WEBVTT 00:00:00.000 --> 00:00:01.760 This is Ryan Pack of the Soundtrack Your Life 00:00:01.760 --> 00:00:04.120 podcast, and you're listening to My Weekly Mixtape 00:00:04.120 --> 00:00:18.699 with Brian Colburn. Rock on, Brian. Welcome to 00:00:18.699 --> 00:00:21.359 My Weekly Mixtape, a podcast that takes the classic 00:00:21.359 --> 00:00:24.359 mixtape approach to building a modern playlist. 00:00:24.620 --> 00:00:27.100 I'm your host, Brian Colburn. Joining me for 00:00:27.100 --> 00:00:29.910 tonight's collaboration is Ryan Pack. host of 00:00:29.910 --> 00:00:32.170 the Soundtrack Your Life podcast. Ryan, thank 00:00:32.170 --> 00:00:34.450 you so much for joining me on my weekly mixtape. 00:00:34.909 --> 00:00:38.409 Oh, I am so excited to be here. I am really excited 00:00:38.409 --> 00:00:40.149 to have you, man. And I'm going to start tonight 00:00:40.149 --> 00:00:43.689 the way I start every episode by asking you the 00:00:43.689 --> 00:00:47.469 age -old question. Well, 19 -episode -old question. 00:00:47.869 --> 00:00:50.829 Ryan, what does the word mixtape mean to you? 00:00:52.130 --> 00:00:56.049 It's a very loaded word. It means something that 00:00:56.049 --> 00:01:00.929 has been carefully curated. A mix of songs that 00:01:00.929 --> 00:01:05.250 someone has personally made for you. I like where 00:01:05.250 --> 00:01:07.549 you're going with that. And that is exactly what 00:01:07.549 --> 00:01:10.109 we're going to be doing tonight. As tonight, 00:01:10.290 --> 00:01:13.430 Ryan and I will be curating a mixtape of songs 00:01:13.430 --> 00:01:17.629 that are featured on 90s soundtracks. And this 00:01:17.629 --> 00:01:20.549 decade, like the 80s, was part of what I feel 00:01:20.549 --> 00:01:24.450 was the peak of soundtracks. As once you work 00:01:24.450 --> 00:01:27.790 your way into the 2000s, soundtracks became... 00:01:28.090 --> 00:01:32.129 less of an important moment that kind of coincided 00:01:32.129 --> 00:01:34.629 along with the movie because with the advent 00:01:34.629 --> 00:01:37.969 of digital downloads and streaming it became 00:01:37.969 --> 00:01:42.329 more of just music in the movie whereas in the 00:01:42.329 --> 00:01:45.609 80s and 90s and you can go back to the 70s and 00:01:45.609 --> 00:01:48.810 earlier soundtracks were events because they 00:01:48.810 --> 00:01:52.480 were songs that bands recorded specifically for 00:01:52.480 --> 00:01:55.760 these albums and then as you got into the 2000s 00:01:55.760 --> 00:01:58.180 it started becoming more just compilation mixes 00:01:58.180 --> 00:02:01.920 and now soundtracks sometimes are an afterthought 00:02:01.920 --> 00:02:04.739 so i like to get back to when soundtracks truly 00:02:04.739 --> 00:02:08.439 meant something and as it's the 90s i have a 00:02:08.439 --> 00:02:12.219 huge bank of songs that i'm ready to dive into 00:02:12.219 --> 00:02:16.460 tonight but i did give myself one rule Now, Ryan, 00:02:16.580 --> 00:02:19.080 you don't have to follow this, but I'm be curious 00:02:19.080 --> 00:02:21.240 when we get to that point to see where you stand. 00:02:21.419 --> 00:02:26.199 I personally only chose songs that were created 00:02:26.199 --> 00:02:31.539 specifically for the soundtrack or came out on 00:02:31.539 --> 00:02:35.020 the soundtrack prior to the band using the song 00:02:35.020 --> 00:02:38.340 on their official album. Ryan, what were you 00:02:38.340 --> 00:02:40.860 looking for in the songs you brought to the table 00:02:40.860 --> 00:02:44.219 this evening? I used a lot of those same rules. 00:02:45.050 --> 00:02:48.949 primarily chose songs that either were written 00:02:48.949 --> 00:02:51.110 for the film or only came out on the soundtrack. 00:02:51.750 --> 00:02:54.870 And if there were any exceptions to that, it's 00:02:54.870 --> 00:02:58.789 because the song is really just known for being 00:02:58.789 --> 00:03:02.349 in that movie. Awesome. With that said, Ryan, 00:03:02.490 --> 00:03:05.129 let's get down to business. Tonight, as I mentioned 00:03:05.129 --> 00:03:07.509 earlier, Ryan and I will be curating the ultimate 00:03:07.509 --> 00:03:10.889 90s soundtrack songs mixtape, and we'll use the 00:03:10.889 --> 00:03:13.030 old cassette deck approach, meaning our mixtape 00:03:13.030 --> 00:03:15.849 will be broken up into two sides, side A and 00:03:15.849 --> 00:03:19.129 side B. Ryan, as the special guest, will begin 00:03:19.129 --> 00:03:22.009 side A with his first song choice, and then I'll 00:03:22.009 --> 00:03:24.830 add a song that I feel best follows up his choice. 00:03:25.030 --> 00:03:27.590 We'll then flip -flop choosing songs until we've 00:03:27.590 --> 00:03:30.870 mapped out 10 songs for side A. We'll then give 00:03:30.870 --> 00:03:33.509 our mixtape a proverbial flip and we'll map out 00:03:33.509 --> 00:03:36.289 side B, only this time I'll kick things off with 00:03:36.289 --> 00:03:39.370 Ryan choosing second. Our overall goal for the 00:03:39.370 --> 00:03:42.569 episode is to craft the best 90s soundtrack mixtape 00:03:42.569 --> 00:03:45.889 possible through only 20 songs. At the end of 00:03:45.889 --> 00:03:47.729 the show, you can take our conversation to the 00:03:47.729 --> 00:03:50.830 next level by visiting the 90s soundtrack page 00:03:50.830 --> 00:03:54.370 at myweeklymixtape .com to give our final mixtape 00:03:54.370 --> 00:03:57.590 a listen via the embedded playlist. And finally, 00:03:57.650 --> 00:03:59.330 if you like what you're hearing on the show, 00:03:59.490 --> 00:04:02.169 please consider becoming a Patreon mixtape or 00:04:02.169 --> 00:04:05.449 at patreon .com forward slash myweeklymixtape. 00:04:05.710 --> 00:04:08.750 Speaking of Patreon mixtapers, a few have chimed 00:04:08.750 --> 00:04:10.550 in with some of the songs they would kick off 00:04:10.550 --> 00:04:14.009 their 90s soundtrack mixtape with. Patreon mixtaper 00:04:14.009 --> 00:04:16.490 David Owens chimed in with Less Than Jake's We're 00:04:16.490 --> 00:04:20.129 All Dudes from Good Burger. And Patreon mixtaper 00:04:20.129 --> 00:04:22.769 Cactus Pete chimed in with Dr. Dre's Keep Their 00:04:22.769 --> 00:04:25.769 Heads Ringing from Friday, as well as Ice Cube's 00:04:25.769 --> 00:04:28.589 You Can Do It from Next Friday. Elsewhere on 00:04:28.589 --> 00:04:31.430 the socials, mixtapers who follow me at My Weekly 00:04:31.430 --> 00:04:34.230 Mixtape on Facebook, Instagram, Twitter, and 00:04:34.230 --> 00:04:36.629 TikTok also chimed in. I'd like to shout a few 00:04:36.629 --> 00:04:39.569 of those out. Chael chimed in with Black Sabbath's 00:04:39.569 --> 00:04:42.550 Time Machine from Wayne's World. Rob Eber chimed 00:04:42.550 --> 00:04:44.750 in with Garbage, number one crush from Romeo 00:04:44.750 --> 00:04:47.589 and Juliet. On the Flight chimed in with The 00:04:47.589 --> 00:04:49.589 Wonders, That Thing You Do from the movie of 00:04:49.589 --> 00:04:52.490 the same name. Sean Faust chimed in with Helmet 00:04:52.490 --> 00:04:55.069 and House of Pain, just another victim from Judgment 00:04:55.069 --> 00:04:58.189 Night. Jeff Scoble chimed in with Jim Blossoms 00:04:58.189 --> 00:05:00.170 Till I Hear It From You from Empire Records. 00:05:00.410 --> 00:05:02.810 And also from the same movie, even though it's 00:05:02.810 --> 00:05:05.089 not sung by Rex Manning, so I'm going to deduct 00:05:05.089 --> 00:05:08.009 a point there, Doug Miller chimed in with Coyote 00:05:08.009 --> 00:05:10.949 Shivers, Sugar High. Jen Cohen chimed in with 00:05:10.949 --> 00:05:13.470 Iris by the Goo Goo Dolls from the City of Angels 00:05:13.470 --> 00:05:16.470 soundtrack. Lonnie Love Taylor chimed in with 00:05:16.470 --> 00:05:19.290 anything from the Forrest Gump soundtrack. Seven 00:05:19.290 --> 00:05:21.649 Rocklists from Australia chimed in with Green 00:05:21.649 --> 00:05:25.389 Day's J .A .R. Jason Andrew Relva from Angus. 00:05:25.870 --> 00:05:28.050 Philip Bergman chimed in with the theme from 00:05:28.050 --> 00:05:30.889 Mission Impossible 2 by U2's Adam Clayton and 00:05:30.889 --> 00:05:33.990 Larry Mullen Jr. Mally Hart chimed in with Pearl 00:05:33.990 --> 00:05:37.740 Jam's State of Love and Trust from Singles. Gnarly 00:05:37.740 --> 00:05:40.660 Thotep chimed in with Odds, Pipefitter's Clubhouse 00:05:40.660 --> 00:05:44.480 from Hardcore Logo. Dumbuckety Scory and Seeker11 00:05:44.480 --> 00:05:47.300 both chimed in with Jon Bon Jovi's Blaze of Glory 00:05:47.300 --> 00:05:50.600 from Young Guns 2. With Dumbuckety Scory also 00:05:50.600 --> 00:05:52.980 chiming in with Seal's Kiss from a Rose from 00:05:52.980 --> 00:05:55.879 Batman Forever. Sticking with Batman Forever, 00:05:56.240 --> 00:05:59.279 Kuya Ozzy chimed in with U2's Hold Me, Thrill 00:05:59.279 --> 00:06:02.339 Me, Kiss Me, Kill Me. Eric S. chimed in with 00:06:02.339 --> 00:06:04.759 Alice in Chains' What the Hell Have I from Last 00:06:04.759 --> 00:06:08.079 Action Hero. Josh Zimmer chimed in with the Mighty 00:06:08.079 --> 00:06:10.519 Mighty Boss Tones Where Do You Go from Clueless. 