WEBVTT

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Welcome to My Weekly Mixtape, a podcast that

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takes the classic mixtape approach to building

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a modern playlist. I'm your host, Brian Colburn.

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Joining me for tonight's collaboration is my

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good friend and co -host of the TuneStyles podcast,

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a show we produced from 2018 through 2021. Please

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welcome the man with the board shorts tan, the

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one and only... Jay Sweet. Jay, thank you so

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much for being on, man. Thanks, Brian. Thanks

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for having me. And here I was thinking that we

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were going to escape the entire episode without

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a board shorts reference. I've burned the board

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shorts. They're burned. Well, it's been a long

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time since we've done a podcast together. I'm

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so excited to finally talk tunes with you again.

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Let's start with the question I start every show

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with because everybody has a different answer

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to this one. Jay. What does the word mixtape

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mean to you? It means road trip. When I was in

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college, my friends and I, we would get into

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the car. I got myself a set of wheels and we

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would put these mixtapes. I would put these mixtapes

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together to handle these long road trips. I was

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up and down the eastern seaboard. My mom lived

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in Tampa at the time. So we'd go visit her or

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we'd stop in New York City all the time. And

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I've been out west, went to as far as Sandusky,

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Ohio, which were the roller coaster farm out

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there. And you get bored in listening to the

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radio was wonderful. Discovering new new stations

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and new markets. But it's a pain in the butt

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to. do the tuning thing when you cross state

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lines or get out of range of the city. And so

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I put these mixtapes together. And you know the

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old meme, get in losers, we're going to wherever.

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We did that. I got in the car and drove down

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the neighborhood and arrive at my friend's house

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and be like, let's go. We're going to New York

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this weekend or we're going to Washington or

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wherever the road would take us. So I put together

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a whole volume. Well, I called it the ultimate

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driving experience. And there were, I think there

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were eight or 10 various mixtapes in that. Awesome.

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Well, tonight, Jay and I will be curating a mixtape

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of 2000s punk rock. So a little outside of the

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mixtape years, this would probably be mixed CDs

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at this point. But we're talking about anything

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released between 2000 and 2010. And we're going

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to use the categories of punk rock, emo punk,

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ska punk, or pop punk, because the words punk

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rock went in. countless directions during the

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2000s so we're kind of using the all -encompassing

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punk rock while a few bands might immediately

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come to listeners minds there are a ton of lesser

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-known bands from this decade that i'm actually

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really excited to hopefully bring to the table

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tonight because during 2002 to 2006 i played

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in a punk band and this era of music really connects

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with me because I got to see a ton of great punk

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bands live through that band. And I also, in

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some few cases, got to share bills with some

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of these amazing bands. So these songs really

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are a snapshot of a time and place in my life

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that I truly loved. My wife and I were still

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dating at this point. We were still in our younger

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20s and kind of enjoying life. And these songs

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are kind of the soundtrack to that. So I've got

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a list that's... full of endless possibilities

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and directions and i'm really excited to talk

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about it jay i know you're a couple of years

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older than me maybe like 20 or 30 what were you

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what were you looking for the songs that you

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brought to the table this evening well i'll be

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perfectly honest with you and not brown nosing

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at all but these songs most of the songs that

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are on this list remind me of you These were

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songs that came out and that I listened to when

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I met you. And some of them I'm going to actually

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give you credit for turning me on to. I would

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not have heard them if you and I had not worked

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together in New York back in the early 2000s.

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So I'm looking forward to kind of reliving those

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memories and seeing your punk band a couple of

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times. Fresh off of recently, I saw Bowling for

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Soup and Less Than Jake with Cliff Diver and

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Dollskin, which was right here in Atlanta. A

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fantastic show. And I was thinking maybe of throwing

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some Dollskin on here and maybe some Cliff Diver

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as well, because those would work as a bit more

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heavier than Pop Punk. But most of the things,

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like I said, they remind me of the time that

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I moved to New York. And you and I have spoken

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several times on TuneStyles where... I used music

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to connect myself to memories of times in my

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life. And that was this period of one of the

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greatest periods of my life was finally breaking

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free of Syracuse. Not that I was imprisoned there

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or anything, but just, you know, when you work

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in a market 80 versus all of a sudden getting

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the call up to go to work at market one when

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you're in radio, that was the pinnacle. That

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was the dream. So these again, these songs are

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right around the hot songs around that time and

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that they have really, really strong memories

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tied to them. Awesome. Well, let's get down to

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business then. Tonight, as I mentioned earlier,

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Jay and I will be curating a 2000s punk rock

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mixtape, and we are going to use the old cassette

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deck approach, meaning our tape will be broken

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up into two sides, side A and side B. Jay, as

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the special guest, will begin side A with his

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first song choice, and then I'll add a song that

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I feel best follows up his choice. We'll then

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flip -flop choosing songs until we've mapped

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out 10 songs for side A. We'll then give our

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mixtape a proverbial flip and we'll map out side

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B, only this time I'll kick the side off with

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Jay choosing second. Our overall goal for this

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episode is to craft the best 2000s punk rock

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mixtape possible through only 20 songs. At the

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end of the show, you can take our conversation

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to the next level by visiting the 2000s punk

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rock page at myweeklymixtape .com and give our

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final mixtape a listen via the embedded playlist.

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Finally, if you like what you're hearing on the

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show, please consider becoming a Patreon mixtaper

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at patreon .com forward slash my weekly mixtape.

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And I'd like to take this opportunity to welcome

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our newest Patreon mixtaper, The Too Vague Podcast.

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Thank you so much for supporting the show. Jay,

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now before I turn it over to you to reveal your

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track one, some of the fellow mixtapers who follow

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me at My Weekly Mixtape on Facebook, Twitter,

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Instagram, and TikTok have chimed in with their

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ideal opening track for a 2000s punk rock mixtape.

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And I wanted to share a few of them now just

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so we can have some food for thought going into

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this. Patreon mixtaper Cactus Pete chimed in

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with Yellowcard's Ocean Avenue. And then across

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social media, Josh Zimmer chimed in with either

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Green Day's Jesus of Suburbia or Coheed and Cambria's

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A Favor House Atlantic. Courtney chimed in with

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NoFX's Linoleum, which did come out in the 90s,

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but NoFX was still massive during the resurgence

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of pop punk during the 2000s. So I'll totally

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allow that one. Kay Hutch chimed in with 28 Days

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Rip It Up, getting an Aussie band into the conversation.

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I like that. Ryan at the Soundtrack Your Life

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podcast chimed in with the Gaslight Anthems,

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the 59 Sound. The Music Rewind podcast chimed

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in with Good Charlotte's The Motivation Proclamation.

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Derek Caravu chimed in with Against Me's Osama

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Bin Laden as the Crucified Christ. Prahi and

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Matt Natham chimed in with Sum 41's Fat Lip.

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Rob Ebert chimed in with Fall Out Boy's Grand

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Theft Autumn. Coley Green chimed in with Green

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Day's St. Jimmy or Sum 41's Jessica Kill. And

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Amanda Walsh chimed in with Bowling for Soup's

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Punk Rock 101. Now, J -Suite, with those picks

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out in the universe, I'm officially pressing

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the record button on our mixtape and the floor

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is yours. Why don't you dive into what song you

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chose to kick off Side A? Well, I gotta say,

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you want to start a mixtape like this real strong.

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You want to be able to hit the proverbial listener

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in the face in terms of true punk revolution.

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And there were a couple of real strong contenders

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for the number one spot. But what I decided ultimately

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where I settled on was welcome to 2001's Take

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Off Your Pants and Jacket, Blink -182's The Rock

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Show. Nice. The reason that that, I think, leads

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off a great mixtape is because it's powerful.

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It's fast. You know what you're getting into

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right from the rip. It sets the tone. It, of

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course, welcomes you to the rock show. How can

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you go wrong with an album named Take Off Your

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Pants and Jacket? That is probably one of the

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best albums to this day, the best album titles.

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I mean, everything about Blink -182 is they're

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back out. They're churning out new music. And

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Tom DeLonge is back with them, which is fantastic.

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In fact, they're coming right through Atlanta

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this year. And my oldest daughter wants to kind

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of go see them. And they're also playing the

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When We Were Young Festival for $50 more. So

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I think we may actually, I may sneak her out

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to Las Vegas this year and we may check out that

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festival. But back to why The Rock Show is a

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fantastic opener for a mixtape is, like I said,

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they hit you right in the face with what you're

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going to get from this mixtape. Absolutely. I

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could not agree more. You scooped me on Blink

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-182 because obviously you can't have a 2000s

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pop punk mixtape without mentioning this band.

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Although I did not have The Rock Show, I had

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Anthem Part 2, which was the opening track on

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Take Off Your Pants and Jacket. both songs are

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kind of interchangeable for me i those are my

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two favorite songs from the album so i'm perfectly

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happy with the rock show obviously you've got

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travis barker's drums that are just driving you

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through that he is one of the best punk rock

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drummers and i'll even go as far as to say one

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of the best rock drummers on the planet some

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of the stuff he does just blows my mind it almost

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sounds like he's doing some like neil pert prog

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drumming in punk music and it works and it's

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just so effortless i love the song but now following

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that up i want to keep that energy because you

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obviously kick this thing off at 100 miles an

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hour and i want to stay at 100 miles an hour

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but i don't necessarily want to go with a band

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where everybody's going to go i know that group

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and i don't want to go too deep either but i'm

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going to use my jersey roots for this one and

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i'm going to plug in a band that i feel follows

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up blink 182 perfectly and especially the manic

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energy of this song going to the rock show is

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about being with your friends and having a good

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time and falling in love at a rock show so thematically

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I'm also going to be on the same wavelength,

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only it's going to be a song about getting together

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a night out with the boys. Guys night out. The

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ladies are out doing their thing and the guys

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are going out separately. And I'm going to go

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off of 2001's How I Spent My Summer Vacation.

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And I'm going to go with the Bouncing Souls,

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Mantham. It's a shout out, sing along song, the

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whole chorus. I mean, if you listen to the lyrics.

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He's my friend. He's my alibi, my accessory to

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the crime, a bond that will never die until the

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end of time. It sounds like it could be a really

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sappy ballad between two friends, but it's done

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at a million miles an hour with everybody screaming

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the chorus coming out of the rock show. It keeps

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that energy up and it keeps the punk vibe going.

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So my track to following you up is the Bouncing

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Souls Anthem. bouncing souls are probably one

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of the most perfectly named pop punk bands that

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are out there yeah bro punk would be an apt description

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of that anthem song it's perfect for a follow

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-up to to blink and now you have the easy task

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of where we go from here, which I'm sure is simple

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because you probably, knowing you, you brought

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what, like maybe six or seven songs? Yeah, right.

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I was up all night curating a list of songs here.

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You and I are going to have some fun tonight.

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I know that for sure. So I could go a couple

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of different ways here, but I think we're going

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to introduce, I know you like to drop the zingers

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of the girl power. Later on in your mixtapes,

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I've noticed through the show. So I'm going to

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start here. I'm going to 2007 with the best damn

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thing and throwing in some Avril Lavigne with

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Girlfriend. Wow. Avril Lavigne gets kind of a

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rough rap because, you know, she was very bouncy

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pop, more leaning into the pop side of the pop

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punk. But I got to tell you. you listen to skater

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boy and I, my cover band did skater boy and we

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always had the crowd on the floor. But when you

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do, when you listen to Avril Lavigne's girlfriend,

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that song screams at you that it's, you know,

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you've got your bros, you got your man. Well,

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I don't like your girlfriend. Wow. I'll be honest.

