:59.069
to go ahead and put this out there in the universe.

00:32:59.609 --> 00:33:03.329
I think we're well underway of creating a mixtape

00:33:03.329 --> 00:33:08.089
that's better than any of our 80s movie playlists

00:33:08.089 --> 00:33:11.490
from the Playlist Wars episode. This one is purifier

00:33:11.490 --> 00:33:13.829
so far. I mean, you start off with Stan Bush.

00:33:13.950 --> 00:33:15.750
You go to Kenny Loggins, Sammy Hagar. You know,

00:33:15.849 --> 00:33:19.279
I'm looking at the list right now. And that side

00:33:19.279 --> 00:33:23.480
A is a kick -ass side A. Now, what's funny is,

00:33:23.519 --> 00:33:26.619
notice we didn't put one thing in there. A ballad.

00:33:26.740 --> 00:33:31.160
Well, Honeymoon Suite is slightly slower. It's

00:33:31.160 --> 00:33:33.960
mid -tempo. We've got all of side B, though.

00:33:34.039 --> 00:33:36.140
Yeah, that's true. Side B should be very interesting

00:33:36.140 --> 00:33:41.160
because I still have so many songs to list here.

00:33:41.279 --> 00:33:44.609
I can't wait. Well, before we start, Side B Gomez,

00:33:44.789 --> 00:33:46.509
why don't you tell listeners a little bit about

00:33:46.509 --> 00:33:49.410
your new podcast, The Sleavy G Show. So, Sleavy

00:33:49.410 --> 00:33:51.650
G Show, it's a fun -loving show. It's jam -packed

00:33:51.650 --> 00:33:54.289
with a lot of things. First episode, of course,

00:33:54.369 --> 00:33:57.390
was my partner in crime here, Brian. And then

00:33:57.390 --> 00:33:59.910
right now I'm up to episode 10, so I hit the

00:33:59.910 --> 00:34:03.509
double digits. You know, it's been very honoring

00:34:03.509 --> 00:34:05.809
and humbling for some of the special guests that

00:34:05.809 --> 00:34:09.070
I've had. I had a two -time Emmy winner, Christina

00:34:09.070 --> 00:34:12.219
Barron. Carrie DeFalco with Karis Kuchina on

00:34:12.219 --> 00:34:14.199
YouTube. She's the only one that I know that

00:34:14.199 --> 00:34:18.500
has an Emmy nod on YouTube. I had Don Smith on.

00:34:19.099 --> 00:34:20.880
I'm going to have a couple other special guests.

00:34:20.980 --> 00:34:22.920
I had Mike Cam from Greetings from the Garden

00:34:22.920 --> 00:34:26.139
State Podcast. It's been going so awesome. Like,

00:34:26.139 --> 00:34:27.739
everyone's like, wow, this is not an interview.

00:34:27.860 --> 00:34:31.460
It's a legit conversation. Talking about anything,

00:34:31.659 --> 00:34:33.780
really. Restaurants. We're talking about video

00:34:33.780 --> 00:34:36.480
games. We're talking about movies. Some sports

00:34:36.480 --> 00:34:40.110
we got going on. entertainment news. It's a little

00:34:40.110 --> 00:34:43.289
bit of everything that I love. I'm actually blogging

00:34:43.289 --> 00:34:48.570
too on sleevygpodcast .com. I've also been blogging

00:34:48.570 --> 00:34:51.949
some of my personal work. I'll be releasing new

00:34:51.949 --> 00:34:54.349
material every week or every two weeks on the

00:34:54.349 --> 00:34:57.570
blog and on the playlist, on the playlist, on

00:34:57.570 --> 00:35:00.170
the podcast. Try to do every week. I do have

00:35:00.170 --> 00:35:02.389
a new show almost every week. I've got some interesting

00:35:02.389 --> 00:35:05.389
people coming on. One thing I've learned so far

00:35:05.389 --> 00:35:08.949
on my own. is the thinking you have to put towards

00:35:08.949 --> 00:35:13.969
the show, which I didn't realize until I did

00:35:13.969 --> 00:35:17.030
Sleepy G. As you were more of the creative thinker

00:35:17.030 --> 00:35:19.150
when we did Playlist Wars, you had all these

00:35:19.150 --> 00:35:22.210
ideas. I chimed in with some ideas, but you had

00:35:22.210 --> 00:35:24.769
the creative thinking. Now I have to do the creative

00:35:24.769 --> 00:35:27.630
thinking, which is a different thing for me.

00:35:28.150 --> 00:35:31.210
And luckily, as you helped me along the way,

00:35:31.309 --> 00:35:34.679
grooming me into a better podcaster from Episode

00:35:34.679 --> 00:35:37.559
one to episode, wherever we ended on the hiatus

00:35:37.559 --> 00:35:40.820
until now, I feel like I've grown more comfortable

00:35:40.820 --> 00:35:44.460
being who I am and to really speak more freely

00:35:44.460 --> 00:35:48.340
in my show. And I think it's been really a great

00:35:48.340 --> 00:35:50.619
thing because when we go back to playlist wars,

00:35:50.760 --> 00:35:52.960
it'd be like, boom, we're, we're back at it.

