WEBVTT 00:00:11.449 --> 00:00:14.250 Welcome to My Weekly Mixtape, a podcast that 00:00:14.250 --> 00:00:17.210 takes the classic mixtape approach to building 00:00:17.210 --> 00:00:19.629 a modern playlist. I'm your host, Brian Colburn. 00:00:20.070 --> 00:00:23.010 Joining me tonight as guest curator is Tony G 00:00:23.010 --> 00:00:25.750 from the Patio Slave Podcast, somebody you might 00:00:25.750 --> 00:00:28.829 remember from the Playlist Wars days. Tony, great 00:00:28.829 --> 00:00:31.510 to have you on My Weekly Mixtape finally, man. 00:00:32.030 --> 00:00:34.670 I know, man. I've been watching from a little 00:00:34.670 --> 00:00:36.630 bit of a distance what you've been able to accomplish 00:00:36.630 --> 00:00:38.689 with My Weekly Mixtape, so I'm pretty excited 00:00:38.689 --> 00:00:41.070 to finally be here. Excited to have you and I'd 00:00:41.070 --> 00:00:43.009 like to start by asking you the first timers 00:00:43.009 --> 00:00:46.969 question, which is Tony. What does the word mixtape 00:00:46.969 --> 00:00:50.130 mean to you? So the first thing that pops into 00:00:50.130 --> 00:00:53.750 my head is being 10 or 11 years old in my bedroom 00:00:53.750 --> 00:00:57.670 with my CD player tape deck and recording songs 00:00:57.670 --> 00:01:00.609 on a tape from the radio. So our local radio 00:01:00.609 --> 00:01:02.570 station was big. They just kind of come out the 00:01:02.570 --> 00:01:05.840 alternative rock radio station in our town. And 00:01:05.840 --> 00:01:07.680 I just would try to time it up to get a Green 00:01:07.680 --> 00:01:09.819 Day song or time it up to get a Soundgarden song 00:01:09.819 --> 00:01:12.079 and make these mixtapes that way. And obviously 00:01:12.079 --> 00:01:14.680 graduated to CDs and given them to friends and 00:01:14.680 --> 00:01:16.459 still listen to them today in the playlist fashion. 00:01:16.819 --> 00:01:19.640 But it's not the same. Well, tonight we are talking 00:01:19.640 --> 00:01:22.000 about a band that's a big piece of the patio 00:01:22.000 --> 00:01:26.219 slave universe. That is Rage Against the Machine 00:01:26.219 --> 00:01:29.780 with our guilty parties. Zach De La Rocha on 00:01:29.780 --> 00:01:34.329 vocals, Tom Morello on guitar. brad will on drums 00:01:34.329 --> 00:01:37.989 and sim common for otherwise known as timmy see 00:01:37.989 --> 00:01:43.409 tim bob why tim k or tim dot com depending on 00:01:43.409 --> 00:01:47.150 which album liner notes you're reading on facebook. 00:01:47.650 --> 00:01:51.030 Tonight our playlist is only going to be ten 00:01:51.030 --> 00:01:54.250 songs want want but at the end of the day the 00:01:54.250 --> 00:01:58.090 band only has four albums one of which is all 00:01:58.090 --> 00:02:01.609 cover songs. with a total of forty five songs 00:02:01.609 --> 00:02:04.510 on those original releases and then you could 00:02:04.510 --> 00:02:07.469 tack on a few more if you want to include besides 00:02:07.469 --> 00:02:11.129 soundtrack cuts and live tracks. I want to make 00:02:11.129 --> 00:02:14.969 it a little harder on us so ten songs it is as 00:02:14.969 --> 00:02:18.530 i have a definitive. Rage against the machine 00:02:18.530 --> 00:02:22.110 album which is their self titled and as much 00:02:22.110 --> 00:02:25.909 as i love evil empire the battle of los angeles 00:02:25.909 --> 00:02:29.050 and renegades depending on where we go tony, 00:02:29.180 --> 00:02:32.520 I might be leaning heavily towards that self 00:02:32.520 --> 00:02:35.599 -titled album. And I know you've said that Evil 00:02:35.599 --> 00:02:38.960 Empire is your favorite album from them. So how 00:02:38.960 --> 00:02:42.659 are you approaching this playlist tonight? So, 00:02:42.659 --> 00:02:44.960 yeah, I think Evil Empire and it's because of 00:02:44.960 --> 00:02:46.840 when you get into them, right? It's always the 00:02:46.840 --> 00:02:49.460 case with music and what kind of happens there. 00:02:49.939 --> 00:02:52.659 But Evil Empire is the record that. Anthony and 00:02:52.659 --> 00:02:55.560 I, my cohost, bonded over growing up in South 00:02:55.560 --> 00:02:57.520 Portland, Maine. You know, it was like, oh, it 00:02:57.520 --> 00:02:59.840 felt illegal to have that as an 11 -year -old, 00:03:00.020 --> 00:03:02.860 but it was amazing. So I've spent a ton of time 00:03:02.860 --> 00:03:06.259 with both, with all four really, but that one 00:03:06.259 --> 00:03:09.259 is the one that was, it kind of turned the switch 00:03:09.259 --> 00:03:11.319 for me. And that's why I may lean towards that 00:03:11.319 --> 00:03:13.879 one as far as my favorite of the four, but it's 00:03:13.879 --> 00:03:15.939 hard to deny self -titled. It's hard to deny 00:03:15.939 --> 00:03:18.770 Battle of LA. And we did a whole episode on Renegades 00:03:18.770 --> 00:03:21.409 and how they made all of those cover songs their 00:03:21.409 --> 00:03:23.909 own. So they're just a phenomenal band, top to 00:03:23.909 --> 00:03:27.050 bottom. Well, let's get down to business tonight. 