WEBVTT 00:00:10.980 --> 00:00:13.679 Welcome to My Weekly Mixtape, a podcast that 00:00:13.679 --> 00:00:16.660 takes the classic mixtape approach to building 00:00:16.660 --> 00:00:19.179 a modern playlist. I'm your host, Brian Colburn. 00:00:19.260 --> 00:00:22.100 Joining me once again as guest curator is my 00:00:22.100 --> 00:00:24.719 former TuneStyles co -host, Jay Sweet. Jay, welcome 00:00:24.719 --> 00:00:26.760 back to the show, my friend. Thanks for having 00:00:26.760 --> 00:00:29.059 me. I think, what are we, up to 20 times visitor 00:00:29.059 --> 00:00:30.899 on the show now? Yeah, I don't know. At this 00:00:30.899 --> 00:00:33.219 point, I kind of lost count, so hooray for you 00:00:33.219 --> 00:00:36.340 for coming on so many times. I feel like Steve 00:00:36.340 --> 00:00:39.420 Martin or Alec Baldwin, like I'm in an elite 00:00:39.420 --> 00:00:43.719 club here. Well, tonight we're talking about 00:00:43.719 --> 00:00:50.179 fictional bands. Now, that could easily be misconstrued. 00:00:50.520 --> 00:00:52.840 Because if you think about the controversies 00:00:52.840 --> 00:00:55.799 surrounding things like Milli Vanilli back in 00:00:55.799 --> 00:00:59.200 the late 80s and early 90s, technically there 00:00:59.200 --> 00:01:02.719 was some fictitious nature to it. But you and 00:01:02.719 --> 00:01:05.379 I have established some ground rules for tonight's 00:01:05.379 --> 00:01:09.379 episode as to what a fictitious band is. Do you 00:01:09.379 --> 00:01:11.579 want to chime in on what you were looking for 00:01:11.579 --> 00:01:14.719 in your fictitious artists for this evening? 00:01:15.280 --> 00:01:18.739 Yeah, I went straight for things that were made 00:01:18.739 --> 00:01:22.780 expressly for cartoons, movies, TV shows. I have 00:01:22.780 --> 00:01:25.540 a couple on my list that are you might question 00:01:25.540 --> 00:01:29.579 them because, yeah, they may have been covers 00:01:29.579 --> 00:01:33.219 of legitimate bands, but we'll note them. All 00:01:33.219 --> 00:01:35.099 right. And with that, I'm pretty much in the 00:01:35.099 --> 00:01:39.079 same boat. Cartoons, TV shows, movies. But I'm 00:01:39.079 --> 00:01:41.599 also going to add pop culture to the stuff I 00:01:41.599 --> 00:01:44.099 came up with. And we'll get to that. a little 00:01:44.099 --> 00:01:46.900 bit down the way. But for now, let's just get 00:01:46.900 --> 00:01:49.540 right down to business. Tonight, Jay and I will 00:01:49.540 --> 00:01:52.799 be curating the ultimate fictional bands mixtape, 00:01:52.819 --> 00:01:54.819 and we'll use the old cassette deck approach. 00:01:55.120 --> 00:01:57.659 Jay, as my special guest, will begin with his 00:01:57.659 --> 00:02:00.219 first song choice, and then I'll add a song that 00:02:00.219 --> 00:02:02.980 I feel best follows up that choice. We'll then 00:02:02.980 --> 00:02:05.060 flip -flop choosing songs until we've mapped 00:02:05.060 --> 00:02:08.479 out 10 songs for side A. We'll then give our 00:02:08.479 --> 00:02:11.000 mixtape a proverbial flip and we'll map outside. 00:02:11.139 --> 00:02:13.460 Be only this time. I'll kick things off with 00:02:13.460 --> 00:02:16.300 Jay choosing second. Our overall goal for the 00:02:16.300 --> 00:02:19.000 episode is to craft the best fictional bands 00:02:19.000 --> 00:02:23.139 mixtape possible through only 20 songs. At the 00:02:23.139 --> 00:02:24.780 end of the show, you can take our conversation 00:02:24.780 --> 00:02:27.560 to the next level by visiting the episode page 00:02:27.560 --> 00:02:30.960 at myweeklymixtape .com to give our final mixtape 00:02:30.960 --> 00:02:33.960 a listen via the embedded playlist. And if you 00:02:33.960 --> 00:02:35.819 like what you're hearing on the show, you can 00:02:35.819 --> 00:02:38.340 help me out by either telling a friend, leaving 00:02:38.340 --> 00:02:40.259 the show a five -star review wherever you're 00:02:40.259 --> 00:02:43.500 tuning in, or becoming a Patreon mixtaper at 00:02:43.500 --> 00:02:47.219 patreon .com forward slash My Weekly Mixtape. 00:02:47.319 --> 00:02:49.979 There you can find ad -free episodes of the show, 00:02:50.139 --> 00:02:52.740 gain early access to future My Weekly Mixtape 00:02:52.740 --> 00:02:55.560 episodes, chime in on upcoming topics, become 00:02:55.560 --> 00:02:58.650 a future guest, and so much more. And a few of 00:02:58.650 --> 00:03:00.509 the mixtapers chimed in with the songs they would 00:03:00.509 --> 00:03:02.330 use to kick things off tonight. I want to give 00:03:02.330 --> 00:03:05.330 a few quick shout outs. Jen chimed in with the 00:03:05.330 --> 00:03:07.789 Hex Girls from Scooby Doo, saying they would 00:03:07.789 --> 00:03:10.750 have covered Paramore or Evanescence with no 00:03:10.750 --> 00:03:13.870 doubt in her mind. Philip Bergman chimed in with 00:03:13.870 --> 00:03:16.889 the Archies Bang Shangalang. Seeker checked in 00:03:16.889 --> 00:03:19.550 from Australia going with Sadgasm, which was 00:03:19.550 --> 00:03:21.590 the band that Homer Simpson was a part of in 00:03:21.590 --> 00:03:24.569 his youth. The song he remembers is Margarine, 00:03:24.629 --> 00:03:27.520 which was based on Bush's Glycerine. And there's 00:03:27.520 --> 00:03:29.759 even a parody in that episode where Marvin Cobain 00:03:29.759 --> 00:03:32.960 calls his cousin Kurt while Sadgasm is performing, 00:03:33.240 --> 00:03:36.900 excited about the new sound that is grunge, like 00:03:36.900 --> 00:03:39.159 Marvin Barry in Back to the Future. Love it. 00:03:39.439 --> 00:03:42.360 Sean Goff chimed in with Degenerated by the Lone 00:03:42.360 --> 00:03:45.360 Rangers from Airheads. Chad LaMassa chimed in 00:03:45.360 --> 00:03:48.020 with Zartan and the Dreadnoughts Cold Slither 00:03:48.020 --> 00:03:51.479 from G .I. Joe. And Brandon from Virginia chimed 00:03:51.479 --> 00:03:53.990 in with Radical Posture. from the young ones. 00:03:54.150 --> 00:03:56.469 Once again, if you'd like to chime in for future 00:03:56.469 --> 00:03:59.789 My Weekly Mixtape episodes, come join the mixtaper 00:03:59.789 --> 00:04:04.389 community at patreon .com forward slash myweeklymixtape. 00:04:04.870 --> 00:04:07.449 Now, Jay, I'm officially pressing the record 00:04:07.449 --> 00:04:10.810 button on our fictional band's mixtape, and the 00:04:10.810 --> 00:04:13.629 floor is yours. What song are you kicking things 00:04:13.629 --> 00:04:17.279 off with tonight? I just want to say Chad Lamas, 00:04:17.339 --> 00:04:21.920 a great deep cut. Oh, yeah. Cold slither from 00:04:21.920 --> 00:04:25.019 G .I. Joe. That's fantastic. So those are the 00:04:25.019 --> 00:04:26.920 kinds of things that, you know, that I'm looking 00:04:26.920 --> 00:04:31.970 at. I think cartoons in the 70s, early 80s. even 00:04:31.970 --> 00:04:34.689 in the in the late 60s the the looney tunes and 00:04:34.689 --> 00:04:37.069 the tom and jerry's and things like that kind 00:04:37.069 --> 00:04:39.750 of provided a really fun soundtrack for these 00:04:39.750 --> 00:04:42.189 kinds of things that you know i think josie and 00:04:42.189 --> 00:04:44.730 the pussycats the scooby -doo band jabber jaw 00:04:44.730 --> 00:04:47.870 right the hannah barbara lineups but i want to 00:04:47.870 --> 00:04:49.949 start off strong i want to start off with a rather 00:04:49.949 --> 00:04:51.949 controversial band and i think we're going to 00:04:51.949 --> 00:04:53.589 touch on a little bit of a theme throughout this 00:04:53.589 --> 00:04:56.730 show and that is that a lot of these songs are 00:04:56.730 --> 00:04:59.790 mockumentaries that we're done a show within 00:04:59.790 --> 00:05:02.350 a show if you will and i'm going right for it 00:05:02.350 --> 00:05:06.069 we're uh if you remember uh in the 90s uh woke 00:05:06.069 --> 00:05:10.610 up this morning to the alarm clocks roaring it's 00:05:10.610 --> 00:05:13.110 all right because i was saved by zach attack 00:05:13.110 --> 00:05:17.769 oh and did we ever have a chance oh my god ac 00:05:17.769 --> 00:05:21.300 slater zach morris and kelly kapowski And don't 00:05:21.300 --> 00:05:23.720 forget Screech on the tambourine. No, Screech 00:05:23.720 --> 00:05:26.180 was keyboards. Oh, that's right. That's right. 00:05:26.300 --> 00:05:28.199 Oh, and I forgot Lisa was in the band, too. Yeah, 00:05:28.199 --> 00:05:30.620 Lisa was the bass player. Only Jesse wasn't in 00:05:30.620 --> 00:05:33.959 the band. According to Wikipedia, Jesse was on 00:05:33.959 --> 00:05:35.939 vocals, but I don't remember seeing her in the 00:05:35.939 --> 00:05:38.959 performance. She wasn't in the video. Yeah. And 00:05:38.959 --> 00:05:41.240 then the band broke up. And she may be the reason 00:05:41.240 --> 00:05:44.360 that the band broke up. Was Jesse the Yoko Ono 00:05:44.360 --> 00:05:50.990 of Zack Attack? Uh -oh. Hot take. Somebody on 00:05:50.990 --> 00:05:55.069 TikTok did a video where they stripped the audio 00:05:55.069 --> 00:05:58.550 from the video and do what it would really sound 00:05:58.550 --> 00:06:02.550 like. So, of course, the actors are not, you 00:06:02.550 --> 00:06:04.629 know, Tiffany Amber, Tate Thiessen. That's it. 00:06:05.170 --> 00:06:09.670 Mark Paul Gossard and good Lord, I'm blanking 00:06:09.670 --> 00:06:11.670 on all their names now. Do you really not know 00:06:11.670 --> 00:06:14.689 them as Zach Morris, A .C. Slater? It's very 00:06:14.689 --> 00:06:17.110 true. But they weren't really obviously playing 00:06:17.110 --> 00:06:19.129 the instruments that they were supposed to. Oh, 00:06:19.129 --> 00:06:21.389 God, no. You know, you got you got Dustin Diamond 00:06:21.389 --> 00:06:24.350 mashing on the keys of the keyboard. So the person 00:06:24.350 --> 00:06:26.810 on the social media, the video, it was just it 00:06:26.810 --> 00:06:30.290 was just a noise. It was hilarious. And Zach 00:06:30.290 --> 00:06:32.930 is doing chords on the guitars. Mark Paul Gossard 00:06:32.930 --> 00:06:36.370 is doing chords on the guitar that just not fully 00:06:36.370 --> 00:06:39.050 formed, not even in a key. They're just all over 00:06:39.050 --> 00:06:42.819 the place. sounds hilarious so uh if you get 00:06:42.819 --> 00:06:44.540 a chance you should check that out yeah and i 00:06:44.540 --> 00:06:48.000 also picture like a jesse spano behind the music 00:06:48.000 --> 00:06:50.819 where they're going like jesse didn't do her 00:06:50.819 --> 00:06:54.399 part in the band and instead went to las vegas 00:06:54.399 --> 00:06:58.560 and became a showgirl okay and now and that was 00:06:58.560 --> 00:07:00.819 the fun thing about that that episode of saved 00:07:00.819 --> 00:07:03.860 by the bell is that casey casem was the narrator 00:07:03.860 --> 00:07:07.100 for the documentary yes the main host of the 00:07:07.100 --> 00:07:10.209 show so that's always fun And let me add to this. 00:07:10.269 --> 00:07:12.509 I have actually seen a version of that TikTok 00:07:12.509 --> 00:07:14.550 you're talking about. I saw a version on YouTube, 00:07:14.629 --> 00:07:17.170 so I'll be sure to embed that over on the episode 00:07:17.170 --> 00:07:20.069 page at myweeklymixtape .com if you want to check 00:07:20.069 --> 00:07:23.189 out the overdubbed Saved by the Bell version 00:07:23.189 --> 00:07:25.029 that Jay was just talking about because it really 00:07:25.029 --> 00:07:30.329 is funny. All right. You went mockumentary within 00:07:30.329 --> 00:07:35.370 a TV show. I'm going to stick with that pop sound 00:07:35.370 --> 00:07:38.430 of Did We Ever Have a Chance musically, thematically. 