WEBVTT 00:00:10.699 --> 00:00:13.599 Welcome to My Weekly Mixtape, a podcast that 00:00:13.599 --> 00:00:16.579 takes the classic mixtape approach to building 00:00:16.579 --> 00:00:19.339 a modern playlist. I'm your host, Brian Colburn. 00:00:19.460 --> 00:00:22.320 Joining me once again as guest curator is fellow 00:00:22.320 --> 00:00:25.199 Pantheon Podcast Network mate, Jason Whistle, 00:00:25.320 --> 00:00:28.079 host of the It's Not That Bad and There Can Only 00:00:28.079 --> 00:00:30.579 Be One podcast. Jason, welcome back, my friend. 00:00:30.780 --> 00:00:33.340 You know, it's funny. I was listening to one 00:00:33.340 --> 00:00:37.219 of your older episodes, the underrated 90s rock 00:00:37.219 --> 00:00:40.770 episode that you had Jay Sweet on. And he mentioned 00:00:40.770 --> 00:00:42.890 something about the five -timer club, and there 00:00:42.890 --> 00:00:45.350 were some board shorts involved. So I'm wondering, 00:00:45.490 --> 00:00:48.090 I'm pretty darn skippy. This might be number 00:00:48.090 --> 00:00:50.049 five. So I'm wondering when the board shorts 00:00:50.049 --> 00:00:52.369 are going to come across the border. Oh, I have 00:00:52.369 --> 00:00:54.950 to see about that. Import charges are very expensive 00:00:54.950 --> 00:00:57.009 for board shorts, apparently, because you guys 00:00:57.009 --> 00:01:01.850 don't have many places to use them. I'm sure 00:01:01.850 --> 00:01:05.109 I can bring a bucket of sand near a puddle somewhere. 00:01:06.349 --> 00:01:09.230 Well, I appreciate you coming back once again. 00:01:09.930 --> 00:01:12.349 Over those times you've been on the show, Jason, 00:01:12.450 --> 00:01:16.489 we have covered a ton of genres and topics. But 00:01:16.489 --> 00:01:18.349 every now and then I want to have just a little 00:01:18.349 --> 00:01:20.810 bit of fun with the concept of what my weekly 00:01:20.810 --> 00:01:24.590 mixtape is about. See episode 24, the ultimate 00:01:24.590 --> 00:01:27.629 summer cookout and barbecue playlist with a twist, 00:01:27.769 --> 00:01:31.239 where on that episode we didn't. actually put 00:01:31.239 --> 00:01:34.379 together a playlist to use at a summer cookout 00:01:34.379 --> 00:01:37.579 or barbecue, but instead chose songs that had 00:01:37.579 --> 00:01:40.620 to be something you would eat or drink at a cookout 00:01:40.620 --> 00:01:44.019 or barbecue. So today's topic is a little bit 00:01:44.019 --> 00:01:47.159 along those lines because recently I was on a 00:01:47.159 --> 00:01:49.200 road trip with the family and a few songs came 00:01:49.200 --> 00:01:53.799 on in a row where the word, whoa, was either 00:01:53.799 --> 00:01:57.859 featured as a lyric in the song or used as a 00:01:57.859 --> 00:02:01.430 part of the song's melody. And it happened song 00:02:01.430 --> 00:02:05.689 after song. I said, this could be a topic. Now, 00:02:05.730 --> 00:02:08.370 Jay, we've talked about, like I said, a lot of 00:02:08.370 --> 00:02:11.009 different things over the episodes you've been 00:02:11.009 --> 00:02:13.810 on my show and vice versa. This might be one 00:02:13.810 --> 00:02:15.789 of the more unique themes we've tackled here. 00:02:15.990 --> 00:02:19.229 Well, I'd like to say that I may be uniquely 00:02:19.229 --> 00:02:23.129 qualified for this episode because much like 00:02:23.129 --> 00:02:26.569 Keanu Reeves, I am Canadian. I'm a bassist. So 00:02:26.569 --> 00:02:28.009 I'm going to get this out of my system right 00:02:28.009 --> 00:02:31.610 now. Whoa. we'll get that out of the system now 00:02:31.610 --> 00:02:34.430 i'll try not to keanu reeves all over the place 00:02:34.430 --> 00:02:37.370 here but i was actually really fascinated when 00:02:37.370 --> 00:02:40.629 you tossed this to me because like you i kind 00:02:40.629 --> 00:02:43.030 of like to go a little bit extra so i have spent 00:02:43.030 --> 00:02:46.909 the last week or so going through artists and 00:02:46.909 --> 00:02:51.229 lyrics and specifically looking for whoa as in 00:02:51.229 --> 00:02:55.610 not wow not oh i'm not gonna rick flair here 00:02:55.610 --> 00:03:00.960 and go I'm also not going to go ooh -ee, ooh 00:03:00.960 --> 00:03:03.860 -ah -ah, or ting -tang, or walla -walla -bing 00:03:03.860 --> 00:03:06.280 -bang. So I guess the witch doctor is kind of 00:03:06.280 --> 00:03:09.539 out of the question on this. Specifically looking 00:03:09.539 --> 00:03:15.020 for woes. And I know you, playing in Colbert 00:03:15.020 --> 00:03:17.240 and Company, I'm sure you have a few woe songs 00:03:17.240 --> 00:03:19.680 in your set list. Oh, of course. And it works 00:03:19.680 --> 00:03:23.139 as an exclamation. It works as a lyric. It kind 00:03:23.139 --> 00:03:26.330 of works as a feeling as well. Yeah. And just 00:03:26.330 --> 00:03:29.150 like you, as I was going through this, see, this 00:03:29.150 --> 00:03:31.409 is why I bring you on the show, Jay, because 00:03:31.409 --> 00:03:34.770 as I was going through my songs, I actually went 00:03:34.770 --> 00:03:38.050 into Apple Music's lyric feature and was looking 00:03:38.050 --> 00:03:42.710 for the whoa. If you don't have a you don't have 00:03:42.710 --> 00:03:46.849 a whoa. So there are certain songs like Baltimore's 00:03:46.849 --> 00:03:49.490 Tarzan Boy, which immediately came into my mind. 00:03:49.840 --> 00:03:51.879 Because I thought the Tarzan call in the opening 00:03:51.879 --> 00:03:54.919 of the song was, whoa, and it's actually, oh. 00:03:55.300 --> 00:03:57.659 And now that I've heard myself say that sentence, 00:03:57.740 --> 00:04:00.020 I can officially say that we have gone off the 00:04:00.020 --> 00:04:02.500 rails already here. Well, it's funny because 00:04:02.500 --> 00:04:05.659 as I was getting home from work on the way to 00:04:05.659 --> 00:04:09.620 record today, White Lightning from Def Leppard 00:04:09.620 --> 00:04:12.659 came on and I was like, oh, okay, cool. There's 00:04:12.659 --> 00:04:14.500 a whoa in there. And then I look at the lyrics 00:04:14.500 --> 00:04:17.079 like. No, they're singing Run. I can't use that. 00:04:19.240 --> 00:04:21.259 I'm like, White Lightning, Def Leppard, I love 00:04:21.259 --> 00:04:23.540 that song. Look at the lyrics. Can't use that 00:04:23.540 --> 00:04:27.740 song. Okay, delete, delete, delete. Well, let's 00:04:27.740 --> 00:04:30.220 get down to business tonight. As I mentioned 00:04:30.220 --> 00:04:33.459 at the top of the show, Jason and I will be curating 00:04:33.459 --> 00:04:37.290 the ultimate woe. mixtape and we'll use the old 00:04:37.290 --> 00:04:40.269 cassette deck approach jason as my special guest 00:04:40.269 --> 00:04:42.910 will begin side a with his first song choice 00:04:42.910 --> 00:04:45.829 and then i'll add a song that i feel best follows 00:04:45.829 --> 00:04:48.189 up that choice we'll then flip -flop choosing 00:04:48.189 --> 00:04:51.550 songs until we've mapped out 10 songs for side 00:04:51.550 --> 00:04:54.449 a we'll then give our mixtape a proverbial flip 00:04:54.449 --> 00:04:56.769 and we'll map outside be only this time i'll 00:04:56.769 --> 00:04:59.629 kick things off with jason choosing second our 00:04:59.629 --> 00:05:01.990 overall goal for the episode is to craft the 00:05:01.990 --> 00:05:06.560 best Whoa. Mixtape possible through only 20 songs. 00:05:06.819 --> 00:05:09.079 At the end of the show, you can take our conversation 00:05:09.079 --> 00:05:11.839 to the next level by visiting the episode page 00:05:11.839 --> 00:05:15.399 at myweeklymixtape .com to give our final mixtape 00:05:15.399 --> 00:05:18.560 a listen via the embedded playlist. And if you 00:05:18.560 --> 00:05:19.980 like what you're hearing on the show, you can 00:05:19.980 --> 00:05:22.300 help me out by either telling a friend, leaving 00:05:22.300 --> 00:05:24.220 the show a five -star review wherever you're 00:05:24.220 --> 00:05:27.519 tuning in, or becoming a Patreon mixtaper at 00:05:27.519 --> 00:05:31.670 patreon .com forward slash myweeklymixtape. And 00:05:31.670 --> 00:05:33.870 a few of the Patreon mixtapers chimed in with 00:05:33.870 --> 00:05:36.870 the songs that make them go, whoa. And I want 00:05:36.870 --> 00:05:38.470 to give a quick shout out to a few of those. 