00:35:53.000 --> 00:35:55.159
Like here we are today. We're back at, we're,

00:35:55.159 --> 00:35:59.500
we're having fun. So sleepy G podcast .com also

00:35:59.500 --> 00:36:03.110
on Twitter at sleepy G underscore 79. instagram

00:36:03.110 --> 00:36:06.769
is sleepy g find me on youtube sleepy g show

00:36:06.769 --> 00:36:10.710
facebook under ando gomez so it's been a pleasure

00:36:10.710 --> 00:36:13.409
and you know and i gotta thank you and everybody

00:36:13.409 --> 00:36:15.489
who's been helping me along the way oh can't

00:36:15.489 --> 00:36:18.769
forget tt man space castle for the logo oh yeah

00:36:18.769 --> 00:36:21.070
it's awesome it's awesome the show is great anyone

00:36:21.070 --> 00:36:23.789
who's listened to playlist wars knows that gomez

00:36:23.789 --> 00:36:26.449
likes a lot more than music and this is a chance

00:36:26.449 --> 00:36:30.130
for in the Playlist Wars extended universe, if

00:36:30.130 --> 00:36:32.309
you will, the way you and I lovingly refer to

00:36:32.309 --> 00:36:35.449
my weekly mixtape and the Sleavy G Show. If you

00:36:35.449 --> 00:36:37.829
enjoy what Gomez does on Playlist Wars, he's

00:36:37.829 --> 00:36:39.650
taking that to the next level on the Sleavy G

00:36:39.650 --> 00:36:42.130
Show because the constraints of Playlist Wars

00:36:42.130 --> 00:36:44.869
doesn't kind of permit the free -flowing conversation

00:36:44.869 --> 00:36:47.969
that you have on that show. And I'm glad you're

00:36:47.969 --> 00:36:49.789
able to do that and kind of branch out and do

00:36:49.789 --> 00:36:52.340
other things so that way... When Playlist Wars

00:36:52.340 --> 00:36:54.920
comes back from hiatus, we can kind of dive back

00:36:54.920 --> 00:36:57.780
into what we're known to do there. But we still

00:36:57.780 --> 00:37:00.659
have these respective outlets as well. And on

00:37:00.659 --> 00:37:02.360
top of that, I got to record my own show. Oh,

00:37:03.039 --> 00:37:04.820
see, there you go. So you're just warming your

00:37:04.820 --> 00:37:08.579
voice up. Yeah, exactly. All right. So we're

00:37:08.579 --> 00:37:11.320
going to start off side B now and I get to kick

00:37:11.320 --> 00:37:14.320
things off and kicking off side B. I'm going

00:37:14.320 --> 00:37:16.340
to go with one of the first soundtracks that

00:37:16.340 --> 00:37:20.219
I had growing up as a kid and a song that to

00:37:20.219 --> 00:37:23.710
me. Is one of the pinnacles of 80s soundtracks.

00:37:24.530 --> 00:37:26.050
And I'm not even going to say the name of the

00:37:26.050 --> 00:37:28.070
song. I'm just going to say dearly beloved. We

00:37:28.070 --> 00:37:30.010
are gathered here today to get through this thing

00:37:30.010 --> 00:37:34.789
called life. And I am going off of 1984's Purple

00:37:34.789 --> 00:37:38.190
Rain. And I am going with Prince. Let's go crazy.

00:37:38.389 --> 00:37:40.829
A lot of people chimed in with stuff from this.

00:37:40.869 --> 00:37:44.010
I could have easily went with. Let's cry. I could

00:37:44.010 --> 00:37:47.389
have closed side A with the title track Purple

00:37:47.389 --> 00:37:51.610
Rain. But let's go crazy is a perfect. Side starter.

00:37:51.809 --> 00:37:53.369
And I was about to jump in and you say, hey,

00:37:53.429 --> 00:37:55.710
Sing 2 did that already. You can't use that.

00:37:55.730 --> 00:37:59.789
It was later in the years. Yeah, this one to

00:37:59.789 --> 00:38:02.530
me, I mean, it's everything I love about Prince.

00:38:02.769 --> 00:38:06.460
It's the. flamboyant bombastic nature that he

00:38:06.460 --> 00:38:09.260
is it's the energy of the opening of the song

00:38:09.260 --> 00:38:12.699
it's that ridiculous guitar solo at the end it

00:38:12.699 --> 00:38:15.139
is everything you love about prince in one song

00:38:15.139 --> 00:38:18.119
it's funky it's rocking it's upbeat and it's

00:38:18.119 --> 00:38:20.519
guitar pyrotechnics it's everything i love about

00:38:20.519 --> 00:38:23.880
prince in one song kicking off side b with prince

00:38:23.880 --> 00:38:26.699
let's go crazy from purple rain dude that's a

00:38:26.699 --> 00:38:29.320
great great pick i would have probably went with

00:38:29.320 --> 00:38:32.219
when doves cry because that song personally i

00:38:32.219 --> 00:38:34.360
i just love the beat to that song and everything

00:38:34.360 --> 00:38:36.320
about it. But Let's Go Crazy is another great

00:38:36.320 --> 00:38:38.840
song. But when you have two kids and you hear

00:38:38.840 --> 00:38:41.599
it and sing two a lot, it starts to drive you

00:38:41.599 --> 00:38:44.920
a little crazy. Especially when your one kid

00:38:44.920 --> 00:38:47.460
likes Johnny a lot and all you do is all the

00:38:47.460 --> 00:38:50.079
songs are Johnny and that song has to play full

00:38:50.079 --> 00:38:55.260
length. Yes, yes. So coming out of that. Man.

00:38:56.500 --> 00:39:00.360
This is a hard one. But I think I got a good

00:39:00.360 --> 00:39:04.070
one. I'm going to have to go with It was in two

00:39:04.070 --> 00:39:07.869
great 80s movies. Well, maybe one wasn't as great

00:39:07.869 --> 00:39:11.429
as the other. One was Short Circuit and the other

00:39:11.429 --> 00:39:13.590
movie was Footloose. So I got a two for one deal

00:39:13.590 --> 00:39:16.650
on this song. Okay. Bonnie Tyler holding out

00:39:16.650 --> 00:39:19.190
for a hero. I'll tell you, this song has a good

00:39:19.190 --> 00:39:22.269
resonation for me on this. Just love the song.

