WEBVTT 00:00:00.000 --> 00:00:02.160 what's up everyone this is jason from it's not 00:00:02.160 --> 00:00:04.780 that bad and there can only be one in your listening 00:00:04.780 --> 00:00:08.439 to my weekly mixtape with brian colburn now on 00:00:08.439 --> 00:00:12.000 a show with no topic you would think that there 00:00:12.000 --> 00:00:14.800 should be no intro but i've recorded an intro 00:00:14.800 --> 00:00:17.719 i blew the assignment already enjoy the show 00:00:17.719 --> 00:00:31.660 everybody Welcome to my weekly mixtape, a podcast 00:00:31.660 --> 00:00:34.840 that takes the classic mixtape approach to building 00:00:34.840 --> 00:00:37.399 a modern playlist. I'm your host, Brian Colburn. 00:00:37.579 --> 00:00:40.700 Joining me once again as guest curator is Jason 00:00:40.700 --> 00:00:43.259 Whistle, host of the It's Not That Bad and There 00:00:43.259 --> 00:00:46.399 Can Only Be One podcast. Jason, welcome back 00:00:46.399 --> 00:00:50.140 to the show. I am super stoked for this one. 00:00:50.179 --> 00:00:52.240 When you were telling me the idea for this episode. 00:00:52.909 --> 00:00:55.189 It was one of those, ooh, it's not just you have 00:00:55.189 --> 00:00:58.429 to do the research. It's bring your entire deck. 00:00:58.609 --> 00:01:00.990 So if you picture people who used to play like 00:01:00.990 --> 00:01:02.969 Magic the Gathering or any other deck building 00:01:02.969 --> 00:01:05.049 games, this is when you bring out like the three 00:01:05.049 --> 00:01:07.450 stacks of cards because you know it's going to 00:01:07.450 --> 00:01:11.280 be all cards on the table on this one. One hundred 00:01:11.280 --> 00:01:14.280 percent. This is an episode I've always wanted 00:01:14.280 --> 00:01:17.180 to try. And first, I want to thank you for being 00:01:17.180 --> 00:01:20.079 the guinea pig test dummy control group, whatever 00:01:20.079 --> 00:01:23.180 you want to call it, because tonight our episode 00:01:23.180 --> 00:01:28.319 has no topic. So from a podcaster perspective, 00:01:28.640 --> 00:01:31.859 on one hand, you have literally no prep work 00:01:31.859 --> 00:01:35.299 for the show because it could be any song that 00:01:35.299 --> 00:01:37.299 you've ever heard of in the history of recorded 00:01:37.299 --> 00:01:41.060 music. But on the other hand. You and I have 00:01:41.060 --> 00:01:42.519 an issue because we're going to have to be on 00:01:42.519 --> 00:01:45.219 our feet tonight because there's never been a 00:01:45.219 --> 00:01:48.140 more spontaneous episode of My Weekly Mixtape 00:01:48.140 --> 00:01:50.959 before this one. And the funny thing is, too, 00:01:51.079 --> 00:01:53.760 there are times when you'll mention a band or 00:01:53.760 --> 00:01:57.040 I'll mention a band and we may not be as familiar 00:01:57.040 --> 00:01:59.079 with some of those bands. I know I've sprung 00:01:59.079 --> 00:02:01.420 the occasional Canadian band on you here and 00:02:01.420 --> 00:02:05.569 there, but it brings to the table. The possibility 00:02:05.569 --> 00:02:09.389 of a wide breadth of music from across all genres, 00:02:09.490 --> 00:02:11.469 because there's this meme that's out there where 00:02:11.469 --> 00:02:13.860 it's got like some guy in like total. straight 00:02:13.860 --> 00:02:16.780 up goth with the danzig type makeup on with the 00:02:16.780 --> 00:02:20.099 mohawk sitting beside an old lady on a park bench 00:02:20.099 --> 00:02:23.020 and go my spotify playlist summarized in one 00:02:23.020 --> 00:02:26.479 picture there's basically so many genres and 00:02:26.479 --> 00:02:28.400 so many different types of music that are available 00:02:28.400 --> 00:02:31.400 and if you listen to a wide breath you're going 00:02:31.400 --> 00:02:34.020 to have that ability to draw from different types 00:02:34.020 --> 00:02:36.419 and it could go in a very different direction 00:02:36.419 --> 00:02:37.860 from where you thought it was going to be at 00:02:37.860 --> 00:02:41.719 the start of the show yes the shackles are off 00:02:42.120 --> 00:02:45.020 In every sense of the word, this episode has 00:02:45.020 --> 00:02:48.240 no rules. If Jason wants to follow up my pick 00:02:48.240 --> 00:02:51.199 with the exact same band, so be it. If he wants 00:02:51.199 --> 00:02:53.919 to follow up with a cover version of the song 00:02:53.919 --> 00:02:56.979 I just mentioned, it's on. If he wants to literally 00:02:56.979 --> 00:02:59.680 pick a completely different song, if for nothing 00:02:59.680 --> 00:03:01.719 else, just to throw a wrench into the machine 00:03:01.719 --> 00:03:05.250 and see what happens. All bets are off. So this 00:03:05.250 --> 00:03:07.469 is going to be a lot of fun. I'll be curious 00:03:07.469 --> 00:03:10.629 to see if we can keep this musical train on the 00:03:10.629 --> 00:03:13.969 rails or if we crash and burn in epic fashion. 