00:05:39.069 --> 00:05:42.250 Philip Bergman chimed in with U2's With or Without 00:05:42.250 --> 00:05:45.569 You. Ben from the Too Vague podcast chimed in 00:05:45.569 --> 00:05:48.850 with Van Halen's Hot for Teacher. Sean Goff chimed 00:05:48.850 --> 00:05:51.110 in with what he calls two fun retro sounding 00:05:51.110 --> 00:05:54.709 songs from Butch Walker going with either Synthesizers 00:05:54.709 --> 00:05:57.769 or Summer of 89 because he couldn't decide between 00:05:57.769 --> 00:06:00.759 the two. Tom Hutchinson chimed in with Jimmy 00:06:00.759 --> 00:06:03.660 Eat World's Sweetness, saying it's the best he's 00:06:03.660 --> 00:06:06.920 got for this difficult of a task. Chad LaMassa 00:06:06.920 --> 00:06:09.459 chimed in with Fallout Boys, My Songs Know What 00:06:09.459 --> 00:06:12.839 You Did in the Dark. Seeker chimed in with Toto's 00:06:12.839 --> 00:06:15.660 Hold the Line. And Christopher Stile chimed in 00:06:15.660 --> 00:06:19.139 with Paramore's Woe and Eraser's Love to Hate 00:06:19.139 --> 00:06:21.540 You. Once again, if you'd like to chime in for 00:06:21.540 --> 00:06:24.379 future My Weekly Mixtape episodes, come join 00:06:24.379 --> 00:06:27.160 the fellow mixtapers at patreon .com forward 00:06:27.160 --> 00:06:31.220 slash. my weekly mixtape. Now, Jason, if Kesha 00:06:31.220 --> 00:06:33.579 was here with us, she would announce right now 00:06:33.579 --> 00:06:37.720 that this place about to woe. Now, after everyone's 00:06:37.720 --> 00:06:40.399 done cringing and moaning at that, you can go 00:06:40.399 --> 00:06:43.759 ahead and start with the first track to get us 00:06:43.759 --> 00:06:48.339 woeing right along. Well, I'm going to. put a 00:06:48.339 --> 00:06:51.480 woe to any expectations that people may have 00:06:51.480 --> 00:06:53.839 figured of songs that i would pick first because 00:06:53.839 --> 00:06:56.639 you know i've been on a few times and i'd like 00:06:56.639 --> 00:06:58.899 to bring the rock i like to bring the hard stuff 00:06:58.899 --> 00:07:03.500 but no no no no i'm bringing the country right 00:07:03.500 --> 00:07:06.920 off the bat i'm bringing a song off of the ever 00:07:06.920 --> 00:07:10.959 the bridesmaid my cover band set list and we're 00:07:10.959 --> 00:07:14.620 going to start with man i feel like a woman by 00:07:14.620 --> 00:07:19.370 shania twain nice it's a little staccato whoa 00:07:19.370 --> 00:07:24.370 because it's what oh but everywhere i go and 00:07:24.370 --> 00:07:28.449 every time every city we play this song in guaranteed 00:07:28.449 --> 00:07:32.189 to go over no matter what we were actually playing 00:07:32.189 --> 00:07:36.089 in hamilton recently and we had an encore for 00:07:36.089 --> 00:07:37.889 the first set we had to fill the first set a 00:07:37.889 --> 00:07:39.810 little bit so we told ask the crowds like would 00:07:39.810 --> 00:07:42.889 you like to hear the time warp from the rocky 00:07:42.889 --> 00:07:45.370 horror picture show Or would you like to hear 00:07:45.370 --> 00:07:48.550 some Shania Twain? And damned if they weren't 00:07:48.550 --> 00:07:50.730 ready for their Shania and they freaking love 00:07:50.730 --> 00:07:54.350 that song goes over every time. So, man, I feel 00:07:54.350 --> 00:07:56.389 like a woman to get us off on a country start. 00:07:56.649 --> 00:07:59.509 I love where you're going with that. And thank 00:07:59.509 --> 00:08:02.430 you for actually saying the whoa, oh, oh, because, 00:08:02.629 --> 00:08:06.040 you know. It's a different delivery of the word 00:08:06.040 --> 00:08:08.420 of the day. I feel like this is like a Pee Wee's 00:08:08.420 --> 00:08:10.399 Playhouse episode where when the word of the 00:08:10.399 --> 00:08:12.980 day happens, everybody screams and yells. And 00:08:12.980 --> 00:08:15.759 that's if you guys are playing at home or in 00:08:15.759 --> 00:08:17.579 your car, why don't you do that? Every time one 00:08:17.579 --> 00:08:19.759 of us say, whoa, everyone just starts screaming 00:08:19.759 --> 00:08:21.980 wherever you're at. Thank God you went with the 00:08:21.980 --> 00:08:23.720 Pee Wee's Playhouse thing, because if you turn 00:08:23.720 --> 00:08:26.620 this into a drinking game, your entire audience 00:08:26.620 --> 00:08:29.009 will be drunk by the end of Side A. I was about 00:08:29.009 --> 00:08:31.550 to say probably by the end of the song. And that's 00:08:31.550 --> 00:08:33.629 a great pick, man. You know, first time you're 00:08:33.629 --> 00:08:35.850 talking about Shania Twain, but not the first 00:08:35.850 --> 00:08:38.230 time we're talking about Shania Twain, because 00:08:38.230 --> 00:08:41.509 she also came up in the Ultimate 90s Canadian 00:08:41.509 --> 00:08:44.230 Artists playlist. And that was a song I chose 00:08:44.230 --> 00:08:46.830 that time. So this is actually the second time 00:08:46.830 --> 00:08:51.139 we're talking Shania, only it's just you. This 00:08:51.139 --> 00:08:53.179 song was where she was definitely going more 00:08:53.179 --> 00:08:56.799 into the pop side of things. And it really just 00:08:56.799 --> 00:08:59.600 crossed over so well. And I think that crossover 00:08:59.600 --> 00:09:02.379 is what gave it such longevity when you think 00:09:02.379 --> 00:09:05.679 about the fact that here in 2024, people are 00:09:05.679 --> 00:09:08.460 still going nuts when your band plays it. That 00:09:08.460 --> 00:09:12.879 just shows that this song has a legacy well beyond 00:09:12.879 --> 00:09:16.960 what she did in the 90s. So great pick and obviously 00:09:16.960 --> 00:09:23.450 an iconic woe. Man, following that up. I'm not 00:09:23.450 --> 00:09:25.269 going to lie. I don't have much country in my 00:09:25.269 --> 00:09:28.970 list, but I think I can tap into that crossover 00:09:28.970 --> 00:09:31.870 appeal I was just talking about. So what I'm 00:09:31.870 --> 00:09:33.490 going to do is I'm going to go with a song that 00:09:33.490 --> 00:09:36.370 is poppy with a little bit of country as well. 00:09:36.750 --> 00:09:40.090 But I'm going to fast forward up to 2013 and 00:09:40.090 --> 00:09:44.870 I'm going to go off of Global Meltdown, Mr. 305, 00:09:45.250 --> 00:09:50.320 Pitbull featuring Kesha and Timber. Number one 00:09:50.320 --> 00:09:53.740 on the U S billboard, hot 100. And if you look 00:09:53.740 --> 00:09:56.159 up the lyrics, there are a lot of O's in the 00:09:56.159 --> 00:09:59.860 song, but the post chorus is whoa. Oh, timber. 00:10:00.159 --> 00:10:03.779 Whoa. Oh, timber. No, I'm not going to attempt 00:10:03.779 --> 00:10:07.200 to sing Kesha, but this totally works for it. 00:10:07.220 --> 00:10:09.960 And it keeps that dance vibe going. It's the 00:10:09.960 --> 00:10:12.100 only thing even close to country I've got in 00:10:12.100 --> 00:10:14.940 my list. So damn it. You better move us closer 00:10:14.940 --> 00:10:18.899 to rock coming out of this one. But you know 00:10:18.899 --> 00:10:21.620 what's funny? I think I actually have the perfect 00:10:21.620 --> 00:10:25.480 bridge song for that. And you may have to correct 00:10:25.480 --> 00:10:27.080 me on this, but I think this might be the first 00:10:27.080 --> 00:10:31.179 time that this artist may have ended up on a 00:10:31.179 --> 00:10:34.919 My Weekly mixtape. You have my attention. I'm 00:10:34.919 --> 00:10:40.000 gonna go with Another Way Out by Hollywood Undead. 00:10:40.279 --> 00:10:43.679 This song is actually one of their more tamer 00:10:43.679 --> 00:10:48.299 songs as far as... profanity and you know mature 00:10:48.299 --> 00:10:51.860 lyrics in their song but it's got a very good 00:10:51.860 --> 00:10:55.740 driving almost that mix between rock and dance 00:10:55.740 --> 00:10:58.500 club vibe and I freaking love Hollywood Undead 00:10:58.500 --> 00:11:00.679 I'm gonna get a chance to see them again live 00:11:00.679 --> 00:11:02.779 this summer I've seen them live a few times now 00:11:02.779 --> 00:11:05.240 this is off their notes from the underground 00:11:05.240 --> 00:11:08.559 album so if you like Hollywood Undead this is 00:11:08.559 --> 00:11:11.679 actually a good introduction song like because 00:11:11.679 --> 00:11:13.500 there are some Hollywood Undead songs where if 00:11:13.500 --> 00:11:16.000 you throw that as the first Hollywood undead 00:11:16.000 --> 00:11:17.480 song for someone to listen to they'd be like 00:11:17.480 --> 00:11:20.340 whoa I'm out another way out is a good way to 00:11:20.340 --> 00:11:23.000 ease someone into the Hollywood undead vibe and 00:11:23.000 --> 00:11:27.759 they slay live they're on tour this summer with 00:11:27.759 --> 00:11:29.799 I prevail so if you get a chance to go check 00:11:29.799 --> 00:11:32.759 them out by all means do so Yeah, when you first 00:11:32.759 --> 00:11:34.840 said Hollywood Undead, my brain went, where the 00:11:34.840 --> 00:11:36.620 hell is he going with this one? Because a lot 00:11:36.620 --> 00:11:40.779 of the stuff is definitely not PG by any stretch 00:11:40.779 --> 00:11:43.340 of the imagination, but they're a hell of a group 00:11:43.340 --> 00:11:46.519 and they've had some longevity because I remember 00:11:46.519 --> 00:11:50.879 they've been around for a long time now and consistently 00:11:50.879 --> 00:11:53.700 putting out music and consistently touring. I 00:11:53.700 --> 00:11:56.039 will say, too, during the pandemic, because we 00:11:56.039 --> 00:12:00.059 were all kind of starved for live music. Some 00:12:00.059 --> 00:12:02.190 of the bands. got out there and they started 00:12:02.190 --> 00:12:05.750 doing live pay -per -view basically like live 00:12:05.750 --> 00:12:08.429 stream pay for the concert and you know what 00:12:08.429 --> 00:12:12.889 it meant supporting the band i got three of those 00:12:12.889 --> 00:12:16.669 pandemic live stream pay -per -view type