WEBVTT

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Welcome to My Weekly Mixtape, a podcast that

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takes the classic mixtape approach to building

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a modern playlist. I'm your host, Brian Colburn.

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Tonight, we're diving into the topic of trios.

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So what better way to tell that story than with

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a panel of three? Joining me tonight as guest

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curators, our good friend and fellow Pantheon

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podcast network mate, Jason Whistle. host of

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the It's Not That Bad and There Can Only Be One

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podcasts, as well as my good friend and musician,

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Sean Faust. Gentlemen, thank you both for joining

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me for this one. Thank you for letting me join

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both of you. The voices of music podcasting are

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teaming up together and inviting little old me.

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I feel very honored to be joining you, especially

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for something this cool. This feels like the

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super group that needed to happen at some point,

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you know, making our very own power trio. I'm

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just wondering who's on drums. Me, table drums,

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baby. So Jason, like I said, tonight we are talking

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trios. And besides the fact that these groups

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have three members, what were you looking for

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musically for your trios to bring to the table

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tonight? I'm not going to lie. I have. maybe

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one of the more diverse lists of songs that I've

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ever come to your show with in trying to cover

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as many different genres. Specifically though,

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I was taking a look at albums because there were

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some bands where there's an album where they're

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a trio and then there's an album where, okay,

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they got a fourth person for this one. So taking

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a look at the Wikipedia list and saying, okay,

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were they a trio on this album? Yes. Good. No

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problem. Were they a trio on this album? No,

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not good. And I also try to stick to songs that

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I knew for a fact were on Spotify because I don't

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want to be the person to make the YouTube video

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have to go up on the webpage. You got the homework

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assignment that I appreciate. Sean, same question

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to you. Well, first off, I want to know if Jason

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included the post -Morrison Doors album since

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they were technically a trio. The other thing

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I was looking for was what bands do I know that

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are trios that you guys aren't going to snag

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from me immediately the moment we begin? I am

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graciously giving up the number one trio of all

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time. to jason or you whomever it is i will not

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be choosing them but still i wanted something

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i wanted something that would stand out be different

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not the usual like hey i like prog rock here's

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all the prog rock trio bands i can think of like

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i wanted to bring something new to the table

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at the same time i think that's also one of the

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interesting things because the three of us have

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been on each other's shows numerous times over

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the past years and i think during that time we've

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come to recognize and appreciate each other's

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musical taste. So I'm not going to lie. There

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were times I'm sitting there looking at my list

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going, no, no, no, that's a Sean song. That's

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a Brian song. I can't take that Brian song. I

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know for a fact, or do I scoop him and basically

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steal the spotlight from him? I don't know. I

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don't know. It's hard to say where we're going

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to go with this one. I'll be honest. I'm giving

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you one. I'm only giving you one of your great

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white North bands, but I plan on stealing one

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of the other ones from you. Oh, I have a feeling

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I know which one it is. Of course you do. We'll

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see which direction it goes, though. It'll be

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interesting to see. Well, let's get down to business.

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Tonight, as I mentioned at the top of the show,

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Jason, Sean, and I will be curating the Ultimate

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Trios playlist, and we're going to use the old

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cassette deck approach. Since I have two guests

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this evening, the format will be slightly altered

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from the usual, as tonight Jason will begin side

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A with his first song choice, and then we'll

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roundtable the panel until we've mapped out 10

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songs for side A. We'll then give our mixtape

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a proverbial flip and we'll map out side B. Only

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this time, Sean will kick off the roundtable

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discussions. Our overall goal for this episode

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is to craft the best trios mixtape possible through

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only 20 songs. At the end of the show, you can

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take our conversation to the next level by visiting

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the episode page at myweeklymixtape .com to give

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our final mixtape a listen via the embedded playlist.

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And if you like what you're hearing on the show,

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you can help me out by either telling a friend,

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leaving the show a five -star review wherever

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you're tuning in, or most importantly, becoming

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a Patreon mixtaper at patreon .com forward slash

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myweeklymixtape. There you can enjoy ad -free

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episodes of the show, become a future guest,

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and so much more. And a few of the Patreon mixtapers

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chimed in with songs that they would use to kick

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off this evening's festivities. And I'd like

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to give a quick shout out to some of those. Ben

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Checkness from the Too Vague podcast says that

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Morphine was one of his favorite bands and criminally

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underrated, saying they had a unique, recognizable

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sound being bass, guitar, saxophone, and drums.

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And then he said he would start off with Thursday

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from their second studio album, Cure for Pain.

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Sean Goff chimed in with Forfeit from Chevelle,

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saying he loves jamming out to the entire Wonder

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What's Next album. Chad LaMassa chimed in saying

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the two obvious choice would be anything from

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Nirvana. So instead he went with Professor Booty

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from the Beastie Boys saying he has the lyrics.

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The only thing that saved me has always been

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music tattooed on his arm. That's pretty badass.

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Not going to lie. Philip Bergman chimed in with

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a double whammy choice as in a duo of trios in

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one song because he went with Heat Wave by Martha

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and the Vandellas. which was written by another

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ultimate trio, maybe we've heard of them, Holland,

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Dozier, Holland. Tom Hutchison chimed in with

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his favorite trio going the punk route, Blink

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-182, and the track Josie from Dude Ranch. And

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Mike Daly wanted to highlight the Canadian trios

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on this one, going with Rush's Free Will or Triumph's

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A World of Fantasy. And remember, if you want

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to be a part of future episode chime ins, become

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a part of the Patreon mixtape or family at patreon

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.com forward slash my weekly mixtape. Now, Jason,

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I'm officially pressing the record button on

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our mixtape and the floor is yours. Why don't

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you tell us why you chose the Dave Clark five

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to kick off our trios playlist this evening?

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Because I can't count. Clearly, that's why. okay

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no i thought about this and i was tossing up

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two songs to start this with and i narrowed it

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down finally as i sat down to record this so

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we're gonna go back to the early 90s and a band

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that you know they got played a little bit they

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got played a little bit it's not their biggest

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song but to me like if we are ever to do there

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can only be one about this band This will probably

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be my only one. And it's the lead off track from

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1993 saturation album. I'm going with sister

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Havana from urge overkill. Nice. Excuse me. you

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thought i was gonna say rush didn't you no so

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i recognize that urge overkill is probably best

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known for their cover of girl you'll be a woman

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soon from the pulp fiction soundtrack i mean

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the minute you say urge overkill you're probably

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going to hear girl you can hear it you can picture

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the scene in the movie sister havana to me the

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minute i heard it was like who is this band why

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have i not heard them more this song is killer

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why is this not getting played on the radio that

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much more 1993 saturation is a killer album i

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don't know why it didn't get played i mean again

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maybe this is a canadian thing maybe it's just

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that they didn't get played a lot up here but

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this song i guarantee you has been on more mixtapes

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than i care to name because it is such a good

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driving song Dude, you scooped me. And actually,

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I actually knew that song before Pulp Fiction

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came out. But that's because I was given a promo

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copy of Saturation when I worked at Tower Records.

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And man, you nailed it too. That song is just

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in your face. Even that rhythm guitar tone that

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opens up this song is just bam. That song's a

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rocker. And you scooped me. And I guess I'll

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forgive you for it. I'm going to say I think.

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Girl, You'll Be a Woman Soon is a fantastic cover.

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I'll be the first to admit that that is the song

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that got me into Urge Overkill in the first place.

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And yes, it's their most known hit. However,

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I don't know if it's really a good representation

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of what Urge Overkill is as a band. I would almost

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put it in the same category as no rain, not being

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the perfect representation of what blind melon

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is, is a band. Yeah. I think you get some points

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where for some reason, a song comes out and it

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gets huge, huge. And then people start to deep

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dive and go, Oh, that's not them. It says every

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band that ever released a power ballad. And then

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everything else was just like hard driving metal.

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There you go. All right, Sean, with this format,

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we are now throwing it to you for track two.

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Well, I'm staying in the year 1993 for this because

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I want to say we like the breeze flow straight

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out of our lids. Then they got moved by these

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Hard Rock Brooklyn kids and I'm going with Diggable

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Planets, Rebirth of Slick, Cool Like That, probably

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the coolest bass drum horn song ever. And that

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flow. is unmatched i love rap i love hip -hop

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i've never heard a song with that perfect of

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a flow and i'm going with rebirth of slick cool

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like that by diggable planets that's an absolutely

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the minute you said it all i could hear my cool

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like that i'm cool like that are you cool like

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that i'm cool that was the early 90s was so good

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for not just straight ahead rap and hip -hop

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but like Bands that came out and changed the

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dynamic of the music genre a little bit. I remember,

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Brian, when we did the Music of 1991 episode

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of Playlist Wars and I busted out the Dream Warriors,

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by definition of a bombastic jazz style, you

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were getting diverse musical styles in hip hop

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and rap. And Digable Plants was right in there

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in the mix and being able to change the concept

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and just the normalcy of what you would expect.

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And so much better. So much better. I'd say the

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early 90s was probably my favorite time in hip

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-hop, basically because I love the fact that

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I got my musical education in jazz from artists

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like Diggable Planets and A Tribe Called Quest,

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who were sampling these jazz records and making

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me wonder where these songs came from. And that

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led me to research and become a fan of jazz music.

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And the way they were able to reinvent these

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songs was what really stuck out with me. Now,

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what sticks out, what's funny is, Jason, you

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had said the cool like that refrain over and

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over again is what stuck out to you. For me,

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it's the bass in that song. It just drives that

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song. And I think that's what I'm going to lean

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into. And I'm going to keep us in the 90s for

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one more trio. So we'll do a trio of 90s trios

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to kick things off. Wow. And when I think bass,

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there's only one place I can go. And I'm going

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to go actually with a song that might not be

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the band's biggest hit or most well -known song.

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But I think it's the song that truly represents

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what is possible from this trio. And that trio

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consists of Larry Lalonde, Tim, Herb Alexander,

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and The Mighty. Les Claypool from 1995's Tales

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from the Punchbowl. I'm going with Primus, the

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closing track over the electric grapevine. Nice.

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The last two minutes of that song is this instrumental

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epiphany at the end of the album. And there is

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just so much music happening to close this album

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out. You really have to question, is this truly

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a trio? bringing this to the table. And to me,

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that's something that I was looking for in some

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of my picks tonight. What were the trios that

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sounded like they were a five, six, seven -piece

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band because they were so massive? And I think

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Primus brings that to the table. And I just like

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being able to pivot off of the bass in Diggable

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Planets and kind of lean into Les' bass because

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he's probably my favorite bassist of all time.

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And if not, he's in top three with ease. So yeah,

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over the electric grapevine from Primus. Top

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three. And we're talking trios. There you go.

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You scooped me on the band, my brother. But of

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course, Primus is like, there's, I'm sure we're

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all going to agree here, listeners as well. Trios,

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there's like three or four bands that immediately

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come to mind. Not naming them yet because we

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haven't named them all, aside from Rulers Under

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Satan's Hand, of course. But Primus is another

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one of those bands where you're just like, well,

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yeah, somebody's going to do them. And you scooped

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me on the band, but not the song. But man, good

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call. I'm curious, what song did you go with

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from them? You know, I went with one of the obvious

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ones because I think that Jerry was a race car

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driver. Nice. that tapping. My introduction to

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Primus was that, and I was just like, what the

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hell am I listening to and why? And then it kept

00:14:47.960 --> 00:14:50.639
going. I left it on and I was like, why am I

00:14:50.639 --> 00:14:52.379
still listening to this? And like 30 seconds

00:14:52.379 --> 00:14:54.639
later, I'm like, this is amazing. Then I heard

00:14:54.639 --> 00:14:57.480
Tommy the Cat not long after that on the Bill

00:14:57.480 --> 00:15:00.279
and Ted Go to Hell soundtrack, but that's not

00:15:00.279 --> 00:15:02.500
the name of the movie. Bill and Ted's Bogus Journey.