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I didn't even think Avril Lavigne, but in the

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pop punk realm, it actually works because in

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modern pop punk, Yes, I'm going to say the name,

00:14:19.919 --> 00:14:23.320
but I will also say it did not make the playlist

00:14:23.320 --> 00:14:26.820
tonight, nor will it. But Machine Gun Kelly's

00:14:26.820 --> 00:14:29.320
recent tour, he's out doing the pop punk thing

00:14:29.320 --> 00:14:32.200
right now. And he brought out Avril Lavigne,

00:14:32.399 --> 00:14:36.639
which was in his mind kind of a throwback to

00:14:36.639 --> 00:14:40.080
the early 2000s pop punk sound, which I have

00:14:40.080 --> 00:14:42.799
a hard time wrapping my mind around because we're

00:14:42.799 --> 00:14:45.690
talking about songs that are. two decades old

00:14:45.690 --> 00:14:49.049
now, but in my mind, two decades ago was 1983,

00:14:49.470 --> 00:14:54.750
not 2003. I can't wrap my mind around that. Some

00:14:54.750 --> 00:14:57.830
of these songs are over 20 years old or 20, some

00:14:57.830 --> 00:14:59.950
coming up on 25 years old. And it's just, it's

00:14:59.950 --> 00:15:03.049
crazy to me. It makes no sense, but here we are

00:15:03.049 --> 00:15:05.389
and we just have to deal with it. But coming

00:15:05.389 --> 00:15:08.500
out of Avril Lavigne. I want to keep the girl

00:15:08.500 --> 00:15:10.419
power going just a little bit more because I

00:15:10.419 --> 00:15:12.639
feel like I know the song that could bounce off

00:15:12.639 --> 00:15:16.480
of that perfectly and lean us a little bit out

00:15:16.480 --> 00:15:18.840
of the pop side of punk and a little heavier,

00:15:18.879 --> 00:15:21.519
but still keeping in that pop punk realm. And

00:15:21.519 --> 00:15:24.980
I'm going to stay with 2007 and I'm going to

00:15:24.980 --> 00:15:28.480
go with Paramore's misery business from the riot

00:15:28.480 --> 00:15:34.220
album. This song is. Absolutely amazing. I love

00:15:34.220 --> 00:15:37.039
Hayley Williams' voice. They obviously did a

00:15:37.039 --> 00:15:39.279
little bit more emo stuff when you think about

00:15:39.279 --> 00:15:42.399
songs like Hallelujah and Decode and some of

00:15:42.399 --> 00:15:45.000
the other songs they've done. But Misery Business

00:15:45.000 --> 00:15:48.779
is one of those songs that is firmly cemented

00:15:48.779 --> 00:15:52.340
in that pop punk 2000 sound. It's got a little

00:15:52.340 --> 00:15:55.200
bit of an emo vibe to it. And I get that there

00:15:55.200 --> 00:15:57.299
was a little bit of controversy over the last

00:15:57.299 --> 00:16:00.299
few years about the lyrics. I'm glad that she's

00:16:00.299 --> 00:16:02.240
back to... singing it the way it was because

00:16:02.240 --> 00:16:05.620
it's a snapshot in time and what is offensive

00:16:05.620 --> 00:16:12.080
in 2023 was not offensive in 2007 and people

00:16:12.080 --> 00:16:14.460
are going to change what they are and aren't

00:16:14.460 --> 00:16:17.220
offended by and i don't feel like an artist should

00:16:17.220 --> 00:16:19.440
have to apologize for something that they did

00:16:19.440 --> 00:16:23.679
almost 15 20 years earlier in a time when the

00:16:23.679 --> 00:16:27.580
rules were different so that's my big soapbox

00:16:27.580 --> 00:16:29.860
speech about it. But before all that, the song

00:16:29.860 --> 00:16:33.059
frigging rocks. And there's a reason why, and

00:16:33.059 --> 00:16:35.559
I don't like mentioning this man twice in this

00:16:35.559 --> 00:16:38.600
episode, but Machine Gun Kelly covered Misery

00:16:38.600 --> 00:16:42.759
Business, which is opening Paramore up to a younger

00:16:42.759 --> 00:16:45.080
generation who might not have known them in 2007.

00:16:45.639 --> 00:16:48.059
And yes, Paramore is coming out with new music

00:16:48.059 --> 00:16:50.759
this year, but it's definitely leaning a lot

00:16:50.759 --> 00:16:53.379
more pop than what they were doing back on the

00:16:53.379 --> 00:16:58.289
days of Riot. And to me, Riot is a top 10 2000s

00:16:58.289 --> 00:17:01.769
pop punk albums. So following up your Avril Lavigne,

00:17:01.850 --> 00:17:04.089
I am going to go with Paramore, Misery Business.

00:17:05.009 --> 00:17:08.269
That's fantastic. You scooped me on Paramore.

00:17:08.289 --> 00:17:11.609
I did have Misery Business on my list, or I could

00:17:11.609 --> 00:17:13.450
have gone with That's What You Get off the same

00:17:13.450 --> 00:17:16.750
album. When Paramore came out, now, you know,

00:17:16.809 --> 00:17:19.930
working in radio for as long as we have. All

00:17:19.930 --> 00:17:22.089
music is cyclical. And I know in the last episode,

00:17:22.190 --> 00:17:24.210
you were talking a lot about how Top 40 Radio

00:17:24.210 --> 00:17:27.690
from your 1993 episode with Ed, you were talking

00:17:27.690 --> 00:17:31.269
about how music and Top 40 Radio was very all

00:17:31.269 --> 00:17:34.309
over the place in 1993. And the genre changes

00:17:34.309 --> 00:17:37.930
frequently. Right around 2007 was when my third

00:17:37.930 --> 00:17:41.690
daughter was born and Paramore hit radio. And

00:17:41.690 --> 00:17:45.599
I was at that point, I was not. with the way

00:17:45.599 --> 00:17:48.859
that Top 40 radio was heading. I'm not a very

00:17:48.859 --> 00:17:51.460
big fan of a lot of that era Top 40 stuff, but

00:17:51.460 --> 00:17:54.900
Paramore hit. And I say that purposefully. Helly

00:17:54.900 --> 00:17:57.440
Williams has an amazingly powerful voice and

00:17:57.440 --> 00:18:01.839
she conveys a lot of great emotion through Misery

00:18:01.839 --> 00:18:05.140
Business. I just, I can't. Yeah, all right. So

00:18:05.140 --> 00:18:08.380
there's some controversy there. But that really

00:18:08.380 --> 00:18:12.019
speaks to the punk side of things. What is, and

00:18:12.019 --> 00:18:15.119
again, that rock music in general. as a protest

00:18:15.119 --> 00:18:18.240
is consistently controversial. I think that's

00:18:18.240 --> 00:18:22.400
what made Riot such a hot album at the time was

00:18:22.400 --> 00:18:25.480
the fact that, you know what, she's pushing the

00:18:25.480 --> 00:18:28.160
edge a little bit. Definitely, definitely. And

00:18:28.160 --> 00:18:30.440
now we are throwing it back to you for track

00:18:30.440 --> 00:18:34.599
five. Wow. All right. So how do I follow Misery

00:18:34.599 --> 00:18:38.460
Business and still keep our flow going here?

00:18:42.329 --> 00:18:44.490
You know what? I'm going to slow it down just

00:18:44.490 --> 00:18:48.289
a little bit and go back to 2000, right at the

00:18:48.289 --> 00:18:51.910
front end of our volume here. I'm going to an

00:18:51.910 --> 00:18:55.009
album called Stomping Ground by a band called

00:18:55.009 --> 00:18:58.589
Goldfinger. It was a ska band who reached some

00:18:58.589 --> 00:19:01.650
prominence with Here in Your Bedroom in the early,

00:19:01.750 --> 00:19:07.250
mid -90s. And they released a cover song, Nina's

00:19:07.250 --> 00:19:11.980
99 Red Balloons. Love that cover. Absolutely

00:19:11.980 --> 00:19:15.160
love that cover. Featured on one of my favorite

00:19:15.160 --> 00:19:17.559
movies of the time. Not another teen movie with

00:19:17.559 --> 00:19:21.819
a very young Ryan Reynolds, Molly Ringwald, Tyler

00:19:21.819 --> 00:19:26.980
Lee. Fantastic. A funny spoof of every movie

00:19:26.980 --> 00:19:30.500
of that American pie meets. Can't hardly wait.

00:19:30.640 --> 00:19:33.640
And I remember when we moved to New York, you

00:19:33.640 --> 00:19:36.799
remember Charles, right? Chaz? Yeah. He came

00:19:36.799 --> 00:19:38.660
up. We had a couple of friends visit us and.

00:19:39.049 --> 00:19:41.650
After like 20 minutes of walking the streets

00:19:41.650 --> 00:19:43.230
of New York, we had just heard the complaints

00:19:43.230 --> 00:19:45.730
of, oh, my feet are killing me. So, of course,

00:19:45.789 --> 00:19:47.849
Charles, being as witty as he is, came around

00:19:47.849 --> 00:19:52.930
with can't hardly walk. So, yeah, anyway, getting

00:19:52.930 --> 00:19:55.269
back on topic, that soundtrack for Not Another

00:19:55.269 --> 00:20:00.150
Teen Movie just is spectacular with some really,

00:20:00.190 --> 00:20:02.869
really high pop punk covers of some great songs.

00:20:03.049 --> 00:20:05.509
And Goldfinger's 99 Red Balloons just really

00:20:05.509 --> 00:20:08.490
stuck out. Well, you scooped me on Goldfinger

00:20:08.490 --> 00:20:11.609
and you scooped me on Stomping Ground, but I

00:20:11.609 --> 00:20:13.990
had Counting the Days from that album because

00:20:13.990 --> 00:20:16.549
I do have some punk covers sprinkled in my list,

00:20:16.670 --> 00:20:19.750
but I love the cover of 99 Red Balloons that

00:20:19.750 --> 00:20:23.089
they do. It's also in the movie Eurotrip and

00:20:23.089 --> 00:20:26.269
they play the German verse as they're going through

00:20:26.269 --> 00:20:28.289
Germany. They play it in that movie as well.

