WEBVTT

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Welcome to my weekly mixtape, a podcast that

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takes the classic mixtape approach to building

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a modern playlist. I'm your host, Brian Colburn.

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Tonight, I am excited to share with everybody

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this throwback interview from back in the Toon

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Styles days with Cary Colleton, who's the co

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-founder of Record Store Day. We actually talked

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deep about the history of the event. Kind of

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all the inner workings around how it gets put

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together, how those classic releases get made.

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I mean, this is everything you want to know about

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Record Store Day if you're someone who actually

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celebrates. Now, don't worry. When I say an episode

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is from the vaults, I actually go through and

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listen. And, you know, a little kudos to Jay

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and I here. There's nothing dated in this episode.

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So bravo to us. And I hope you guys enjoy this

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deep dive into this cultural phenomenon known.

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as record store day and if you like what you're

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hearing here on my weekly mixtape you can always

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help me out by either telling a friend leaving

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the show a five -star review wherever you're

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tuning in or becoming a Patreon mixtaper over

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at patreon .com forward slash myweeklymixtape.

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There you can find ad -free episodes of the show,

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gain early access to upcoming episodes, chime

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in on future topics, become a guest curator,

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and so much more. Once again, that's patreon

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.com forward slash myweeklymixtape. And with

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that, I hope you enjoy this sit -down with Record

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Store Day co -founder Cary Colleton. So for any

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music fan, Record Store Day is a holiday that

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probably eclipses Christmas, I would say. It

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is the day for the record and music lovers to

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go out to the stores and purchase ungodly amounts

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of vinyl and CDs and any other exclusive releases.

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Every music fan knows about Record Store Day.

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So it's a pleasure to have you on to talk about

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this. Well, thank you very much. I would dispute

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that every music fan knows about Record Store

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Day yet because we're still going. So we still

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feel like we have a job to do in making sure

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that eventually every music fan knows about record

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stores and about this special day. Touche. All

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right. Well, look, being the music nerds that

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Jay and I are, we have been fans of Record Store

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Day since the inception because we have been

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consuming physical media since... I don't know,

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since I did that instead of toys when I was a

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kid. I went to the record store. I didn't go

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to the toy store. So this is like the holiday

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that I feel like was made for me. I think Jay

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feels the same. It was made. It was made for

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you. It was made exactly for you guys and all

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the other yous out there in the world. I'm glad

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you feel that way because that's exactly the

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idea. So why don't you talk about how Record

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Store Day began and how you cultivated this quote

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unquote holiday? yearly for the music fan? Sure.

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Well, to start off, I'll say there is no plan.

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There is no guidebook. I don't believe that if

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anybody had set out to say, okay, I'm going to

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make this, that you could actually have had like

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a step -by -step plan to do it. There's no checklist.

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There's no none of that. We literally started

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by saying, you know what? We're tired of hearing

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in the press and hearing in popular culture that

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record stores are dead. Wasn't it great when

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we had record stores? It's so sad that we don't

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have record stores anymore. And the reason we

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started getting frustrated with that is because

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the people who started Record Store Day, our

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day -to -day job was working in or with record

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stores. And we knew that, yes, Tower Records,

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RIP, And we knew that there were issues with,

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you know, FYE and other big chain record stores.

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But we also knew that individual independent

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record stores and even chains of record stores

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that were independently owned were very flexible

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and were very smart. And they were the people

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we worked with. And we saw that that was still

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viable and they were still there and they were

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still kicking it. And why was every story? basically

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written before any questions were asked, and

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it was all about the death of record stores and

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the death of physical media. And we just thought,

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you know what, let's just have a party and have

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a press release and send it out and invite as

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many stores as want to be part of it to be part

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of it and do whatever it is that you do at a

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party and just feel like we had done something

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to get the word out there. Now, do you have a

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background in marketing and PR kind of work?

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Because I know that a lot of... What goes into

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Record Store Day involves contacting a wide across

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the world, I'm assuming at this point. Oh, yeah.

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It involves communication of all kinds to all

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kinds of people. And I personally, I may be the

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luckiest person in the world career wise. I started

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working in a record store when I was in college.

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And at the same time, I also worked at a radio

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station. And I was in college at a school called

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Virginia Tech. It's in the mountains of... Virginia,

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and it was like a little bubble. It was this

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wonderful community where we basically, as kids,

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got to run around and do all this stuff with

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music and book our own shows and run our own

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record stores and run radio stations and both

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college and commercial. And it was amazing, but

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it also taught you, okay, this job is fun, but

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it has to get done. And you have to learn how

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to do this job. And that is what I've done all

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the way through. to today with Record Store Day.

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So I worked at a record store and then I helped

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open more record stores in this little regional

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chain. And then I worked under Michael Kurtz,

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who I still work with on Record Store Day. He

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was the marketing director for this little chain.

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And I started working with him and I learned

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how to do in -stores, how to work with labels,

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how to work with artists, how to work with other

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record stores. It's all things we've taught ourselves.

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It's all just be a good person, have a good heart.

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Treat people with compassion and respect. And

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if you're going to ask them to do something,

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be willing to do it yourself. Be willing to go

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and do it with them. And seriously, I don't lie

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when I say I am the luckiest person when it comes

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to careers because that is what everything I've

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taught myself to do. Record Store Day for me

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is a lot about social media and outreach to people

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and outreach to customers and sending out. requests

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for artists to do things and sending out requests

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for stores to do things and helping stores become

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better retailers, become better businesses. Learning

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on my end how to help them do that is what Record

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Store Day has kind of become. We're all very

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self -taught. in this world of record stores.

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And Carrie, that's really refreshing because

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that hustle, that drive and motivation, showing

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off your passion for what you do, I think it's

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lost on a lot of people. And that's kind of what

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I think ties back into what you were originally

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saying at the top of the show. It kind of fueled

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that, oh, well, I guess just record stores are

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dead because who buys records anymore? Yeah,

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well, and I think it's telling too that obviously

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the biggest names in record stores were Tower.

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And again, Tower didn't close because people

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stopped buying records or caring about records.

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There are a lot of reasons why Tower closed.

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And Colin Hanks' fantastic documentary goes into

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that. It wasn't because people didn't love records,

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didn't love Tower. And a lot of record stores

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closed for a lot of reasons. It's one of the

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reasons why we, on social media, kind of make

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a decision. We don't talk about a lot of closings,

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partially because... we're a made up holiday

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and made up holiday should be fun. And we talk

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about all the good stuff that happens, but we

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don't talk about the clothing because they're

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always so complicated. It's never just simply

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people stop buying records. Nobody cares. Everybody's

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downloading or everybody's streaming. It's never

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just that there's always something else. And

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that is not unique to record stores. That's any

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business. It's restaurants, it's hardware stores,

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whatever. Everything is so complicated when you're

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running a small business, which is the other

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side of what Record Store Day celebrates and

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promotes. Music and physical media and the love

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of records. I have three turntables in my house,

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but one television. I am very into the vinyl

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aspect of Record Store Day, but it's not the

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only thing Record Store Day is about. And that

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other side of it is... Those people have the

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hustle. The stores that succeed are the ones

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who are smart and quick and on the ground and

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staying in touch with their stores, whether they

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have 27 stores like Newberry Comics, and Lord

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knows they may be 28 at this point, I don't know,

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or a single store that has just opened within

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the last year or two. Those people have a lot

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in common, whether they know it or not. And one

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of the things they have in common is us, is Record

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Store Day. fighting for them and screaming about

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them in the most pleasant way we can think of.

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And then also taking on a role lately of trying

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to help them be better at what they do. Well,

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Carrie, you and I, and I think Jay are all on

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the same wavelength here. Jay and I have been

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in radio and television and media for 20 something

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years here. And when I was in college, I worked

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in a record store and I always thought that my

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ending dream job would be able to just sit and

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talk about music all day long because that's

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just something I enjoy. If I'm not listening

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to it, I'm talking about it. And like you have

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three turntables and one TV. I have stereo equipment

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scattered all throughout the house. So that way

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I can listen wherever I want, whenever I want.

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And I can always tell you when the new upcoming

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albums are, but I couldn't tell you what happened

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on any episode of Game of Thrones. So I can do

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both. I can do both. I have so much. Useless

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knowledge in my head. I could do both. Well,

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let me say that you had mentioned something I

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thought was very interesting. Talking about that

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you don't talk about the negative. And sometimes

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when stores close, I feel like there's an agenda

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with trying to push the new formats, the new

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mediums. And the new medium over the last decade

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has been downloading and streaming. Now, Record

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Store Day celebrates the physical medium, but

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you can't deny that streaming and downloading

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are a massive chunk of the music consumption

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pie, so to speak. So I'd like to know what your

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thoughts are on digital and if the two formats

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could live, and I apologize in advance for the

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terrible pun, in harmony. That was actually not

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the worst pun. It could have been so much worse.

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The really interesting thing about this is there

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are so many opinions on this. This question internally

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in the music industry, and let me just say real

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quick, when I say we don't talk about the negative

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at Record Store Day, I'm not going to do a post

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about a store closing necessarily because it's

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really sad, and it's sad for the people who work

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there, the people who shop there, and for all,

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like I said, it's so complicated, and social

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media. is so complicated and can be so painful.

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And it needs to be, you know, the discussion

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of a store closing really needs to be much more

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in depth than you can do on a Twitter or Instagram

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or Facebook post. So we don't really do it there,

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but we do talk to the store and we do discuss

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these things internally. And, you know, within

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the industry, within Record Store Day, all of

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that is discussed and we are not Luddites in

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any way. We all know about streaming. We all

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know about digital. The people we work with at

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the labels and distribution balance both things.

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You know, they are a label. Their job is to sell

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music, whether it's a stream, a download, a TV

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sync, or a record, or a CD. That's all the same

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company. So all of that exists, and we are involved

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in those conversations. We know about those things.

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The question of whether they can live in harmony

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has kind of become the industry version of Bear

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v. Shark or Stones, Beatles, you know, the question.

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And I believe they can live together in harmony.

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And I think they kind of have to. I think streaming

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and a lot of record stores have Spotify playlists.

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A lot of record stores dabble in that. A lot

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of record stores who are also record labels have.

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download cards in their records because they

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understand people are complicated. People have

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many ways they want to hear things. There are

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a lot of situations where I love playing my,

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you know, Coal Mine Records soul compilations

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on vinyl is where I think they sound best. But

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if I'm on a beach vacation or something where

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that music's going to sound great, but I don't

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have my turntable, then yeah, my download card

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is fantastic to have. All of that, people...

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Everybody listens to things differently in different

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places in different situations. I think streaming

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is a really great way to learn about new music,

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to introduce yourself to new music, to test something

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out almost as a listening station. And then once

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you decide that you really like it, spend some

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time with it. There's a lot of music out there.

00:13:53.320 --> 00:13:56.700
It may take you two weeks or so to listen to

00:13:56.700 --> 00:13:58.919
a record two or three times through and realize,

00:13:59.139 --> 00:14:00.740
yeah, you know what? I need this in my life.

00:14:00.759 --> 00:14:03.659
I need this in my collection. And I think there

00:14:03.659 --> 00:14:05.759
are enough people who are doing that, who are

00:14:05.759 --> 00:14:09.899
using streaming for certain things, certain discovery,

00:14:10.039 --> 00:14:13.779
and then translating that to a physical purchase

00:14:13.779 --> 00:14:17.080
for whatever reason that is. I have a great sound

00:14:17.080 --> 00:14:20.000
system. I want to make sure the artist is getting

00:14:20.000 --> 00:14:23.460
paid. I want to have the cover art. Whatever

00:14:23.460 --> 00:14:25.799
your reason for physical is, and there are so

00:14:25.799 --> 00:14:27.700
many different reasons that people have physical

00:14:27.700 --> 00:14:31.659
music collections, I think. Streaming is, I do

00:14:31.659 --> 00:14:34.419
it all the time. I'm reading an article, a press

00:14:34.419 --> 00:14:36.139
release about something, and I'm just going to

00:14:36.139 --> 00:14:38.240
click and listen to it because it's super convenient.