00:03:14.110 --> 00:03:16.889 So let's just get down to business and find out, 00:03:16.930 --> 00:03:19.270 shall we? Tonight, as I mentioned at the top 00:03:19.270 --> 00:03:21.930 of the show, Jason and I will be curating a no 00:03:21.930 --> 00:03:24.770 -topic mixtape. And due to the nature of this 00:03:24.770 --> 00:03:26.830 kind of episode, we're only going to be curating 00:03:26.830 --> 00:03:29.909 one side. Or let's just say we only had a 60 00:03:29.909 --> 00:03:32.729 -minute cassette. on our hands instead of the 00:03:32.729 --> 00:03:36.250 90 or 120. But Brian, who's going to start this 00:03:36.250 --> 00:03:38.710 episode? You might be thinking to yourself, well, 00:03:38.909 --> 00:03:41.990 we're going to flip a coin and the winner chooses 00:03:41.990 --> 00:03:46.110 first. That adds another layer of spontaneity 00:03:46.110 --> 00:03:48.689 to this episode because we can't even have an 00:03:48.689 --> 00:03:51.689 opening song ready. At that point, we will then 00:03:51.689 --> 00:03:54.310 flip flop choosing songs until we've mapped out 00:03:54.310 --> 00:03:58.129 a 10 song, no topic mix that Jason and I are 00:03:58.129 --> 00:04:00.520 going to try to have to name as well. I didn't 00:04:00.520 --> 00:04:06.240 tell you that part. Sorry. I'm here for it. We've 00:04:06.240 --> 00:04:08.400 got the football rules where we flip the coin 00:04:08.400 --> 00:04:10.099 and choose to kick or receive, I think, at that 00:04:10.099 --> 00:04:13.599 point. And the fact that the tape with no name 00:04:13.599 --> 00:04:18.139 must have a name at the end. So many permutations 00:04:18.139 --> 00:04:21.740 come to mind already without even a single song 00:04:21.740 --> 00:04:24.339 that comes out there. Yes, and the fact that 00:04:24.339 --> 00:04:25.740 people are going to have to know what to search 00:04:25.740 --> 00:04:28.199 for when they head over to MyWeeklyMixtape .com 00:04:28.199 --> 00:04:30.959 to listen to the songs we talked about in the 00:04:30.959 --> 00:04:33.480 playlist embedded on the episode page. If the 00:04:33.480 --> 00:04:36.139 episode page doesn't have a name, what happens 00:04:36.139 --> 00:04:39.720 then, you know? Finally, if you like what you're 00:04:39.720 --> 00:04:42.060 hearing on My Weekly Mixtape, you can help me 00:04:42.060 --> 00:04:43.899 out by either telling a friend about the show, 00:04:44.060 --> 00:04:46.259 leaving the show a five -star review wherever 00:04:46.259 --> 00:04:49.639 you're tuning in, or becoming a Patreon mixtaper 00:04:49.639 --> 00:04:53.480 at patreon .com forward slash. my weekly mixtape. 00:04:53.740 --> 00:04:56.220 And unfortunately, because there's no topic, 00:04:56.339 --> 00:04:58.819 I couldn't even ask the mixtapers to chime in 00:04:58.819 --> 00:05:01.180 on this one. Although now that I'm thinking about 00:05:01.180 --> 00:05:04.639 it, if I do this style of episode again, maybe 00:05:04.639 --> 00:05:06.980 the mixtapers can choose the opening track for 00:05:06.980 --> 00:05:11.800 us to bounce off of. So, hmm. But for now, drumroll 00:05:11.800 --> 00:05:14.500 please. Let's flip that coin. Jason, heads or 00:05:14.500 --> 00:05:18.220 tails? I'm going to call tails on this one. All 00:05:18.220 --> 00:05:24.220 right. Tails it is, sir. You are first pick of 00:05:24.220 --> 00:05:27.779 the night. What do you got? Okay. Since I get 00:05:27.779 --> 00:05:30.019 first pick, this is a band that I've been listening 00:05:30.019 --> 00:05:32.379 to a lot of lately. And I think I've mentioned 00:05:32.379 --> 00:05:35.040 this on Twitter slash X slash whatever the hell 00:05:35.040 --> 00:05:36.560 they want to call it these days. They should 00:05:36.560 --> 00:05:38.399 just pull the prints and just create a symbol 00:05:38.399 --> 00:05:41.980 and just call Twitter that at that point. But 00:05:41.980 --> 00:05:44.459 if you're taking a look at albums that were released. 00:05:44.910 --> 00:05:47.649 in 2023 and what is the best album. And I've 00:05:47.649 --> 00:05:49.310 already seen some of those, you know, halfway 00:05:49.310 --> 00:05:52.170 point of 2023, you know, this is the best album 00:05:52.170 --> 00:05:56.850 of the year lists. And every single one, every 00:05:56.850 --> 00:05:58.629 single one of those lists on any publication 00:05:58.629 --> 00:06:02.709 has failed to mention the self -titled release 00:06:02.709 --> 00:06:07.290 of Beyond the Black, the German symphonic metal 00:06:07.290 --> 00:06:10.790 band and their new album that came out in January. 00:06:10.870 --> 00:06:13.610 And I'm going to start with Dancing. In the Dark. 00:06:13.810 --> 00:06:16.769 This song, if you're trying to put this into 00:06:16.769 --> 00:06:18.689 perspective, or at least as far as a frame of 00:06:18.689 --> 00:06:23.709 reference goes, take the epic drum intro from 00:06:23.709 --> 00:06:26.430 Bon Jovi's Lay Your Hands Off Me off of New Jersey, 00:06:26.629 --> 00:06:30.910 throw in a chord progression that's going to 00:06:30.910 --> 00:06:33.790 make you think immediately of The Chain from 00:06:33.790 --> 00:06:38.149 Fleetwood Mac, and stunning, stunning vocals 00:06:38.149 --> 00:06:40.970 from lead singer Jennifer Hobben. If you happen 00:06:40.970 --> 00:06:45.189 to like symphonic metal you need to check out 00:06:45.189 --> 00:06:48.290 beyond the black so i'm going to start with a 00:06:48.290 --> 00:06:52.629 rising dancing in the dark all right well beyond 00:06:52.629 --> 00:06:55.470 the black dancing in the dark wasn't thinking 00:06:55.470 --> 00:06:57.129 you were going to go with something new so i 00:06:57.129 --> 00:07:00.230 respect going with a new choice for that now 00:07:00.230 --> 00:07:03.069 you weren't kidding the opening drum beat of 00:07:03.069 --> 00:07:07.029 dancing in the dark has a very lay your hands 00:07:07.029 --> 00:07:11.170 on me vibe by bon jovi and i'm half tempted to 00:07:11.519 --> 00:07:14.740 follow up that because of that opening drum beat. 00:07:14.860 --> 00:07:17.660 And while I'm fixated on that opening drum beat, 00:07:17.759 --> 00:07:21.319 a very, very similar drum progression opens The 00:07:21.319 --> 00:07:24.399 Lion, The Beast, and The Beat by Grace Potter. 