concerts 00:12:16.669 --> 00:12:20.269 the first one was the anthrax 40th anniversary 00:12:20.269 --> 00:12:23.870 because nice naturally the second one was the 00:12:23.870 --> 00:12:26.730 nixons because naturally that's what i would 00:12:26.730 --> 00:12:30.029 do hollywood undead put out a phenomenal one 00:12:30.639 --> 00:12:33.259 it was totally worth the money and filled that 00:12:33.259 --> 00:12:36.820 live music gap that i was missing during those 00:12:36.820 --> 00:12:39.879 years where live music was not happening i was 00:12:39.879 --> 00:12:42.299 doing a bunch of those as well between the dropkick 00:12:42.299 --> 00:12:45.440 murphys doing several that were free and then 00:12:45.440 --> 00:12:49.250 some that were paid Corey Taylor did a forum 00:12:49.250 --> 00:12:52.190 one that was live. That was really good. I ordered 00:12:52.190 --> 00:12:54.509 two or three of Blackberry Smokes. If you're 00:12:54.509 --> 00:12:56.750 a fan of Southern Rock, they are one of my absolute 00:12:56.750 --> 00:12:59.330 favorites. And they put on an incredible live 00:12:59.330 --> 00:13:02.289 show. At the time, that was like it felt like 00:13:02.289 --> 00:13:03.830 an event, even though you were still sitting 00:13:03.830 --> 00:13:05.509 in the same living room you had been the whole 00:13:05.509 --> 00:13:07.789 time. Oh, yeah. The lights are out. The TV was 00:13:07.789 --> 00:13:10.929 on and the speakers were up. Yes. So what I'm 00:13:10.929 --> 00:13:13.049 going to do now is bring the first pick from 00:13:13.049 --> 00:13:16.169 a. patreon mixtaper into the fold here because 00:13:16.169 --> 00:13:18.450 i think coming out of hollywood undead it actually 00:13:18.450 --> 00:13:22.070 really works and i'm gonna go with fallout boys 00:13:22.070 --> 00:13:23.909 my songs know what you did in the dark light 00:13:23.909 --> 00:13:26.830 them up shout out to patreon mixtaper chad lamasa 00:13:26.830 --> 00:13:29.049 this one reached number 13 on the billboard us 00:13:29.049 --> 00:13:32.950 hot 100 and i'm not gonna lie this is not the 00:13:32.950 --> 00:13:36.269 punk rock fallout boy that you got in the early 00:13:36.269 --> 00:13:38.690 days with sugar we're going down and dance dance 00:13:38.690 --> 00:13:41.529 and america's sweethearts this is definitely 00:13:41.529 --> 00:13:46.139 a poppier side of the band but for some reason 00:13:46.139 --> 00:13:49.399 this song the first time i heard it i said you 00:13:49.399 --> 00:13:51.899 know i'm not necessarily a massive fan of the 00:13:51.899 --> 00:13:54.659 pop side of fallout boy i said but this one is 00:13:54.659 --> 00:13:58.440 different and i haven't been to a sporting event 00:13:58.440 --> 00:14:01.019 since that song is released that i haven't heard 00:14:01.019 --> 00:14:04.059 it so it's kind of transitioned into a stadium 00:14:04.059 --> 00:14:07.970 anthem of the modern day oh absolutely and I 00:14:07.970 --> 00:14:10.850 will say you scooped me on the artist. I didn't 00:14:10.850 --> 00:14:13.090 have that when I had Tiffany Blues from the Follie 00:14:13.090 --> 00:14:16.049 A Deux album. Nice. But you had to think the 00:14:16.049 --> 00:14:19.309 Fall Out Boy was going to end up with this. Oh, 00:14:19.409 --> 00:14:22.789 I know where I'm going to go. Okay. So it's a 00:14:22.789 --> 00:14:26.570 little rock. It's definitely sports. And people 00:14:26.570 --> 00:14:30.370 on the My Weekly Mixtape Discord server, because 00:14:30.370 --> 00:14:32.950 I know there's a wrestling room on there, are 00:14:32.950 --> 00:14:35.620 going to love this pic. I'm going to go with 00:14:35.620 --> 00:14:38.620 a song that used to be the opening theme song 00:14:38.620 --> 00:14:43.340 for Monday Night Raw and My Youngest Son's favorite 00:14:43.340 --> 00:14:47.139 band right now, To Be Loved from Papa Roach. 00:14:47.320 --> 00:14:51.039 Nice! Still a live staple, still a banger, and 00:14:51.039 --> 00:14:56.639 Papa Roach absolutely slays live. We actually 00:14:56.639 --> 00:15:00.600 brought My Youngest to his first outdoor concert, 00:15:00.700 --> 00:15:06.659 and it was Papa Roach. Hailstorm, Volbeat, and 00:15:06.659 --> 00:15:09.580 Default. I don't know if you guys remember Default 00:15:09.580 --> 00:15:11.320 at all, but holy crap, were they good. I was 00:15:11.320 --> 00:15:14.539 surprised just how good they sounded. Papa Roach. 00:15:15.879 --> 00:15:17.620 It's hard to say they blew everybody off the 00:15:17.620 --> 00:15:20.299 stage because Hailstorm really can't be beat. 00:15:20.440 --> 00:15:22.720 But holy crap, does Papa Roach bring the energy 00:15:22.720 --> 00:15:26.519 every time. So London, Ontario got served a good 00:15:26.519 --> 00:15:31.360 dosage of the Roach. We had a chance to catch 00:15:31.360 --> 00:15:35.159 Papa Roach. shined down in spirit box this past 00:15:35.159 --> 00:15:38.080 fall and they broke out to be loved. It was one 00:15:38.080 --> 00:15:40.519 of the highlights of their set. Their whole set 00:15:40.519 --> 00:15:43.360 was fantastic. I mean, they command that stage 00:15:43.360 --> 00:15:46.539 as if there's a million people watching and they 00:15:46.539 --> 00:15:49.500 always have done that. I saw Papa Roach as the 00:15:49.500 --> 00:15:54.480 opening act for Limp Bizkit with feature act, 00:15:54.639 --> 00:15:57.120 meaning in between Papa Roach and Limp Bizkit, 00:15:57.159 --> 00:16:00.940 some guy named Eminem. And that was a wild show. 00:16:00.980 --> 00:16:04.860 And even then Papa Roach is the opening act tour 00:16:04.860 --> 00:16:07.700 the place down. Like they just were there on 00:16:07.700 --> 00:16:10.240 business and it's nothing personal, but they're 00:16:10.240 --> 00:16:13.019 going to bring it at 110 miles an hour. And they 00:16:13.019 --> 00:16:16.220 always do that live. And I'm so glad you picked 00:16:16.220 --> 00:16:19.240 that. And I'm also so glad that you brought the 00:16:19.240 --> 00:16:23.549 wrestling theme into this because I. Had a song 00:16:23.549 --> 00:16:25.269 that I knew I was going to put in tonight for 00:16:25.269 --> 00:16:28.029 the wrestling fans that listen. But because you 00:16:28.029 --> 00:16:30.769 had to go wrestling now, I'm going to go with 00:16:30.769 --> 00:16:33.450 it right now. And I'm going to follow you up 00:16:33.450 --> 00:16:37.570 with a song that came out in 2016 and currently 00:16:37.570 --> 00:16:41.669 serves as Cody Rhodes theme song in the WWE. 00:16:42.509 --> 00:16:46.129 I am going to go with Downstate's Kingdom. And 00:16:46.129 --> 00:16:49.190 if you've ever seen Cody Rhodes, modern American 00:16:49.190 --> 00:16:53.039 nightmare character ring entrance. You know the 00:16:53.039 --> 00:16:58.399 exact whoa I'm talking about. And this past spring, 00:16:58.480 --> 00:17:00.639 I had a chance to take the whole family to a 00:17:00.639 --> 00:17:02.899 Road to WrestleMania event when we were up in 00:17:02.899 --> 00:17:06.400 New Hampshire. And Cody Rhodes headlined the 00:17:06.400 --> 00:17:10.119 main event against Drew McIntyre in a no -holds 00:17:10.119 --> 00:17:11.799 -barred match. And let me tell you, when he came 00:17:11.799 --> 00:17:14.019 down to the ring, even though this wasn't on 00:17:14.019 --> 00:17:17.579 television, everybody in unison did that whoa 00:17:17.579 --> 00:17:20.880 together, including my kids. It was really awesome. 00:17:21.609 --> 00:17:24.089 It was a woman for me. If you want to call it 00:17:24.089 --> 00:17:26.109 that. Oh my God. We're going to go down that 00:17:26.109 --> 00:17:30.190 road. You now need to copyright that word. It's 00:17:30.190 --> 00:17:34.589 a woman. Oh, so now I have to come up with a 00:17:34.589 --> 00:17:37.569 good woman song for that one. You know what? 00:17:37.609 --> 00:17:41.009 It's not wrestling, but it definitely has that 00:17:41.009 --> 00:17:44.789 woman kind of vibe and that crowd kind of vibe. 00:17:46.049 --> 00:17:51.410 God smack. Put out a video. for their song Unforgettable 00:17:51.410 --> 00:17:55.009 from the When Legends Rise album. And in that 00:17:55.009 --> 00:17:57.690 video, it had them kind of doing a school visit 00:17:57.690 --> 00:18:00.109 and teaching kids how to play the song. And then 00:18:00.109 --> 00:18:03.910 at the end of the video, you have an entire arena 00:18:03.910 --> 00:18:08.450 floor full of students on drums, students on 00:18:08.450 --> 00:18:13.029 guitars, students on microphones. And Unforgettable 00:18:13.029 --> 00:18:16.619 is one of those, you know. definitely crowd sing 00:18:16.619 --> 00:18:21.819 -along kind of songs with that whoa that's unforgettable 00:18:21.819 --> 00:18:27.799 when legends rise is one of my favorite godsmack 00:18:27.799 --> 00:18:30.779 albums of all time maybe right behind a thousand 00:18:30.779 --> 00:18:34.619 horsepower and the oracle it definitely is in 00:18:34.619 --> 00:18:37.619 that stretch of you know that that three album 00:18:37.619 --> 00:18:41.170 run freaking love this song it goes over live 00:18:41.170 --> 00:18:43.630 so well and i've seen god's back more times than 00:18:43.630 --> 00:18:45.789 i care to count because i can't count that high 00:18:45.789 --> 00:18:50.130 but i think coming off of the cody rhodes entrance 00:18:50.130 --> 00:18:52.950 i think unforgettable definitely fits that vibe 00:18:53.660 --> 00:18:56.599 It really, really does. And Godsmack, it has 00:18:56.599 --> 00:19:00.299 that WWE feel, even though the song was obviously 00:19:00.299 --> 00:19:03.480 not used with them. The title track was as the 00:19:03.480 --> 00:19:07.079 song when Legends Rise was used as the WWE Super 00:19:07.079 --> 00:19:10.119 Showdown 2020 theme song. So they definitely 00:19:10.119 --> 00:19:13.880 have that WWE connection still. And I think I'm 00:19:13.880 --> 00:19:17.000 going to go a musical route to follow up Godsmack. 