00:20:28.470 --> 00:20:31.329
I love Goldfinger. There's no reason why they

00:20:31.329 --> 00:20:33.470
shouldn't be on this list. They are one of those

00:20:33.470 --> 00:20:37.990
bands that just... screams 90s, 2000s pop punk,

00:20:38.150 --> 00:20:40.630
and I love the pick. So what I'm going to do

00:20:40.630 --> 00:20:45.390
is follow up your Goldfinger pick. Because I

00:20:45.390 --> 00:20:48.490
mentioned the movie Eurotrip, I'm going to stay

00:20:48.490 --> 00:20:52.049
with the movie Eurotrip and go with a band who

00:20:52.049 --> 00:20:55.029
would be considered a one -hit wonder. And believe

00:20:55.029 --> 00:20:59.349
it or not, are actually a real band. The band

00:20:59.349 --> 00:21:03.190
is called Lustra. And I'm going to go off the

00:21:03.190 --> 00:21:07.170
Eurotrip soundtrack with the song Scotty Doesn't

00:21:07.170 --> 00:21:10.650
Know. And no, Matt Damon does not sing for the

00:21:10.650 --> 00:21:14.089
band. He lip synced the song in the movie. But

00:21:14.089 --> 00:21:16.069
let me tell you, I've played this song with cover

00:21:16.069 --> 00:21:18.890
bands before. Even though the movie wasn't a

00:21:18.890 --> 00:21:22.769
massive hit in theaters, this song has taken

00:21:22.769 --> 00:21:26.609
on levels of a cult following because of the

00:21:26.609 --> 00:21:30.430
DVD. rentals of this movie and it's just such

00:21:30.430 --> 00:21:33.210
a fun pop punk song it's totally inappropriate

00:21:33.210 --> 00:21:37.750
totally hysterical and coming out of goldfinger

00:21:37.750 --> 00:21:40.210
i feel like we keep that energy up in that little

00:21:40.210 --> 00:21:44.390
movie tie in there so from 2004's eurotrip soundtrack

00:21:44.390 --> 00:21:47.390
i'm going with lustra scotty doesn't know that

00:21:47.390 --> 00:21:50.450
is a fantastic pick and i thought about putting

00:21:50.450 --> 00:21:53.089
it on my list as well but and then i thought

00:21:53.089 --> 00:21:55.950
all right maybe that's a little too uh dr demento

00:21:55.950 --> 00:21:58.900
of me but as a one oh it is but i don't care

00:21:58.900 --> 00:22:02.059
but i gotta tell you that has to be one of the

00:22:02.059 --> 00:22:05.259
greatest moments in cinematic history for me

00:22:05.259 --> 00:22:08.559
and also i mean you say that euro trip wasn't

00:22:08.559 --> 00:22:11.259
such a huge hit but it did make michelle trachtenberg

00:22:11.259 --> 00:22:13.980
really a household name at the time who yeah

00:22:13.980 --> 00:22:17.180
by the way uh love her made her right up there

00:22:17.180 --> 00:22:19.519
with with the jennifer love hewitt and and just

00:22:19.519 --> 00:22:22.759
the the beautiful people of the early 2000s yeah

00:22:22.759 --> 00:22:26.039
yeah so now i've kind of given you a cleed slate

00:22:26.039 --> 00:22:28.869
to Bounce off of that one with because you could

00:22:28.869 --> 00:22:31.289
really go anywhere from the Dr. Demento land,

00:22:31.470 --> 00:22:34.950
if you will. You totally can. All right. So we're

00:22:34.950 --> 00:22:37.650
we're about midway a little about three quarters

00:22:37.650 --> 00:22:40.829
of the way through our first side here. And we've

00:22:40.829 --> 00:22:44.049
got some great mix going on. I think what I want

00:22:44.049 --> 00:22:48.250
to do now is is bring the tone down back to speaking

00:22:48.250 --> 00:22:50.750
of reminiscing. I'm going to go back to 2001

00:22:50.750 --> 00:22:54.470
and the album called Bleed American with a fantastic

00:22:54.470 --> 00:22:58.259
group called Jimmy Eat World. And use the authority

00:22:58.259 --> 00:23:00.920
song. All right. So we're going into a little

00:23:00.920 --> 00:23:03.859
bit of the emo punk sound now. I really like

00:23:03.859 --> 00:23:07.460
that. I had Jimmy Eat World on my list, but I

00:23:07.460 --> 00:23:10.240
went a little later in their catalog. I had Big

00:23:10.240 --> 00:23:14.579
Casino from 2007's Chase This Light. But honestly,

00:23:14.799 --> 00:23:17.119
any era, Jimmy Eat World is one of the biggest

00:23:17.119 --> 00:23:23.029
emo punk bands from. that decade so i see no

00:23:23.029 --> 00:23:25.470
reason why any song i'm actually i'll be honest

00:23:25.470 --> 00:23:27.609
jay i'm surprised you didn't go with the middle

00:23:27.609 --> 00:23:30.470
coming out of scotty doesn't know so i do like

00:23:30.470 --> 00:23:32.369
the little bit of a deeper pick with the authority

00:23:32.369 --> 00:23:35.670
song there well i did have the middle uh as an

00:23:35.670 --> 00:23:37.670
alternate and i could have gone with the obvious

00:23:37.670 --> 00:23:39.730
the middle i think that was their probably their

00:23:39.730 --> 00:23:43.289
biggest smash radio hit which was one of the

00:23:43.289 --> 00:23:45.809
great it's so much fun to play that song because

00:23:45.809 --> 00:23:49.069
i had a band that played that song as well and

00:23:49.069 --> 00:23:53.210
that is a fun song to play lead guitar on. But

00:23:53.210 --> 00:23:55.250
I went with the Authority song because one, it's

00:23:55.250 --> 00:23:57.609
a little bit of a deeper cut. Their newer stuff

00:23:57.609 --> 00:24:00.609
is still so good. Oh yeah. If you don't keep

00:24:00.609 --> 00:24:02.329
up with them because you think they peaked at

00:24:02.329 --> 00:24:04.910
quote unquote the middle, you really should check

00:24:04.910 --> 00:24:07.309
out their newer stuff. They're a train. They

00:24:07.309 --> 00:24:10.529
just keep going and they churn out just these

00:24:10.529 --> 00:24:13.930
great anthemic pop punk rock songs. And the Authority

00:24:13.930 --> 00:24:15.990
song is one of those that kind of takes you back.

00:24:16.390 --> 00:24:20.410
Again, it really speaks to how I view music.

00:24:20.410 --> 00:24:23.670
It directly tells the story of what a song will

00:24:23.670 --> 00:24:25.930
do to you. It'll take you right back in time

00:24:25.930 --> 00:24:28.529
and put you right back into the way you feel,

00:24:28.690 --> 00:24:33.309
the way you smelled, the sights you saw, the

00:24:33.309 --> 00:24:35.730
sounds you heard, everything that was going on

00:24:35.730 --> 00:24:37.930
at that time. And I really couldn't have picked

00:24:37.930 --> 00:24:41.130
a better song to encapsulate that. Yeah. And

00:24:41.130 --> 00:24:43.750
following that up is tough because I feel like

00:24:43.750 --> 00:24:46.490
we've got this energy level going through this

00:24:46.490 --> 00:24:49.509
side A here. And I don't want to mess with it

00:24:49.509 --> 00:24:52.250
too much, but I do want to lean into the emo

00:24:52.250 --> 00:24:56.329
side of pop punk a little bit here. And I think

00:24:56.329 --> 00:24:58.150
I know what I'm going to do. It's going to keep

00:24:58.150 --> 00:25:00.289
the energy up, but it's going to be a little

00:25:00.289 --> 00:25:03.410
more on the emo spectrum. And I'm going to go

00:25:03.410 --> 00:25:07.769
back to 2003, off the album Ocean Avenue. And

00:25:07.769 --> 00:25:09.549
I'm going to go with the title track, Yellow

00:25:09.549 --> 00:25:12.630
Cards, Ocean Avenue. I want to give a shout out

00:25:12.630 --> 00:25:15.069
to Patreon, Mixtape, or Cactus Pete who chimed

00:25:15.069 --> 00:25:18.799
in with this one. Absolutely love this track.

00:25:19.470 --> 00:25:21.670
I know Yellow Card might be considered kind of

00:25:21.670 --> 00:25:24.650
a deeper cut here because they had kind of their

00:25:24.650 --> 00:25:27.130
moment in time, but I feel like they're a band

00:25:27.130 --> 00:25:30.109
that consistently puts out good music, a little

00:25:30.109 --> 00:25:32.349
bit under the radar. They're not a household

00:25:32.349 --> 00:25:35.109
name like the Blink -182s and the Green Days.

00:25:35.529 --> 00:25:38.589
And it's a shame because they're extremely, extremely

00:25:38.589 --> 00:25:41.789
talented. And as a musician, Colburn & Company,

00:25:41.950 --> 00:25:44.690
Jay, as you have played Colburn & Company shows

00:25:44.690 --> 00:25:47.829
in the past, you know we have a violin player

00:25:47.829 --> 00:25:50.190
in the band, Rebecca. Becca, an absolutely amazing

00:25:50.190 --> 00:25:54.369
violin player. I love the fact that Yellow Card

00:25:54.369 --> 00:25:57.470
takes violin and incorporates it into a punk

00:25:57.470 --> 00:26:01.529
rock sound and makes it work. Because on paper,

00:26:01.650 --> 00:26:04.789
it doesn't sound like it would work. But you

00:26:04.789 --> 00:26:07.750
listen to the violin in Ocean Avenue and it really

00:26:07.750 --> 00:26:11.029
elevates that song to a new level. So a little

00:26:11.029 --> 00:26:14.109
bit more emo, but still staying with that energy.

00:26:14.210 --> 00:26:17.809
I'm going with Yellow Card, Ocean Avenue. I love

00:26:17.809 --> 00:26:20.130
the pick. I had that as well. So you scooped

00:26:20.130 --> 00:26:23.089
me on both the song and the artist. That album,

00:26:23.309 --> 00:26:26.190
again, you get Ocean Avenue as the smash radio

00:26:26.190 --> 00:26:29.490
hit, but Yellow Card is, again, another one of

00:26:29.490 --> 00:26:33.069
those groups that consistently churns out. Kind

00:26:33.069 --> 00:26:36.029
of like an ACDC, you know exactly what you're

00:26:36.029 --> 00:26:39.049
getting when you hear the opening of a Yellow

00:26:39.049 --> 00:26:41.349
Card song. You know that that is going to be

00:26:41.349 --> 00:26:44.450
a consistently solid album. Yeah, they're not

00:26:44.450 --> 00:26:49.750
putting out any dubstep albums. Nope. Thank goodness.

00:26:50.490 --> 00:26:53.970
Yeah, let's put that out there, yes. When I do

00:26:53.970 --> 00:26:56.490
a dubstep episode of my weekly mixtape, Yellow

00:26:56.490 --> 00:26:59.210
Card probably won't make the cut. That's unfortunate.

00:26:59.549 --> 00:27:02.630
Yeah. Hey, maybe Yellow Card's listening. If

00:27:02.630 --> 00:27:04.609
they do a dubstep album, look, I'll consider

00:27:04.609 --> 00:27:07.509
it for sure, but I don't know about Yellow Card's

00:27:07.509 --> 00:27:09.750
dubstep turn, so we'll have to see how that goes.

00:27:10.150 --> 00:27:13.109
But Jay, you've got one song left for Side A.

00:27:13.529 --> 00:27:16.950
Where do you go from Yellow Card? That is a fantastic

00:27:16.950 --> 00:27:21.029
question. So if I could find you now, I'd last

00:27:21.029 --> 00:27:26.470
forever. Let's think. I think I'm going to push

00:27:26.470 --> 00:27:31.130
up to 2002. I'm going to go back in time a little

00:27:31.130 --> 00:27:34.009
bit before Yellow Card. The album Sticks and

00:27:34.009 --> 00:27:37.190
Stones, New Found Glory, My Friends Over You.

00:27:37.529 --> 00:27:41.190
And here's another great anthem of Love Lost.