00:39:22.309 --> 00:39:23.550
You know what I mean? It's just one of those,

00:39:23.650 --> 00:39:26.630
you hear the harmonies, you know, and when you're

00:39:26.630 --> 00:39:29.710
thinking Footloose, you're thinking of the tractor.

00:39:30.409 --> 00:39:34.789
chicken race with kevin bacon come on that's

00:39:34.789 --> 00:39:36.489
an ultimate thing and then you see johnny five

00:39:36.489 --> 00:39:39.130
trying to survive and you're hearing the song

00:39:39.130 --> 00:39:42.130
as he's holding on a pickup truck hearing the

00:39:42.130 --> 00:39:45.690
song when he's trying to kill not kill but hurt

00:39:45.690 --> 00:39:48.489
the bad guys from stealing uh the diamonds so

00:39:48.489 --> 00:39:51.030
i got a two for one movie on this one but more

00:39:51.030 --> 00:39:52.869
resonated with footloose because probably some

00:39:52.869 --> 00:39:56.309
people never like short sir but yeah bonnie tyler

00:39:56.309 --> 00:39:58.030
holding out for a hero from the footloose soundtrack

00:39:58.670 --> 00:40:00.869
And Short Circuit. So you got a two for one there.

00:40:00.869 --> 00:40:03.869
I like what you're doing there. I had Who's Johnny

00:40:03.869 --> 00:40:06.630
on my list from Short Circuit. So you're actually

00:40:06.630 --> 00:40:10.190
killing off two movies here with Footloose as

00:40:10.190 --> 00:40:12.150
well, which is fine. It happens. It happens.

00:40:12.250 --> 00:40:15.289
It happens. That's a great song. And I think

00:40:15.289 --> 00:40:16.989
I know where I'm going to follow that up. All

00:40:16.989 --> 00:40:19.230
right. I'm ready for it. Let's go. And it's a

00:40:19.230 --> 00:40:23.039
cover song. Of course it is. Yeah. It was originally

00:40:23.039 --> 00:40:26.440
recorded in 1984 by Frankie and the Knockouts

00:40:26.440 --> 00:40:30.019
for their album Making the Point. Nobody knew

00:40:30.019 --> 00:40:35.099
about it. And I'm saying nobody because I didn't

00:40:35.099 --> 00:40:37.179
even know this was a cover song until I looked

00:40:37.179 --> 00:40:39.139
it up. Okay, neither did I. And I know my cover

00:40:39.139 --> 00:40:41.960
song. So I learned this fact as I was researching

00:40:41.960 --> 00:40:45.519
this song. I'm going to go to 1987's Dirty Dancing.

00:40:46.199 --> 00:40:49.280
All right? And I'm going to go with Eric Carman

00:40:49.280 --> 00:40:53.619
from the Raspberries. Hungry Eyes. Yes. I love

00:40:53.619 --> 00:40:57.380
the song. It's pure 80s. I get it. It's dirty

00:40:57.380 --> 00:40:59.519
dancing. I know most people are going to say,

00:40:59.579 --> 00:41:02.139
why aren't you going with I've Had the Time of

00:41:02.139 --> 00:41:04.940
My Life? Because Hungry Eyes, in my opinion,

00:41:04.960 --> 00:41:07.079
is a better song. And coming out of Bonnie Tyler,

00:41:07.420 --> 00:41:09.539
I feel like it actually works. Yeah, it does.

00:41:09.719 --> 00:41:11.940
I feel like it works in this mix here. And you

00:41:11.940 --> 00:41:13.860
know what? That's a great soundtrack. Yes. Why

00:41:13.860 --> 00:41:16.320
didn't we pick the most popular one of the Dirty

00:41:16.320 --> 00:41:18.639
Dancing? It's simple. It's our soundtrack here.

00:41:19.139 --> 00:41:22.539
No. But there's other great songs. You're going

00:41:22.539 --> 00:41:25.199
to laugh at me when I said I actually had a soundtrack

00:41:25.199 --> 00:41:29.280
from Dirty Dancing. But I went with Patrick Swayze's

00:41:29.280 --> 00:41:31.920
She's Like the Wind. Okay. I actually like the

00:41:31.920 --> 00:41:34.159
way he sings that song. He had a good voice.

00:41:34.360 --> 00:41:36.619
I can't even remember this. Some of these 80s

00:41:36.619 --> 00:41:40.719
actors, Don Johnson, Patrick Swayze, Bruce Willis,

00:41:40.719 --> 00:41:43.420
actually. Yeah, Bruce Willis had a whole album.

00:41:43.440 --> 00:41:46.059
He did. These guys actually had. Good singing

00:41:46.059 --> 00:41:48.440
voices. I'll even say David Hasselhoff, he's

00:41:48.440 --> 00:41:50.659
bigger in Germany than he is in the U .S. But

00:41:50.659 --> 00:41:54.800
these guys had really good, not just acting voices,

00:41:54.820 --> 00:41:58.119
they were actually legit singers. Matter of fact,

00:41:58.280 --> 00:42:01.880
Tom Cruise even has a decent voice. We all heard

00:42:01.880 --> 00:42:03.920
it in Rock of Ages. I mean, granted, not the

00:42:03.920 --> 00:42:06.119
greatest movie, but we did hear him actually

00:42:06.119 --> 00:42:09.599
belt out some lyrics in that movie. So that's

00:42:09.599 --> 00:42:12.460
a great pick, dude. All right, so you now have

00:42:12.460 --> 00:42:14.900
to follow up Let's Go Crazy, Holding Out for

00:42:14.900 --> 00:42:18.440
a Hero, and Hungry Eyes. So now you gave me a

00:42:18.440 --> 00:42:21.960
little, now more wiggle room on this next song.