00:19:17.480 --> 00:19:21.640 And what I'm going to do is bring up a band that. 00:19:22.990 --> 00:19:25.769 I don't know if Godsmack really gets along with 00:19:25.769 --> 00:19:29.730 very well because the song Crying Like a Bitch 00:19:29.730 --> 00:19:32.690 was about this band or about at least a member 00:19:32.690 --> 00:19:35.390 of this band. And I am going to go with Motley 00:19:35.390 --> 00:19:38.950 Crue's Kickstart My Heart because literally the 00:19:38.950 --> 00:19:44.930 chorus is, whoa, yeah. And musically, it fits 00:19:44.930 --> 00:19:47.269 coming out of Godsmack because they did tour 00:19:47.269 --> 00:19:49.250 together on Crew Fest. Whether they got along 00:19:49.250 --> 00:19:52.890 or not, that's not. Any of my business, we don't 00:19:52.890 --> 00:19:55.509 go down that road. There was a ton of drama between 00:19:55.509 --> 00:19:58.630 the two bands. And obviously that did not end 00:19:58.630 --> 00:20:01.430 very well. But I will say the song did reach 00:20:01.430 --> 00:20:04.529 number 27 on the Billboard US Hot 100. So it 00:20:04.529 --> 00:20:07.450 was a top 40 hit for Motley Crue. One of their 00:20:07.450 --> 00:20:10.150 biggest hits, an anthem. It's definitely a stadium 00:20:10.150 --> 00:20:14.730 anthem, a NASCAR anthem. It's been used in commercials, 00:20:15.109 --> 00:20:18.369 movies. I mean, even the opening Mick Mars, the 00:20:18.369 --> 00:20:21.220 guitar riff. We talked about this song on the 00:20:21.220 --> 00:20:23.819 Hard Rock Road Trip mixtape with John Laurie 00:20:23.819 --> 00:20:27.880 of Tantric. Why? Because this is a driving anthem. 00:20:28.660 --> 00:20:32.940 Even if the lyrics say otherwise. I think you 00:20:32.940 --> 00:20:36.299 would be getting, or at least both of us would 00:20:36.299 --> 00:20:38.240 be getting hate mail if we did not have Kickstart 00:20:38.240 --> 00:20:40.559 My Heart on this mixtape. It would be like, do 00:20:40.559 --> 00:20:45.559 you even woe people? Come on. It would be like 00:20:45.559 --> 00:20:47.900 that scene in Family Guy where Peter Griffith's 00:20:47.900 --> 00:20:53.490 going, woe, woe. Whoa, whoa, whoa, whoa. It would 00:20:53.490 --> 00:20:56.029 be like we would start to get like mail. It's 00:20:56.029 --> 00:20:58.990 basically a copy of that album and a big sign 00:20:58.990 --> 00:21:01.930 that says, here's your whoa. That would be it. 00:21:02.470 --> 00:21:04.289 I'm just curious to see if somebody wants to 00:21:04.289 --> 00:21:06.269 go through and count the number of woes in this 00:21:06.269 --> 00:21:09.009 episode. See, at this point, if someone is playing 00:21:09.009 --> 00:21:11.269 the drinking game, if they have dialed nine and 00:21:11.269 --> 00:21:13.390 one, I hope there was someone nearby to dial 00:21:13.390 --> 00:21:16.769 one for them. They're going to need help. OK, 00:21:16.849 --> 00:21:22.029 so we knocked off. One completely must have obvious 00:21:22.029 --> 00:21:26.009 woe song with Kickstart My Heart. There's another 00:21:26.009 --> 00:21:29.029 one out there that needs to be on the list. If 00:21:29.029 --> 00:21:30.710 we don't put it in there, people are going to 00:21:30.710 --> 00:21:33.789 sit there and go, do you even woe? And that's 00:21:33.789 --> 00:21:38.630 Living on a Prayer from Bon Jovi. But I thought 00:21:38.630 --> 00:21:41.049 I was going to be clever. I thought I was going 00:21:41.049 --> 00:21:43.269 to be clever. I thought I was going to go with 00:21:43.269 --> 00:21:47.009 a different version of Living on a Prayer. And 00:21:47.009 --> 00:21:49.220 I hoped. I could have used it, but I listened 00:21:49.220 --> 00:21:51.740 to it. I'm like, no, no. She actually doesn't 00:21:51.740 --> 00:21:56.660 go, whoa. She changes it to an ooh. So it's the 00:21:56.660 --> 00:22:00.200 wrong exclamation. So I can't actually use the 00:22:00.200 --> 00:22:04.539 2005 recording of this song by Tori Amos from 00:22:04.539 --> 00:22:07.759 the Royce Hall Auditorium in Los Angeles. It's 00:22:07.759 --> 00:22:10.059 a phenomenal song. It's a phenomenal version 00:22:10.059 --> 00:22:13.460 of it because Tori Amos can do no wrong. But 00:22:13.460 --> 00:22:16.819 she went ooh. instead of whoa, so we have to 00:22:16.819 --> 00:22:19.640 go with the Bon Jovi. Of course, and being from 00:22:19.640 --> 00:22:22.160 New Jersey, if this song didn't come up, I'm 00:22:22.160 --> 00:22:25.160 sure I would be getting some eyebrows getting 00:22:25.160 --> 00:22:27.660 raised. Now, I'm also sure living in New Jersey, 00:22:27.799 --> 00:22:29.920 there are people that are groaning that we picked 00:22:29.920 --> 00:22:32.380 the Bon Jovi song because it's kind of become 00:22:32.380 --> 00:22:36.220 like the state national anthem. When I saw The 00:22:36.220 --> 00:22:40.859 Interrupters this summer with Sum 41, The Interrupters 00:22:40.859 --> 00:22:44.230 in between songs played. Part of living on a 00:22:44.230 --> 00:22:47.210 prayer. So there you have it. Obviously, number 00:22:47.210 --> 00:22:50.589 one hit on the U .S. Billboard Hot 100. And depending 00:22:50.589 --> 00:22:53.029 on how you look at it, it's actually two uses 00:22:53.029 --> 00:22:56.309 of the word woe, the woe in the chorus, as well 00:22:56.309 --> 00:22:58.309 as if you want to think about what Richie's doing 00:22:58.309 --> 00:23:02.230 through the talk box, doing the woe, woe at the 00:23:02.230 --> 00:23:04.890 opening of the song. That counts, too. So a double 00:23:04.890 --> 00:23:07.549 dose of woe here. And I would be remiss if I 00:23:07.549 --> 00:23:09.769 didn't say if you were interested in learning 00:23:09.769 --> 00:23:12.569 more about living on a prayer. I highly recommend 00:23:12.569 --> 00:23:15.470 you check out episode 54, the ultimate Desmond 00:23:15.470 --> 00:23:18.509 Child playlist, as Desmond was co -writer of 00:23:18.509 --> 00:23:20.710 Living on a Prayer with Bon Jovi. And on that 00:23:20.710 --> 00:23:22.849 episode, we also talk about songs he wrote for 00:23:22.849 --> 00:23:27.170 Alice Cooper, Kiss, Joan Jett, Aerosmith, Cher, 00:23:27.529 --> 00:23:30.069 Ricky Martin, and Meatloaf, among others. So 00:23:30.069 --> 00:23:32.630 highly recommend that one. We even talk about 00:23:32.630 --> 00:23:35.170 the key change in the song. So check that episode 00:23:35.170 --> 00:23:38.250 out. Also, I had our good friend Sean Faust on 00:23:38.250 --> 00:23:40.890 There Can Only Be One when we went through the 00:23:40.890 --> 00:23:43.650 Bon Jovi discography because Sean might know 00:23:43.650 --> 00:23:47.150 a little bit about Bon Jovi being part of New 00:23:47.150 --> 00:23:50.609 Jersey's longest Bon Jovi tribute band. So you 00:23:50.609 --> 00:23:54.109 have your choices of episodes to listen to or, 00:23:54.170 --> 00:23:55.829 you know, just do us a favor and listen to both. 00:23:56.109 --> 00:23:58.630 Yeah. And check out Slippery When Wet when they 00:23:58.630 --> 00:24:01.680 come through to your area and tell Sean. that 00:24:01.680 --> 00:24:04.680 my weekly mixtape and there can only be one said 00:24:04.680 --> 00:24:08.319 hello. I think the only way to close out this 00:24:08.319 --> 00:24:10.339 side at this point, because we're going obvious, 00:24:10.359 --> 00:24:14.400 kickstart my heart, living on a prayer, closing 00:24:14.400 --> 00:24:19.579 outside a, where do we go? Where do we go? Jay 00:24:19.579 --> 00:24:22.819 guns and roses, sweet child of mine, the obvious. 00:24:23.450 --> 00:24:25.609 Guns N' Roses choice here. I mean, you can't 00:24:25.609 --> 00:24:27.930 even get to the words Sweet Child O' Mine without 00:24:27.930 --> 00:24:31.450 the whoa -oh -ohs leading into each one. It's 00:24:31.450 --> 00:24:34.670 all throughout the song. And really, Motley Crue, 00:24:34.670 --> 00:24:37.029 Bon Jovi, and Guns N' Roses back to back to back. 00:24:37.549 --> 00:24:40.369 This is the late 80s happening here on this side 00:24:40.369 --> 00:24:42.529 of the tape. So we got to keep in the theme. 