00:15:02.639 --> 00:15:04.639
It was originally going to be called Bill and

00:15:04.639 --> 00:15:07.200
Ted Go to Hell, pardon me. And I was just like,

00:15:07.240 --> 00:15:09.720
wow. So this Primus band, They're onto something.

00:15:09.820 --> 00:15:12.120
These guys are going to go somewhere. Yeah, I'm

00:15:12.120 --> 00:15:14.080
not going to lie. You scooped me as well on the

00:15:14.080 --> 00:15:17.080
band, but I had three songs from that. I had

00:15:17.080 --> 00:15:19.240
a trio of songs from actually. I had My Name

00:15:19.240 --> 00:15:22.200
is Mud, Winona's Big Brown Beaver, and Nature

00:15:22.200 --> 00:15:24.980
Boy as well on my list, just because I didn't

00:15:24.980 --> 00:15:26.519
know which direction we were going to go, but

00:15:26.519 --> 00:15:28.500
you knew the primaries had to be in there. And

00:15:28.500 --> 00:15:31.500
yeah, Les Claypool is one of those musicians

00:15:31.500 --> 00:15:35.279
that's so damn good that you love them, and then

00:15:35.279 --> 00:15:36.759
you hate them because you'll never be that good.

00:15:37.329 --> 00:15:40.570
Jason, I would have been shocked. Actually, you

00:15:40.570 --> 00:15:42.409
know what? I would have been offended if you

00:15:42.409 --> 00:15:46.149
didn't have Primus in your list as a basis, because

00:15:46.149 --> 00:15:48.629
I feel like he is one of the benchmarks that

00:15:48.629 --> 00:15:52.230
we all strive to just figure out what is going

00:15:52.230 --> 00:15:54.389
through his mind. I could have went with those

00:15:54.389 --> 00:15:57.830
damn blue collar tweakers, southbound pachyderm.

00:15:57.909 --> 00:16:01.250
Like I had so many songs, but I felt like coming

00:16:01.250 --> 00:16:05.600
out of diggable planets. Going with that closing

00:16:05.600 --> 00:16:10.399
of over the electric grapevine just fit. I don't

00:16:10.399 --> 00:16:13.419
know why, because Primus Indigable Planets is

00:16:13.419 --> 00:16:17.080
definitely a weird pivot, except for the fact

00:16:17.080 --> 00:16:19.559
that they were both in the 90s. But it works

00:16:19.559 --> 00:16:22.679
in my mind. It does. Jason, we're back to you

00:16:22.679 --> 00:16:25.820
now for track four. Oh, where do I go with this

00:16:25.820 --> 00:16:28.700
one? I mean, I could stick with the funk. I could

00:16:28.700 --> 00:16:31.519
stick with the bass, but I'm going to go. I'm

00:16:31.519 --> 00:16:33.700
going to go across the pond a little bit. Well,

00:16:33.740 --> 00:16:37.980
way across the pond. And I'm going to go with

00:16:37.980 --> 00:16:42.519
silver chair off of their neon ballroom album,

00:16:42.659 --> 00:16:45.559
which their third album. So after a trio of albums,

00:16:45.700 --> 00:16:48.419
which to me, neon ballroom is obviously their

00:16:48.419 --> 00:16:52.059
best album. It is so good and so underrated.

00:16:52.100 --> 00:16:54.620
I'm going to go with the lead off track off of

00:16:54.620 --> 00:16:58.879
that emotion sickness. I know that Daniel Johns

00:16:58.879 --> 00:17:01.190
has said that. There probably is never going

00:17:01.190 --> 00:17:03.629
to be a silver chair reunion, no matter how many

00:17:03.629 --> 00:17:05.390
people ask for it and how many times he gets

00:17:05.390 --> 00:17:09.289
asked about it. It's a shame. And I get that

00:17:09.289 --> 00:17:11.230
certain silver chair songs kind of got played

00:17:11.230 --> 00:17:16.549
a lot in the 90s. But Neon Ballroom needed to

00:17:16.549 --> 00:17:18.970
be listened to. There's so much to emotion sickness

00:17:18.970 --> 00:17:20.910
and there's so many different changes in it and

00:17:20.910 --> 00:17:23.150
so many different textures that it surprised

00:17:23.150 --> 00:17:26.799
me when the song came out and it felt. In comparison

00:17:26.799 --> 00:17:28.640
to everything else that they had put out before,

00:17:28.779 --> 00:17:32.359
it felt a little proggy. Even when Anthem of

00:17:32.359 --> 00:17:34.299
the Year 2000 came out off this album, I'm like,

00:17:34.420 --> 00:17:36.579
okay, that's a Silverchair song. Then you listen

00:17:36.579 --> 00:17:38.980
to Emotion Sickness, like, what is this? This

00:17:38.980 --> 00:17:42.779
is awesome. It changes your perspective of what

00:17:42.779 --> 00:17:46.220
Silverchair could do. I just wish they did more

00:17:46.220 --> 00:17:49.660
of that. But for me, the next one, Emotion Sickness.

00:17:50.960 --> 00:17:56.009
I got to pass. I've never heard it. Really? Okay.

00:17:56.390 --> 00:18:00.130
I'll chime in on this then. When they dropped

00:18:00.130 --> 00:18:03.170
the first single anthem for the year 2000, I

00:18:03.170 --> 00:18:06.630
had gotten that on CD single. And I want to say

00:18:06.630 --> 00:18:09.589
it was a radio promo, but it was in a 50 cent

00:18:09.589 --> 00:18:12.630
bin at a record store. So I grabbed it. And to

00:18:12.630 --> 00:18:17.230
me, it just felt like the next album from Silverchair.

00:18:17.750 --> 00:18:20.630
So I immediately went out and got it. And you're

00:18:20.630 --> 00:18:23.150
right, Jason, emotion sickness hits differently.

00:18:23.920 --> 00:18:26.720
Where you almost feel like the band is expanding

00:18:26.720 --> 00:18:30.740
upon what they did on Frog Stomp as well as Freak

00:18:30.740 --> 00:18:33.599
Show. And it's a different band. The thing that

00:18:33.599 --> 00:18:36.000
impressed me about Frog Stomp was the fact that

00:18:36.000 --> 00:18:39.900
they showed that they, musically, were much older

00:18:39.900 --> 00:18:42.900
than their ages represented at the time. And

00:18:42.900 --> 00:18:45.259
I feel like this is where the band was really

00:18:45.259 --> 00:18:49.759
coming into their own as a trio that could do

00:18:49.759 --> 00:18:53.920
big, dare I use the word, epic. things and i

00:18:53.920 --> 00:18:57.460
feel like you followed up the primus pick with

00:18:57.460 --> 00:19:00.519
something that's just as big so i applaud the

00:19:00.519 --> 00:19:03.319
pick and now sean i throw it right back to you

00:19:03.319 --> 00:19:06.339
to hopefully be able to follow up a song you've

00:19:06.339 --> 00:19:11.180
never heard i'm gonna guess i think i heard the

00:19:11.180 --> 00:19:13.859
word epic so i think i'm gonna go with epic an

00:19:13.859 --> 00:19:16.980
epic trio and uh i just wanted i'm gonna describe

00:19:16.980 --> 00:19:20.079
the song first because it's just weird It describes

00:19:20.079 --> 00:19:22.740
the story of a war machine that's a mixture between

00:19:22.740 --> 00:19:26.599
an armadillo and a tank. And this creature emerges

00:19:26.599 --> 00:19:29.680
from an egg that's beside a volcanic crater that

00:19:29.680 --> 00:19:32.740
is making an eruption. I saw Jason kind of like,

00:19:32.740 --> 00:19:34.819
huh? Which means I'm guessing you know what it

00:19:34.819 --> 00:19:39.779
is. But it's legendary prog rock trio ELP and

00:19:39.779 --> 00:19:46.740
their epic Tarkus. First time I ever heard that

00:19:46.740 --> 00:19:50.750
song was live. at an ELP concert. And I was like,

00:19:50.769 --> 00:19:53.750
I guess I need to hear more of this band because

00:19:53.750 --> 00:19:56.470
at that point, all I had known was Lucky Man.

00:19:57.150 --> 00:20:01.890
I'm not going to lie. ELP is a musical blind

00:20:01.890 --> 00:20:04.809
spot for me. Wow. I don't think I've ever actually

00:20:04.809 --> 00:20:10.430
listened to a full ELP song or album. So I now

00:20:10.430 --> 00:20:12.890
have to check this out. You have piqued my interest.

00:20:13.369 --> 00:20:17.660
Well, I have to say if. Back to back blind spots

00:20:17.660 --> 00:20:20.160
here between Sean and Jason throwing punches

00:20:20.160 --> 00:20:23.259
right now. It looks like in this mix, I will

00:20:23.259 --> 00:20:25.900
be team Sean on this one. I think you picked

00:20:25.900 --> 00:20:29.000
the perfect Emerson Lake Palmer song because

00:20:29.000 --> 00:20:33.420
I'll just be honest. They are an acquired taste,

00:20:33.440 --> 00:20:37.180
but I feel like Tarkus is the most musically

00:20:37.180 --> 00:20:41.180
accessible to people that might not want to go

00:20:41.180 --> 00:20:45.309
down the ELP road. Very true. It's either that

00:20:45.309 --> 00:20:48.109
or Carnival Nine. Those are the songs. Yeah.

00:20:48.269 --> 00:20:52.069
I feel like these are the most digestible for

00:20:52.069 --> 00:20:54.670
non -Prog fans. And what I'm going to do to follow

00:20:54.670 --> 00:20:57.730
that up, because we went from the epic nature

00:20:57.730 --> 00:21:02.430
of emotion sickness into this prog of Tarkus,

00:21:02.549 --> 00:21:07.069
I'm going to follow with another trio that was

00:21:07.069 --> 00:21:11.869
in the prog realm prior to becoming the trio

00:21:11.869 --> 00:21:14.730
that they were. And I'm going to go off their

00:21:14.730 --> 00:21:18.230
self -titled 1980 album. And we're going to go

00:21:18.230 --> 00:21:21.089
with the trio of Mike Rutherford, Tony Banks,

00:21:21.390 --> 00:21:26.250
and Phil Collins. That being Genesis. I was debating

00:21:26.250 --> 00:21:28.609
going with something off of And Then There Were

00:21:28.609 --> 00:21:31.890
Three just to be obvious. But coming out of Tarkus,

00:21:31.890 --> 00:21:34.490
I think I'm going to go with That's All. It's

00:21:34.490 --> 00:21:39.170
definitely a step out of the Prague area. Because

00:21:39.170 --> 00:21:42.619
I feel like... We could go down a big prog rabbit

00:21:42.619 --> 00:21:46.420
hole if I really pushed the prog side of Genesis,

00:21:46.619 --> 00:21:49.819
where at least this one I'm giving Jason a little

00:21:49.819 --> 00:21:52.700
bit wider of a palette to jump off of. Because

00:21:52.700 --> 00:21:54.900
if I went to something off of Invisible Touch,

00:21:55.119 --> 00:21:57.519
which I love the album, don't get me wrong, I

00:21:57.519 --> 00:22:01.759
feel like Land of Confusion or anything she does.