00:42:22.059 --> 00:42:27.940
And it is the 1989 John Cusack movie, Say Anything.

00:42:28.820 --> 00:42:31.679
And I'm going to go with Peter Gabriel's In Your

00:42:31.679 --> 00:42:34.960
Eyes. It's just a fantastic song. First of all,

00:42:35.000 --> 00:42:37.739
I would be that guy with the damn boombox on

00:42:37.739 --> 00:42:41.170
my head. trying to get the girl outside my well

00:42:41.170 --> 00:42:45.110
at that time was a mercury tracer getting to

00:42:45.110 --> 00:42:47.449
serenade the girl to come out and say hi to me

00:42:47.449 --> 00:42:50.170
you know but didn't work in the 90s i guess it

00:42:50.170 --> 00:42:53.349
was an 80 thing damn you john cusack the song

00:42:53.349 --> 00:42:55.289
first of all peter graveyard talented singer

00:42:55.289 --> 00:42:59.070
the song in your eyes is just perfect it's not

00:42:59.070 --> 00:43:01.090
i don't know if i would call it a huge power

00:43:01.090 --> 00:43:02.769
ballot i call it a ballot but i don't know if

00:43:02.769 --> 00:43:05.949
our ballot but it's just got something in that

00:43:05.949 --> 00:43:08.909
song The way he sings the song, the way the instruments

00:43:08.909 --> 00:43:11.329
play, it's just perfect. So I think it just goes

00:43:11.329 --> 00:43:13.690
well with how we're swinging here. Peter Gabriel,

00:43:13.909 --> 00:43:15.489
In Your Eyes from the Say Anything soundtrack.

00:43:16.510 --> 00:43:19.409
Love the song. Love the movie. It's an iconic

00:43:19.409 --> 00:43:22.570
scene from the 80s. It's one of the most memorable

00:43:22.570 --> 00:43:26.090
scenes when he's holding the boombox up over

00:43:26.090 --> 00:43:28.250
his head. And I'm going to go, I'm going to follow

00:43:28.250 --> 00:43:33.929
up your pick with the song that I think was on

00:43:33.929 --> 00:43:37.619
John Cusack's tape next. Okay. after in your

00:43:37.619 --> 00:43:41.960
eyes played on his boombox i'm all right no no

00:43:41.960 --> 00:43:44.880
no i i i think that if he let the tape continue

00:43:44.880 --> 00:43:49.739
playing the opening to holiday road by lindsey

00:43:49.739 --> 00:43:53.760
buckingham would have been next on the mix and

00:43:53.760 --> 00:43:55.739
just because i could not think of a better way

00:43:55.739 --> 00:43:59.739
to shoehorn this song in but i love this song

00:43:59.739 --> 00:44:02.119
when it comes to 80s soundtracks the song only

00:44:02.119 --> 00:44:05.869
has 23 words in it for christ's sake And did

00:44:05.869 --> 00:44:09.989
you know that Howard Ramis asked Lindsey Buckingham

00:44:09.989 --> 00:44:12.510
to record this song? Really? And he said, make

00:44:12.510 --> 00:44:15.809
it fun, make it goofy. And Lindsey Buckingham

00:44:15.809 --> 00:44:18.250
triggered the sounds of the dog barking at the

00:44:18.250 --> 00:44:22.010
end of the song, having not seen the movie. No

00:44:22.010 --> 00:44:25.510
way. So he had no idea about the dog scene, but

00:44:25.510 --> 00:44:27.650
it was like when Howard Ramis heard it, he's

00:44:27.650 --> 00:44:29.369
like, that's perfect. He had no idea. And he

00:44:29.369 --> 00:44:32.269
put that in the song. I love the song. It's upbeat.

00:44:32.369 --> 00:44:35.400
It's happy. The Aquabats do a fantastic cover

00:44:35.400 --> 00:44:39.119
of it if you like ska punk. I know coming out

00:44:39.119 --> 00:44:41.280
of In Your Eyes, it's a total left turn, but

00:44:41.280 --> 00:44:43.380
I just thought it was a funny thought. Like,

00:44:43.380 --> 00:44:46.599
wow, what would be the next song on that cassette

00:44:46.599 --> 00:44:49.679
for John Cusack? And if Holiday Road started

00:44:49.679 --> 00:44:51.500
playing, Say Anything would have ended a whole

00:44:51.500 --> 00:44:56.139
different way. Oh, yeah. Without a doubt, without

00:44:56.139 --> 00:45:00.019
a doubt. So now how are you going to follow that

00:45:00.019 --> 00:45:02.579
up? I'm going to follow up with a fun movie.

00:45:03.569 --> 00:45:05.329
We're going to do a treasure hunt, and you're

00:45:05.329 --> 00:45:08.090
wearing the shirt. We're going to put in Cyndi

00:45:08.090 --> 00:45:11.650
Lauper's Goonies Are Good Enough, 1985 The Goonies.