00:07:24.779 --> 00:07:28.120 It's almost that rhythmic style in the opening 00:07:28.120 --> 00:07:32.860 of this song. This is harder than it looks, man. 00:07:32.959 --> 00:07:36.839 Let me tell you. But I actually think I know 00:07:36.839 --> 00:07:39.470 what I'm going to follow up with instead. I'm 00:07:39.470 --> 00:07:41.209 going to stick with the hard rock that you're 00:07:41.209 --> 00:07:43.170 going here, because obviously when we go hard 00:07:43.170 --> 00:07:45.970 rock, I'm all in on it. But I'm going to stick 00:07:45.970 --> 00:07:49.250 with the dark theme and I'm going to bring in 00:07:49.250 --> 00:07:53.230 who bestank crawling in the dark from their self 00:07:53.230 --> 00:07:57.689 -titled album. Oh, nice. Thank you. Where beyond 00:07:57.689 --> 00:08:00.509 the black dancing in the dark has this almost 00:08:00.509 --> 00:08:04.050 gothic sound to it. I wanted to balance it out 00:08:04.050 --> 00:08:06.910 with something a little bit faster, a little 00:08:06.910 --> 00:08:08.930 bit more mainstream, but staying in the rock 00:08:08.930 --> 00:08:12.769 vein. And you can dance in the dark, and apparently 00:08:12.769 --> 00:08:15.129 you can crawl there as well. I'm going to go 00:08:15.129 --> 00:08:16.730 with the dark theme. I don't know if it'll stay 00:08:16.730 --> 00:08:19.449 that way for the other eight songs, but following 00:08:19.449 --> 00:08:22.850 up beyond the black dancing in the dark, I am 00:08:22.850 --> 00:08:25.769 going to go with Hoobastank's Crawling in the 00:08:25.769 --> 00:08:29.980 Dark. Love the pick. The fact that you're latching 00:08:29.980 --> 00:08:32.299 on to not just the tonality of the song, but 00:08:32.299 --> 00:08:35.679 the actual name as well. I kind of like that. 00:08:35.879 --> 00:08:38.679 I kind of like that. But hearing Crawling in 00:08:38.679 --> 00:08:41.620 the Dark from Hoopie Stank, the minute you mentioned 00:08:41.620 --> 00:08:44.720 that song, I didn't even have to have a second 00:08:44.720 --> 00:08:47.000 guess as to what I was going to follow that up 00:08:47.000 --> 00:08:49.639 with. Because sticking with tonality of the song, 00:08:49.919 --> 00:08:52.580 the very first song that comes to mind the minute 00:08:52.580 --> 00:08:56.200 you mentioned that was Ocean Avenue from Yellow 00:08:56.200 --> 00:08:59.799 Card. I feel like the two songs kind of have 00:08:59.799 --> 00:09:03.360 a similar tempo, have a similar vibe to it. And 00:09:03.360 --> 00:09:05.700 the fact that we had symphonic metal to start 00:09:05.700 --> 00:09:08.179 with, and then you have yellow card who also 00:09:08.179 --> 00:09:11.679 incorporates a violin into their rock kit. There's 00:09:11.679 --> 00:09:14.899 a lot of, I freaking love the song. Absolutely 00:09:14.899 --> 00:09:17.799 love the song. I kind of wish I had a violinist 00:09:17.799 --> 00:09:20.159 in my band to be able to play that song. But 00:09:20.159 --> 00:09:23.740 the minute you say yellow card, everyone's first 00:09:23.740 --> 00:09:26.450 response to see, oh yeah, Ocean Avenue. Love 00:09:26.450 --> 00:09:28.830 the song. So I'm going to follow it up, Crawling 00:09:28.830 --> 00:09:32.750 in the Dark with Ocean Avenue. I am thankful 00:09:32.750 --> 00:09:35.409 to be able to say that Colburn & Company does 00:09:35.409 --> 00:09:38.830 have a violin player in it. And let me tell you, 00:09:38.889 --> 00:09:42.529 poor Rebecca, every gig she plays with us. I'm 00:09:42.529 --> 00:09:44.269 like, why don't you throw a solo in this song? 00:09:44.370 --> 00:09:45.690 And she's like, it doesn't have one. I'm like, 00:09:45.730 --> 00:09:47.710 yeah, but I just love playing with a violin player 00:09:47.710 --> 00:09:50.629 so much, and you could rock anything. So we have 00:09:50.629 --> 00:09:53.889 thrown violin into some crazy covers, but I just 00:09:53.889 --> 00:09:56.350 love the dynamic with that instrument added to 00:09:56.350 --> 00:09:59.710 the fold. So I love the pick, and now you're 00:09:59.710 --> 00:10:03.289 coming a little bit out of the gothic sound and 00:10:03.289 --> 00:10:06.129 a little bit over to the punk side of life. So 00:10:06.129 --> 00:10:08.470 I'm trying to think of what to follow up Yellow 00:10:08.470 --> 00:10:12.649 Card, Ocean Avenue with. And I think I know what 00:10:12.649 --> 00:10:16.409 I'm going to do because this weekend I watched 00:10:16.409 --> 00:10:19.769 a punk concert on YouTube because I've heard 00:10:19.769 --> 00:10:22.070 a lot of things about this band over the last 00:10:22.070 --> 00:10:25.929 20 something years. And I've been a big fan of 00:10:25.929 --> 00:10:27.970 them. However, in the latter couple of albums, 00:10:28.090 --> 00:10:30.830 they've gone to a more pop sound. But I've heard 00:10:30.830 --> 00:10:34.169 the concert incorporates both of their sounds 00:10:34.169 --> 00:10:37.029 equally well. And I was curious to see. So I 00:10:37.029 --> 00:10:41.220 watched Paramore's. set from this year's Lollapalooza 00:10:41.220 --> 00:10:44.519 which was up on YouTube and I watched them perform 00:10:44.519 --> 00:10:48.840 songs from across all of their albums and I think 00:10:48.840 --> 00:10:50.879 I'm going to stick with the punkier side of them 00:10:50.879 --> 00:10:54.100 and go with one that is the one that broke them 00:10:54.100 --> 00:10:56.220 there was a little bit of controversy surrounding 00:10:56.220 --> 00:10:59.200 the song due to some of the original lyrics not 00:10:59.200 --> 00:11:01.960 really holding up as well in 2023 as they did 00:11:01.960 --> 00:11:05.440 in 2007 and this is a song that's gotten a new 00:11:05.440 --> 00:11:10.009 birth because Machine Gun Kelly, dare I mention 00:11:10.009 --> 00:11:12.330 it, has covered the song as a bonus track for 00:11:12.330 --> 00:11:14.889 one of his CDs. I'm going to go with Misery Business 00:11:14.889 --> 00:11:19.250 by Paramore. It keeps that fast, upbeat nature 00:11:19.250 --> 00:11:21.570 that Crawling in the Dark, Ocean Avenue had. 00:11:21.870 --> 00:11:23.909 And there's even a little bit of violin at the 00:11:23.909 --> 00:11:27.250 beginning of this song during the mariachi introduction 00:11:27.250 --> 00:11:29.950 before the snare kicks in and the song gets heavier. 