00:22:02.400 --> 00:22:04.019
which would have been one of the two songs I

00:22:04.019 --> 00:22:06.079
would have chosen off that album might've been

00:22:06.079 --> 00:22:08.940
a little bit of a leap from Tarkus, but I feel

00:22:08.940 --> 00:22:13.299
like that's all is more of a step towards a different

00:22:13.299 --> 00:22:16.579
style versus the leap into that eighties Phil

00:22:16.579 --> 00:22:19.880
Collins production of invisible touch. Plus I

00:22:19.880 --> 00:22:23.579
just love the kind of funky nature of that's

00:22:23.579 --> 00:22:26.690
all. And it's definitely a different Genesis

00:22:26.690 --> 00:22:29.329
song if you look at their catalog as a whole.

00:22:29.609 --> 00:22:31.950
It really sticks out in a different way, and

00:22:31.950 --> 00:22:34.250
I think in a good way. So I'm going to go with

00:22:34.250 --> 00:22:37.569
That's All from Genesis. Well played getting

00:22:37.569 --> 00:22:41.210
Genesis in there. And they're probably the only

00:22:41.210 --> 00:22:43.210
70s prog band that you can be like, well, yeah,

00:22:43.250 --> 00:22:46.430
they are a trio now. So well played. My hat's

00:22:46.430 --> 00:22:50.049
off to you. And also a great song choice. I didn't

00:22:50.049 --> 00:22:51.569
know if you were going to go with that or if

00:22:51.569 --> 00:22:54.369
you were going to go with Turn It On Again. Turn

00:22:54.369 --> 00:22:57.309
It On Again, while it's still in that Tarkus

00:22:57.309 --> 00:22:59.410
realm of ba -ba -ba -ba -da -da, that's all does

00:22:59.410 --> 00:23:02.089
give it more of a swing to kind of get us out

00:23:02.089 --> 00:23:05.769
of this prog -rock rut. I don't know what you

00:23:05.769 --> 00:23:08.049
want to call it, but very well played, my friend.

00:23:08.410 --> 00:23:11.529
I don't know if there is such a thing as a prog

00:23:11.529 --> 00:23:14.599
-rock rut, because... Nothing wrong with a little

00:23:14.599 --> 00:23:16.559
bit of Prague. I will admit that the song is

00:23:16.559 --> 00:23:19.680
one I'm not as familiar with, but really, you

00:23:19.680 --> 00:23:22.400
can't go wrong with Genesis. You can't. Yeah,

00:23:22.440 --> 00:23:24.460
honestly, if I was going to pick something, if

00:23:24.460 --> 00:23:27.480
we were doing an only one episode on Genesis,

00:23:27.779 --> 00:23:30.339
either That's All or Turn It On Again would be

00:23:30.339 --> 00:23:32.980
my two from the self -title that I would probably

00:23:32.980 --> 00:23:36.519
argue with myself up to recording with. You could

00:23:36.519 --> 00:23:39.839
do what I did and cheat. I cheated with Madonna.

00:23:40.180 --> 00:23:42.180
I chose a song I didn't list from the album.

00:23:42.559 --> 00:23:46.240
You're the only one I've let cheat. Sean Faust.

00:23:46.380 --> 00:23:50.079
Well, Jason, we are back to you now for track

00:23:50.079 --> 00:23:54.059
seven. Okay. So you mentioned that the Genesis

00:23:54.059 --> 00:23:57.000
song had a little bit of a funky beat. So I'm

00:23:57.000 --> 00:24:00.619
going to stick in that 80s realm, and I'm going

00:24:00.619 --> 00:24:04.539
to go with Brian Setzer, Lee Rocker, and Slim

00:24:04.539 --> 00:24:08.019
Jim Phantom. I'm going with the Stray Cat Strut

00:24:08.019 --> 00:24:13.759
from Stray Cats. Yes. As someone who in high

00:24:13.759 --> 00:24:17.599
school took string music and played an upright

00:24:17.599 --> 00:24:20.579
bass for five years, not four years, millennials,

00:24:20.920 --> 00:24:25.420
five years of high school playing that upright

00:24:25.420 --> 00:24:29.259
bass. This was my escape in high school. This

00:24:29.259 --> 00:24:32.640
was what got me through five years of high school

00:24:32.640 --> 00:24:35.460
was string music class, playing in orchestra.

00:24:36.380 --> 00:24:38.259
And to all my teachers who are listening right

00:24:38.259 --> 00:24:40.759
now, yeah, I skipped your class and I hung out

00:24:40.759 --> 00:24:42.940
in the music room and I played upright bass while

00:24:42.940 --> 00:24:45.339
I should have been doing English or math. So

00:24:45.339 --> 00:24:49.680
sorry, not sorry, but it was my safe spot. And

00:24:49.680 --> 00:24:53.279
when you see a band that uses an upright bass,

00:24:53.380 --> 00:24:55.039
which wasn't very often. Yes, of course, we had

00:24:55.039 --> 00:24:57.480
the Barenaked Ladies in the 90s, so I gravitated

00:24:57.480 --> 00:25:01.140
towards them. But Stray Cat Strut? Hells yeah.

00:25:01.839 --> 00:25:04.680
That's the only other band. besides sting when

00:25:04.680 --> 00:25:07.640
he went solo that i can think of that plays live

00:25:07.640 --> 00:25:11.599
with the upright bass from that era wow yeah

00:25:11.599 --> 00:25:14.019
you almost scooped me but i decided to leave

00:25:14.019 --> 00:25:15.519
them off the list and now i'm kicking myself

00:25:15.519 --> 00:25:18.539
in the butt for leaving them off the list but

00:25:18.539 --> 00:25:20.619
you would have scooped me anyway what a choice

00:25:20.619 --> 00:25:24.799
damn you very much damn you jason for the fact

00:25:24.799 --> 00:25:29.039
that you scooped me on the band the album and

00:25:29.039 --> 00:25:32.960
the song Stray Cat Strut, easily my favorite

00:25:32.960 --> 00:25:36.720
Stray Cat song of all time. I'll even go on record

00:25:36.720 --> 00:25:38.920
saying that Stray Cat Strut's one of my favorite

00:25:38.920 --> 00:25:43.619
songs of the 80s and maybe all time. There's

00:25:43.619 --> 00:25:46.839
something about the coolness that oozes from

00:25:46.839 --> 00:25:51.579
that song. As a kid, I don't know, Jason, if

00:25:51.579 --> 00:25:54.200
you had the Disney Channel in Canada, but there

00:25:54.200 --> 00:25:58.940
was a show called DTV on the Disney Channel.

00:25:59.339 --> 00:26:02.920
And they took popular songs and would recut Disney

00:26:02.920 --> 00:26:07.680
movies and cartoons to popular songs. And one

00:26:07.680 --> 00:26:10.859
of the ones they did was Stray Cat Strut cut

00:26:10.859 --> 00:26:14.779
to the Aristocats. And it was such a, I fell

00:26:14.779 --> 00:26:17.880
in love with that cartoon as a kid. And then

00:26:17.880 --> 00:26:20.519
my parents got me the album and I fell in love

00:26:20.519 --> 00:26:24.579
with the Stray Cats. So one of my favorite. songs

00:26:24.579 --> 00:26:27.519
of all time so total scoop but i'm so glad that

00:26:27.519 --> 00:26:29.720
leaves me room to pick something else from my

00:26:29.720 --> 00:26:32.299
list oh yeah and that you have to think that

00:26:32.299 --> 00:26:35.160
that actually the fact that the stray cats had

00:26:35.160 --> 00:26:38.460
gotten so big did actually have a spillover effect

00:26:38.460 --> 00:26:43.119
into canada as well colin james who when he first

00:26:43.119 --> 00:26:46.759
came out was very much a like an 80s rock kind

00:26:46.759 --> 00:26:50.119
of almost I don't know how to describe it, but

00:26:50.119 --> 00:26:54.319
blues guitar, but made for pop rock radio. And

00:26:54.319 --> 00:26:57.400
then eventually he released Colin James and the

00:26:57.400 --> 00:27:00.259
Little Big Band Orchestra. And it was all like

00:27:00.259 --> 00:27:02.799
big band swing tunes. And you could hear that

00:27:02.799 --> 00:27:05.839
Brian Setzer influence. And as a guitar player,

00:27:05.940 --> 00:27:08.000
you could see Colin James and Brian Setzer kind

00:27:08.000 --> 00:27:11.480
of on the same level. So I wonder if some of

00:27:11.480 --> 00:27:14.140
that, you know, the Stray Cats influence Colin

00:27:14.140 --> 00:27:16.759
James to make that album. But that album was

00:27:16.759 --> 00:27:19.460
phenomenal, too. So, Sean, what are you going

00:27:19.460 --> 00:27:23.019
to follow Stray Cat Strut up with? It's tough,

00:27:23.059 --> 00:27:27.299
but not tough, but it's tough because Stray Cat

00:27:27.299 --> 00:27:32.779
Strut has that rockabilly, loose vibe to it that

00:27:32.779 --> 00:27:35.420
I've got almost nothing on here that kind of

00:27:35.420 --> 00:27:38.240
has that rockabilly vibe to it. But as far as

00:27:38.240 --> 00:27:42.759
loose and phenomenal bass players who, as a matter

00:27:42.759 --> 00:27:46.180
of fact, also happen to sing and they're a trio.

00:27:46.890 --> 00:27:48.970
I'm going to go with, from their very first album,

00:27:49.089 --> 00:27:51.710
Out of the Silent Planet, I'm going to go with

00:27:51.710 --> 00:27:55.970
the song Shot of Love by King's X. Loose, laid

00:27:55.970 --> 00:28:00.509
back, perfect harmonies, perfect song. Not as

00:28:00.509 --> 00:28:03.769
familiar with the song. I will get a little inside

00:28:03.769 --> 00:28:06.769
baseball for all the My Weekly Mixtape listeners.

00:28:07.630 --> 00:28:11.329
I am in preparation right now for a Kings X episode

00:28:11.329 --> 00:28:13.569
of There Can Only Be One. So I'm going to be

00:28:13.569 --> 00:28:16.309
deep diving down that discography very, very

00:28:16.309 --> 00:28:19.109
soon. So, Sean, I will let you know when I get

00:28:19.109 --> 00:28:21.089
to that one. The Kings X are freaking phenomenal.

00:28:21.490 --> 00:28:23.410
Good luck picking anything off of that first

00:28:23.410 --> 00:28:26.150
album. Well, the rules be rules, so I got to

00:28:26.150 --> 00:28:28.950
follow the rules. But I remember having the hard

00:28:28.950 --> 00:28:33.640
music volume one cassette. And Black Flag was

00:28:33.640 --> 00:28:35.619
actually on that cassette. And I played that.

00:28:35.640 --> 00:28:40.220
That may have been my favorite compilation album

00:28:40.220 --> 00:28:46.480
of the 90s ever. Like, literally ever. There's

00:28:46.480 --> 00:28:48.180
so much good stuff on that one. And that was

00:28:48.180 --> 00:28:50.480
my first time actually ever hearing King's X.

00:28:50.720 --> 00:28:53.519
And I'm so looking forward to now deep diving

00:28:53.519 --> 00:28:56.460
into their discography. Do it, do it, do it.