00:45:12.650 --> 00:45:14.929
I'm going to tell you, you can't say anything

00:45:14.929 --> 00:45:16.929
wrong with Cyndi Lauper because she came out

00:45:16.929 --> 00:45:19.210
with such a great song, and it's in the beginning

00:45:19.210 --> 00:45:23.409
of the movie where Mikey's mom and Rosalita are

00:45:23.409 --> 00:45:26.489
coming in, and Brandon is all tied up, and they're

00:45:26.489 --> 00:45:29.369
all running away to go find this treasure. You

00:45:29.369 --> 00:45:31.969
know, One -Eyed Willie. That's a bad name, but

00:45:31.969 --> 00:45:35.550
One -Eyed Willie. enhance joke now everybody

00:45:35.550 --> 00:45:39.269
out who's listening to this and um it was just

00:45:39.269 --> 00:45:41.030
a clever song for the soundtrack too you know

00:45:41.030 --> 00:45:43.550
what i mean i'll tell you right now it was a

00:45:43.550 --> 00:45:46.610
misleading song to open the movie because you

00:45:46.610 --> 00:45:49.610
think you're getting this family comedy whatever

00:45:49.610 --> 00:45:52.349
you want to call it your friend's comedy and

00:45:52.349 --> 00:45:55.789
it really opened up with this really light 80s

00:45:55.789 --> 00:45:58.500
kids comedy And then it got to the adventure

00:45:58.500 --> 00:46:01.119
part of it. And it really became the movie that

00:46:01.119 --> 00:46:03.420
we all fell in love with. And I think that opening

00:46:03.420 --> 00:46:06.179
was kind of a perfect way to start the movie

00:46:06.179 --> 00:46:09.760
because it gives you this illusion of who they

00:46:09.760 --> 00:46:13.719
are before this adventure. And I love the song.

00:46:13.800 --> 00:46:17.099
I love the pick. Yeah, the Goonies are good enough,

00:46:17.219 --> 00:46:20.579
damn it. Yes, they are. So here we are at track

00:46:20.579 --> 00:46:26.250
seven. And. On side A at track six, I did my

00:46:26.250 --> 00:46:28.989
montage. I feel like side B needs a montage as

00:46:28.989 --> 00:46:34.150
well. So I'm going to go back to 1984 and I'm

00:46:34.150 --> 00:46:37.429
going to montage the hell out of this side with

00:46:37.429 --> 00:46:41.210
Joe Esposito. You're the best from the Karate

00:46:41.210 --> 00:46:44.730
Kid soundtrack. Because when you do a montage,

00:46:44.829 --> 00:46:47.110
you need to do it right. And there were no better

00:46:47.110 --> 00:46:50.489
montages in the 1980s than Robert Tepper's No

00:46:50.489 --> 00:46:53.150
Easy Way Out and Joe Esposito's You're the Best

00:46:53.150 --> 00:46:57.650
from The Karate Kid. Come on. I mean, Cobra Kai

00:46:57.650 --> 00:47:00.590
is as massive as it is now because of all of

00:47:00.590 --> 00:47:04.610
our age group loving this movie so much. And

00:47:04.610 --> 00:47:07.869
I know I'm stealing a song from you because I

00:47:07.869 --> 00:47:09.590
know it's from The Karate Kid, too. I'm guessing.

00:47:09.710 --> 00:47:11.510
I'm guessing. You know what? I didn't pick anything

00:47:11.510 --> 00:47:13.440
from The Karate Kid. You went with part two.

00:47:13.480 --> 00:47:15.199
No, I did not. I didn't pick anything. You didn't?

00:47:15.199 --> 00:47:16.780
I didn't pick anything from Karate Kid, to be

00:47:16.780 --> 00:47:19.800
honest with you. Wow. Why? Because we're going

00:47:19.800 --> 00:47:22.340
to be doing movie montage. I don't think it's

00:47:22.340 --> 00:47:24.599
better than Joe Esposito, but it's up there when

00:47:24.599 --> 00:47:27.539
it comes to memorable movies. But we'll get to

00:47:27.539 --> 00:47:30.500
that when I explain. I love your pick. First

00:47:30.500 --> 00:47:33.559
of all, the song is awesome. You see him, Ralph

00:47:33.559 --> 00:47:36.940
Macho, Daniel LaRusso, picking everyone's butt,

00:47:37.059 --> 00:47:39.989
you know, in Cobra Kai. You know, you get to

00:47:39.989 --> 00:47:42.110
the final step, you know what I mean? And to

00:47:42.110 --> 00:47:45.010
the championship. So that's a great pick. It

00:47:45.010 --> 00:47:47.829
teetered in my list, but I didn't pick it. I

00:47:47.829 --> 00:47:49.969
mean, look, he beat Lamar from Revenge of the

00:47:49.969 --> 00:47:53.230
Nerds. You underestimate that Lamar went on.

00:47:53.929 --> 00:47:56.429
To somehow go back in time and do karate after

00:47:56.429 --> 00:47:58.710
Revenge of the Nerds in college. Especially with

00:47:58.710 --> 00:48:03.530
his throwing style. Yes. But he turned it into

00:48:03.530 --> 00:48:06.150
being a karate tournament. And he could have

00:48:06.150 --> 00:48:08.469
beat Daniel LaRusso. Imagine if the movie ended

00:48:08.469 --> 00:48:10.289
that way and Lamar beat him and the movie just

00:48:10.289 --> 00:48:12.250
ended. How would that have been? That would have

00:48:12.250 --> 00:48:15.849
been bad. And another thing I love about this

00:48:15.849 --> 00:48:18.389
song, it always followed up No Easy Way Out on

00:48:18.389 --> 00:48:23.219
Coach Purcell's workout tape. Gomez. You have

00:48:23.219 --> 00:48:25.820
two songs left. I have one song left. What are

00:48:25.820 --> 00:48:27.920
you following up? You're the best. All right.

