WEBVTT

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Welcome to E Pluribus Unum, the podcast where

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we dive deeper into the hive mind. I'm Josh.

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And I'm Eric. And today we're going to be talking

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about episode two entitled Pirate Lady. pirate

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lady. This one goes over Carol as she meets the

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other five Immunes that also speak English and

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the first meeting between the remainder of humanity

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that is no longer a part of the hive mind. Much

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like the first episode, and I know we had mentioned

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this in our previous episode of the podcast,

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we open up with another really brilliant Vince

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Gilligan cold open. This one reminded me of Breaking

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Bad when the twin Mexican assassins are crawling

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along the ground up to some sort of altar that

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they pray to. This one very much had that Saint

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tone and similar vibe to it as we're introduced

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into this episode and introduced to the newest

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character here. We start up in Morocco as this

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person is cleaning up the dead bodies after the

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joining as we find out it's called. And we follow

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this person as they hop on a plane and then they're

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heading somewhere, an unknown destination. All

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of the Hive Mind is working around this person

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as they're taking this journey to their destination,

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so much so that when this character arrives,

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who you find out is named Zosia, she is going

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in to take a shower and all of the Hive Mind

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are getting her clothes and her makeup ready.

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And the whole time you're just wondering, what

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does this have to do with the story that we've

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been told so far? And of course we find out But

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just giving you that introduction mystery is

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such a Vince Gilligan thing to do and a really

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great way to open an episode. And the other thing

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is this entire opening sequence has no dialogue.

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There's no conversation with all of the interaction.

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And the interaction, again, is extremely unsettlingly

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fluid. It's like watching a perfect process.

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You're like, oh, that's really satisfying when

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that happens. It also illustrates the thing about

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how each of these hive mind characters can do

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anything. She's first walking through the desert,

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she goes to pull a body out of a car, she goes

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to drive a scooter, then she drives to the airport

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and jumps into a gigantic plane and apparently

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is also able to fire it up and take off and then

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land in Albuquerque. Then it shows that it's

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sort of like a matrix scenario that Not only

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are their minds connected and not only are their

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memories connected, but they can share those

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skills. You bring up a really great point about

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they're doing all of this without speaking a

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word. There's no dialogue in this opening scene.

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And I think that goes back to our previous conversation

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that we had about episode one, where we're talking

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a lot about language and it's almost as if language

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is sort of the crutch. that humans use for connection.

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Whereas when you're a hive mind, there's no need

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for language. There's no need for speaking even.

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Is language a portion of what makes us an individual?

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Is that a portion of how we bring our thoughts

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into the public conscious as well? There's a

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lot to think about there when it comes to not

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only their mentioning of things like Finnegan

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Wake in the previous episode, but the complete

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lack of almost interaction that these characters

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have since they are a part of one mind. In the

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next scene is when she wakes up on the floor.

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It's that shot of the close up of the liquor

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bottle that is half empty lying on the floor

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and it's slowly dripping onto the floor. And

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I'm a huge film noir junkie and it just immediately

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reminded me of a sort of film noir. the drunken

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detective waking up the next day and having to

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contend not only with the headache and the hangover

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and such, but the results of the previous day.

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And of course, the first thing that she lays

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eyes on is the body of her dead lover, which

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of course is another very noirish style of opening

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up this episode and jumping right back into where

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we left off with Carol as well. And it leads

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us to the center part of this particular episode.

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To summarize it, Carol realizes that she has

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to bury her partner, and we go through this series

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of scenes that she makes the attempt to do that.

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And in the midst of trying to bury her partner,

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we finally get introduced to Zosia, and Zosia

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wants to just give her a bottle of water. And

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she has some really great lines around that.

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She says, we believe you're about to suffer from

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heat exhaustion, and every doctor in the world

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thinks so. It's funny and unnerving again, right?

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It crosses that line in such a great way. But

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what really sells it, Zosia is fairly stoic.

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She does smile a lot and she uses her eyebrows

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and things like that. And as the episode goes

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on, she emotes more, I think. But it's really

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Carol's face. Carol's reaction to the behavior

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of the people that are joined, it's art. Just

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her reaction to the bottle of water. She pours

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it out on the ground and Zosha's just like, I

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hope you have water in the house. We just want

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you to hydrate and take care of yourself. And

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just the vitriol that is in Carol's face of,

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I hate you. I want you out of my face. I want

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you out of my yard. I want you out of my life.

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And she tries to get rid of Zosha. And of course,

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Zosha wants to leave. It seems like the joined

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definitely want to please you. Like they said

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the night before, the neighbors were like, oh,

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you don't want us here? Oh, we'll leave. And

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the entire neighborhood leaves. And Zosha's like,

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oh, you don't want me to be here? Okay, I can

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leave. No problem. I want to make you happy.