00:06:10.839 --> 00:06:14.000 The Music Rewind podcast chimed in with the Commitments 00:06:14.000 --> 00:06:17.100 Try a Little Tenderness. And finally, Tony from 00:06:17.100 --> 00:06:19.540 the Patio Slave podcast chimed in with Warren 00:06:19.540 --> 00:06:23.209 G's Regulate from Above the Rim. Okay, Ryan, 00:06:23.310 --> 00:06:25.949 with that laundry list of songs out in the open, 00:06:25.990 --> 00:06:28.050 I'm curious to see how you're going to kick things 00:06:28.050 --> 00:06:30.649 off. So with that, I'm officially pressing the 00:06:30.649 --> 00:06:32.689 record button on this mixtape and tossing it 00:06:32.689 --> 00:06:35.329 over to you. Ryan, what song are you starting 00:06:35.329 --> 00:06:38.649 tonight's 90s soundtrack mixtape with and why? 00:06:40.209 --> 00:06:47.470 This is such a huge, huge honor and such a big 00:06:47.470 --> 00:06:50.230 sort of, you know, you want to start this mixtape 00:06:50.230 --> 00:06:53.800 off right. So I'm going to start off with a song 00:06:53.800 --> 00:06:57.699 from the Angus soundtrack, and it's going to 00:06:57.699 --> 00:07:01.540 be Weezer's You Gave Your Love to Me Softly. 00:07:02.399 --> 00:07:06.779 Ooh, okay. I want to go with high energy right 00:07:06.779 --> 00:07:09.459 away. You're certainly doing that with that, 00:07:09.540 --> 00:07:12.439 and with that choice, you are actually killing 00:07:12.439 --> 00:07:16.079 two different songs off of my list just like 00:07:16.079 --> 00:07:18.740 that, because once a movie is mentioned, we're 00:07:18.740 --> 00:07:22.430 not going to go back to it. Green Day's J .A 00:07:22.430 --> 00:07:25.829 .R. Jason Andrew Relva on the list. And I had 00:07:25.829 --> 00:07:29.870 Funny Face by The Muffs on the list. So that 00:07:29.870 --> 00:07:32.629 just goes to show how awesome the Angus soundtrack 00:07:32.629 --> 00:07:36.050 was. One of my favorites. Such an underrated 00:07:36.050 --> 00:07:41.050 movie. And I really feel like. This soundtrack 00:07:41.050 --> 00:07:43.750 was a part where the soundtrack got so popular, 00:07:43.889 --> 00:07:46.689 it almost did the reverse where normally a movie 00:07:46.689 --> 00:07:50.810 brings spotlight to the soundtrack. I feel like 00:07:50.810 --> 00:07:53.910 for this one, the soundtrack brought the spotlight 00:07:53.910 --> 00:07:57.290 to the movie. Yeah, I absolutely agree with that. 00:07:57.410 --> 00:08:01.250 And the Green Day song was also on my list. I 00:08:01.250 --> 00:08:03.529 know that we can only choose one song for soundtrack. 00:08:04.279 --> 00:08:06.399 So it was really, really difficult to choose, 00:08:06.459 --> 00:08:07.959 but I went with the Weezer one because I thought 00:08:07.959 --> 00:08:11.040 it was such a great playlist starter. Completely 00:08:11.040 --> 00:08:14.360 agree. And with that, I get to follow it up. 00:08:14.420 --> 00:08:19.899 And I'm having a tough time here, but I'm going 00:08:19.899 --> 00:08:23.000 to want to get this one out of the way because 00:08:23.000 --> 00:08:25.920 I know it's going to come up tonight. You and 00:08:25.920 --> 00:08:29.120 I have had the pleasure of talking about this 00:08:29.120 --> 00:08:33.450 song in great length on your show. And following 00:08:33.450 --> 00:08:36.210 up Weezer, I think Adam Schlesinger fits that 00:08:36.210 --> 00:08:39.450 role. And I am going to go with my favorite movie 00:08:39.450 --> 00:08:43.210 of all time, 1996's That Thing You Do, and the 00:08:43.210 --> 00:08:45.929 fictitious band The Wonders or The Oneeders, 00:08:45.970 --> 00:08:49.450 depending on your level of fandom. And I'm going 00:08:49.450 --> 00:08:52.950 with the title track, That Thing You Do. To me, 00:08:53.110 --> 00:08:59.210 this song encapsulates pop perfection. Adam Schlesinger 00:08:59.210 --> 00:09:04.740 had such a... Way with songwriting, every song 00:09:04.740 --> 00:09:08.480 he did from that thing you do to radiation vibe 00:09:08.480 --> 00:09:12.519 with Fountains of Wayne to Stacy's mom. These 00:09:12.519 --> 00:09:15.379 are infectious songs that as soon as you hear 00:09:15.379 --> 00:09:19.500 them, the chorus is embedded in you by the time 00:09:19.500 --> 00:09:23.120 the song is over. And for a movie like that thing 00:09:23.120 --> 00:09:26.679 you do to have a song that is played no less 00:09:26.679 --> 00:09:30.139 than a dozen times in the movie and you don't 00:09:30.139 --> 00:09:34.879 get sick of it. speaks literal volumes. So following 00:09:34.879 --> 00:09:37.480 up Weezer's You Gave Your Love to Me Softly, 00:09:37.519 --> 00:09:40.059 I'm going with The Wonders, That Thing You Do. 00:09:40.820 --> 00:09:43.779 I love the choice. I'm glad that it came up today 00:09:43.779 --> 00:09:45.840 because I would have been really sad if we didn't 00:09:45.840 --> 00:09:49.399 talk about that song. Yeah, there was no way. 00:09:49.480 --> 00:09:53.279 I had so much fun on the Soundtrack Your Life 00:09:53.279 --> 00:09:55.840 episode talking about this movie. I'll actually 00:09:55.840 --> 00:09:59.820 embed that episode. at myweeklymixtape .com on 00:09:59.820 --> 00:10:03.700 the same page as this episode so that if people 00:10:03.700 --> 00:10:07.360 want to go back and hear us go into a full hour 00:10:07.360 --> 00:10:10.820 on basically, as I call it, a tribute to Adam 00:10:10.820 --> 00:10:12.899 Schlesinger at that point. Even though it was 00:10:12.899 --> 00:10:15.639 about that thing you do, truly the episode was 00:10:15.639 --> 00:10:19.740 a tribute to his genius in songwriting. Yeah, 00:10:19.779 --> 00:10:22.580 absolutely. All right. Well, I am throwing it 00:10:22.580 --> 00:10:25.659 back to you now for track three. For track three, 00:10:25.740 --> 00:10:28.399 I think it would be perfect to go with another 00:10:28.399 --> 00:10:33.879 power pop song. So let's go with 1995's Empire 00:10:33.879 --> 00:10:38.139 Records single, Until I Hear It From You by the 00:10:38.139 --> 00:10:42.200 Gin Blossoms. All right. When I think of 90s 00:10:42.200 --> 00:10:45.539 soundtrack songs, this is one that stands out 00:10:45.539 --> 00:10:48.860 to me. It's an awesome rock song. I think it 00:10:48.860 --> 00:10:51.259 went all the way to number eight on the Billboard 00:10:51.259 --> 00:10:54.080 charts. People probably don't remember this, 00:10:54.159 --> 00:10:57.519 but the Gin Blossoms were everywhere and everyone 00:10:57.519 --> 00:11:01.000 had a copy of New Miserable Experience. This 00:11:01.000 --> 00:11:04.179 was a follow up to that Monster album and it 00:11:04.179 --> 00:11:07.419 did not disappoint. And it's a song that I'll 00:11:07.419 --> 00:11:09.840 still hear in the grocery store today and I'll 00:11:09.840 --> 00:11:12.539 be like, oh man, that's a really good song. And 00:11:12.539 --> 00:11:14.580 I'll stop and I'll listen to the whole thing. 00:11:15.480 --> 00:11:18.399 Completely agree. Empire Records where That Thing 00:11:18.399 --> 00:11:21.139 You Do is my favorite movie of all time. Empire 00:11:21.139 --> 00:11:24.480 Records is easily a top 10 for me. And I had 00:11:24.480 --> 00:11:28.720 Coyote Shivers Sugar High on my list, which was 00:11:28.720 --> 00:11:31.580 the song that the band performed on top of Empire 00:11:31.580 --> 00:11:35.179 Records at the end of the movie. For me, I would 00:11:35.179 --> 00:11:37.940 actually, if possible, use the movie version 00:11:37.940 --> 00:11:40.320 because I actually like the movie version better 00:11:40.320 --> 00:11:44.379 than the soundtrack version. I love the track 00:11:44.379 --> 00:11:47.179 and obviously Jim Blossoms. That song was kind 00:11:47.179 --> 00:11:50.080 of the glue that held the romantic angle of the 00:11:50.080 --> 00:11:53.419 movie together. Very light, very airy song. Again, 00:11:53.460 --> 00:11:56.620 infectious power pop. And then coming out of 00:11:56.620 --> 00:12:00.059 that thing you do, it really flows nicely. And 00:12:00.059 --> 00:12:03.179 I think the way I'm going to follow it up is 00:12:03.179 --> 00:12:07.320 jumping up one year in time to a movie that is 00:12:07.320 --> 00:12:11.019 in no way, shape or form a comedy. with a cover 00:12:11.019 --> 00:12:13.580 song. Because something in the 90s that happened 00:12:13.580 --> 00:12:18.240 a lot were cover songs on soundtracks. And as 00:12:18.240 --> 00:12:21.559 I'm scrolling through my list of 30 -something 00:12:21.559 --> 00:12:25.720 songs, at least a third of them are cover songs. 00:12:25.940 --> 00:12:29.820 I know I love my covers, but it's amazing just 00:12:29.820 --> 00:12:34.220 how many there were sprinkled throughout 90s 00:12:34.220 --> 00:12:36.740 soundtracks. And the one that I chose is from 00:12:36.740 --> 00:12:41.720 1996's The Craft. And letters to Cleo covered 00:12:41.720 --> 00:12:46.019 the cars, which on paper doesn't sound like it 00:12:46.019 --> 00:12:50.220 would make sense. However, they did such a fantastic 00:12:50.220 --> 00:12:53.179 version of Dangerous Type, which originally appeared 00:12:53.179 --> 00:12:56.240 on the Cars Candio album. It was featured in 00:12:56.240 --> 00:12:58.600 a montage scene in the movie where they're all 00:12:58.600 --> 00:13:01.919 kind of learning their powers and becoming. The 00:13:01.919 --> 00:13:04.200 witches that they're destined to be or whatever. 