00:27:41.720 --> 00:27:46.240
and how miserable the loss of a long -term relationship

00:27:46.240 --> 00:27:50.160
can make you. If you remember when I had essentially

00:27:50.160 --> 00:27:53.400
fled to New York in the early 2000s, I had gotten

00:27:53.400 --> 00:27:55.779
over a long -term relationship, or I was looking

00:27:55.779 --> 00:27:57.920
to get over a long -term relationship that had

00:27:57.920 --> 00:28:01.240
ended pretty badly. And this song specifically

00:28:01.240 --> 00:28:05.299
spoke to me very loudly at the time. And I could

00:28:05.299 --> 00:28:09.259
completely see why. I think that's a fantastic

00:28:09.259 --> 00:28:12.440
pick. You scooped me on the band. I actually

00:28:12.440 --> 00:28:16.660
had from 2000s self -titled Newfound Glory album

00:28:16.660 --> 00:28:20.019
hit or miss. And I know immediately as soon as

00:28:20.019 --> 00:28:23.180
I say those three words, fans of the band are

00:28:23.180 --> 00:28:26.059
going to start screaming because, yes, the song

00:28:26.059 --> 00:28:29.700
came out originally on 1999's Nothing Gold Can

00:28:29.700 --> 00:28:33.829
Stay. but I was actually choosing the 2000 re

00:28:33.829 --> 00:28:36.170
-recording that they did when they were on Drive

00:28:36.170 --> 00:28:38.809
Thru Records for the self -titled album. So I

00:28:38.809 --> 00:28:41.250
had a little bit of a gray area asterisked over

00:28:41.250 --> 00:28:43.470
there, but it doesn't matter because it didn't

00:28:43.470 --> 00:28:45.890
make the tape because you went to 2002's My Friends

00:28:45.890 --> 00:28:49.549
Over You. I love that second album, or technically

00:28:49.549 --> 00:28:52.849
third album from them. I love the song Understatement

00:28:52.849 --> 00:28:56.490
as well. This group has been consistently putting

00:28:56.490 --> 00:29:00.420
out fantastic... pop punk stuff. They have a

00:29:00.420 --> 00:29:03.779
series of cover song albums that all focus on

00:29:03.779 --> 00:29:08.180
movie soundtracks. They do covers of Anna Kendrick's

00:29:08.180 --> 00:29:11.690
cups from the. Pitch Perfect Movies, The Power

00:29:11.690 --> 00:29:13.869
of Love. That's right. I mean, they're a fun

00:29:13.869 --> 00:29:16.910
band, but their original stuff is fantastic too.

00:29:17.130 --> 00:29:20.210
So I highly suggest if you stopped listening

00:29:20.210 --> 00:29:23.069
to them at any point, remedy that and pick up

00:29:23.069 --> 00:29:24.809
some of their newer albums because they still

00:29:24.809 --> 00:29:27.890
keep the same style, the same energy. They're

00:29:27.890 --> 00:29:31.029
actually putting out an acoustic album this year

00:29:31.029 --> 00:29:34.430
in 2023, which is pretty exciting as well. So

00:29:34.430 --> 00:29:38.130
New Found Glory is great, but you know this...

00:29:38.349 --> 00:29:42.250
To finish up a side, this is tough for me, but

00:29:42.250 --> 00:29:43.970
I think I know where I'm going to... You want

00:29:43.970 --> 00:29:47.630
something big to finish up a side. And the last

00:29:47.630 --> 00:29:51.750
time I saw Newfound Glory live, they were opening

00:29:51.750 --> 00:29:56.329
for another band. And I think because we started

00:29:56.329 --> 00:30:00.829
with Blink -182, I feel like we need to kind

00:30:00.829 --> 00:30:05.170
of end with that same massive group. And I don't

00:30:05.170 --> 00:30:08.500
think you can get any more massive in... 2000s

00:30:08.500 --> 00:30:12.460
punk rock and 90s punk rock in 2010s punk rock

00:30:12.460 --> 00:30:16.099
than Green Day. So I'm going to go to 2004's

00:30:16.099 --> 00:30:19.279
American Idiot and I am going to close our side

00:30:19.279 --> 00:30:25.099
with the epic Jesus of Suburbia. We talked about

00:30:25.099 --> 00:30:28.519
it at the top of the episode because Josh Zimmer

00:30:28.519 --> 00:30:32.430
chimed in with that one. And I know. Coley Green

00:30:32.430 --> 00:30:35.049
chimed in with St. Jimmy also off of the American

00:30:35.049 --> 00:30:38.549
Idiot album. American Idiot is one of the biggest

00:30:38.549 --> 00:30:41.869
albums of the last 20 years. It was made into

00:30:41.869 --> 00:30:46.069
a Broadway play. Jesus of Suburbia was the band's

00:30:46.069 --> 00:30:49.170
most ambitious song to date. And the first time

00:30:49.170 --> 00:30:52.130
I heard it, as I was listening to the CD, I'm

00:30:52.130 --> 00:30:54.130
saying, wow, are we on like track seven already?

00:30:54.250 --> 00:30:55.829
And I looked down and I'm like, we're only on

00:30:55.829 --> 00:30:59.890
track two. This is a suite of songs. And it.

00:31:00.109 --> 00:31:02.730
Absolutely works. It doesn't feel like it's over

00:31:02.730 --> 00:31:05.970
nine minutes long because it's just done so well.

00:31:06.069 --> 00:31:09.450
And I feel like closing out a side because punk

00:31:09.450 --> 00:31:11.950
songs are relatively short. This brings us a

00:31:11.950 --> 00:31:13.829
little bit closer if we were to be timing this

00:31:13.829 --> 00:31:16.730
out to the end of a side on an actual cassette

00:31:16.730 --> 00:31:20.950
tape. So I am closing out side A with Green Day's

00:31:20.950 --> 00:31:24.579
Jesus of Suburbia. Well, you got me on the album.

00:31:24.660 --> 00:31:27.200
You got me with the band. And I was going to

00:31:27.200 --> 00:31:29.359
go with American Idiot. And for all of the reasons

00:31:29.359 --> 00:31:32.420
that you mentioned, this is probably my wife's

00:31:32.420 --> 00:31:36.859
favorite Green Day album. And if there is the

00:31:36.859 --> 00:31:40.000
perfect summation of pop and punk, they did.

00:31:40.099 --> 00:31:43.220
They built an entire Broadway show around it.

00:31:44.380 --> 00:31:47.019
it totally plays like a concept album, almost

00:31:47.019 --> 00:31:50.140
like a, not to, not to compare apples and oranges,

00:31:50.200 --> 00:31:52.500
but almost like Andrew Lloyd Webber, Tim Rice's

00:31:52.500 --> 00:31:54.599
Jesus Christ superstar, which started off as

00:31:54.599 --> 00:31:56.799
a concept album, not, not necessarily a show.

00:31:56.880 --> 00:31:59.740
And it became this beautiful, like this show

00:31:59.740 --> 00:32:03.140
that, that now Ted Neely does just at 176 years

00:32:03.140 --> 00:32:06.210
old, he's still going, but, but, you know, Billy

00:32:06.210 --> 00:32:09.589
Joe, his voice is fantastic. They popped onto

00:32:09.589 --> 00:32:14.329
the scene in the early mid -90s, and they showed

00:32:14.329 --> 00:32:17.329
up out of California, picking up where we had

00:32:17.329 --> 00:32:23.190
not heard punk rock in a while. And they kind

00:32:23.190 --> 00:32:25.630
of took it up to a new level. And then as the

00:32:25.630 --> 00:32:28.410
band progressed, I believe they just really found

00:32:28.410 --> 00:32:30.509
the groove, and they really found the way to

00:32:30.509 --> 00:32:32.890
toe that line to the mainstream and keep their

00:32:32.890 --> 00:32:37.109
roots firmly in the punk world. And I'll go as

00:32:37.109 --> 00:32:41.369
far as to say, and I know some punk purists will

00:32:41.369 --> 00:32:45.009
be upset with this, but I think in terms of overall

00:32:45.009 --> 00:32:50.829
popularity and mainstream appeal, I would, I

00:32:50.829 --> 00:32:53.650
don't know, safely say, but I'll say with a little

00:32:53.650 --> 00:32:56.730
trepidation that Green Day could be one of the

00:32:56.730 --> 00:33:00.670
largest punk bands, if not the largest punk band

00:33:00.670 --> 00:33:05.240
in the history of the genre. I get it. the Ramones,

00:33:05.240 --> 00:33:09.279
the Sex Pistols, for me, the Descendants, the

00:33:09.279 --> 00:33:14.299
Misfits. I get it. But Green Day is a stadium

00:33:14.299 --> 00:33:17.720
band that took punk rock from the clubs to stadiums.

00:33:18.119 --> 00:33:22.200
The Misfits do sell out arenas, but do they sell

00:33:22.200 --> 00:33:25.920
out a stadium? I don't know. I like your argument.

00:33:26.140 --> 00:33:30.529
I do. It's a tough one because I know punk purists

00:33:30.529 --> 00:33:33.170
don't see Green Day as punk. They see them as

00:33:33.170 --> 00:33:35.650
pop punk. And I understand there's that gray

00:33:35.650 --> 00:33:39.569
area with subgenres. But I have a hard time thinking

00:33:39.569 --> 00:33:42.170
of a band that would be bigger, even Blink -182,

00:33:42.349 --> 00:33:46.130
which is from that same era. I still think if

00:33:46.130 --> 00:33:48.150
they were touring together, Green Day takes top

00:33:48.150 --> 00:33:52.500
billing. I'm sorry. Even with Tom back. Absolutely.

00:33:52.619 --> 00:33:55.700
And going back to what I was talking about earlier,

00:33:55.839 --> 00:33:58.599
when we were a young festival, they are the headline.

00:33:58.859 --> 00:34:01.160
Green Day is the headliner, even though Blink

00:34:01.160 --> 00:34:04.380
-182 is back on tour with Tom. It speaks very

00:34:04.380 --> 00:34:08.559
loudly to the popularity and the pull power that

00:34:08.559 --> 00:34:10.659
Green Day has. You're absolutely right. That

00:34:10.659 --> 00:34:14.099
argument holds a lot of water. Well, that, mixtapers,

00:34:14.159 --> 00:34:18.300
concludes side A of our 2000s punk rock mixtape,

00:34:18.340 --> 00:34:21.360
which consists of Blink -182's The Rock Show,

00:34:21.679 --> 00:34:25.519
Bouncing Soul's Mantham, Avril Lavigne's Girlfriend,

00:34:25.860 --> 00:34:29.940
Paramore's Misery Business, Goldfinger's 99 Red

00:34:29.940 --> 00:34:33.639
Balloons, Lustra's Scotty Doesn't Know, Jimmy

00:34:33.639 --> 00:34:36.860
Eat World's The Authority Song, Yellow Card's

00:34:36.860 --> 00:34:40.280
Ocean Avenue, Newfound Glory's My Friends Over

00:34:40.280 --> 00:34:44.000
You, and Green Day's Jesus of Suburbia. You could

00:34:44.000 --> 00:34:46.840
head to myweeklymixtape .com to hear all the

00:34:46.840 --> 00:34:49.480
songs we've discussed in this mix through the

00:34:49.480 --> 00:34:52.820
playlist embedded on the episode page. Now, Jay,

00:34:52.980 --> 00:34:54.579
you had said earlier you're down in Atlanta.