00:14:38.500 --> 00:14:41.519
There's no denying that. That's amazing you say

00:14:41.519 --> 00:14:45.279
that because when I first dabbled with streaming,

00:14:45.559 --> 00:14:48.759
I never thought of streaming for me personally,

00:14:48.860 --> 00:14:51.120
and everyone has their different means. But for

00:14:51.120 --> 00:14:55.080
me, I always felt that streaming was the perfect

00:14:55.080 --> 00:15:00.240
tool to test drive new bands. Yeah. What I love

00:15:00.240 --> 00:15:03.320
about independent record stores is though, sometimes

00:15:03.320 --> 00:15:07.679
they have a pulse based on knowledge that you

00:15:07.679 --> 00:15:11.460
might not get from Spotify or from title or just

00:15:11.460 --> 00:15:14.279
from digging around just because they have so

00:15:14.279 --> 00:15:16.940
many different people coming in. Word of mouth

00:15:16.940 --> 00:15:20.299
is massive for any band out there. And I think

00:15:20.299 --> 00:15:22.120
that's a big part of this. And I feel like the

00:15:22.120 --> 00:15:25.700
independent record stores are your hubs for the

00:15:25.700 --> 00:15:28.039
word of mouth. If you're not at a live show,

00:15:28.080 --> 00:15:30.309
I feel like. That's the next place you would

00:15:30.309 --> 00:15:33.309
be to find out about these bands. Oh, absolutely.

00:15:33.450 --> 00:15:37.970
And I feel strongly that a human is the best

00:15:37.970 --> 00:15:41.210
algorithm for recommendation. And you're never

00:15:41.210 --> 00:15:45.070
going to match a human saying, oh, dude, you

00:15:45.070 --> 00:15:47.750
like that record. Maybe you should listen to

00:15:47.750 --> 00:15:50.909
this one. Or, oh, I'm about to put this one on,

00:15:50.990 --> 00:15:52.450
stick around for a couple songs and see what

00:15:52.450 --> 00:15:54.710
you think. Or, yeah, somebody came in and bought

00:15:54.710 --> 00:15:56.769
that last week and we listened to it. Because

00:15:56.769 --> 00:15:59.750
the clerks get... that same feedback and inspiration

00:15:59.750 --> 00:16:04.350
from the customers. And I don't think that Spotify,

00:16:04.529 --> 00:16:06.350
yes, they're going to look at what you're playing

00:16:06.350 --> 00:16:08.929
and they're going to recommend very similar things.

00:16:09.110 --> 00:16:12.169
And I am not savvy in that way. I don't know

00:16:12.169 --> 00:16:14.450
how algorithms work. They confuse me sometimes,

00:16:14.710 --> 00:16:17.389
but I use them. I know they exist and they're

00:16:17.389 --> 00:16:19.629
helpful, but it also seems to me like a lot of

00:16:19.629 --> 00:16:23.309
times. Everything is very similar. I listen to

00:16:23.309 --> 00:16:25.269
this, so it recommends this. It kind of sounds

00:16:25.269 --> 00:16:27.450
just like what I was just listening to. And that's

00:16:27.450 --> 00:16:29.870
not, in my mind, really discovery. That's a lovely

00:16:29.870 --> 00:16:33.450
playlist and maybe perfect for whatever I'm doing

00:16:33.450 --> 00:16:36.789
and I want a certain theme. But for discovery,

00:16:37.049 --> 00:16:40.250
I still think the idea of humans talking to each

00:16:40.250 --> 00:16:42.669
other and learning from each other and being

00:16:42.669 --> 00:16:46.409
in a social place. Live shows are great for that

00:16:46.409 --> 00:16:48.629
because you're with other people and you're talking

00:16:48.629 --> 00:16:50.850
to other people. But how did you learn to go

00:16:50.850 --> 00:16:53.789
to that live show? Did you hear about it from

00:16:53.789 --> 00:16:56.490
someone? Did you discover it on Spotify? Yeah,

00:16:56.529 --> 00:16:58.990
you may have, but then you're going to be with

00:16:58.990 --> 00:17:01.970
other people and experiencing it. And that's

00:17:01.970 --> 00:17:04.410
a big factor in a record store. That's a big

00:17:04.410 --> 00:17:08.990
thing is the social element of it. And I, you

00:17:08.990 --> 00:17:11.549
know, it's a cliche that everybody's kind of

00:17:11.549 --> 00:17:15.589
snotty at a record store. You know, you're not

00:17:15.589 --> 00:17:16.970
going to have a great time. They're going to

00:17:16.970 --> 00:17:18.769
make fun of you or you're going to walk out and

00:17:18.769 --> 00:17:21.049
make fun of them. We've all seen high fidelity.

00:17:22.009 --> 00:17:25.170
Exactly. Exactly. And I, you know, I experienced

00:17:25.170 --> 00:17:27.930
that, not thankfully in the stores I worked in,

00:17:27.970 --> 00:17:30.829
but I experienced it. And to some small extent,

00:17:30.910 --> 00:17:33.269
I do put it down to the fact that I'm female

00:17:33.269 --> 00:17:36.450
and I would go in record stores. Not anymore,

00:17:36.549 --> 00:17:40.279
because there are more and more. females working

00:17:40.279 --> 00:17:42.359
in, owning, and shopping in record stores. It's

00:17:42.359 --> 00:17:44.279
almost laughable when people bring that up now,

00:17:44.400 --> 00:17:46.779
but it definitely did not used to be the case.

00:17:47.380 --> 00:17:49.519
I just feel like the social element, and that's

00:17:49.519 --> 00:17:52.119
something I talk about a lot when people say,

00:17:52.259 --> 00:17:57.339
why are record stores still working? Why are

00:17:57.339 --> 00:18:00.500
they still going? And part of it is that social

00:18:00.500 --> 00:18:04.299
aspect. People really love being able to just

00:18:04.299 --> 00:18:06.160
walk into a grocery store and be by themselves

00:18:06.160 --> 00:18:08.339
and walk around and buy groceries because they

00:18:08.339 --> 00:18:10.140
can figure out what they need and what they want.

00:18:11.039 --> 00:18:13.319
People can buy gas without talking to another

00:18:13.319 --> 00:18:17.420
human. Music is a different thing. And in a lot

00:18:17.420 --> 00:18:20.920
of ways, books are the same way. And I don't

00:18:20.920 --> 00:18:22.839
know, maybe food should be that way. Maybe you

00:18:22.839 --> 00:18:26.599
should have to talk to people. I don't know.

00:18:27.059 --> 00:18:29.700
But there are some things in the world that you

00:18:29.700 --> 00:18:33.279
still consume. that have such a social element

00:18:33.279 --> 00:18:37.240
to them that it's really great to have a place

00:18:37.240 --> 00:18:41.680
where like -minded people who are like -minded

00:18:41.680 --> 00:18:43.740
in that they want to go and consume this music

00:18:43.740 --> 00:18:47.000
with other humans but don't necessarily have

00:18:47.000 --> 00:18:49.480
the exact same taste, if you're open to that,

00:18:49.720 --> 00:18:52.960
record stores are a fantastic place, especially

00:18:52.960 --> 00:18:56.940
now. A lot of them have coffee and beer and you

00:18:56.940 --> 00:18:59.940
can listen to things. But going back to how streaming

00:18:59.940 --> 00:19:02.839
is a great discovery tool, things are set up

00:19:02.839 --> 00:19:05.380
in the world now of record stores and distribution

00:19:05.380 --> 00:19:08.339
that it would be very difficult for them to open

00:19:08.339 --> 00:19:12.279
up every record and maybe even every CD and let

00:19:12.279 --> 00:19:15.359
you listen to it before you buy it. Because for

00:19:15.359 --> 00:19:17.319
a lot of reasons, vinyl is for the most part

00:19:17.319 --> 00:19:19.599
not returnable. So once a store gets it, if it's

00:19:19.599 --> 00:19:21.500
not that it's defective, they can't return it.

00:19:21.519 --> 00:19:23.779
So they're very likely to not open it up and

00:19:23.779 --> 00:19:26.400
let you play it before you buy it. Because that's

00:19:26.400 --> 00:19:28.799
a risk and a not inexpensive one for them to

00:19:28.799 --> 00:19:33.400
take. So the fact that they're streaming or some

00:19:33.400 --> 00:19:35.319
other way to discover this music and then come

00:19:35.319 --> 00:19:37.119
in and experience it in the world of the record

00:19:37.119 --> 00:19:40.859
stores is good. We shouldn't kid ourselves. It's

00:19:40.859 --> 00:19:45.460
not going away. The problem of dealing with streaming,

00:19:45.720 --> 00:19:47.779
quote unquote, is not going to get easier or

00:19:47.779 --> 00:19:51.660
go away. It's either embrace it. Exactly, exactly.

00:19:53.390 --> 00:19:55.329
I want to tie this back in because there's a

00:19:55.329 --> 00:19:57.250
couple of things that you mentioned that are

00:19:57.250 --> 00:20:00.109
extremely interesting, bringing it back down

00:20:00.109 --> 00:20:02.470
to that local level where you talked about how

00:20:02.470 --> 00:20:04.910
your record stores are in your communities. How

00:20:04.910 --> 00:20:07.210
much of a role do you think the record store

00:20:07.210 --> 00:20:10.529
day and record stores in general play for new

00:20:10.529 --> 00:20:14.289
local music getting discovered as well? Oh, my

00:20:14.289 --> 00:20:19.710
God. Huge, huge. And only getting. Huger, which

00:20:19.710 --> 00:20:22.769
isn't a word, but it's... It is now. It's early.

00:20:24.089 --> 00:20:28.509
I should not be creating words. So one of the

00:20:28.509 --> 00:20:30.009
things about Record Store Day that's so exciting

00:20:30.009 --> 00:20:32.910
is when we have big performers come and celebrate

00:20:32.910 --> 00:20:34.809
Record Store Day by doing an in -store event.

00:20:35.430 --> 00:20:37.170
You know, Foo Fighters have played in two different

00:20:37.170 --> 00:20:39.690
record stores. Little record stores on Record

00:20:39.690 --> 00:20:43.049
Store Day. Iggy Pop shows up and serves ice cream

00:20:43.049 --> 00:20:46.349
sandwiches. I mean, Pearl Jam shows up and donuts

00:20:46.349 --> 00:20:49.859
and... We've had Wilco performances. Yeah, there

00:20:49.859 --> 00:20:52.519
was some band, Metallica or something. Exactly.

00:20:52.900 --> 00:20:55.880
They were, honest to God, the first to kind of

00:20:55.880 --> 00:20:58.460
really embrace what we were doing. And they were

00:20:58.460 --> 00:20:59.640
like, you know what? We're going to go to our

00:20:59.640 --> 00:21:01.720
record store in a local and we're going to sign

00:21:01.720 --> 00:21:04.180
records. And they did it for like four hours.

00:21:04.460 --> 00:21:07.079
That's awesome. That's so insane. And I don't

00:21:07.079 --> 00:21:10.339
care if you don't like Metallica. That's amazing

00:21:10.339 --> 00:21:13.480
that they did that. They may be big. They might

00:21:13.480 --> 00:21:15.759
go somewhere. Right. They might be. My voice

00:21:15.759 --> 00:21:17.640
gets really high when I talk about how cool that

00:21:17.640 --> 00:21:23.559
was. But the majority, so there are 1 ,200, give

00:21:23.559 --> 00:21:25.599
or take, participating record stores in the U

00:21:25.599 --> 00:21:28.519
.S. alone. And that's not worldwide because we

00:21:28.519 --> 00:21:31.559
are worldwide, man. We are big. But in the U

00:21:31.559 --> 00:21:33.619
.S. alone, that's 1 ,200 stores having a day

00:21:33.619 --> 00:21:36.460
-long party. The majority of the people performing

00:21:36.460 --> 00:21:38.940
at those parties and celebrating what the record

00:21:38.940 --> 00:21:41.180
store means to them and to their communities.

00:21:42.059 --> 00:21:44.680
are local bands, the majority of the music. I

00:21:44.680 --> 00:21:48.039
mean, there are like 15 band bills at these stores.

00:21:48.480 --> 00:21:51.920
And the videos from those are my favorite part

00:21:51.920 --> 00:21:56.220
of the day because everyone is happy. Everyone

00:21:56.220 --> 00:22:00.279
is thrilled. It's guys and girls and children

00:22:00.279 --> 00:22:05.140
performing at their local record store and being

00:22:05.140 --> 00:22:07.920
treated like rock stars because the record store

00:22:07.920 --> 00:22:10.910
recognizes. that this is part of our community.