00:13:04.519 --> 00:13:06.440 You've seen the movie. Everyone's seen the movie. 00:13:06.519 --> 00:13:07.919 I hope they've seen the movie. Because if I've 00:13:07.919 --> 00:13:11.299 seen it, I have to assume others have. This song 00:13:11.299 --> 00:13:14.679 just shows how underrated of a band Letters to 00:13:14.679 --> 00:13:17.700 Cleo is. They had some popularity. I feel they 00:13:17.700 --> 00:13:20.679 should have had a lot more. But I love the track. 00:13:20.779 --> 00:13:22.639 And coming out of the Jim Blossoms, I feel like 00:13:22.639 --> 00:13:25.360 it's a perfect fit. So I'm going with, for track 00:13:25.360 --> 00:13:28.159 four, Letters to Cleo and their cover of The 00:13:28.159 --> 00:13:31.759 Cars, Dangerous Type. And I know with you and 00:13:31.759 --> 00:13:34.000 the cars, you have very high standards if you're 00:13:34.000 --> 00:13:37.759 going to put a car's cover on a playlist. Yes. 00:13:37.779 --> 00:13:40.419 And I think the thing I loved about it most was 00:13:40.419 --> 00:13:43.720 hearing the female voice in it. Because the song, 00:13:43.720 --> 00:13:47.759 they don't necessarily deviate too far from the 00:13:47.759 --> 00:13:49.840 car's original version because the car's already 00:13:49.840 --> 00:13:53.679 had. that element of power pop built into their 00:13:53.679 --> 00:13:56.759 sound. So letters to Cleo didn't have to reinvent 00:13:56.759 --> 00:13:59.779 the song, but hearing it from a female perspective, 00:14:00.039 --> 00:14:03.899 especially considering the craft is such a female 00:14:03.899 --> 00:14:07.299 dominant cast worked so well for me. And I feel 00:14:07.299 --> 00:14:09.919 like it elevated that scene in the movie one, 00:14:10.019 --> 00:14:13.279 because I am sitting in the theater at 18 years 00:14:13.279 --> 00:14:16.419 old, watching this scene play out, singing along 00:14:16.419 --> 00:14:18.220 with the song with my then girlfriend, turning 00:14:18.220 --> 00:14:20.809 me going. how do you know the song in the movie? 00:14:20.909 --> 00:14:22.789 We've never seen this before. And I'm like, oh 00:14:22.789 --> 00:14:26.769 no, this song is as old as I am. And just a fun 00:14:26.769 --> 00:14:29.370 note, Kay Hanley, the lead singer of Letters 00:14:29.370 --> 00:14:33.289 to Cleo, her voice is the voice of Josie on all 00:14:33.289 --> 00:14:35.049 the songs on the Josie and the Pussycats soundtrack. 00:14:35.549 --> 00:14:40.009 Yes, and again, underrated. How did Letters to 00:14:40.009 --> 00:14:44.649 Cleo not get bigger? It blows my mind. I agree. 00:14:45.519 --> 00:14:47.139 Well, now I'm throwing it back to you. We got 00:14:47.139 --> 00:14:50.139 a very pop heavy side A unfolding for us so far, 00:14:50.240 --> 00:14:52.120 Ryan. What are you going to follow up Letters 00:14:52.120 --> 00:14:57.019 to Cleo with? I think I'm going to take a step 00:14:57.019 --> 00:15:04.059 in a rungier direction. Okay. And I'm going, 00:15:04.100 --> 00:15:06.299 I almost feel like this is cheating, but I'm 00:15:06.299 --> 00:15:09.179 going to go with 1992 singles soundtrack and 00:15:09.179 --> 00:15:12.379 Pearl Jam State and Love and Trust. I mean, who 00:15:12.379 --> 00:15:14.860 doesn't love the single soundtrack, right? You 00:15:14.860 --> 00:15:19.100 have everyone from Alice in Chains to basically 00:15:19.100 --> 00:15:22.840 Anna Nancy Wilson covering Led Zeppelin. And 00:15:22.840 --> 00:15:25.179 with all these other great artists in between, 00:15:25.220 --> 00:15:28.980 Paul Westerberg, Smashing Pumpkins, Mother Love 00:15:28.980 --> 00:15:33.259 Bone. And of course, you have perhaps two of 00:15:33.259 --> 00:15:35.820 the best Pearl Jam songs that they've ever recorded 00:15:35.820 --> 00:15:39.220 on this soundtrack and nowhere else. It's insane. 00:15:39.240 --> 00:15:42.980 That soundtrack is a defining soundtrack of the 00:15:42.980 --> 00:15:46.700 grunge era. I had Alice in Chains wood from the 00:15:46.700 --> 00:15:50.120 album because of the fact that I vividly remember 00:15:50.120 --> 00:15:54.200 this single coming out and then getting the single 00:15:54.200 --> 00:15:57.539 soundtrack only to find out that the album also 00:15:57.539 --> 00:16:00.840 made dirt months later when it came out. Because 00:16:00.840 --> 00:16:03.860 Alice in Chains for me was always like... included 00:16:03.860 --> 00:16:05.779 in the grunge movement but i always felt like 00:16:05.779 --> 00:16:07.799 they had a little bit more of a hard rock tinge 00:16:07.799 --> 00:16:11.039 to them whereas they weren't as grungy they were 00:16:11.039 --> 00:16:15.039 definitely more leaning hard rock but that song 00:16:15.039 --> 00:16:18.220 was so powerful lane's voice was just so perfect 00:16:18.220 --> 00:16:22.399 on that song and i mean i could go on and on 00:16:22.399 --> 00:16:25.340 but pearl jam state of love and trust how did 00:16:25.340 --> 00:16:28.399 that not make 10 or verses like i just think 00:16:28.399 --> 00:16:32.659 about how perfectly it would fit and sure enough 00:16:33.159 --> 00:16:36.080 This is when soundtracks mattered. This is when 00:16:36.080 --> 00:16:40.200 soundtracks made bands bigger. Because Pearl 00:16:40.200 --> 00:16:45.600 Jam, I will say the single soundtrack is a key 00:16:45.600 --> 00:16:48.620 piece of why they continued their explosion in 00:16:48.620 --> 00:16:51.840 the 90s. I agree. And I think I have some friends 00:16:51.840 --> 00:16:53.700 who have told me that they'll play the two songs 00:16:53.700 --> 00:16:56.480 back to back at shows. So it shows that they 00:16:56.480 --> 00:16:58.980 understand that people associate these songs 00:16:58.980 --> 00:17:03.019 with that soundtrack. I'm going to see your grunge 00:17:03.019 --> 00:17:06.440 pick and I'm going to follow you up with another 00:17:06.440 --> 00:17:11.099 song that isn't necessarily grunge, but the vibe 00:17:11.099 --> 00:17:15.240 of it falls into it. And this was a song that 00:17:15.240 --> 00:17:19.440 came out first on the soundtrack, exploded into 00:17:19.440 --> 00:17:25.059 a massive single that led its way into her follow 00:17:25.059 --> 00:17:30.549 -up second album. And this artist had... a massive 00:17:30.549 --> 00:17:34.309 task on her hands. Because when you are following 00:17:34.309 --> 00:17:37.950 up one of the most successful debut female artist 00:17:37.950 --> 00:17:41.490 albums of all time, which was Jagged Little Pill, 00:17:41.930 --> 00:17:45.230 Alanis Morissette had to come out with something 00:17:45.230 --> 00:17:50.170 massive. And Uninvited was the massive single 00:17:50.170 --> 00:17:53.789 that would catapult her from Jagged Little Pill 00:17:53.789 --> 00:17:58.049 into supposed former infatuation junkie. Now, 00:17:58.049 --> 00:18:00.960 I will just go on record saying, I'm not as big 00:18:00.960 --> 00:18:03.220 a fan as the sophomore effort as I was of Jagged 00:18:03.220 --> 00:18:05.160 Little Pill. It didn't quite hit all the right 00:18:05.160 --> 00:18:11.039 notes for me. But this song, oh my God. I needed 00:18:11.039 --> 00:18:13.559 to get the City of Angels soundtrack the day 00:18:13.559 --> 00:18:15.160 it came out because I needed to get my hands 00:18:15.160 --> 00:18:17.500 on that song. And obviously, the City of Angels 00:18:17.500 --> 00:18:20.839 soundtrack also has the Goo Goo Dolls Iris, which 00:18:20.839 --> 00:18:23.539 I am now pulling off the table, which was a massive, 00:18:23.660 --> 00:18:26.759 massive ballad and a massive hit song that... 00:18:27.039 --> 00:18:29.400 Again, they put it on that album first, so it 00:18:29.400 --> 00:18:31.339 met all the criteria because Dizzy Up the Girl 00:18:31.339 --> 00:18:33.980 didn't come out until months later. So for me, 00:18:34.160 --> 00:18:37.460 Uninvited just follows the rock of Pearl Jam 00:18:37.460 --> 00:18:40.180 a little bit more than Goo Goo Dolls would have. 00:18:40.259 --> 00:18:42.960 So I'm going to go with Alanis Morissette, Uninvited. 