00:34:55.659 --> 00:34:58.079
You're working sports now. You're still in the

00:34:58.079 --> 00:35:01.000
industry. So I guess my question for you is,

00:35:01.019 --> 00:35:04.539
being Mr. Sports Guy now, what's your halftime

00:35:04.539 --> 00:35:07.079
report for how our mixtape is coming along thus

00:35:07.079 --> 00:35:11.760
far? Well, I got to tell you, Brian, the mixtape

00:35:11.760 --> 00:35:14.800
is sounding really good. You come out of the

00:35:14.800 --> 00:35:17.699
gate, you boom, you hit them right in the hocks.

00:35:17.880 --> 00:35:19.920
You got them right on the ground and you're walking

00:35:19.920 --> 00:35:22.619
around and you're wrestling like two little Greco

00:35:22.619 --> 00:35:25.769
-Roman wrestlers. It's kind of crazy. How am

00:35:25.769 --> 00:35:28.130
I supposed to follow that up? All right. Well,

00:35:28.230 --> 00:35:32.849
with that, with that mix tapers, we are diving

00:35:32.849 --> 00:35:36.809
right into side two and I kick things off here

00:35:36.809 --> 00:35:40.789
and coming out of something on side one. That

00:35:40.789 --> 00:35:45.489
is Jesus's suburbia. I felt like that kind of

00:35:45.489 --> 00:35:48.389
cleansed the palate because that song is weaving

00:35:48.389 --> 00:35:50.570
you in and out of all these different sounds.

00:35:51.449 --> 00:35:54.110
So with that palate cleanser, I think I know

00:35:54.110 --> 00:35:57.610
the perfect song to start off side two. And it's

00:35:57.610 --> 00:36:00.909
going to start off on a quiet note, but then

00:36:00.909 --> 00:36:05.630
pick it up a notch. And this is one of the biggest

00:36:05.630 --> 00:36:09.409
emo albums of the 2000s. I'm going to go to 2006

00:36:09.409 --> 00:36:12.710
is the Black Parade. And I'm going to go with

00:36:12.710 --> 00:36:15.789
My Chemical Romance, Welcome to the Black Parade

00:36:15.789 --> 00:36:18.250
to start side B. I know this gives you a new

00:36:18.250 --> 00:36:20.929
slate, a new direction to take the side wherever

00:36:20.929 --> 00:36:24.110
you want. I'll just go ahead and say it. I'm

00:36:24.110 --> 00:36:27.150
not the world's biggest My Chemical Romance fan.

00:36:27.469 --> 00:36:32.210
However, that album, in my opinion. is their

00:36:32.210 --> 00:36:35.849
masterpiece. I absolutely love the fact that

00:36:35.849 --> 00:36:39.849
they were able to blend Queen, David Bowie, punk

00:36:39.849 --> 00:36:43.110
rock, and emo all into this sound that's so larger

00:36:43.110 --> 00:36:46.769
than life and such a concept, and it works so

00:36:46.769 --> 00:36:50.469
well. I might not be a defender of My Chemical

00:36:50.469 --> 00:36:53.349
Romance much outside of this album, but this

00:36:53.349 --> 00:36:57.699
song deserves every bit of... praise that it

00:36:57.699 --> 00:37:01.059
gets. It is such an amazing song. Again, New

00:37:01.059 --> 00:37:04.440
Jersey representing in this playlist, like I

00:37:04.440 --> 00:37:06.800
said, with the Bouncing Souls. So we're starting

00:37:06.800 --> 00:37:08.719
off on a little bit of a light note in the beginning,

00:37:08.800 --> 00:37:12.619
but once that song kicks in, it is anything but

00:37:12.619 --> 00:37:15.480
light. My Chemical Romance, welcome to the Black

00:37:15.480 --> 00:37:19.420
Parade. You scooped not only my band, my album,

00:37:19.519 --> 00:37:22.559
and my song, but you scooped my entire line of

00:37:22.559 --> 00:37:26.750
praise for this specific song. The vocals, are

00:37:26.750 --> 00:37:30.110
and the harmonies are so good uh when i first

00:37:30.110 --> 00:37:33.889
heard this song i had deluded myself into um

00:37:33.889 --> 00:37:36.449
that i was going to become a runner and and lose

00:37:36.449 --> 00:37:38.949
some weight and and well we see how that worked

00:37:38.949 --> 00:37:42.170
out for me not very well uh but i i remember

00:37:42.170 --> 00:37:46.150
this song um when i first heard it uh it hit

00:37:46.150 --> 00:37:48.510
my i want to say it was spotify we had moved

00:37:48.510 --> 00:37:50.730
to albany spotify might not have been around

00:37:50.730 --> 00:37:54.030
yet but it was on my playlist and it hit my playlist

00:37:54.590 --> 00:37:58.630
And I remember feeling, I teared because, you

00:37:58.630 --> 00:38:01.050
know, at the point it was just so powerful and

00:38:01.050 --> 00:38:04.090
emotional. And at the time, like we had just

00:38:04.090 --> 00:38:06.809
moved out to Albany. We had to carry my newborn

00:38:06.809 --> 00:38:10.070
second daughter with me, with us. And it was

00:38:10.070 --> 00:38:11.809
just, where were we going to live? It was all

00:38:11.809 --> 00:38:13.909
kind of crazy. And then I heard this song and

00:38:13.909 --> 00:38:16.710
it was just, it was perfect. Emotionally, it

00:38:16.710 --> 00:38:19.969
just kind of got me in it. It really was the

00:38:19.969 --> 00:38:22.230
part where he's, you know, shouting at the world

00:38:22.230 --> 00:38:25.190
like do or die. I'll never break this. The world's

00:38:25.190 --> 00:38:26.869
never going to break me. I'm not going to, you

00:38:26.869 --> 00:38:28.730
know, you could throw everything you want at

00:38:28.730 --> 00:38:30.849
me and I'm still going to still going to prevail.

00:38:31.349 --> 00:38:33.949
And I think that that's what really that made

00:38:33.949 --> 00:38:39.070
me a big fan of MCR. I also had teenagers on

00:38:39.070 --> 00:38:41.530
my list because that song is hilarious. Oh, yeah.

00:38:42.090 --> 00:38:46.449
That song to me is Queen personified by a modern

00:38:46.449 --> 00:38:50.610
band. I really hear the Queen vibe coming out

00:38:50.610 --> 00:38:54.409
in that song. For sure. And again, My Chemical

00:38:54.409 --> 00:38:57.289
Romance is one of those bands. I liked it when

00:38:57.289 --> 00:39:00.829
they came out in 2006. My oldest daughter loves

00:39:00.829 --> 00:39:03.809
it. Now my second oldest daughter is a big fan

00:39:03.809 --> 00:39:05.969
and my middle daughter is a big fan as well.

00:39:06.130 --> 00:39:09.269
So it just transcends time. They're still like

00:39:09.269 --> 00:39:12.139
2023 and we're still talking about how... Welcome

00:39:12.139 --> 00:39:15.159
to the Black Parade is such a huge album. It's

00:39:15.159 --> 00:39:17.239
a monster of an album. Yeah. And now that they're

00:39:17.239 --> 00:39:19.420
back touring it again, I mean, they're going

00:39:19.420 --> 00:39:22.139
to be back into that conversation even bigger.

00:39:22.219 --> 00:39:24.639
And to be honest, I hope they do put out something

00:39:24.639 --> 00:39:27.039
new and I hope it kind of stays in that vein,

00:39:27.159 --> 00:39:30.699
because I think the Black Parade is just one

00:39:30.699 --> 00:39:35.280
of those albums that if they could kind of recapture

00:39:35.280 --> 00:39:37.780
that magic in the bottle. you have a whole new

00:39:37.780 --> 00:39:39.699
generation that can have their minds blown by

00:39:39.699 --> 00:39:42.659
it. Like we're talking about now, but now Jay,

00:39:42.800 --> 00:39:45.139
I've left you kind of a wide open slate here.

00:39:45.199 --> 00:39:48.699
You can go in endless directions. Where are you

00:39:48.699 --> 00:39:52.280
coming out of my chemical romance? Well, there's

00:39:52.280 --> 00:39:53.880
a couple of different things that I was thinking

00:39:53.880 --> 00:39:56.659
here that we could do. And I, I'm almost positive

00:39:56.659 --> 00:39:58.980
that this is the right step. I'm going to go

00:39:58.980 --> 00:40:04.900
2004, the naked truth with Sarah Hudson's girl

00:40:04.900 --> 00:40:08.420
on the verge. Now, Sarah Hudson is not a household

00:40:08.420 --> 00:40:11.039
name you would think of right away, but she is

00:40:11.039 --> 00:40:14.300
related to actress Kate Hudson and singer Kate

00:40:14.300 --> 00:40:18.000
Hudson, also going by Katy Perry. So she had

00:40:18.000 --> 00:40:21.159
that family, you know, the nepotism, if you will,

00:40:21.260 --> 00:40:24.719
the family name to kind of hang herself on. This

00:40:24.719 --> 00:40:28.079
song screams at you. It is girl power. It is

00:40:28.079 --> 00:40:30.940
the breakup song told from the female perspective

00:40:30.940 --> 00:40:34.659
and dealing with life on a regular basis. The

00:40:34.659 --> 00:40:36.400
band that I was in, Phoenix Rising, at the time

00:40:36.400 --> 00:40:38.340
that we were trying to get ourselves to play

00:40:38.340 --> 00:40:40.260
this song. And I just I don't think we could

00:40:40.260 --> 00:40:42.599
capture it very well. So I think we shelved the

00:40:42.599 --> 00:40:45.059
idea. But this song, when I first heard it was

00:40:45.059 --> 00:40:48.460
OK. This song screams at me literally. And I

00:40:48.460 --> 00:40:51.320
loved the raw power of it. That's an interesting

00:40:51.320 --> 00:40:53.599
pick, dude. I'll be honest. I did not have that

00:40:53.599 --> 00:40:59.159
on my list. And I like it. I am just perplexed

00:40:59.159 --> 00:41:02.880
at where to go from there. I'm scrolling up and

00:41:02.880 --> 00:41:06.119
down this list saying, what can I do from that?

00:41:08.019 --> 00:41:12.159
Hmm. All right. I think I know what I'm going

00:41:12.159 --> 00:41:16.739
to do. Sarah Hudson. It has a little bit of that

00:41:16.739 --> 00:41:20.659
alternative kind of indie rock sound. So I kind

00:41:20.659 --> 00:41:24.619
of want to lean into that a little bit. And it

00:41:24.619 --> 00:41:26.719
takes you a little bit away from the punk sound.

00:41:26.840 --> 00:41:29.420
But when you. blend punk and that alternative

00:41:29.420 --> 00:41:33.980
indie rock together, you do get this alternate

00:41:33.980 --> 00:41:37.719
sound of punk. And I'm going to go back to New

00:41:37.719 --> 00:41:42.159
Jersey again. And earlier in the episode, I gave

00:41:42.159 --> 00:41:45.340
a shout out to Ryan at the Soundtrack Your Life

00:41:45.340 --> 00:41:48.340
podcast. I'm going to do that again because I

00:41:48.340 --> 00:41:53.559
am going to go with 2008's The 59 Sound and I'm

00:41:53.559 --> 00:41:56.119
going to go with the Gaslight Anthem's The 59

00:41:56.119 --> 00:42:00.159
Sound. The Gaslight Anthem is one of those bands

00:42:00.159 --> 00:42:05.019
that truly started off in the punk vein, but

00:42:05.019 --> 00:42:08.159
then started bringing in this Springsteen -esque

00:42:08.159 --> 00:42:12.719
New Jersey vibe to the sound. And they're a band

00:42:12.719 --> 00:42:17.659
that in this area. can easily play the PNC Bank

00:42:17.659 --> 00:42:20.559
Arts Center. I feel like they should be a lot

00:42:20.559 --> 00:42:23.019
bigger. Brian Fallon has done a lot of stuff

00:42:23.019 --> 00:42:26.199
on his solo end. He's done the Horrible Crows.