00:22:11.349 --> 00:22:14.190
I mean, there are some record stores where they're

00:22:14.190 --> 00:22:17.150
basically a band practice space, you know, book

00:22:17.150 --> 00:22:19.950
a Tuesday in store before the store closes and

00:22:19.950 --> 00:22:23.089
come on, let's watch you grow up. Waterloo and

00:22:23.089 --> 00:22:27.849
Austin, there are three or four artists who basically

00:22:27.849 --> 00:22:29.769
have been playing at Waterloo since they were

00:22:29.769 --> 00:22:32.930
little kids, just kind of honing their craft

00:22:32.930 --> 00:22:34.930
and getting better and better and better. And

00:22:34.930 --> 00:22:37.470
the way that record stores embrace their local

00:22:37.470 --> 00:22:42.200
musicians is, is just so indicative of what community

00:22:42.200 --> 00:22:45.779
is. They will consign your records. They will

00:22:45.779 --> 00:22:48.660
put up your show flyers. They will put up a flyer

00:22:48.660 --> 00:22:51.960
to help you put your band together. And I guarantee

00:22:51.960 --> 00:22:54.960
there's been store staff who have said like,

00:22:55.119 --> 00:22:57.200
oh, you should come back and talk to this person

00:22:57.200 --> 00:23:00.690
who plays guitar. who usually comes in on Tuesdays.

00:23:00.750 --> 00:23:03.509
You guys might get along. I know there are bands

00:23:03.509 --> 00:23:05.549
that have started over the racks. I know there

00:23:05.549 --> 00:23:07.930
are. That's amazing. And record stores, more

00:23:07.930 --> 00:23:10.809
and more of them are putting out, doing their

00:23:10.809 --> 00:23:13.529
own thing in this land of DIY music where everybody

00:23:13.529 --> 00:23:15.190
can put out a record if they really want to.

00:23:15.250 --> 00:23:18.150
Record stores are starting labels and supporting

00:23:18.150 --> 00:23:20.789
their local artists by putting them on the label.

00:23:21.049 --> 00:23:23.730
And that's just great to see too. That's just

00:23:23.730 --> 00:23:26.730
more, you know, that's just the cycle there.

00:23:27.400 --> 00:23:30.519
So I want to piggyback off of the ambassadors

00:23:30.519 --> 00:23:33.920
that you were talking about earlier. Yeah. That

00:23:33.920 --> 00:23:37.440
seems like a hard get for the Foo Fighters, for

00:23:37.440 --> 00:23:40.480
Metallica, for Pearl Jam. From a marketing perspective,

00:23:40.799 --> 00:23:43.740
how do you create those partnerships with the

00:23:43.740 --> 00:23:45.480
bands? Do you have to go through management,

00:23:45.579 --> 00:23:47.920
the label? Talk about how that comes to fruition.

00:23:48.880 --> 00:23:52.779
It's really different with every situation. And

00:23:52.779 --> 00:23:55.380
that's the case with every release, with every...

00:23:55.960 --> 00:23:59.240
The Ambassador is a really crazy thing that grew

00:23:59.240 --> 00:24:03.660
out of Record Store Day. When I said that there's

00:24:03.660 --> 00:24:07.740
no plan for this, there's no checklist, Ambassador

00:24:07.740 --> 00:24:11.500
wasn't on our list. We wanted artists to be a

00:24:11.500 --> 00:24:13.900
part of Record Store Day from the beginning because

00:24:13.900 --> 00:24:18.079
there are three groups of people in a record

00:24:18.079 --> 00:24:19.940
store. There's the people who own it and run

00:24:19.940 --> 00:24:22.480
it, the people who shop in it, and the people

00:24:22.480 --> 00:24:25.150
who make the music that's sold in it. So to have

00:24:25.150 --> 00:24:26.990
a day that celebrates it, you need all three

00:24:26.990 --> 00:24:29.329
groups of people to participate. That was the

00:24:29.329 --> 00:24:33.109
basic strategy. You're in this group. What do

00:24:33.109 --> 00:24:38.950
you want to do? So I think it was 2009, maybe

00:24:38.950 --> 00:24:43.250
our second year. Jesse Hughes from Eagles of

00:24:43.250 --> 00:24:46.470
Death Metal, they were doing a piece, Eagles

00:24:46.470 --> 00:24:49.329
of Death Metal was, and he was talking to somebody,

00:24:49.390 --> 00:24:52.190
I think at his label maybe or management. And

00:24:52.190 --> 00:24:54.329
he was like, you know what? This is a great thing.

00:24:54.450 --> 00:24:57.710
What a great made up holiday. You need an ambassador.

00:24:58.029 --> 00:25:00.950
I'm going to be it. And just try and stop me,

00:25:01.029 --> 00:25:07.049
basically. No, please don't do that. How dare

00:25:07.049 --> 00:25:10.849
you tell anybody about this? It's a big secret.

00:25:11.190 --> 00:25:14.650
So he went out and just basically, I think he

00:25:14.650 --> 00:25:17.369
had a sash. I'm trying to, the days blur together

00:25:17.369 --> 00:25:19.940
for me. They really do. I think he had a sash

00:25:19.940 --> 00:25:21.640
and I think he just went out and was basically

00:25:21.640 --> 00:25:23.759
like, I'm here to tell everybody about this great

00:25:23.759 --> 00:25:25.460
thing called Record Store Day and these great

00:25:25.460 --> 00:25:27.839
places called record stores. And it was fantastic.

00:25:28.059 --> 00:25:30.920
And then kind of as a fluke, you know, it could

00:25:30.920 --> 00:25:33.960
have ended just there. Like Jesse, he was crazy.

00:25:34.019 --> 00:25:38.779
That was awesome. I somehow was doing an interview

00:25:38.779 --> 00:25:43.269
with. His bandmate Joshua Homme of Queens of

00:25:43.269 --> 00:25:45.849
Stone Age and Death Metal and Them Crooked Vultures.

00:25:45.849 --> 00:25:47.289
I was just going to say Them Crooked Vultures.

00:25:47.569 --> 00:25:49.950
Yep. I'm actually wearing a Them Crooked Vultures

00:25:49.950 --> 00:25:53.829
t -shirt right now. Awesome. So I was doing an

00:25:53.829 --> 00:25:55.890
interview with him for – I think we were going

00:25:55.890 --> 00:25:58.369
to put it on our website on recordstoreday .com.

00:25:58.470 --> 00:26:00.250
So I was doing an interview with him and I said,

00:26:00.369 --> 00:26:03.170
you know, your buddy Jesse was our ambassador

00:26:03.170 --> 00:26:05.730
last year. Are you going to just let him kind

00:26:05.730 --> 00:26:09.799
of one -up you in that arena? And he was like,

00:26:09.880 --> 00:26:12.160
no, I'm not. I'm not going to let him do that.

00:26:12.339 --> 00:26:14.980
And I said, well, you realize I'm taping this,

00:26:15.160 --> 00:26:18.940
right? You realize this is recorded and you have

00:26:18.940 --> 00:26:21.279
just agreed. And he was like, yeah, yeah, this

00:26:21.279 --> 00:26:24.380
is fantastic. So he was the next ambassador because

00:26:24.380 --> 00:26:29.200
he agreed to it and I had a recording. And he

00:26:29.200 --> 00:26:31.779
is the one who created this. You should go on

00:26:31.779 --> 00:26:34.460
our page and find the Ambassador Archive history

00:26:34.460 --> 00:26:39.299
page. The video he made. as his ambassadorial

00:26:39.299 --> 00:26:43.380
statement was fantastic. And it's like all these,

00:26:43.480 --> 00:26:46.500
like, it's kind of like shot like a sci -fi movie

00:26:46.500 --> 00:26:48.980
and it's him swiveling around in a chair and

00:26:48.980 --> 00:26:51.920
saying things like, you need a soundtrack and

00:26:51.920 --> 00:26:56.259
just this crazy Joshua sort of thing, but it

00:26:56.259 --> 00:26:59.519
was perfect. And that's how ambassador videos

00:26:59.519 --> 00:27:03.720
were born for us. So we got Jesse to create the

00:27:03.720 --> 00:27:06.869
ambassadorship. We got this fluke of me talking

00:27:06.869 --> 00:27:10.230
to Joshua and him saying, okay, and creating

00:27:10.230 --> 00:27:14.309
this video. And then from there, it was just

00:27:14.309 --> 00:27:17.690
kind of, you know, we talked to labels and management

00:27:17.690 --> 00:27:20.789
all the time about what can we do year round?

00:27:21.069 --> 00:27:23.470
Cause that's, that's something I hope we get

00:27:23.470 --> 00:27:25.289
into as well is that record store day is not

00:27:25.289 --> 00:27:27.690
just one day. It's not just two days. It's year

00:27:27.690 --> 00:27:30.109
round because records come out all year round.

00:27:30.329 --> 00:27:33.539
So as we're talking to people, we kind of, get

00:27:33.539 --> 00:27:37.720
a sense of which artists make sense, which artists

00:27:37.720 --> 00:27:40.460
you can, you always want an ambassador when you

00:27:40.460 --> 00:27:44.900
announce them to be somebody that a person can

00:27:44.900 --> 00:27:47.680
say, yeah, I get it. I see them in a record store.

00:27:47.839 --> 00:27:50.900
I buy that. Okay. That makes sense. So there

00:27:50.900 --> 00:27:53.359
are some artists that would be great for us in

00:27:53.359 --> 00:27:56.059
terms of their reach, but may not necessarily

00:27:56.059 --> 00:28:00.539
be. You might have to explain a little bit about,

00:28:00.619 --> 00:28:02.839
no, no, they really do shop at record stores.

00:28:04.259 --> 00:28:08.099
And we may or may not have had a few artists

00:28:08.099 --> 00:28:09.660
that were a little bit more along that line,

00:28:09.740 --> 00:28:12.559
but for the most part, when we are talking with

00:28:12.559 --> 00:28:15.680
people about ambassadorships, it's actually pretty

00:28:15.680 --> 00:28:18.920
easy because you're only going to have those

00:28:18.920 --> 00:28:22.059
conversations with people who are already genuinely

00:28:22.059 --> 00:28:25.400
get what you do, have at this point, most of

00:28:25.400 --> 00:28:28.089
them have already. done a release for Record

00:28:28.089 --> 00:28:31.390
Store Day or have made an appearance or have

00:28:31.390 --> 00:28:34.829
somehow participated and celebrated with us.

00:28:35.049 --> 00:28:37.569
So they kind of get it. You know, we have some

00:28:37.569 --> 00:28:40.029
requests we make from the very beginning, which

00:28:40.029 --> 00:28:43.230
is, you know, on our end, we need you to help

00:28:43.230 --> 00:28:46.109
us spread the word. We need you to agree. You

00:28:46.109 --> 00:28:47.730
know, you'll do some press. You'll make a video.

00:28:47.910 --> 00:28:51.069
You'll be our ambassador. And they've all done

00:28:51.069 --> 00:28:53.910
it in different ways. And they've all done it.

00:28:54.170 --> 00:28:56.390
really well and authentically. And we've had

00:28:56.390 --> 00:28:58.390
a couple people come to us and say, I want to

00:28:58.390 --> 00:29:01.589
do this for you. And I'm pretty sure Chuck D

00:29:01.589 --> 00:29:05.789
came to us, which is still fairly mind -blowing

00:29:05.789 --> 00:29:09.109
to me. By the way, Chuck D, top five hugger.

00:29:10.869 --> 00:29:13.369
He's an amazing hugger. And I don't think he'd

00:29:13.369 --> 00:29:15.960
be upset with me saying that. Alright, so we're

00:29:15.960 --> 00:29:18.759
talking about the fun part of the process coming

00:29:18.759 --> 00:29:21.160
together. Let's talk a little bit about the challenges,

00:29:21.220 --> 00:29:23.019
the marketing challenges involved in creating

00:29:23.019 --> 00:29:25.220
a nationwide event with hundreds of independent

00:29:25.220 --> 00:29:27.079
record stores across the country. I know we kind

00:29:27.079 --> 00:29:29.759
of touched on that a little bit earlier, working

00:29:29.759 --> 00:29:32.960
with your background in marketing and PR, how

00:29:32.960 --> 00:29:35.119
you reach out to those people. So talk about

00:29:35.119 --> 00:29:38.519
the evolution of that process. Sure. Well, I

00:29:38.519 --> 00:29:41.319
mean, I think I mentioned we have about 1 ,200...