00:03:27.189 --> 00:03:29.469 As I mentioned at the top of the show, Tony and 00:03:29.469 --> 00:03:31.750 I will be curating the ultimate Rage Against 00:03:31.750 --> 00:03:34.849 the Machine mixtape. Tony, as my special guest, 00:03:35.129 --> 00:03:37.710 will begin with his first song choice and then 00:03:37.710 --> 00:03:40.650 I'll add a song that I feel best follows up that 00:03:40.650 --> 00:03:43.469 choice. We'll then flip flop choosing songs until 00:03:43.469 --> 00:03:47.389 we've mapped out. our 10 song list, with the 00:03:47.389 --> 00:03:50.669 overall goal for the episode being to craft the 00:03:50.669 --> 00:03:53.229 best Rage Against the Machine mixtape possible 00:03:53.229 --> 00:03:56.409 through those 10 songs. At the end of the show, 00:03:56.430 --> 00:03:58.469 you can take our conversation to the next level 00:03:58.469 --> 00:04:01.750 by visiting the episode page at myweeklymixtape 00:04:01.750 --> 00:04:04.949 .com to give our final mixtape a listen via the 00:04:04.949 --> 00:04:07.189 embedded playlist. And if you like what you're 00:04:07.189 --> 00:04:09.069 hearing on the show, you can help me out by either 00:04:09.069 --> 00:04:11.610 telling a friend leaving the show a five -star 00:04:11.610 --> 00:04:14.270 review wherever you're tuning in, or becoming 00:04:14.270 --> 00:04:18.269 a Patreon mixtaper at patreon .com forward slash 00:04:18.269 --> 00:04:21.310 my weekly mixtape. There you can enjoy ad -free 00:04:21.310 --> 00:04:23.870 episodes of the show, become a future guest, 00:04:24.250 --> 00:04:27.410 and so much more. And a few of the Patreon mixtapers 00:04:27.410 --> 00:04:30.170 chimed in with the songs they would use to kick 00:04:30.170 --> 00:04:32.810 off our Rage Against the Machine mixtape. And 00:04:32.810 --> 00:04:35.750 here's what they had to say. Chad LaMassa chimed 00:04:35.750 --> 00:04:38.029 in saying, let's kick things off with their cover 00:04:38.029 --> 00:04:41.790 of Renegades of Funk. Ben from the Too Vague 00:04:41.790 --> 00:04:45.089 podcast chimed in saying he was gonna start with 00:04:45.089 --> 00:04:47.649 their cover of Cypress Hills, How I Can Just 00:04:47.649 --> 00:04:50.610 Kill a Man from Renegades, but he thinks it works 00:04:50.610 --> 00:04:54.649 better as a mid or transitional track. So instead, 00:04:55.009 --> 00:04:57.509 he's starting off what he thinks is their strongest 00:04:57.509 --> 00:05:01.850 album opener across their catalog, which is Testify 00:05:01.850 --> 00:05:05.509 from the Battle of Los Angeles. Philip Bergman 00:05:05.509 --> 00:05:08.269 agrees with Ben saying it's got to be testified 00:05:08.269 --> 00:05:11.230 a start but then at the end you want to end it 00:05:11.230 --> 00:05:14.110 with know your enemy just so we can end the tape 00:05:14.110 --> 00:05:17.089 with Zach repeatedly screaming all of which are 00:05:17.089 --> 00:05:21.769 American dreams. Tom Hutchinson chimed in saying 00:05:21.769 --> 00:05:25.569 killing in the name of one hundred percent seeker 00:05:25.569 --> 00:05:28.529 chimed in with their cover of Maggie's farm saying 00:05:28.529 --> 00:05:31.720 that they have that one up to eleven. And Jen 00:05:31.720 --> 00:05:34.279 Fink chimed in saying their cover of the ghost 00:05:34.279 --> 00:05:38.720 of Tom Joad rolling into testify to start and 00:05:38.720 --> 00:05:41.819 then ending it with killing in the name or freedom 00:05:41.819 --> 00:05:44.600 saying that rage is one of her favorite bands 00:05:44.600 --> 00:05:47.639 of all time. Well, Jen, I hope we do this one 00:05:47.639 --> 00:05:50.199 justice. And just as a reminder, if you want 00:05:50.199 --> 00:05:52.360 to chime in for future episodes of My Weekly 00:05:52.360 --> 00:05:54.699 Mixtape, you could join the mixtape or family 00:05:54.699 --> 00:05:58.860 at patreon .com forward slash My Weekly Mixtape. 00:05:59.199 --> 00:06:02.459 So Tony with all those choices out in the atmosphere 00:06:02.459 --> 00:06:04.660 I'm officially pressing the record button on 00:06:04.660 --> 00:06:07.379 our mixtape and the floor is yours Why don't 00:06:07.379 --> 00:06:10.120 you dive into the song you chose to kick off 00:06:10.120 --> 00:06:15.040 side a? So all of those are great great choices, 00:06:15.040 --> 00:06:17.920 and it has me doing a double take But I'm gonna 00:06:17.920 --> 00:06:20.660 stick with the one that my gut tells me Bulls 00:06:20.660 --> 00:06:23.160 on Parade and I have to go with Bulls on Parade 00:06:23.160 --> 00:06:25.420 It's my favorite rage song. It's the song that 00:06:25.420 --> 00:06:27.939 introduced me to the band as a ten -year -old 00:06:28.029 --> 00:06:30.110 It's the reason I picked up Evil Empire. It's 00:06:30.110 --> 00:06:32.470 the reason my cousin and I were pouring over, 00:06:32.470 --> 00:06:36.350 you know, the liner notes that summer. It just 00:06:36.350 --> 00:06:38.430 had a birthday, I think, around the time we were 00:06:38.430 --> 00:06:40.670 recording this. It's such a great record. That 00:06:40.670 --> 00:06:42.689 song, it's the second song on the record, but 00:06:42.689 --> 00:06:45.569 it kicks off my fandom to them, so I have to 00:06:45.569 --> 00:06:47.790 kick off the mix tape with Bulls on Parade. It's 00:06:47.790 --> 00:06:50.740 a perfect song. I will agree it's an absolutely 00:06:50.740 --> 00:06:53.779 perfect song the riff is everything you love 00:06:53.779 --> 00:06:56.259 about rage against the machine it's got the heft 00:06:56.259 --> 00:06:59.480 it's got the might and it's got that tom morello 00:06:59.480 --> 00:07:04.120 stamp. Is that just speaks to what rage against 00:07:04.120 --> 00:07:06.360 the machine is and i love where you're going 00:07:06.360 --> 00:07:09.180 going with the song that kinda. Led you into 00:07:09.180 --> 00:07:11.620 the band and i'm gonna do that but i'm gonna 00:07:11.620 --> 00:07:15.920 do it from my base player brain like that. And 00:07:15.920 --> 00:07:19.139 i'm gonna go with the opening track because you 00:07:19.139 --> 00:07:21.759 know i'm an album opening fan and i'm gonna go 00:07:21.759 --> 00:07:24.579 with a career opening track and we're gonna go 00:07:24.579 --> 00:07:27.920 self titled and we're gonna go with that amazing. 