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I want to appease you or please you. And that

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is definitely a theme, as you'd mentioned in

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the first episode, that I think rings throughout,

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but it rings in a darker sense. This leads us

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to Carol, actually, as Zosha's leaving. confronting

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Zosia out in the cul -de -sac. And this is both,

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again, a funny scene and a dark scene. Yeah,

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I really love how Rhea Seehorn played this particular

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portion because it plays to a bit of a comedic

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effect where she gets really close to Zosia's

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face and is almost inspecting her as if she recognizes

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something and then she goes back inside and grabs

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one of her romance novels and comes out and sees

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that. Indeed, Zosia looks very much like the

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made love interest within her romance novels,

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who is named Raban. Almost as if they found this

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person in Morocco that happened to look like

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the male character in her book, Raban. Carol's

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seeing that the hive mind has sent a female version

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of this main character to her to almost manipulate

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her or just to make her feel a little bit safer

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or have a safe face to speak to. Yet we find

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out that the only other person that would have

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known that Rabban was initially supposed to be

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female is her dead partner Helen, who she's burying

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in the backyard right now. So we find out that

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the hive mind was able to induct Helen's consciousness

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before she died. Back in episode one, right before

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Helen passes away, she gives a real creepy smile.

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to Carol right before she kicks the bucket. And

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we find out, of course, that wasn't necessarily

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Helen's smile. That was the smile of the hive

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mind. And you mentioned prior a bit about sort

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of Carol's rage and Carol's anger and Carol's

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hatred really to this hive mind. This is the

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first scene where we find out that that rage

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and that hatred has a physical toll as well.

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I think this might be The most pivotal scene

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in this episode and this is an episode of pivotal

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scenes. So that becomes a real marker I'll also

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say when this moment happened in the show. I

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literally cheered because You can go into this

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scenario thinking that there's no way around

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it that you are One of a dozen people that aren't

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part of this group and this group's trying its

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darndest to make you part of it It's almost sort

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of inevitable and it gives you this moment of,

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oh, I do have a weapon with which to fight, and

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maybe this can be rather powerful. And also the

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way that they illustrated it becomes very powerful.

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And you bring up this really great point, and

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this is where we are, and this is why I think

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it's so important to talk about this scene. Carol

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is so smart to think. not, oh, this is really

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great and I feel very comforted by it. It's very

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much the total opposite of that. And she screams

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at her and she says, you ghouls, you grave robbers.

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And I thought, oh my gosh, that's exactly how

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I felt in that scenario, but I didn't have the

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words for it. And I thought, how succinct and

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how clear and how true. You're using my partner's

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memories that were exclusive to the two of us.

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to try and charm me? How disgusting. How disgusting

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are you? And I really appreciated that because

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we come across a scenario later in this episode

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that is the opposite of that. And it's almost

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enraging to me, to be frank. But because she

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gets so upset and she literally screams, your

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ghouls, your grave robbers. And she pushes her

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up against the car. And now Zosia is having an

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episode. She starts to have a seizure and Carol's

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like, Oh, Oh my God, I'm sorry. I'm sorry. Are

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you okay? Are you okay? And she just slides down

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the truck and is just lying on the ground, seizing

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and Carol's screaming around like, is anybody

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around? The hive mind produce Zosia to essentially

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calm Carol down. And they thought that this would

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be a pleasurable face to look upon that could

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help ease some of her fears. There's also something.

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Alien about that right because us as normal people

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if we were to see that that's very off -putting

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to us And it feels like we're being manipulated,

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you know So it's almost as if in becoming this

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hive mind have they lost their humanity and that

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does every person on earth put together Not even

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resemble a human anymore than they can't even

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think in the way that a human would because they've

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done something very unnerving at this point and

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they didn't even recognize that that might not

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be the best thing to do for Carol. And all of

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the things that have been added to becoming a

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hive mind, is there something that's taken away?

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Is there a piece of humanity that's taken away

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by becoming the hive mind as well? I think I

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want to piggyback off of that for a couple of

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reasons. Once again, not only do we see a hole

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in their plan, where if Carol gets angry enough

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that there is a physical reaction, in someone

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who is joined, but also the lack of knowledge

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of if they were to approach her in this way that

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this was absolutely the wrong way to do it. And

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they don't discover that until after the fact.

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And if you notice, there's a lot of sequences

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as we move on where they discover after the fact

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that their thought process was absolutely wrong.

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And she points it out. She points it out in her

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very cynical but definitive way. And this is

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one of those instances. She's like, no, this

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was a terrible idea. And they're like, oh, we're

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sorry, Carol. And then they try to find some

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way to fix it whenever this kind of thing happens,

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it becomes a pattern. And it goes again to your

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concept of alien, right? They're not from Earth

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or this RNA isn't from Earth or this resequencing

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doesn't know about the cultures of Earth in the

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way that seem obvious to the rest of us, but

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it is able to do. other things like, again, be

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either a heart surgeon or an airplane pilot or

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whatever at any given instance. So in as much

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as it's consciousness or a shared hive mind,

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it almost seems computer, even less human in

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a way that we would think of an alien overtaking

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or something like that. And I also wonder just

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to kind of go back to it because I'm a nerd,

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the time sequencing through the show. This time

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sequencing has something to do with what's going

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on here. And I'm wondering if it's also hinting

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towards something like that. And I find that

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fascinating as far as how the theories might