00:18:43.720 --> 00:18:46.559 That's a great pick. I almost forgot that song 00:18:46.559 --> 00:18:48.839 was on the City of Angels soundtrack. It's obviously, 00:18:48.920 --> 00:18:50.799 I think, better known for the Goo Goo Dolls song, 00:18:50.900 --> 00:18:54.440 but I think Alanis' post -Jagged Little Pill 00:18:54.440 --> 00:18:58.819 output doesn't get enough. I think people kind 00:18:58.819 --> 00:19:00.940 of know her just for that one album because of 00:19:00.940 --> 00:19:05.160 all the singles. But yeah, definitely a sneaky 00:19:05.160 --> 00:19:07.680 little pick there. All right. Now you get to 00:19:07.680 --> 00:19:11.220 follow it up. I think I'm going to slow things 00:19:11.220 --> 00:19:14.380 down a little bit, but maybe keep things in a 00:19:14.380 --> 00:19:17.000 very 90s. I mean, I guess it's all going to sound 00:19:17.000 --> 00:19:19.779 very 90s because these are 90s soundtracks. Yeah. 00:19:20.259 --> 00:19:24.200 You know, another band that I think isn't grunge 00:19:24.200 --> 00:19:27.140 at all, but maybe. Kind of was associated with 00:19:27.140 --> 00:19:31.059 grunge at one point. I'm going to go with the 00:19:31.059 --> 00:19:33.819 1993 Conehead soundtrack, Red Hot Chili Peppers' 00:19:33.900 --> 00:19:37.779 Soul to Squeeze. Love it. What a great pick. 00:19:38.680 --> 00:19:41.859 Yeah, it's a song that I sometimes forget about, 00:19:41.900 --> 00:19:44.180 even though I really, really like it. I think 00:19:44.180 --> 00:19:48.000 people kind of knock it down a tier because maybe 00:19:48.000 --> 00:19:49.980 it's a little bit too much in the same vibe as 00:19:49.980 --> 00:19:52.640 Under the Bridge. But, you know, it was one of 00:19:52.640 --> 00:19:55.680 the first Chili Peppers songs that... I really 00:19:55.680 --> 00:19:59.839 was drawn to and it had me really explore their 00:19:59.839 --> 00:20:03.539 back catalog after that. So for me, it's like 00:20:03.539 --> 00:20:05.160 a really important Red Hot Chili Pepper song 00:20:05.160 --> 00:20:06.779 because one of the first ones where I was like, 00:20:06.819 --> 00:20:09.039 who is this band and what other songs do they 00:20:09.039 --> 00:20:12.559 have? Yeah, Blood Sugar Sex Magic was a defining 00:20:12.559 --> 00:20:16.240 album to me. As a bass player, hearing that album 00:20:16.240 --> 00:20:20.279 changed the way I viewed the instrument because 00:20:20.279 --> 00:20:22.680 of all the amazing things Flea does throughout 00:20:22.680 --> 00:20:25.869 the entire album. And then you come along with 00:20:25.869 --> 00:20:28.190 the Conehead soundtrack and Soul to Squeeze, 00:20:28.329 --> 00:20:34.509 and Flea is actually leading the song. His bass 00:20:34.509 --> 00:20:39.490 line is the lead guitar in the opening of the 00:20:39.490 --> 00:20:45.529 song. And trying to define how important that 00:20:45.529 --> 00:20:48.809 is to me as a bass player, there is some guitar 00:20:48.809 --> 00:20:51.730 work that goes on over it. But make no mistake 00:20:51.730 --> 00:20:56.190 about it. Flea is playing lead bass on that song. 00:20:56.289 --> 00:21:00.069 And it's a beautiful melody. And that bass line 00:21:00.069 --> 00:21:04.549 is not easy to play. It is very musical. And 00:21:04.549 --> 00:21:07.670 it is a perfect follow -up to Under the Bridge. 00:21:07.730 --> 00:21:09.730 And I'll just go ahead and say it. It's a better 00:21:09.730 --> 00:21:12.869 song than Under the Bridge. At least in my humble 00:21:12.869 --> 00:21:14.910 opinion. I'm sure there's others that will disagree. 00:21:15.369 --> 00:21:19.049 But I love the song. I love the pick. But coming 00:21:19.049 --> 00:21:20.670 out of that, I'm going to go a little deeper 00:21:20.670 --> 00:21:23.490 here. And I'm going to keep it slightly slow, 00:21:23.569 --> 00:21:26.809 but pick up the pace a little bit. And this was 00:21:26.809 --> 00:21:30.430 a movie that I didn't know anything going into 00:21:30.430 --> 00:21:32.970 watching it. We rented it on VHS when I was in 00:21:32.970 --> 00:21:35.849 college. And my buddy and I watched it. And as 00:21:35.849 --> 00:21:37.529 soon as we were done, I'm like, we got to make 00:21:37.529 --> 00:21:40.250 two stops. We got to drop off the VHS back so 00:21:40.250 --> 00:21:42.910 we don't get charged a late fee. And we got to 00:21:42.910 --> 00:21:44.450 go hit up the mall because I need to buy this 00:21:44.450 --> 00:21:47.539 soundtrack. And it's not a soundtrack that everybody's 00:21:47.539 --> 00:21:50.839 going to automatically go, I needed to have that. 00:21:50.920 --> 00:21:54.500 It's a deeper cut. And the movie was Desperado 00:21:54.500 --> 00:21:59.599 with Antonio Banderas. I loved that movie. Robert 00:21:59.599 --> 00:22:02.259 Rodriguez bringing the El Mariachi character 00:22:02.259 --> 00:22:05.220 to life with the guns inside the guitar. It was 00:22:05.220 --> 00:22:07.440 a very musical movie. And there's a song towards 00:22:07.440 --> 00:22:10.259 the end of that soundtrack called Back to the 00:22:10.259 --> 00:22:13.400 House That Love Built by Tito and Tarantula. 00:22:13.920 --> 00:22:16.700 And Tito and Tarantula is also the group that 00:22:16.700 --> 00:22:20.140 played the house band in From Dusk Till Dawn. 00:22:20.640 --> 00:22:23.920 But Back to the House That Love Built is bluesy. 00:22:23.920 --> 00:22:28.420 It's melodic. And coming out of the kind of darker 00:22:28.420 --> 00:22:32.039 uninvited into a little bit more soul to squeeze. 00:22:32.079 --> 00:22:34.960 I'm picking up the pace towards the end of the 00:22:34.960 --> 00:22:39.099 side here. But still staying in a place where 00:22:39.099 --> 00:22:42.400 uninvited soul to squeeze. And Back to the House 00:22:42.400 --> 00:22:45.789 That Love Built. will fit one two three and it 00:22:45.789 --> 00:22:47.930 is a deeper pick i i get it people are probably 00:22:47.930 --> 00:22:50.789 sitting there going who the hell is tito and 00:22:50.789 --> 00:22:54.230 tarant i get it listen to the song in this mix 00:22:54.230 --> 00:22:56.230 and it might make sense and if not i would love 00:22:56.230 --> 00:22:59.609 to hear why you think it doesn't i'm not familiar 00:22:59.609 --> 00:23:01.829 with the song but i love the idea of going with 00:23:01.829 --> 00:23:04.690 a deeper cut i have a couple of songs on my list 00:23:04.690 --> 00:23:07.049 that i hope to throw in later that are probably 00:23:07.049 --> 00:23:08.789 from soundtracks that people have never heard 00:23:08.789 --> 00:23:12.670 of you know as the soundtrack guy i love it well 00:23:12.670 --> 00:23:15.640 now you unfortunately, have to follow up a song 00:23:15.640 --> 00:23:18.880 that you've never heard before. So now there's 00:23:18.880 --> 00:23:21.420 a challenge. I've described it as best I can, 00:23:21.539 --> 00:23:24.640 so hopefully that gives you something to step 00:23:24.640 --> 00:23:28.119 off of. Yeah, I think I can try to make that 00:23:28.119 --> 00:23:33.720 work. Something kind of bluesy. Well, I don't 00:23:33.720 --> 00:23:35.400 know if this is bluesy enough, but I'm going 00:23:35.400 --> 00:23:40.000 to go with a song off the 1996 Romeo and Juliet 00:23:40.000 --> 00:23:43.000 soundtrack. I'm going to go with Radiohead's 00:23:43.000 --> 00:23:47.420 talk show host. Ooh. You know, I'm a big Radiohead 00:23:47.420 --> 00:23:50.279 fan. This is probably one of the first songs 00:23:50.279 --> 00:23:55.500 where I understood why they were getting this 00:23:55.500 --> 00:23:57.900 hype worldwide as being, you know, one of the 00:23:57.900 --> 00:24:01.019 next great rock bands. I did enjoy the bands, 00:24:01.240 --> 00:24:03.380 and this is a B -side, I believe, from those 00:24:03.380 --> 00:24:06.240 sessions. But they put it on this soundtrack 00:24:06.240 --> 00:24:09.400 because they ended up taking the end credit song. 00:24:10.240 --> 00:24:12.660 And using that for OK Computer, and that is exit 00:24:12.660 --> 00:24:16.339 music for a film, which is a very British tongue 00:24:16.339 --> 00:24:18.619 -in -cheek joke of this is the end credit song 00:24:18.619 --> 00:24:21.740 for Romeo and Juliet. But it's a great song. 00:24:22.079 --> 00:24:26.140 As a musician, I love how you can hear all the 00:24:26.140 --> 00:24:28.619 different elements kind of locking in together. 00:24:29.180 --> 00:24:32.119 It's a song that has an awesome bass part in 00:24:32.119 --> 00:24:35.660 it as well. It's not quite dancey, but it's pretty 00:24:35.660 --> 00:24:38.700 groovy for Radiohead, especially at this time. 00:24:39.519 --> 00:24:41.920 It doesn't really sound like the Benz or OK Computer, 00:24:42.099 --> 00:24:44.759 but it's one of my favorite Radiohead songs, 00:24:44.980 --> 00:24:47.259 and I'm super happy whenever I see them play 00:24:47.259 --> 00:24:52.039 live. I am admittedly not the biggest Radiohead 00:24:52.039 --> 00:24:56.779 fan. I am a big fan of Pablo Honey, and my friend 00:24:56.779 --> 00:24:58.900 got me into the Benz, but after that I start 00:24:58.900 --> 00:25:02.380 to drift away. But this song, to me, fits in 00:25:02.380 --> 00:25:07.279 between where Pablo Honey... And the bends are, 00:25:07.440 --> 00:25:10.180 I feel like that song kind of is the middle ground 00:25:10.180 --> 00:25:12.960 between those two albums where it still works. 00:25:13.000 --> 00:25:15.079 And it still is my radio head wheelhouse. So 00:25:15.079 --> 00:25:18.319 I love where you went with this. And I think 00:25:18.319 --> 00:25:21.299 now I have the challenge of ending aside here. 00:25:22.299 --> 00:25:24.940 And we've kind of had a little bit of a slower 00:25:24.940 --> 00:25:28.200 half. I want to end with something fun. And I'm 00:25:28.200 --> 00:25:31.359 going to use the linchpin of you saying radio 00:25:31.359 --> 00:25:33.220 head because they're from England. So I'm going 00:25:33.220 --> 00:25:36.109 to go with another band that is. From England, 00:25:36.210 --> 00:25:39.250 and I'm using quote marks in the air. This is 00:25:39.250 --> 00:25:42.930 a super group that consists of Christopher Ward 00:25:42.930 --> 00:25:49.509 on rhythm guitar, Stuart Johnson on drums, Matthew 00:25:49.509 --> 00:25:55.190 Sweet on bass, Susanna Hoffs on lead guitar, 00:25:55.490 --> 00:25:59.630 and the one and only Mike Myers, otherwise known 00:25:59.630 --> 00:26:04.759 as Austin Powers on lead guitar. and vocals. 