00:24:42.730 --> 00:24:45.329 I feel like if you took a look at those last 00:24:45.329 --> 00:24:47.869 three bands, it's like. I'm sure there had to 00:24:47.869 --> 00:24:49.450 be a bill where the three of them played together 00:24:49.450 --> 00:24:52.869 at some point in time. Maybe. I don't know. But 00:24:52.869 --> 00:24:55.690 regardless of, it does feel like the natural 00:24:55.690 --> 00:24:58.369 progression. And it's funny because I actually 00:24:58.369 --> 00:25:02.609 didn't have Guns N' Roses anywhere on my bank 00:25:02.609 --> 00:25:04.950 of songs. Because I've got a bunch here where 00:25:04.950 --> 00:25:08.150 I'm just like, how did I miss that? Because I 00:25:08.150 --> 00:25:11.950 did. I went into this. pretty much ready for 00:25:11.950 --> 00:25:14.990 anything. And I think we kind of hit the everything 00:25:14.990 --> 00:25:17.769 on this first side. But yeah, absolutely. Guns 00:25:17.769 --> 00:25:20.410 N' Roses is an excellent way to close out the 00:25:20.410 --> 00:25:22.650 side. And I'll just say this. It's, believe it 00:25:22.650 --> 00:25:25.089 or not, Guns N' Roses' only number one single. 00:25:25.410 --> 00:25:28.250 And I always like to say every time I talk about 00:25:28.250 --> 00:25:30.869 this song, the radio edit of Sweet Child O' Mine 00:25:30.869 --> 00:25:33.690 is one of the worst butcherings of a song I've 00:25:33.690 --> 00:25:35.490 ever heard in my entire life. Anytime it comes 00:25:35.490 --> 00:25:38.549 on the radio, I have to either change the channel 00:25:38.549 --> 00:25:41.589 or... pull up my phone and play the studio cut 00:25:41.589 --> 00:25:45.450 because as soon as the opening snare hits at 00:25:45.450 --> 00:25:47.710 the beginning of the song, when the band is supposed 00:25:47.710 --> 00:25:50.750 to kick in, it goes right into Axl's vocals and 00:25:50.750 --> 00:25:53.750 it sounds like it doesn't cut properly and it 00:25:53.750 --> 00:25:56.789 drives me absolutely insane. And then the guitar 00:25:56.789 --> 00:26:00.470 solo's chopped in half. It's just literally somebody 00:26:00.470 --> 00:26:03.210 went in with a hacksaw and said, let's get this 00:26:03.210 --> 00:26:06.230 down. Who cares what we cut? Don't let AI shorten 00:26:06.230 --> 00:26:11.170 your songs. Well, there you have it, folks. Side 00:26:11.170 --> 00:26:14.690 A of the ultimate woe playlist, which kicked 00:26:14.690 --> 00:26:17.750 off with Shania Twain's Man, I Feel Like a Woman, 00:26:17.970 --> 00:26:21.289 Pitbull and Kesha's Timber, Hollywood Undead's 00:26:21.289 --> 00:26:24.289 Another Way Out, Fallout Boys' My Songs Know 00:26:24.289 --> 00:26:27.009 What You Did in the Dark, Light Em Up, Papa Roach, 00:26:27.029 --> 00:26:30.769 To Be Loved, Downstate's Kingdom, Godsmack's 00:26:30.769 --> 00:26:33.970 Unforgettable, Motley Crue's Kickstart My Heart, 00:26:34.539 --> 00:26:37.640 Bon Jovi's Living on a Prayer, and Guns N' Roses' 00:26:37.859 --> 00:26:41.259 Sweet Child O' Mine. Head over to myweeklymixtape 00:26:41.259 --> 00:26:43.720 .com to hear all the songs we've discussed in 00:26:43.720 --> 00:26:47.000 this mix through the playlist embedded on the 00:26:47.000 --> 00:26:50.920 episode page. And now, Jay, we are flipping things 00:26:50.920 --> 00:26:53.220 over to side B where I'm going to kick things 00:26:53.220 --> 00:26:56.359 off. And I'm just going to go with a song that 00:26:56.359 --> 00:27:01.940 literally starts off with a whoa. Get us right 00:27:01.940 --> 00:27:06.670 into it. And that is Billy Joel, the longest 00:27:06.670 --> 00:27:10.880 time from 1983's An Innocent Man. The ode to 00:27:10.880 --> 00:27:14.160 the doo -wop era that Billy Joel put out. Reached 00:27:14.160 --> 00:27:18.380 number 14 on the U .S. Billboard Hot 100. I can't 00:27:18.380 --> 00:27:20.839 talk about any Billy Joel song and not mention 00:27:20.839 --> 00:27:23.839 episode 15, the ultimate Billy Joel playlist, 00:27:23.980 --> 00:27:26.799 which featured Liberty DeVito, longtime drummer 00:27:26.799 --> 00:27:29.019 for the Billy Joel band. I'm not going to say 00:27:29.019 --> 00:27:31.039 if the song made the episode or not. You'll have 00:27:31.039 --> 00:27:33.779 to go tune in and find out. Now I know I could 00:27:33.779 --> 00:27:35.500 have very easily went with scenes from an Italian 00:27:35.500 --> 00:27:42.059 restaurant which includes the whole which is 00:27:42.059 --> 00:27:43.940 right before the brendan eddie section of the 00:27:43.940 --> 00:27:47.319 song but i decided to go with the longest time 00:27:47.319 --> 00:27:49.880 simply so that i can bring up that after credit 00:27:49.880 --> 00:27:52.880 scene in how i met your mother that features 00:27:52.880 --> 00:27:56.720 both versions of future barney and ted singing 00:27:56.720 --> 00:27:59.859 with current version barney and ted their version 00:27:59.859 --> 00:28:02.079 of the longest time which is pretty good i might 00:28:02.079 --> 00:28:04.160 add but it's a very funny moment in the series 00:28:04.160 --> 00:28:08.200 i love this song i love doo -wop and really there 00:28:08.200 --> 00:28:10.970 are so many doo -wop songs we could put in here 00:28:10.970 --> 00:28:14.650 you could do an entire mixtape of doo -wop woes 00:28:14.650 --> 00:28:17.569 easily because that's part of the doo -wop sound 00:28:17.569 --> 00:28:19.970 so i figured a way to check off that box was 00:28:19.970 --> 00:28:22.069 through this one at that point would it be doo 00:28:22.069 --> 00:28:27.210 -wop or doo -wop man i'm telling you people are 00:28:27.210 --> 00:28:32.390 unsubscribing from this show faster from your 00:28:32.390 --> 00:28:34.210 show and my shows like at this point they're 00:28:34.210 --> 00:28:36.609 like delete delete delete completely forget block 00:28:36.609 --> 00:28:40.359 and everything bad jokes and dad jokes for days 00:28:40.359 --> 00:28:42.839 yeah no you really can't go wrong with billy 00:28:42.839 --> 00:28:45.920 joel in that and yeah freaking love billy joel 00:28:45.920 --> 00:28:50.460 but there's a travesty here there's an absolute 00:28:50.460 --> 00:28:52.619 travesty here that we have not hit this song 00:28:52.619 --> 00:28:55.220 yet and i want to make sure that we do get this 00:28:55.220 --> 00:28:57.220 song in here and i think this is actually a good 00:28:57.220 --> 00:29:02.799 spot for it dear listeners if someone says to 00:29:02.799 --> 00:29:06.380 you what's new pussycat if you do not respond 00:29:06.380 --> 00:29:12.119 with whoa whoa whoa whoa you have failed miserably 00:29:12.119 --> 00:29:16.180 this was actually the second song that i thought 00:29:16.180 --> 00:29:18.880 of the minute you pitched this episode man i 00:29:18.880 --> 00:29:20.400 feel like one was the first one just because 00:29:20.400 --> 00:29:23.779 it's in my set list but literally what's new 00:29:23.779 --> 00:29:27.000 pussycat if again if we did not have this song 00:29:27.000 --> 00:29:30.200 on the mixtape then we have failed The mixtape, 00:29:30.259 --> 00:29:32.940 we have failed the people. We have failed the 00:29:32.940 --> 00:29:37.019 word woe. But no, we've solved that solution 00:29:37.019 --> 00:29:41.119 now. Yes, we have. Written by Burt Bacharach 00:29:41.119 --> 00:29:44.180 and Hal David. Reached number three on the U 00:29:44.180 --> 00:29:47.240 .S. Billboard Hot 100. Totally scooped me on 00:29:47.240 --> 00:29:50.440 the song. And we were going oldies here, huh? 00:29:50.640 --> 00:29:53.259 Well, it's funny because as I was talking about 00:29:53.259 --> 00:29:55.819 this list, my mother had actually mentioned, 00:29:55.960 --> 00:29:58.079 because we're all kind of watching Lucifer at 00:29:58.079 --> 00:30:01.640 this point, Tell me Tom Ellis wouldn't be perfect 00:30:01.640 --> 00:30:04.740 in playing Tom Jones in a biographical pick. 00:30:04.960 --> 00:30:07.519 Oh, God, yeah. He is such a great actor. He is 00:30:07.519 --> 00:30:12.299 incredible. But Lucifer aside here, I think I'm 00:30:12.299 --> 00:30:14.559 going to make it, using an old Playlist Wars 00:30:14.559 --> 00:30:18.319 reference, an oldies trifecta now and go with 00:30:18.319 --> 00:30:21.079 one of the first songs I thought of with this 00:30:21.079 --> 00:30:24.579 episode. And this song was written by Jeff Barry, 00:30:24.880 --> 00:30:27.799 Ellie Grenwich, and Phil Spector. And it reached 00:30:27.799 --> 00:30:31.660 number two. on the billboard us hot 100 from 00:30:31.660 --> 00:30:35.559 1963 the massive hit single from the ronettes 00:30:35.559 --> 00:30:41.940 be my baby so good let me tell you i wanted to 00:30:41.940 --> 00:30:44.980 include eddie money's take me home tonight because 00:30:44.980 --> 00:30:49.559 that song interpolates be my baby however in 00:30:49.559 --> 00:30:51.980 this version and hell ronnie specter is even 00:30:51.980 --> 00:30:54.519 singing on eddie money's version so i'm like 00:30:54.519 --> 00:30:57.359 oh two birds one stone and closer to rock however 00:30:57.930 --> 00:31:01.049 If you look up the lyrics, she says, uh -oh -uh 00:31:01.049 --> 00:31:05.369 -oh in Take Me Home Tonight. And it is wah -uh 00:31:05.369 --> 00:31:08.509 -uh -oh in Be My Baby. So we have to go with 00:31:08.509 --> 00:31:11.950 Be My Baby by default. I love the fact that you 00:31:11.950 --> 00:31:16.470 brought up that you checked the lyrics. We're 00:31:16.470 --> 00:31:21.329 such nerds, dude. Oh, dude. I wear it proudly 00:31:21.329 --> 00:31:26.289 on my sleeve. Geek for days. So with every song 00:31:26.289 --> 00:31:28.859 that I put on my list, I had to double check 00:31:28.859 --> 00:31:31.220 the lyrics. Now, there was one song where I'm 00:31:31.220 --> 00:31:34.099 like, I guarantee you that's a whoa. But if you 00:31:34.099 --> 00:31:37.660 look at the lyrics, it's a wow. There's no way 00:31:37.660 --> 00:31:39.440 that wow is pronounced this way. So I'm going 00:31:39.440 --> 00:31:44.059 to put it on here right now. Don't at me. I looked. 