00:11:30.070 --> 00:11:32.629 So I even go back to that a little bit. But there's 00:11:32.629 --> 00:11:35.490 an energy about this song. that is flowing through 00:11:35.490 --> 00:11:38.590 these first four songs. I just don't know thematically 00:11:38.590 --> 00:11:42.350 how that would work, but Paramore's misery business. 00:11:42.889 --> 00:11:46.009 When you think about tours that are out there 00:11:46.009 --> 00:11:49.549 right now, okay, let's be honest, Taylor Swift 00:11:49.549 --> 00:11:52.389 probably has the biggest tour going period in 00:11:52.389 --> 00:11:54.830 the history of ever, it seems. The fact that 00:11:54.830 --> 00:11:57.710 she's announced like six dates in Toronto. in 00:11:57.710 --> 00:12:00.190 like you know november 2024 and people are already 00:12:00.190 --> 00:12:02.169 you know figuring out how many mortgages it's 00:12:02.169 --> 00:12:03.690 going to take for them to be able to get concert 00:12:03.690 --> 00:12:06.250 tickets of which i don't blame them right you 00:12:06.250 --> 00:12:08.230 know if the last three years have taught us anything 00:12:08.230 --> 00:12:11.309 go see the band before you can't see the band 00:12:11.309 --> 00:12:15.350 paramore would be a really really good show and 00:12:15.350 --> 00:12:16.610 i think i know where i'm going to go with this 00:12:16.610 --> 00:12:19.990 and musically the two have nothing in common 00:12:19.990 --> 00:12:23.710 however i'm going to lean on the title here in 00:12:23.710 --> 00:12:25.830 this case because you went with misery business 00:12:25.830 --> 00:12:29.759 for paramore I'm going to dial it back a couple 00:12:29.759 --> 00:12:34.159 decades and go with Misery from Soul Asylum. 00:12:34.500 --> 00:12:38.879 This has to be one of my favorite Soul Asylum 00:12:38.879 --> 00:12:43.139 songs of all time. Runaway Train, that was good. 00:12:43.159 --> 00:12:46.539 It was okay. But if I'm thinking Soul Asylum, 00:12:46.659 --> 00:12:51.279 the lyric Frustrated Incorporated may just be 00:12:51.279 --> 00:12:54.879 everyone's work anthem for the last couple of 00:12:54.879 --> 00:12:59.590 years. And the song Misery, I wish it was as 00:12:59.590 --> 00:13:02.710 big as Runaway Train was, but I'm going to go 00:13:02.710 --> 00:13:04.730 with Misery. It's a left -handed Albuquerque 00:13:04.730 --> 00:13:08.570 musically, but as far as title goes, you can 00:13:08.570 --> 00:13:12.269 see how it connects. I absolutely love that pick. 00:13:12.350 --> 00:13:15.210 It is my all -time favorite Soul Asylum song. 00:13:15.509 --> 00:13:18.190 Think about the inclusion in Clerks 2, what a 00:13:18.190 --> 00:13:21.500 levity that added to that scene. The song is 00:13:21.500 --> 00:13:24.879 absolutely fantastic. And look, Weird Al parodied 00:13:24.879 --> 00:13:28.200 this song with Syndicated Incorporated. He didn't 00:13:28.200 --> 00:13:30.179 parody Runaway Train. So I don't know. Maybe 00:13:30.179 --> 00:13:33.159 this song, while maybe not charting as high as 00:13:33.159 --> 00:13:36.000 Runaway Train did, maybe this is the more beloved 00:13:36.000 --> 00:13:39.480 song by them. I think it's their best song. I 00:13:39.480 --> 00:13:42.019 absolutely love it. I got to see them tour with 00:13:42.019 --> 00:13:46.320 Matchbox 20 on this album when it was. Semi -Sonic, 00:13:46.419 --> 00:13:49.100 Soul Asylum, and Matchbox 20 on this touring 00:13:49.100 --> 00:13:52.360 cycle. So hearing Misery live was something I'll 00:13:52.360 --> 00:13:56.779 never forget. I absolutely love the tune. Dancing 00:13:56.779 --> 00:14:00.399 in the Dark, Crawling in the Dark, Ocean Avenue, 00:14:00.919 --> 00:14:06.059 Misery Business and Misery. I don't even know 00:14:06.059 --> 00:14:11.769 where to go off that. Actually, maybe I do. You're 00:14:11.769 --> 00:14:14.250 a bass player, Jason. So when I pick this song, 00:14:14.309 --> 00:14:16.009 you're immediately going to say yes, no matter 00:14:16.009 --> 00:14:19.210 what the topic is. Because as far as I'm concerned, 00:14:19.610 --> 00:14:23.250 this is one of the most iconic bass lines to 00:14:23.250 --> 00:14:25.889 come out in the 1990s. So I'm going to stay in 00:14:25.889 --> 00:14:31.590 the same decade as Soul Asylum. And looking at 00:14:31.590 --> 00:14:34.029 my 1990s playlist, believe it or not, this is 00:14:34.029 --> 00:14:36.850 the song that actually follows up Misery on my 00:14:36.850 --> 00:14:39.970 1990s playlist. So there's a little bit of a 00:14:39.970 --> 00:14:43.370 cheat here. However, I've heard this playlist 00:14:43.370 --> 00:14:46.710 so many times, I feel like the two songs mentally 00:14:46.710 --> 00:14:49.570 for me work well together. And when you think 00:14:49.570 --> 00:14:52.470 about the vibe that I'm about to drop in this 00:14:52.470 --> 00:14:57.690 song, the massive chorus of Misery, when you 00:14:57.690 --> 00:15:00.909 compare it to the massive chorus of In the Meantime 00:15:00.909 --> 00:15:06.850 by Space Hog, we're still staying in this grandiose 00:15:06.850 --> 00:15:10.860 musical. area right now. When you think of Beyond 00:15:10.860 --> 00:15:14.100 the Black, Dancing in the Dark, Hoobastank, these 00:15:14.100 --> 00:15:17.360 are all big songs. Ocean Avenue, Misery Business, 00:15:17.600 --> 00:15:21.779 and Misery. I wanted to stay