00:42:26.219 --> 00:42:29.500
He's done his solo albums. And he leans a lot

00:42:29.500 --> 00:42:31.320
more singer -songwritery. But when they come

00:42:31.320 --> 00:42:36.039
together, the 59 sound is this alternative indie

00:42:36.039 --> 00:42:39.920
punk vibe with a little bit of a Springsteen

00:42:39.920 --> 00:42:44.039
-esque... damn near Americana storytelling aspect

00:42:44.039 --> 00:42:48.139
to the music. And I feel like coming out of Sarah

00:42:48.139 --> 00:42:52.059
Hudson, it still keeps that kind of serious indie

00:42:52.059 --> 00:42:55.860
vibe and kind of takes you back into the punk

00:42:55.860 --> 00:42:58.820
realm with a little bit of that indie flavor

00:42:58.820 --> 00:43:02.119
still throughout. So my track three is the Gaslight

00:43:02.119 --> 00:43:05.969
Anthems, the 59 sound. What a spectacular pick.

00:43:06.190 --> 00:43:09.090
You know, Gaslight Anthem is such a uniquely,

00:43:09.130 --> 00:43:11.829
you said it perfectly, they're such a uniquely

00:43:11.829 --> 00:43:16.210
styled pop punk band that brings, first of all,

00:43:16.230 --> 00:43:19.050
I got to pause there for a minute because we

00:43:19.050 --> 00:43:21.429
go to Jersey a lot here. Is there something in

00:43:21.429 --> 00:43:25.130
the water? You know, they always talk about,

00:43:25.130 --> 00:43:27.449
you know, the West Coast, like when you think

00:43:27.449 --> 00:43:29.309
about Third Wave Sky, you had the whole West

00:43:29.309 --> 00:43:32.170
Coast sky sound that came out with Real Big Fish

00:43:32.170 --> 00:43:36.010
and No Doubt and all that. New Jersey has a great

00:43:36.010 --> 00:43:38.730
breeding ground for punk music, even going all

00:43:38.730 --> 00:43:41.030
the way back to the Misfits, Lodi, New Jersey.

00:43:41.869 --> 00:43:44.150
That's right. You have the Ramones, which is

00:43:44.150 --> 00:43:46.789
right over the bridge in New York. New York and

00:43:46.789 --> 00:43:50.710
New Jersey is a central hub of punk music, and

00:43:50.710 --> 00:43:52.849
there's a lot of great bands that came out of

00:43:52.849 --> 00:43:54.989
it. It just so happens I'm choosing them tonight

00:43:54.989 --> 00:43:58.150
because of the music, not necessarily the New

00:43:58.150 --> 00:44:02.460
Jersey aspect, but yeah, damn. Good for New Jersey,

00:44:02.559 --> 00:44:04.420
right? Very good for New Jersey and very good

00:44:04.420 --> 00:44:06.119
for the Gaslight Anthem, too, because, again,

00:44:06.219 --> 00:44:09.739
I think they took that punk sound, that pop punk,

00:44:09.840 --> 00:44:12.099
and they flavored it up and they made it their

00:44:12.099 --> 00:44:15.139
own. And I don't think you get a lot of bands,

00:44:15.260 --> 00:44:17.820
obviously, that do that. I would hope that every

00:44:17.820 --> 00:44:20.719
band aims to do that. But this is such a Gaslight

00:44:20.719 --> 00:44:23.800
Anthem is such a classification in and of themselves

00:44:23.800 --> 00:44:27.199
where that sound is that that's their style.

00:44:27.340 --> 00:44:30.099
It's uniquely theirs. I love it. How do I come

00:44:30.099 --> 00:44:34.320
out of that? that is wow okay let's take a look

00:44:34.320 --> 00:44:37.300
um yeah for i'll tell you right now jay side

00:44:37.300 --> 00:44:41.219
a we had this kind of vibe and energy that's

00:44:41.219 --> 00:44:45.639
sprinkled throughout and side b has been just

00:44:45.639 --> 00:44:48.019
zigzagging so far so i'm kind of curious are

00:44:48.019 --> 00:44:49.900
you gonna put us on the straight and narrow here

00:44:49.900 --> 00:44:52.320
or are you just gonna keep this weave thing going

00:44:52.320 --> 00:44:56.480
that we've got going here oh let's see this is

00:44:56.480 --> 00:45:00.010
a great question i think You know what? I'm going

00:45:00.010 --> 00:45:02.530
to stay in New Jersey, and I don't think this

00:45:02.530 --> 00:45:05.269
band is from New Jersey, but this song specifically

00:45:05.269 --> 00:45:08.130
that I'm going to pick here is the song that

00:45:08.130 --> 00:45:10.989
I would never have, it wouldn't have ever been

00:45:10.989 --> 00:45:13.590
on my radar had it not been for one Brian Colburn.

00:45:13.789 --> 00:45:18.329
So I moved to New York City in 2001, actually

00:45:18.329 --> 00:45:21.670
late 2000. Met Brian at Westwood One, and we

00:45:21.670 --> 00:45:24.610
became workmates and friends and went to go see

00:45:24.610 --> 00:45:27.369
his band often. But we went to karaoke a lot

00:45:27.369 --> 00:45:29.809
too. And on the way, we would listen to these

00:45:29.809 --> 00:45:33.250
great songs. And this one particular song is

00:45:33.250 --> 00:45:36.409
not even, it's a bonus track. So we're going

00:45:36.409 --> 00:45:41.090
to go to 2001 with the album Go. And a band called

00:45:41.090 --> 00:45:45.409
H2O did a cover of Madonna's Like a Prayer. Yes.

00:45:48.090 --> 00:45:52.429
I love it. That one is absolutely fantastic.

00:45:52.989 --> 00:45:57.539
What a great cover that was. Unsuspecting. I'll

00:45:57.539 --> 00:45:59.960
never forget the look on your face when that

00:45:59.960 --> 00:46:03.219
came on. You went, wait, what is this? What is

00:46:03.219 --> 00:46:05.280
this happening right now? What are you putting

00:46:05.280 --> 00:46:07.800
on? And then when it kicked in, you were like,

00:46:07.940 --> 00:46:11.820
oh, dude, this is something. Oh, my God. I'll

00:46:11.820 --> 00:46:14.440
never forget your reaction to that one. Oh, yeah.

00:46:14.500 --> 00:46:16.739
And then they take that quick, like the music

00:46:16.739 --> 00:46:20.360
break. And then they kick it back in. It's great.

00:46:20.579 --> 00:46:23.380
And again, you wouldn't have immediately known

00:46:23.380 --> 00:46:25.940
it if you weren't listening to the entire album

00:46:25.940 --> 00:46:28.739
in the first place, because like a prayer, the

00:46:28.739 --> 00:46:31.539
cover is a hidden track attached to underneath

00:46:31.539 --> 00:46:34.559
the flames off of that album. And again, I went

00:46:34.559 --> 00:46:36.639
back and listened to that entire album and it's

00:46:36.639 --> 00:46:39.340
really solid. Oh, the whole album is great. I

00:46:39.340 --> 00:46:41.360
love the band. I'm so glad that they got brought

00:46:41.360 --> 00:46:43.900
up because they're, again, a little bit of a

00:46:43.900 --> 00:46:47.079
deeper cut. But I absolutely love the pick. And

00:46:47.079 --> 00:46:50.260
obviously, I love cover songs. So I got to give

00:46:50.260 --> 00:46:52.480
a huge thumbs up to that. But I'm going to stay

00:46:52.480 --> 00:46:55.699
deep now that you did that. We talked about the

00:46:55.699 --> 00:47:00.519
Gaslight Anthem and H2O. Gaslight Anthem once

00:47:00.519 --> 00:47:03.179
covered this song live that I'm going to pick.

00:47:03.760 --> 00:47:07.739
And it's a band that features Chuck Reagan and

00:47:07.739 --> 00:47:10.260
Chris Woolard, both on guitar and vocals. And

00:47:10.260 --> 00:47:14.239
the group is called Hot Water Music. And I'm

00:47:14.239 --> 00:47:18.340
going off the album Caution from 2002. And I'm

00:47:18.340 --> 00:47:21.360
going to go with Trusty Chords. It keeps in line

00:47:21.360 --> 00:47:23.880
with that Gaslight Anthem style, but it's a little

00:47:23.880 --> 00:47:29.980
heavier, a little bit more growly punk. And Hot

00:47:29.980 --> 00:47:32.679
Water Music is one of those bands that every

00:47:32.679 --> 00:47:36.599
album they come out with, I absolutely love it.

00:47:36.719 --> 00:47:41.190
And I always wonder how... In the hell, they

00:47:41.190 --> 00:47:45.469
are not a household name. They are so consistently

00:47:45.469 --> 00:47:49.849
awesome. Every single album, including their

00:47:49.849 --> 00:47:51.570
newest one that they just put out, one of my

00:47:51.570 --> 00:47:55.130
favorite albums of 2022. This band should be

00:47:55.130 --> 00:47:59.210
in everybody's ears. And I'm hoping through the

00:47:59.210 --> 00:48:02.230
mixtapers listening tonight, you're maybe learning

00:48:02.230 --> 00:48:04.429
about Hot Water Music for the first time. Or

00:48:04.429 --> 00:48:07.030
if not, you're remembering them and going back

00:48:07.030 --> 00:48:10.320
and starting to listen to them. Track five, Hot

00:48:10.320 --> 00:48:13.539
Water Music, Trusty Chords. That's fantastic.

00:48:13.880 --> 00:48:17.579
Again, that's not leaning away from the poppier

00:48:17.579 --> 00:48:20.500
side of the pop punk era, but you've got that

00:48:20.500 --> 00:48:24.599
real heavy. It is. It's almost that guttural

00:48:24.599 --> 00:48:28.940
growling kind of hard edge of pop punk. And I

00:48:28.940 --> 00:48:31.679
really love that pick. Again, that's going to

00:48:31.679 --> 00:48:34.039
make it really interesting to come out of. You

00:48:34.039 --> 00:48:37.139
know what? I'm going to throw a curveball in

00:48:37.139 --> 00:48:39.170
here. That's what I'm going to do. Let's go to

00:48:39.170 --> 00:48:43.869
2004. Let's go to 2004, Brian. You know, a young

00:48:43.869 --> 00:48:46.889
lady, a little show called American Idol and

00:48:46.889 --> 00:48:48.909
a young lady named Kelly Clarkson. I certainly

00:48:48.909 --> 00:48:51.010
do. Well, she released a song called Since You've

00:48:51.010 --> 00:48:54.110
Been Gone in 2004 off the album Breakaway. And

00:48:54.110 --> 00:48:57.750
that, I think, is a great way to kind of flip

00:48:57.750 --> 00:49:01.989
this album on its ear a little bit. I'll tell

00:49:01.989 --> 00:49:05.030
you right now, Jay, people are going to be screaming.

00:49:05.630 --> 00:49:08.090
That you put Kelly Clarkson in punk. I'm just

00:49:08.090 --> 00:49:10.329
putting it out in the universe. But this song

00:49:10.329 --> 00:49:14.369
does have that pop punk sound. So I am not going

00:49:14.369 --> 00:49:16.869
to argue it. But you might get some hate mail.