00:48:27.960 --> 00:48:30.639
So I thought long and hard. Now we're talking

00:48:30.639 --> 00:48:32.960
about this. We're talking movie montage. I'm

00:48:32.960 --> 00:48:34.420
going to throw another one up in there for you.

00:48:35.039 --> 00:48:38.840
And it's one of my personal favorites. And when

00:48:38.840 --> 00:48:41.739
I mean personal, I pretty much imitated my childhood

00:48:41.739 --> 00:48:46.380
off this movie. It is the 1986 blockbuster Matthew

00:48:46.380 --> 00:48:50.489
Broderick movie, Ferris Bueller's Days Off. And

00:48:50.489 --> 00:48:54.369
the song is the flower pop men beat city. It's

00:48:54.369 --> 00:48:56.670
when he steals the Ferrari, when he takes the

00:48:56.670 --> 00:49:00.550
Ferrari and you hear the song, something about

00:49:00.550 --> 00:49:03.789
this song in the guitar play, it just works so

00:49:03.789 --> 00:49:08.590
well. I highly recommend it. I love that movie

00:49:08.590 --> 00:49:11.389
to death. And in the song where they're saying,

00:49:11.469 --> 00:49:14.210
when you hear the engine roaring, that's actually

00:49:14.210 --> 00:49:17.650
the song, not the car. So it was kind of cool

00:49:17.650 --> 00:49:22.019
to hear it. flowerpot man beat city is just another

00:49:22.019 --> 00:49:25.159
great montage of them driving the car i'll only

00:49:25.159 --> 00:49:28.079
respond to that by using another song from the

00:49:28.079 --> 00:49:30.699
ferris bueller soundtrack and i'll just say oh

00:49:30.699 --> 00:49:35.940
yeah this movie i mean i love this movie though

00:49:35.940 --> 00:49:38.320
the death i really imitated my childhood a little

00:49:38.320 --> 00:49:41.880
bit off this movie Oh, who didn't? I mean, come

00:49:41.880 --> 00:49:44.840
on. Whenever you wanted a call out, who had a

00:49:44.840 --> 00:49:47.179
keyboard that had all the coughing noises? Like

00:49:47.179 --> 00:49:48.699
I used to have the one where you could record

00:49:48.699 --> 00:49:51.480
your voice and I never got it to sound as good

00:49:51.480 --> 00:49:53.440
as Matthew Broderick's did. His was much better.

00:49:53.519 --> 00:49:56.460
Mine was a smaller hand sized keyboard. He had

00:49:56.460 --> 00:49:59.500
the full with the disc drive in it. So he got

00:49:59.500 --> 00:50:03.119
the full. If I tried to do that in the 80s and

00:50:03.119 --> 00:50:04.800
push the phone button, it might have been like.

00:50:05.859 --> 00:50:07.739
And I would have never gotten out of school.

00:50:07.840 --> 00:50:09.360
No, you would have definitely sounded like Cartman

00:50:09.360 --> 00:50:14.320
from South Park, though. Yes. All right. Well,

00:50:14.380 --> 00:50:19.199
we are down to one song each. And I am going

00:50:19.199 --> 00:50:24.000
to close my night with a cover song that is extremely

00:50:24.000 --> 00:50:27.000
special to me. It's from one of my favorite movies.

00:50:27.900 --> 00:50:31.820
And it is the song that my wife and I came into.

00:50:32.559 --> 00:50:35.219
Being announced as husband and wife for the first

00:50:35.219 --> 00:50:39.679
time ever. And everybody in our wedding party

00:50:39.679 --> 00:50:42.980
all had black hats and sunglasses on. And then

00:50:42.980 --> 00:50:45.480
when Katie and I came down, we had our black

00:50:45.480 --> 00:50:48.139
hats and sunglasses on. And that would be 1980s

00:50:48.139 --> 00:50:51.460
Blues Brothers. And the song, Everybody Needs

00:50:51.460 --> 00:50:55.460
Somebody to Love. To me, you can't talk about

00:50:55.460 --> 00:50:59.539
a 1980s soundtrack episode without bringing up

00:50:59.539 --> 00:51:02.389
the Blues Brothers. I could have picked. anything

00:51:02.389 --> 00:51:05.230
from this soundtrack aretha franklin's thing

00:51:05.230 --> 00:51:07.889
yep even though she had recorded it earlier the

00:51:07.889 --> 00:51:09.849
version from the movie i like it was the best

00:51:09.849 --> 00:51:14.590
ray charles shake your tail feather perfect i

00:51:14.590 --> 00:51:17.309
could have did the theme from rawhide for christ's

00:51:17.309 --> 00:51:20.969
sakes but no i am going with everybody needs

00:51:20.969 --> 00:51:24.730
somebody to love somebody to love sorry so we

00:51:24.730 --> 00:51:27.969
don't miss i have to go to that one this song

00:51:27.969 --> 00:51:30.880
just means so much to me and It's the Blues Brothers.

00:51:31.179 --> 00:51:33.380
It is. So, of course. Actually, if I was doing

00:51:33.380 --> 00:51:35.780
the Blues Brothers, I'd actually shake a tail

00:51:35.780 --> 00:51:38.699
feather with Ray Charles, which I love that scene.

00:51:38.699 --> 00:51:41.000
Oh, it's a great one. It's awesome. Awesome.

00:51:41.059 --> 00:51:43.880
Also, Minnie the Moocher. There's not a bad song

00:51:43.880 --> 00:51:46.400
on that soundtrack. It's hit after hit after

00:51:46.400 --> 00:51:49.380
hit on that one. So, great pick. Great movie.