big. I just don't 00:15:21.779 --> 00:15:24.299 know how these songs tie together just yet, but 00:15:24.299 --> 00:15:28.720 musically, in my 1990s playlist, Soul Asylum's 00:15:28.720 --> 00:15:31.259 Misery and In the Meantime by Space Hog are back 00:15:31.259 --> 00:15:34.220 to back, and I feel like it works really well 00:15:34.220 --> 00:15:37.159 here, believe it or not, musically. And then 00:15:37.159 --> 00:15:39.399 being the movie guy you are, don't forget the 00:15:39.399 --> 00:15:42.799 inclusion of the song in Guardians of the Galaxy 00:15:42.799 --> 00:15:46.000 3. That has to hold some weight as well. Oh, 00:15:46.000 --> 00:15:49.179 I mean. If memory serves, there was a kind of 00:15:49.179 --> 00:15:51.679 a mockumentary, if you will, or a fake documentary 00:15:51.679 --> 00:15:54.779 that had Walking Phoenix, you know, supposedly 00:15:54.779 --> 00:15:58.159 walking away from his movie career and becoming 00:15:58.159 --> 00:16:00.340 a quote unquote rap artist. If I remember correctly, 00:16:00.539 --> 00:16:03.440 one of the members of Space Hog was in that as 00:16:03.440 --> 00:16:05.779 his assistant. I'd have to double check that 00:16:05.779 --> 00:16:08.379 one, but I seem to remember Space Hog and their 00:16:08.379 --> 00:16:11.259 performance on Much Music, if I remember correctly, 00:16:11.299 --> 00:16:13.940 was actually used as, you know, the backstory 00:16:13.940 --> 00:16:19.210 of the assistant. Really? Very interesting. I 00:16:19.210 --> 00:16:22.289 did not know that. But musically. Musically, 00:16:22.490 --> 00:16:25.769 yes. And again, it's one of those things where, 00:16:25.809 --> 00:16:28.009 as you mentioned, you have this on your playlist 00:16:28.009 --> 00:16:31.570 and it goes misery. And then, you know, in the 00:16:31.570 --> 00:16:34.070 meantime, and sometimes you kind of have to go 00:16:34.070 --> 00:16:36.750 with the first song that comes to mind. And as 00:16:36.750 --> 00:16:38.450 you were talking about in the meantime, I was 00:16:38.450 --> 00:16:40.190 trying to wrap my head around what songs were 00:16:40.190 --> 00:16:43.009 going to pop up. The very first thing that came 00:16:43.009 --> 00:16:45.549 up was Got You Where I Want You from The Flies. 00:16:46.240 --> 00:16:48.960 Kind of fits around that same era, kind of fits 00:16:48.960 --> 00:16:52.320 around the same mood and the same vibe. And again, 00:16:52.379 --> 00:16:55.259 another one of those fun songs. And correct me 00:16:55.259 --> 00:16:59.720 if I'm wrong, The Flies, aside from that song, 00:17:00.039 --> 00:17:03.399 nothing else really stuck out from them. Similar 00:17:03.399 --> 00:17:06.160 to Space Hog and how in the meantime kind of 00:17:06.160 --> 00:17:08.839 dwarfed every other release that they had. Yeah, 00:17:08.859 --> 00:17:10.759 when it comes to The Flies, they had a second 00:17:10.759 --> 00:17:13.480 single, She's So Huge. It was in a couple of 00:17:13.480 --> 00:17:15.940 movies. Even though I think it charted around 00:17:15.940 --> 00:17:18.660 the same place, they were both on the modern 00:17:18.660 --> 00:17:20.339 rock charts, but neither one of them cracked 00:17:20.339 --> 00:17:23.000 the top 100 on Billboard. So they were never 00:17:23.000 --> 00:17:25.680 massive hits, but... Got You Where I Want You 00:17:25.680 --> 00:17:28.839 definitely held on a little bit longer in terms 00:17:28.839 --> 00:17:32.000 of longevity for the songs. And then for Space 00:17:32.000 --> 00:17:33.660 Hog, they had a couple other albums. I know there 00:17:33.660 --> 00:17:36.059 was the Chinese album and the Hoggasy. And I 00:17:36.059 --> 00:17:38.119 want to say they had put out another album in 00:17:38.119 --> 00:17:41.279 the 2000s as well. But none of them reached the 00:17:41.279 --> 00:17:43.539 level of success as Resident Aliens. So yeah, 00:17:43.579 --> 00:17:45.859 100 % I'm on board with you on both of those 00:17:45.859 --> 00:17:49.490 points. i absolutely love got you where i want 00:17:49.490 --> 00:17:51.789 you my old cover band used to play it and for 00:17:51.789 --> 00:17:54.549 me as a bass player that song was okay i could 00:17:54.549 --> 00:17:57.970 literally have a drink in one hand and my finger 00:17:57.970 --> 00:17:59.950 on the bass on the other because it really no 00:17:59.950 --> 00:18:02.450 it was two chords if i'm not mistaken it was 00:18:02.450 --> 00:18:05.269 e to a over and over and over and over and over 00:18:05.269 --> 00:18:06.529 and over and over and over and over and over 00:18:06.529 --> 00:18:08.849 and over and over and over again we would come 00:18:08.849 --> 00:18:12.529 out of that and go into the e to a of possum 00:18:12.529 --> 00:18:16.150 kingdom That's not where I'm going musically, 00:18:16.170 --> 00:18:20.730 but when we played, that's what we did. And I'm 00:18:20.730 --> 00:18:23.170 starting to see a theme here in these songs. 00:18:23.930 --> 00:18:26.150 So I'm going to just add a song that I think 00:18:26.150 --> 00:18:28.269 is going to lean into the theme that I think 00:18:28.269 --> 00:18:32.410 is coming together here. And who knows if you 00:18:32.410 --> 00:18:36.390 and I are on the same theme as this is, but I'm 00:18:36.390 --> 00:18:38.529 going to go with a song from a band that might 00:18:38.529 --> 00:18:41.049 not ring a lot of bells from people when they 00:18:41.049 --> 00:18:44.349 hear it. But this is actually a super group that 00:18:44.349 --> 00:18:47.130 I'm a big fan of. They had one album that came 00:18:47.130 --> 00:18:51.789 out in the end of the 2000s, early 2010s. And 00:18:51.789 --> 00:18:54.430 it's a super group. And that super group consisted 00:18:54.430 --> 00:18:58.230 of James Ehov, The Smashing Pumpkins, Adam Schlesinger 00:18:58.230 --> 00:19:02.789 from Fountains of Wayne, Bun E. Carlos from Cheap 00:19:02.789 --> 00:19:06.210 Trick on Drums, and Taylor Hansen of Hansen. 