00:07:39.019 --> 00:07:40.680 I'm going to try to follow that up with something 00:07:40.680 --> 00:07:43.879 that song to song might actually make sense. 00:07:44.459 --> 00:07:47.000 And believe it or not, this might even be considered 00:07:47.000 --> 00:07:50.480 a deep pick for my first pick. Because this wasn't 00:07:50.480 --> 00:07:52.639 a hit by any stretch of the imagination, but 00:07:52.639 --> 00:07:54.800 it does have its fans. And I think those people 00:07:54.800 --> 00:07:57.500 that know this movie and know this soundtrack 00:07:57.500 --> 00:07:59.639 are going to be impressed with the opening pick 00:07:59.639 --> 00:08:03.180 for this. So we're going to go back to 2007's 00:08:03.180 --> 00:08:06.079 music and lyrics movie. And I'm going to go with 00:08:06.079 --> 00:08:09.779 Pop Goes My Heart from Pop. Oh my God. I haven't 00:08:09.779 --> 00:08:13.399 thought of that movie in years. Drew Barrymore, 00:08:13.560 --> 00:08:17.980 Hugh Grant. Yes. It was a rom -com that for some 00:08:17.980 --> 00:08:20.480 reason, my wife and I just both really enjoyed. 00:08:20.540 --> 00:08:22.240 There was just something about this movie that 00:08:22.240 --> 00:08:26.360 had a fun, light heart to it. Pop goes my heart. 00:08:26.439 --> 00:08:29.019 The beginning of the movie is the music video 00:08:29.019 --> 00:08:31.819 that they're doing. The old school pop -up video 00:08:31.819 --> 00:08:35.340 recreation that used to run on VH1. Yes. And 00:08:35.340 --> 00:08:39.769 the song. When you listen to it, it actually 00:08:39.769 --> 00:08:44.389 feels like it was from 1984. And that's a big 00:08:44.389 --> 00:08:47.970 kudos to co -writer Andrew Wyatt, who also sings 00:08:47.970 --> 00:08:52.149 on the song. Andrew Wyatt is a big name in pop 00:08:52.149 --> 00:08:54.149 production. He's worked with Dua Lipa, Miley 00:08:54.149 --> 00:08:57.830 Cyrus, Kelly Clarkson, Mark Ronson, Bruno Mars. 00:08:57.950 --> 00:09:01.360 And he also scored the entire Barbie movie. So 00:09:01.360 --> 00:09:04.759 the guy really has his finger on the pulse of 00:09:04.759 --> 00:09:08.580 pop music. And for a song in 2007 to capture 00:09:08.580 --> 00:09:13.620 the essence of 1984 and actually fit and work, 00:09:13.799 --> 00:09:17.259 I had to go with this. I kid you not. I have 00:09:17.259 --> 00:09:20.220 Pop Goes My Heart on my 80s playlist. I know 00:09:20.220 --> 00:09:24.240 it was recorded in 2007, but it just works. Absolutely. 00:09:25.179 --> 00:09:27.139 So out of pop goes my heart. I could go in a 00:09:27.139 --> 00:09:29.220 couple of different directions there. I could 00:09:29.220 --> 00:09:31.139 stick with the Drew Barrymore theme and pick 00:09:31.139 --> 00:09:35.019 something from The Wedding Singer with Adam Sandler's 00:09:35.019 --> 00:09:36.960 band at the beginning of that. Or I could talk 00:09:36.960 --> 00:09:39.500 about love, actually, with Bill Nighy, who was 00:09:39.500 --> 00:09:43.500 a big aging rock star who wrote a great hit song 00:09:43.500 --> 00:09:45.860 for Valentine's Day. But I think I'm going to 00:09:45.860 --> 00:09:49.500 go back to cartoons instead and talk about a 00:09:49.500 --> 00:09:51.980 friend of ours who has been in and out of pop 00:09:51.980 --> 00:09:56.110 music and pop punk forever. And I'm referring 00:09:56.110 --> 00:10:00.750 to one, Jarrett Reddick, who formed the fictional 00:10:00.750 --> 00:10:04.909 band Love Handle on the show Phineas and Ferb. 00:10:05.389 --> 00:10:08.809 written of course by Dan Pavemeyer and Jeff Swampy 00:10:08.809 --> 00:10:11.970 Marsh. And you snuck your way right into my heart, 00:10:12.029 --> 00:10:15.789 which was a great, great song where at the end 00:10:15.789 --> 00:10:18.389 of the Flynn Fletchers have to kind of find each 00:10:18.389 --> 00:10:20.850 other. And she drives the car through the crowd 00:10:20.850 --> 00:10:24.269 to find him. And they, is that love handle? And 00:10:24.269 --> 00:10:27.070 then they're, they passionately embrace it. It's 00:10:27.070 --> 00:10:30.350 a wonderful. So I'm not going to lie, man. I 00:10:30.350 --> 00:10:33.740 feel like in this song, Jarrett Reddick is really 00:10:33.740 --> 00:10:37.200 trying to sound like the singer in Chuck E. Cheese's 00:10:37.200 --> 00:10:39.360 band. I don't know. Maybe it's just me. Would 00:10:39.360 --> 00:10:41.700 you agree in some way, shape or form? I would 00:10:41.700 --> 00:10:45.960 have to say so. Yeah. If you're listening and 00:10:45.960 --> 00:10:47.840 you don't understand that reference, Jarrett 00:10:47.840 --> 00:10:50.620 also is the voice of the latest voice of Chuck 00:10:50.620 --> 00:10:53.500 E. Cheese. Yes. The many branches of bowling 00:10:53.500 --> 00:10:56.860 for soup. Yeah. Very, very cool. Well, I'll be 00:10:56.860 --> 00:10:59.440 honest. Phineas and Ferb hit at the time where 00:10:59.440 --> 00:11:04.779 my kids were. That was around like 2007. So while 00:11:04.779 --> 00:11:07.679 I did watch some of it, it didn't become like 00:11:07.679 --> 00:11:11.159 the childhood staple because when my oldest was 00:11:11.159 --> 00:11:13.419 three and four years old, Phineas and Ferb had 00:11:13.419 --> 00:11:16.820 pretty much finished its run. So she picked up 00:11:16.820 --> 00:11:19.639 on other cartoons at the time, but I did go back 00:11:19.639 --> 00:11:22.320 to this one because I just really loved the show. 00:11:22.320 --> 00:11:24.399 It was a lot of fun. So I'm glad you picked this 00:11:24.399 --> 00:11:27.240 one. I did not have this one on my list. So thank 00:11:27.240 --> 00:11:30.600 you. That's a good pick. I discovered the show 00:11:30.600 --> 00:11:34.379 when I moved to Orlando with the family and I 00:11:34.379 --> 00:11:36.980 walked into a subway across the street for the 00:11:36.980 --> 00:11:39.279 television station that I used to work for. And 00:11:39.279 --> 00:11:42.320 there were they did a promotional collab with 00:11:42.320 --> 00:11:45.659 Subway. And I'm like, what is this weird drawing 00:11:45.659 --> 00:11:48.879 of these two big cartoon characters? And then 00:11:48.879 --> 00:11:51.860 I got into it. And to hell with the kids. I watch 00:11:51.860 --> 00:11:54.720 it for me because they do. It's one of those. 00:11:54.779 --> 00:11:57.460 It's like an Animaniacs type cartoon. And if 00:11:57.460 --> 00:11:59.590 you followed me for any. Any length of time, 00:11:59.610 --> 00:12:01.490 you know that I love cartoons anyway, and I watch 00:12:01.490 --> 00:12:04.190 cartoons because I'm a 50 year old child. But 00:12:04.190 --> 00:12:07.389 yeah, that was and I thought that they do all 00:12:07.389 --> 00:12:09.970 of those great pop culture references that adults 00:12:09.970 --> 00:12:12.809 will get and older children will get or teenagers 00:12:12.809 --> 00:12:16.629 and young 20s would get. And it just cracked 00:12:16.629 --> 00:12:18.970 me up. I was hooked right from the first episode 00:12:18.970 --> 00:12:24.409 I watched. Wow. Well, I'm not sure I'm going 00:12:24.409 --> 00:12:28.090 to go cartoons just yet. Because I could follow 00:12:28.090 --> 00:12:30.029 this up with something, but I feel like it's 00:12:30.029 --> 00:12:32.470 not the right time. So what I'm going to do is 00:12:32.470 --> 00:12:35.789 pivot because you snuck your way right into my 00:12:35.789 --> 00:12:42.129 heart. Still channels some of that 80s vibe that 00:12:42.129 --> 00:12:45.549 we've got going from. Did we ever have a chance? 00:12:45.610 --> 00:12:47.750 And pop goes my heart. So I'm going to stay in 00:12:47.750 --> 00:12:53.230 that for just a little longer. And I'm going 00:12:53.230 --> 00:12:57.240 to go to a song that I actually own. The 45 of, 00:12:57.379 --> 00:13:03.419 and this is from a Marvel movie, but before the 00:13:03.419 --> 00:13:07.340 Marvel universe, way before the Marvel universe, 00:13:07.399 --> 00:13:11.659 I'm going back to 1986. No, but you're close 00:13:11.659 --> 00:13:15.720 because of a post credits cameo in one of the 00:13:15.720 --> 00:13:19.360 guardians movies. But I'm going to go with Howard. 00:13:19.740 --> 00:13:24.879 Oh, very nice. And I am going to go with Howard, 00:13:24.919 --> 00:13:27.919 the duck. performed by Cherry Bomb, which was 00:13:27.919 --> 00:13:31.399 Leah Thompson on lead vocals, George Clinton 00:13:31.399 --> 00:13:35.519 on backing vocals, and Joe Walsh on lead guitar. 00:13:35.700 --> 00:13:38.720 So no, Howard's not ripping that solo. That's 00:13:38.720 --> 00:13:41.679 Joe Walsh of the Eagles. I love this song, and 00:13:41.679 --> 00:13:44.399 I'm not going to lie. Leah Thompson has a good 00:13:44.399 --> 00:13:47.360 voice. I love her voice on this song, and I am 00:13:47.360 --> 00:13:50.019 actually genuinely shocked they didn't do something 00:13:50.019 --> 00:13:52.620 more with her after this movie because the movie. 00:13:53.179 --> 00:13:55.700 Let's be honest. I still have it's still nightmare 00:13:55.700 --> 00:13:59.120 fuel for me. Absolutely. Many, many decades later. 00:13:59.340 --> 00:14:02.539 But the song kicks ass. Jeffrey Jones is that 00:14:02.539 --> 00:14:06.019 giant alien thing that going somewhere, Howard. 