00:29:42.059 --> 00:29:44.940
quote unquote, pledge sign stores. And I can

00:29:44.940 --> 00:29:46.740
explain what a pledge is in just a minute. But

00:29:46.740 --> 00:29:49.819
when we started, I think we were about 200 stores

00:29:49.819 --> 00:29:52.740
is where we were. And some of those were easy

00:29:52.740 --> 00:29:56.740
to get because my record store day is not my

00:29:56.740 --> 00:29:59.799
day job. It's not my full time job. Record store

00:29:59.799 --> 00:30:02.299
day is a project that kind of comes out of my

00:30:02.299 --> 00:30:04.220
full time job. And that's the same situation

00:30:04.220 --> 00:30:07.799
for everybody who runs or is kind of on the advisory

00:30:07.799 --> 00:30:12.470
board of record store day. My real job. is director

00:30:12.470 --> 00:30:15.329
of marketing for a coalition of indie record

00:30:15.329 --> 00:30:18.829
stores. So when I said that we all worked with

00:30:18.829 --> 00:30:20.829
record stores day in, day out, that's how we

00:30:20.829 --> 00:30:23.390
knew they existed and were doing well or still

00:30:23.390 --> 00:30:26.089
thriving and opening, it's because we all had

00:30:26.089 --> 00:30:28.630
day jobs. There are three coalitions in the United

00:30:28.630 --> 00:30:32.470
States. They're all various sizes. The types

00:30:32.470 --> 00:30:34.670
of stores that are in them are a little bit different,

00:30:34.769 --> 00:30:38.539
but they all came together. for marketing purposes

00:30:38.539 --> 00:30:40.519
and business purposes. Because when you're an

00:30:40.519 --> 00:30:43.740
independent store, either a single store or like

00:30:43.740 --> 00:30:45.900
a three -store chain or whatever, you don't have

00:30:45.900 --> 00:30:48.319
the power to call up a label with the same sort

00:30:48.319 --> 00:30:51.480
of buying power or marketing message power as,

00:30:51.480 --> 00:30:55.200
say, a Target or Best Buy or Tower or FYE or

00:30:55.200 --> 00:30:57.819
any of those places. So the coalitions brought

00:30:57.819 --> 00:31:00.940
these indies together, like -minded indies across

00:31:00.940 --> 00:31:04.150
the country. into these three different coalitions,

00:31:04.170 --> 00:31:07.369
and they do amazing work for the stores in terms

00:31:07.369 --> 00:31:11.730
of marketing, in terms of being a liaison, and

00:31:11.730 --> 00:31:13.650
that sort of thing. And Record Store Day is a

00:31:13.650 --> 00:31:16.289
project that has grown out of those coalitions.

00:31:16.289 --> 00:31:19.130
So the first year, all those coalition stores

00:31:19.130 --> 00:31:21.470
were in. They were part of Record Store Day.

00:31:21.609 --> 00:31:25.430
And some of them are very famous stores. Rasputin

00:31:25.430 --> 00:31:28.210
in San Francisco, which is where Metallica was,

00:31:28.569 --> 00:31:31.839
Bull Moose. up in Portland, Maine, Zia Records

00:31:31.839 --> 00:31:36.980
in Arizona and Las Vegas, Waterloo, Easy Street

00:31:36.980 --> 00:31:39.259
and Silver Platters up in Seattle, all over the

00:31:39.259 --> 00:31:41.980
map. So those coalition stores were in because

00:31:41.980 --> 00:31:46.400
they knew us and they trusted us. But then there

00:31:46.400 --> 00:31:49.339
were other stores who were smaller maybe and

00:31:49.339 --> 00:31:52.039
who didn't know us and who had been kind of kicking

00:31:52.039 --> 00:31:55.140
it around for a while and finding maybe that

00:31:55.140 --> 00:31:58.920
it wasn't as easy to do. what they had been doing,

00:31:59.180 --> 00:32:01.420
you know, the industry's changing, times are

00:32:01.420 --> 00:32:03.279
changing, things are getting a little tougher.

00:32:03.779 --> 00:32:05.700
And then we come in, these people they don't

00:32:05.700 --> 00:32:08.859
know, and say, hey, we're going to have this

00:32:08.859 --> 00:32:11.660
day called Record Store Day, and it's about you.

00:32:11.880 --> 00:32:13.759
You want to be part of it? We're not asking for

00:32:13.759 --> 00:32:15.900
anything. Just, do you want to be part of it?

00:32:16.660 --> 00:32:19.529
They didn't really trust us. You know, they don't

00:32:19.529 --> 00:32:22.329
know. We could be the man. How do they know?

00:32:22.829 --> 00:32:25.930
I mean, record store folks are generally nice

00:32:25.930 --> 00:32:28.730
now, as I've said. They're not the Jack Black

00:32:28.730 --> 00:32:30.630
character that they might have used to been.

00:32:30.990 --> 00:32:33.690
But they're also by nature cynical, I think.

00:32:34.109 --> 00:32:38.009
Almost every one of them, myself included. I

00:32:38.009 --> 00:32:40.089
might have been like, what? What are you talking

00:32:40.089 --> 00:32:42.849
about? That sounds ridiculous. I think every

00:32:42.849 --> 00:32:45.049
business has to have some pause and some caution

00:32:45.049 --> 00:32:48.309
in order to be successful. Absolutely. So that

00:32:48.309 --> 00:32:51.210
first year, we did get kickback from some stores

00:32:51.210 --> 00:32:55.630
who now are like kind of our most devoted record

00:32:55.630 --> 00:32:59.490
stores. But I totally respect that, as you say,

00:32:59.569 --> 00:33:03.069
that pause. So it grew year over year. It was

00:33:03.069 --> 00:33:05.289
easier to get stores as we could go back and

00:33:05.289 --> 00:33:07.210
tell the story. Oh, look, this is what this became.

00:33:07.569 --> 00:33:09.910
The problem the first year is, just like I said,

00:33:09.950 --> 00:33:11.970
we didn't know what it was going to be. Hey,

00:33:12.029 --> 00:33:13.950
we're literally just having a party. Do what

00:33:13.950 --> 00:33:16.539
you'd like to do. We'll help promote it. you

00:33:16.539 --> 00:33:18.519
know, that could have fizzled. That could have

00:33:18.519 --> 00:33:21.759
been nothing. But I do think we felt in our hearts

00:33:21.759 --> 00:33:24.740
that people like record stores and this would

00:33:24.740 --> 00:33:26.619
be a fun thing. There's no way we ever would

00:33:26.619 --> 00:33:28.680
have known what it would grow to be, what it

00:33:28.680 --> 00:33:31.440
has become, the opportunities it's brought, the

00:33:31.440 --> 00:33:33.559
challenges it's brought. All of that has been

00:33:33.559 --> 00:33:36.740
a learning process and continues to be. But from

00:33:36.740 --> 00:33:38.960
that first year, it got easier because we were

00:33:38.960 --> 00:33:41.299
able to go back and say, this happened here.

00:33:41.460 --> 00:33:43.720
This happened here. This was successful. These

00:33:43.720 --> 00:33:46.930
stores. did really well financially, and also

00:33:46.930 --> 00:33:49.829
felt the love on that day, would you like to

00:33:49.829 --> 00:33:52.410
be a part of it? That also was the case on the

00:33:52.410 --> 00:33:55.410
label side and management side, because again,

00:33:55.529 --> 00:33:58.289
artists don't want to do things that are stupid

00:33:58.289 --> 00:34:01.150
or aren't going to be successful, and some of

00:34:01.150 --> 00:34:03.589
them waited a couple years. Some of them still

00:34:03.589 --> 00:34:07.150
wait to see, does that work? Did that work? Paul

00:34:07.150 --> 00:34:09.469
McCartney gave us a quote the very first year,

00:34:09.610 --> 00:34:12.030
which was huge, because he had just played at

00:34:12.280 --> 00:34:15.960
Amoeba in Los Angeles. And he loved his experience.

00:34:16.679 --> 00:34:19.800
Nick Hornby gave us a quote and Metallica played,

00:34:19.920 --> 00:34:22.980
you know, signed in a store. And that, that was

00:34:22.980 --> 00:34:25.960
kind of like a, a good signpost for us that we

00:34:25.960 --> 00:34:27.739
were on our way and that we were onto something

00:34:27.739 --> 00:34:30.599
there. But again, it all had to grow and people

00:34:30.599 --> 00:34:34.219
had to trust us. And that goes back to what I

00:34:34.219 --> 00:34:37.719
said about, we all are teaching ourselves all

00:34:37.719 --> 00:34:40.199
of this along the way. And the whole way through,

00:34:40.239 --> 00:34:42.809
all we do is. You treat people with respect.

00:34:43.269 --> 00:34:45.570
You're honest with them. You're as transparent

00:34:45.570 --> 00:34:48.789
as you can be about what your goals are, what

00:34:48.789 --> 00:34:52.510
your intentions are. And this is a fun thing.

00:34:52.829 --> 00:34:56.170
If it's a struggle for you to be with us on Record

00:34:56.170 --> 00:34:59.929
Store Day, then don't worry yourself. Wait until

00:34:59.929 --> 00:35:03.070
it makes sense. And that was kind of our approach

00:35:03.070 --> 00:35:05.630
to all of this. We'd love to have you with us.

00:35:06.250 --> 00:35:08.130
Let's think of a way to make that happen where

00:35:08.130 --> 00:35:10.570
everybody's comfortable and everybody... feels

00:35:10.570 --> 00:35:12.090
good about what we're doing. And that applies

00:35:12.090 --> 00:35:14.630
to artists. It applies to customers. It applies

00:35:14.630 --> 00:35:17.250
to stores. I get emails from customers all the

00:35:17.250 --> 00:35:19.989
time. That's part of what I do is respond to

00:35:19.989 --> 00:35:23.449
the email that comes in and the communication

00:35:23.449 --> 00:35:26.690
between us and customers and us and stores is

00:35:26.690 --> 00:35:31.090
often me. And people who don't really get the

00:35:31.090 --> 00:35:34.469
idea get very upset that they didn't get their

00:35:34.469 --> 00:35:38.820
special piece or the store didn't get. something

00:35:38.820 --> 00:35:40.659
and they don't understand how things work or

00:35:40.659 --> 00:35:43.980
what our actual goal is. And I've been able to

00:35:43.980 --> 00:35:47.079
change people's minds and kind of talk them off

00:35:47.079 --> 00:35:50.539
a ledge because people get really angry really

00:35:50.539 --> 00:35:54.880
quickly. But just being as honest and transparent

00:35:54.880 --> 00:35:56.639
and saying, I'm really sorry you didn't get that

00:35:56.639 --> 00:35:59.860
record. Our goal was to celebrate the store.

00:36:00.599 --> 00:36:02.239
Hopefully you got something else that you're

00:36:02.239 --> 00:36:04.920
going to love. And this may sound weird coming

00:36:04.920 --> 00:36:07.179
from someone at Record Store Day, but you didn't

00:36:07.179 --> 00:36:09.840
get that record, you're going to live. It's okay.

00:36:10.980 --> 00:36:14.300
So now I have to ask about that. Every year there

00:36:14.300 --> 00:36:17.739
are hundreds of exclusive titles to Record Store

00:36:17.739 --> 00:36:20.500
Day, whether they be regional or national exclusive

00:36:20.500 --> 00:36:23.960
titles. Can you talk about the process that's

00:36:23.960 --> 00:36:27.159
involved in securing each one of those releases?

00:36:27.159 --> 00:36:29.059
Not every single one since the beginning, but

00:36:29.059 --> 00:36:32.079
the general process that you need to go through.

00:36:32.599 --> 00:36:36.820
to actually secure that exclusive Record Store

00:36:36.820 --> 00:36:41.440
Day release. Sure. And that is, once again, man,

00:36:41.440 --> 00:36:43.519
this is going to sound like I'm repeating myself,

00:36:43.599 --> 00:36:46.980
but again, that is a process that has changed

00:36:46.980 --> 00:36:50.159
and adapted and grown since the first year. The

00:36:50.159 --> 00:36:51.960
first year, I think there were less than 20 titles,

00:36:52.019 --> 00:36:54.320
and they were pretty much all from Warner Brothers,

00:36:54.480 --> 00:36:56.639
because they were like, yeah, well, let's just

00:36:56.639 --> 00:36:58.559
try this and see if it works. That wasn't even

00:36:58.559 --> 00:37:00.679
necessarily always going to be a part of Record

00:37:00.679 --> 00:37:03.579
Store Day. It made sense for it to be a part

00:37:03.579 --> 00:37:07.059
of Record Store Day special releases. But it

00:37:07.059 --> 00:37:09.659
wasn't the thing that wasn't in our head that

00:37:09.659 --> 00:37:11.559
this was going to be the thing that happens on

00:37:11.559 --> 00:37:14.960
Record Store Day. It has grown into the thing

00:37:14.960 --> 00:37:16.820
that happens on Record Store Day, at least in

00:37:16.820 --> 00:37:18.679
the morning. In the afternoon is when the parties

00:37:18.679 --> 00:37:22.239
happen. But so, again, that's different with

00:37:22.239 --> 00:37:25.539
almost every title. It could possibly be something.