00:28:56.500 --> 00:28:59.380
You know, I saw them right before I saw Candlebox

00:28:59.380 --> 00:29:04.559
the same night. Oh, wow. Yeah. Good night. Love

00:29:04.559 --> 00:29:06.839
the picture on. I actually had dog man on my

00:29:06.839 --> 00:29:09.339
list. I, and then with a little asterisk next

00:29:09.339 --> 00:29:12.660
to it, if we were going down a cover song, rabbit

00:29:12.660 --> 00:29:14.660
hole, I could have pulled out their cover of

00:29:14.660 --> 00:29:18.019
manic depression, but I like where you went going

00:29:18.019 --> 00:29:20.240
with shot of love instead, because I have to

00:29:20.240 --> 00:29:23.339
follow that up. And God, I don't have anything

00:29:23.339 --> 00:29:26.960
else that really like Genesis to stray cats to

00:29:26.960 --> 00:29:31.230
King's X. That's a lot of pivoting. The boat

00:29:31.230 --> 00:29:34.349
is rocking right now. So I could rock it a little

00:29:34.349 --> 00:29:38.630
bit more. And I'm going to do that. And I'm going

00:29:38.630 --> 00:29:41.049
to rock it with a band that brings a little bit

00:29:41.049 --> 00:29:44.670
of rock, a little bit of punk, and a little bit

00:29:44.670 --> 00:29:48.779
of reggae. Oh, you son of a bitch. To the fall.

00:29:48.839 --> 00:29:51.960
I already know what you're talking about. I'm

00:29:51.960 --> 00:29:53.759
sorry. I don't mean to curse. I'm sorry. But

00:29:53.759 --> 00:29:57.880
you're going to scoop me on the band. I'm sorry.

00:29:58.180 --> 00:30:00.779
Go on again and I'll stop cursing at you. Sorry.

00:30:03.299 --> 00:30:05.720
This is your blooper reel for the end. There

00:30:05.720 --> 00:30:09.940
you go. Let's go with Andy Summers, Stuart Copeland,

00:30:10.019 --> 00:30:13.880
and Sting from 1979's Regatta de Blanc. I am

00:30:13.880 --> 00:30:16.000
going to go with The Police. And I'm going to

00:30:16.000 --> 00:30:18.799
go with Message in a Bottle. There's something

00:30:18.799 --> 00:30:23.079
about that song that I feel brings the rock side

00:30:23.079 --> 00:30:25.559
that we've been really putting together on this

00:30:25.559 --> 00:30:29.579
mix. Whereas the other song I had listed was

00:30:29.579 --> 00:30:32.980
King of Pain. And I felt like King of Pain, like

00:30:32.980 --> 00:30:36.980
I said for Genesis, going with That's All, Land

00:30:36.980 --> 00:30:40.839
of Confusion. If we were in that Land of Confusion,

00:30:40.839 --> 00:30:45.140
more 80s space, I feel like... King of pain would

00:30:45.140 --> 00:30:48.200
have been this choice, but coming at a shot of

00:30:48.200 --> 00:30:52.140
love, I'm just feeling message in a bottle. The

00:30:52.140 --> 00:30:57.039
song has the ability to go from what the police

00:30:57.039 --> 00:31:00.039
did to what machine head did on their cover.

00:31:00.119 --> 00:31:03.019
And both of them make sense. So the song has

00:31:03.019 --> 00:31:05.400
this kind of atmosphere where Jason can take

00:31:05.400 --> 00:31:07.859
it in many different directions to close the

00:31:07.859 --> 00:31:10.380
side. And plus it's a brilliant frigging song.

00:31:10.619 --> 00:31:13.500
So I apologize, Sean, if I scooped you on them.

00:31:13.920 --> 00:31:16.960
But the police message in a bottle. You scooped

00:31:16.960 --> 00:31:20.740
me. I had synchronicity, too. Okay. Because,

00:31:20.799 --> 00:31:23.200
I mean, once again, I still lean towards the

00:31:23.200 --> 00:31:26.480
Prague side. But you did scoop me. It's an awesome

00:31:26.480 --> 00:31:28.559
choice. It's funny you mentioned King of Pain.

00:31:28.859 --> 00:31:31.839
A long time ago at the Underpass in Elmwood Park,

00:31:31.960 --> 00:31:34.380
I want to say 1999, Money for the Toll was playing.

00:31:34.880 --> 00:31:38.019
And a band called The Fourth was on before us.

00:31:38.059 --> 00:31:41.559
And the bass player. decided to play an acoustic

00:31:41.559 --> 00:31:45.319
guitar and do a wonderful cover of king of pain

00:31:45.319 --> 00:31:48.319
and correct me if i'm not mistaken but that somebody

00:31:48.319 --> 00:31:51.180
was you brian i wouldn't know if it was wonderful

00:31:51.180 --> 00:31:53.160
or not but i had a hell of a lot of fun playing

00:31:53.160 --> 00:31:55.900
it pat and i were loving the hell out of that

00:31:55.900 --> 00:31:58.680
cover we were like wow brian sounds good on this

00:31:58.680 --> 00:32:02.700
well thank you sir jason the police oh yeah you

00:32:02.700 --> 00:32:06.079
scoop me on the band you scoop me on the pick

00:32:06.079 --> 00:32:10.309
i get to play message in a bottle quite a few

00:32:10.309 --> 00:32:13.289
times when my band over the bridesmaid is out

00:32:13.289 --> 00:32:16.529
on the road and gigging so yeah freaking love

00:32:16.529 --> 00:32:19.130
that song i also had synchronicity too as well

00:32:19.130 --> 00:32:21.670
that song is so good and i had every breath you

00:32:21.670 --> 00:32:23.329
take because again i wanted to have a bit of

00:32:23.329 --> 00:32:27.309
a cross section just in case but i know exactly

00:32:27.309 --> 00:32:30.109
where i'm gonna go with this one all right how

00:32:30.109 --> 00:32:33.630
are you closing up side a i'm gonna go with a

00:32:33.630 --> 00:32:37.839
song that's got a almost a gallop to it And it's

00:32:37.839 --> 00:32:40.019
slightly different from what they normally do,

00:32:40.160 --> 00:32:43.259
but it still fits right in the pocket. From Billy

00:32:43.259 --> 00:32:47.160
Joe Armstrong, Trey Cool, and Mike Dernt. Of

00:32:47.160 --> 00:32:49.480
course, I'm talking Green Day. I'm going to go

00:32:49.480 --> 00:32:53.539
with Hitchin' a Ride. Okay. I freaking love this

00:32:53.539 --> 00:32:56.640
song. I get to play it as well live. It's such

00:32:56.640 --> 00:32:59.839
a fun one. And again, I've played Holiday. I've

00:32:59.839 --> 00:33:02.380
played Basket Case. I've played When I Come Around.

00:33:02.759 --> 00:33:06.339
Hitchin' a Ride. Is my favorite Green Day song

00:33:06.339 --> 00:33:10.819
to play live. It is so much fun. How fun is it?

00:33:11.599 --> 00:33:17.759
So much fun, John. I love the pick. I had Jesus

00:33:17.759 --> 00:33:21.420
of Suburbia on my list because I assumed with

00:33:21.420 --> 00:33:23.559
you Prague guys, I would at least be able to

00:33:23.559 --> 00:33:28.299
keep up at least in terms of song length. And

00:33:28.299 --> 00:33:30.599
now you scooped that from me. But I will tell

00:33:30.599 --> 00:33:34.549
you, you scooped it with. Probably my second

00:33:34.549 --> 00:33:37.829
favorite Green Day song to Jesus of Suburbia,

00:33:37.829 --> 00:33:40.950
and that is Hitchin' a Ride. I love the gallop.

00:33:40.950 --> 00:33:42.869
I was actually going to question, as soon as

00:33:42.869 --> 00:33:44.750
you said gallop, I'm like, he knows that Iron

00:33:44.750 --> 00:33:49.269
Maiden has more than three people, right? But

00:33:49.269 --> 00:33:52.910
I love the pick. I'm so glad. Obviously, Green

00:33:52.910 --> 00:33:55.309
Day had to get in there. And if you were going

00:33:55.309 --> 00:33:57.710
to go with a song other than Jesus of Suburbia,

00:33:57.769 --> 00:34:00.089
Hitchin' a Ride is definitely the perfect song

00:34:00.089 --> 00:34:03.230
to do it. Scooped me on the band. But I actually

00:34:03.230 --> 00:34:06.150
went with something more mellow and big and 80s

00:34:06.150 --> 00:34:08.710
bombastic from the American Idiot album. I went

00:34:08.710 --> 00:34:13.349
with The Waiting. Wow. Because that's what? Like

00:34:13.349 --> 00:34:16.530
three minutes of just wow. You're kind of summing

00:34:16.530 --> 00:34:19.670
up where we are in the story beautifully. And

00:34:19.670 --> 00:34:23.590
like I said, 80s bombastic anthem. Well, there

00:34:23.590 --> 00:34:27.510
you have it, folks. Side A of our Ultimate Trios

00:34:27.510 --> 00:34:30.449
mixtape, which kicked off with Urge Overkill's

00:34:30.449 --> 00:34:33.800
Sister Havana. Digable Planets, Rebirth of Slick,

00:34:33.800 --> 00:34:37.360
Cool Like That, Primus' Over the Electric Grapevine,

00:34:37.699 --> 00:34:40.800
Silverchair's Emotion Sickness, Emerson Lake

00:34:40.800 --> 00:34:44.539
and Palmer's Tarkus, Genesis' That's All, Stray

00:34:44.539 --> 00:34:48.099
Cat's Stray Cat Strut, King Zek's Shot of Love,

00:34:48.440 --> 00:34:51.559
The Police, Message in a Bottle, and Green Day,

00:34:51.739 --> 00:34:54.940
Hitchin' a Ride. Head over to myweeklymixtape

00:34:54.940 --> 00:34:57.280
.com to hear all the songs we've discussed in

00:34:57.280 --> 00:35:00.400
this mix. through the playlist embedded on the

00:35:00.400 --> 00:35:03.920
episode page. Now, before we flip this proverbial

00:35:03.920 --> 00:35:06.420
mixtape over to Side B, Jason, why don't you

00:35:06.420 --> 00:35:08.559
catch everyone up on what's been happening over

00:35:08.559 --> 00:35:12.179
at It's Not That Bad, and there can only be one,

00:35:12.280 --> 00:35:14.760
as well as reminding people how they can connect

00:35:14.760 --> 00:35:18.539
with you. Well, we have been busy, busy, busy

00:35:18.539 --> 00:35:20.699
over at It's Not That Bad. We just finished up

00:35:20.699 --> 00:35:22.719
our Razzies special month, and we're getting

00:35:22.719 --> 00:35:26.170
ready for our next... feature month which is

00:35:26.170 --> 00:35:28.710
going to happen in october and i'll spill the

00:35:28.710 --> 00:35:30.949
beans a little bit here for the first time ever

00:35:30.949 --> 00:35:33.690
we're going to be doing mocktober so we're going

00:35:33.690 --> 00:35:37.429
to be looking at mock busters so if you like

00:35:37.429 --> 00:35:40.690
films from the film company the asylum yes mock

00:35:40.690 --> 00:35:45.050
buster month is happening in mocktober we're

00:35:45.050 --> 00:35:48.230
also getting ready to celebrate our clearly sean's

00:35:48.230 --> 00:35:52.440
going to be on one of those episodes You knew

00:35:52.440 --> 00:35:54.199
I was going to call you up for that, right? Oh,

00:35:54.199 --> 00:35:56.800
hell yes. We're also getting ready to celebrate

00:35:56.800 --> 00:36:00.000
our third full year with It's Not That Bad. So

00:36:00.000 --> 00:36:01.719
clearly come August, there's going to be some

00:36:01.719 --> 00:36:04.360
celebrations. And then on there can only be one.