00:14:06.120 --> 00:14:10.100 Oh, my God. I saw that in the theater and I was 00:14:10.100 --> 00:14:13.519 not I was nine years old. Yeah, that was like 00:14:13.519 --> 00:14:16.240 this went from I mean, think about this. I was 00:14:16.240 --> 00:14:19.000 nine years old. Think about Howard the Duck. 00:14:19.580 --> 00:14:21.759 And the magazines he was reading in the beginning, 00:14:21.840 --> 00:14:23.659 early in the beginning of the show, that was 00:14:23.659 --> 00:14:27.480 a PG movie. Oh, yeah. And I've long had to have 00:14:27.480 --> 00:14:29.580 this discussion with my wife, how the rating 00:14:29.580 --> 00:14:33.200 of PG has been blurred over the years, because 00:14:33.200 --> 00:14:37.419 in the 80s, PG was most certainly at minimum 00:14:37.419 --> 00:14:41.460 PG -13 now. Yep, for sure. And that was so what 00:14:41.460 --> 00:14:44.100 was it? It was Temple of Doom, right? That was 00:14:44.100 --> 00:14:46.710 the first PG -13 movie. Believe it or not, I 00:14:46.710 --> 00:14:48.870 think it was Temple of Doom was like the catalyst 00:14:48.870 --> 00:14:51.870 for it. Well, Temple of Doom and Gremlins. But 00:14:51.870 --> 00:14:54.110 I read an article back on The Hollywood Reporter 00:14:54.110 --> 00:14:56.429 a long time ago, and I actually remember this 00:14:56.429 --> 00:15:00.230 random useless piece of trivia, which is The 00:15:00.230 --> 00:15:03.370 Flamingo Kid was the first movie to be rated 00:15:03.370 --> 00:15:06.590 PG -13, but that wasn't released until the end 00:15:06.590 --> 00:15:09.490 of the year. So Red Dawn, which my parents actually 00:15:09.490 --> 00:15:12.610 had on VHS tape, they recorded it off HBO. So 00:15:12.610 --> 00:15:14.860 I also remember this. because of the fact that 00:15:14.860 --> 00:15:16.500 they wrote the ratings next to the movie. So 00:15:16.500 --> 00:15:19.019 as a kid, I knew which movies I could and couldn't 00:15:19.019 --> 00:15:22.220 watch. But I digress. Definitely, Indiana Jones 00:15:22.220 --> 00:15:25.320 was part of the impetus of creating the PG -13 00:15:25.320 --> 00:15:28.159 rating. So yeah, there's your Jeopardy movie 00:15:28.159 --> 00:15:30.059 moment from me, which is something that I normally 00:15:30.059 --> 00:15:33.500 do for just music. So there you go. So that was 00:15:33.500 --> 00:15:37.100 a choice that the MPAA made. Yeah, I'm not going 00:15:37.100 --> 00:15:39.879 to say it's the right one in hindsight. Not necessarily. 00:15:40.909 --> 00:15:43.029 Oh, my gosh. Yeah, but that guitar solo, he's 00:15:43.029 --> 00:15:44.950 doing it with the bill. He plays the guitar with 00:15:44.950 --> 00:15:47.889 his bill. And, you know, to be honest with you, 00:15:47.909 --> 00:15:50.470 I didn't know that that was Joe Walsh. Yeah. 00:15:50.549 --> 00:15:52.330 That's pretty freaking cool. And if you go back 00:15:52.330 --> 00:15:54.590 and listen to the solo again, you hear it in 00:15:54.590 --> 00:15:55.990 a totally different way. You're like, oh, yeah, 00:15:56.090 --> 00:15:57.889 you're right. Now that you think about that. 00:15:58.250 --> 00:16:00.730 The George Clinton thing, I didn't know as a 00:16:00.730 --> 00:16:04.009 kid. That's wild. And when you go back and listen 00:16:04.009 --> 00:16:06.789 to it, it's like, oh, yeah, that's totally George. 00:16:07.480 --> 00:16:09.220 Sure. And then George Clinton been a couple of 00:16:09.220 --> 00:16:11.600 movies because PCU came out a few years later. 00:16:11.860 --> 00:16:14.899 He was the whole Parliament Funkadelic was in 00:16:14.899 --> 00:16:18.740 that movie at the end with Jon Favreau. So yes, 00:16:18.759 --> 00:16:20.860 but they were the real George Clinton. That was 00:16:20.860 --> 00:16:22.639 the movie. So they know if they went under a 00:16:22.639 --> 00:16:24.600 different name, I totally would have been using 00:16:24.600 --> 00:16:27.620 that for this episode. Oh, that's so good. All 00:16:27.620 --> 00:16:29.519 right. All right. You know what? Let's keep the 00:16:29.519 --> 00:16:32.159 superhero theme going. There was a movie. Oh, 00:16:32.259 --> 00:16:36.070 God, this movie is so underrated. We're talking 00:16:36.070 --> 00:16:39.350 about a movie called Scott Pilgrim versus the 00:16:39.350 --> 00:16:43.990 world. And they had a band in there called Sex 00:16:43.990 --> 00:16:47.850 Bob -omb, which was named a little bit of a nod 00:16:47.850 --> 00:16:50.549 to Super Mario Brothers, the game franchise. 00:16:50.870 --> 00:16:53.870 And their their main song was We Are Sex Bob 00:16:53.870 --> 00:16:57.090 -omb. And at the end of that song, they have 00:16:57.090 --> 00:17:00.590 defeated X number seven. I'll be honest, dude. 00:17:00.669 --> 00:17:04.009 We saw that movie when it first came out. And 00:17:04.009 --> 00:17:07.130 we loved that movie. Like, I genuinely enjoyed 00:17:07.130 --> 00:17:10.289 that movie. And we haven't seen it since. Like, 00:17:10.309 --> 00:17:12.349 this one was like cobwebs that you just broke 00:17:12.349 --> 00:17:15.390 off in my head. Because as soon as you said it, 00:17:15.430 --> 00:17:17.869 I'm like, oh, yeah. Why didn't I think of that? 00:17:18.190 --> 00:17:19.990 And I think that's where the underrated came 00:17:19.990 --> 00:17:23.170 in. Because I saw it. I enjoyed it. I remember 00:17:23.170 --> 00:17:27.009 the reference to My, My, My Serpentine. And that 00:17:27.009 --> 00:17:29.109 was a nod to guns and roses, which I picked up 00:17:29.109 --> 00:17:30.869 on that in the movie. I'm like, is that a guns 00:17:30.869 --> 00:17:33.329 and roses? Like wink, wink, nudge, nudge. And 00:17:33.329 --> 00:17:36.190 sure enough, the my, my, my serpentine in the 00:17:36.190 --> 00:17:39.289 lyrics is a callback to that. So Bravo on that 00:17:39.289 --> 00:17:41.269 part, because they were thinking outside the 00:17:41.269 --> 00:17:43.970 box from both video game references and music 00:17:43.970 --> 00:17:46.650 references. So it covers a lot of bases here, 00:17:46.750 --> 00:17:49.069 but man, that's a really underrated pick. And 00:17:49.069 --> 00:17:51.410 I would have never in a million years. thought 00:17:51.410 --> 00:17:53.230 of that one because it was a movie that we saw, 00:17:53.430 --> 00:17:55.809 liked, and because I'm not like a big movie buff 00:17:55.809 --> 00:17:58.970 that I watch movies over and over again, now 00:17:58.970 --> 00:18:01.470 I gotta, god, I gotta watch it again. I remember 00:18:01.470 --> 00:18:05.630 loving it. The movie is a literal who's who of 00:18:05.630 --> 00:18:07.809 a cast. You've got Michael Cera in the title 00:18:07.809 --> 00:18:09.829 character, you've got Mary Elizabeth Winstead, 00:18:09.849 --> 00:18:13.170 the lovely Aubrey Plaza, Kieran Culkin, Chris 00:18:13.170 --> 00:18:16.599 Evans before he was Captain America. Brie Larson 00:18:16.599 --> 00:18:18.619 is in the movie before she was Captain Marvel. 00:18:18.799 --> 00:18:21.880 And Brandon Roth as well, before he was Superman. 00:18:22.099 --> 00:18:25.700 So you get quite an eclectic cast there. All 00:18:25.700 --> 00:18:30.019 right. Well, to follow that up then, I'm going 00:18:30.019 --> 00:18:33.059 to go with a movie that also has quite an eclectic 00:18:33.059 --> 00:18:38.099 cast. And that cast would be Rob Lowe, Chris 00:18:38.099 --> 00:18:42.119 Farley. Oh, I was thinking St. Elmo's Fire. Meatloaf. 00:18:42.940 --> 00:18:47.650 Meatloaf? Robert Patrick. Anthony Kiedis, Ed 00:18:47.650 --> 00:18:51.430 Harris, Ed O 'Neill. Is this ringing a bell yet, 00:18:51.529 --> 00:18:55.490 Jay? If not. You haven't mentioned the two stars. 00:18:55.630 --> 00:18:58.369 I haven't mentioned the two stars yet, but Mike 00:18:58.369 --> 00:19:00.750 Myers and Dana Carvey. But I'm not going to go 00:19:00.750 --> 00:19:03.289 with the theme from Wayne's World. I am going 00:19:03.289 --> 00:19:06.710 to go with Crucial Taunt and Ballroom Blitz with 00:19:06.710 --> 00:19:10.410 Tia Carrere on vocals. The song was originally 00:19:10.410 --> 00:19:13.950 recorded by Sweet. And I grew up knowing the 00:19:13.950 --> 00:19:16.789 version from Crocus. But when I saw that movie 00:19:16.789 --> 00:19:18.910 in the theater and I heard her take the lead 00:19:18.910 --> 00:19:21.869 on Ballroom Blitz, I was like, oh, come on, this 00:19:21.869 --> 00:19:24.210 is amazing. And when I heard that that was really 00:19:24.210 --> 00:19:27.470 her singing, holy crap, she's got a great voice. 00:19:27.569 --> 00:19:30.549 She's got the scream. She has everything that 00:19:30.549 --> 00:19:34.569 makes it a fun cover for a movie. And the band 00:19:34.569 --> 00:19:36.789 is totally fake, made up just for Wayne's World. 00:19:37.250 --> 00:19:40.579 Right. Crucial Taunt and Ballroom Blitz to follow 00:19:40.579 --> 00:19:43.779 up We Are Sex Bob -Omb. That's another one to 00:19:43.779 --> 00:19:46.619 your career being how did she not have more of 00:19:46.619 --> 00:19:49.000 a music career? Because Why You Want to Break 00:19:49.000 --> 00:19:52.039 My Heart was also on that soundtrack. And yes, 00:19:52.160 --> 00:19:55.160 she has a wonderful rock voice. That cover is 00:19:55.160 --> 00:19:58.160 fantastic. And of course, you know, it's the 00:19:58.160 --> 00:20:02.599 choice of a new generation. And then Jay, most 00:20:02.599 --> 00:20:05.250 recently. If you're a fan of The Struts, they 00:20:05.250 --> 00:20:07.250 do a fun cover of Ballroom Blitz if you want 00:20:07.250 --> 00:20:09.450 to check that out. I always wanted to cover that 00:20:09.450 --> 00:20:12.170 with a couple of the bands that I was in. It's 00:20:12.170 --> 00:20:14.150 a little bit more difficult than you would think. 00:20:14.369 --> 00:20:16.349 Oh, it's a tough song to sing. I mean, hitting 00:20:16.349 --> 00:20:19.049 those high notes, if you hit them with the oomph 00:20:19.049 --> 00:20:22.329 that Tia Carrere did in her version, that's not 00:20:22.329 --> 00:20:24.789 easy to hit. That's why I love her version so 00:20:24.789 --> 00:20:28.470 much. Yeah, that scream had me sounding like 00:20:28.470 --> 00:20:31.710 I was gargling razor blades for a few hours afterwards. 00:20:32.380 --> 00:20:35.640 For sure. But the vocals aside, because I do 00:20:35.640 --> 00:20:39.160 have a naturally higher singing voice, the song's 00:20:39.160 --> 00:20:41.059 musical structure is kind of like Carry On Wayward 00:20:41.059 --> 00:20:44.819 Son. Yeah. It's a complex song structure. And 00:20:44.819 --> 00:20:47.779 having those layered vocals of the real high 00:20:47.779 --> 00:20:50.259 harmony stuff, it's tough to pull off. And I 00:20:50.259 --> 00:20:52.619 like to be as faithful as I can to the originals 00:20:52.619 --> 00:20:54.480 when I cover a song. Maybe you should try to 00:20:54.480 --> 00:21:00.180 do Tia's version. That would be fun. All right. 00:21:01.230 --> 00:21:04.230 Pop Goes My Heart, you mentioned, was a great 00:21:04.230 --> 00:21:10.069 1984 capsule in 2007, and it pulled off some 00:21:10.069 --> 00:21:13.430 impressive things for you. We're at lucky number 00:21:13.430 --> 00:21:15.589 seven on the track now, and I know I'm going 00:21:15.589 --> 00:21:17.910 to scoop you with this, but I'm going to go with 00:21:17.910 --> 00:21:23.730 a band that was a very 50s, 60s sound, and I'm 00:21:23.730 --> 00:21:27.569 talking about the Oneeders, or the Wonders, and 00:21:27.569 --> 00:21:31.059 that thing you do. That's a low blow, man. That's 00:21:31.059 --> 00:21:33.400 like John Cena turning heel recently that you're 00:21:33.400 --> 00:21:35.839 doing to me, pulling my favorite movie ever. 00:21:36.240 --> 00:21:41.059 How dare you? The audacity. Had to do it. You 00:21:41.059 --> 00:21:43.640 could go with Captain Geech and the Shrimp Shack 00:21:43.640 --> 00:21:47.400 7. No, it's Captain Geech and the Shrimp Shack 00:21:47.400 --> 00:21:49.859 Shooters. Shooters, that's right. Dude, you don't 00:21:49.859 --> 00:21:52.859 even know the band names in the movie. I do that 00:21:52.859 --> 00:21:56.769 all the time. Oh, man, I'm actually going to 00:21:56.769 --> 00:21:58.869 have to use my next pick to try to just scoop 00:21:58.869 --> 00:22:03.329 you and not and not actually go for a song that 00:22:03.329 --> 00:22:05.609 I want to put on the playlist at this point. 