00:37:25.760 --> 00:37:28.739
And Michael Kurtz, who is a co -founder and someone

00:37:28.739 --> 00:37:30.639
I've worked with for years at Record Stores.

00:37:31.179 --> 00:37:33.860
This is kind of his, he's the captain of this

00:37:33.860 --> 00:37:36.360
side of things. He works year round and is in

00:37:36.360 --> 00:37:39.659
fact working right now with people on Record

00:37:39.659 --> 00:37:42.980
Store Day titles, as well as Black Friday titles.

00:37:43.739 --> 00:37:46.360
So he talks to people all the time. And it could

00:37:46.360 --> 00:37:50.019
be an idea that he has and takes to the label

00:37:50.019 --> 00:37:52.820
management or distribution. It depends on the

00:37:52.820 --> 00:37:56.039
artist who you speak to in their world and says,

00:37:56.280 --> 00:37:58.960
is this possible? Can we run this up? Can we

00:37:58.960 --> 00:38:03.159
see what happens? Titles could morph from that,

00:38:03.219 --> 00:38:04.980
become something else, become something bigger,

00:38:05.059 --> 00:38:06.599
become something smaller, kind of fall by the

00:38:06.599 --> 00:38:08.880
wayside. That's not going to work. Profit and

00:38:08.880 --> 00:38:10.739
loss, that's not going to work for them for this.

00:38:10.739 --> 00:38:13.179
For this year, it doesn't fall in the cycle of

00:38:13.179 --> 00:38:16.980
this new release. And then sometimes labels,

00:38:17.099 --> 00:38:19.780
quite often, labels and distribution will bring

00:38:19.780 --> 00:38:24.139
things to us and make suggestions. And we have

00:38:24.139 --> 00:38:27.289
got it down. as close to a quote -unquote science

00:38:27.289 --> 00:38:30.090
as you possibly can with musical releases because

00:38:30.090 --> 00:38:32.230
they're all different, they're all special, they're

00:38:32.230 --> 00:38:35.769
all fantastic. We take that information and there

00:38:35.769 --> 00:38:39.650
are a group of record store owners and buyers

00:38:39.650 --> 00:38:43.269
and staff members from across the country, different

00:38:43.269 --> 00:38:45.590
regions, different markets, big stores, small

00:38:45.590 --> 00:38:49.110
stores, who kind of weigh in. They're not the

00:38:49.110 --> 00:38:51.349
final say necessarily, but they weigh in and

00:38:51.349 --> 00:38:54.539
say, yeah, that works, or look. We don't want

00:38:54.539 --> 00:38:57.420
that to get swallowed up in the day. Like that's

00:38:57.420 --> 00:39:00.179
too small a piece or that artist isn't well known

00:39:00.179 --> 00:39:03.539
enough. We never want somebody to be excited

00:39:03.539 --> 00:39:05.360
about doing something on Record Store Day and

00:39:05.360 --> 00:39:07.900
then just feel like they were one of something

00:39:07.900 --> 00:39:13.179
on a list. So we say no to things because we

00:39:13.179 --> 00:39:15.699
want the day to feel good for everybody. And

00:39:15.699 --> 00:39:19.260
it may be that your artist is too not well known

00:39:19.260 --> 00:39:22.460
enough yet. Emerging artists, baby bands have

00:39:22.460 --> 00:39:24.639
a tough time on Record Store Day because there

00:39:24.639 --> 00:39:27.840
are Bob Dylan's on the list and Flaming Lips

00:39:27.840 --> 00:39:31.440
on the list and U2 on the list and big things.

00:39:32.000 --> 00:39:36.159
So we say yes or no. We help guide what the numbers

00:39:36.159 --> 00:39:40.360
are. All of that gets discussed and worked through

00:39:40.360 --> 00:39:44.420
and then it gets whittled down to what the final

00:39:44.420 --> 00:39:48.179
list is going to be. And that final list always

00:39:48.179 --> 00:39:53.230
feels really large. 300 titles, 350 titles. But

00:39:53.230 --> 00:39:56.690
you have to keep in mind, Record Store Day is

00:39:56.690 --> 00:39:59.530
for all kinds of record stores, all kinds of

00:39:59.530 --> 00:40:02.409
customers. You always want the list to represent

00:40:02.409 --> 00:40:06.150
somebody's favorite or something that someone

00:40:06.150 --> 00:40:10.409
is going to like. And it's crazy. I mean, I ask

00:40:10.409 --> 00:40:13.809
you to watch it to some extent when we launch

00:40:13.809 --> 00:40:15.949
the list of Black Friday titles. But when we

00:40:15.949 --> 00:40:19.840
launch the list of Record Store Day titles, Follow

00:40:19.840 --> 00:40:22.800
the social media comments like when Pitchfork

00:40:22.800 --> 00:40:25.280
or Consequences Sound or somebody reposts it

00:40:25.280 --> 00:40:28.039
or when we post it. The social media comments

00:40:28.039 --> 00:40:31.780
will be, this list sucks, that title's awful.

00:40:32.019 --> 00:40:34.420
And then almost right underneath it will be somebody

00:40:34.420 --> 00:40:37.519
saying, I can't wait for that title. Music is

00:40:37.519 --> 00:40:41.380
subjective. Yeah, it's crazy to me, but heartening

00:40:41.380 --> 00:40:44.300
at the same time. Like people will say, oh, this

00:40:44.300 --> 00:40:46.900
list is awful. I only want five things on the

00:40:46.900 --> 00:40:51.619
list. Well, that's fantastic. There are five

00:40:51.619 --> 00:40:54.039
things you want to go buy at a record store.

00:40:54.360 --> 00:40:58.500
Hallelujah. And by the way, the neighbor in your

00:40:58.500 --> 00:41:01.880
office, he's got three things and they're completely

00:41:01.880 --> 00:41:05.900
different than yours. And everybody's three things

00:41:05.900 --> 00:41:09.760
make up the list. And that's, to me, that's,

00:41:09.760 --> 00:41:11.920
you know, perfect. That's the way it should be.

00:41:12.179 --> 00:41:14.719
But, you know, and that way you get into a whole

00:41:14.719 --> 00:41:17.150
nother. conversation about social media and the

00:41:17.150 --> 00:41:19.869
things I've learned and seen. But it's crazy.

00:41:19.989 --> 00:41:22.550
Oh, this sucks because of this title. That's

00:41:22.550 --> 00:41:25.889
my title I'm looking forward to. Well, let's

00:41:25.889 --> 00:41:28.070
dive down that rabbit hole then. Yeah, of course.

00:41:28.269 --> 00:41:33.389
How has social media benefited or hindered the

00:41:33.389 --> 00:41:36.269
Record Store Day process? There's no question

00:41:36.269 --> 00:41:38.409
that it's benefited us. I mean, the benefits

00:41:38.409 --> 00:41:41.559
far outweigh. the annoyances or the problems

00:41:41.559 --> 00:41:44.679
or the issues. And the idea that we are able

00:41:44.679 --> 00:41:47.820
to kind of be a central focus point for people

00:41:47.820 --> 00:41:50.559
finding stores near them, that still happens.

00:41:50.780 --> 00:41:54.519
I mean, we get so much more traffic. We get a

00:41:54.519 --> 00:41:56.599
lot of traffic on our website and we can see

00:41:56.599 --> 00:41:58.559
who's going where and what pages are clicking

00:41:58.559 --> 00:42:00.980
on. And it's people going to the store search,

00:42:01.239 --> 00:42:04.219
looking for stores near them. or stores near

00:42:04.219 --> 00:42:06.280
where they're going to be. You're traveling for

00:42:06.280 --> 00:42:07.860
the summer. You're finding out where are the

00:42:07.860 --> 00:42:10.320
record stores. And we know that people are using

00:42:10.320 --> 00:42:13.380
us as a hub to find those stores. And I feel

00:42:13.380 --> 00:42:16.119
like they're using our social media in the same

00:42:16.119 --> 00:42:19.239
way. I'm chuckling because every time we go on

00:42:19.239 --> 00:42:23.099
vacation, my wife knows that I'm always the first

00:42:23.099 --> 00:42:24.840
thing I'm looking for. Like, oh, sure, yeah,

00:42:24.880 --> 00:42:27.280
there's some beautiful beaches and lakes and

00:42:27.280 --> 00:42:29.320
things to do in the area. But are there any record

00:42:29.320 --> 00:42:36.110
stores? I mean, geez. Exactly. make the best

00:42:36.110 --> 00:42:40.150
souvenirs right yes they really do and for people

00:42:40.150 --> 00:42:43.150
that are music nerds like me i actually in my

00:42:43.150 --> 00:42:45.730
mind i will pull out a cd and be like i remember

00:42:45.730 --> 00:42:48.170
when i bought this in myrtle beach on our 10

00:42:48.170 --> 00:42:51.389
year anniversary and my wife will look at me

00:42:51.389 --> 00:42:54.349
like what like that how did you remember i said

00:42:54.349 --> 00:42:56.449
oh of course i i was looking for this cd but

00:42:56.449 --> 00:42:58.590
i found this one instead and it was so great

00:42:59.280 --> 00:43:01.420
And it's just something that the only music,

00:43:01.420 --> 00:43:03.880
true music consumers and collectors understand

00:43:03.880 --> 00:43:06.139
that plight right there. So bear with me for

00:43:06.139 --> 00:43:08.099
a moment. Cause I've got a, I got a side story

00:43:08.099 --> 00:43:11.039
on that. Okay. We were talking about tower records

00:43:11.039 --> 00:43:13.780
and when I, you know, growing up upstate New

00:43:13.780 --> 00:43:16.960
York. Did your schools do the field trips at

00:43:16.960 --> 00:43:18.480
the end of the year? You get to go to different

00:43:18.480 --> 00:43:21.639
cities or whatever? Yes. Oh, yeah. Yeah. So we

00:43:21.639 --> 00:43:25.599
were going to New York City, and we somehow got

00:43:25.599 --> 00:43:28.119
ourselves, the bus got down in front of a Tower

00:43:28.119 --> 00:43:30.960
Records, and I said, we need to stop so I can

00:43:30.960 --> 00:43:34.940
run in there. And I had been looking for the

00:43:34.940 --> 00:43:39.599
1986 Transformers the movie soundtrack. And the

00:43:39.599 --> 00:43:41.300
bus driver said, all right, you know, we got

00:43:41.300 --> 00:43:43.699
about five, 10 minutes extra. We can go. The

00:43:43.699 --> 00:43:46.840
chaperone said, go. We went in and we were just

00:43:46.840 --> 00:43:49.300
like kids in candy stores, but we were kids in

00:43:49.300 --> 00:43:51.179
a record store and we were just pawing through

00:43:51.179 --> 00:43:54.460
this. And I found the last copy of that soundtrack.

00:43:54.579 --> 00:43:57.769
And that's I still have that disc. I should hope

00:43:57.769 --> 00:44:00.070
so. Oh, yeah. I mean, what a fantastic memory.

00:44:00.269 --> 00:44:02.469
And I really wish someone had videoed a bus full

00:44:02.469 --> 00:44:05.190
of kids running into a record store. I bet you

00:44:05.190 --> 00:44:08.349
those record store employees were terrified to

00:44:08.349 --> 00:44:12.349
see a board of students coming in at 13, 14 years

00:44:12.349 --> 00:44:15.849
old, waving scads of money saying, buy my record.

00:44:17.469 --> 00:44:19.769
Oh my gosh, that's fantastic. Let's bring this

00:44:19.769 --> 00:44:22.769
part up because I know, and again, not to dwell

00:44:22.769 --> 00:44:24.929
on the negative, but I know that this is an issue

00:44:24.929 --> 00:44:28.369
that music fans and store owners and of course

00:44:28.369 --> 00:44:30.269
your team have had to deal with, which is the

00:44:30.269 --> 00:44:34.289
online flipping of your record store titles.