00:07:28.620 --> 00:07:32.060 Basing guitar simultaneous opening walking our 00:07:32.060 --> 00:07:35.620 way into bomb track it's a one two punch like 00:07:35.620 --> 00:07:38.740 no other cause you've got the immediate. Heft 00:07:38.740 --> 00:07:41.980 of Bulls on Parade and then that little intro 00:07:41.980 --> 00:07:44.839 to bomb track to kind of give people just a second 00:07:44.839 --> 00:07:48.660 to catch their breath before it explodes. What 00:07:48.660 --> 00:07:53.060 an amazing album opener that just introduces 00:07:53.060 --> 00:07:56.660 you to what to expect with Rage Against the Machine, 00:07:56.980 --> 00:08:00.560 because bomb track tells you the story that Rage 00:08:00.560 --> 00:08:03.160 Against the Machine tells across the four albums. 00:08:03.259 --> 00:08:07.230 And I feel like it's a perfect way. to follow 00:08:07.230 --> 00:08:10.689 up Bulls on Parade. Hell yeah. No, I completely 00:08:10.689 --> 00:08:13.110 agree. Bomb Track is so good. We did an episode 00:08:13.110 --> 00:08:15.389 earlier this year on Offspring Smash Tangent 00:08:15.389 --> 00:08:19.110 just a second, and I found a way to put in every 00:08:19.110 --> 00:08:22.589 song from the self -titled Rage record throughout 00:08:22.589 --> 00:08:24.389 our conversation without my co -host knowing. 00:08:24.790 --> 00:08:29.250 So I am all in on the first record as much as 00:08:29.250 --> 00:08:31.649 I love Evil Empire and Ride for that to be my 00:08:31.649 --> 00:08:33.570 favorite. The first one's great and Bomb Track 00:08:33.570 --> 00:08:37.139 is no exception. Great pick. So what are you 00:08:37.139 --> 00:08:40.379 going to follow up Bulls on Parade and Bomb Track 00:08:40.379 --> 00:08:44.740 with? All right. I think I'm going to stick with 00:08:44.740 --> 00:08:47.820 self -titled and I'm going to go with Wake Up. 00:08:48.340 --> 00:08:50.740 Whoa, OK. Yeah. Yeah, we're going to keep the 00:08:50.740 --> 00:08:53.799 energy high here. And that kind of noodley bass 00:08:53.799 --> 00:08:56.519 riff to start. It's the only time you get a breath 00:08:56.519 --> 00:08:59.240 is the beginning of that song. And then they 00:08:59.240 --> 00:09:01.440 just kind of come at you for six minutes. And 00:09:01.440 --> 00:09:03.879 I remember obviously seeing this at the end of 00:09:03.879 --> 00:09:07.480 The Matrix. the first Matrix movie and at 15 00:09:07.480 --> 00:09:09.740 years old being like Alright, I guess I need 00:09:09.740 --> 00:09:11.740 to go back and listen to self -tied a little 00:09:11.740 --> 00:09:13.799 more because that's where that came from That's 00:09:13.799 --> 00:09:16.659 what I know the band obviously, but I'm now let's 00:09:16.659 --> 00:09:18.360 dig into the old stuff and figure some stuff 00:09:18.360 --> 00:09:21.679 out here wake up It's just the last minute is 00:09:21.679 --> 00:09:24.799 chaotic. It's everything you love about Rage 00:09:24.799 --> 00:09:27.480 Against the Machine. It gives you all of What 00:09:27.480 --> 00:09:30.679 they are you get the the great rhythm section 00:09:30.679 --> 00:09:33.820 you get the kind of craziness from Morello And 00:09:33.820 --> 00:09:36.000 then De La Roca's on the next level there with 00:09:36.000 --> 00:09:38.620 that with his lyricism in that song. So, yeah, 00:09:38.720 --> 00:09:41.179 wake up. That's my next one. Obviously, it's 00:09:41.179 --> 00:09:43.159 from the self -titled. I got nothing but love 00:09:43.159 --> 00:09:46.059 for that album. So love the pic. I'm kind of 00:09:46.059 --> 00:09:47.860 kicking myself because you had mentioned the 00:09:47.860 --> 00:09:50.539 movie connection to the Matrix bomb track was 00:09:50.539 --> 00:09:52.860 prominently featured in natural born killers. 00:09:53.120 --> 00:09:56.279 And I remember seeing that on the big screen. 00:09:56.279 --> 00:09:58.200 And that was another moment where I'm like, man, 00:09:58.240 --> 00:10:01.940 these guys just this song just brings it. Sticking 00:10:01.940 --> 00:10:04.519 with the self titled album two tracks in a row 00:10:04.519 --> 00:10:07.399 there i love so i'm gonna pivot away i was thinking 00:10:07.399 --> 00:10:10.000 about going with another self title but then 00:10:10.000 --> 00:10:12.539 i feel like we're not showing love to the rest 00:10:12.539 --> 00:10:15.440 of the catalog so i'm gonna jump to the other 00:10:15.440 --> 00:10:20.559 end of the spectrum. In a way but also not in 00:10:20.559 --> 00:10:22.440 a way which i know sounds like i'm kinda cheating 00:10:22.440 --> 00:10:25.399 here but. I'm gonna go with one of the songs 00:10:25.399 --> 00:10:29.419 featured on renegades however it wasn't recorded 00:10:29.419 --> 00:10:32.799 for renegades. It was recorded and produced by 00:10:32.799 --> 00:10:36.000 brendan o 'brien and released as a free single 00:10:36.000 --> 00:10:39.240 along with their nineteen ninety seven home video 00:10:39.240 --> 00:10:42.299 release and i'm gonna go with their cover of 00:10:42.299 --> 00:10:45.700 bruce springsteen's the ghost of tom joe. What 00:10:45.700 --> 00:10:48.279 i love about cover songs is when you take a song 00:10:48.279 --> 00:10:51.120 and you rearrange it and you make it your own. 00:10:51.639 --> 00:10:54.659 And rage against the machine took a song that's 00:10:54.659 --> 00:10:57.419 written in three four time by bruce springsteen 00:10:57.419 --> 00:11:00.519 and turn it into a four four rocker. where if 00:11:00.519 --> 00:11:03.379 you played the two songs back to back you might 00:11:03.379 --> 00:11:05.480 not even connect the fact that you just heard. 