00:22:06.089 --> 00:22:08.849 But the point standing, Tom Hanks and of course, 00:22:08.849 --> 00:22:10.809 the song written by Adam Schlesinger, we've talked 00:22:10.809 --> 00:22:15.150 about that really captured that sound. Tom Hanks, 00:22:15.230 --> 00:22:17.990 of course, then formed his own record company 00:22:17.990 --> 00:22:21.529 to put out the soundtrack, which very much fell 00:22:21.529 --> 00:22:25.990 into the. It had a whole atmosphere surrounding 00:22:25.990 --> 00:22:29.390 that record, that movie, that it was very much 00:22:29.390 --> 00:22:34.049 a 50s, 60s pop band origin story. Oh, yeah. I 00:22:34.049 --> 00:22:36.549 think he captured it. We've gushed on about this 00:22:36.549 --> 00:22:39.930 movie for forever. But this, he really, really 00:22:39.930 --> 00:22:42.250 captured, they really captured that. I've done 00:22:42.250 --> 00:22:45.210 several episodes of other podcasts, Movie Lovers 00:22:45.210 --> 00:22:47.730 Unite and Soundtrack Your Life, where I've talked 00:22:47.730 --> 00:22:50.349 about that thing you do and the wonders. I mean, 00:22:50.369 --> 00:22:53.000 the song was written by Adam Schlesinger. Reached 00:22:53.000 --> 00:22:56.019 number 41 on the U .S. Billboard Hot 100, number 00:22:56.019 --> 00:22:58.980 22 on the Adult Contemporary Chart, number 18 00:22:58.980 --> 00:23:02.420 on the Adult Top 40 Chart, and number 24 on the 00:23:02.420 --> 00:23:05.920 Top 40 Mainstream Chart. You had mentioned Playtone 00:23:05.920 --> 00:23:08.380 Records, Jay. Not only did they put out That 00:23:08.380 --> 00:23:10.759 Thing You Do as a soundtrack, they also did a 00:23:10.759 --> 00:23:13.519 ton of soundtracks. They did The Sopranos. They 00:23:13.519 --> 00:23:16.579 did Bring It On, Josie and the Pussycats, Band 00:23:16.579 --> 00:23:19.720 of Brothers, My Big Fat Greek Wedding, The Truth 00:23:19.720 --> 00:23:23.019 About Charlie, and Starter for 10. So it actually 00:23:23.019 --> 00:23:26.259 became a legitimate label that put out actual 00:23:26.259 --> 00:23:29.420 soundtracks, even though it was made fictitiously 00:23:29.420 --> 00:23:32.720 for a movie. Right. Cover versions of this song, 00:23:32.779 --> 00:23:35.579 The Knack, re -recorded it for their Greatest 00:23:35.579 --> 00:23:38.359 Hits collection. Newfound Glory covered it for 00:23:38.359 --> 00:23:42.640 the From the Screen to Your Stereo EP. And Billy 00:23:42.640 --> 00:23:45.240 Joe Armstrong of Green Day covered this on his 00:23:45.240 --> 00:23:48.559 2020 Quarantines cover album, No Fun Mondays. 00:23:49.379 --> 00:23:54.799 Damn you, Jay Sweet. All right. You scoop me. 00:23:54.859 --> 00:23:58.180 I got to figure out a way to punch back now because 00:23:58.180 --> 00:24:01.339 this is on. This is totally on. Marvin Barry 00:24:01.339 --> 00:24:04.279 and the Starlighters featuring Marty McFly. Johnny, 00:24:04.279 --> 00:24:06.880 be good. Back to the future. Oh, he did it. I 00:24:06.880 --> 00:24:09.279 mean, I know you love this movie. If you're going 00:24:09.279 --> 00:24:12.920 for the heartstrings, I'm going for yours. Gloves 00:24:12.920 --> 00:24:20.460 are off. I. Love Back to the Future so much. 00:24:20.559 --> 00:24:24.519 I mean, this is a movie that even with 40 years 00:24:24.519 --> 00:24:27.079 of hindsight, you look back, it was just so creative, 00:24:27.079 --> 00:24:30.579 so inventive between all three. I love all three 00:24:30.579 --> 00:24:33.319 movies. I love watching them when they're on 00:24:33.319 --> 00:24:35.380 in a row and you just kind of get that whole, 00:24:35.420 --> 00:24:38.680 oh, make no plans. The afternoon is now busy. 00:24:38.740 --> 00:24:40.720 We are watching all the Back to the Futures. 00:24:41.210 --> 00:24:43.990 And honestly, between part one and part two, 00:24:44.210 --> 00:24:46.670 Marvin Barry and the Starlighters have a huge 00:24:46.670 --> 00:24:49.750 role in both movies because part two, they keep 00:24:49.750 --> 00:24:51.730 running back that scene as they're trying to 00:24:51.730 --> 00:24:53.990 navigate through to the end of the movie there. 00:24:54.109 --> 00:24:57.990 And then you've got Michael J. Fox, Marty McFly 00:24:57.990 --> 00:25:00.150 doing his thing on guitar. The guy actually plays 00:25:00.150 --> 00:25:03.230 guitar. So there's a legitimacy to his performance 00:25:03.230 --> 00:25:08.549 that maybe is not so much in Zack Attack. Yes. 00:25:08.569 --> 00:25:11.970 No. just in comparison so i feel like coming 00:25:11.970 --> 00:25:14.970 out of that thing you do it keeps that oldies 00:25:14.970 --> 00:25:18.509 vibe kind of going and sticks it to you a little 00:25:18.509 --> 00:25:20.970 bit as a thank you it does oh you totally did 00:25:20.970 --> 00:25:23.710 scoop me it was absolutely on my list i knew 00:25:23.710 --> 00:25:26.190 i should have gone with it earlier but uh that's 00:25:26.190 --> 00:25:28.470 all right you know life is about choices and 00:25:28.470 --> 00:25:30.569 you might not be ready for that but your kids 00:25:30.569 --> 00:25:34.529 are gonna love it um i gotta um that movie is 00:25:34.920 --> 00:25:38.400 one of the seminal movies in my life that kind 00:25:38.400 --> 00:25:43.400 of shaped my movie watching and it was so popular 00:25:43.400 --> 00:25:47.059 it lives on to this day in popular culture family 00:25:47.059 --> 00:25:49.420 guy has done it the simpsons have done it there 00:25:49.420 --> 00:25:52.460 are so many like riffs on that theme and variation 00:25:52.460 --> 00:25:54.859 one of my favorite family guy episodes is the 00:25:54.859 --> 00:25:57.859 one where they keep going back and norm mcdonald 00:25:57.859 --> 00:26:00.700 playing death keeps taking Peter back to fix 00:26:00.700 --> 00:26:03.180 the thing that he did that ends up with him and 00:26:03.180 --> 00:26:06.140 Molly Ringwald married and Glenn and Lois are 00:26:06.140 --> 00:26:08.259 married. And that episode is great. We're at 00:26:08.259 --> 00:26:11.519 the very end of the title back in is Brian gets 00:26:11.519 --> 00:26:13.160 up and he's like, Hey man, you gotta, you gotta 00:26:13.160 --> 00:26:15.680 play with us. And he does never going to give 00:26:15.680 --> 00:26:19.140 you up by Rick Astley on the keytar and everything. 00:26:19.319 --> 00:26:22.519 And he's like, Hey, you know that generic monotone 00:26:22.519 --> 00:26:24.960 sound that you were looking for? Well, this might 00:26:24.960 --> 00:26:30.359 be it. So, so, Hilarious. So very good pick. 00:26:30.460 --> 00:26:34.279 Very nice job. Oh, gosh. All right. All right. 00:26:34.339 --> 00:26:38.740 Let's let's just do this. We're going 1987, I 00:26:38.740 --> 00:26:43.539 believe. And we are talking about he was Joe, 00:26:43.619 --> 00:26:46.440 the policeman in the what's going down episode 00:26:46.440 --> 00:26:49.960 of That's My Mama. Give it up for Mr. Randy Watson, 00:26:50.359 --> 00:26:53.559 a sexual chocolate and the greatest love of all. 00:26:54.680 --> 00:26:59.480 Question mark, because. It's not really a cover. 00:27:00.019 --> 00:27:04.400 It's... That boy good. Yeah, good and terrible. 00:27:05.980 --> 00:27:10.019 I mean, look, he made it his own. He did. That 00:27:10.019 --> 00:27:14.740 he did. Wow, what could I possibly say about 00:27:14.740 --> 00:27:16.500 that performance? I mean, look, Eddie Murphy 00:27:16.500 --> 00:27:20.640 is a damn genius in that movie. I think real... 00:27:20.640 --> 00:27:23.940 I mean, he cemented it so many times over in 00:27:23.940 --> 00:27:27.220 the 80s. And he could do no wrong. And coming 00:27:27.220 --> 00:27:29.740 to America, I remember my grandparents in the 00:27:29.740 --> 00:27:33.180 1980s telling my folks, except for one or two 00:27:33.180 --> 00:27:35.599 scenes, Brian could probably see that. There's 00:27:35.599 --> 00:27:37.420 some dirty language in it, but it's nothing he's 00:27:37.420 --> 00:27:39.859 probably not heard before from his friends. But 00:27:39.859 --> 00:27:42.519 like, you know, again, blurring the lines. That 00:27:42.519 --> 00:27:45.079 was an R -rated movie, though. Yes. So, I mean, 00:27:45.079 --> 00:27:47.420 they definitely had carte blanche to do whatever 00:27:47.420 --> 00:27:49.180 they wanted. And there's certainly a lot of scenes 00:27:49.180 --> 00:27:51.759 that I sure as hell wouldn't be showing my kids 00:27:51.759 --> 00:27:54.339 now. But back in the 80s, it was a little different 00:27:54.339 --> 00:27:58.500 where the R -rated veil was lifted a little earlier 00:27:58.500 --> 00:28:00.680 for our generation, which probably explains a 00:28:00.680 --> 00:28:03.220 lot of why we're so screwed up. But anyway. Absolutely. 00:28:03.980 --> 00:28:07.839 So how do I follow up sexual chocolate to close 00:28:07.839 --> 00:28:15.190 out the side? Oh, actually. This might actually 00:28:15.190 --> 00:28:19.910 work. Thank you for the enthusiastic intro, but 00:28:19.910 --> 00:28:22.849 we're no longer called Sonic Death Monkey. We're 00:28:22.849 --> 00:28:24.990 on the verge of being called Kathleen Turner 00:28:24.990 --> 00:28:28.109 Overdrive. However, this evening, we will be 00:28:28.109 --> 00:28:32.869 Barry Jive and the Uptown Five from High Fidelity, 00:28:32.990 --> 00:28:38.210 their cover of Let's Get It On, Jack Black. It's 00:28:38.210 --> 00:28:41.099 listed as Jack Black on the soundtrack. But I'm 00:28:41.099 --> 00:28:43.680 sorry, in the movie, it's Barry Jive in the Uptown 00:28:43.680 --> 00:28:46.420 Five, so I'm running with it. Who cares who sings 00:28:46.420 --> 00:28:49.000 it on the soundtrack? In fictitious land, which 00:28:49.000 --> 00:28:51.619 is where we are tonight, Let's Get It On closes 00:28:51.619 --> 00:28:54.019 out Side A. Even though that should be an opening 00:28:54.019 --> 00:28:57.099 track, I don't care. Coming out of Sexual Chocolate, 00:28:57.140 --> 00:28:59.720 it's the only song on my list that actually works. 00:28:59.779 --> 00:29:04.420 And I have 50 frickin' bands in my list for tonight. 00:29:04.519 --> 00:29:08.049 It's probably the most I've ever had. 50. I got 00:29:08.049 --> 00:29:11.470 to say, that is a fantastic pick. I was just 00:29:11.470 --> 00:29:14.230 thinking about High Fidelity the other day. So 00:29:14.230 --> 00:29:16.430 you got Jack Black, you got John Cusack, and, 00:29:16.529 --> 00:29:20.390 I mean, just the comedy. And the guy, come in, 00:29:20.450 --> 00:29:24.609 excuse me, can I? Just a minute. It's so great. 