00:44:34.570 --> 00:44:37.289
So people will go in, it's kind of like scalpers

00:44:37.289 --> 00:44:39.690
on Ticketmaster. They go in, they wait, they

00:44:39.690 --> 00:44:41.369
get the list, they go in on record store, they

00:44:41.369 --> 00:44:44.150
scrape up a bunch of them and walk out and sell

00:44:44.150 --> 00:44:48.340
them for a premium. Yeah. So I'm happy to talk

00:44:48.340 --> 00:44:51.119
about this because that's what I do for the three

00:44:51.119 --> 00:44:52.880
or four weeks before Record Store Day and then

00:44:52.880 --> 00:44:55.699
the weeks afterward. And I'll say a couple things

00:44:55.699 --> 00:44:58.340
starting with, man, they suck and I hate those

00:44:58.340 --> 00:45:02.159
people. And they are a product of the society

00:45:02.159 --> 00:45:05.719
we live in. And, you know, I just want everyone

00:45:05.719 --> 00:45:08.659
to know. The ones I hate worse are the ones who

00:45:08.659 --> 00:45:12.500
pre -sell and they list things on Record Store

00:45:12.500 --> 00:45:15.090
Day from the day we launch the list. They will

00:45:15.090 --> 00:45:17.510
take all the pictures, even though we watermark

00:45:17.510 --> 00:45:19.750
them now that says buy it from a record store

00:45:19.750 --> 00:45:21.849
so that people know, oh, this isn't someone who

00:45:21.849 --> 00:45:24.050
has that record. They are literally taking the

00:45:24.050 --> 00:45:27.010
artwork from Record Store Day, listing it on

00:45:27.010 --> 00:45:30.070
eBay for usually $100, no matter what it is,

00:45:30.190 --> 00:45:32.630
because that's easier. They can just batch list

00:45:32.630 --> 00:45:37.210
things. And then they almost every time will

00:45:37.210 --> 00:45:40.489
say at the bottom, this is a presale, this will

00:45:40.489 --> 00:45:42.909
ship, and it always ships like three or four

00:45:42.909 --> 00:45:45.059
days after Record Store Day. Because they go

00:45:45.059 --> 00:45:48.579
out and they try and buy them. And people are

00:45:48.579 --> 00:45:51.139
like, well, that just seems silly. But think

00:45:51.139 --> 00:45:53.440
about it. If we have 300 titles on our list and

00:45:53.440 --> 00:45:56.619
you're listing everything for $100 and people

00:45:56.619 --> 00:45:58.699
are buying them because they're either A, too

00:45:58.699 --> 00:46:02.579
lazy, or B, just want this and don't care about

00:46:02.579 --> 00:46:05.539
supporting record stores, they will pre -buy

00:46:05.539 --> 00:46:07.840
it and give you the $100. If you've got 300 things

00:46:07.840 --> 00:46:12.989
listed at $100 each, that's a lot of money. So

00:46:12.989 --> 00:46:16.610
you can even hire people to go shop at other

00:46:16.610 --> 00:46:18.949
stores and wait in line and you have your list

00:46:18.949 --> 00:46:23.409
and you buy the things. And we spend weeks before

00:46:23.409 --> 00:46:25.730
Record Store Day and we are – I'm going to pat

00:46:25.730 --> 00:46:29.010
myself on the back here. We are really good at

00:46:29.010 --> 00:46:31.550
finding out if those listings are actually tied

00:46:31.550 --> 00:46:34.570
to a store. That was my next question. How would

00:46:34.570 --> 00:46:38.230
you do that? Well, we do a lot of – the internet

00:46:38.230 --> 00:46:41.829
helps us because, A, sometimes people are really

00:46:41.829 --> 00:46:47.260
dumb. And they forget they forget that we are

00:46:47.260 --> 00:46:50.679
on the Internet, too. And we can look at things.

00:46:50.739 --> 00:46:52.519
And I can't really go into too much detail because

00:46:52.519 --> 00:46:54.099
I don't want to make people. Oh, no, no. Let

00:46:54.099 --> 00:46:57.440
me rephrase. We don't want to encourage this

00:46:57.440 --> 00:46:59.840
in any way. But that was my general question,

00:47:00.000 --> 00:47:03.400
because if a store B finds out that they're getting

00:47:03.400 --> 00:47:06.619
10 copies of a Bob Dylan album, maybe they're

00:47:06.619 --> 00:47:08.500
going to put two out on the shelves and then

00:47:08.500 --> 00:47:11.840
eight of them up on eBay. How do you know? Well,

00:47:12.079 --> 00:47:14.539
in a lot of cases, we do know. And it really

00:47:14.539 --> 00:47:18.480
comes down to things like Google Maps and home

00:47:18.480 --> 00:47:22.239
buying records. And what is that address? I mean,

00:47:22.300 --> 00:47:25.760
we are really good and we have been. And I hesitate

00:47:25.760 --> 00:47:27.300
to go into too much more detail. No, of course

00:47:27.300 --> 00:47:29.619
not. But it's a shame that you even have to deal

00:47:29.619 --> 00:47:31.880
with a situation like this. It is. And I will

00:47:31.880 --> 00:47:35.719
say that there are some. People on eBay who we

00:47:35.719 --> 00:47:38.300
know who they are. We know where they live. We

00:47:38.300 --> 00:47:40.960
have not tied them to a store yet. But every

00:47:40.960 --> 00:47:45.539
year we ship a few off. And we've had people

00:47:45.539 --> 00:47:49.260
banned from stores. We've had stores completely

00:47:49.260 --> 00:47:51.820
banned from the list because it was them or their

00:47:51.820 --> 00:47:55.300
employees. We've had stores who will never be

00:47:55.300 --> 00:47:58.039
part of Record Store Day again. And I think I

00:47:58.039 --> 00:48:00.519
mentioned the pledge earlier. The pledge also

00:48:00.519 --> 00:48:03.539
grew out of things that are, as we learned, We

00:48:03.539 --> 00:48:06.159
learned that people will open their store at

00:48:06.159 --> 00:48:09.119
midnight, which is insane to me because this

00:48:09.119 --> 00:48:10.820
is the day of the year. You could open your store

00:48:10.820 --> 00:48:13.880
at 6 p .m. and you'd still have a line. It doesn't

00:48:13.880 --> 00:48:17.260
matter, but you're opening at midnight. But that

00:48:17.260 --> 00:48:20.019
is a disservice to your customers who didn't

00:48:20.019 --> 00:48:21.760
get there at midnight and a disservice to your

00:48:21.760 --> 00:48:23.539
other stores in your area who feel like they

00:48:23.539 --> 00:48:26.039
have to open earlier. So we ask stores to do

00:48:26.039 --> 00:48:27.679
three or four things. Don't open at midnight.

00:48:27.800 --> 00:48:30.960
You have to be 8 a .m. or the equivalent time.

00:48:31.559 --> 00:48:33.619
on the East Coast. So if you're on the West Coast,

00:48:33.679 --> 00:48:35.599
you can open at 5 a .m. because it's 8 a .m.

00:48:35.599 --> 00:48:39.239
on the East Coast time. So you can't gouge. There

00:48:39.239 --> 00:48:41.800
are kind of price limits. There's a range of

00:48:41.800 --> 00:48:45.119
pricing, but you can't gouge because in a weird

00:48:45.119 --> 00:48:47.719
way, this day is not about you making all that

00:48:47.719 --> 00:48:49.679
money on that release. You're going to make money

00:48:49.679 --> 00:48:51.519
on that release because we've made sure there

00:48:51.519 --> 00:48:54.300
is a margin for everyone who plays a part. There's

00:48:54.300 --> 00:48:55.739
a margin for the distributor. There's a margin

00:48:55.739 --> 00:48:57.699
for the label. There's a margin for Record Store

00:48:57.699 --> 00:49:00.010
Day, by the way. does not have a part in that.

00:49:00.130 --> 00:49:02.869
We play no part in the buying and selling or

00:49:02.869 --> 00:49:05.110
distributing of the releases. We have nothing

00:49:05.110 --> 00:49:08.010
to do with what gets ordered, what gets shipped,

00:49:08.130 --> 00:49:09.949
what gets priced, and what gets put out on a

00:49:09.949 --> 00:49:13.550
store rack. Nothing. We make no money on the

00:49:13.550 --> 00:49:16.570
releases unless we have created and released

00:49:16.570 --> 00:49:18.869
the title ourselves, which we've done three or

00:49:18.869 --> 00:49:22.789
four times. Wow. One follow -up on that, though,

00:49:22.809 --> 00:49:26.110
with the price gouging, from a marketing perspective,

00:49:26.809 --> 00:49:28.869
If you were a record store owner and you were

00:49:28.869 --> 00:49:31.730
price gouging, let's say the release was MSRP

00:49:31.730 --> 00:49:35.469
of $29 .99 and you're putting it up for $74 .99,

00:49:35.630 --> 00:49:38.349
you're not going to be getting any repeat business

00:49:38.349 --> 00:49:40.050
out of it. So you're kind of defeating the whole

00:49:40.050 --> 00:49:43.329
purpose of bringing the people into the store

00:49:43.329 --> 00:49:46.429
for this holiday. Absolutely. And you know what

00:49:46.429 --> 00:49:51.639
else? People love to snitch. They just love it.

00:49:52.199 --> 00:49:54.579
And I'm fine with it. Like somebody will buy

00:49:54.579 --> 00:49:57.340
that. This happens every year. Somebody will

00:49:57.340 --> 00:49:59.519
buy that $74 record and they'll take a picture

00:49:59.519 --> 00:50:01.239
of the receipt and they'll send it to me and

00:50:01.239 --> 00:50:03.980
they'll say, this store was gouging. Isn't that

00:50:03.980 --> 00:50:06.619
against the pledge? And I'll say, yes, it is.

00:50:06.780 --> 00:50:08.300
And then we have a conversation with the store.

00:50:08.480 --> 00:50:11.679
Wow. That's great. Wow. I mean, we have to take

00:50:11.679 --> 00:50:13.780
this seriously. At the end of the day, it's a

00:50:13.780 --> 00:50:16.599
business. It is a business, but think about it

00:50:16.599 --> 00:50:19.840
this way. And a lot of stores don't. Record Store

00:50:19.840 --> 00:50:23.179
Day is the biggest, most effective marketing

00:50:23.179 --> 00:50:25.780
campaign your business will ever be a part of.

00:50:25.880 --> 00:50:28.739
And you don't have to pay for it. Right, right.

00:50:28.940 --> 00:50:31.719
I luckily in our area of New Jersey, there are

00:50:31.719 --> 00:50:35.780
several record stores within very local distance

00:50:35.780 --> 00:50:39.679
to where Jay and I are from. And the vibe in

00:50:39.679 --> 00:50:41.980
the community around it is such a celebration

00:50:41.980 --> 00:50:44.500
that the titles are as important as they are.

00:50:44.760 --> 00:50:48.590
It's more of. vibe of sitting down and talking

00:50:48.590 --> 00:50:50.869
music with other like -minded people that are

00:50:50.869 --> 00:50:53.929
all excited to be there and to talk music. And

00:50:53.929 --> 00:50:56.010
I feel like some of these negative things really

00:50:56.010 --> 00:50:58.730
kind of suck the fun out of what the whole day

00:50:58.730 --> 00:51:01.190
is about. And I wish people can just kind of

00:51:01.190 --> 00:51:04.070
gather around and enjoy the, I use this term

00:51:04.070 --> 00:51:07.530
in a positive way, the nerdery surrounding being

00:51:07.530 --> 00:51:12.179
a music fan. And when I say like I'm able to,

00:51:12.300 --> 00:51:13.820
you know, when somebody emails me and they're

00:51:13.820 --> 00:51:15.519
really upset that they didn't get a record and

00:51:15.519 --> 00:51:17.800
record store day sucks because I didn't get this

00:51:17.800 --> 00:51:20.539
record or record store day sucks because this

00:51:20.539 --> 00:51:22.719
record that I wanted is now for sale on eBay.

00:51:23.280 --> 00:51:26.000
Record store day sucks. You suck. I'm not coming

00:51:26.000 --> 00:51:28.639
back. And they they use harsher words because

00:51:28.639 --> 00:51:30.400
they don't actually sometimes think there is

00:51:30.400 --> 00:51:32.460
a human on the other end of what they're sending.

00:51:33.760 --> 00:51:38.679
But I. almost always respond after a little while,

00:51:38.780 --> 00:51:41.539
after I take a walk, respond and say, look, I'm

00:51:41.539 --> 00:51:44.059
really sorry. Here's what Record Store Day is.