00:11:06.100 --> 00:11:09.320 The same exact song twice and i'd be lying if 00:11:09.320 --> 00:11:12.360 i didn't think that this cover played at least 00:11:12.360 --> 00:11:16.639 a small part. In tom morello joining with the 00:11:16.639 --> 00:11:19.039 street band and being a part of the high hopes 00:11:19.039 --> 00:11:21.659 i feel like this was the seed that got planted 00:11:21.659 --> 00:11:25.340 but this song reach number thirty five on the 00:11:25.340 --> 00:11:28.460 billboard mainstream rock tracks chart. and number 00:11:28.460 --> 00:11:31.759 thirty four on the modern rock tracks chart without 00:11:31.759 --> 00:11:35.059 an album at the time. And that is amazing it 00:11:35.059 --> 00:11:38.340 was their second charting single after bulls 00:11:38.340 --> 00:11:41.159 on parade so nothing from the self titled album 00:11:41.159 --> 00:11:44.279 charted it was bulls on parade in the ghost of 00:11:44.279 --> 00:11:47.379 chomp jode so i feel like the song also has a 00:11:47.379 --> 00:11:51.320 bit of significance. In their story across all 00:11:51.320 --> 00:11:54.419 the albums that's a great call and i think that 00:11:54.419 --> 00:11:57.299 song. Single -handedly, I mean my dad was a fan 00:11:57.299 --> 00:12:00.080 of the boss too, but single -handedly made me 00:12:00.080 --> 00:12:03.240 pay attention at that time To Bruce and again 00:12:03.240 --> 00:12:05.159 go back and listen to stuff and find new things 00:12:05.159 --> 00:12:07.960 like oh, that's a Bruce cover like I didn't know 00:12:07.960 --> 00:12:11.299 that that's It's just cool. Like I had no idea 00:12:11.299 --> 00:12:13.080 and I also didn't know it was their second charting 00:12:13.080 --> 00:12:14.840 song after Bulls on Prey That surprises me a 00:12:14.840 --> 00:12:16.460 little bit thought they would have had some other 00:12:16.460 --> 00:12:19.200 stuff But that that whole record renegades they 00:12:19.200 --> 00:12:21.940 take so many songs and make them their own as 00:12:21.940 --> 00:12:24.299 good as those songs were to begin with They take 00:12:24.299 --> 00:12:26.840 songs like Beautiful World from Devo, which is 00:12:26.840 --> 00:12:29.019 it's just completely different sounding and different 00:12:29.019 --> 00:12:32.720 vibe. And this one goes to Chum Joe. It's just 00:12:32.720 --> 00:12:35.480 so good. They found a way to make all of those 00:12:35.480 --> 00:12:37.299 songs there. So this is a great pick from that 00:12:37.299 --> 00:12:39.820 record and maybe my favorite one on there because 00:12:39.820 --> 00:12:42.700 of what it meant to me as a music fan. Awesome. 00:12:42.860 --> 00:12:44.220 All right. I got to follow that up now, don't 00:12:44.220 --> 00:12:47.399 I? Yeah, yeah. And the ghost of Tom Joe, let's 00:12:47.399 --> 00:12:50.860 just be honest here. It's the closest thing to 00:12:50.860 --> 00:12:54.340 a and I'm going to mark air quotes here as the 00:12:54.340 --> 00:12:57.379 rage against the machine power ballad. It's probably 00:12:57.379 --> 00:13:01.320 the slowest thing they did groove wise. And even 00:13:01.320 --> 00:13:05.539 Zach's rapping with the reverb and delay on his 00:13:05.539 --> 00:13:08.159 voice. He's not really screaming. He's not really 00:13:08.159 --> 00:13:10.940 rapping. So this is kind of the point of a rage. 00:13:11.100 --> 00:13:12.879 So where I guess you're putting your lighters 00:13:12.879 --> 00:13:16.039 in your cell phones up in the air. Yep. Yep. 00:13:17.080 --> 00:13:19.759 All right. And we're going to go. Off record, 00:13:20.379 --> 00:13:22.539 the thin line between entertainment and war. 00:13:22.700 --> 00:13:25.120 The front line is everywhere. No shelter off 00:13:25.120 --> 00:13:28.399 the Godzilla soundtrack, which is maybe a top 00:13:28.399 --> 00:13:32.340 three rage song for me. Just its vibe, where 00:13:32.340 --> 00:13:36.539 it came from, how they kind of Zach kind of goes 00:13:36.539 --> 00:13:41.570 at mainstream media and like. entertainment stuff 00:13:41.570 --> 00:13:44.389 on a soundtrack to a movie that is designed to 00:13:44.389 --> 00:13:46.929 get people to go sit and watch. So I loved it. 00:13:47.049 --> 00:13:48.850 I love everything about it. Listening to it on 00:13:48.850 --> 00:13:51.149 my way home tonight. It's still a vibe. That 00:13:51.149 --> 00:13:53.889 song absolutely rules. You get the best of all 00:13:53.889 --> 00:13:57.210 of them again. I think Zach is the best. He's 00:13:57.210 --> 00:14:00.049 at the forefront in this song with his lyrics. 00:14:00.710 --> 00:14:03.110 No Shelter from the Godzilla soundtrack, which, 00:14:03.110 --> 00:14:06.129 oh, I forget, 96, 97, somewhere around there, 00:14:06.389 --> 00:14:10.750 right? No Shelter came out in 98 on the soundtrack. 00:14:11.909 --> 00:14:14.409 Yeah, I'm just going to go out on a limb and 00:14:14.409 --> 00:14:18.110 say it. The Godzilla soundtrack was better than 00:14:18.110 --> 00:14:20.789 Godzilla, the movie. Oh, yeah. There was just 00:14:20.789 --> 00:14:23.830 a lot of greats. I mean, No Shelter was the song 00:14:23.830 --> 00:14:26.710 for me. But as a whole, the soundtrack kind of 00:14:26.710 --> 00:14:29.720 dwarfed the movie. And once again overseas wins 00:14:29.720 --> 00:14:32.379 because the Japanese release of the battle of 00:14:32.379 --> 00:14:35.399 Los Angeles had no shelter on it why they didn't 00:14:35.399 --> 00:14:38.480 include no shelter on the battle of Los Angeles 00:14:38.480 --> 00:14:41.299 will always be weird to me because musically 00:14:41.299 --> 00:14:45.059 I feel like it would have easily fit with that 00:14:45.059 --> 00:14:49.500 albums vibe and yeah the bonus version from Japan 00:14:49.500 --> 00:14:52.740 gets it right I guess. But alright coming out 00:14:52.740 --> 00:14:56.659 of that. I gotta go back to the self titled again 00:14:56.659 --> 00:15:00.250 here. And i'm gonna go with something that brings 00:15:00.250 --> 00:15:03.090 some guests into the fold it doesn't happen often. 