00:49:17.010 --> 00:49:19.710
Just throwing it out there. With all due respect.

00:49:20.050 --> 00:49:23.230
That's fine. I welcome it. Because it's funny.

00:49:23.289 --> 00:49:24.789
I was scrolling through TikTok the other day.

00:49:24.969 --> 00:49:27.130
And I don't even know what the hell a TikTok

00:49:27.130 --> 00:49:30.889
is. But there was a content creator. I guess

00:49:30.889 --> 00:49:33.550
they call us now. Was saying about how Kelly

00:49:33.550 --> 00:49:36.969
Clarkson was. going back to her pop punk roots

00:49:36.969 --> 00:49:39.489
and they're waiting really you know these hardcore

00:49:39.489 --> 00:49:42.030
died in the world fans are waiting for kelly

00:49:42.030 --> 00:49:44.769
to signal that she's still one of them i'll say

00:49:44.769 --> 00:49:48.190
that when she started she had that edge to her

00:49:48.190 --> 00:49:50.989
um you hear it in in songs like since you've

00:49:50.989 --> 00:49:53.210
been gone you hear it in my life would suck without

00:49:53.210 --> 00:49:55.809
you she also has a later one called why you want

00:49:55.809 --> 00:49:58.090
to bring me down which was a cover of a band

00:49:58.090 --> 00:50:00.909
called a randa which was a hard rock kind of

00:50:00.909 --> 00:50:03.429
indie rock group and she covered it with that

00:50:03.429 --> 00:50:06.170
punk rock flavor as well so she's definitely

00:50:06.170 --> 00:50:09.510
sprinkled it in to her music throughout the years

00:50:09.510 --> 00:50:14.489
but because of where music has gone and her being

00:50:14.489 --> 00:50:17.989
the pop artist she is it's been few and far between

00:50:18.590 --> 00:50:21.750
And I was going to say, and now I'm diving directly

00:50:21.750 --> 00:50:25.269
into the country thing. Plus, she's much like

00:50:25.269 --> 00:50:28.889
Taylor Swift, kind of navigates her way, weaving

00:50:28.889 --> 00:50:31.250
in and out of the pop and the country genres.

00:50:31.969 --> 00:50:34.110
Kelly's leaning heavily back into her country

00:50:34.110 --> 00:50:37.869
roots. And now she's a talk show queen. And she's

00:50:37.869 --> 00:50:41.849
made quite a name for herself. And she's a Wayfair

00:50:41.849 --> 00:50:45.769
spokesperson. Well, there you go. Well, coming

00:50:45.769 --> 00:50:53.489
out of Kelly Clarkson. I got nothing. Actually,

00:50:53.570 --> 00:50:57.030
you know what? I do have something. Because you

00:50:57.030 --> 00:51:01.010
went so heavy into the pop side of the pop punk,

00:51:01.230 --> 00:51:05.309
I got to bring us back towards punk a little

00:51:05.309 --> 00:51:09.929
bit more. And what I'm going to do is go with

00:51:09.929 --> 00:51:15.800
a cover song again. But it's a cover. Of the

00:51:15.800 --> 00:51:21.059
massive 1997 hit from Natalie Imbruglia, Torn.

00:51:21.500 --> 00:51:24.980
And it's by a band called Off By One. And it's

00:51:24.980 --> 00:51:29.000
from their self -titled 2002 album, Off By One.

00:51:29.980 --> 00:51:35.260
So the song Torn, the original, is that pop sound.

00:51:35.500 --> 00:51:38.440
Obviously, Natalie Imbruglia's 1997 version.

00:51:38.599 --> 00:51:41.900
Most people don't realize that Natalie Imbruglia's

00:51:41.900 --> 00:51:46.750
song Torn. is a cover of Edna Swap, which featured

00:51:46.750 --> 00:51:52.349
the two original songwriters in 1995. But that

00:51:52.349 --> 00:51:55.130
wasn't even the original recording because Torn

00:51:55.130 --> 00:51:59.929
was actually recorded first in 1993 by Danish

00:51:59.929 --> 00:52:05.030
singer Liz Sorensen under the title Burned. So

00:52:05.030 --> 00:52:09.010
this is actually a cover of a cover of the original

00:52:09.010 --> 00:52:13.500
songwriter's cover, if that makes sense. I actually

00:52:13.500 --> 00:52:16.300
love the song torn, but off by one's version

00:52:16.300 --> 00:52:21.320
is full throttle pop punk and so much fun. And

00:52:21.320 --> 00:52:24.440
from a personal standpoint, one of my old cover

00:52:24.440 --> 00:52:28.000
bands use guys used to do Kelly Clarkson since

00:52:28.000 --> 00:52:31.340
you've been gone and coming out of it, we would

00:52:31.340 --> 00:52:35.800
go into off by one's version of torn. So on paper,

00:52:35.880 --> 00:52:37.880
this is the only way I could see this working

00:52:37.880 --> 00:52:41.389
here because all my other picks. do not lean

00:52:41.389 --> 00:52:43.989
into the pop as much anymore. So I am going to

00:52:43.989 --> 00:52:48.030
go with Off By One and Torn. That's fantastic.

00:52:48.389 --> 00:52:50.170
You know, I'm glad you brought this up because

00:52:50.170 --> 00:52:53.130
I am not familiar with Off By One, but I have

00:52:53.130 --> 00:52:56.750
heard this cover. And I was wondering, you know,

00:52:56.750 --> 00:52:59.849
who did it? And now you've brought it right to

00:52:59.849 --> 00:53:02.869
the fold. And that's excellent. I'm here for

00:53:02.869 --> 00:53:05.280
it. Let's go. This is one of those songs where

00:53:05.280 --> 00:53:08.239
back in the Napster days, it would be like torn

00:53:08.239 --> 00:53:11.199
cover. If you like bands like blah, blah, blah,

00:53:11.280 --> 00:53:17.380
blah. Exactly. Kids, Napster was eight. So, all

00:53:17.380 --> 00:53:20.219
right. So where do we go from off by one? Let's

00:53:20.219 --> 00:53:22.480
see. We're bringing us back to center, if you

00:53:22.480 --> 00:53:26.019
will. Huh? Let's, you know what? I think we're

00:53:26.019 --> 00:53:29.940
going to do it. I'm going back to 2001. And I'm

00:53:29.940 --> 00:53:32.079
going to go to a little album called Now You

00:53:32.079 --> 00:53:35.420
See Inside. a group called SR71, who I would

00:53:35.420 --> 00:53:38.280
be absolutely remiss if I did not put on this

00:53:38.280 --> 00:53:41.380
mixtape. And the song is called Politically Correct.

00:53:41.699 --> 00:53:45.039
Oh, you went with Politically Correct. OK, awesome.

00:53:45.360 --> 00:53:48.280
Yeah, I could have gone with Right Now, an equally

00:53:48.280 --> 00:53:50.940
awesome song. But I think Politically Correct

00:53:50.940 --> 00:53:54.000
spoke at the time when I was leaving. I left

00:53:54.000 --> 00:53:56.340
news radio and was kind of getting into network

00:53:56.340 --> 00:53:59.679
radio. And it was all, you know, all of the news

00:53:59.679 --> 00:54:03.099
that was going on at the time. SR -71 was one

00:54:03.099 --> 00:54:05.659
of the first bands for me that vocalized the,

00:54:05.719 --> 00:54:09.280
hey, everybody shut up. Just stop talking right

00:54:09.280 --> 00:54:12.239
now and enjoy something, would you? That's when

00:54:12.239 --> 00:54:14.900
I think everything started kind of where he throws

00:54:14.900 --> 00:54:17.000
the line, they couldn't make a Mel Brooks movie

00:54:17.000 --> 00:54:20.780
today. And it's a sad reality, really. I love

00:54:20.780 --> 00:54:24.980
SR -71. I've had Now You See Inside for over

00:54:24.980 --> 00:54:28.690
20 years now. I love... The CD book for this

00:54:28.690 --> 00:54:33.309
album, just for a little bit of CD nerd geeking

00:54:33.309 --> 00:54:36.130
out here for a moment. The CD book is actually

00:54:36.130 --> 00:54:40.590
cut in half and you see half the CD and half

00:54:40.590 --> 00:54:44.150
the image on the CD book. So the now you see

00:54:44.150 --> 00:54:47.289
inside, you're actually looking into the jewel

00:54:47.289 --> 00:54:51.369
case, seeing the CD behind the booklet. If that

00:54:51.369 --> 00:54:54.550
makes sense. Clever marketing. very clever marketing

00:54:54.550 --> 00:54:57.590
especially for that time you scooped me on the

00:54:57.590 --> 00:55:01.190
band i had right now on the list just because

00:55:01.190 --> 00:55:04.809
i remember it in that movie loser which was not

00:55:04.809 --> 00:55:07.730
that good back in the early 2000s with jason

00:55:07.730 --> 00:55:10.889
biggs after american pie exploded but i loved

00:55:10.889 --> 00:55:13.489
the song and it was definitely one of those american

00:55:13.489 --> 00:55:16.789
pie type pop punk songs that were popping up

00:55:16.789 --> 00:55:20.539
in every comedy around that time. And now you've

00:55:20.539 --> 00:55:23.420
kind of reset things here where I could go anywhere

00:55:23.420 --> 00:55:26.159
with my last song pick of the night because we

00:55:26.159 --> 00:55:28.659
only have two songs left and I'm scrolling up

00:55:28.659 --> 00:55:33.820
and down my list and I am just heartbroken over

00:55:33.820 --> 00:55:36.880
some of the songs that we are not talking about.

00:55:37.079 --> 00:55:39.420
But the beauty of mixtapes is there's always

00:55:39.420 --> 00:55:42.480
a volume two. So just because we're not getting

00:55:42.480 --> 00:55:45.260
it to it in these 20 songs, there's no reason

00:55:45.260 --> 00:55:48.980
why. We can't follow up because this is a genre

00:55:48.980 --> 00:55:52.820
that's just full of possibilities. And because

00:55:52.820 --> 00:55:57.539
we're nearing the end of the tape, I kind of

00:55:57.539 --> 00:55:59.739
want to go with a song that's going to get everybody

00:55:59.739 --> 00:56:03.719
fist pumping and singing along and just having

00:56:03.719 --> 00:56:07.019
a big old party. And I feel like one of the areas

00:56:07.019 --> 00:56:12.980
we didn't dip tonight was Irish punk. As much

00:56:12.980 --> 00:56:15.800
as I am New York and I am a New York Yankees

00:56:15.800 --> 00:56:19.260
and New York Giants fan, I have to tip my hat

00:56:19.260 --> 00:56:22.900
to our Boston brothers in the Dropkick Murphys

00:56:22.900 --> 00:56:27.360
because from 2005's The Warrior's Code, it doesn't

00:56:27.360 --> 00:56:29.679
get any better than I'm shipping up to Boston.

00:56:29.820 --> 00:56:32.619
You think about the movie The Descendants, fine.