00:51:44.239 --> 00:51:46.300
Here's what we intend. Here's what it's meant

00:51:46.300 --> 00:51:50.019
to do. Here's the larger picture. Please don't

00:51:50.019 --> 00:51:53.059
take what this awful person on eBay is doing

00:51:53.059 --> 00:51:56.300
and blame us or the record stores because you

00:51:56.300 --> 00:51:59.360
could pay $25 for a bag of $3 Oreos with Game

00:51:59.360 --> 00:52:02.820
of Thrones on them when that finale was out on

00:52:02.820 --> 00:52:05.780
eBay. When Target does a collaboration with a

00:52:05.780 --> 00:52:08.280
clothing designer, people scoop everything into

00:52:08.280 --> 00:52:10.300
a basket, take it home, and sell it on eBay.

00:52:11.099 --> 00:52:13.860
It is not just us. It's sneakers. Oh, my God.

00:52:14.000 --> 00:52:16.860
Sneaker drops, which happen every other day.

00:52:17.159 --> 00:52:20.420
Those things sell out immediately. ever going

00:52:20.420 --> 00:52:21.860
to get them on the street. You're going to get

00:52:21.860 --> 00:52:24.000
them on eBay for three times more than they would

00:52:24.000 --> 00:52:26.320
have been had you actually been able to line

00:52:26.320 --> 00:52:28.400
up and go to your local Foot Locker or whatever

00:52:28.400 --> 00:52:31.619
the store is now. And that happens with everything.

00:52:31.800 --> 00:52:34.260
Everything that is desirable and limited is going

00:52:34.260 --> 00:52:37.920
to be on eBay. It's not just us. So I do want

00:52:37.920 --> 00:52:40.300
to follow up on that with, let's say there is

00:52:40.300 --> 00:52:43.380
a title that you know is going to be the hot

00:52:43.380 --> 00:52:46.519
title for Record Store Day. And let's say it's

00:52:46.519 --> 00:52:49.619
limited to a thousand pressings. If you know

00:52:49.619 --> 00:52:52.420
it's going to be hot and it's going to be going

00:52:52.420 --> 00:52:56.360
up on eBay within seconds, is there any reason

00:52:56.360 --> 00:52:59.900
why you would not press two, five, ten, twenty

00:52:59.900 --> 00:53:02.179
thousand copies of it to make it more available?

00:53:02.239 --> 00:53:06.900
Does that detract from the special aspect of

00:53:06.900 --> 00:53:09.460
the release? And this is coming from just a question

00:53:09.460 --> 00:53:12.440
that I would have if I missed out. Right. No,

00:53:12.559 --> 00:53:15.599
and I totally understand that question. Here's

00:53:15.599 --> 00:53:18.559
a two pronged answer. One, again, it depends

00:53:18.559 --> 00:53:21.019
on the artist and it depends on, well, actually

00:53:21.019 --> 00:53:23.400
it's a three pronged answer. One, we don't always

00:53:23.400 --> 00:53:27.159
know what that title is going to be. We don't

00:53:27.159 --> 00:53:30.739
always know. Sometimes it's a surprise what that

00:53:30.739 --> 00:53:34.880
title is going to be. Two, it's not our decision.

00:53:35.659 --> 00:53:38.300
Ultimately, it's the decision of the artist and

00:53:38.300 --> 00:53:40.820
management, what that number is. And there have

00:53:40.820 --> 00:53:43.260
been times when we will go back to them and say,

00:53:43.340 --> 00:53:46.309
look, Store pre -orders for this are ridiculous.

00:53:46.650 --> 00:53:49.650
Or even before it gets solicited to stores, we

00:53:49.650 --> 00:53:51.610
think based on sales history, it needs to be

00:53:51.610 --> 00:53:55.389
this number. And the artist will say, look, we

00:53:55.389 --> 00:53:58.210
really want this to be limited and special. We

00:53:58.210 --> 00:54:02.510
want that to be a very, very rare piece. And

00:54:02.510 --> 00:54:06.130
it's not our decision to make, ultimately. And

00:54:06.130 --> 00:54:08.809
if you go too far in the other direction, if

00:54:08.809 --> 00:54:12.059
you do this too often and say, I mean, it's never

00:54:12.059 --> 00:54:13.840
going to be an exact science, although we think

00:54:13.840 --> 00:54:17.940
we're getting better. If, say, you think you

00:54:17.940 --> 00:54:20.119
should make $3 ,000, the demand for that title

00:54:20.119 --> 00:54:24.780
was actually $4 ,000. So what if you had made

00:54:24.780 --> 00:54:27.820
$5 ,000? And then everybody could have gotten

00:54:27.820 --> 00:54:30.219
what they wanted. Then there would be 1 ,000

00:54:30.219 --> 00:54:34.019
pieces sitting either in record store shelves,

00:54:34.179 --> 00:54:36.760
and if it's vinyl, they can't return it, or in

00:54:36.760 --> 00:54:38.840
a distributor's warehouse, and that's money on

00:54:38.840 --> 00:54:41.769
their books. or at a label, and that's money

00:54:41.769 --> 00:54:44.210
on their books. And when the label does an exclusive

00:54:44.210 --> 00:54:46.530
record shorty piece, they can't then take it

00:54:46.530 --> 00:54:50.349
and sell it to anybody else. So they're stuck

00:54:50.349 --> 00:54:55.849
with it. And that, over 12 years, little pieces,

00:54:56.150 --> 00:54:59.070
little amounts, can add up. And we do not want

00:54:59.070 --> 00:55:01.570
that. We do not want that more than anything.

00:55:02.070 --> 00:55:06.530
Because that means... A, you don't have, for

00:55:06.530 --> 00:55:08.050
stores, it means you don't have space. You don't

00:55:08.050 --> 00:55:10.250
have the financial ability to turn and bring

00:55:10.250 --> 00:55:12.309
in some new releases. You don't have, you know,

00:55:12.309 --> 00:55:15.610
that's bad. You also don't want the labels or

00:55:15.610 --> 00:55:18.590
distribution to be stuck with anything. And ideally,

00:55:18.670 --> 00:55:21.530
we work very hard to say, okay, there's like

00:55:21.530 --> 00:55:24.889
500 pieces of this title still remaining that

00:55:24.889 --> 00:55:28.889
you can sell. And stores will understand this

00:55:28.889 --> 00:55:31.190
piece is just as cool a week later as it was

00:55:31.190 --> 00:55:34.039
the day before Record Store Day. It's not a loser

00:55:34.039 --> 00:55:37.039
because it didn't sell on record store day. Someone's

00:55:37.039 --> 00:55:39.420
going to walk into your store in six weeks, and

00:55:39.420 --> 00:55:41.360
they're going to see this piece by this artist

00:55:41.360 --> 00:55:44.340
that they loved, and it's exclusive to an indie

00:55:44.340 --> 00:55:48.659
record store. That's amazing. Of course. I hate

00:55:48.659 --> 00:55:50.380
it so much when the stores use the word leftover.

00:55:50.960 --> 00:55:53.539
It's a joke at this point. Stores will forward

00:55:53.539 --> 00:55:56.199
me social media posts from other stores that

00:55:56.199 --> 00:55:58.699
call them leftovers because that has, to me,

00:55:58.780 --> 00:56:01.179
like a negative connotation, much as I love Thanksgiving

00:56:01.179 --> 00:56:04.110
leftovers. It's not that. It is an exclusive

00:56:04.110 --> 00:56:06.670
indie piece that you can only get at record stores.

00:56:06.809 --> 00:56:08.510
It doesn't matter if it's three weeks after record

00:56:08.510 --> 00:56:12.230
store day or, you know. But that's the basic

00:56:12.230 --> 00:56:14.909
answer is it's always better to have too few

00:56:14.909 --> 00:56:17.889
than too many in the grand scheme of things,

00:56:17.989 --> 00:56:21.369
no matter how many people didn't maybe get that

00:56:21.369 --> 00:56:24.849
record. Of course. And the other thing, the two

00:56:24.849 --> 00:56:27.769
days after record store day, when the most things

00:56:27.769 --> 00:56:30.789
are being flipped on eBay. If you count up the

00:56:30.789 --> 00:56:32.909
number of releases that were actually put out,

00:56:32.969 --> 00:56:34.570
and I don't mean the actual titles that were

00:56:34.570 --> 00:56:37.409
on the list, I mean there were 5 ,000 pieces

00:56:37.409 --> 00:56:39.510
of this title, and you count up the actual physical

00:56:39.510 --> 00:56:41.389
number of pieces that went out, and then you

00:56:41.389 --> 00:56:44.710
count up the number of eBay sales, it's minuscule

00:56:44.710 --> 00:56:46.550
compared to the number that actually went out

00:56:46.550 --> 00:56:49.829
into the marketplace. So the majority of titles

00:56:49.829 --> 00:56:52.809
are going home with people who are going to keep

00:56:52.809 --> 00:56:54.610
them and listen to them. And stores have gotten

00:56:54.610 --> 00:56:57.840
much better. A lot of stores can recognize you're

00:56:57.840 --> 00:57:00.460
flipping, you're flipping, you're out. Stores

00:57:00.460 --> 00:57:03.260
get great joy in doing that, actually. Of course,

00:57:03.300 --> 00:57:05.320
because at the end of the day, that's showing

00:57:05.320 --> 00:57:07.820
they're protecting their customers and letting

00:57:07.820 --> 00:57:10.559
the customers that are there to purchase those

00:57:10.559 --> 00:57:13.679
albums get their hands on it. Because then the

00:57:13.679 --> 00:57:16.880
people, let's say Jay is the eBay flipper right

00:57:16.880 --> 00:57:18.980
in front of me online and he gets the last copy

00:57:18.980 --> 00:57:22.059
of an album I wanted. That record store knows.

00:57:22.829 --> 00:57:26.110
That Jay is the flipper. So now you have the

00:57:26.110 --> 00:57:28.389
guy in front in line who's screwing over the

00:57:28.389 --> 00:57:31.610
record store, followed by the person who goes

00:57:31.610 --> 00:57:33.329
to that record store all the time and supports

00:57:33.329 --> 00:57:36.050
that business missing out on a title and therefore

00:57:36.050 --> 00:57:38.949
leaving with a sour taste in their mouth. based

00:57:38.949 --> 00:57:41.130
on that record store. So it's definitely a connection

00:57:41.130 --> 00:57:43.070
between everything there. And for the record,

00:57:43.210 --> 00:57:45.389
Jay is not an eBay flipper. I was just using

00:57:45.389 --> 00:57:48.110
that. Good man, good man. Well, like I said,

00:57:48.130 --> 00:57:49.769
we've been able to identify who some of these

00:57:49.769 --> 00:57:51.349
flippers are, especially the ones who do pre

00:57:51.349 --> 00:57:54.610
-orders. And one year we identified one and we

00:57:54.610 --> 00:57:56.710
called the stores in his area. And one guy said,

00:57:56.809 --> 00:57:59.730
oh gosh, yeah, he's on our frequent buyer club,

00:58:00.010 --> 00:58:03.550
which means he's gonna get into the special line

00:58:03.550 --> 00:58:06.110
to get in early. He's in our frequent buyer club.

00:58:07.019 --> 00:58:09.219
The owner of the store waited until the morning

00:58:09.219 --> 00:58:11.539
of record store day and went out and addressed

00:58:11.539 --> 00:58:14.000
the line and said, hey, is this person here?

00:58:14.079 --> 00:58:15.880
Are you in line? And the guy was in line. And

00:58:15.880 --> 00:58:18.420
he's like, yeah, we know your eBay handle. Get

00:58:18.420 --> 00:58:21.360
out. I mean, he just called him out in front

00:58:21.360 --> 00:58:24.079
of everybody. I wouldn't recommend that always,

00:58:24.380 --> 00:58:28.739
the way to handle it. But he really had a good

00:58:28.739 --> 00:58:33.500
time that day. Wow. I mean, that is showing your

00:58:33.500 --> 00:58:36.329
solidarity with your customers. Yeah. But at

00:58:36.329 --> 00:58:39.030
the flip side, it is very confrontational. So

00:58:39.030 --> 00:58:40.909
that would have been a very awkward thing to

00:58:40.909 --> 00:58:43.690
see. Oh, yeah. Yeah. But kudos. It wasn't me.

00:58:43.809 --> 00:58:47.329
I didn't have to do it. Right. It sends a very

00:58:47.329 --> 00:58:49.730
strong message. I'll give them that. It's true.

00:58:49.909 --> 00:58:52.030
It's true. So let's talk about what gave you

00:58:52.030 --> 00:58:54.570
the idea to expand Record Store Day to Record

00:58:54.570 --> 00:58:57.329
Store Black Friday. That's a pretty easy answer.