00:51:49.800 --> 00:51:53.000
You know, especially the scene for Rawhide. Let's

00:51:53.000 --> 00:51:54.780
give them something they really like. Rawhide.

00:51:55.340 --> 00:51:59.179
And they're all cheering. Play it again. Now,

00:51:59.199 --> 00:52:02.679
Gomez, you had the tough job of starting things

00:52:02.679 --> 00:52:06.340
off. Yes. And you did it in epic fashion with

00:52:06.340 --> 00:52:10.139
Stan Bush to touch to kick off Side A. We have

00:52:10.139 --> 00:52:13.639
been playing Chicken with a Train this whole

00:52:13.639 --> 00:52:17.820
episode. I know. And there's one song left. Yep.

00:52:18.340 --> 00:52:20.820
You're either going to make a lot of people very,

00:52:20.900 --> 00:52:24.659
very happy or very, very upset with this pick.

00:52:25.210 --> 00:52:27.510
What song are you closing the night out with?

00:52:27.510 --> 00:52:29.110
All right, so this was a really tough choice,

00:52:29.309 --> 00:52:31.130
but I'm going to have to go with Mannequin. No,

00:52:31.130 --> 00:52:36.010
I'm only kidding. No, I definitely, the song

00:52:36.010 --> 00:52:40.550
that we all know and love, and it's from the

00:52:40.550 --> 00:52:42.510
greatest movie, one of John Hughes' greatest

00:52:42.510 --> 00:52:44.690
movies. He's got a lot of great hits, Ferris

00:52:44.690 --> 00:52:47.590
Bueller, you know, all these great movies he

00:52:47.590 --> 00:52:50.030
has, but I'm going to go with his best one, The

00:52:50.030 --> 00:52:52.909
Breakfast Club, Simple Minds, Don't You Forget

00:52:52.909 --> 00:52:55.139
About Me. This is the best way I think to end

00:52:55.139 --> 00:52:57.679
this awesome soundtrack that we just did. I mean,

00:52:57.699 --> 00:53:01.980
this is probably the best work we've done together

00:53:01.980 --> 00:53:05.000
collaborating. I'll tell you, if this is a mixtape

00:53:05.000 --> 00:53:06.599
I'm listening to now, I'll be very damn proud

00:53:06.599 --> 00:53:09.139
of it. I'll tell you right now, and I love Chris

00:53:09.139 --> 00:53:12.119
to death, but I think the mix we came up with

00:53:12.119 --> 00:53:15.559
tonight tops all three Playlist Wars 80s soundtrack

00:53:15.559 --> 00:53:17.900
episodes. I feel like this is the perfect spectrum

00:53:17.900 --> 00:53:21.059
of what the 80s had to offer with music. I had

00:53:21.059 --> 00:53:25.079
two songs from... the breakfast club in my list

00:53:25.079 --> 00:53:27.179
i had simple minds don't you forget about me

00:53:27.179 --> 00:53:30.739
but i also had wang chung's fire in the twilight

00:53:30.739 --> 00:53:34.219
and i was damn near tempted on side a to put

00:53:34.219 --> 00:53:36.960
that in there would have been good but i knew

00:53:36.960 --> 00:53:39.119
the amount of hate mail you and i would both

00:53:39.119 --> 00:53:42.739
get for removing don't you forget about me from

00:53:42.739 --> 00:53:44.860
the equation i think would have been too much

00:53:44.860 --> 00:53:47.639
to have the email servers could not have handled

00:53:47.639 --> 00:53:52.699
it messages and instagram and twitter and youtube

00:53:52.699 --> 00:53:55.079
it would have been bad it would have been really

00:53:55.079 --> 00:53:59.659
bad it would have now gomez normally at this

00:53:59.659 --> 00:54:03.460
point i say why don't you tell people where you

00:54:03.460 --> 00:54:06.960
could find your show but we did playlist wars

00:54:06.960 --> 00:54:09.159
for a long time so i'm throwing a curveball in

00:54:09.159 --> 00:54:12.360
here and there's a little bit of extra space

00:54:12.360 --> 00:54:14.989
at this end of the side b So we're each going

00:54:14.989 --> 00:54:17.110
to get to pick one bonus song. Oh, nice, nice.

00:54:17.269 --> 00:54:20.050
Okay, cool. Because I feel like the 80s soundtracks,

00:54:20.050 --> 00:54:22.769
there's a lot. Now, these songs, I'll put out

00:54:22.769 --> 00:54:24.590
the end of the playlist. They're not official

00:54:24.590 --> 00:54:28.909
songs. But they're bonuses for us. But they're

00:54:28.909 --> 00:54:31.590
bonuses. A little bit of the hidden track at

00:54:31.590 --> 00:54:34.190
the end of a CD, if you will. And we each get

00:54:34.190 --> 00:54:36.369
to pick one. Gomez, what song are you going to

00:54:36.369 --> 00:54:40.469
do? This one I will go with Mannequin, the soundtrack.

00:54:40.949 --> 00:54:42.909
Jefferson Starship, Nothing's Going to Stop Us

00:54:42.909 --> 00:54:45.929
Now. Something every time I watch this with my

00:54:45.929 --> 00:54:49.150
wife, we both sing this song, even though we're

00:54:49.150 --> 00:54:50.650
not the greatest singers, but it's just fun.

00:54:51.070 --> 00:54:53.250
It just, you know, it's one of those songs that

00:54:53.250 --> 00:54:55.730
like how you had with your wife, the Blues Brothers.