00:31:44.200 --> 00:31:47.380 I disagree with what lyrics .com says, because 00:31:47.380 --> 00:31:50.599 if you tell me that the Lemonheads don't sing 00:31:50.599 --> 00:31:53.660 whoa, whoa, whoa with their cover of Mrs. Robinson. 00:31:55.089 --> 00:31:58.190 You're not listening to this song right. It has 00:31:58.190 --> 00:32:01.950 to be a whoa. It's not a wow. There's no way. 00:32:01.950 --> 00:32:04.789 It doesn't rhyme. They don't go wow, wow, wow. 00:32:05.250 --> 00:32:07.529 Well, here's to you, Mrs. Robinson. Wow, wow, 00:32:07.529 --> 00:32:10.569 wow. No. It doesn't rhyme. No, exactly. It's 00:32:10.569 --> 00:32:13.589 got to be whoa, whoa, whoa. So I'm going with 00:32:13.589 --> 00:32:15.829 the Lemonheads version of Mrs. Robinson because, 00:32:15.869 --> 00:32:19.130 yeah, it's a Simon and Garfunkel song. But their 00:32:19.130 --> 00:32:21.430 cover of it, I think, is more iconic, at least 00:32:21.430 --> 00:32:23.670 for my musical taste. But I think it bridges 00:32:23.670 --> 00:32:27.069 us from the oldies into getting back into a more 00:32:27.069 --> 00:32:30.470 recent vibe. I appreciate you doing that. You 00:32:30.470 --> 00:32:33.049 know me and my love of cover songs. So bravo 00:32:33.049 --> 00:32:35.250 on that. I'll go out on a limb here, and I know 00:32:35.250 --> 00:32:37.890 I might upset some people with this, but I actually 00:32:37.890 --> 00:32:40.150 like the Lemonheads version more than Simon and 00:32:40.150 --> 00:32:41.950 Garfunkel's. And that's nothing against Simon 00:32:41.950 --> 00:32:44.890 and Garfunkel's. I love it. But for some reason, 00:32:44.970 --> 00:32:46.670 maybe it's just because it hit when I was in 00:32:46.670 --> 00:32:49.170 college and around that time of my life where 00:32:49.170 --> 00:32:52.049 it was my version of the song, quote unquote, 00:32:52.210 --> 00:32:54.410 because of when I was kind of, you know, growing 00:32:54.410 --> 00:32:57.369 up. But that one always hits hard for me. I mean, 00:32:57.390 --> 00:32:59.009 I'm not surprised because if you think about 00:32:59.009 --> 00:33:02.130 that based on the do -do -do -do -do, like we're 00:33:02.130 --> 00:33:05.029 bassists. I get it. There are certain parts of 00:33:05.029 --> 00:33:07.789 certain songs that I know, like if I'm listening 00:33:07.789 --> 00:33:10.190 to it and I hear a bass, I'm like, Brian would 00:33:10.190 --> 00:33:14.700 like that song. That is right. We've talked about 00:33:14.700 --> 00:33:17.299 a bunch of artists that we need to include in 00:33:17.299 --> 00:33:20.480 here. And we haven't really gotten anywhere near 00:33:20.480 --> 00:33:23.039 the punk side of things. We've gotten a lot of 00:33:23.039 --> 00:33:26.180 rock, not a lot of punk. And there's a lot of 00:33:26.180 --> 00:33:29.859 woes going on in the punk rock scene. And I think 00:33:29.859 --> 00:33:32.690 the first band that comes to mind for me. When 00:33:32.690 --> 00:33:35.650 I think of punk rock woes, and that's W -O -A 00:33:35.650 --> 00:33:39.809 -H, not W -O -E -S, would be the Misfits. Now, 00:33:39.809 --> 00:33:41.789 pretty much I could take any song from their 00:33:41.789 --> 00:33:44.289 entire catalog and plug it in here. So what I'm 00:33:44.289 --> 00:33:46.390 going to do is just go with my favorite Misfits 00:33:46.390 --> 00:33:49.750 song, which is Some Kind of Hate, which was originally 00:33:49.750 --> 00:33:53.349 recorded in 1978 for their Static Age album. 00:33:53.670 --> 00:33:55.990 But that album wasn't actually released until 00:33:55.990 --> 00:34:00.180 1996. I grew up with it as it appeared on the 00:34:00.180 --> 00:34:05.240 1985 compilation Legacy of Brutality, where after 00:34:05.240 --> 00:34:08.500 the band broke up, Danzig went in and overdubbed 00:34:08.500 --> 00:34:10.960 guitars and bass for that version. I mean, really, 00:34:11.059 --> 00:34:14.079 you could plug in any song from any era of the 00:34:14.079 --> 00:34:16.440 Misfits, because I was also thinking, depending 00:34:16.440 --> 00:34:19.139 on where we were going, American Psycho starts 00:34:19.139 --> 00:34:21.940 off with the woes from the Michael Graves era. 00:34:22.239 --> 00:34:25.199 The Misfits, when you talk about woes in music, 00:34:25.340 --> 00:34:27.710 they have to be included here. Oh, absolutely. 00:34:28.809 --> 00:34:31.289 I'm surprised we hadn't gotten to punk at this 00:34:31.289 --> 00:34:33.210 point because, yes, punk definitely has a lot 00:34:33.210 --> 00:34:36.750 of woes. Because that's the crowd call and answer. 00:34:36.929 --> 00:34:38.309 And if you've been to any punk show, you know 00:34:38.309 --> 00:34:40.510 that's definitely a part of it. That it is. And 00:34:40.510 --> 00:34:43.570 unlike the Fall Out Boy we used on Side A, that's 00:34:43.570 --> 00:34:45.510 a little bit more of the poppier sound of Fall 00:34:45.510 --> 00:34:48.369 Out Boy. So not necessarily like the punk rock 00:34:48.369 --> 00:34:51.730 of Sugar We're Going Down and Dance Dance like 00:34:51.730 --> 00:34:54.210 they did in the early 2000s. This is more of 00:34:54.210 --> 00:34:56.750 the pop sound of Fall Out Boy. So I think this 00:34:56.750 --> 00:35:00.079 is the first real dive. into punk rock so what 00:35:00.079 --> 00:35:02.920 are you going to follow it up with so i'm going 00:35:02.920 --> 00:35:06.699 to follow that one up with a track off of the 00:35:06.699 --> 00:35:09.519 offsprings americana album i'm going to go with 00:35:09.519 --> 00:35:13.119 the kids aren't all right that song still holds 00:35:13.119 --> 00:35:16.659 up today and as i was looking up this song this 00:35:16.659 --> 00:35:20.619 is nearing a billion streams on spotify which 00:35:20.619 --> 00:35:22.360 is probably only worth about 20 bucks to them 00:35:22.360 --> 00:35:25.699 but still The kids aren't all right. I mean, 00:35:25.719 --> 00:35:28.659 this is a staple. This is an offspring staple. 00:35:28.780 --> 00:35:31.579 And while, you know, there are other songs off 00:35:31.579 --> 00:35:34.219 the album that may get more plays, the kids aren't 00:35:34.219 --> 00:35:36.000 all right to me is probably the best song on 00:35:36.000 --> 00:35:38.219 the album. I'll just say this. Dexter Holland 00:35:38.219 --> 00:35:42.380 has a PhD in molecular biology, so I don't think 00:35:42.380 --> 00:35:44.739 he needs to really worry about how many streams 00:35:44.739 --> 00:35:47.940 he's getting on Spotify. But kids aren't all 00:35:47.940 --> 00:35:51.389 right is my favorite song off of Americana. could 00:35:51.389 --> 00:35:54.610 be in my top three all time favorite offspring 00:35:54.610 --> 00:35:58.550 songs. I absolutely love it. That riff just hits 00:35:58.550 --> 00:36:01.389 like that is one of my workout anthems. When 00:36:01.389 --> 00:36:04.210 that riff hits, the song is soaring. It's big. 00:36:04.409 --> 00:36:07.349 It's not the silly side of the offspring. It's 00:36:07.349 --> 00:36:10.769 the serious side, which their serious side truly 00:36:10.769 --> 00:36:13.590 kicks ass. I think a lot of people don't give 00:36:13.590 --> 00:36:15.590 their serious side enough credit because they're 00:36:15.590 --> 00:36:18.690 so focused on the pretty fly for a white guy. 00:36:19.509 --> 00:36:21.730 songs from their catalog but there's so much 00:36:21.730 --> 00:36:24.449 more than that and i love the pic yeah no i mean 00:36:24.449 --> 00:36:26.710 if you take a listen to smash smash kind of has 00:36:26.710 --> 00:36:29.590 that you know that cross section between pretty 00:36:29.590 --> 00:36:31.510 fly for a white guy and the kids aren't all right 00:36:31.510 --> 00:36:33.550 i mean i remember one of the first offspring 00:36:33.550 --> 00:36:36.210 songs i heard aside from the songs off smash 00:36:36.210 --> 00:36:39.070 was jennifer lost the war because i love those 00:36:39.070 --> 00:36:42.960 punk -a -rama compilations They have that serious 00:36:42.960 --> 00:36:46.219 side. They have that aggressive side as well 00:36:46.219 --> 00:36:49.059 as kind of their boppier punk poppier type songs, 00:36:49.179 --> 00:36:50.860 but the kids aren't all right. You're right. 