00:19:06.589 --> 00:19:09.730 On lead vocals. And this was a power pop group 00:19:09.730 --> 00:19:12.730 called tinted windows. And I'm going to go with 00:19:12.730 --> 00:19:15.609 a song that is probably a deeper cut on the album, 00:19:15.670 --> 00:19:18.789 but coming out of got you where I want you musically 00:19:18.789 --> 00:19:23.670 fits so well. And it's a fantastic power pop 00:19:23.670 --> 00:19:27.269 ballad called back with you. It's got this massive 00:19:27.269 --> 00:19:31.309 soaring chorus that really fits in with the choruses 00:19:31.309 --> 00:19:33.539 that are. kind of throughout this playlist, no 00:19:33.539 --> 00:19:36.380 matter the genre. And it's a beautiful song, 00:19:36.500 --> 00:19:39.140 and it's one that I really wish more people had 00:19:39.140 --> 00:19:41.740 heard, because when you take the talent of the 00:19:41.740 --> 00:19:45.539 four bands that formed Tinted Windows, and you 00:19:45.539 --> 00:19:47.680 put it all together in this song, to me it's... 00:19:48.039 --> 00:19:50.880 Just a some is better than all the parts scenario, 00:19:51.039 --> 00:19:53.440 because as much as I like all the other bands, 00:19:53.519 --> 00:19:55.660 when they come together, it really creates this 00:19:55.660 --> 00:19:58.640 fresh, unique sound. And I'm so devastated that 00:19:58.640 --> 00:20:00.680 they only put out this one album, but I highly 00:20:00.680 --> 00:20:03.099 recommend anyone out there who's not familiar 00:20:03.099 --> 00:20:05.420 with tinted windows to give this entire album 00:20:05.420 --> 00:20:07.440 a listen outside of the one song I'm including 00:20:07.440 --> 00:20:10.720 in this mix tonight. So it's just a perfect power 00:20:10.720 --> 00:20:13.920 pop ballad. And what I want to follow up the 00:20:13.920 --> 00:20:16.079 flies got you where I want you with. So tinted 00:20:16.079 --> 00:20:19.400 windows. Back with you and back to you, Jason. 00:20:19.779 --> 00:20:22.819 Really, really great song. And I love the actual 00:20:22.819 --> 00:20:27.099 tonality of it. It has that sing song vibe to 00:20:27.099 --> 00:20:29.519 it kind of thing. The chorus is pretty uplifting. 00:20:29.920 --> 00:20:32.640 And as a super group, you got to love when those 00:20:32.640 --> 00:20:34.779 acts kind of come together and are able to create 00:20:34.779 --> 00:20:37.569 those albums. So I think I know what I'm going 00:20:37.569 --> 00:20:40.650 to follow this up with. And it kind of goes into 00:20:40.650 --> 00:20:44.210 that super group kind of feel as well, because 00:20:44.210 --> 00:20:48.049 while you may not initially think of them as 00:20:48.049 --> 00:20:51.269 a super group, the three individual members of 00:20:51.269 --> 00:20:54.960 the band all come from very prestigious. musical 00:20:54.960 --> 00:20:57.099 backgrounds as well considering that you had 00:20:57.099 --> 00:21:00.980 james michael who was a large name producer at 00:21:00.980 --> 00:21:04.319 the time you had dj ashba who of course is playing 00:21:04.319 --> 00:21:07.420 guitar for guns and roses and of course the one 00:21:07.420 --> 00:21:09.720 and only nikki six from motley crew i'm talking 00:21:09.720 --> 00:21:13.319 about 6am and i'm gonna go with the lead track 00:21:13.319 --> 00:21:17.019 off of their third album modern vintage which 00:21:17.019 --> 00:21:22.130 is stars this is one of those songs where Up 00:21:22.130 --> 00:21:25.549 to this point, up to this album, the first two 00:21:25.549 --> 00:21:27.309 albums, I was like, okay, the Heroin Diaries, 00:21:27.349 --> 00:21:29.990 it's a good album. It's all good. This is going 00:21:29.990 --> 00:21:31.930 to hurt. That was another really good album. 00:21:32.309 --> 00:21:36.250 Modern Vintage is where they really, the songwriting 00:21:36.250 --> 00:21:40.869 really stood out on this one. And I know it's 00:21:40.869 --> 00:21:42.269 probably in your rotation because, of course, 00:21:42.289 --> 00:21:44.589 they had that cover of Drive from the Cars on 00:21:44.589 --> 00:21:49.470 that album. But the song Stars, having seen them 00:21:49.470 --> 00:21:53.420 live. a number of times, this song always goes 00:21:53.420 --> 00:21:57.339 over really, really well. And I know that 6 a 00:21:57.339 --> 00:22:00.079 .m. isn't anymore. Obviously, Nikki Sixx is off, 00:22:00.140 --> 00:22:03.140 you know, back with Motley Crue and, well, Motley 00:22:03.140 --> 00:22:05.200 Crue -ish, if you will, now that John 5 is on 00:22:05.200 --> 00:22:07.579 guitar. DJ Ashbaugh has been, you know, doing 00:22:07.579 --> 00:22:09.039 a couple of different projects here and there. 00:22:09.400 --> 00:22:11.680 But if 6 a .m. were ever to get back together 00:22:11.680 --> 00:22:14.819 and tour, I will spend Taylor Swift money to 00:22:14.819 --> 00:22:19.339 get those concert tickets. Dude, I love the fact 00:22:19.339 --> 00:22:22.140 that you went to 6 a .m. here. I understand that 00:22:22.140 --> 00:22:25.759 6 a .m. was a band that was created around Nikki 00:22:25.759 --> 00:22:29.240 Sixx's biography, The Heroin Diaries. This was 00:22:29.240 --> 00:22:32.380 the soundtrack to it. Then they had the hit Life 00:22:32.380 --> 00:22:36.200 is Beautiful and it just exploded on rock radio. 