00:54:56.090 --> 00:54:58.829
It's meaning. So it's really meaningful to me

00:54:58.829 --> 00:55:01.710
every time we hear this song. All right. And

00:55:01.710 --> 00:55:03.849
I am going to give my bonus song. I'm going to

00:55:03.849 --> 00:55:07.150
go back to 1984. And there's actually a cassette

00:55:07.150 --> 00:55:12.090
of me singing this song in 1984 in Hershey Park.

00:55:12.719 --> 00:55:15.780
at one of the karaoke booths and i was i think

00:55:15.780 --> 00:55:18.639
seven and in second grade and it was one of my

00:55:18.639 --> 00:55:20.320
favorite movies of all time it's still one of

00:55:20.320 --> 00:55:23.199
my favorite movies of all time and it's a little

00:55:23.199 --> 00:55:26.579
song by ray parker jr and it's the theme from

00:55:26.579 --> 00:55:30.119
ghostbusters that is my bonus song little honorable

00:55:30.119 --> 00:55:33.199
mention if you will yes that's a great pick too

00:55:33.199 --> 00:55:37.940
all right and side b officially For our 80s mixtape,

00:55:38.139 --> 00:55:40.960
kicked off with Prince, Let's Go Crazy from Purple

00:55:40.960 --> 00:55:43.980
Rain. Bonnie Tyler, Holding Out for a Hero from

00:55:43.980 --> 00:55:47.599
Short Circuit and Footloose. Eric Carman, Hungry

00:55:47.599 --> 00:55:50.800
Eyes from Dirty Dancing. Peter Gabriel, In Your

00:55:50.800 --> 00:55:54.300
Eyes from Say Anything. Lindsey Buckingham, Holiday

00:55:54.300 --> 00:55:57.460
Road from Vacation. Cyndi Lauper, The Goonies

00:55:57.460 --> 00:56:00.659
Are Good Enough from The Goonies. Joe Esposito,

00:56:00.820 --> 00:56:03.400
You're the Best from The Karate Kid. The Flower

00:56:03.400 --> 00:56:06.800
Pop Men, Beat City from Ferris Bueller. The Blues

00:56:06.800 --> 00:56:09.360
Brothers, Everybody Needs Somebody to Love from

00:56:09.360 --> 00:56:12.300
the movie The Blues Brothers. And Simple Minds,

00:56:12.300 --> 00:56:14.480
Don't You Forget About Me from The Breakfast

00:56:14.480 --> 00:56:17.480
Club. Make sure to head over to myweeklymixtape

00:56:17.480 --> 00:56:20.500
.com to hear all the songs we've discussed in

00:56:20.500 --> 00:56:23.380
this mix through the embedded playlist, as well

00:56:23.380 --> 00:56:25.980
as the two bonus songs, Nothing's Gonna Stop

00:56:25.980 --> 00:56:30.730
Us Now by Starship from Mannequin. And... Ray

00:56:30.730 --> 00:56:33.769
Parker Jr., Ghostbusters from Ghostbusters. Gomez,

00:56:33.929 --> 00:56:35.949
why don't you remind people where they can find

00:56:35.949 --> 00:56:39.210
the Sleavy G Show before we close up shop for

00:56:39.210 --> 00:56:40.730
the evening? So it's pretty easy. You can find

00:56:40.730 --> 00:56:44.590
me at SleavyGPodcast .com. Hook up to my link

00:56:44.590 --> 00:56:48.030
tree there. Or you can find me at Twitter on

00:56:48.030 --> 00:56:52.030
SleavyG underscore number 79. You can find me

00:56:52.030 --> 00:56:55.769
on Instagram, SleavyG or Alex Gomez. And you

00:56:55.769 --> 00:56:58.340
can find me on Facebook under Ando Gomez. Also,

00:56:58.400 --> 00:57:01.179
check me out on YouTube, SleepyG2. Do me a favor.

00:57:01.239 --> 00:57:03.340
Hit that subscribe button. I'm getting some awesome

00:57:03.340 --> 00:57:05.840
subscribers and great feedback. And also check

00:57:05.840 --> 00:57:08.420
out Brian2 on YouTube on my weekly mixtape. Hit

00:57:08.420 --> 00:57:10.559
that subscribe button for both of us. Leave us

00:57:10.559 --> 00:57:12.360
some comments. Leave some five stars for both

00:57:12.360 --> 00:57:14.539
of us because we always appreciate everyone leaving

00:57:14.539 --> 00:57:17.420
us the feedback. All right. Well, Gomez, this

00:57:17.420 --> 00:57:19.760
has been an absolute blast. Thank you so much.

00:57:19.760 --> 00:57:22.219
And I can't wait to do it again very, very soon.

00:57:22.340 --> 00:57:24.699
Can't wait, man. I'm looking forward to it. Remember,

00:57:24.739 --> 00:57:26.980
Mixtapers, you can find My Weekly Mixtape on

00:57:26.980 --> 00:57:29.900
Facebook, Twitter, Instagram, and TikTok at My

00:57:29.900 --> 00:57:32.920
Weekly Mixtape. You can also head to MyWeeklyMixtape

00:57:32.920 --> 00:57:35.739
.com to check out the full catalog of My Weekly

00:57:35.739 --> 00:57:38.320
Mixtape episodes. If you want to support the

00:57:38.320 --> 00:57:40.980
show, please consider becoming a Patreon Mixtape

00:57:40.980 --> 00:57:44.460
or a Patreon .com forward slash My Weekly Mixtape.

00:57:44.619 --> 00:57:46.820
That's all for this week. Thanks again for listening.

00:57:46.920 --> 00:57:48.980
Until next time, enjoy the tunes.