00:26:04.960 --> 00:26:07.200 And I'm going to go with the fictitious Ming 00:26:07.200 --> 00:26:11.180 T BBC. I want to end the side with something 00:26:11.180 --> 00:26:15.880 fun, but looking at the list of songs, the power 00:26:15.880 --> 00:26:20.539 pop, the nineties rock, it actually fits. I don't 00:26:20.539 --> 00:26:24.859 know why, but it's not a serious song, but musically 00:26:24.859 --> 00:26:28.799 I feel like it fits. Oh, I love it. I love the 00:26:28.799 --> 00:26:31.359 song. I love that. It's ending this side of the 00:26:31.359 --> 00:26:33.869 mixtape. You know, I think it's a good song on 00:26:33.869 --> 00:26:36.049 its own. You don't have to just be watching Austin 00:26:36.049 --> 00:26:38.990 Powers. And then obviously Mike Myers brought 00:26:38.990 --> 00:26:41.369 in great musicians like Susanna Hoffs and Matthew 00:26:41.369 --> 00:26:45.670 Sweet. It's great. And that led Susanna Hoffs 00:26:45.670 --> 00:26:47.890 and Matthew Sweet to work together on those series 00:26:47.890 --> 00:26:49.930 of Under the Covers albums, which I think is 00:26:49.930 --> 00:26:53.990 fantastic. And musically, the song just works. 00:26:54.009 --> 00:26:57.950 It really does. And it's one of those songs that 00:26:57.950 --> 00:27:00.839 is unsuspected. On the Austin Powers soundtrack. 00:27:00.960 --> 00:27:02.960 Because a lot of the songs have a throwback sound 00:27:02.960 --> 00:27:05.819 to it. The burp backer rap. The theme song. A 00:27:05.819 --> 00:27:08.519 lot of the music. Obviously if you're thinking 00:27:08.519 --> 00:27:10.519 about iconic scenes in the movie. You could have 00:27:10.519 --> 00:27:14.640 chosen I Touch Myself. But that was put out way 00:27:14.640 --> 00:27:16.940 prior from the divinals. It was getting a second 00:27:16.940 --> 00:27:19.539 resurgence because of the movie. And like I said. 00:27:19.599 --> 00:27:21.480 I went with songs that were recorded for the 00:27:21.480 --> 00:27:25.519 soundtrack. And BBC works for that. And with 00:27:25.519 --> 00:27:29.589 that folks. We have our Side A. Starting off 00:27:29.589 --> 00:27:31.930 with Weezer, You Gave Your Love to Me Softly 00:27:31.930 --> 00:27:34.769 from the Angus soundtrack. The Wonders, That 00:27:34.769 --> 00:27:37.250 Thing You Do from the movie of the same name. 00:27:37.829 --> 00:27:40.230 The Jim Blossoms, Till I Hear It From You from 00:27:40.230 --> 00:27:43.950 Empire Records. Letters to Cleo, Dangerous Type 00:27:43.950 --> 00:27:47.230 from The Craft. Pearl Jam, State of Love and 00:27:47.230 --> 00:27:51.109 Trust from Singles. Alanis Morissette, Uninvited 00:27:51.109 --> 00:27:55.029 from City of Angels. Red Hot Chili Peppers, Soul 00:27:55.029 --> 00:27:58.720 to Squeeze from The Coneheads. Tito and Tarantula, 00:27:58.759 --> 00:28:01.519 Back to the House That Love Built from Desperado. 00:28:02.859 --> 00:28:05.380 Radiohead, talk show host from Romeo and Juliet. 00:28:05.819 --> 00:28:10.640 And Ming T, BBC from Austin Powers, international 00:28:10.640 --> 00:28:12.859 man of mystery, if we want to give the whole 00:28:12.859 --> 00:28:16.480 title there. Head over to myweeklymixtape .com 00:28:16.480 --> 00:28:19.380 to hear all the songs we've discussed in this 00:28:19.380 --> 00:28:22.460 mix. through the playlist embedded on the episode 00:28:22.460 --> 00:28:25.059 page. And speaking of soundtracks, Ryan, why 00:28:25.059 --> 00:28:27.019 don't you tell listeners a little bit about the 00:28:27.019 --> 00:28:29.880 Soundtrack Your Life podcast? Yeah, Soundtrack 00:28:29.880 --> 00:28:32.500 Your Life is a interview podcast where we talk 00:28:32.500 --> 00:28:35.380 to a guest about a soundtrack that they want 00:28:35.380 --> 00:28:38.799 to talk about. We've had people such as Brian 00:28:38.799 --> 00:28:41.799 on our podcast. We've had the chance to interview 00:28:41.799 --> 00:28:45.359 some very cool musicians as well. So Lou Barlow 00:28:45.359 --> 00:28:48.000 from Folk Implosion, Sabado, Dennis R. Jr. has 00:28:48.000 --> 00:28:50.960 been on the podcast. Michael Lockwood, who was 00:28:50.960 --> 00:28:54.500 Amy Mann's guitarist during probably her most 00:28:54.500 --> 00:28:57.160 popular years, including the Magnolia soundtrack. 00:28:57.400 --> 00:29:00.299 He was also a guest on our show. But, you know, 00:29:00.319 --> 00:29:02.180 we talk to people about why they love soundtracks 00:29:02.180 --> 00:29:05.559 and we get all these great stories and we dive 00:29:05.559 --> 00:29:07.880 down a Wikipedia rabbit hole to find interesting 00:29:07.880 --> 00:29:10.200 behind the scenes facts about the movies and 00:29:10.200 --> 00:29:13.029 the soundtrack. And it's a really fun time. Love 00:29:13.029 --> 00:29:15.670 the show for people that are movie fans that 00:29:15.670 --> 00:29:18.109 enjoy the way music is tied in the movies. I 00:29:18.109 --> 00:29:21.210 feel like this is a podcast for you. I love the 00:29:21.210 --> 00:29:23.769 fact that being on the show and being a guest, 00:29:23.849 --> 00:29:28.069 I am not a huge movie buff. We've anybody who's 00:29:28.069 --> 00:29:30.750 listened to me podcast before knows that a lot 00:29:30.750 --> 00:29:32.349 of the soundtracks I'm talking about tonight. 00:29:32.430 --> 00:29:35.289 I haven't even seen the movies for, but I own 00:29:35.289 --> 00:29:37.769 the soundtrack for, but I still felt like we 00:29:37.769 --> 00:29:40.069 were able to go off on some great conversations. 00:29:41.150 --> 00:29:43.789 And you've had guests on that you're able to 00:29:43.789 --> 00:29:46.009 dive deeper into the ties to the movie, which 00:29:46.009 --> 00:29:48.670 I really enjoy listening to, especially if it's 00:29:48.670 --> 00:29:51.349 a movie I am very familiar with. I love what 00:29:51.349 --> 00:29:54.430 you're doing on the show over there. And I definitely 00:29:54.430 --> 00:29:56.750 would recommend listeners of this show to go 00:29:56.750 --> 00:29:59.309 check out Soundtrack Your Life. Thanks, Brian. 00:29:59.890 --> 00:30:03.150 My pleasure. So now I have the honor of kicking 00:30:03.150 --> 00:30:08.829 things off for Side B. And Side A was poppy, 00:30:08.829 --> 00:30:14.259 power pop. Little grunge, little slow stuff, 00:30:14.519 --> 00:30:18.619 some fun stuff. I want to start off Side B completely 00:30:18.619 --> 00:30:21.480 different. Throw a wrench right in the system 00:30:21.480 --> 00:30:24.299 right from the get -go. I posted about this soundtrack 00:30:24.299 --> 00:30:27.019 a lot. It's one of my favorite soundtracks of 00:30:27.019 --> 00:30:32.460 all time. It was a very influential album because 00:30:32.460 --> 00:30:36.960 nu metal was not a thing at this point. Korns. 00:30:37.500 --> 00:30:39.559 Self -titled album does not come out for another 00:30:39.559 --> 00:30:44.500 year and change. And the 1993 soundtrack to Judgment 00:30:44.500 --> 00:30:49.619 Night proved that rock and hip -hop and metal 00:30:49.619 --> 00:30:55.059 and hip -hop can work together perfectly. And 00:30:55.059 --> 00:30:57.880 this soundtrack is amazing. I know people have 00:30:57.880 --> 00:31:00.559 chimed in with songs from this soundtrack, but 00:31:00.559 --> 00:31:05.359 nobody chimed in with the title track. By Biohazard 00:31:05.359 --> 00:31:08.000 and Onyx. So that is what I'm going to kick off 00:31:08.000 --> 00:31:11.519 side two with. Biohazard and Onyx became close. 00:31:11.839 --> 00:31:16.380 When Biohazard remixed Onyx's hit Slam. And they 00:31:16.380 --> 00:31:19.380 continued that camaraderie together on this track. 00:31:19.700 --> 00:31:23.339 And to me. This is an iconic moment. Because 00:31:23.339 --> 00:31:27.059 prior to the Judgment Night soundtrack. You had 00:31:27.059 --> 00:31:30.519 hip hop and you had rock. And you had Walk This 00:31:30.519 --> 00:31:33.579 Way with Aerosmith and Run DMC. And you had. 00:31:33.900 --> 00:31:37.240 Anthrax and Public Enemies Bring the Noise. Then 00:31:37.240 --> 00:31:39.880 here is an entire soundtrack dedicated to that 00:31:39.880 --> 00:31:43.160 concept. And this could have easily failed. But 00:31:43.160 --> 00:31:47.519 not only did it not fail, the soundtrack is the 00:31:47.519 --> 00:31:50.180 only thing people talk about when they talk about 00:31:50.180 --> 00:31:52.579 Judgment Night. I, for one, have never seen the 00:31:52.579 --> 00:31:55.420 movie. I don't care. I still own the soundtrack. 