00:22:36.299 --> 00:22:38.160 And then with the follow up album, you had Lies 00:22:38.160 --> 00:22:41.569 of the Beautiful People. Wasn't a massive fan 00:22:41.569 --> 00:22:44.289 of their cover of Drive. I think Kavo did it 00:22:44.289 --> 00:22:48.190 better in 2023. They did a version I think aligns 00:22:48.190 --> 00:22:50.289 a little bit more to where I am musically, but 00:22:50.289 --> 00:22:53.470 I respect the direction and chances they took 00:22:53.470 --> 00:22:57.349 on that cover. To me, Stars is the premier song 00:22:57.349 --> 00:22:59.710 on Modern Vintage. So I'm glad you picked that 00:22:59.710 --> 00:23:02.309 one. And I think I know what I'm going to close 00:23:02.309 --> 00:23:05.529 it with because in my mind, I've got this story. 00:23:06.250 --> 00:23:10.170 of what this playlist actually says. And it could 00:23:10.170 --> 00:23:11.930 be completely different than you, but I'll be 00:23:11.930 --> 00:23:14.730 very curious to see. And I'm going to close it 00:23:14.730 --> 00:23:19.289 out with a song from a band that in a few weeks, 00:23:19.329 --> 00:23:20.869 I'm going to go see live when we're recording 00:23:20.869 --> 00:23:23.430 this. And when you're listening to it, I'll have 00:23:23.430 --> 00:23:25.890 just seen them a few weeks ago. So there we go. 00:23:25.950 --> 00:23:28.970 We've set it up in time podcast continuum here. 00:23:30.369 --> 00:23:33.750 And I am going to go with Shinedown's I Dare 00:23:33.750 --> 00:23:38.039 You. From their album, Us and Them. To me, this 00:23:38.039 --> 00:23:43.000 is an absolutely massive tune. It should have 00:23:43.000 --> 00:23:46.539 been a massive, massive hit for the band. It 00:23:46.539 --> 00:23:48.779 did get a lot of airplay. It is a fan favorite, 00:23:48.839 --> 00:23:51.359 and they do play it from time to time. But when 00:23:51.359 --> 00:23:53.660 you have songs like The Sound of Silence, Devil, 00:23:54.019 --> 00:23:56.900 Second Chance, all their hits, this one tends 00:23:56.900 --> 00:23:59.619 to get dropped from the set list because it's 00:23:59.619 --> 00:24:02.240 from their earlier albums. But I think it's one 00:24:02.240 --> 00:24:04.720 of their strongest songs ever. I love his vocal 00:24:04.720 --> 00:24:08.799 delivery. Again, a massive, big, bold chorus. 00:24:09.799 --> 00:24:12.740 And a little bit more of an upbeat way to finish 00:24:12.740 --> 00:24:15.980 the side, but still keeping in the vibe and tempo 00:24:15.980 --> 00:24:19.660 that has kind of woven its way throughout these 00:24:19.660 --> 00:24:22.279 songs. So I'm going to close it up with I Dare 00:24:22.279 --> 00:24:25.140 You by Shinedown. And I think I have an idea 00:24:25.140 --> 00:24:27.460 of where this playlist is going to go for me. 00:24:27.559 --> 00:24:29.640 But first, your thoughts on that tune, Jason. 00:24:30.160 --> 00:24:32.079 Shinedown is one of those bands that I've been 00:24:32.079 --> 00:24:35.940 fortunate to see live. At least three or four 00:24:35.940 --> 00:24:39.039 times in various different settings, whether 00:24:39.039 --> 00:24:43.400 it be outdoor concert venue, small club venues 00:24:43.400 --> 00:24:47.579 and arena shows. And every single time, every 00:24:47.579 --> 00:24:50.099 single time, no matter the size of the venue, 00:24:50.279 --> 00:24:54.240 you get that stadium concert feel as opposed 00:24:54.240 --> 00:24:56.119 to just whatever size of the venue that you're 00:24:56.119 --> 00:24:59.140 in. Shinedown are so freaking good. And I dare 00:24:59.140 --> 00:25:03.180 you. Yes, it's not my favorite song from them. 00:25:03.959 --> 00:25:05.980 But it's not one of those ones I'm going to skip 00:25:05.980 --> 00:25:08.579 anytime it comes on the radio. It's a really, 00:25:08.640 --> 00:25:11.140 really good song. If I had to go with my favorite 00:25:11.140 --> 00:25:12.779 Shinedown song, that would probably end up being 00:25:12.779 --> 00:25:15.140 Devour. But that might have been a little bit 00:25:15.140 --> 00:25:17.740 too harsh for this mix. I think I Dare You is 00:25:17.740 --> 00:25:21.220 almost the perfect landing of the plane for this 00:25:21.220 --> 00:25:24.460 cassette. Well, there you have it, folks. Our 00:25:24.460 --> 00:25:29.839 first no -topic mixtape, which consists of Beyond 00:25:29.839 --> 00:25:55.319 the Black, Dancing in the Dark. Head over to 00:25:55.319 --> 00:25:58.200 MyWeeklyMixtape .com to hear all the songs we've 00:25:58.200 --> 00:26:01.440 discussed in this mix. through the playlist embedded 00:26:01.440 --> 00:26:04.740 on the episode page. Now, if you had to choose 00:26:04.740 --> 00:26:08.099 a name for this playlist, what would you name 00:26:08.099 --> 00:26:10.920 it? Okay, this is going to be really, really 00:26:10.920 --> 00:26:14.339 corny. So fully prepare yourself for the dad 00:26:14.339 --> 00:26:17.359 joke that is about to come here, okay? I'm just 00:26:17.359 --> 00:26:19.359 going to say, I'm just going to say that if I'm 00:26:19.359 --> 00:26:21.720 getting the scotch tape out, putting it on the 00:26:21.720 --> 00:26:23.880 tape and getting the Sharpie and putting a label 00:26:23.880 --> 00:26:26.660 on here. I could cheat and say Awesome Mix Volume 00:26:26.660 --> 00:26:28.880 1, but no, that's the Guardians of the Galaxy 00:26:28.880 --> 00:26:32.380 already did that one. But I'm going to have to 00:26:32.380 --> 00:26:38.700 go with Beds, Bass, and Beyond. Beds, Bass, and 00:26:38.700 --> 00:26:40.660 Beyond sounds like a store that I would shop 00:26:40.660 --> 00:26:44.339 at and probably spend a lot of money at, right? 