00:29:24.710 --> 00:29:27.349 Now, this is pre -Tenacious D, Jack Black. No. 00:29:27.509 --> 00:29:30.450 Oh, no, it's not. This is simultaneously with 00:29:30.450 --> 00:29:34.089 the D. Okay, awesome. Because, I mean, you knew 00:29:34.089 --> 00:29:37.289 from that that... Jack was going to be huge. 00:29:37.430 --> 00:29:40.029 And he is. Yeah. Tenacious D actually started 00:29:40.029 --> 00:29:48.430 in 94, but I think the MTV show was 97. Was it 00:29:48.430 --> 00:29:52.089 that early? Yeah, it was. So they were like underground 00:29:52.089 --> 00:29:54.750 stars, but this was like Jack Black's one of 00:29:54.750 --> 00:29:57.930 his, one of his first movies that really was 00:29:57.930 --> 00:30:01.109 like a breakout role for him. Got it. Got it. 00:30:01.109 --> 00:30:02.809 And I think I've made mention of this several 00:30:02.809 --> 00:30:06.460 times with you and I on shows. The 90s, I drank 00:30:06.460 --> 00:30:10.799 a lot. So timelines, forgive me, timelines get 00:30:10.799 --> 00:30:13.579 a little jumbled. But oh, man, what a great pick. 00:30:13.660 --> 00:30:15.759 What a great pick, Brian. Well, that mixtapers 00:30:15.759 --> 00:30:18.759 conclude side A of the ultimate fictional band's 00:30:18.759 --> 00:30:21.420 mixtape, which consists of Zack Attack. Did we 00:30:21.420 --> 00:30:24.640 ever have a chance from Saved by the Bell? Pop, 00:30:24.740 --> 00:30:27.759 Pop Goes My Heart from Music and Lyrics. Love 00:30:27.759 --> 00:30:30.180 Handle, You Snuck Your Way Right Into My Heart 00:30:30.180 --> 00:30:33.380 from Phineas and Ferb. Cherry Bombs, Howard the 00:30:33.380 --> 00:30:36.720 Duck. From Howard the Duck, Sex Bob -omb. We 00:30:36.720 --> 00:30:39.660 are Sex Bob -omb from Scott Pilgrim vs. the World. 00:30:40.170 --> 00:30:42.809 Crucial Taunts, Ballroom Blitz from Wayne's World, 00:30:43.089 --> 00:30:45.769 The Wonders, That Thing You Do from the movie 00:30:45.769 --> 00:30:48.809 of the same name, Marvin Berry and the Starlighters, 00:30:48.890 --> 00:30:51.430 Johnny B. Goode from Back to the Future and Back 00:30:51.430 --> 00:30:54.210 to the Future 2, Sexual Chocolate, The Greatest 00:30:54.210 --> 00:30:57.329 Love of All from Coming to America, and Barry 00:30:57.329 --> 00:31:00.930 Jive and the Uptown Five, Let's Get It On from 00:31:00.930 --> 00:31:03.910 High Fidelity. Head over to myweeklymixtape .com 00:31:03.910 --> 00:31:05.930 to hear all the songs we've discussed in this 00:31:05.930 --> 00:31:09.279 mix. Through the playlist embedded on the episode 00:31:09.279 --> 00:31:12.619 page. And now Jay, I get to kick things off for 00:31:12.619 --> 00:31:16.240 side B and I'm actually going to go with a song. 00:31:16.299 --> 00:31:18.400 This is how nerdy I get with this. Sometimes 00:31:18.400 --> 00:31:21.980 dude, I am actually going to go with a song that 00:31:21.980 --> 00:31:25.019 kicks off side B of the album and soundtrack 00:31:25.019 --> 00:31:28.279 that it's from. So I think that's pretty damn 00:31:28.279 --> 00:31:31.359 good synergy as far as I'm concerned. And that 00:31:31.359 --> 00:31:36.039 song. would be Dr. Teeth and the Electric Mayhem. 00:31:36.059 --> 00:31:40.200 Can you picture that from the Muppet movie? I 00:31:40.200 --> 00:31:44.839 could talk about this album for a very, very, 00:31:44.880 --> 00:31:47.240 very long time. However, instead of doing that, 00:31:47.380 --> 00:31:50.519 I'm just going to point people back. I don't 00:31:50.519 --> 00:31:53.859 know, two, three months back in the My Weekly 00:31:53.859 --> 00:31:56.700 Mixtape archives, I have a one -on -one interview 00:31:56.700 --> 00:31:59.539 with Paul Williams, who's the songwriter responsible. 00:32:00.539 --> 00:32:03.960 For both the Muppet movie soundtrack and Emmett 00:32:03.960 --> 00:32:06.640 Otter's Jug Band Christmas soundtrack. And we 00:32:06.640 --> 00:32:10.440 do an album dive into both of those incredible 00:32:10.440 --> 00:32:13.559 soundtracks. Two of my favorite of my childhood 00:32:13.559 --> 00:32:16.279 and maybe of all time. Can you picture that? 00:32:16.359 --> 00:32:18.819 It's so damn incredible. The song just rocks. 00:32:19.140 --> 00:32:22.079 It was also the theme song to the Muppets Mayhem 00:32:22.079 --> 00:32:25.579 show on Disney+. So it's gotten a revival as 00:32:25.579 --> 00:32:28.559 of late. But the song is just awesome. The band 00:32:28.559 --> 00:32:31.059 even performed the song, quote unquote, live 00:32:31.059 --> 00:32:35.140 at the 2016 Outside Lands Festival. So, I mean, 00:32:35.240 --> 00:32:38.519 Dr. Teeth of the Electric Mayhem, quite possibly 00:32:38.519 --> 00:32:42.359 one of my favorite fictional bands of all time. 00:32:42.400 --> 00:32:46.400 I actually have a painting of them walking downstairs 00:32:46.400 --> 00:32:50.119 to my family room. And it's on the wall in the 00:32:50.119 --> 00:32:52.559 staircase as you work your way down. So, yeah, 00:32:52.599 --> 00:32:54.640 I'm a bit of a nerd about this one. Can you picture 00:32:54.640 --> 00:32:55.980 that? That's all right, man. I left that one. 00:32:56.019 --> 00:32:58.180 I knew it was on my list and I knew you would 00:32:58.180 --> 00:33:00.039 have that. So I gave that one to you. Oh, that 00:33:00.039 --> 00:33:02.579 was so kind of you. Because if you did that after 00:33:02.579 --> 00:33:04.420 that thing you do, you were in. That's right. 00:33:04.539 --> 00:33:06.220 I mean, there was no way you were getting out 00:33:06.220 --> 00:33:08.160 of the shit you were dug deep into with that 00:33:08.160 --> 00:33:12.380 one. Yeah, based on the Side 1 incident, we will 00:33:12.380 --> 00:33:15.579 refer to it from Entsforth, that I left for you. 00:33:15.680 --> 00:33:18.579 But I have, yeah, and I have a t -shirt of Dr. 00:33:18.740 --> 00:33:21.779 Teeth in the Electric Mayhem because one of my 00:33:21.779 --> 00:33:24.099 favorite shows growing up was The Muppets. And 00:33:24.099 --> 00:33:27.359 the movie just, it blew my mind. And again, you 00:33:27.359 --> 00:33:28.859 want to talk about an all -star cast, you got 00:33:28.859 --> 00:33:32.700 Mel Brooks and you got Steve Martins in it. Yeah, 00:33:32.799 --> 00:33:37.000 tons of cameo appearances. So you get that, what 00:33:37.000 --> 00:33:40.930 we got, Dr. Teeth, Zoot, Lips, Janice, Floyd 00:33:40.930 --> 00:33:43.549 Pepper, and Animal, of course, on the drums. 00:33:44.390 --> 00:33:47.470 Occasionally, Rolf the Dog would appear as well 00:33:47.470 --> 00:33:49.849 in the orchestra of the Muppet Show, kind of 00:33:49.849 --> 00:33:52.650 playing alongside all of those guys. So very, 00:33:52.750 --> 00:33:55.589 very cool pick. I love it. And I know exactly 00:33:55.589 --> 00:33:57.990 where I'm going to go to follow that up. We're 00:33:57.990 --> 00:34:00.930 going to stay in Jim Henson's universe, and I'm 00:34:00.930 --> 00:34:04.190 going to go with the River Bottom Nightmare Band. 00:34:05.269 --> 00:34:08.070 You know, that's almost as bad as the Side 1 00:34:08.070 --> 00:34:10.849 incident, Jay. I mean, I just got done telling 00:34:10.849 --> 00:34:13.190 you we had Paul Williams on to talk about this 00:34:13.190 --> 00:34:15.650 very soundtrack. So, yes, you and I, way back 00:34:15.650 --> 00:34:18.269 in the Toon Styles days, actually had a debate. 00:34:18.369 --> 00:34:20.449 I don't know where. It was at the end of an episode 00:34:20.449 --> 00:34:23.110 where you and I tried to debate over which band 00:34:23.110 --> 00:34:25.190 was stronger, the Riverbottom Nightmare Band 00:34:25.190 --> 00:34:28.309 or Dr. Teeth and the Electric Mayhem. I mean, 00:34:28.329 --> 00:34:30.329 we talked about some really serious topics on 00:34:30.329 --> 00:34:31.949 Toon Styles, and that was certainly one of them. 00:34:32.190 --> 00:34:34.880 And, yeah, I do have to say that I... Think that 00:34:34.880 --> 00:34:38.940 if they were to do a 2025 reunion tour, I think 00:34:38.940 --> 00:34:41.320 Dr. Teeth and the Electric Mayhem would get top 00:34:41.320 --> 00:34:44.519 billing based on their series revival and all 00:34:44.519 --> 00:34:47.340 of the pomp and circumstance that went around 00:34:47.340 --> 00:34:49.679 with that. However, the show got canceled in 00:34:49.679 --> 00:34:53.300 true Disney Muppets fashion. So maybe Riverbottom 00:34:53.300 --> 00:34:55.300 does squeak out the top billing. I don't know. 00:34:55.380 --> 00:34:57.380 I mean, they were kind of a one -hit wonder if 00:34:57.380 --> 00:34:59.079 you think about the Riverbottom Nightmare Band. 00:34:59.960 --> 00:35:02.860 They were. I think they were a little like so 00:35:02.860 --> 00:35:05.000 we talked about it. I think they were a little 00:35:05.000 --> 00:35:07.199 bit of the darker side of the psychedelic rock 00:35:07.199 --> 00:35:10.460 where Dr. Teeth was a little bit more poppy. 00:35:10.539 --> 00:35:13.840 Yeah. Yeah. But that being said, if anybody from 00:35:13.840 --> 00:35:16.619 the Henson family or from Disney is listening 00:35:16.619 --> 00:35:20.099 to this episode, I would totally take the whole 00:35:20.099 --> 00:35:22.579 family to see like Dr. Teeth and the Electric 00:35:22.579 --> 00:35:25.219 Mayhem and the Riverbottom Nightmare Band. Oh, 00:35:25.260 --> 00:35:28.510 yeah. At a theater. A double bill. Nice. Like 00:35:28.510 --> 00:35:30.949 do it full puppet style. Like, I think that would 00:35:30.949 --> 00:35:34.269 be an awesome event. And I know Fraggle Rock 00:35:34.269 --> 00:35:37.170 is touring right now. So it's not that far out 00:35:37.170 --> 00:35:39.190 of the equation to be perfectly honest here. 00:35:39.730 --> 00:35:42.289 Also, if anyone from Disney is listening, I'd 00:35:42.289 --> 00:35:46.889 like a job. Please pick up my weekly mixtape 00:35:46.889 --> 00:35:49.750 and distribute it on Disney plus. Yes. As a new 00:35:49.750 --> 00:35:53.250 video series. All right. I'm staying in this 00:35:53.250 --> 00:35:56.210 kid's mindset here, dude. And going with another. 