00:31:55.539 --> 00:31:57.900 It's still one of my favorite soundtracks. And 00:31:57.900 --> 00:31:59.660 from what I've heard, I don't have to see the 00:31:59.660 --> 00:32:01.759 movie. The soundtrack's where it's at. So I'm 00:32:01.759 --> 00:32:04.440 kicking things off with Biohazard and Onyx, Judgment 00:32:04.440 --> 00:32:07.319 Night. Yeah, I'm really glad that we're talking 00:32:07.319 --> 00:32:09.660 about the Judgment Night soundtrack. Also a soundtrack 00:32:09.660 --> 00:32:13.220 I own when I haven't seen the movie. I've never 00:32:13.220 --> 00:32:17.019 seen it. Oh, good. I'm not alone. I have people 00:32:17.019 --> 00:32:19.900 on other podcasts who have covered it, and they've 00:32:19.900 --> 00:32:21.759 told me that, don't worry, you don't need to 00:32:21.759 --> 00:32:25.680 see it. Just buy the soundtrack. Well, now that's 00:32:25.680 --> 00:32:29.259 a lot heavier of where we were on side A. So, 00:32:29.279 --> 00:32:31.079 Ryan, I'll be very curious to see what you follow 00:32:31.079 --> 00:32:33.980 this up with now. I'm going to have to take a 00:32:33.980 --> 00:32:37.500 look at my list. This is where it gets challenging, 00:32:37.660 --> 00:32:42.259 definitely. Okay. I will go with a band that 00:32:42.259 --> 00:32:46.359 I guess you could say is a mix of rap and rock. 00:32:47.140 --> 00:32:49.740 Or at least I always felt like they were. And 00:32:49.740 --> 00:32:52.319 they were on a lot of great soundtracks in the 00:32:52.319 --> 00:32:57.799 90s. So I am glad for that. I'm going to go with, 00:32:57.819 --> 00:33:01.420 from 1998's Godzilla, No Shelter by Rage Against 00:33:01.420 --> 00:33:05.160 the Machine. Yes! Absolutely love it. Easily 00:33:05.160 --> 00:33:08.259 on my list. Saw the movie the night it came out. 00:33:08.559 --> 00:33:10.920 Haven't seen it since. Have had no desire to 00:33:10.920 --> 00:33:13.940 see it since. But I've had the soundtrack. And 00:33:13.940 --> 00:33:16.380 there were several songs from that soundtrack 00:33:16.380 --> 00:33:19.640 that could have easily made it tonight. No Shelter 00:33:19.640 --> 00:33:22.559 being the top one, but I love the Wallflowers 00:33:22.559 --> 00:33:25.079 cover of Heroes. That's on my list. Again, cover 00:33:25.079 --> 00:33:28.319 song. And I love, I'll just go ahead and say 00:33:28.319 --> 00:33:31.900 it. Come with me. Puff Daddy and Jimmy Page's 00:33:31.900 --> 00:33:37.859 cover of Cashmere. I love, even though it caught 00:33:37.859 --> 00:33:40.019 a lot of flack when the album came out. I thought 00:33:40.019 --> 00:33:42.529 it worked. I thought it worked well. But I probably 00:33:42.529 --> 00:33:44.690 have to remind you that License to Ill was one 00:33:44.690 --> 00:33:46.690 of my favorite hip hop albums in the 80s. And 00:33:46.690 --> 00:33:49.289 Rick Rubin and the Beastie Boys proved that you 00:33:49.289 --> 00:33:52.589 can take Led Zeppelin songs and rap over them. 00:33:52.589 --> 00:33:55.849 And it's absolutely awesome. And I feel like 00:33:55.849 --> 00:33:58.150 this kind of backs up that argument. Again, I 00:33:58.150 --> 00:34:00.109 love the Judgment Night soundtrack, so I didn't 00:34:00.109 --> 00:34:03.009 hate it. I hated the movie, but I didn't hate 00:34:03.009 --> 00:34:05.069 the soundtrack. I love the pic and I love that 00:34:05.069 --> 00:34:07.950 Rage is getting some love tonight. Yeah, it was. 00:34:08.570 --> 00:34:10.989 A tough pick between that and I believe their 00:34:10.989 --> 00:34:12.769 song You're the Boomerang from Higher Learning. 00:34:13.070 --> 00:34:15.989 Oh, another good one. Yeah, another good one. 00:34:16.489 --> 00:34:20.909 Well, that makes my track three easy. And I'm 00:34:20.909 --> 00:34:23.530 going to go with a song that when I first heard 00:34:23.530 --> 00:34:28.090 it, I assumed it was the artist that is billed 00:34:28.090 --> 00:34:32.250 top billing for this song. It wasn't until I 00:34:32.250 --> 00:34:34.650 got the soundtrack and actually listened to this 00:34:34.650 --> 00:34:39.349 soundtrack. On my stereo that I realized the 00:34:39.349 --> 00:34:42.050 guest spot had so many effects on their voice 00:34:42.050 --> 00:34:46.889 that it actually sounded like the main singer. 00:34:47.409 --> 00:34:51.090 And the song is not necessarily meant to be serious, 00:34:51.150 --> 00:34:55.389 but it is. And I'm going to go with 1997, the 00:34:55.389 --> 00:34:59.110 movie Private Parts, Howard Stern's movie. And 00:34:59.110 --> 00:35:02.349 I'm going to go with Rob Zombie and Howard Stern 00:35:02.349 --> 00:35:07.320 together. On The Great American Nightmare. Heavy 00:35:07.320 --> 00:35:09.539 song. And when you listen to the verse that Howard 00:35:09.539 --> 00:35:12.679 actually sings. With all the effects and studio 00:35:12.679 --> 00:35:16.480 magic that Rob Zombie worked in the studio. Howard 00:35:16.480 --> 00:35:21.420 fits the track. And it still works. And I absolutely 00:35:21.420 --> 00:35:24.539 love it. It stays with that heaviness that we 00:35:24.539 --> 00:35:28.159 had with Biohazard and Onyx and Rage. But it 00:35:28.159 --> 00:35:30.719 starts to veer away from the rap rock a little 00:35:30.719 --> 00:35:33.420 bit. into somewhere maybe you have some more 00:35:33.420 --> 00:35:36.659 territories of which way you can go from here 00:35:36.659 --> 00:35:39.400 on out. And I'm so glad I was able to include 00:35:39.400 --> 00:35:41.360 this one in because I didn't know if it would 00:35:41.360 --> 00:35:44.179 fit anywhere because there had to be a reason 00:35:44.179 --> 00:35:47.320 to use this song. And Biohazard and Onyx, Rage 00:35:47.320 --> 00:35:50.159 Against the Machine, Rob Zombie and Howard Stern, 00:35:50.320 --> 00:35:52.960 The Great American Nightmare. That's awesome. 00:35:53.000 --> 00:35:56.260 And the private part soundtrack is a pretty underrated 00:35:56.260 --> 00:35:58.599 soundtrack. I forget, like I personally forget 00:35:58.599 --> 00:36:02.329 about it sometimes. But like that Pornos for 00:36:02.329 --> 00:36:04.690 Pyro song with Flea and Dave Navarro. Oh, yeah. 00:36:04.769 --> 00:36:07.809 So amazing. Hard charger. Once you mentioned 00:36:07.809 --> 00:36:09.510 private parts, I was like, oh, I don't have hard 00:36:09.510 --> 00:36:12.070 charger on my list. And I love that song. So 00:36:12.070 --> 00:36:15.250 great pick, Brian. Thank you. Thank you. So now 00:36:15.250 --> 00:36:16.750 I'm throwing it back to you. You got to come 00:36:16.750 --> 00:36:19.550 up with something to come out of that. I think 00:36:19.550 --> 00:36:21.429 things might start getting a little weird here, 00:36:21.530 --> 00:36:24.610 but I'm going to go with the Bullworth soundtrack. 00:36:25.610 --> 00:36:30.820 And I'm going to go with Roz. Maya and Old Dirty 00:36:30.820 --> 00:36:36.400 Bastard get a superstar. It's one of my favorite 00:36:36.400 --> 00:36:38.880 movie songs from the 90s. When I think of 90s 00:36:38.880 --> 00:36:41.980 soundtracks, I think of that song. I remember 00:36:41.980 --> 00:36:44.119 listening to that for like a whole summer just 00:36:44.119 --> 00:36:47.500 on repeat. You know, the Fugees kind of stopped 00:36:47.500 --> 00:36:50.119 doing music, but they all kind of came out with 00:36:50.119 --> 00:36:53.239 their own solo projects. And this is kind of 00:36:53.239 --> 00:36:58.349 how Praz announced his solo career was. By doing 00:36:58.349 --> 00:37:00.989 this song off the Bullworth soundtrack. He's 00:37:00.989 --> 00:37:04.110 not as well known as a solo artist as Lauryn 00:37:04.110 --> 00:37:07.130 Hill or Wyclef even. But this song was everywhere 00:37:07.130 --> 00:37:10.170 when it came out. And I had high hopes for Prowse's 00:37:10.170 --> 00:37:12.929 career at this point. There was no escaping this 00:37:12.929 --> 00:37:16.949 song. Every radio station had it. It was on pop 00:37:16.949 --> 00:37:21.469 stations, on dance stations, top 40. It was everywhere. 00:37:21.550 --> 00:37:26.539 MTV. What a great song. And very, very tough 00:37:26.539 --> 00:37:29.340 to come out of. So you kind of did a little bit 00:37:29.340 --> 00:37:31.719 of a left turn coming out of Rob Zombie and Howard 00:37:31.719 --> 00:37:34.219 Stern. I think I have something, though, that 00:37:34.219 --> 00:37:36.920 could follow it up and still work. And it'll 00:37:36.920 --> 00:37:39.659 leave you a little, again, several directions 00:37:39.659 --> 00:37:41.840 you can head for the end. And I'm going to go 00:37:41.840 --> 00:37:43.900 right to the end of the decade. I'm going to 00:37:43.900 --> 00:37:47.119 go to the movie End of Days. Yet another movie 00:37:47.119 --> 00:37:49.980 I haven't seen with a soundtrack that kicked 00:37:49.980 --> 00:37:52.840 all sorts of ass. And I'm going to go with a 00:37:52.840 --> 00:37:56.539 then very young and very green at the time. Not 00:37:56.539 --> 00:37:58.280 a lot of people. He wasn't the household name 00:37:58.280 --> 00:38:03.639 he is now. But Eminem, bad influence. This was 00:38:03.639 --> 00:38:08.719 when he was coming out of the Slim Shady LP and 00:38:08.719 --> 00:38:13.260 headed towards the Eminem that we all know from 00:38:13.260 --> 00:38:15.619 the Marshall Mathers EP on and everything else. 00:38:15.860 --> 00:38:20.039 Bad influence is a banger. The song rocks like 00:38:20.039 --> 00:38:23.429 a rock song. And his flow is absolutely perfect 00:38:23.429 --> 00:38:27.989 on it. I mean, I could do an entire mixtape on 00:38:27.989 --> 00:38:30.989 Eminem alone and have countless number of songs 00:38:30.989 --> 00:38:33.210 to go with. But coming out of Ghetto Superstar, 00:38:33.250 --> 00:38:35.909 I think it really works. Again, End of Days, 00:38:36.050 --> 00:38:38.230 not a movie I could tell you a single thing about. 