00:15:04.509 --> 00:15:08.210 What when you bring. Maynard james keenon of 00:15:08.210 --> 00:15:11.450 tool and james addiction steven perkins onto 00:15:11.450 --> 00:15:13.649 a song just for a little additional percussion. 00:15:14.509 --> 00:15:16.789 You get the masterpiece that philip chimed in 00:15:16.789 --> 00:15:19.370 saying we should close with it i'm kinda going 00:15:19.370 --> 00:15:23.149 mid set here track six to kinda kick off the 00:15:23.149 --> 00:15:26.350 second half. all of which are american dreams 00:15:26.350 --> 00:15:30.070 know your enemy to me this is a quintessential 00:15:30.070 --> 00:15:33.250 rage riff and this is one of those songs that 00:15:33.250 --> 00:15:37.049 really embraces the breakdown and i love the 00:15:37.049 --> 00:15:42.169 fact that the breakdown almost has a tool atmosphere 00:15:42.169 --> 00:15:45.370 to it don't get me wrong they're not going prog 00:15:45.370 --> 00:15:48.750 but i don't know if i could hear zach doing anything 00:15:48.750 --> 00:15:53.340 over that midsection That elevates the song more 00:15:53.340 --> 00:15:56.720 than what Maynard did in that part it was a part 00:15:56.720 --> 00:15:59.399 of the rage against the machine album that required 00:15:59.399 --> 00:16:02.440 singing and required something a little bit more 00:16:02.440 --> 00:16:06.720 melodic vocally and i don't know if that is kinda 00:16:06.720 --> 00:16:10.019 zacks range but for Maynard it's right up his 00:16:10.019 --> 00:16:13.759 alley and i think. Maynard knocked it out of 00:16:13.759 --> 00:16:15.879 the park and i think believe it or not elevated 00:16:15.879 --> 00:16:20.049 both bands because they were both on. that Lollapaloo's 00:16:20.049 --> 00:16:21.889 at that time making a name for themselves. And 00:16:21.889 --> 00:16:24.850 I feel like this collaboration again, like the 00:16:24.850 --> 00:16:27.809 Ghost of Tom Joed cover is an important piece 00:16:27.809 --> 00:16:31.149 of the Rage Against the Machine history. That's 00:16:31.149 --> 00:16:33.669 a great pick and one that I had on my list that 00:16:33.669 --> 00:16:35.389 I wanted to I definitely wanted to throw out 00:16:35.389 --> 00:16:37.990 there. So I'm glad that it's on the list from 00:16:37.990 --> 00:16:41.649 the Maynard feature to, you know, just the the 00:16:41.649 --> 00:16:44.250 overall vibe of the song and the lyrics behind 00:16:44.250 --> 00:16:47.059 a lot of what Zach. writes about and what they 00:16:47.059 --> 00:16:52.519 all kind of embody is it still fits today, you 00:16:52.519 --> 00:16:55.360 know, 30 years out. And we want we don't have 00:16:55.360 --> 00:16:57.980 to get too political on this, but that's it. 00:16:58.039 --> 00:16:59.720 Listen to the lyrics. Read the lyrics. You'll 00:16:59.720 --> 00:17:02.580 get it. And I love the Maynard feature. And you're 00:17:02.580 --> 00:17:04.480 right. It needed to be him. So, yeah, that's 00:17:04.480 --> 00:17:05.900 a that's a good call. All right. I got to I got 00:17:05.900 --> 00:17:08.259 to follow that one up now, don't I? No pressure. 00:17:08.680 --> 00:17:10.559 No pressure, none at all. No shelter, no pressure. 00:17:11.859 --> 00:17:14.519 Let's go off the Battle of LA. Haven't done one 00:17:14.519 --> 00:17:18.519 from that yet. And I'm gonna pick... There's 00:17:18.519 --> 00:17:21.099 so many great songs in the Battle of LA. I'm 00:17:21.099 --> 00:17:22.960 going off the board a little bit, and I'm gonna 00:17:22.960 --> 00:17:27.119 go Ashes in the Fall. Yeah, I really love that 00:17:27.119 --> 00:17:29.799 riff. It's very kind of... It's not simple, because 00:17:29.799 --> 00:17:33.200 nothing's simple with Morello, but... He later 00:17:33.200 --> 00:17:35.319 on in the song, that beginning kind of chalkboard 00:17:35.319 --> 00:17:37.200 -y riff that he does, and he does it in Year 00:17:37.200 --> 00:17:39.700 of the Boomerang on Evil Empire as well, but... 00:17:39.720 --> 00:17:43.460 you get a little of that kind of scratchy sound 00:17:43.460 --> 00:17:45.839 from his guitar. And then later on in the song, 00:17:46.180 --> 00:17:48.220 he is doing it again, but just doing it kind 00:17:48.220 --> 00:17:50.299 of straight. And you're like, oh, this is awesome. 00:17:50.660 --> 00:17:53.240 Like this now actually really rips. And I didn't 00:17:53.240 --> 00:17:56.599 see it going from this Chupboard -y scratchy 00:17:56.599 --> 00:17:59.259 version of the riff at the beginning, too. They're 00:17:59.259 --> 00:18:01.220 all just kind of slamming it at you at the end. 00:18:01.779 --> 00:18:04.259 So Ashes in the Fall, one of my favorite Rage 00:18:04.259 --> 00:18:06.890 songs from the Battle of LA. And i'm gonna go 00:18:06.890 --> 00:18:09.569 as far as to say our deepest cut of the night 00:18:09.569 --> 00:18:12.349 so far so bravo because when i make a mixtape 00:18:12.349 --> 00:18:15.349 i always like to throw a song that might not 00:18:15.349 --> 00:18:17.650 be one of the radio hits might not be one of 00:18:17.650 --> 00:18:20.109 the ones that is played in every single show 00:18:20.109 --> 00:18:23.230 and the penultimate track on the battle l .a. 00:18:23.269 --> 00:18:26.630 right before we close out for war within a breath 00:18:26.630 --> 00:18:29.269 now what a great pick i love what you do with 00:18:29.269 --> 00:18:31.869 that. Had to man had to pick one off that records 00:18:31.869 --> 00:18:35.039 i think it's underrated at this point. I would 00:18:35.039 --> 00:18:37.259 agree but then again when there's only four albums 00:18:37.259 --> 00:18:40.500 to deal with kind of the catalog is a whole i 00:18:40.500 --> 00:18:43.779 feel like is on a pedestal in and of itself. 