00:35:56.829 --> 00:35:59.130 group of albums I listened to a lot growing up. 00:35:59.190 --> 00:36:01.949 I've talked about Tom Petty so many times on 00:36:01.949 --> 00:36:03.610 this show, being my favorite artist of all time. 00:36:03.670 --> 00:36:05.849 And I've told the story that I discovered Tom 00:36:05.849 --> 00:36:08.550 Petty through Alvin and the Chipmunks, Chipmunk 00:36:08.550 --> 00:36:10.989 Punk. But I'm going to go with a quote unquote 00:36:10.989 --> 00:36:14.530 original from Alvin and the Chipmunks. And I'm 00:36:14.530 --> 00:36:16.230 going to go with the theme song, We're the Chipmunks, 00:36:16.369 --> 00:36:19.170 which was featured on the songs from our TV shows, 00:36:19.389 --> 00:36:22.230 vinyl LP that I had as a kid growing up, along 00:36:22.230 --> 00:36:25.880 with Chipmunk Punk and Chipmunk Rock. If you 00:36:25.880 --> 00:36:29.059 are in your 40s to 50s, you probably grew up 00:36:29.059 --> 00:36:31.219 at some point watching the Alvin and the Chipmunks 00:36:31.219 --> 00:36:34.519 cartoon on TV. I know they've remade it now. 00:36:34.579 --> 00:36:37.380 I know there were the movies in the 2000s. The 00:36:37.380 --> 00:36:39.940 original cartoon just is where it's at for me. 00:36:40.360 --> 00:36:44.079 Yeah, I so, of course, we talked about the novelty 00:36:44.079 --> 00:36:49.650 songs and Ross Bagasarian had started. the chipmunks 00:36:49.650 --> 00:36:52.750 as kind of a novelty record in 1958 with the 00:36:52.750 --> 00:36:56.230 witch doctor and of course his song christmas 00:36:56.230 --> 00:37:00.210 don't be late propelled him into just super stardom 00:37:00.210 --> 00:37:03.750 to a franchise that has been a cartoon and a 00:37:03.750 --> 00:37:07.429 movie. And then back to a CG animated cartoon, 00:37:07.590 --> 00:37:09.809 right? They were all over the place. Alvin and 00:37:09.809 --> 00:37:12.710 the chipmunks. You can't deny have a very high 00:37:12.710 --> 00:37:16.050 place in the zeitgeist of, of pop culture. So 00:37:16.050 --> 00:37:19.590 very well played. I love that song. I love the, 00:37:19.610 --> 00:37:22.289 I love Alvin and chipmunks. So fun. The harmonies 00:37:22.289 --> 00:37:25.230 are fun too. Yeah. Yeah. I mean, people are listening 00:37:25.230 --> 00:37:31.210 right now, probably singing dude, dude. Oh, so 00:37:31.210 --> 00:37:34.130 good. Alvin Simon Theodore. Oh, my God. Yeah, 00:37:34.210 --> 00:37:36.750 that's so good. And then, of course, Jason Lee, 00:37:36.849 --> 00:37:43.190 who played Dave Seville in the movies. He may 00:37:43.190 --> 00:37:46.469 make an appearance here. We'll see. We'll see. 00:37:46.630 --> 00:37:48.750 Oh, I know where you're going with that. I know 00:37:48.750 --> 00:37:50.730 that reference. All right. Well, what are you 00:37:50.730 --> 00:37:53.099 following up We're the Chipmunks with? All right. 00:37:53.119 --> 00:37:54.860 So we've got a cartoon. I'm going to stay in 00:37:54.860 --> 00:37:56.559 the cartoon world and we're going to modernize 00:37:56.559 --> 00:37:58.659 it a little bit. And this may be what I mentioned 00:37:58.659 --> 00:38:00.320 up the top of the show, that this may be one 00:38:00.320 --> 00:38:03.639 of those questionable, controversial, maybe hot 00:38:03.639 --> 00:38:06.699 take picks because this is a legitimate song 00:38:06.699 --> 00:38:10.340 and it was performed by the artist himself during 00:38:10.340 --> 00:38:13.559 the show, but it was performed by a bunch of 00:38:13.559 --> 00:38:17.730 animated creatures who live under the sea. And 00:38:17.730 --> 00:38:20.469 I am talking about the Bikini Bottom Marching 00:38:20.469 --> 00:38:22.989 Band featuring conductor Squidward Tentacles 00:38:22.989 --> 00:38:26.829 and the cover of David Glenn Isley's Sweet Victory 00:38:26.829 --> 00:38:30.590 from the Bubble Bowl Band Geeks episode of SpongeBob 00:38:30.590 --> 00:38:34.130 SquarePants. You are really going for the asterisks 00:38:34.130 --> 00:38:36.269 in this episode. Let me tell you. Just the most 00:38:36.269 --> 00:38:40.170 epic, epic show. The whole sequence at the end. 00:38:40.409 --> 00:38:43.590 The show is great. I kind of fell into SpongeBob 00:38:43.590 --> 00:38:47.320 a little late, relatively. But that was the show 00:38:47.320 --> 00:38:49.980 that got me was, oh, OK, these these dudes are 00:38:49.980 --> 00:38:53.420 doing an 80s rock anthem right now at a stadium. 00:38:53.800 --> 00:38:57.579 It's so hilariously funny. And I was just the 00:38:57.579 --> 00:39:01.760 build up to that song just makes David Glenn 00:39:01.760 --> 00:39:05.460 Isley song the perfect fit. Yeah, I'll give you 00:39:05.460 --> 00:39:07.480 this one because it was a part of me that soon 00:39:07.480 --> 00:39:09.360 as I knew where you were going with it, I'm going, 00:39:09.440 --> 00:39:13.099 well, it's really it's kind of a lip sync if 00:39:13.099 --> 00:39:14.840 you really want, even though it's a cartoon. 00:39:15.739 --> 00:39:17.980 But it's SpongeBob and I'm going to give it the 00:39:17.980 --> 00:39:21.199 pass because at the end of the day, the Bikini 00:39:21.199 --> 00:39:23.480 Bottom marching band did make it their own. Like 00:39:23.480 --> 00:39:26.739 you felt that performance. You felt it felt real. 00:39:26.900 --> 00:39:29.239 If they were lip syncing, they fooled me, even 00:39:29.239 --> 00:39:32.519 though they're cartoons. I think the best part 00:39:32.519 --> 00:39:36.739 about that episode about band geeks is so kind 00:39:36.739 --> 00:39:39.699 of like I talk about Family Guy and kind of like 00:39:39.699 --> 00:39:42.699 how Family Guy just constantly does Meg dirty 00:39:42.699 --> 00:39:47.400 in that show. For 23 seasons, they just abuse 00:39:47.400 --> 00:39:51.260 her. Squidward was kind of that in SpongeBob 00:39:51.260 --> 00:39:54.940 SquarePants. He never gets his comeuppance except 00:39:54.940 --> 00:39:58.199 for this episode. And I thought that was all 00:39:58.199 --> 00:40:00.159 right. You know what? You gave Squidward a big 00:40:00.159 --> 00:40:02.699 one there. That's pretty cool. Yeah. Yeah. By 00:40:02.699 --> 00:40:06.110 all means. And obviously something that. my kids 00:40:06.110 --> 00:40:08.230 grew up with because it's one of the few cartoons 00:40:08.230 --> 00:40:10.849 that no matter how many times it was on I was 00:40:10.849 --> 00:40:12.869 like ah you know what I could stop they watched 00:40:12.869 --> 00:40:15.769 some stuff growing up that I like oh my god if 00:40:15.769 --> 00:40:19.250 I want to get into Caillou I I I had to leave 00:40:19.250 --> 00:40:22.190 the room Canadian bastard oh my god like but 00:40:22.190 --> 00:40:24.510 Spongebob I actually had no but sometimes the 00:40:24.510 --> 00:40:26.989 girls would leave the room And it would still 00:40:26.989 --> 00:40:29.010 be on. And I'd be sitting there watching and 00:40:29.010 --> 00:40:31.550 kind of rocking out to Goofy Goober Rock or something, 00:40:31.610 --> 00:40:33.130 because believe it or not, that's one of the 00:40:33.130 --> 00:40:35.869 songs I had in my bank for this evening. And 00:40:35.869 --> 00:40:37.349 I'd be like, man, I've been watching this for 00:40:37.349 --> 00:40:40.110 another hour without them. Like, I don't care. 00:40:40.710 --> 00:40:42.849 My wife has done that to me. She's like, where 00:40:42.849 --> 00:40:45.389 are the kids you're watching? Are you watching 00:40:45.389 --> 00:40:50.150 Phineas and Ferb? Yes, I am. All right. I'm going 00:40:50.150 --> 00:40:52.489 to follow that up. I'm going to try to ease us 00:40:52.489 --> 00:40:55.590 out of the cartoons a little bit. But not quite 00:40:55.590 --> 00:40:58.210 because it's still animated. But it's something 00:40:58.210 --> 00:41:00.429 that I think you really had to be a part of the 00:41:00.429 --> 00:41:04.429 80s to appreciate. Because this was clay animation. 00:41:05.230 --> 00:41:11.630 And one of the most genius marketing campaigns 00:41:11.630 --> 00:41:18.050 of all time. They turned a fruit into a band 00:41:18.050 --> 00:41:23.670 that had specials and albums. And it was the 00:41:23.670 --> 00:41:28.530 California Raisins and the commercial. I heard 00:41:28.530 --> 00:41:30.809 it through the grapevine that became the lead 00:41:30.809 --> 00:41:34.550 single from there. The California Raisins sing 00:41:34.550 --> 00:41:37.570 the hit songs album that I owned on cassette 00:41:37.570 --> 00:41:43.030 and now unapologetically own on CD. And the song, 00:41:43.130 --> 00:41:45.909 the California Raisins version reached number 00:41:45.909 --> 00:41:50.110 84 on the US Billboard Hot 100. It was a top 00:41:50.110 --> 00:41:54.079 100 single. covering so many different versions 00:41:54.079 --> 00:41:56.760 of this song. But as a kid who didn't love what 00:41:56.760 --> 00:41:58.900 the California raisins commercial came on and 00:41:58.900 --> 00:42:01.780 they started strutting dance battle. Come on. 00:42:01.780 --> 00:42:05.019 It was sugary sweets. I love it. That's so great. 00:42:05.539 --> 00:42:08.820 Saturday morning cartoons, memory unlocked after 00:42:08.820 --> 00:42:12.420 these messages, we'll be right back. And then 00:42:12.420 --> 00:42:14.460 it would go into that California raisins commercial. 00:42:14.599 --> 00:42:16.219 It would be one of them in the, in the commercial 00:42:16.219 --> 00:42:19.280 block. Such a great pick. I love everything about 00:42:19.280 --> 00:42:21.710 it. I would be lying if I didn't tell you that 00:42:21.710 --> 00:42:23.769 I asked my mom to buy raisins after. Like, I 00:42:23.769 --> 00:42:26.230 mean, it was genius marketing. It worked on me. 00:42:26.449 --> 00:42:28.829 I got to tell you, I've been a fan of raisins. 00:42:29.050 --> 00:42:31.190 People, you know, this is a hot take from Jay 00:42:31.190 --> 00:42:35.409 Sweet, the candy man. I do enjoy raisins. I have 00:42:35.409 --> 00:42:37.889 been eating boxes. Do you remember when we were 00:42:37.889 --> 00:42:39.909 little, they would come in those little sun made 00:42:39.909 --> 00:42:42.590 raisin boxes, tiny little boxes in the snack 00:42:42.590 --> 00:42:45.150 packs. And your mom, dad, throw them in the lunchbox 00:42:45.150 --> 00:42:47.769 and you go to school with those. I would love 00:42:47.769 --> 00:42:50.909 those. I like oatmeal raisin cookies. If chocolate 00:42:50.909 --> 00:42:52.769 chip cookies are in front of me, I don't get 00:42:52.769 --> 00:42:55.130 grossed out if I bite into a cookie and it's 00:42:55.130 --> 00:42:57.289 an oatmeal raisin cookie. I kind of like it. 00:42:57.409 --> 00:43:01.289 So I love the flavor of it. But anyway, that's 00:43:01.289 --> 00:43:04.420 beside the point. What a great pick. Oh, my gosh. 00:43:04.519 --> 00:43:06.460 All right. So that's kind of a palate cleanser. 00:43:06.659 --> 00:43:10.380 I'd say so. Yeah. Because it's a commercial. 00:43:10.539 --> 00:43:13.119 So we can kind of treat it like a nice segue 00:43:13.119 --> 00:43:16.099 there. I'm going to go from these from the cartoons 00:43:16.099 --> 00:43:18.519 that we've had and the animated stuff. I'm going 00:43:18.519 --> 00:43:20.820 to jump back into some movies. And again, these 00:43:20.820 --> 00:43:23.599 these mockumentary type movies that came out 00:43:23.599 --> 00:43:27.280 in the in this time period, late 80s, early 90s. 00:43:27.840 --> 00:43:30.940 There was one particular John Cafferty and the 00:43:30.940 --> 00:43:35.159 Beaver Brown Band were all over. And that was 00:43:35.159 --> 00:43:37.840 Eddie and the Cruisers, the fictitious band, 00:43:38.000 --> 00:43:41.719 Eddie, who went on to write this hugely popular 00:43:41.719 --> 00:43:45.559 song on the dark side. And it is a fantastic 00:43:45.559 --> 00:43:48.659 song. It's a great sing along. And the movie, 00:43:48.739 --> 00:43:52.019 the movie gets pretty dark. And then its sequel, 00:43:52.119 --> 00:43:55.860 which is also it wasn't as good, but it was also. 00:43:56.269 --> 00:43:59.170 fairly dark, darker side of the music industry 00:43:59.170 --> 00:44:02.130 and how Eddie, without spoiling anything, how 00:44:02.130 --> 00:44:06.869 he chooses to cope with it. Man, you are really 00:44:06.869 --> 00:44:10.050 pushing all my buttons today because that was 00:44:10.050 --> 00:44:12.690 easily scooped for me. One of my favorite soundtracks 00:44:12.690 --> 00:44:15.710 of all time on the dark side. Yes, is a great 00:44:15.710 --> 00:44:18.429 song, but you had tender years. You had them 00:44:18.429 --> 00:44:22.429 doing run around Sue down on my knees. Fire Sweet 00:44:22.429 --> 00:44:26.670 Season in Hell. This is an amazing, amazing soundtrack. 