00:26:44.460 --> 00:26:47.019 Right. Get your music beds, lots of bass in the 00:26:47.019 --> 00:26:49.539 music beds, and throw in Beyond the Black. There 00:26:49.539 --> 00:26:52.859 you go. Well, for me, I... picked up on a vibe 00:26:52.859 --> 00:26:54.660 about halfway through that I started talking 00:26:54.660 --> 00:26:58.099 about. And I think it kind of played out that 00:26:58.099 --> 00:27:03.440 way. So my name for this no topic mixtape is 00:27:03.440 --> 00:27:08.279 soundtrack to a rock and roll rom -com. Actually, 00:27:08.319 --> 00:27:10.660 I can kind of see that. I can definitely kind 00:27:10.660 --> 00:27:12.720 of see that because you've got. with Dancing 00:27:12.720 --> 00:27:14.880 in the Dark as almost like an opening credit 00:27:14.880 --> 00:27:18.220 song, if you will, and all of a sudden the hero's 00:27:18.220 --> 00:27:21.640 journey comes into a conflict, if you will, a 00:27:21.640 --> 00:27:24.079 call to action in the misery section, and then 00:27:24.079 --> 00:27:27.859 things get happier, and then you get this almost 00:27:27.859 --> 00:27:30.880 rising chorus near the end of the songs where 00:27:30.880 --> 00:27:34.160 the hero hopefully gets the girl, you know? You 00:27:34.160 --> 00:27:36.180 never know, and that's the beauty of this no 00:27:36.180 --> 00:27:37.900 -topic mixtape. It could turn into something 00:27:37.900 --> 00:27:40.039 really silly or something that could be a little 00:27:40.039 --> 00:27:42.589 bit more serious. Now the question is for the 00:27:42.589 --> 00:27:46.809 mixtapers, if you had to name this mixtape, what 00:27:46.809 --> 00:27:48.910 would you name it? Share it with me on social 00:27:48.910 --> 00:27:51.990 media or via email, myweeklymixtape at gmail 00:27:51.990 --> 00:27:54.589 .com. Because when you go to the webpage, you're 00:27:54.589 --> 00:27:59.230 just going to see No Topic Volume 1. So what 00:27:59.230 --> 00:28:01.369 are we going to name this episode, mixtapers? 00:28:01.390 --> 00:28:03.769 And keep it nice. Keep it PG, just like we do 00:28:03.769 --> 00:28:06.450 on the show. Jason, before we hit stop on this 00:28:06.450 --> 00:28:08.210 recording, why don't you tell people where they 00:28:08.210 --> 00:28:10.490 can find It's Not That Bad and There Can Only 00:28:10.490 --> 00:28:13.549 Be One? Well, if you go to our website at notthatbadcast 00:28:13.549 --> 00:28:16.470 .com, you're going to find all of our shows in 00:28:16.470 --> 00:28:19.329 one place. If you happen to be on the social 00:28:19.329 --> 00:28:21.990 media platform formerly known as Twitter, which 00:28:21.990 --> 00:28:24.710 we'll just create a symbol for that's better 00:28:24.710 --> 00:28:27.849 than the X that Elon uses, you can find us at 00:28:27.849 --> 00:28:31.599 notthatbadcast .com. or at only one cast and 00:28:31.599 --> 00:28:33.559 on any other social media platform you can just 00:28:33.559 --> 00:28:35.779 find us at not that bad cast because i don't 00:28:35.779 --> 00:28:37.579 feel like running more than one account per social 00:28:37.579 --> 00:28:42.140 media platform by the way we do have a new series 00:28:42.140 --> 00:28:44.299 that's coming up on it's not that bad it's already 00:28:44.299 --> 00:28:47.099 out right now it's called keep watch pass so 00:28:47.099 --> 00:28:49.500 if you're interested in hearing that go over 00:28:49.500 --> 00:28:52.920 to spotify it's a subscriber only episode but 00:28:52.920 --> 00:28:56.359 we're only charging like one dollar a month To 00:28:56.359 --> 00:28:57.920 be able to hear those episodes, but you get the 00:28:57.920 --> 00:28:59.880 first one, you guys get the first one, but yeah, 00:28:59.900 --> 00:29:01.559 go to not that bad cast .com. You're going to 00:29:01.559 --> 00:29:04.099 find all of our shows there. Love all the shows 00:29:04.099 --> 00:29:05.759 you have going on over there. I'm subscribed 00:29:05.759 --> 00:29:09.160 to both of them and I have heard the keep watch 00:29:09.160 --> 00:29:12.440 pass. Let's just say it's based on a game that 00:29:12.440 --> 00:29:16.539 everybody knows on social media and it's played 00:29:16.539 --> 00:29:19.380 a lot. And I think it's perfect when you tie 00:29:19.380 --> 00:29:22.819 it to movies. So I'm waiting now for your musical. 00:29:23.980 --> 00:29:28.299 Spin, rip, burn? I guess it depends on what the 00:29:28.299 --> 00:29:30.680 artist does and how many CDs get burned in effigy 00:29:30.680 --> 00:29:33.640 at that point. Because then again, when you think 00:29:33.640 --> 00:29:35.900 about it, burn might be, ah, it's good enough. 00:29:35.960 --> 00:29:38.400 I'll just rip the songs and burn this onto the 00:29:38.400 --> 00:29:40.700 CD. So it's almost like, you know, physical copy, 00:29:40.920 --> 00:29:45.220 burned copy, no copy at that point. Yeah. Well, 00:29:45.299 --> 00:29:47.339 once again, Jason, thank you so much for joining 00:29:47.339 --> 00:29:50.259 me. This has been a memorable mixtape for sure. 00:29:50.519 --> 00:29:53.819 Anytime. Remember, you can find My Weekly Mixtape 00:29:53.819 --> 00:29:56.799 on almost all the social media haunts at My Weekly 00:29:56.799 --> 00:29:59.420 Mixtape. You can also head to MyWeeklyMixtape 00:29:59.420 --> 00:30:02.279 .com to check out the full catalog of My Weekly 00:30:02.279 --> 00:30:05.160 Mixtape episodes. And finally, if you like what 00:30:05.160 --> 00:30:07.200 you're hearing on the show, you can help me out 00:30:07.200 --> 00:30:09.569 by either telling a friend. leaving a five -star 00:30:09.569 --> 00:30:12.049 review wherever you're tuning in, or becoming 00:30:12.049 --> 00:30:15.109 a Patreon mixtaper at patreon .com forward slash 00:30:15.109 --> 00:30:18.390 myweeklymixtape. That's all for this week. Thanks 00:30:18.390 --> 00:30:21.009 again for listening. Until next time, enjoy the 00:30:21.009 --> 00:30:21.230 tunes.