00:36:04.440 --> 00:36:06.659
We have so many episodes that we're coming up

00:36:06.659 --> 00:36:08.199
with, and we also still have to spend Shuffle

00:36:08.199 --> 00:36:10.719
Skip. So that's been chugging along, and we're

00:36:10.719 --> 00:36:13.630
actually now. into our second year where there

00:36:13.630 --> 00:36:17.750
can only be one and it feels so long ago that

00:36:17.750 --> 00:36:20.550
we started this and brian like tossing the idea

00:36:20.550 --> 00:36:22.489
back and forth with you and you know recording

00:36:22.489 --> 00:36:25.010
some of those early episodes and sean going through

00:36:25.010 --> 00:36:28.230
so many good albums with you like there is so

00:36:28.230 --> 00:36:30.730
much fun going on on that channel and if you're

00:36:30.730 --> 00:36:32.989
looking for all of those shows you can find not

00:36:32.989 --> 00:36:36.530
that bad and our keep watch past show on social

00:36:36.530 --> 00:36:39.119
media at not that bad cast For there can only

00:36:39.119 --> 00:36:41.260
be one in Spin, Shuffle, Skip. You can find that

00:36:41.260 --> 00:36:43.420
at only one cast and you can find everything

00:36:43.420 --> 00:36:47.099
all in one place at notthatbadcast .com. And

00:36:47.099 --> 00:36:50.079
Sean, any news on your end of the spectrum that

00:36:50.079 --> 00:36:52.480
you'd like to share and remind listeners about

00:36:52.480 --> 00:36:55.900
how they can connect with you? Well, I woke up

00:36:55.900 --> 00:37:00.639
today and I fed my cats. I had some coffee and

00:37:00.639 --> 00:37:08.500
I went to the chiropractor. Is that too detailed?

00:37:09.219 --> 00:37:13.780
A little bit. Oh, okay. Well, as always, I'm

00:37:13.780 --> 00:37:17.539
still trying to raise money to save cats all

00:37:17.539 --> 00:37:20.780
over the place. One million sales of gin asylum.

00:37:20.900 --> 00:37:23.579
Or who are you anyway lately? That seems to be...

00:37:23.579 --> 00:37:26.639
The plays I've had on that in the past few days

00:37:26.639 --> 00:37:30.480
have jumped significantly. But raising money,

00:37:30.539 --> 00:37:33.480
and sadly it has to start here at home. My youngest

00:37:33.480 --> 00:37:38.320
is ill with... a very expensive treatment for

00:37:38.320 --> 00:37:42.639
a very, very terrible illness that I hate more

00:37:42.639 --> 00:37:44.780
than any other illness. But we're going to stay

00:37:44.780 --> 00:37:47.579
positive because things are looking good. We're

00:37:47.579 --> 00:37:50.059
keeping everything just flowing, going well.

00:37:50.119 --> 00:37:54.179
So please, Sean Faust, buy my music, Gin Asylum,

00:37:54.300 --> 00:37:57.039
or Who Are You Anyway, or if you're in the mood

00:37:57.039 --> 00:38:01.829
to just jam around, Happy Song. And also... I'm

00:38:01.829 --> 00:38:03.690
so happy to announce this. So happy to announce

00:38:03.690 --> 00:38:05.989
this. You guys have to see the jacket. I just

00:38:05.989 --> 00:38:07.949
tried on the jacket the other day. It is awesome.

00:38:08.070 --> 00:38:11.329
Goes perfectly with the wig. I am now, once again,

00:38:11.449 --> 00:38:14.570
David Bryan in Slippery When Wet, New Jersey,

00:38:14.730 --> 00:38:18.909
the United States' longest running tribute to

00:38:18.909 --> 00:38:23.349
Bon Jovi. JoviTribute .com. Check it out when

00:38:23.349 --> 00:38:26.170
and where we're playing. Pictures, message board,

00:38:26.309 --> 00:38:29.809
I think email. Yeah. Just talk to us. We talk

00:38:29.809 --> 00:38:32.510
back. I'm psyched to be doing that again. We're

00:38:32.510 --> 00:38:35.510
on to bigger and better things doing that. And

00:38:35.510 --> 00:38:39.150
I might or might not be talking about Bon Jovi

00:38:39.150 --> 00:38:43.409
with Mr. Jason on It's Not That Bad. I'm just

00:38:43.409 --> 00:38:49.340
kidding. Only one. Well, Sean. We are going to

00:38:49.340 --> 00:38:53.500
stick with you now and kick off side B of our

00:38:53.500 --> 00:38:56.719
Ultimate Trios mixtape. So why don't you explain

00:38:56.719 --> 00:38:59.900
to us why you chose the Trans -Siberian Orchestra

00:38:59.900 --> 00:39:05.179
to kick off side? because Savatage is one of

00:39:05.179 --> 00:39:08.039
my all -time favorite bands. And to this day,

00:39:08.079 --> 00:39:10.280
it still annoys me that all they did was lift

00:39:10.280 --> 00:39:13.579
Christmas Eve Sarajevo 1224 from the Dead One

00:39:13.579 --> 00:39:16.159
to Dead album and just put it opening up their

00:39:16.159 --> 00:39:18.300
own album instead of just recording some new

00:39:18.300 --> 00:39:20.599
stuff. They just recorded a bunch of old stuff

00:39:20.599 --> 00:39:23.300
and wrote Christmas -y lyrics to it. Kyrie, la

00:39:23.300 --> 00:39:27.429
-la -la -la, Kyrie. I mean... But no, good call

00:39:27.429 --> 00:39:30.269
there, Brian. However, I did not go with TSO.

00:39:32.050 --> 00:39:34.889
So what are you kicking off side B with? I kind

00:39:34.889 --> 00:39:37.429
of want to kick off with some rock, like some

00:39:37.429 --> 00:39:40.150
rock and roll. But I don't want to get too like

00:39:40.150 --> 00:39:42.510
ba -ba -ba -ba -ba yet. And I don't want to be

00:39:42.510 --> 00:39:45.250
like ba -ba -ba -ba -ba, right? I don't want

00:39:45.250 --> 00:39:48.530
to get into that yet. So I'm thinking back to

00:39:48.530 --> 00:39:51.769
the 90s, the hair stuff was starting to go, but

00:39:51.769 --> 00:39:54.960
there was a band called Blue Murder. And they

00:39:54.960 --> 00:39:58.739
had a track called We All Fall Down that it's

00:39:58.739 --> 00:40:02.119
just such a great side opener. I made many a

00:40:02.119 --> 00:40:05.440
mixtape in the 90s, and that would always be

00:40:05.440 --> 00:40:08.539
a side opener, side A or side B. But I'm going

00:40:08.539 --> 00:40:11.739
to go with We All Fall Down by Blue Murder. Element,

00:40:11.880 --> 00:40:15.059
I'm not as familiar with Blue Murder as I probably

00:40:15.059 --> 00:40:17.760
should be. But having a quick listen to the song,

00:40:17.940 --> 00:40:20.539
it's got a good beat. It's got a solid kick to

00:40:20.539 --> 00:40:22.860
it. So clearly you're getting the energy up for

00:40:22.860 --> 00:40:25.800
side B. And I'll say this, Sean, I'm surprised

00:40:25.800 --> 00:40:29.199
to hear Blue Murder and excited at the same time

00:40:29.199 --> 00:40:32.659
because they kind of came up at that tail end

00:40:32.659 --> 00:40:36.300
of the hairband era where there was some really

00:40:36.300 --> 00:40:40.139
good bands that just got swallowed up by the

00:40:40.139 --> 00:40:42.059
alternative movement. And I'm talking about bands

00:40:42.059 --> 00:40:48.619
like Babylon AD. Cleavage. Baton Rouge. Roxy

00:40:48.619 --> 00:40:53.639
Hardline, Roxy Blue, Slick Toxic. Oh, wow. Slick

00:40:53.639 --> 00:40:56.480
Toxic. There was a lot of bands in that time

00:40:56.480 --> 00:41:01.019
that to me, I still really wrap up in that 80s

00:41:01.019 --> 00:41:04.300
hair band scene, even though it was in 89, 90,

00:41:04.440 --> 00:41:07.820
91, 92. And Blue Murder falls into that. Now,

00:41:07.840 --> 00:41:11.889
Sean, shame on you. For picking a song that's

00:41:11.889 --> 00:41:14.349
not on Spotify. I'm kidding, of course. But the

00:41:14.349 --> 00:41:18.030
song isn't on in the studio version, but you

00:41:18.030 --> 00:41:21.110
can get on the Blue Murder Live Screaming Blue

00:41:21.110 --> 00:41:24.389
Murder album from 94. You can get the live version

00:41:24.389 --> 00:41:26.389
of We All Fall Down. Are you okay with that?

00:41:26.449 --> 00:41:29.329
I am fine with that. I'm sure it's just as awesome.

00:41:29.889 --> 00:41:32.969
All right. Well, with that, I get to follow it

00:41:32.969 --> 00:41:41.710
up. And damn it. Okay. There are so many bands

00:41:41.710 --> 00:41:44.150
in my mind that if we don't get to, it's going

00:41:44.150 --> 00:41:47.170
to be criminal. Well, Fiona Apple's a solo artist,

00:41:47.250 --> 00:41:51.269
so you can't go with that. Oh, my God. There's

00:41:51.269 --> 00:41:54.250
going to be so much. How did you guys not get

00:41:54.250 --> 00:41:58.190
blank in this episode? I guarantee you. Because

00:41:58.190 --> 00:42:00.730
blank is not a trio. I'm sorry. They're a quartet.

00:42:02.449 --> 00:42:05.929
I am going to go coming out of Blue Murder. We're

00:42:05.929 --> 00:42:08.599
going to go back to 1980. And I'm going to bring

00:42:08.599 --> 00:42:12.019
a little bit of that hard rock vibe, but just

00:42:12.019 --> 00:42:14.900
throw in a lot of punk energy as well. And we're

00:42:14.900 --> 00:42:17.880
going to go with Fast Eddie Clark, Phil Filthy

00:42:17.880 --> 00:42:21.059
Animal Taylor, and Lemmy. Title track, 1980,

00:42:21.599 --> 00:42:25.039
Ace of Spades, Motorhead. Nice. Let's bring the

00:42:25.039 --> 00:42:27.880
energy to Side B. Coming out of Blue Murder,

00:42:28.079 --> 00:42:31.059
let's just up it and go right into Ace of Spades.

00:42:31.280 --> 00:42:34.000
There's really not much I could say about this

00:42:34.000 --> 00:42:38.780
song. It is just an absolute anthem. If you want

00:42:38.780 --> 00:42:43.719
to hear a fun, unique twist on it, look up Drain

00:42:43.719 --> 00:42:48.179
STH's cover from the 90s. Picture a female version

00:42:48.179 --> 00:42:51.940
of Alice in Chains slowing down Ace of Spades

00:42:51.940 --> 00:42:54.059
and flipping it on its ear. It's really frigging

00:42:54.059 --> 00:42:57.219
cool. But coming out of We All Fall Down, let's

00:42:57.219 --> 00:43:00.340
go Ace of Spades. You scooped me on the band.

00:43:00.500 --> 00:43:02.780
Not the song, but you scooped me on the band.

00:43:02.860 --> 00:43:06.460
I had two Motorhead tracks in mind, both from

00:43:06.460 --> 00:43:08.440
some of their later albums. I had In the Name

00:43:08.440 --> 00:43:12.059
of Tragedy from 2004's Inferno, and I had On

00:43:12.059 --> 00:43:15.280
Your Feet, On Your Knees from my favorite Motorhead

00:43:15.280 --> 00:43:21.539
album of all time, Bastards. Dude, I mean, scoop

00:43:21.539 --> 00:43:24.820
the band, scoop the tune, and you mentioned the

00:43:24.820 --> 00:43:29.070
Drain STH cover. There's also a unique... instrumental

00:43:29.070 --> 00:43:33.030
country version that dixie chicks used as a set

00:43:33.030 --> 00:43:36.929
break live a few years ago i saw them i it's

00:43:36.929 --> 00:43:38.849
got to be six years ago now six or seven years

00:43:38.849 --> 00:43:41.949
ago and like after five songs they would like

00:43:41.949 --> 00:43:43.710
like have this instrumental break and there was

00:43:43.710 --> 00:43:47.030
an instrumental break of ace of spades that was

00:43:47.030 --> 00:43:51.449
just badass love it and i also had jason a song

00:43:51.449 --> 00:43:54.820
from bastards in my list But I felt like coming

00:43:54.820 --> 00:43:57.119
out of Blue Murder, I had to go Ace of Spades.