00:44:27.210 --> 00:44:29.429 And John Cafferty and the Beaver Brown Band, 00:44:29.690 --> 00:44:33.309 I almost wonder for them if it was a blessing 00:44:33.309 --> 00:44:37.929 and a curse simultaneously. Because people refer 00:44:37.929 --> 00:44:40.750 to John Cafferty and the Beaver Brown Band as 00:44:40.750 --> 00:44:43.630 Eddie and the Cruisers. Right. So when we saw 00:44:43.630 --> 00:44:46.409 them live, they did play on the dark side, but 00:44:46.409 --> 00:44:49.090 they kind of ignored everything else from the... 00:44:50.079 --> 00:44:52.280 of Eddie and the Cruisers, if you will. They 00:44:52.280 --> 00:44:55.000 kind of just alluded to it because On the Dark 00:44:55.000 --> 00:44:57.940 Side was a massive hit for this band, bigger 00:44:57.940 --> 00:45:00.559 than probably any other hit they had. But John 00:45:00.559 --> 00:45:03.059 Cafferty also had Hearts on Fire from the Rocky 00:45:03.059 --> 00:45:05.420 soundtracks, and they had the Tough All Over 00:45:05.420 --> 00:45:07.860 album. They were an established band. They were 00:45:07.860 --> 00:45:11.519 part of that Jersey, Springsteen, Southside Johnny. 00:45:11.739 --> 00:45:14.039 They all kind of cut from the same mold, if you 00:45:14.039 --> 00:45:17.699 will. Damn you for picking this one because I 00:45:17.699 --> 00:45:20.099 love this song. And Colburn and Company has been 00:45:20.099 --> 00:45:23.900 covering this for years, mashed up with ROCK 00:45:23.900 --> 00:45:26.159 in the USA and What I Like About You because 00:45:26.159 --> 00:45:28.039 the three songs are all the same chord progression 00:45:28.039 --> 00:45:30.780 and they work really, really well together in 00:45:30.780 --> 00:45:34.460 a medley. I remember. So what I'm going to do 00:45:34.460 --> 00:45:37.239 is actually touch on something you just said. 00:45:37.980 --> 00:45:40.880 Because you scooped me on Eddie and the Cruisers, 00:45:40.980 --> 00:45:44.380 there is no way on this planet you're going to 00:45:44.380 --> 00:45:47.829 scoop me. On Rock Solid. And do you know who 00:45:47.829 --> 00:45:52.690 Rock Solid is, Jay? I am not familiar with this 00:45:52.690 --> 00:45:55.369 one. Well, if you saw Eddie and the Cruisers 00:45:55.369 --> 00:46:02.570 2, this is the band that Joe joins. That's right. 00:46:02.789 --> 00:46:06.150 They're called Rock Solid. I'm going to go with 00:46:06.150 --> 00:46:09.599 Running Through the Fire. As a sequel follow 00:46:09.599 --> 00:46:12.019 -up to you scooping me for on the dark side, 00:46:12.099 --> 00:46:15.139 John Cafferty, the beeper Brown band, but now 00:46:15.139 --> 00:46:18.900 known as rock solid. That's fantastic. Eddie 00:46:18.900 --> 00:46:21.639 and the cruisers to Eddie lives. I'll be the 00:46:21.639 --> 00:46:24.039 first to say it. Controversial hot take from 00:46:24.039 --> 00:46:26.460 Brian Colburn. I like Eddie and the cruisers 00:46:26.460 --> 00:46:29.460 to more than the first one. Oh, you do. Yes. 00:46:29.519 --> 00:46:32.360 Oh, wow. It was all right. Because it was set 00:46:32.360 --> 00:46:35.039 in the eighties and so meant to be this like. 00:46:35.570 --> 00:46:38.769 80s label and it felt 80s and the and the dude 00:46:38.769 --> 00:46:41.550 that was all jacked playing the drums that's 00:46:41.550 --> 00:46:46.389 right yes and like this is my band man like that 00:46:46.389 --> 00:46:49.630 it was it was so bad it was brilliant i remember 00:46:49.630 --> 00:46:54.030 reading a review by roger ebert about this movie 00:46:54.030 --> 00:46:57.920 that just destroyed it, trashed it. I have the 00:46:57.920 --> 00:46:59.860 Blu -ray. It's Eddie and the Cruisers 1 and 2. 00:47:00.039 --> 00:47:02.340 And I actually enjoy going back and watching 00:47:02.340 --> 00:47:05.019 the sequel more than I would admit to. It's really, 00:47:05.059 --> 00:47:08.079 really solid. Rock solid, if you will. Rock solid. 00:47:08.599 --> 00:47:11.059 And it would stand the test of time through the 00:47:11.059 --> 00:47:16.280 fire. I got it. Yeah, that the band is kind of. 00:47:16.889 --> 00:47:19.309 reminiscent of, although to a lesser extent, 00:47:19.530 --> 00:47:21.650 Aerosmith's role in Sergeant Pepper's Lonely 00:47:21.650 --> 00:47:24.090 Hearts Club Band, where they do come together 00:47:24.090 --> 00:47:26.869 and it's just a very dark and skanky kind of 00:47:26.869 --> 00:47:30.530 sound and feel versus Peter Frampton's Sergeant 00:47:30.530 --> 00:47:33.670 Pepper's Lonely Hearts Club Band. Fantastic pick. 00:47:33.710 --> 00:47:36.110 I love it. And, you know, I can't believe I didn't 00:47:36.110 --> 00:47:39.329 remember who Rock Solid was. I wonder if there's 00:47:39.329 --> 00:47:42.019 anybody out there listening that. this kind of 00:47:42.019 --> 00:47:44.659 move some cobwebs in your brain, be sure to let 00:47:44.659 --> 00:47:47.139 me know my weekly mixtape at gmail .com. I'd 00:47:47.139 --> 00:47:49.519 love to hear from you on that one. But Jay, what 00:47:49.519 --> 00:47:51.880 are you following it up with? I mentioned this 00:47:51.880 --> 00:47:54.219 guy just a little while ago, and I think this 00:47:54.219 --> 00:47:57.159 is a great song coming out of, of rock solid 00:47:57.159 --> 00:48:00.019 because it has that similar kind of feel a little 00:48:00.019 --> 00:48:03.280 bit darker energy, a little bit, a little more 00:48:03.280 --> 00:48:06.940 stanky rock, you know, kind of early 70s, mid 00:48:06.940 --> 00:48:11.639 seventies rock. And it's a documentary. Biopic, 00:48:11.880 --> 00:48:16.420 kinda. The movie Almost Famous, which features 00:48:16.420 --> 00:48:20.900 a band called Stillwater, fronted by Jason Lee. 00:48:21.079 --> 00:48:24.860 And I could go with any number of songs, Fever 00:48:24.860 --> 00:48:27.739 Dog, but I really thought You Had to Be There 00:48:27.739 --> 00:48:30.480 was very appropriate for this mixtape. Nice. 00:48:30.500 --> 00:48:32.900 I had Fever Dog on my list. You scooped me on 00:48:32.900 --> 00:48:36.380 the band. I mean, this is a super group. Behind 00:48:36.380 --> 00:48:39.340 the scenes. Nancy Wilson, Peter Frampton, Mike 00:48:39.340 --> 00:48:42.440 McCready, Marty Fredrickson. I mean, Jesus God, 00:48:42.539 --> 00:48:45.699 this is a awesome band that got put together 00:48:45.699 --> 00:48:48.260 to make these songs. And they're believable. 00:48:48.619 --> 00:48:51.400 These are believable songs. When you look like 00:48:51.400 --> 00:48:54.360 they have a version of the DVD of Almost Famous 00:48:54.360 --> 00:48:57.760 that comes with an EP of Stillwater songs. Right. 00:48:57.860 --> 00:49:00.099 And it's believable. I'm actually shocked they 00:49:00.099 --> 00:49:03.019 didn't put out a quote unquote album at the time 00:49:03.019 --> 00:49:06.090 of the movie to kind of like. Similar to what 00:49:06.090 --> 00:49:08.550 Garth Brooks was trying to do with that Chris 00:49:08.550 --> 00:49:10.909 Gaines character, but it never came to fruition. 00:49:11.210 --> 00:49:13.349 I almost wonder if they should have released 00:49:13.349 --> 00:49:15.869 a Stillwater album when the movie came out, because 00:49:15.869 --> 00:49:18.489 Almost Famous is up there. Probably a top 10 00:49:18.489 --> 00:49:21.429 all time movie for me. I love that movie. Definitely, 00:49:21.429 --> 00:49:23.750 definitely. And you've got Kate Hudson, whom 00:49:23.750 --> 00:49:27.800 I absolutely love. And it's just such a it's 00:49:27.800 --> 00:49:31.059 a great story about Cameron Crowe. And he was 00:49:31.059 --> 00:49:33.599 actually married to Nancy Wilson, which is how 00:49:33.599 --> 00:49:36.500 she ends up in the band. So that's pretty freaking 00:49:36.500 --> 00:49:38.280 cool, I think. Well, of course, she ends up in 00:49:38.280 --> 00:49:39.820 the band because she's Nancy. I was about to 00:49:39.820 --> 00:49:43.679 say, I don't think you need nepotism in this, 00:49:43.699 --> 00:49:46.420 Jay. I think her musical prowess is just fine 00:49:46.420 --> 00:49:49.599 on its own. That's right. Speaking of, I want 00:49:49.599 --> 00:49:52.280 another sidebar. I was I started rewatching Family 00:49:52.280 --> 00:49:54.260 Guy from the beginning because I had nothing 00:49:54.260 --> 00:49:56.869 else to do. And there is the whole episode where 00:49:56.869 --> 00:50:01.469 Peter does the Grimm's fairy tales and he's he 00:50:01.469 --> 00:50:04.190 does Jack and the Beanstalk and he hires Hart 00:50:04.190 --> 00:50:08.309 to sing these beans. And it's actually them. 00:50:08.550 --> 00:50:11.769 I died. I love the fact that Seth MacFarlane 00:50:11.769 --> 00:50:14.090 could just get these actors and musicians to 00:50:14.090 --> 00:50:16.769 kind of make fun of themselves to a certain extent. 00:50:16.829 --> 00:50:20.369 It's so perfect. But anyway. All right. So how 00:50:20.369 --> 00:50:22.469 do you how do you want to come out of Stillwater? 00:50:22.630 --> 00:50:30.510 Oh, man. Well. Following up, you know, believe 00:50:30.510 --> 00:50:32.090 it or not, it has nothing to do but your little 00:50:32.090 --> 00:50:34.530 sidebar there where you're talking about how 00:50:34.530 --> 00:50:36.570 people can kind of laugh at themselves and kind 00:50:36.570 --> 00:50:42.030 of have fun with it. Right. This group, which 00:50:42.030 --> 00:50:44.349 this one might catch some flack because they 00:50:44.349 --> 00:50:48.530 are now considered a band, but they started as 00:50:48.530 --> 00:50:51.510 a skit similar to what you were just talking 00:50:51.510 --> 00:50:54.820 about in your sidebar there. And I'm going to 00:50:54.820 --> 00:50:58.940 go with the Blues Brothers. But if you fast forward 00:50:58.940 --> 00:51:03.139 to the 1980 movie, I have to go with the song 00:51:03.139 --> 00:51:06.159 that we came out to at my wedding reception. 