00:38:38.349 --> 00:38:41.550 But this soundtrack had that Guns N' Roses, Nine 00:38:41.550 --> 00:38:45.190 Inch Nails turn on Oh My God. It had Limp Bizkit. 00:38:45.349 --> 00:38:49.269 It had everything that 1999 was in music. That 00:38:49.269 --> 00:38:54.070 kind of new metal. change in in vibe and it was 00:38:54.070 --> 00:38:56.289 all on that soundtrack and eminem's bad influence 00:38:56.289 --> 00:39:00.150 stuck out for me as a signature track from that 00:39:00.150 --> 00:39:04.269 movie what a great choice i mean i'm an eminem 00:39:04.269 --> 00:39:09.250 fan um i was probably like you or anything in 00:39:09.250 --> 00:39:14.170 after that uh everything after that some shady 00:39:14.170 --> 00:39:17.150 lp that came out i was trying to pick it up you 00:39:17.150 --> 00:39:20.809 know this was when napster was My best friend. 00:39:23.670 --> 00:39:26.469 But yeah, great choice. Well, now I throw it 00:39:26.469 --> 00:39:31.670 back to you for track six. So for this one, it's 00:39:31.670 --> 00:39:33.909 a little bit of a controversial pick because 00:39:33.909 --> 00:39:37.269 I don't believe this was recorded for the movie, 00:39:37.349 --> 00:39:40.050 but I remember watching the music video for this 00:39:40.050 --> 00:39:43.989 and I couldn't avoid it. And for me, it defines 00:39:43.989 --> 00:39:47.210 this movie. So I'm going to go with the 1998. 00:39:48.030 --> 00:39:52.750 rush hour soundtrack and jay -z emil and and 00:39:52.750 --> 00:39:56.030 jaw rules can i get a i didn't know jay -z's 00:39:56.030 --> 00:39:58.150 catalog well enough at the point at this point 00:39:58.150 --> 00:40:01.110 to know if you know it had come out on a previous 00:40:01.110 --> 00:40:04.949 album but um the energy of the song just couldn't 00:40:04.949 --> 00:40:09.610 i just couldn't avoid the song and like i said 00:40:09.610 --> 00:40:11.550 i was playing on mtv all the time i was playing 00:40:11.550 --> 00:40:14.750 on radio all the time and it's just such a great 00:40:14.750 --> 00:40:18.610 like upbeat track And whenever I think of Rush 00:40:18.610 --> 00:40:21.889 Hour, this song starts playing in my head. Well, 00:40:21.949 --> 00:40:25.110 you're going from one more modern legend of hip 00:40:25.110 --> 00:40:27.769 hop, which is Eminem, to another modern hip hop 00:40:27.769 --> 00:40:30.329 legend in Jay -Z. So I think that works well. 00:40:30.550 --> 00:40:32.329 Look, at the end of the day, the quote unquote 00:40:32.329 --> 00:40:34.989 rules of if a song was recorded for the soundtrack 00:40:34.989 --> 00:40:37.699 or not, they're just. personal ones we made up 00:40:37.699 --> 00:40:40.059 for ourselves i'm totally fine with it obviously 00:40:40.059 --> 00:40:42.559 this song was massive on the soundtrack as well 00:40:42.559 --> 00:40:45.699 as on jay -z's album but there's no denying the 00:40:45.699 --> 00:40:47.940 popularity of this song and how well it works 00:40:47.940 --> 00:40:51.500 for the soundtrack as well as for his album as 00:40:51.500 --> 00:40:54.099 well so i've got nothing bad to say about this 00:40:54.099 --> 00:40:57.679 one at all all right well coming out of this 00:40:57.679 --> 00:41:01.519 trifecta of hip -hop because we had a trifecta 00:41:01.519 --> 00:41:03.599 of i don't want to call it new metal but we had 00:41:04.349 --> 00:41:06.489 biohazard and onyx rage against the machine rob 00:41:06.489 --> 00:41:09.710 zombie and howard stern then we had a trifecta 00:41:09.710 --> 00:41:12.429 of hip -hop with ghetto superstar bad influence 00:41:12.429 --> 00:41:16.170 and can i get a i'm gonna pivot back bring us 00:41:16.170 --> 00:41:18.389 back to rock because there's a soundtrack that 00:41:18.389 --> 00:41:21.369 i just cannot get through a 90s episode and not 00:41:21.369 --> 00:41:24.949 talk about it and that is 1993's last action 00:41:24.949 --> 00:41:31.000 hero again a movie i've never seen but a soundtrack 00:41:31.000 --> 00:41:33.579 that I absolutely adore. And I'm going to bring 00:41:33.579 --> 00:41:36.219 it back to straight ahead rock here. Meat and 00:41:36.219 --> 00:41:40.380 potatoes, no special sides, just everything you 00:41:40.380 --> 00:41:43.960 expect in an ACDC song. And one that I am shocked 00:41:43.960 --> 00:41:48.659 did not make The Razor's Edge or Ball Breaker. 00:41:48.800 --> 00:41:52.820 And I'm going to go with Big Gun from ACDC. Number 00:41:52.820 --> 00:41:57.079 one, baby. Love that song. Wow. Another soundtrack 00:41:57.079 --> 00:42:00.670 that I think I've forgotten about. And I think 00:42:00.670 --> 00:42:04.449 also, I kind of forgot that Last Action Hero 00:42:04.449 --> 00:42:07.030 came out in the 90s. It feels like a late 80s 00:42:07.030 --> 00:42:10.929 movie. It's definitely not one that has aged 00:42:10.929 --> 00:42:14.210 well either from what my movie aficionado friends 00:42:14.210 --> 00:42:18.210 have told me, but the soundtrack has. And people 00:42:18.210 --> 00:42:20.190 still look back at that soundtrack with some 00:42:20.190 --> 00:42:22.989 degree of, this is when soundtracks were events. 00:42:24.010 --> 00:42:27.070 And in this instance, and Judgment Night, the 00:42:27.070 --> 00:42:29.599 soundtracks, in my opinion, Were bigger than 00:42:29.599 --> 00:42:32.019 the movie. Yeah. And I could, you could even 00:42:32.019 --> 00:42:34.139 argue that for a empire records, at least when 00:42:34.139 --> 00:42:37.420 it first came out. Yeah. Empire records in time, 00:42:37.519 --> 00:42:40.059 they leveled off though. To me, both the soundtrack 00:42:40.059 --> 00:42:43.619 and the movie are iconic at this point to me, 00:42:43.699 --> 00:42:46.940 but that was also a snapshot in time where if 00:42:46.940 --> 00:42:49.639 I were to show that movie to my kids, they're 00:42:49.639 --> 00:42:53.599 looking at it. What is a record store? Like it's 00:42:53.599 --> 00:42:56.900 foreign. To them, even though having me as a 00:42:56.900 --> 00:42:58.500 father, it's not foreign because I drag them 00:42:58.500 --> 00:43:00.760 to record stores all the time, but not to the 00:43:00.760 --> 00:43:05.539 size of Empire Records. Yeah. All right. Throwing 00:43:05.539 --> 00:43:08.679 it back to you now. I don't even know how to 00:43:08.679 --> 00:43:13.380 follow up ACDC. They are not a band that slides 00:43:13.380 --> 00:43:16.599 off the tongue when you think 90s anything because 00:43:16.599 --> 00:43:19.400 they are a straight ahead hard rock band. And 00:43:19.400 --> 00:43:21.599 when you think 90s, you think grunge, you think. 00:43:22.139 --> 00:43:23.800 you know, Hootie and the Blowfish, you think 00:43:23.800 --> 00:43:25.519 different. A lot of the artists we've talked 00:43:25.519 --> 00:43:27.739 about tonight, and I know it's a little bit of 00:43:27.739 --> 00:43:30.059 a left turn, but so is Tito and Tarantula. So 00:43:30.059 --> 00:43:33.699 I figured I can go weird once per side. Hey, 00:43:33.760 --> 00:43:37.039 I'm fine with that. I'm going to go with another 00:43:37.039 --> 00:43:39.880 iconic band, another iconic rock band, and I'm 00:43:39.880 --> 00:43:42.920 going to go with The Cure on the 1994 soundtrack 00:43:42.920 --> 00:43:47.960 to The Crow and their song Burn. Nice. You know, 00:43:47.980 --> 00:43:50.000 The Cure is another band that maybe is better 00:43:50.000 --> 00:43:52.539 known for their songs in the 80s than the 90s. 00:43:53.400 --> 00:43:56.099 But, you know, if I'm going to follow up ACDC, 00:43:56.340 --> 00:43:58.699 I'm going to have to bring another band that 00:43:58.699 --> 00:44:02.519 is a stone cold legend. Undebatable that The 00:44:02.519 --> 00:44:06.239 Cure is not as, I don't want to, you know, let's 00:44:06.239 --> 00:44:07.920 not compare who's more important. But, you know, 00:44:07.940 --> 00:44:10.460 they're a band that stands on their own. And 00:44:10.460 --> 00:44:12.760 if you're going to follow up ACDC, you want a 00:44:12.760 --> 00:44:14.880 band that everyone is going to be like, okay. 00:44:15.659 --> 00:44:18.880 You can follow up ACDC with The Cure. They can 00:44:18.880 --> 00:44:24.420 take it. Oh, man. And The Crow, what a fantastic, 00:44:24.679 --> 00:44:26.940 another Rage Against the Machine song sitting 00:44:26.940 --> 00:44:29.260 on that with Darkness, which was a B -side to 00:44:29.260 --> 00:44:32.920 Bullet in the Head originally. Love that soundtrack. 