00:36:50.900 --> 00:36:56.179 That guitar tone is angry and it's so good. All 00:36:56.179 --> 00:37:01.019 right. Oh, I know what song I'm going to go with 00:37:01.019 --> 00:37:08.059 here. I just don't know what version. All right. 00:37:08.219 --> 00:37:12.440 The original of this song. was released in 1939 00:37:12.440 --> 00:37:17.940 by Lead Belly. In 1977, Ram Jam made it their 00:37:17.940 --> 00:37:20.480 massive hit, Black Betty, which reached number 00:37:20.480 --> 00:37:24.519 18 on the US Billboard Hot 100. However, I know 00:37:24.519 --> 00:37:26.800 my Australian friends that listen to this show, 00:37:26.900 --> 00:37:29.239 including Patreon, Mixtape, or Seeker, would 00:37:29.239 --> 00:37:32.559 be very upset if we didn't go with Spider -Bait's 00:37:32.559 --> 00:37:37.059 amazing 2004 version. And coming out of The Offspring, 00:37:37.320 --> 00:37:42.130 it just makes more sense. So the song, while 00:37:42.130 --> 00:37:46.210 it was number one in Australia, it also charted 00:37:46.210 --> 00:37:49.449 in the U .S., reaching number 32 on the Billboard 00:37:49.449 --> 00:37:52.369 U .S. Mainstream Rock Charts. So even if those 00:37:52.369 --> 00:37:55.969 in the U .S. say, who's Spiderbait? It was popular 00:37:55.969 --> 00:37:58.469 around here, just not as popular as it was in 00:37:58.469 --> 00:38:01.210 Australia, and obviously not as popular as Ram 00:38:01.210 --> 00:38:05.190 Jam's version was. But regardless, whoa, Black 00:38:05.190 --> 00:38:07.530 Betty, Ram Balam, or Panda Lamp, or whatever 00:38:07.530 --> 00:38:09.469 he's saying. I know that meme that's out there. 00:38:10.059 --> 00:38:13.639 this song kicks ass and the woe is really a driving 00:38:13.639 --> 00:38:16.659 factor of the song. You know, I'm glad that that 00:38:16.659 --> 00:38:18.320 song is on there. And yeah, you scooped me on 00:38:18.320 --> 00:38:21.579 the song for sure. But I'm really glad that you 00:38:21.579 --> 00:38:24.539 actually went with that version because that 00:38:24.539 --> 00:38:27.619 actually answers my question as to what to follow 00:38:27.619 --> 00:38:31.280 this next. And I'm going to stay on the continent 00:38:31.280 --> 00:38:34.679 and I'm going to go with Lonely Girl by the band 00:38:34.679 --> 00:38:37.820 Tonight Alive. And if you've never heard Tonight 00:38:37.820 --> 00:38:42.579 Alive, they are very, very Paramore -esque. This 00:38:42.579 --> 00:38:46.900 is off their 2013 The Other Side album. It was 00:38:46.900 --> 00:38:49.500 released as a single, but never actually charted. 00:38:49.880 --> 00:38:54.239 They have only ever had one song that ended up 00:38:54.239 --> 00:38:57.900 on any number one, and that was off of the Amazing 00:38:57.900 --> 00:39:00.840 Spider -Man 2 soundtrack, their song The Edge. 00:39:01.579 --> 00:39:03.659 It hit number 78 in Australia and number one 00:39:03.659 --> 00:39:07.059 on the UK rock charts. But I'm telling you right 00:39:07.059 --> 00:39:10.139 now, if you like Paramore, like some of the earlier 00:39:10.139 --> 00:39:13.820 Paramore stuff, you're going to really like Tonight 00:39:13.820 --> 00:39:17.460 Alive. So deep dive it. Trust me, if you're a 00:39:17.460 --> 00:39:19.940 Paramore fan, you will thank me if you haven't 00:39:19.940 --> 00:39:22.900 already discovered them. Going with a deep pick 00:39:22.900 --> 00:39:24.480 and our friends in Australia are going to be 00:39:24.480 --> 00:39:27.039 smiling from ear to ear going with back to back 00:39:27.039 --> 00:39:30.260 Australia cuts. So I love that. And still in 00:39:30.260 --> 00:39:33.880 that kind of punk rock Paramore vibe. Paramore 00:39:33.880 --> 00:39:37.099 has kind of shifted away from the punk rock style 00:39:37.099 --> 00:39:39.679 of their sound. So I'm glad that there are groups 00:39:39.679 --> 00:39:42.059 like Tonight Alive that are still carrying that 00:39:42.059 --> 00:39:45.699 torch because I absolutely love. that sound and 00:39:45.699 --> 00:39:48.019 that style. And I'm not going to lie, there's 00:39:48.019 --> 00:39:49.920 a small part of me that wishes Paramore would 00:39:49.920 --> 00:39:52.800 reintroduce some of that punk flavor, even though 00:39:52.800 --> 00:39:55.239 I really enjoy where they've gone musically over 00:39:55.239 --> 00:39:58.300 their career. Oh, yeah. No, if you like that 00:39:58.300 --> 00:40:01.760 punk pop sound that Paramore started, Tonight 00:40:01.760 --> 00:40:04.039 Alive and other bands like Against the Current 00:40:04.039 --> 00:40:07.199 are definitely carrying the torch for that sound. 00:40:07.780 --> 00:40:10.980 Well, you went deep. So I'm going to go deep 00:40:10.980 --> 00:40:13.420 for my last pick and then throw it back to you 00:40:13.420 --> 00:40:16.800 to close things out for the night. But is it 00:40:16.800 --> 00:40:19.539 really a deep pick? Because this is one that 00:40:19.539 --> 00:40:22.000 one of the Patreon mixtapers chimed in with. 00:40:22.139 --> 00:40:25.039 And it might be a deep pick to some, but to me, 00:40:25.059 --> 00:40:28.880 it's certainly not. And like Patreon mixtaper 00:40:28.880 --> 00:40:31.599 Sean Goff, I'm going to be honest here. I was 00:40:31.599 --> 00:40:36.659 torn between Butch Walker's Synthesizers or Summer 00:40:36.659 --> 00:40:41.840 of 89. from his 2011 album, The Spade. I'm going 00:40:41.840 --> 00:40:44.820 to go with Synthesizers. Those two tracks and 00:40:44.820 --> 00:40:47.219 Closest Thing to You, I'm going to find, are 00:40:47.219 --> 00:40:49.860 my three favorites on the album. So the fact 00:40:49.860 --> 00:40:52.420 that Sean picked two of them, I knew immediately 00:40:52.420 --> 00:40:54.719 I was going to be running with this song somewhere. 00:40:54.960 --> 00:40:57.800 And I think here's the perfect spot because I 00:40:57.800 --> 00:41:00.059 feel like this is a song that more people need 00:41:00.059 --> 00:41:04.300 to know. The music video features Matthew McConaughey. 00:41:05.119 --> 00:41:08.639 Reprising his role as David Wooderson from Dazed 00:41:08.639 --> 00:41:12.360 and Confused. The song is absolutely incredible. 00:41:12.960 --> 00:41:16.559 Butch Walker is a producing genius. However, 00:41:16.800 --> 00:41:19.460 you might not know his name. You might remember 00:41:19.460 --> 00:41:22.460 the band Marvelous 3. Freak of the Week being 00:41:22.460 --> 00:41:25.699 one of their biggest hits. Just this past year, 00:41:25.860 --> 00:41:29.739 they put out a killer album that made... I'll 00:41:29.739 --> 00:41:32.340 do a little bit of a light spoiler here. The 00:41:32.340 --> 00:41:35.659 ultimate 2023 mixtape that I recorded with DT 00:41:35.659 --> 00:41:38.840 Carroll from Space Castle and Butch Walker's 00:41:38.840 --> 00:41:41.739 episode of Live from Daryl's House. It's probably 00:41:41.739 --> 00:41:44.960 my favorite one ever. I love the series. But 00:41:44.960 --> 00:41:48.340 Butch Walker is one of the most criminally underrated 00:41:48.340 --> 00:41:51.219 songwriters of this generation. I love his work. 00:41:51.360 --> 00:41:55.980 And this song fits right into the category. Woes 00:41:55.980 --> 00:41:59.440 for days. And it's. fun and it's a little deeper 00:41:59.440 --> 00:42:01.579 because on the end of the first side we went 00:42:01.579 --> 00:42:04.559 really big and massive all the home run songs 00:42:04.559 --> 00:42:07.380 so this side i feel like let's give some people 00:42:07.380 --> 00:42:10.019 something to chew on from this episode a couple 00:42:10.019 --> 00:42:13.400 of deeper picks you actually had me scooped on 00:42:13.400 --> 00:42:16.639 the artist but none of the songs that were mentioned 00:42:16.639 --> 00:42:18.539 were the one that i was going to go with i was 00:42:18.539 --> 00:42:20.820 going to go with let it go where it's supposed 00:42:20.820 --> 00:42:23.840 to off of his peach tree battle ep and you are 00:42:23.840 --> 00:42:26.730 absolutely right like butch walker I would be 00:42:26.730 --> 00:42:29.449 lying if I didn't say that Butch Walker's name 00:42:29.449 --> 00:42:32.329 is on my whiteboard of future episodes to do, 00:42:32.389 --> 00:42:35.309 for there can only be one. And that would also 00:42:35.309 --> 00:42:38.150 include the Marvelous Three albums, because if 00:42:38.150 --> 00:42:40.050 memory serves, there aren't enough Marvelous 00:42:40.050 --> 00:42:42.449 Three albums to justify that there can only be 00:42:42.449 --> 00:42:46.690 one. So Butch Walker episode could include Marvelous 00:42:46.690 --> 00:42:49.730 Three. It'd be a long episode, but holy crap, 00:42:49.829 --> 00:42:52.030 that's a ton of good music to go through. But 00:42:52.030 --> 00:42:54.329 yeah, you scoop me on the artist, and we're at 00:42:54.329 --> 00:42:57.010 the end, aren't we? Yeah. We are at the final. 00:42:57.030 --> 00:42:59.409 Whoa. Well, maybe not. You will probably say 00:42:59.409 --> 00:43:01.150 it a hundred more times before this episode is 00:43:01.150 --> 00:43:04.190 over, but at least for song choices were there. 