00:58:57.429 --> 00:59:00.130
In the United States, for better or worse, love

00:59:00.130 --> 00:59:03.030
it or hate it, Black Friday is the kickoff to

00:59:03.030 --> 00:59:06.519
the shopping season of Christmas. season of gift

00:59:06.519 --> 00:59:11.179
giving. And for too many years, record stores

00:59:11.179 --> 00:59:14.880
were not a part of that. Even though every single

00:59:14.880 --> 00:59:17.400
thing that is sold in a record store makes a

00:59:17.400 --> 00:59:20.579
perfect gift. Every single thing, a gift card,

00:59:20.760 --> 00:59:24.840
a 45 adapter, tiny little things up to box sets,

00:59:24.920 --> 00:59:27.539
up to musical instruments, whatever you could

00:59:27.539 --> 00:59:30.300
give as a gift. And it's a great gift. And so

00:59:30.300 --> 00:59:32.559
we just decided, you know what? Again, it goes

00:59:32.559 --> 00:59:37.090
back to the press and the focus. If Black Friday

00:59:37.090 --> 00:59:40.550
is the biggest retail story in the United States,

00:59:40.789 --> 00:59:44.210
we want to help make record stores a paragraph

00:59:44.210 --> 00:59:47.489
in that story. And this is the way we do it.

00:59:47.849 --> 00:59:50.150
It's different. It's not Record Store Day Junior.

00:59:50.289 --> 00:59:52.949
The list is much smaller. The list is probably

00:59:52.949 --> 00:59:57.349
more large items, box sets, more windowed titles,

00:59:57.449 --> 00:59:59.210
which means eventually they'll be available.

00:59:59.949 --> 01:00:02.250
you know, at other retailers or online. But for

01:00:02.250 --> 01:00:04.210
right now, for the time period when you're looking

01:00:04.210 --> 01:00:06.210
at buying gifts and going out and spending a

01:00:06.210 --> 01:00:08.869
bunch of money on gifts for other people or making

01:00:08.869 --> 01:00:11.769
a wish list for yourself, record stores are part

01:00:11.769 --> 01:00:14.230
of that. And we're trying to make it not about

01:00:14.230 --> 01:00:19.550
cheap mass produced gift items, more about quality

01:00:19.550 --> 01:00:21.570
things, special things that you would want to

01:00:21.570 --> 01:00:24.989
get or you will want to give. And it's not necessarily

01:00:24.989 --> 01:00:28.019
made to sell out on that day. It's literally

01:00:28.019 --> 01:00:30.820
the kickoff of the shopping season so that it's

01:00:30.820 --> 01:00:32.280
just getting the word out there that there are

01:00:32.280 --> 01:00:35.699
cool things in a record store all season long.

01:00:36.179 --> 01:00:38.940
And you should do your gift giving it from a

01:00:38.940 --> 01:00:41.019
record store. And the fact that Small Business

01:00:41.019 --> 01:00:44.239
Saturday is the day after it is just a one -two

01:00:44.239 --> 01:00:47.960
gift. Yeah, a win -win. Yes. Have you, in your

01:00:47.960 --> 01:00:50.260
research, in the years you've been doing Record

01:00:50.260 --> 01:00:51.860
Store Day Black Friday, because I know that started

01:00:51.860 --> 01:00:54.219
kind of a few years after the inception of the

01:00:54.219 --> 01:00:57.230
full holiday. Have you noticed in your data that

01:00:57.230 --> 01:00:59.269
you guys have been capturing a different audience

01:00:59.269 --> 01:01:03.489
on that day? Maybe not the normal record store

01:01:03.489 --> 01:01:06.530
regulars, so to speak, that you're capturing

01:01:06.530 --> 01:01:09.889
kind of an outside focus group here? Yeah. Yeah,

01:01:09.969 --> 01:01:12.909
it is different. And I mean, a lot of our stuff

01:01:12.909 --> 01:01:15.590
is anecdotal because you hear from stores rather

01:01:15.590 --> 01:01:17.789
than we don't have somebody sitting there interviewing

01:01:17.789 --> 01:01:19.949
people as they come in and out. How often do

01:01:19.949 --> 01:01:21.590
you shop at a record store? Although, you know,

01:01:21.590 --> 01:01:23.210
somebody gives us a grant, we'll definitely do

01:01:23.210 --> 01:01:26.780
that. It is. And the day is structured a little

01:01:26.780 --> 01:01:28.500
differently for the stores. It's much more of

01:01:28.500 --> 01:01:31.179
a sales all day through and then on into Saturday

01:01:31.179 --> 01:01:34.059
and then fading into Sunday. It's definitely

01:01:34.059 --> 01:01:36.679
different clientele. And a lot of that is we've

01:01:36.679 --> 01:01:38.739
been promoting the idea of the wish list. Like,

01:01:38.780 --> 01:01:40.880
OK, you shop at a record store all the time.

01:01:40.940 --> 01:01:43.320
Here are things you might want to tell your mom

01:01:43.320 --> 01:01:46.059
or your kids or whoever that you would want so

01:01:46.059 --> 01:01:48.460
they can come and get them for you. It's brilliant.

01:01:48.780 --> 01:01:51.139
Brian and I have always said on the show, too,

01:01:51.239 --> 01:01:54.420
right back to the first episode. that music is

01:01:54.420 --> 01:01:56.559
probably one of the most personal things that

01:01:56.559 --> 01:01:59.139
you could give somebody, the gift of music, in

01:01:59.139 --> 01:02:01.840
any form, whether it be, like you mentioned,

01:02:02.019 --> 01:02:04.460
whether it be the record or whether it be a musical

01:02:04.460 --> 01:02:08.039
instrument or even a piece of a component to

01:02:08.039 --> 01:02:11.940
a turntable or something that you have that you're

01:02:11.940 --> 01:02:15.780
going to gift to somebody else. It speaks to

01:02:15.780 --> 01:02:19.260
that person. deeply because you're in tune with

01:02:19.260 --> 01:02:21.380
what their likes are, what they have a strong

01:02:21.380 --> 01:02:23.440
attachment to. And another pun there with the

01:02:23.440 --> 01:02:26.820
in tune. In tune. Yeah, nice. God, man, you guys

01:02:26.820 --> 01:02:28.860
are good. Come up with taglines, left and right.

01:02:29.440 --> 01:02:31.659
It's totally true. I mean, and that's what makes,

01:02:31.739 --> 01:02:33.900
as a complete side note, that's what makes the

01:02:33.900 --> 01:02:37.059
mixtape so, the idea of a mixtape so romantic.

01:02:37.440 --> 01:02:41.179
Exactly. So what are some of your favorite record

01:02:41.179 --> 01:02:43.920
story memories since its inception? Oh man, I

01:02:43.920 --> 01:02:46.500
knew you were going to say that. So my favorite

01:02:46.500 --> 01:02:48.760
record store memories, the very first record

01:02:48.760 --> 01:02:51.679
store day, I was in Baltimore at the Soundgarden.

01:02:51.900 --> 01:02:54.739
And it was also the day, the Soundgarden in Baltimore

01:02:54.739 --> 01:02:56.900
is in Fells Point, which is right on the water.

01:02:56.940 --> 01:02:59.500
It's historic. It's on a cobblestone street.

01:02:59.940 --> 01:03:02.440
It's fantastic. It's one of my favorite record

01:03:02.440 --> 01:03:05.500
stores in the world. And it was also Pirate Invasion

01:03:05.500 --> 01:03:09.920
Day. That had to be interesting. It was fantastic.

01:03:10.440 --> 01:03:13.880
And my little marketing mind was running around

01:03:13.880 --> 01:03:16.519
like putting records in the hands of these pirates

01:03:16.519 --> 01:03:19.840
and taking pictures and crossing the two. And

01:03:19.840 --> 01:03:22.239
that was extraordinary. That was just such a

01:03:22.239 --> 01:03:24.079
great day because that was the first one. And

01:03:24.079 --> 01:03:27.400
it was like, this is going to be fantastic. And

01:03:27.400 --> 01:03:30.619
then for the last record store days, most of

01:03:30.619 --> 01:03:33.699
the record store days, I stay home in Raleigh,

01:03:33.699 --> 01:03:36.860
North Carolina. A lot of what I do is on the

01:03:36.860 --> 01:03:40.159
internet. We stream a lot of in stores from stores

01:03:40.159 --> 01:03:43.599
across the country. We do a lot of posts and

01:03:43.599 --> 01:03:46.280
just basically we keep up with the world through

01:03:46.280 --> 01:03:48.219
the computer, which is fantastic and the best

01:03:48.219 --> 01:03:50.900
possible use of social media. And so I do a lot

01:03:50.900 --> 01:03:53.420
of that perched at a record store in Raleigh.

01:03:53.760 --> 01:03:56.119
I'm the person who brings the donuts. to the

01:03:56.119 --> 01:03:58.079
people standing in line really early in the morning

01:03:58.079 --> 01:04:01.219
at about three record stores here. I bring pizza

01:04:01.219 --> 01:04:04.440
in the afternoon. They all love me. Of course.

01:04:05.079 --> 01:04:07.920
And, you know, a couple times I've been fortunate

01:04:07.920 --> 01:04:12.719
to, there was a band that played at one of the

01:04:12.719 --> 01:04:15.400
record stores, and their fan base was very young.

01:04:15.500 --> 01:04:18.019
It skewed very young and very female. So there

01:04:18.019 --> 01:04:21.480
was a line of probably about 300 teenage girls

01:04:21.480 --> 01:04:25.920
and guys waiting to meet this band. And I was

01:04:25.920 --> 01:04:27.760
the last person they talked to before they moved

01:04:27.760 --> 01:04:31.619
up to meet the band. And I had tissues. I had,

01:04:31.780 --> 01:04:33.860
hey, it's going to be great. I helped people

01:04:33.860 --> 01:04:35.920
decide what they were going to say to the band,

01:04:36.039 --> 01:04:38.099
which was almost always, thank you so much. I

01:04:38.099 --> 01:04:41.199
love your music. And it was just, it was their

01:04:41.199 --> 01:04:43.800
first experience with getting that close to their

01:04:43.800 --> 01:04:46.739
idols. And it was their first experience at a

01:04:46.739 --> 01:04:49.940
record store. And you could see it fusing together

01:04:49.940 --> 01:04:54.239
in their heads. This place is awesome. And that's...

01:04:54.860 --> 01:04:57.420
exactly what we want to happen. And that was

01:04:57.420 --> 01:05:01.940
a really, really great moment. All right, with

01:05:01.940 --> 01:05:04.380
Record Store Day almost here, let me know what

01:05:04.380 --> 01:05:07.300
you are looking to pick up this year. You can

01:05:07.300 --> 01:05:10.360
hit me up on social media at My Weekly Mixtape,

01:05:10.360 --> 01:05:13.539
or you can also email me, myweeklymixtape at

01:05:13.539 --> 01:05:16.559
gmail .com. Would love to hear if you found those

01:05:16.559 --> 01:05:19.300
holy grails that you were looking for, or sadly,

01:05:19.360 --> 01:05:21.500
if that eBay guy got to the album before you

01:05:21.500 --> 01:05:24.360
did. But regardless, remember, you can find My

01:05:24.360 --> 01:05:26.599
Weekly Mixtape on almost all the social media

01:05:26.599 --> 01:05:29.690
haunts at... My Weekly Mixtape. You can also

01:05:29.690 --> 01:05:32.670
head to myweeklymixtape .com to check out the

01:05:32.670 --> 01:05:35.989
full catalog of My Weekly Mixtape episodes. And

01:05:35.989 --> 01:05:37.489
if you like what you're hearing on the show,

01:05:37.570 --> 01:05:39.849
remember you can help me out by either telling

01:05:39.849 --> 01:05:42.429
a friend, leaving the show a five -star review

01:05:42.429 --> 01:05:45.050
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01:05:45.050 --> 01:05:49.750
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01:05:49.949 --> 01:05:52.670
There you can find ad -free episodes of the show,

01:05:52.849 --> 01:05:55.469
gain early access to future My Weekly Mixtape

01:05:55.469 --> 01:05:58.320
episodes, chime in on... future topics, become

01:05:58.320 --> 01:06:01.300
a guest curator and so much more. That's all

01:06:01.300 --> 01:06:03.280
for this week. Thanks again for listening. And

01:06:03.280 --> 01:06:06.360
until next time, I wish you and yours a safe,

01:06:06.360 --> 01:06:08.920
healthy and happy record store day. And most

01:06:08.920 --> 01:06:11.019
importantly, enjoy the tunes.