00:56:33.019 --> 00:56:37.699
It's great in that, but this song is such a punk

00:56:37.699 --> 00:56:41.139
rock anthem. It made the Dropkick Murphys a household

00:56:41.139 --> 00:56:44.949
name. I'm so thankful for what the Dropkick Murphys

00:56:44.949 --> 00:56:47.769
did during COVID, during lockdowns. They were

00:56:47.769 --> 00:56:51.690
finding unique and creative ways to do live streams

00:56:51.690 --> 00:56:55.030
and bring music to people when everybody was

00:56:55.030 --> 00:56:58.070
kind of hunkered down at home. They did this

00:56:58.070 --> 00:57:02.480
amazing show. On Fenway, they were all separated

00:57:02.480 --> 00:57:06.780
across Fenway Park on the field. Like each guy

00:57:06.780 --> 00:57:09.300
was at a different base and they took up the

00:57:09.300 --> 00:57:10.940
whole baseball field and they did a concert.

00:57:11.000 --> 00:57:14.519
It was so much fun. I love the dropkick Murphys.

00:57:14.519 --> 00:57:18.119
And I was kind of bouncing back and forth between

00:57:18.119 --> 00:57:20.659
if I wanted to include dropkick Murphys or flogging

00:57:20.659 --> 00:57:23.079
Molly here. But looking at where this mix is

00:57:23.079 --> 00:57:26.280
going, I kind of want to end at like this. Just

00:57:26.280 --> 00:57:29.199
incredible level. So for my last song for the

00:57:29.199 --> 00:57:31.059
night, I'm going to go with Dropkick Murphys.

00:57:31.139 --> 00:57:34.119
I'm shipping up to Boston. I love it. And again,

00:57:34.199 --> 00:57:37.480
tying it back into my current job and being in

00:57:37.480 --> 00:57:40.519
sports, everybody recognizes this song. When

00:57:40.519 --> 00:57:44.280
it's played, it absolutely gets the entire crowd

00:57:44.280 --> 00:57:46.820
up and off on their feet and off their feet,

00:57:46.860 --> 00:57:48.460
too, while they're jumping in the air and fist

00:57:48.460 --> 00:57:50.559
pumping up and down. They described perfectly

00:57:50.559 --> 00:57:53.969
what you wanted to do on this album. So that

00:57:53.969 --> 00:57:56.429
leaves me, I guess, to wrap this thing up, at

00:57:56.429 --> 00:57:59.989
least for now. And I think you did this on purpose,

00:58:00.030 --> 00:58:02.570
and I'm eternally grateful because the way I'm

00:58:02.570 --> 00:58:04.869
going to close this album is with a friend of

00:58:04.869 --> 00:58:08.849
mine. I'm proud to say that I have the capability

00:58:08.849 --> 00:58:11.989
of calling him a friend. We're going to go into

00:58:11.989 --> 00:58:15.130
the vast repertoire of Bowling for Soup. Jared

00:58:15.130 --> 00:58:20.409
Reddick's voice, he has several songs that...

00:58:20.650 --> 00:58:23.829
kind of make light of rock music. And he even

00:58:23.829 --> 00:58:26.130
has a line in one of his songs that says, I think

00:58:26.130 --> 00:58:29.210
that rock music is funny when it's serious. And

00:58:29.210 --> 00:58:31.050
it just proves that Jarrett doesn't take himself

00:58:31.050 --> 00:58:33.409
too seriously and that music is supposed to be

00:58:33.409 --> 00:58:37.650
fun and that pop punk is a fun genre. So let's

00:58:37.650 --> 00:58:42.269
go to 2003's re -release of 2002's Drunk Enough

00:58:42.269 --> 00:58:45.010
to Dance. This was a bonus track and it's Punk

00:58:45.010 --> 00:58:48.429
Rock 101. Nice. Amanda Walsh had chimed in with

00:58:48.429 --> 00:58:52.219
that one as well. And I am glad to see that this

00:58:52.219 --> 00:58:56.159
song gets represented here. It sums up the mixtape

00:58:56.159 --> 00:58:58.420
perfectly. We started off with Welcome to the

00:58:58.420 --> 00:59:01.780
Rock Show and we're closing out with your, this

00:59:01.780 --> 00:59:04.039
is what we've learned today. This is your lesson.

00:59:04.360 --> 00:59:07.500
And he, you know, Jared throws some, he's a great

00:59:07.500 --> 00:59:10.039
lyricist. He has some great pop culture references

00:59:10.039 --> 00:59:12.559
in there. He had a couple of references to Bon

00:59:12.559 --> 00:59:15.699
Jovi's Living on a Prayer in that one. And it's

00:59:15.699 --> 00:59:18.599
such a fun song. It's got a high energy and it

00:59:18.599 --> 00:59:21.579
rocks. Well, you definitely scooped me on the

00:59:21.579 --> 00:59:23.719
band. I had a feeling you were going to close

00:59:23.719 --> 00:59:25.920
with that. So I kind of held Bowling for Soup

00:59:25.920 --> 00:59:28.099
because I knew if I did it earlier in the show,

00:59:28.139 --> 00:59:30.039
you would have probably started crying. And I

00:59:30.039 --> 00:59:33.159
didn't want to make this a downer episode. I

00:59:33.159 --> 00:59:37.039
had Almost from 2004's A Hangover You Don't Deserve,

00:59:37.039 --> 00:59:40.820
as well as High School Never Ends from 2006's

00:59:40.820 --> 00:59:44.360
The Great Burrito Extortion Case. I love Bowling

00:59:44.360 --> 00:59:46.480
for Soup. They're one of my favorite pop punk

00:59:46.480 --> 00:59:49.199
bands. i knew you were going to represent them

00:59:49.199 --> 00:59:53.500
so i'm glad that it is represented tonight now

00:59:53.500 --> 00:59:58.000
we've got 20 songs here jay i want to give you

00:59:58.000 --> 01:00:00.880
a chance because i'm scrolling through my list

01:00:00.880 --> 01:00:03.400
here and i'm feeling guilt there's a lot of songs

01:00:03.400 --> 01:00:05.320
here that i didn't get a chance to talk about

01:00:05.320 --> 01:00:07.300
so i'm going to give you this isn't going to

01:00:07.300 --> 01:00:09.840
make the final mix but i'm going to give you

01:00:09.840 --> 01:00:12.159
a chance for one honorable mention song what

01:00:12.159 --> 01:00:15.809
is one song from your list that you wish We found

01:00:15.809 --> 01:00:18.010
a way to talk about tonight, but just didn't

01:00:18.010 --> 01:00:21.789
fit where we were going. Tokyo Hotel's Scream

01:00:21.789 --> 01:00:25.530
from 2007's album, the same name. Tokyo Hotel

01:00:25.530 --> 01:00:30.530
is probably not your well -known. It's a German

01:00:30.530 --> 01:00:34.849
band named Tokyo Hotel. It's real strange stuff.

01:00:35.030 --> 01:00:38.090
And of all things, the reason that I'm giving

01:00:38.090 --> 01:00:40.909
this the honorable mention is because, one, it's

01:00:40.909 --> 01:00:43.949
fantastic music. They did some great music videos

01:00:43.949 --> 01:00:46.829
when he came over and translated some of their

01:00:46.829 --> 01:00:50.289
stuff to English. And my oldest daughter, she

01:00:50.289 --> 01:00:54.670
was obsessed with Bill Collitz for years while

01:00:54.670 --> 01:00:57.690
she was growing up. And this song, Scream specifically,

01:00:57.969 --> 01:01:01.969
was often heard bellowing from her bedroom in

01:01:01.969 --> 01:01:05.690
the wee hours of the night. So definitely going

01:01:05.690 --> 01:01:08.289
to give Bill Collitz some mention here and some

01:01:08.289 --> 01:01:11.760
props. All right. And for mine, I am going to

01:01:11.760 --> 01:01:15.239
go back to 2003's Anthem, and I'm going to go

01:01:15.239 --> 01:01:17.579
with Less Than Jake, The Ghosts of Me and You.

01:01:18.380 --> 01:01:21.760
You did pick Goldfinger, but you picked a Goldfinger

01:01:21.760 --> 01:01:25.199
song that included no horns. So I really felt

01:01:25.199 --> 01:01:28.659
like the ska part of Goldfinger was not evident

01:01:28.659 --> 01:01:31.920
in the 99 Red Balloons. So I leaned into the

01:01:31.920 --> 01:01:35.000
Eurotrip soundtrack tie -in to go into Lustra,

01:01:35.059 --> 01:01:38.519
and I couldn't find a place to fit. less than

01:01:38.519 --> 01:01:41.239
jake's the ghosts of me and you i absolutely

01:01:41.239 --> 01:01:43.860
love that song i love less than jake i love the

01:01:43.860 --> 01:01:47.239
whole ska punk scene and we could easily do a

01:01:47.239 --> 01:01:50.599
ska punk episode as well so i'm sure down the

01:01:50.599 --> 01:01:52.500
line at my weekly mixtape we'll be talking about

01:01:52.500 --> 01:01:55.940
this but unfortunately did not make the final

01:01:55.940 --> 01:01:59.500
cut but side b is kind of all over the place

01:01:59.500 --> 01:02:01.619
so let's break that down one more time we had

01:02:01.619 --> 01:02:04.679
my chemical romance welcome to the black parade

01:02:04.679 --> 01:02:09.280
sarah hudson girl on the verge The Gaslight Anthems,

01:02:09.300 --> 01:02:14.420
59 sound. H2O's Like a Prayer. Hot Water Music's

01:02:14.420 --> 01:02:17.360
Trusty Chords. Kelly Clarkson's Since You've

01:02:17.360 --> 01:02:22.239
Been Gone. Off By One's Torn. SR71's Politically

01:02:22.239 --> 01:02:25.039
Correct. Dropkick Murphy's I'm Shipping Up to

01:02:25.039 --> 01:02:28.960
Boston. And Bowling for Soup's Punk Rock 101.

01:02:29.659 --> 01:02:32.800
Remember, you can head over to myweeklymixtape

01:02:32.800 --> 01:02:35.500
.com to hear all the songs we've discussed in

01:02:35.500 --> 01:02:38.809
this mix. through the playlist embedded on the

01:02:38.809 --> 01:02:42.630
episode page jay sweet it's been an absolute

01:02:42.630 --> 01:02:45.170
blast talking tunes with you once again my friend

01:02:45.170 --> 01:02:47.610
thank you for bringing back some of the tune

01:02:47.610 --> 01:02:50.329
styles flavor to my weekly mixtape and i hope

01:02:50.329 --> 01:02:52.530
we could do this again sometime dude absolutely

01:02:52.530 --> 01:02:54.570
brian thanks for having me we got to do this

01:02:54.570 --> 01:02:57.670
again we certainly will and remember mixtapers

01:02:57.670 --> 01:03:00.909
you can find my weekly mixtape on facebook twitter

01:03:00.909 --> 01:03:04.659
instagram and tick tock at my weekly mixtape

01:03:04.659 --> 01:03:07.619
you can also head over to myweeklymixtape .com

01:03:07.619 --> 01:03:10.400
to hear the music discussed on tonight's episode

01:03:10.400 --> 01:03:13.619
as well as to check out the full catalog of my

01:03:13.619 --> 01:03:16.460
weekly mixtape episodes if you want to support

01:03:16.460 --> 01:03:19.539
the show please consider becoming a patreon mixtaper

01:03:19.539 --> 01:03:23.039
at patreon .com forward slash my weekly mixtape

01:03:23.039 --> 01:03:25.800
that's all for this week thanks again as always

01:03:25.800 --> 01:03:28.500
for listening and until next time enjoy the tunes