00:43:04.650 --> 00:43:07.309 Yeah. So, so what do I curtain? Whoa. With here? 00:43:07.550 --> 00:43:11.630 That's the question. See, there are a couple 00:43:11.630 --> 00:43:15.110 of songs here. Like I could go obscure kind of 00:43:15.110 --> 00:43:18.010 what we've been going with. I could, you know, 00:43:18.010 --> 00:43:20.210 land the plane softly. Like I kind of like to 00:43:20.210 --> 00:43:22.349 do with mixtapes, but no, no, no, no, no, no, 00:43:22.389 --> 00:43:26.340 no, no, no. No, I'm going to end. With a band 00:43:26.340 --> 00:43:29.559 that I have been waiting for someone to mention 00:43:29.559 --> 00:43:33.099 for a while now on your show. And again, I'll 00:43:33.099 --> 00:43:35.940 admit I haven't listened to every episode. Wait 00:43:35.940 --> 00:43:38.480 a minute. Thank you for joining, Jay. We'll see 00:43:38.480 --> 00:43:42.699 you next time, folks. So you're going to have 00:43:42.699 --> 00:43:45.219 to remind me if someone has ever mentioned a 00:43:45.219 --> 00:43:50.559 Psycho Stick song on any of your episodes. But 00:43:50.559 --> 00:43:55.139 I'm going to end. With number one radio single 00:43:55.139 --> 00:44:00.699 off of their sandwich album, the very first lyric 00:44:00.699 --> 00:44:08.780 of the song is whoa, as whoa, oh yeah. Even in 00:44:08.780 --> 00:44:12.820 the pre -chorus, the lyric is, and this is where 00:44:12.820 --> 00:44:16.900 my producer told me to say yeah. This song kind 00:44:16.900 --> 00:44:19.880 of pokes fun at the whole idea of how to write 00:44:19.880 --> 00:44:23.530 a number one single. Very similar, at least in 00:44:23.530 --> 00:44:26.329 tonality, to Please Play This Song on the radio 00:44:26.329 --> 00:44:29.730 from NoFX, but very much in that Psycho Stick 00:44:29.730 --> 00:44:35.309 vein. If you're looking for fun, funny, rock, 00:44:35.670 --> 00:44:38.889 and metal, Psycho Stick is the way to go. And 00:44:38.889 --> 00:44:42.409 I've seen them live. They are so hilarious. I 00:44:42.409 --> 00:44:44.690 got to see them at a place called The Rock Pile 00:44:44.690 --> 00:44:48.110 here in Toronto, where you're really right up 00:44:48.110 --> 00:44:50.409 front. It's a small club, and it was the best 00:44:50.409 --> 00:44:53.889 show. Absolutely loved it. Number one radio single. 00:44:54.070 --> 00:44:57.690 The song will be stuck in your head for the rest 00:44:57.690 --> 00:45:01.829 of your life, as the lyrics say. Very much a 00:45:01.829 --> 00:45:05.070 send off to the Nickelbacks of the time when 00:45:05.070 --> 00:45:08.230 the song came out. You scooped me on the song. 00:45:08.630 --> 00:45:12.030 You scooped me on your reference song where you 00:45:12.030 --> 00:45:14.489 say it kind of reminds me of that no effect song. 00:45:14.590 --> 00:45:17.769 Please play this song on the radio. So you scooped 00:45:17.769 --> 00:45:22.780 me twice. And I kid you not, the only other time 00:45:22.780 --> 00:45:26.079 that Psycho Stick has ever been mentioned in 00:45:26.079 --> 00:45:29.000 my weekly mixtape history up until this moment 00:45:29.000 --> 00:45:32.179 was the episode I mentioned at the top of the 00:45:32.179 --> 00:45:36.199 show, episode 24, the ultimate summer cookout 00:45:36.199 --> 00:45:40.179 and barbecue playlist with a twist. So it seems 00:45:40.179 --> 00:45:45.179 like when we go off the rails, Psycho Stick comes 00:45:45.179 --> 00:45:48.170 on. So maybe I should. do a Psycho Stick episode 00:45:48.170 --> 00:45:51.170 down the line. Oh, you know what? Or we could 00:45:51.170 --> 00:45:52.889 just do it. There could only be one on Psycho 00:45:52.889 --> 00:45:55.809 Stick because that would be hilarious. That would, 00:45:55.889 --> 00:45:58.429 and I would be all in on that one. But there 00:45:58.429 --> 00:46:02.070 you have it, folks. Side B of our ultimate woe 00:46:02.070 --> 00:46:05.170 mixtape, which by now people are probably tired 00:46:05.170 --> 00:46:07.389 of hearing that word, but it kicked off with 00:46:07.389 --> 00:46:10.769 Billy Joel's The Longest Time, Tom Jones' What's 00:46:10.769 --> 00:46:14.710 New Pussycat, the Ronettes' Be My Baby, the Lemonheads' 00:46:14.869 --> 00:46:18.170 Mrs. Robinson, Misfits, Some Kind of Hate, The 00:46:18.170 --> 00:46:21.710 Offsprings, The Kids Aren't Alright, Spider Bates, 00:46:21.730 --> 00:46:25.210 Black Betty, Tonight Alive's Lonely Girl, Butch 00:46:25.210 --> 00:46:28.349 Walker's Synthesizers, and Psycho Stick's No. 00:46:28.550 --> 00:46:32.289 1 Radio Single. Head over to MyWeeklyMixtape 00:46:32.289 --> 00:46:34.730 .com to hear all the songs we've discussed in 00:46:34.730 --> 00:46:38.030 this mix through the playlist embedded on the 00:46:38.030 --> 00:46:41.400 episode page. Now, Jay, if people want to hear 00:46:41.400 --> 00:46:45.039 a woe -less episode of There Can Only Be One 00:46:45.039 --> 00:46:47.360 or It's Not That Bad, where can they find it? 00:46:47.699 --> 00:46:49.260 You know, it's funny. I'm trying to think now 00:46:49.260 --> 00:46:52.340 if I've actually had to do a movie with Keanu 00:46:52.340 --> 00:46:54.780 Reeves in it, and I don't know if I've actually 00:46:54.780 --> 00:46:57.980 covered Keanu Reeves. I know there are some that 00:46:57.980 --> 00:47:01.079 are potentially on the list for movies to eventually 00:47:01.079 --> 00:47:04.119 be covered, but one day. We'll go down that. 00:47:04.119 --> 00:47:07.780 Whoa. But yes, if you like hearing podcasts that 00:47:07.780 --> 00:47:10.119 try to find the good things to say about movies, 00:47:10.199 --> 00:47:12.679 the unfairly maligned flicks that critics have 00:47:12.679 --> 00:47:15.980 poo pooed on, you can follow us on social media 00:47:15.980 --> 00:47:18.760 at not that bad cast to catch. It's not that 00:47:18.760 --> 00:47:21.239 bad. And our Monday show, keep watch pass, which 00:47:21.239 --> 00:47:24.559 is the Mary Boff kill of movie topics. And then 00:47:24.559 --> 00:47:27.699 if you like music talk, which you should, because 00:47:27.699 --> 00:47:30.579 you're listening to this podcast. You can follow 00:47:30.579 --> 00:47:33.260 us on social media at only one cast for there 00:47:33.260 --> 00:47:35.400 can only be one where we go through the entire 00:47:35.400 --> 00:47:38.239 discography of an artist and pick only one song 00:47:38.239 --> 00:47:41.820 from every studio album. And on opposite weeks, 00:47:41.820 --> 00:47:44.239 you get spin, shuffle, skip, which is the Mary 00:47:44.239 --> 00:47:46.679 Boff kill of albums where you had to pick three 00:47:46.679 --> 00:47:48.980 songs, one that you'd spin, one that you'd shuffle, 00:47:49.079 --> 00:47:52.139 and one that you would skip. or you can just 00:47:52.139 --> 00:47:53.760 go to the website and get everything all at once 00:47:53.760 --> 00:47:57.239 at not that bad cast .com. And while you're there, 00:47:57.280 --> 00:47:59.000 you can check out our coming soon page. So you 00:47:59.000 --> 00:48:01.239 can check out what episodes are coming up and 00:48:01.239 --> 00:48:03.699 you can get your chime in there because we'd 00:48:03.699 --> 00:48:06.760 love to hear from you guys. As always, man, an 00:48:06.760 --> 00:48:10.039 absolute pleasure having you on. And I offer 00:48:10.039 --> 00:48:12.559 my sincere apologies for all the hate mail you're 00:48:12.559 --> 00:48:14.400 going to receive from this guest appearance, 00:48:14.780 --> 00:48:16.760 because people are going to go throughout their 00:48:16.760 --> 00:48:19.579 whole day going, if anybody says, whoa, one more 00:48:19.579 --> 00:48:24.059 person. Don't worry. If I get any mail sent to 00:48:24.059 --> 00:48:26.440 me by snail mail, I will put it in the worst 00:48:26.440 --> 00:48:32.139 basket. As always, man, a great time. I'll get 00:48:32.139 --> 00:48:35.260 those board shorts out your way very soon. Thank 00:48:35.260 --> 00:48:37.139 you for coming back again. And I look forward 00:48:37.139 --> 00:48:40.460 to yet another crossover and our continued music 00:48:40.460 --> 00:48:42.619 discussions down the road. Probably a little 00:48:42.619 --> 00:48:45.159 bit more of a serious topic next time. Yeah. 00:48:45.219 --> 00:48:47.000 Just make sure that the board shorts do go around 00:48:47.000 --> 00:48:51.659 my worst line. And remember, Mixtapers, you could 00:48:51.659 --> 00:48:53.920 find My Weekly Mixtape on almost all the social 00:48:53.920 --> 00:48:57.300 media haunts at My Weekly Mixtape. You can also 00:48:57.300 --> 00:49:00.260 head to MyWeeklyMixtape .com to check out the 00:49:00.260 --> 00:49:03.519 full catalog of My Weekly Mixtape episodes. And 00:49:03.519 --> 00:49:05.019 if you like what you're hearing on the show, 00:49:05.179 --> 00:49:07.179 you can help me out by either telling a friend, 00:49:07.360 --> 00:49:09.460 leaving the show a five -star review wherever 00:49:09.460 --> 00:49:12.880 you're tuning in, or becoming a Patreon Mixtaper 00:49:12.880 --> 00:49:17.000 at Patreon .com forward slash My Weekly Mixtape. 00:49:17.480 --> 00:49:19.440 That's all for this week. Thanks again for listening. 00:49:19.539 --> 00:49:21.320 And until next time, whoa.