00:43:57.139 --> 00:44:01.119
But I also had Born to Raise Hell. Oh, man. Which

00:44:01.119 --> 00:44:04.059
was on Bastards as well as featured in the movie

00:44:04.059 --> 00:44:09.599
Airheads, a remix of it, with Ice -T and Whitfield

00:44:09.599 --> 00:44:13.099
Crane of Ugly Kid Joe. But I ended up going Ace

00:44:13.099 --> 00:44:15.840
of Spades. Now, Jason, you said I scooped you,

00:44:15.960 --> 00:44:18.559
so apologies for that. But you get to follow

00:44:18.559 --> 00:44:21.559
up Blue Murder and Motorhead. What do you got

00:44:21.559 --> 00:44:27.130
for us? All right. It's time. It is time. Time

00:44:27.130 --> 00:44:31.530
to bring one of those Canadian trios to the party.

00:44:31.670 --> 00:44:36.510
Don't scoop me, man. Phenomenal guitar player.

00:44:36.690 --> 00:44:40.869
Great bass player. Phenomenal drumming. And a

00:44:40.869 --> 00:44:44.949
cover song. Because I'm catering to the host

00:44:44.949 --> 00:44:49.030
here. off of their tangents compilation i'm going

00:44:49.030 --> 00:44:51.449
with their cover of painted black by the tea

00:44:51.449 --> 00:44:57.250
party this song this cover this is to me the

00:44:57.250 --> 00:45:00.289
version of painted black i know gob did a cover

00:45:00.289 --> 00:45:04.750
of it but this version is so so good i mean i

00:45:04.750 --> 00:45:07.369
remember i can't remember the name of the tv

00:45:07.369 --> 00:45:10.349
show that this that the original was the theme

00:45:10.349 --> 00:45:12.389
song of i can't i can't remember off the top

00:45:12.389 --> 00:45:14.820
of my head but i remember Hearing that theme

00:45:14.820 --> 00:45:16.679
song, not even caring about the show anymore.

00:45:16.679 --> 00:45:20.380
China Beach? That's the one. Thank you. That

00:45:20.380 --> 00:45:23.179
has been bugging me for the last seven days.

00:45:23.360 --> 00:45:25.380
Thank you kindly. Now I can breathe again. I

00:45:25.380 --> 00:45:27.219
can sleep fine. Well, I'm sorry I told you because

00:45:27.219 --> 00:45:29.000
you scooped me on the band, but please continue.

00:45:29.360 --> 00:45:32.280
I knew. I knew this was the one you were thinking

00:45:32.280 --> 00:45:33.900
of that you didn't want me to scoop you on, but

00:45:33.900 --> 00:45:37.300
I scooped you anyway. So sorry, not sorry. I

00:45:37.300 --> 00:45:39.639
also had the Messenger and These Living Arms

00:45:39.639 --> 00:45:41.699
off the Triptych album because I think Triptych

00:45:41.699 --> 00:45:44.199
is actually one of their better full length albums,

00:45:44.300 --> 00:45:46.480
but the cover of painted black, I mean, Brian,

00:45:46.559 --> 00:45:48.260
I know you love your cover song. So I had to

00:45:48.260 --> 00:45:50.739
bring one to the party. I think this is a great

00:45:50.739 --> 00:45:53.199
one. At first, when you were sitting there talking

00:45:53.199 --> 00:45:56.639
about a trio from Canada and a cover song in

00:45:56.639 --> 00:46:00.940
my mind, I was thinking what cover songs has

00:46:00.940 --> 00:46:03.679
triumphed on that. Jason will be putting here.

00:46:04.599 --> 00:46:10.380
Bravo. I great cover. There's a lot of versions

00:46:10.380 --> 00:46:13.480
of paint that black that I enjoy. Johnny Lang

00:46:13.480 --> 00:46:15.940
does a version from this movie soundtrack for

00:46:15.940 --> 00:46:19.559
love of the game. Live live does a great version

00:46:19.559 --> 00:46:22.760
of it. I mean, this song can be a re it's just

00:46:22.760 --> 00:46:25.900
a fantastic song that can be re -imagined in

00:46:25.900 --> 00:46:29.099
so many ways and works so well. So I love, I

00:46:29.099 --> 00:46:31.360
love this version though. Definitely. Cause it

00:46:31.360 --> 00:46:33.579
brings your Canadian side to the table as well.

00:46:33.679 --> 00:46:35.579
Right. And how many people are now sitting there

00:46:35.579 --> 00:46:38.440
going. When are you getting to Rush? When are

00:46:38.440 --> 00:46:40.659
you getting to Rush? He's a Canadian. You're

00:46:40.659 --> 00:46:43.219
building the anticipation. And when you started

00:46:43.219 --> 00:46:46.099
saying, I'm going to go with a trio from Canada

00:46:46.099 --> 00:46:48.800
and go with a cover, there was a small part of

00:46:48.800 --> 00:46:51.679
me goes, he's not picking Summertime Blues from

00:46:51.679 --> 00:46:53.320
Rush. That's what I was thinking too. I was so

00:46:53.320 --> 00:46:56.940
scared. So I dismissed that one quickly. And

00:46:56.940 --> 00:46:59.260
then I was thinking Triumph. And then I was like,

00:46:59.340 --> 00:47:03.860
oh, no, here we go. But great pick. Sean. First

00:47:03.860 --> 00:47:07.039
of all, dude, you scooped me. You scooped me.

00:47:07.079 --> 00:47:10.199
You scooped me. I was giving you Rush. I was

00:47:10.199 --> 00:47:11.880
going to be like, let my friend from the great

00:47:11.880 --> 00:47:16.539
white north have his Rush and eat it too. And

00:47:16.539 --> 00:47:20.719
then you scooped me on the tea party. And not

00:47:20.719 --> 00:47:24.139
only did you scoop me on the tea party, I mean,

00:47:24.159 --> 00:47:27.000
that first album is the doors just heavier with

00:47:27.000 --> 00:47:29.679
no keyboards. I was going to go with Release,

00:47:29.820 --> 00:47:32.690
by the way, which is a much more mellow. I'm

00:47:32.690 --> 00:47:35.550
sad kind of song. So you still went with upbeat,

00:47:35.769 --> 00:47:41.110
but to follow their cover of painted black, what

00:47:41.110 --> 00:47:44.329
I'm going to do is I'm going to head South and

00:47:44.329 --> 00:47:47.610
then all the way out West. And I'm going to ask

00:47:47.610 --> 00:47:51.469
you, have you ever had big dreams of making whipped

00:47:51.469 --> 00:47:54.369
cream and shot heavy hitter on the main scene?

00:47:54.469 --> 00:47:57.429
You want to look trendy in a Bentley, be a snob

00:47:57.429 --> 00:48:00.670
and never act friendly. I'm going to go with

00:48:00.670 --> 00:48:05.730
rock superstar. By Cypress Hill. Hell yeah. What

00:48:05.730 --> 00:48:08.329
a heavy tune. Not what I expected at all from

00:48:08.329 --> 00:48:12.349
them when that song came out. That song literally,

00:48:12.530 --> 00:48:18.050
at least in New York, blew up so quickly because

00:48:18.050 --> 00:48:20.969
the rock stations and the hip hop stations were

00:48:20.969 --> 00:48:23.750
playing it simultaneously because you had rap

00:48:23.750 --> 00:48:26.809
superstar playing on the hip hop stations and

00:48:26.809 --> 00:48:29.809
rock superstar playing all over 92 .3K rock.

00:48:31.720 --> 00:48:36.579
re -lit cypress hill on mainstream radio obviously

00:48:36.579 --> 00:48:39.679
cypress hills put out amazing stuff throughout

00:48:39.679 --> 00:48:43.159
their entire career up until recently their new

00:48:43.159 --> 00:48:47.440
albums are fantastic they are one of the premier

00:48:47.440 --> 00:48:54.519
hip -hop trios of all time and i love the fact

00:48:54.519 --> 00:48:57.619
that you kept it in the rock side of things by

00:48:57.619 --> 00:49:01.230
pulling that into the mix so bravo on that choice

00:49:01.230 --> 00:49:06.349
when you think about the rap rock or rap metal

00:49:06.349 --> 00:49:10.550
jam bring the noise from anthrax and public enemy

00:49:10.550 --> 00:49:11.989
probably the first song that comes to mind for

00:49:11.989 --> 00:49:14.909
a lot of people at least it does for me the entire

00:49:14.909 --> 00:49:19.130
judgment night soundtrack i would go out on a

00:49:19.130 --> 00:49:21.969
limb and say rock superstar might be the best

00:49:21.969 --> 00:49:28.409
cross -genre mashup yet period wow and even saying

00:49:28.409 --> 00:49:31.590
better than anthrax is bring the noise like it's

00:49:31.590 --> 00:49:36.309
so good and covers so and still to this day that

00:49:36.309 --> 00:49:38.949
song comes on and people lose their ish it's

00:49:38.949 --> 00:49:42.710
you don't hear people playing rap superstar they're

00:49:42.710 --> 00:49:44.829
playing the rock version there's a reason why

00:49:44.829 --> 00:49:48.630
it is that damn good it really is and it crossed

00:49:48.630 --> 00:49:51.130
over i mean the hip -hop stations were playing

00:49:51.130 --> 00:49:53.929
rap superstar at the time like i had mentioned

00:49:53.929 --> 00:49:59.809
but The longevity of rap superstar has not surpassed

00:49:59.809 --> 00:50:03.050
rock superstar that is still played on rock radio

00:50:03.050 --> 00:50:11.269
to this day. And now, damn it. There are so many

00:50:11.269 --> 00:50:19.650
groups that I want to get to. All right. We're

00:50:19.650 --> 00:50:22.710
going rock superstar. We're going to go back

00:50:22.710 --> 00:50:27.139
to 1994. Mike D add rock in the late great MCA

00:50:27.139 --> 00:50:31.139
from ill communication. We got to go sabotage.

00:50:31.280 --> 00:50:35.940
I am so torn right now because part of me wanted

00:50:35.940 --> 00:50:41.079
to bring run DMC into the fold, but sabotage

00:50:41.079 --> 00:50:43.400
just musically comes out of rock superstars,

00:50:43.400 --> 00:50:47.099
like the chef's kiss. So I think just that's

00:50:47.099 --> 00:50:50.239
the end of this side. You just ended the tape.

00:50:51.210 --> 00:50:53.789
Yeah, you scoop me on the Beastie Boys. I had

00:50:53.789 --> 00:50:56.269
no sleep till Brooklyn and girls, depending on

00:50:56.269 --> 00:50:58.809
how much fun we were having with our mix at the

00:50:58.809 --> 00:51:03.829
time. But you can't really have a trio mixtape

00:51:03.829 --> 00:51:07.570
without having the Beastie Boys, like pure iconic

00:51:07.570 --> 00:51:11.550
leaders of the genre. Like, it doesn't matter

00:51:11.550 --> 00:51:15.010
what you were into. You were into the Beastie

00:51:15.010 --> 00:51:18.210
Boys, period. You like rock? You like the Beastie

00:51:18.210 --> 00:51:19.869
Boys. You like rap? You like the Beastie Boys.