00:18:44.859 --> 00:18:49.799 All right so. We've got all the albums represented 00:18:49.799 --> 00:18:52.740 by at least one song so now i don't feel guilty. 00:18:53.359 --> 00:18:55.440 And i'm gonna go back to the self title because 00:18:55.440 --> 00:18:58.740 again we're talking about important tracks and 00:18:58.740 --> 00:19:01.440 i feel like you can't talk about rage against 00:19:01.440 --> 00:19:05.559 the machine. without killing in the name and 00:19:05.559 --> 00:19:10.019 Just i mean from the beginnings in the 90s with 00:19:10.019 --> 00:19:15.579 that song Taking it into the 2009 uk number one 00:19:15.579 --> 00:19:20.680 campaign this is the kind of song that crossed 00:19:20.680 --> 00:19:24.700 decades for this band They already had done tours 00:19:24.700 --> 00:19:28.900 in 2007 and 2008, but it was the moment where 00:19:28.900 --> 00:19:32.019 there was the whole X Factor and Killing in the 00:19:32.019 --> 00:19:35.440 Name competition in the UK, where the voters 00:19:35.440 --> 00:19:38.059 got Killing in the Name to number one in the 00:19:38.059 --> 00:19:41.740 UK, that I think might have been a catalyst for 00:19:41.740 --> 00:19:46.519 the continued 2009 -2010 tours, because it really 00:19:46.519 --> 00:19:49.240 revitalized Rage Against the Machine overseas 00:19:49.240 --> 00:19:52.519 again, while also, again, keeping that song relevant. 00:19:52.559 --> 00:19:56.859 when it was well close to its 20th year of existence 00:19:56.859 --> 00:19:59.759 at that point. And again, just in terms of the 00:19:59.759 --> 00:20:02.319 band's history, we have to focus on the fact 00:20:02.319 --> 00:20:04.740 that this was their lead single. This was their 00:20:04.740 --> 00:20:07.140 introduction outside of bomb track being the 00:20:07.140 --> 00:20:10.400 album introduction. This is what they came to 00:20:10.400 --> 00:20:14.799 the table with. And it's such a moment in music. 00:20:15.359 --> 00:20:18.359 I remember seeing the crowds in Lollapalooza. 00:20:18.650 --> 00:20:21.490 During the i won't do what you tell me close 00:20:21.490 --> 00:20:25.630 and it was insanity they literally took people 00:20:25.630 --> 00:20:28.150 over with that song and they take people over 00:20:28.150 --> 00:20:30.869 with that song. And i don't think there's ever 00:20:30.869 --> 00:20:33.170 been a rage against the machine show that didn't 00:20:33.170 --> 00:20:35.829 have it in some facet and i just can't see not 00:20:35.829 --> 00:20:39.349 including it here. Great choice obviously one 00:20:39.349 --> 00:20:42.240 of their. Probably biggest song, you're a career 00:20:42.240 --> 00:20:44.799 spending song. Everybody kind of knows this song. 00:20:44.880 --> 00:20:46.380 You may not even know that it's Raging Against 00:20:46.380 --> 00:20:48.059 the Machine, but people know the song and know 00:20:48.059 --> 00:20:50.779 the ending of this song, no matter really what, 00:20:50.839 --> 00:20:52.500 if you paid attention to music over the last 00:20:52.500 --> 00:20:56.359 30 years. And I love that it was a single. I 00:20:56.359 --> 00:20:58.619 love that it was on the radio, even though they 00:20:58.619 --> 00:21:01.200 had to cut it. But yeah, great track and great 00:21:01.200 --> 00:21:03.339 pick there. Yeah, I love when they were on the 00:21:03.339 --> 00:21:06.319 BBC and they were told you cannot curse. And 00:21:06.319 --> 00:21:10.279 for the whole first half, he just goes, You I 00:21:10.279 --> 00:21:13.380 won't do what you tell me. You I won't do what 00:21:13.380 --> 00:21:15.099 you tell me. And when they kick in and he just 00:21:15.099 --> 00:21:17.180 starts cursing and they have to break out of 00:21:17.180 --> 00:21:20.019 the song, that's I mean that you don't get more 00:21:20.019 --> 00:21:22.700 rage against the machine than that. So good. 00:21:22.900 --> 00:21:26.079 So good. Yeah. All right. We each have one pick 00:21:26.079 --> 00:21:28.519 left. This is where it gets hard because there 00:21:28.519 --> 00:21:32.539 are dozens of amazing songs that people are probably 00:21:32.539 --> 00:21:35.740 screaming at us right now. Where the hell is 00:21:35.740 --> 00:21:38.369 blank? There's so many of those. Yeah, so we'll 00:21:38.369 --> 00:21:41.450 be able to quell at least two of those screams 00:21:41.450 --> 00:21:44.369 with two more choices, one from you and one from 00:21:44.369 --> 00:21:47.309 me. What do you got? All right. I'm going Evil 00:21:47.309 --> 00:21:51.230 Empire. I'm going People of the Sun. Yes. Great 00:21:51.230 --> 00:21:54.769 riff to open a record, a record that was very 00:21:54.769 --> 00:21:56.869 anticipated at the time, obviously coming off 00:21:56.869 --> 00:21:59.970 self -titled and how big that was for them. And 00:21:59.970 --> 00:22:04.250 to just throw this kind of boomerang -y type 00:22:04.250 --> 00:22:07.170 riff at you. But they have a song later on the 00:22:07.170 --> 00:22:09.650 cold year the boomerang but not like that it's 00:22:09.650 --> 00:22:12.569 so good it's such a morello thing to do and then. 00:22:13.049 --> 00:22:14.869 Yeah people come up and then boom right into 00:22:14.869 --> 00:22:18.609 what they do and. It's a great way to kick off 00:22:18.609 --> 00:22:20.569 an album and one of my favorite albums of all 00:22:20.569 --> 00:22:22.950 time so people the sun is my last choice here 00:22:22.950 --> 00:22:26.190 tonight. That opening scratchy guitar that he's 00:22:26.190 --> 00:22:29.230 doing with the pic it almost sounds like a turntable 00:22:29.230 --> 00:22:31.329 and i love the fact that on their albums actually 00:22:31.329 --> 00:22:34.220 have to put a disclaimer. that all the sounds 00:22:34.220 --> 00:22:36.440 created or that of the band and that's a testament 00:22:36.440 --> 00:22:40.819 to tom style of playing it so unique it's definitely 00:22:40.819 --> 00:22:44.519 from our generation in the nineties probably 00:22:44.519 --> 00:22:48.220 the most unique style of playing where he started 00:22:48.220 --> 00:22:51.859 playing a riff. Most people can go that was tom 00:22:51.859 --> 00:22:55.460 morello whereas other guitars had a style but 00:22:55.460 --> 00:22:58.769 tom morello is kinda quick and undeniable. Absolutely 00:22:58.769 --> 00:23:01.650 yeah he you knew it was more you knew it was 00:23:01.650 --> 00:23:03.990 whatever project he was a part of at the time 00:23:03.990 --> 00:23:06.829 and most often rage but he did some other stuff 00:23:06.829 --> 00:23:09.210 too and it was like that's oh yeah that sounds 00:23:09.210 --> 00:23:11.769 like morello and nobody else was there was a 00:23:11.769 --> 00:23:13.289 lot of people really doing what he was doing 00:23:13.289 --> 00:23:15.109 especially in this time frame I think about a 00:23:15.109 --> 00:23:17.670 bunch of people do some funky stuff now but in 00:23:17.670 --> 00:23:20.690 this you know early 90s to mid 90s everybody 00:23:20.690 --> 00:23:22.869 was like whoa who are these guys what is this 00:23:22.869 --> 00:23:25.089 sound how does he keep making these crazy amazing 00:23:25.089 --> 00:23:28.059 sounds And i'm gonna go as far as maybe ruffle 00:23:28.059 --> 00:23:30.779 some feathers here but people of the sun might 00:23:30.779 --> 00:23:34.799 be my favorite song on evil empire as much as 00:23:34.799 --> 00:23:38.640 bulls on parade is a monster. People of the sun 00:23:38.640 --> 00:23:40.900 i mean think about this people of the sun in 00:23:40.900 --> 00:23:44.900 the bulls on parade bomb track into killing in 00:23:44.900 --> 00:23:51.539 the name. Testify into gorilla radio rage new 00:23:51.539 --> 00:23:54.950 had a one two punch in album. Even if you want 00:23:54.950 --> 00:23:58.529 to go microphone fiend and pistol grip pump from 00:23:58.529 --> 00:24:00.410 renegades but i'm talking about kind of their 00:24:00.410 --> 00:24:03.849 original albums the one to punch is just undeniable 00:24:03.849 --> 00:24:08.150 on all of them so bravo on the pic. And closing 00:24:08.150 --> 00:24:11.529 it out if there's only one song i could possibly 00:24:11.529 --> 00:24:15.109 put here. It closes their self title that i'm 00:24:15.109 --> 00:24:17.509 sorry i know we've leaned into the self titled 00:24:17.509 --> 00:24:20.990 in this ten song mix but. If i'm closing out 00:24:20.990 --> 00:24:25.319 a playlist and i think about album. Bookends 00:24:25.319 --> 00:24:29.200 bomb track and freedom is at the top of my list 00:24:29.200 --> 00:24:33.200 what a way to open the chapter of an album and 00:24:33.200 --> 00:24:36.720 end the story then with freedom between just 00:24:36.720 --> 00:24:41.099 the riff which is so massive. And it's a little 00:24:41.099 --> 00:24:43.059 slower than some of the other riffs that we talked 00:24:43.059 --> 00:24:45.440 about tonight like know your enemy where it's 00:24:45.440 --> 00:24:47.220 kind of a little bit more a lot more movement 00:24:47.220 --> 00:24:52.000 going on freedom is got this almost lose styling. 00:24:52.519 --> 00:24:56.779 To the rip that's happening but it is just so 00:24:56.779 --> 00:25:01.380 spaced out. To kind of really let the song breathe 00:25:01.380 --> 00:25:04.779 in the peaks and valleys that this song provides 00:25:04.779 --> 00:25:08.779 encapsulates what i love about rage against the 00:25:08.779 --> 00:25:11.720 machine when the song breaks down and builds 00:25:11.720 --> 00:25:14.180 up with the boom boom boom boom boom boom boom 00:25:14.180 --> 00:25:15.720 boom boom boom boom boom boom boom boom boom 00:25:15.720 --> 00:25:15.839 boom boom boom boom boom boom boom boom boom 00:25:15.839 --> 00:25:16.539 boom boom boom boom boom boom boom boom boom 00:25:16.539 --> 00:25:16.539 boom boom boom boom boom boom boom boom boom 00:25:16.539 --> 00:25:16.539 boom boom boom boom boom boom boom boom boom 00:25:16.539 --> 00:25:16.539 boom boom boom boom boom boom boom boom boom 00:25:16.539 --> 00:25:16.539 boom boom boom boom boom boom boom boom boom 00:25:16.539 --> 00:25:16.539 boom boom boom boom boom boom boom boom boom 00:25:16.539 --> 00:25:16.539 boom boom boom boom boom boom boom boom boom 00:25:16.539 --> 00:25:18.170 boom boom boom boom boom boom boom i don't know 00:25:18.170 --> 00:25:20.450 about you but the song is slow and heavy but 00:25:20.450 --> 00:25:22.589 i'm doing like a hundred and ninety miles an 00:25:22.589 --> 00:25:25.289 hour from in the car in that park comes on and 00:25:25.289 --> 00:25:27.369 he's just screaming freedom at the top of his 00:25:27.369 --> 00:25:31.269 life. That is just such an epic way to close 00:25:31.269 --> 00:25:34.170 an album i feel like an epic way to close our 00:25:34.170 --> 00:25:37.450 playlist tonight. Absolutely anger is a gift 00:25:37.450 --> 00:25:39.710 under his breath every you just like ready to 00:25:39.710 --> 00:25:42.049 run through a brick wall like this is so good 00:25:42.049 --> 00:25:45.289 this song is so good and the kind of control 00:25:45.289 --> 00:25:48.049 chaos at the end of it. With the screaming of 00:25:48.049 --> 00:25:50.630 freedom and that kind of ramp up a boom boom 00:25:50.630 --> 00:25:52.529 boom that's so good man that's a great way to 00:25:52.529 --> 00:25:53.890 close it out i'm not sure you could pick a better 00:25:53.890 --> 00:25:57.099 one. Well there you have it mixtapers, our ultimate 00:25:57.099 --> 00:25:59.480 Rage Against the Machine mixtape which kicked 00:25:59.480 --> 00:26:02.940 off with Bulls on Parade from Evil Empire, Bomb 00:26:02.940 --> 00:26:06.000 Track and Wake Up from Self -Titled, The Ghost 00:26:06.000 --> 00:26:08.640 of Tom Joad from the original single and then 00:26:08.640 --> 00:26:11.900 Renegades, No Shelter from the Godzilla soundtrack, 00:26:12.440 --> 00:26:15.539 Know Your Enemy from Self -Titled, Ashes in the 00:26:15.539 --> 00:26:18.740 Fall from The Battle of LA, Killing in the Name 00:26:18.740 --> 00:26:21.740 from Self -Titled, People of the Sun from Evil 00:26:21.740 --> 00:26:25.910 Empire, and Freedom. from self -titled head over 00:26:25.910 --> 00:26:28.490 to myweeklymixtape .com to hear all the songs 00:26:28.490 --> 00:26:31.410 we've discussed in this mix through the playlist 00:26:31.410 --> 00:26:34.450 embedded on the episode page. Now, Tony, we've 00:26:34.450 --> 00:26:36.309 been talking a lot about Rage Against the Machine. 00:26:36.390 --> 00:26:38.589 And like I said at the top of the show, Rage 00:26:38.589 --> 00:26:41.390 Against the Machine is a big part of what Patio 00:26:41.390 --> 00:26:43.049 Slave is all about. Why don't you let people 00:26:43.049 --> 00:26:45.190 know a little bit about the show and where they 00:26:45.190 --> 00:26:48.289 can connect with you guys? Yeah, we, uh, Patio 00:26:48.289 --> 00:26:50.509 Slave podcast. We've been going now for four 00:26:50.509 --> 00:26:53.420 years, four and a half years almost. the three 00:26:53.420 --> 00:26:56.740 friends, me, my co -host Anthony and Nate, kind 00:26:56.740 --> 00:26:59.160 of started this thing on a whim and didn't realize 00:26:59.160 --> 00:27:03.099 we'd still be doing it 220 episodes in four years 00:27:03.099 --> 00:27:05.180 later. So we've talked to people all across the 00:27:05.180 --> 00:27:08.160 industry, you know, Pina from 311, Lajon from 00:27:08.160 --> 00:27:11.259 Seven Dust. We'd love to have anybody from Rage, 00:27:11.400 --> 00:27:13.480 you know, how many interviews those guys do. 00:27:14.079 --> 00:27:17.720 So it would be pretty cool. But yeah, we've been 00:27:17.720 --> 00:27:20.619 able to really kind of find our little, we love 00:27:20.619 --> 00:27:22.839 every... We're like you, Brian, where we love 00:27:22.839 --> 00:27:25.440 all music and we can pull from every little place. 00:27:25.900 --> 00:27:28.059 We've leaned in the alternative and, you know, 00:27:28.259 --> 00:27:30.359 heavier side of things because those people have 00:27:30.359 --> 00:27:31.980 been really accessible as far as talking to. 00:27:32.140 --> 00:27:34.460 But we've had photographers, we've had people 00:27:34.460 --> 00:27:37.279 who have run different tours in the past, like 00:27:37.279 --> 00:27:38.660 Warped Tour and Touch of the Earth and stuff 00:27:38.660 --> 00:27:40.779 like that. So we're kind of a one -stop shop 00:27:40.779 --> 00:27:42.619 for all kinds of different things. If you're 00:27:42.619 --> 00:27:44.200 looking for something in there, you'll find something 00:27:44.200 --> 00:27:46.539 you like. podioslave .com, at podioslave on all 00:27:46.539 --> 00:27:49.420 the socials. Well tony i appreciate the friendship 00:27:49.420 --> 00:27:52.200 we've had through our different podcasts i love 00:27:52.200 --> 00:27:54.740 collaborating with you guys hope we could do 00:27:54.740 --> 00:27:57.240 it again soon as always this has been a pleasure 00:27:57.240 --> 00:27:59.859 thank you so much for joining me on my weekly 00:27:59.859 --> 00:28:02.440 mixtape. Yeah man appreciate it thank you and 00:28:02.440 --> 00:28:05.640 hey go check out back episodes of brian spot 00:28:05.640 --> 00:28:07.640 if you're coming from my side. Thank you very 00:28:07.640 --> 00:28:09.759 much student likewise check out some of the stuff 00:28:09.759 --> 00:28:12.819 i know there's i've been a guest over on patio 00:28:12.819 --> 00:28:14.559 slave a couple times i've been fortunate enough 00:28:14.559 --> 00:28:18.029 to do that so. Always a great time. Keep that 00:28:18.029 --> 00:28:21.910 music podcast community supported because we're 00:28:21.910 --> 00:28:23.930 all out here doing our thing and there's a lot 00:28:23.930 --> 00:28:27.230 of great music content out there. So true. Remember, 00:28:27.230 --> 00:28:29.589 you could find My Weekly Mixtape on almost all 00:28:29.589 --> 00:28:32.410 the social media haunts at My Weekly Mixtape. 00:28:32.569 --> 00:28:35.109 You can also head to myweeklymixtape .com to 00:28:35.109 --> 00:28:37.829 check out the full catalog of My Weekly Mixtape 00:28:37.829 --> 00:28:39.849 episodes. And once again, if you like what you're 00:28:39.849 --> 00:28:42.029 hearing on the show, you can help me out by either 00:28:42.029 --> 00:28:44.400 telling a friend leaving the show a five star 00:28:44.400 --> 00:28:47.019 review wherever you're tuning in or becoming 00:28:47.019 --> 00:28:50.359 a Patreon mixtape or at patreon .com forward 00:28:50.359 --> 00:28:53.460 slash my weekly mixtape. There you can enjoy 00:28:53.460 --> 00:28:55.960 ad free episodes of the show, become a future 00:28:55.960 --> 00:28:59.000 guest and so much more. That's all for this week. 00:28:59.140 --> 00:29:01.279 Thanks again for listening. And until next time, 00:29:01.680 --> 00:29:02.500 enjoy the tunes.