00:44:33.039 --> 00:44:36.139 That had Pantera on it. That's, again, a soundtrack 00:44:36.139 --> 00:44:38.639 that was an event. Pretty much everybody I knew 00:44:38.639 --> 00:44:41.340 in my entire circle was trying to get their hands 00:44:41.340 --> 00:44:43.280 on The Crow soundtrack when it first came out. 00:44:45.960 --> 00:44:49.940 ACDC, iconic. The Cure, iconic. Slightly different 00:44:49.940 --> 00:44:53.780 musically, but iconic. So we had the trio of 00:44:53.780 --> 00:44:56.559 rap, rock, whatever you want to call it. The 00:44:56.559 --> 00:44:58.659 trio of hip hop. And now we're doing, let's say, 00:44:58.679 --> 00:45:03.460 a trio of iconic. And to me, there is an iconic 00:45:03.460 --> 00:45:05.980 artist we haven't talked about tonight on a soundtrack 00:45:05.980 --> 00:45:09.900 that is only popular. And I'll just go ahead 00:45:09.900 --> 00:45:12.159 and say it for this song. And it's another cover 00:45:12.159 --> 00:45:15.719 song. The original was recorded by Dolly Parton 00:45:15.719 --> 00:45:20.079 in 1973. And I'm going to go off 1992's The Bodyguard 00:45:20.079 --> 00:45:23.260 because we are talking icons here. How can you 00:45:23.260 --> 00:45:25.980 not talk Whitney Houston's I Will Always Love 00:45:25.980 --> 00:45:29.840 You? Not my favorite song of all time. But when 00:45:29.840 --> 00:45:32.820 you're talking 90s soundtracks, I don't think 00:45:32.820 --> 00:45:36.260 we could talk about iconic artists like ACDC 00:45:36.260 --> 00:45:39.280 and The Cure and not include Whitney in the conversation. 00:45:39.340 --> 00:45:41.579 One of the greatest female vocalists of all time. 00:45:42.219 --> 00:45:45.659 the song obviously has been beaten to death for 00:45:45.659 --> 00:45:49.300 radio. But besides that, I wanted to say I'm 00:45:49.300 --> 00:45:52.340 Every Woman was also on that album. But when 00:45:52.340 --> 00:45:55.820 you talk about 90s soundtracks, name an iconic 00:45:55.820 --> 00:45:57.780 Whitney Houston song from a soundtrack in the 00:45:57.780 --> 00:45:59.679 90s, even though there was Waiting to Exhale 00:45:59.679 --> 00:46:02.760 and other examples like I'm Every Woman, most 00:46:02.760 --> 00:46:05.480 people that I know chime in with I Will Always 00:46:05.480 --> 00:46:07.320 Love You, and rightfully so, because the song 00:46:07.320 --> 00:46:12.139 was absolutely massive. And to me, There are 00:46:12.139 --> 00:46:14.380 songs on my list that I still have that I like 00:46:14.380 --> 00:46:17.679 more than this one. But being we're talking icons, 00:46:18.099 --> 00:46:21.420 I can't not put this one in here. So it's also 00:46:21.420 --> 00:46:24.500 my last song of the night. So I'm going to end 00:46:24.500 --> 00:46:26.860 my part of this contribution with Whitney Houston's 00:46:26.860 --> 00:46:30.059 I Will Always Love You. Yeah, this song is a 00:46:30.059 --> 00:46:33.019 banger. This song was everywhere. Everybody knows 00:46:33.019 --> 00:46:35.820 this song. You know, it got so popular to the 00:46:35.820 --> 00:46:37.440 point where people love to parody this song. 00:46:38.239 --> 00:46:40.679 Just the vocal performance she gives on this 00:46:40.679 --> 00:46:44.380 is an all -timer. Yeah, and the original is fantastic, 00:46:44.500 --> 00:46:47.440 too, when you go back to Dolly's. But to be able 00:46:47.440 --> 00:46:51.559 to take a country song and elevate it to the 00:46:51.559 --> 00:46:55.440 level that Whitney did was unbelievable. Every 00:46:55.440 --> 00:46:59.460 time when the song changes keys and she hits 00:46:59.460 --> 00:47:02.440 the notes even higher, the hair on my arm stands 00:47:02.440 --> 00:47:05.079 up just talking about it. And I know bands have 00:47:05.079 --> 00:47:06.880 covered it in fun, like Me First and the Gimme 00:47:06.880 --> 00:47:09.199 Gimmes doing a punk version, which I absolutely 00:47:09.199 --> 00:47:13.219 love. But this song is great. And again, it's 00:47:13.219 --> 00:47:15.039 another cover song. So I got to sneak a little 00:47:15.039 --> 00:47:18.300 cover song action into this side as well. But 00:47:18.300 --> 00:47:21.760 Ryan, I'm giving you the hardest job of them 00:47:21.760 --> 00:47:25.260 all. Because Side B was definitely a mixed bag, 00:47:25.340 --> 00:47:29.159 but it was a trifecta of trifectas. When you 00:47:29.159 --> 00:47:33.480 talk about the rap rock, heavy rock, hip hop. 00:47:33.880 --> 00:47:37.059 icons, and then one song from Ryan. That's going 00:47:37.059 --> 00:47:41.260 to wrap up our entire nineties soundtrack experience 00:47:41.260 --> 00:47:46.300 here. No pressure. What do you got for us? Oh 00:47:46.300 --> 00:47:50.559 man, this is such a huge undertaking, especially 00:47:50.559 --> 00:47:53.920 with how we're going with these last few songs. 00:47:54.739 --> 00:47:58.119 Like I wanted to kind of end it on a slower note, 00:47:58.239 --> 00:48:00.719 but I can't just like pull the rugged from everyone. 00:48:01.019 --> 00:48:04.880 So I can't go like too mellow. I am going to 00:48:04.880 --> 00:48:10.460 go with REM. So I am going to go with their song 00:48:10.460 --> 00:48:15.239 off the Man on the Moon soundtrack, The Great 00:48:15.239 --> 00:48:19.780 Beyond. Ooh. You know, if we're going to go with 00:48:19.780 --> 00:48:23.840 these huge bands at the end of this list, I feel 00:48:23.840 --> 00:48:28.059 like we got to end big. I think REM in the 90s, 00:48:28.059 --> 00:48:30.920 they were one of the biggest bands in the world. 00:48:31.639 --> 00:48:35.659 And this is the big single from, you know, this 00:48:35.659 --> 00:48:40.019 Andy Kaufman biopic. And, you know, it's a great 00:48:40.019 --> 00:48:42.699 song. It's kind of mellow, but I think it has 00:48:42.699 --> 00:48:45.920 it's just epic enough to not be too much of a 00:48:45.920 --> 00:48:50.159 letdown from Whitney. To me, I feel like it's 00:48:50.159 --> 00:48:53.880 the encore for those three legends because REM 00:48:53.880 --> 00:48:59.119 is a legendary indie alternative group. And they. 00:48:59.550 --> 00:49:03.210 paved the way for so many bands i mean i you 00:49:03.210 --> 00:49:05.630 know i recently had will turpin on from collective 00:49:05.630 --> 00:49:08.710 soul and he talked about the fact that because 00:49:08.710 --> 00:49:12.050 both bands hail from atlanta that rem was the 00:49:12.050 --> 00:49:14.949 band that they watched with bated breath because 00:49:14.949 --> 00:49:17.869 the more they were successful the more hope they 00:49:17.869 --> 00:49:20.150 gave bands like collective soul coming out of 00:49:20.150 --> 00:49:24.150 atlanta and if it wasn't for rem that rock scene 00:49:24.150 --> 00:49:26.610 might not have ever been there so defining band 00:49:27.280 --> 00:49:29.400 If you want to hear Will Turpin from Collective 00:49:29.400 --> 00:49:32.360 Soul, dive into that topic more. Visit the Songs 00:49:32.360 --> 00:49:35.300 of Collective Soul episode at myweeklymixtape 00:49:35.300 --> 00:49:37.780 .com. It's a fantastic interview that I highly 00:49:37.780 --> 00:49:41.280 recommend. I absolutely love the pick. And it's 00:49:41.280 --> 00:49:45.199 a great way to close out a very eclectic Side 00:49:45.199 --> 00:49:49.619 B, which consisted of Biohazard and Onyx, Judgment 00:49:49.619 --> 00:49:52.860 Night from the movie of the same name. Rage Against 00:49:52.860 --> 00:49:55.480 the Machine, No Shelter from the Godzilla soundtrack. 00:49:56.239 --> 00:49:59.239 Rob Zombie and Howard Stern, The Great American 00:49:59.239 --> 00:50:03.440 Nightmare from Private Parts. Praz Maya and Old 00:50:03.440 --> 00:50:06.059 Dirty Bastard, Ghetto Superstar from Bullworth. 00:50:06.760 --> 00:50:11.000 Eminem, Bad Influence from End of Days. Jay -Z's 00:50:11.000 --> 00:50:15.139 Can I Get A from Rush Hour. ACDC's Big Gun from 00:50:15.139 --> 00:50:18.760 Last Action Hero. The Cure's Burn from The Crow. 00:50:19.199 --> 00:50:21.840 Whitney Houston's I Will Always Love You from 00:50:21.840 --> 00:50:25.079 The Bodyguard. And R .E .M.'s The Great Beyond. 00:50:25.710 --> 00:50:29.449 from Man on the Moon. Remember, you could visit 00:50:29.449 --> 00:50:33.110 the 90s Soundtracks page at myweeklymixtape .com 00:50:33.110 --> 00:50:35.730 to hear all the songs we've discussed tonight 00:50:35.730 --> 00:50:39.250 through the embedded playlist. Ryan, this has 00:50:39.250 --> 00:50:40.829 been a lot of fun. Why don't you tell people 00:50:40.829 --> 00:50:42.989 where they can learn more about Soundtrack Your 00:50:42.989 --> 00:50:46.230 Life and catch up with you? You can find us anywhere 00:50:46.230 --> 00:50:48.829 you're listening to this podcast. And you can 00:50:48.829 --> 00:50:51.570 find us on social media, on Twitter at Soundtrack 00:50:51.570 --> 00:50:54.570 underscore your and on Instagram at Soundtrack 00:50:54.570 --> 00:50:57.679 Cast. Ryan, thank you so much for joining me 00:50:57.679 --> 00:51:00.619 tonight. This has been a lot of fun. Yeah, I'm 00:51:00.619 --> 00:51:02.920 really excited to download all these songs and 00:51:02.920 --> 00:51:05.480 put them into a playlist after we're done. Same 00:51:05.480 --> 00:51:07.820 here, same here. And remember, Mixtapers, you 00:51:07.820 --> 00:51:10.460 can find My Weekly Mixtape on Facebook, Twitter, 00:51:10.599 --> 00:51:14.300 Instagram, and TikTok at My Weekly Mixtape. You 00:51:14.300 --> 00:51:16.800 can also head to MyWeeklyMixtape .com to check 00:51:16.800 --> 00:51:19.940 out the full catalog of My Weekly Mixtape episodes. 00:51:20.340 --> 00:51:22.840 If you want to support the show... please consider 00:51:22.840 --> 00:51:26.280 becoming a Patreon mixtaper at patreon .com forward 00:51:26.280 --> 00:51:29.699 slash myweeklymixtape. That's all for this week. 00:51:29.739 --> 00:51:32.159 Thanks for listening. Until next time, enjoy 00:51:32.159 --> 00:51:32.659 the tunes.