00:51:19.949 --> 00:51:22.289
You like pop? You like the Beastie Boys. They

00:51:22.289 --> 00:51:25.710
covered it all. There might be one of the most

00:51:25.710 --> 00:51:30.489
universally loved groups of any genre. Could

00:51:30.489 --> 00:51:33.150
not agree more. And what I will say to that,

00:51:33.250 --> 00:51:37.929
Jason, is there are a lot of beloved trios. And

00:51:37.929 --> 00:51:40.889
I'm going to pitch this to Sean as well, that

00:51:40.889 --> 00:51:43.769
the three of us have left off the table. There's

00:51:43.769 --> 00:51:48.679
only five. picks left you each have two and i'm

00:51:48.679 --> 00:51:51.760
down to one unless i want to throw a curveball

00:51:51.760 --> 00:51:56.460
in here and make this a 21 song mixtape but we

00:51:56.460 --> 00:51:58.980
got a lot of big names we got to check off here

00:51:58.980 --> 00:52:02.260
jason what do you got for track six do we have

00:52:02.260 --> 00:52:06.139
to check them off though ah because i'm i'm thinking

00:52:06.139 --> 00:52:08.940
i'm gonna stay in new york state for this pick

00:52:08.940 --> 00:52:13.199
and a band out of poughkeepsie Chrissy Costanza,

00:52:13.239 --> 00:52:16.400
Dan Gow and Will Ferry. The band is called Against

00:52:16.400 --> 00:52:20.800
the Current. They have this very Paramore vibe

00:52:20.800 --> 00:52:23.739
kind of rock feel to them. So I'm going to go

00:52:23.739 --> 00:52:26.900
with one of their more recent singles, Silent

00:52:26.900 --> 00:52:32.079
Stranger. If you like Paramore and you aren't

00:52:32.079 --> 00:52:33.840
listening to Against the Current, you're missing

00:52:33.840 --> 00:52:36.860
out on something. I'm just waiting for the minute

00:52:36.860 --> 00:52:39.639
when they blow up because it's bound to happen.

00:52:40.199 --> 00:52:44.739
Now, I will. Add this to what you're saying against

00:52:44.739 --> 00:52:51.340
the current is early Paramore, the punk rock

00:52:51.340 --> 00:52:55.219
emo side of the spectrum, the misery business,

00:52:55.340 --> 00:52:59.219
the hallelujah side of Paramore brick by boring

00:52:59.219 --> 00:53:03.639
brick. It's not the news. This is why a little

00:53:03.639 --> 00:53:05.780
bit more of the pop side against the current

00:53:05.780 --> 00:53:09.679
is the early two thousands Paramore at play.

00:53:09.800 --> 00:53:14.250
So I applaud. And I'm starting to sweat like

00:53:14.250 --> 00:53:16.750
key and peel down the side of the face, seeing

00:53:16.750 --> 00:53:20.130
the bands that are not on this list. Sean, against

00:53:20.130 --> 00:53:23.869
the current. I mean, since you mentioned Paramore

00:53:23.869 --> 00:53:26.570
and this is kind of like early Paramore, I'm

00:53:26.570 --> 00:53:28.869
going to go to mid to later Paramore. I'm going

00:53:28.869 --> 00:53:31.690
to choose Paramore and I'm going to go with Hard

00:53:31.690 --> 00:53:35.389
Times because I think Hard Times, it's got that

00:53:35.389 --> 00:53:38.510
kooky early 80s vibe. And it was weird for me

00:53:38.510 --> 00:53:40.429
because it was either going to be Hard Times.

00:53:40.969 --> 00:53:43.630
Or it was going to be Ain't It Fun? Because Ain't

00:53:43.630 --> 00:53:47.730
It Fun has that huge, like, don't go crying to

00:53:47.730 --> 00:53:51.289
your mama. Like the Taylor Dayne. Nah, nah, nah,

00:53:51.369 --> 00:53:55.250
nah, nah, nah, nah, nah. But Hard Times is just,

00:53:55.289 --> 00:53:58.449
it's so kooky and fun that I just wanted to go

00:53:58.449 --> 00:54:01.690
with that. You realize I can't hear that song

00:54:01.690 --> 00:54:05.769
now and not think Taylor Dayne. It's stuck in

00:54:05.769 --> 00:54:09.010
my head now. I will never be able to disassociate

00:54:09.010 --> 00:54:11.820
the two. To the point of Taylor Dayne now needs

00:54:11.820 --> 00:54:15.179
to make a cover of that song. Jason, I'll be

00:54:15.179 --> 00:54:17.179
your shelter. I'll be the one to get you through

00:54:17.179 --> 00:54:22.059
the night. I mean, Paramore is freaking huge.

00:54:22.179 --> 00:54:24.500
And there's obviously there's big questions because

00:54:24.500 --> 00:54:27.340
they completely scrubbed their social media.

00:54:27.360 --> 00:54:28.519
And people are like, whoa, whoa, whoa, whoa,

00:54:28.639 --> 00:54:30.980
whoa. What happened? What happened? I'm sure

00:54:30.980 --> 00:54:32.659
we're probably going to get more Paramore down

00:54:32.659 --> 00:54:36.280
the road. But that early Paramore era is so good.

00:54:36.340 --> 00:54:39.059
I think that's why. I like listening to bands

00:54:39.059 --> 00:54:41.059
like Against the Current. And there's another

00:54:41.059 --> 00:54:42.519
one out of, I think they're out of Australia,

00:54:42.800 --> 00:54:46.139
Tonight Alive. So, so freaking good. But yeah,

00:54:46.199 --> 00:54:50.420
Paramore almost had to be on here as well. Paramore

00:54:50.420 --> 00:54:52.880
is still around. They scrubbed their social network

00:54:52.880 --> 00:54:55.199
as they are no longer attached to a major label.

00:54:55.360 --> 00:54:57.800
They can put out things independently on their

00:54:57.800 --> 00:55:00.519
own. So it's kind of a new start for them. And

00:55:00.519 --> 00:55:03.659
the first thing they put out was a cover of Burning

00:55:03.659 --> 00:55:06.610
Down the House. from an upcoming talking heads

00:55:06.610 --> 00:55:10.730
tribute album. And they do an amazing cover of

00:55:10.730 --> 00:55:16.409
it. It's so much fun. And there is zero way for

00:55:16.409 --> 00:55:18.730
me to come out of hard times and not have it

00:55:18.730 --> 00:55:23.130
be a record scratching pivot. And I don't care.

00:55:23.750 --> 00:55:27.829
There are several bands here that I am literally

00:55:27.829 --> 00:55:31.389
ready to cry that aren't making this list. And

00:55:31.389 --> 00:55:34.869
I have to go with the one that I think is, the

00:55:34.869 --> 00:55:40.309
most egregious one we've left off so far. And

00:55:40.309 --> 00:55:43.369
I'm not going to scoop rush, but dammit, if neither

00:55:43.369 --> 00:55:48.250
one of you pick it at this point, I am going

00:55:48.250 --> 00:55:51.590
to go with the trio of Mitch Mitchell, Noel Redding,

00:55:51.590 --> 00:55:57.670
and Jimi Hendrix. Son of a bitch! Off 1967's

00:55:57.670 --> 00:56:01.019
Are You Experienced. It's the only song that

00:56:01.019 --> 00:56:03.760
has a little bit of a dancey vibe, I'm thinking,

00:56:03.800 --> 00:56:06.920
from Hendrix. Let's go with Fire. You got Mitch

00:56:06.920 --> 00:56:09.400
Mitchell's ridiculous groove that I feel like

00:56:09.400 --> 00:56:14.920
could conceivably be dancey in a way. And obviously,

00:56:15.139 --> 00:56:17.659
if you take the Red Hot Chili Peppers version,

00:56:17.760 --> 00:56:20.559
it is a little bit more dancey. You could also

00:56:20.559 --> 00:56:22.940
take Alice Cooper's version in the 90s, which

00:56:22.940 --> 00:56:26.530
is definitely more rock. You can't think of trios

00:56:26.530 --> 00:56:28.750
and not think of the experience. They're, they're

00:56:28.750 --> 00:56:31.730
one of the ones that really took blues rock to

00:56:31.730 --> 00:56:33.710
a completely other level. And when I listen to

00:56:33.710 --> 00:56:37.670
fire in my brain, I always tell myself that's

00:56:37.670 --> 00:56:43.570
not a trio, but it is. And sorry, Sean, you scooped

00:56:43.570 --> 00:56:52.820
my closer. Oh, how dare you son of a gun. So,

00:56:52.860 --> 00:56:56.139
Jason, we're down to you and Sean each having

00:56:56.139 --> 00:56:59.579
one pick of the night. And now I scoop Sean's

00:56:59.579 --> 00:57:01.780
closer, which I apologize for. But I don't know

00:57:01.780 --> 00:57:03.480
that it was going to be as closer. We don't talk

00:57:03.480 --> 00:57:07.679
about this stuff. So I guess we're playing Rush

00:57:07.679 --> 00:57:16.460
roulette for your last choice. Where do I go

00:57:16.460 --> 00:57:23.380
from fire? Do I pull the trigger on the Rush

00:57:23.380 --> 00:57:27.780
Roulette, or do I go a different direction? What

00:57:27.780 --> 00:57:31.340
are you talking about, eh? No, you know what?

00:57:32.139 --> 00:57:38.019
I'm going to go in a different direction. What?

00:57:38.340 --> 00:57:43.039
And I'm going to go with a band that I have listened

00:57:43.039 --> 00:57:46.139
to countless times, cover one or two of their

00:57:46.139 --> 00:57:51.349
songs, Kevin Griffin. tom drummond and travis

00:57:51.349 --> 00:57:53.889
mcnabb and then later replaced by michael jerome

00:57:53.889 --> 00:57:57.530
i'm talking about better than ezra and i think

00:57:57.530 --> 00:58:01.190
i'm gonna go with the king of new orleans off

00:58:01.190 --> 00:58:04.590
of their friction baby album yeah i could have

00:58:04.590 --> 00:58:07.849
gone with something off of deluxe i i was gonna

00:58:07.849 --> 00:58:12.010
pick either good or maybe rosalita because baseball