00:51:06.320 --> 00:51:09.480 Everybody wants somebody to love. From the end 00:51:09.480 --> 00:51:12.900 of the movie, during the performance. Look, my 00:51:12.900 --> 00:51:15.460 wife and I went to see the Blues Brothers in 00:51:15.460 --> 00:51:20.860 the 2000s with Dan Aykroyd and Jim Belushi on 00:51:20.860 --> 00:51:24.019 vocals. So it was basically because Jim Belushi 00:51:24.019 --> 00:51:26.320 and Dan Aykroyd put out an album, Have Love, 00:51:26.400 --> 00:51:28.860 We'll Travel, together. And then they went out 00:51:28.860 --> 00:51:30.880 on tour, but they went out on tour as, quote 00:51:30.880 --> 00:51:33.739 unquote, the Blues Brothers. And it had some 00:51:33.739 --> 00:51:35.719 members of the original band. It had some others 00:51:35.719 --> 00:51:38.000 that are part of a backing band. So it was kind 00:51:38.000 --> 00:51:39.739 of cobbled together. But at the end of the day, 00:51:39.900 --> 00:51:43.119 they started as a fictitious skit when John Belushi 00:51:43.119 --> 00:51:45.440 went out on stage because he went out with Sing 00:51:45.440 --> 00:51:47.820 on Saturday Night Live every now and then. And 00:51:47.820 --> 00:51:51.260 then it kind of became a real band. From the 00:51:51.260 --> 00:51:54.099 fictitious nature that they started on SNL. So 00:51:54.099 --> 00:51:57.579 there could be a little bit of a gray area on 00:51:57.579 --> 00:52:00.360 as if this one fits or not. But it's my show 00:52:00.360 --> 00:52:02.059 and I can make up the rules as I go along. And 00:52:02.059 --> 00:52:04.400 Blues Brothers has to be included. Well, if I 00:52:04.400 --> 00:52:06.519 got sweet victory, then you can have everybody 00:52:06.519 --> 00:52:08.940 wants somebody to love. There is no denying, 00:52:09.139 --> 00:52:13.699 again, the everywhere -ness. And I just made 00:52:13.699 --> 00:52:16.539 that up. It's my patent copyright. Non -disclosure 00:52:16.539 --> 00:52:20.139 agreement. There is no denying the everywhere 00:52:20.139 --> 00:52:22.719 -ness of the Blues Brothers in popular culture 00:52:22.719 --> 00:52:25.380 since that movie, since Saturday Live. But then, 00:52:25.440 --> 00:52:27.699 of course, since that movie came out, again, 00:52:27.780 --> 00:52:30.980 another all -star cast. And Carrie Fisher's in 00:52:30.980 --> 00:52:34.579 that. Aretha Franklin's in it. Ray Charles. Ray 00:52:34.579 --> 00:52:39.659 Charles. And just amazing music. I applaud wholeheartedly. 00:52:39.679 --> 00:52:41.400 Of course, the Blues Brothers were on my list. 00:52:41.639 --> 00:52:46.119 So good job in getting that out there. And that 00:52:46.119 --> 00:52:48.500 leaves me to close this out. Yeah, you have the 00:52:48.500 --> 00:52:51.579 tough decision to close out. I mean, I've got 00:52:51.579 --> 00:52:55.480 still 40 other songs to pick from, but I have 00:52:55.480 --> 00:52:57.400 none left for tonight, which this sucks, but 00:52:57.400 --> 00:53:01.460 you've only got one. That's right. And do I want 00:53:01.460 --> 00:53:03.579 to go with the obvious from a John Belushi to 00:53:03.579 --> 00:53:06.019 another John Belushi and maybe hit some Animal 00:53:06.019 --> 00:53:09.239 House? I don't think so. I think I'm going to 00:53:09.239 --> 00:53:13.420 go super deep, but around the same kind of feel. 00:53:14.030 --> 00:53:16.769 of a movie that I think you're going to love 00:53:16.769 --> 00:53:21.010 this. You have my attention. This is a 1980 movie, 00:53:21.150 --> 00:53:25.090 which again, when you're six years old and you 00:53:25.090 --> 00:53:27.150 see these kinds of movies, you, you are not supposed 00:53:27.150 --> 00:53:29.889 to be watching them. But, uh, my, my buddy, Derek, 00:53:29.949 --> 00:53:32.110 uh, shout out to my buddy, Derek. He was the 00:53:32.110 --> 00:53:34.579 first, I think on the block to have HBO. And 00:53:34.579 --> 00:53:38.079 we would his and his parents had his dad had 00:53:38.079 --> 00:53:41.539 a huge 26 inch TV in their in their basement. 00:53:41.699 --> 00:53:44.360 And that's where he would go downstairs and watch 00:53:44.360 --> 00:53:46.760 HBO or movies when, you know, when everybody 00:53:46.760 --> 00:53:50.599 was home. And when we would go out and hang out 00:53:50.599 --> 00:53:52.679 in the neighborhood, we'd go downstairs and turn 00:53:52.679 --> 00:53:56.039 on HBO and watch things like Superfuzz or Porky's 00:53:56.039 --> 00:53:59.769 or this movie. the hollywood knights yes and 00:53:59.769 --> 00:54:02.929 i am going with the angel baby band's version 00:54:02.929 --> 00:54:07.829 of run around sue featuring a cut in by robert 00:54:07.829 --> 00:54:11.909 wool as new bomb turk with who where he recorded 00:54:11.909 --> 00:54:14.489 those two girls in the bathroom talking trash 00:54:14.489 --> 00:54:16.710 about the rest of the school and all the other 00:54:16.710 --> 00:54:20.550 girls in the school so stinking funny that movie 00:54:20.550 --> 00:54:24.000 is hilariously epically stupid funny i love it 00:54:24.000 --> 00:54:26.920 i have to ask you dude i am so happy you picked 00:54:26.920 --> 00:54:29.840 this how the hell did you find out the angel 00:54:29.840 --> 00:54:33.400 baby band name it's in the credits it is oh you 00:54:33.400 --> 00:54:35.780 went as far as to watch the credits okay oh yeah 00:54:35.780 --> 00:54:39.340 yeah you it's in the credits they because and 00:54:39.340 --> 00:54:41.980 i knew because i'm like hold on I remember that 00:54:41.980 --> 00:54:45.199 part of the whole movie. But that movie is so 00:54:45.199 --> 00:54:47.460 great, and I knew I was going to go deep cut 00:54:47.460 --> 00:54:50.320 on that. So I went back, and I'm like, all right, 00:54:50.320 --> 00:54:52.719 what was the name of this band? And I couldn't 00:54:52.719 --> 00:54:55.159 find it on the internet anywhere. And so when 00:54:55.159 --> 00:54:57.679 I went through and watched the movie again the 00:54:57.679 --> 00:55:00.380 other day, and I was like, okay. And as the credits 00:55:00.380 --> 00:55:04.019 are rolling, I saw it's uncredited. It's a simple 00:55:04.019 --> 00:55:07.119 thing where it says Angel Baby parentheses band, 00:55:07.420 --> 00:55:10.079 and then it gives an actor's name. So I was like, 00:55:10.139 --> 00:55:13.820 that's it. That's them. So I was so excited. 00:55:14.679 --> 00:55:16.960 Somebody spiked the punch. I'm actually shocked 00:55:16.960 --> 00:55:20.699 you didn't go with New Bump Turk's faithful rendition 00:55:20.699 --> 00:55:27.780 of Valore. It does have a little wang to it. 00:55:28.400 --> 00:55:32.340 I remember when we were running around the neighborhood, 00:55:32.559 --> 00:55:36.559 you know, at six and eight years old. Your ass 00:55:36.559 --> 00:55:38.820 is grass and I'm going to be the lawnmower. That 00:55:38.820 --> 00:55:40.780 was one of the things that I've carried with 00:55:40.780 --> 00:55:44.840 me to this day. Dude, amazing way to close out 00:55:44.840 --> 00:55:48.239 side B of the ultimate fictional bands playlist, 00:55:48.400 --> 00:55:51.039 which consists of Dr. Teeth and the Electric 00:55:51.039 --> 00:55:53.239 Mayhem. Can you picture that from the Muppet 00:55:53.239 --> 00:55:56.059 movie? Riverbottom Nightmare Band with the song 00:55:56.059 --> 00:55:58.059 of the same name from Emmett Otter's Jug Band 00:55:58.059 --> 00:56:00.820 Christmas. Alvin and the Chipmunks. We're the 00:56:00.820 --> 00:56:03.280 Chipmunks from the Alvin and the Chipmunks television 00:56:03.280 --> 00:56:06.409 show. The Bikini Bottom Marching Band, Sweet 00:56:06.409 --> 00:56:09.710 Victory from SpongeBob SquarePants. The California 00:56:09.710 --> 00:56:12.650 Raisins, I Heard It Through the Grapevine from 00:56:12.650 --> 00:56:15.550 Sings the Hit Songs. Eddie and the Cruisers, 00:56:15.550 --> 00:56:18.090 On the Dark Side from Eddie and the Cruisers. 00:56:18.090 --> 00:56:21.070 And Rock Solid, Running Through the Fire from 00:56:21.070 --> 00:56:24.449 Eddie and the Cruisers 2. Eddie Lives, Still 00:56:24.449 --> 00:56:27.130 Waters, You Had to Be There from Almost Famous. 00:56:27.550 --> 00:56:29.909 Blues Brothers' Everybody Wants Somebody to Love 00:56:29.909 --> 00:56:32.889 from Blues Brothers, and Angel Baby's Run Around 00:56:32.889 --> 00:56:37.110 Sue from Hollywood Nights. Head over to myweeklymixtape 00:56:37.110 --> 00:56:39.530 .com to hear all the songs we've discussed in 00:56:39.530 --> 00:56:42.630 this mix through the playlist embedded on the 00:56:42.630 --> 00:56:45.789 episode page. Now, Jay, I'm going to be very 00:56:45.789 --> 00:56:50.090 honest with you here, man. I am already feeling 00:56:50.090 --> 00:56:53.369 the slack that I'm about to get because I have 00:56:53.369 --> 00:56:58.099 40 other bands. That we haven't talked about 00:56:58.099 --> 00:57:01.500 yet. Right. I feel like we need to do a first 00:57:01.500 --> 00:57:04.019 here. We always talk about we're going to do 00:57:04.019 --> 00:57:07.480 volume two down the road. Yeah. I got a curveball 00:57:07.480 --> 00:57:10.440 for you. All right. We're about an hour into 00:57:10.440 --> 00:57:12.519 this recording and we're about to wrap up this 00:57:12.519 --> 00:57:15.659 week's episode. So how do you say we take a five 00:57:15.659 --> 00:57:18.920 minute break and volume to this bitch right away? 00:57:20.000 --> 00:57:24.000 Yeah, I'm for it, man. Like you got 40. I've 00:57:24.000 --> 00:57:28.079 got at least. 50 or 60 left in my head and on 00:57:28.079 --> 00:57:30.840 my list so and i could come up with at least 00:57:30.840 --> 00:57:33.860 two dozen more so let's do it yeah all right 00:57:33.860 --> 00:57:35.960 so we are going to back to back this one next 00:57:35.960 --> 00:57:39.599 week volume two of the ultimate fictional bands 00:57:39.599 --> 00:57:42.460 playlist it's a first on my weekly mixtape 100 00:57:42.460 --> 00:57:45.699 plus episodes we've never done a back -to -back 00:57:45.699 --> 00:57:48.519 volume one volume two before unless you count 00:57:49.039 --> 00:57:52.199 the compilation episode that became the ultimate 00:57:52.199 --> 00:57:55.099 mixtape. But first Jay, thank you so much for 00:57:55.099 --> 00:57:57.719 joining me this week. So you and I can both take 00:57:57.719 --> 00:58:01.500 five and get ready for volume two. Sounds good. 00:58:01.519 --> 00:58:03.539 And it's great being here, man. See you in a 00:58:03.539 --> 00:58:06.260 few. Remember mixtapers, you can find my weekly 00:58:06.260 --> 00:58:08.400 mixtape on almost all the social media haunts 00:58:08.400 --> 00:58:12.349 at. My Weekly Mixtape. You can also head to myweeklymixtape 00:58:12.349 --> 00:58:15.269 .com to check out the full catalog of My Weekly 00:58:15.269 --> 00:58:17.690 Mixtape episodes. And finally, if you like what 00:58:17.690 --> 00:58:19.710 you're hearing on the show, you can help me out 00:58:19.710 --> 00:58:21.969 by either telling a friend, leaving the show 00:58:21.969 --> 00:58:23.909 a five -star review wherever you're tuning in, 00:58:24.329 --> 00:58:27.630 or becoming a Patreon mixtaper at patreon .com 00:58:27.630 --> 00:58:31.010 forward slash My Weekly Mixtape. There you can 00:58:31.010 --> 00:58:33.469 find ad -free episodes of the show, get early 00:58:33.469 --> 00:58:35.730 access to future My Weekly Mixtape episodes, 00:58:36.170 --> 00:58:38.630 chime in on upcoming topics, become a future 00:58:38.630 --> 00:58:41.570 guest, and so much more. That's all for this 00:58:41.570 --> 00:58:43.570 week. Thanks again for listening. And until next 00:58:43.570 --> 00:58:46.389 week's Volume 2, enjoy the tunes.