00:58:12.010 --> 00:58:15.889
fans tampa bay baseball fans i'm gonna break

00:58:15.889 --> 00:58:19.610
your brain a little bit here Go listen to Rosalita

00:58:19.610 --> 00:58:22.349
by Better Than Ezra off their deluxe album and

00:58:22.349 --> 00:58:24.110
get to the end of the song where they kind of

00:58:24.110 --> 00:58:28.710
do this kind of flamenco Rosale, Rosalea at the

00:58:28.710 --> 00:58:33.849
end. Randy or Rosarena, baseball player for the

00:58:33.849 --> 00:58:37.050
Tampa Bay Rays. If you're not listening to Rosalea

00:58:37.050 --> 00:58:39.570
at the end of that song and not hearing Randy

00:58:39.570 --> 00:58:41.969
or Rosarena in your head, you're listening to

00:58:41.969 --> 00:58:45.030
that song wrong. But for this, I'm going to go

00:58:45.030 --> 00:58:48.340
with King of New Orleans. friction baby i think

00:58:48.340 --> 00:58:51.659
is not doesn't get the love it deserves i had

00:58:51.659 --> 00:58:53.500
a couple of better than ezra songs and better

00:58:53.500 --> 00:58:54.920
than ezra is definitely one of the bands i was

00:58:54.920 --> 00:58:57.239
hoping to get in here so i'm going to shoehorn

00:58:57.239 --> 00:59:03.079
it in king of new orleans i am shocked to hear

00:59:03.079 --> 00:59:05.659
this i had better than ezra on my list i had

00:59:05.659 --> 00:59:08.579
closer on my list if we were going to slow things

00:59:08.579 --> 00:59:11.940
down but right now i can't even think of what

00:59:11.940 --> 00:59:16.280
to say because Sean had so graciously opened

00:59:16.280 --> 00:59:19.239
the rush door at the beginning of the episode

00:59:19.239 --> 00:59:25.519
and somehow the bluff was called and it has gone

00:59:25.519 --> 00:59:28.789
right back to Sean. I sold the tea party. I had

00:59:28.789 --> 00:59:31.969
to give him something. No, but I don't even have

00:59:31.969 --> 00:59:35.250
a single Rush song written down on my list. That's

00:59:35.250 --> 00:59:39.369
how much I was giving Rush to you. You guys are

00:59:39.369 --> 00:59:41.949
all so busy being nice to each other and passing

00:59:41.949 --> 00:59:46.130
Rush back and forth. Sean, you are now left with

00:59:46.130 --> 00:59:50.550
a closer. And yeah, do you pick Rush or one of

00:59:50.550 --> 00:59:53.590
the other trio bands that we have sadly left

00:59:53.590 --> 00:59:57.000
off this list? Because there are a bunch. I need

00:59:57.000 --> 00:59:59.179
to chime in before he gets his pick in. When

00:59:59.179 --> 01:00:01.119
two people are sitting there and they're being

01:00:01.119 --> 01:00:03.340
so polite to each other that nothing gets done,

01:00:03.519 --> 01:00:07.519
this is known as the Canadian standoff. I know,

01:00:07.579 --> 01:00:09.659
and we're going to be ultra polite about it because

01:00:09.659 --> 01:00:12.320
it's a Canadian standoff. And we'll apologize

01:00:12.320 --> 01:00:14.380
to each other afterwards for having a Canadian

01:00:14.380 --> 01:00:16.559
standoff. You have a dick. No, you have a dick.

01:00:19.780 --> 01:00:25.619
All right, Sean, you're up. I mean, this isn't...

01:00:25.880 --> 01:00:28.880
just about Rush. This is, it's about closing

01:00:28.880 --> 01:00:32.280
out a tape. It's closing out a mixtape of trios.

01:00:32.940 --> 01:00:36.099
And everybody knows the three of us, Rush, Rush,

01:00:36.219 --> 01:00:39.159
Rush, Rush, Rush. We all love Rush. Holy crap.

01:00:39.340 --> 01:00:43.360
Wow. But I think about like, what's a cool closer,

01:00:43.679 --> 01:00:46.460
like a cool album closer. And you went with Better

01:00:46.460 --> 01:00:49.300
Than Ezra, you went more of the pop route. Not

01:00:49.300 --> 01:00:51.460
that I'm accusing them of being pop, but you

01:00:51.460 --> 01:00:53.519
meant more that route than you went the prog

01:00:53.519 --> 01:00:58.449
rock route, or then you went The deep cut, here's

01:00:58.449 --> 01:01:02.130
Livia Strongiato. Here's 17 parts of my nightmare

01:01:02.130 --> 01:01:07.570
that I'm actually also going to pass up on Rush.

01:01:07.829 --> 01:01:12.050
Whoa! What a great album closer this is because

01:01:12.050 --> 01:01:14.369
it has one of my favorite lines in the song ever.

01:01:14.829 --> 01:01:17.730
And the song itself is only two chords, which

01:01:17.730 --> 01:01:21.510
was recently used by Michael Giacchino to score.

01:01:22.059 --> 01:01:25.420
a Matt Reeves film. And the lyric is, it's okay

01:01:25.420 --> 01:01:28.360
to eat fish because they don't have any feelings.

01:01:28.920 --> 01:01:31.659
Going to go with Something in the Way by Nirvana,

01:01:31.739 --> 01:01:35.400
which is also my all -time favorite Nirvana song.

01:01:35.699 --> 01:01:38.739
I freaking love that pick. You actually scooped

01:01:38.739 --> 01:01:42.320
me on the pick. No, no, I didn't because you

01:01:42.320 --> 01:01:44.900
were done already. You were done already. I scooped

01:01:44.900 --> 01:01:48.059
you on nothing. You took Tea Party from me. I

01:01:48.059 --> 01:01:50.329
scooped nothing from you. that's right i took

01:01:50.329 --> 01:01:52.829
the tea party i'm not giving them back you stay

01:01:52.829 --> 01:01:56.949
silent always knowing in time but yeah no like

01:01:56.949 --> 01:01:58.570
i freaking love this song i used to play this

01:01:58.570 --> 01:02:01.150
when i was with the band photo perfume in ottawa

01:02:01.150 --> 01:02:05.929
such a fun fun good song to play like oh absolutely

01:02:05.929 --> 01:02:09.949
and yeah like the version that they used to basically

01:02:09.949 --> 01:02:14.800
score the batman It was just so epic. It just

01:02:14.800 --> 01:02:17.019
sucked you right in. What Michael Giacchino did

01:02:17.019 --> 01:02:19.639
with those two cores and just how he played with

01:02:19.639 --> 01:02:23.699
the roots is just genius. And it's three hours

01:02:23.699 --> 01:02:28.860
of just mood. That's a very dark movie, and it's

01:02:28.860 --> 01:02:33.019
a very moody movie. And Giacchino and the late

01:02:33.019 --> 01:02:36.039
Kurt Cobain have a lot to do with that. All right.

01:02:36.059 --> 01:02:39.329
I don't know about you guys, but... myself probably

01:02:39.329 --> 01:02:42.289
along with everybody listening right now has

01:02:42.289 --> 01:02:44.409
not heard the last two minutes of what you guys

01:02:44.409 --> 01:02:46.289
were talking about because they're probably screaming

01:02:46.289 --> 01:02:49.309
and throwing things and having an absolute fit

01:02:49.309 --> 01:02:53.809
as much as i love the song something in the way

01:02:53.809 --> 01:02:57.030
by nirvana and as much as i had breed in my list

01:02:58.030 --> 01:03:01.050
You guys each had seven songs, and I only had

01:03:01.050 --> 01:03:04.769
six, so I'm pulling an audible. We cannot and

01:03:04.769 --> 01:03:08.469
will not have a Trios mixtape without having

01:03:08.469 --> 01:03:11.070
a Rush song in it. So is it going to be Bytor

01:03:11.070 --> 01:03:13.110
and the Snow Dog? Close. It's going to be one

01:03:13.110 --> 01:03:15.570
you mentioned, and I'm going with LaVilla Strangiato

01:03:15.570 --> 01:03:18.269
to close this thing out tonight. My favorite

01:03:18.269 --> 01:03:21.409
all -time Rush song. We have a fantastic episode

01:03:21.409 --> 01:03:24.730
featuring Steve from the Something for Nothing

01:03:24.730 --> 01:03:28.860
podcast. Ultimate Rush playlist. I highly suggest

01:03:28.860 --> 01:03:31.940
going back and getting all of your Rush, Phil,

01:03:32.019 --> 01:03:34.460
that we unfortunately did not provide tonight.

01:03:34.639 --> 01:03:37.800
I am still absolutely shocked about this one.

01:03:38.119 --> 01:03:41.300
And yeah, I'm kind of at a loss for words, which

01:03:41.300 --> 01:03:45.079
doesn't happen very often. Damn it. Man, speaking

01:03:45.079 --> 01:03:47.920
of going from a dark mood to like a dark nightmare.

01:03:49.949 --> 01:03:52.690
yeah we played musical chicken and we crashed

01:03:52.690 --> 01:03:55.949
both cars leaving it to you to pick up the pieces

01:03:56.909 --> 01:03:59.030
Right now, there's someone in the car screaming

01:03:59.030 --> 01:04:01.550
at their stereo while listening to this. Where's

01:04:01.550 --> 01:04:03.349
the Rush? And people are like, oh, crap, road

01:04:03.349 --> 01:04:06.670
rage. I was going to be a real Richard Cranium,

01:04:06.730 --> 01:04:08.969
and I was going to go with Lifehouse, you and

01:04:08.969 --> 01:04:12.090
me. Because then there would have been no Nirvana

01:04:12.090 --> 01:04:14.510
and no Rush. And people would be like, all right,

01:04:14.530 --> 01:04:16.610
Sean Faust, done with him. Right now, there's

01:04:16.610 --> 01:04:19.349
a bunch of Triumph fans going, why? Why not us?

01:04:19.429 --> 01:04:24.380
Why not us? Well, there you have it, folks. Side

01:04:24.380 --> 01:04:27.320
B of our ultimate trios mixtape, which kicked

01:04:27.320 --> 01:04:30.500
off with Blue Murder, We All Fall Down, Motorhead,

01:04:30.619 --> 01:04:33.400
Ace of Spades, The Tea Party, Paint It Black,

01:04:33.760 --> 01:04:37.880
Cypress Hill, Rock Superstar, Beastie Boys, Sabotage,

01:04:37.960 --> 01:04:41.090
Against the Current, Silent Stranger. paramour

01:04:41.090 --> 01:04:44.949
hard times jimmy hendrix experience fire better

01:04:44.949 --> 01:04:48.829
than ezra king of new orleans nirvana's something

01:04:48.829 --> 01:04:52.329
in the way and then the bonus track that had

01:04:52.329 --> 01:04:55.670
to be done rush la villa strangiato gentlemen

01:04:55.670 --> 01:04:58.530
seriously i feel like this is at the same level

01:04:58.530 --> 01:05:02.949
of like a wwe heel turn not having rush on this

01:05:02.949 --> 01:05:08.400
playlist well you know brother And that's what

01:05:08.400 --> 01:05:12.820
the Sean is cooking. Oh, you want to pick the

01:05:12.820 --> 01:05:14.780
rush? You're not going to pick the rush because

01:05:14.780 --> 01:05:18.420
the macho man is not going to go there. Oh, no.

01:05:22.780 --> 01:05:26.179
And we are off the rails. Gentlemen, thank you

01:05:26.179 --> 01:05:28.860
so much for joining me tonight. Absolute pleasure.

01:05:28.940 --> 01:05:31.179
This was so much fun. And I enjoyed stealing

01:05:31.179 --> 01:05:33.539
the tea party. I'm sorry, Sean. Thank you, Brian,

01:05:33.719 --> 01:05:36.739
for having me. I'd like to thank our other guests

01:05:36.739 --> 01:05:42.260
for existing. Jason, Jason, I like you too. Thank

01:05:42.260 --> 01:05:44.599
you for stealing the tea party from me. I'm going

01:05:44.599 --> 01:05:47.199
to go and listen to Edge of Twilight and smash

01:05:47.199 --> 01:05:49.820
my head against the wall. Why did I choose it

01:05:49.820 --> 01:05:54.969
first? And remember, Mixtapers, you can find

01:05:54.969 --> 01:05:57.510
My Weekly Mixtape on almost all the social media

01:05:57.510 --> 01:06:01.030
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01:06:01.030 --> 01:06:03.610
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01:06:03.610 --> 01:06:07.090
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01:06:07.090 --> 01:06:08.469
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01:06:08.469 --> 01:06:11.480
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01:06:11.480 --> 01:06:13.559
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01:06:24.360 --> 01:06:28.760
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01:06:28.760 --> 01:06:30.579
all for this week. Thanks again for listening,

01:06:30.639 --> 01:06:32.900
and until next time, enjoy the tunes.