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play out. A super important scene in act two

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there. And it leads us to Carol saying, hey,

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are there other people out there in the world

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that are like me, that are unaffected by the

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joining? And Zosha says, yeah, there are some

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people out there that are experiencing the same

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thing you are. Yeah, we find out that there are

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indeed, I believe, 12 or possibly 13. When she

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is in the backyard telling her, yeah, there's

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12, when she takes her later on to go meet them,

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she says, oh, by the way, there's one more that

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we just found today. And so they've added one

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to it. And I think one thing that he's accomplishing

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here by doing that is really exemplifying that

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the hive mind isn't omnipresent. Right. As much

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as we might think it is, it's only based on if

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there is a person of the hive mind there, they're

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not omnipotent, right? They're very much still

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a organism that are attached through these nodes,

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I guess you could call it, but it's not an omniscient

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being by any means. So there are things that

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they don't know. And we even heard that briefly

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in the first episode that the hive mind doesn't

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necessarily know why there are these 12 or now

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13. Immunes that are out there in the world and

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possibly even more and then we find out that

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again bringing language back into it that there

00:14:30.220 --> 00:14:34.100
are five other Immunes that speak English so

00:14:34.100 --> 00:14:37.639
that Carol can communicate with them and it brings

00:14:37.639 --> 00:14:44.600
a really cool scene where she asks Zosia if They

00:14:44.600 --> 00:14:48.100
can all come together and Zosia gets a very far

00:14:48.100 --> 00:14:50.360
away sort of distant look as if she's talking

00:14:50.360 --> 00:14:53.879
to someone else in her head and And Carol gets

00:14:53.879 --> 00:14:56.080
a bit worried and is asking you know, what is

00:14:56.080 --> 00:14:58.620
happening? Are you still there? And then Zosia

00:14:58.620 --> 00:15:01.740
clicks back into reality here and she says they

00:15:01.740 --> 00:15:04.860
all said yes and then again the look on Carol's

00:15:04.860 --> 00:15:10.000
face the look on Ria's face the disbelief shock

00:15:10.000 --> 00:15:14.509
and also impressed At the same time, just the

00:15:14.509 --> 00:15:17.029
reaction she has with that is so good and it

00:15:17.029 --> 00:15:20.570
sells at 110%. The next scene is also again that

00:15:20.570 --> 00:15:24.210
sort of funny Vince Gilligan humor. They're on

00:15:24.210 --> 00:15:26.590
this gigantic plane, Carol sitting all the way

00:15:26.590 --> 00:15:29.409
in the back and who's flying the plane? A waitress

00:15:29.409 --> 00:15:33.370
from TGI Fridays. And this is what Carol harps

00:15:33.370 --> 00:15:35.610
on. It's not anything else at all. She's just

00:15:35.610 --> 00:15:37.750
like, you just need to pay attention to who's

00:15:37.750 --> 00:15:40.110
that lady? She's from TGI Fridays flying the

00:15:40.110 --> 00:15:42.309
plane. Yeah, you should pay attention to that.

00:15:42.490 --> 00:15:46.389
But it illustrates again to her and to us the

00:15:46.389 --> 00:15:49.309
concept of if you know it, I know it. And that

00:15:49.309 --> 00:15:55.669
transferable skill is to me, sinister because

00:15:55.669 --> 00:15:59.330
it could go sideways very quickly, but they play

00:15:59.330 --> 00:16:02.320
it in the opposite way. Again, it's invasion

00:16:02.320 --> 00:16:04.320
of the body snatchers, but instead of everybody

00:16:04.320 --> 00:16:08.179
being evil, everybody is happy. And so now they're

00:16:08.179 --> 00:16:10.700
forcing almost their happiness onto you. And

00:16:10.700 --> 00:16:13.500
they're forcing this happiness onto the most

00:16:13.500 --> 00:16:15.940
cynical person on the planet. And this scene

00:16:15.940 --> 00:16:19.519
brings up a really great line from Zosia as well.

00:16:19.960 --> 00:16:22.460
She asks Carol, are you sure you wanna do this?

00:16:22.899 --> 00:16:27.039
And Carol asks Zosia, why? You know, why do you

00:16:27.039 --> 00:16:30.600
ask that? and Zosia responds with, we can't protect

00:16:30.600 --> 00:16:33.279
you from each other. And I thought that was almost

00:16:33.279 --> 00:16:36.700
a haunting line from Zosia, an uncharacteristically

00:16:36.700 --> 00:16:39.720
dark line coming from the hive mind at that point.

00:16:40.299 --> 00:16:45.539
Well, it's subtly sinister, right? And this line

00:16:45.539 --> 00:16:47.740
also, we need to reflect back on the previous

00:16:47.740 --> 00:16:50.539
scene where it's the two of them speaking again

00:16:50.539 --> 00:16:53.860
after Zosia had had the breakdown in the cultus

00:16:53.860 --> 00:16:57.309
act, she comes back to help Carol. And Carol

00:16:57.309 --> 00:17:01.169
asks, did that affect everybody or how many people

00:17:01.169 --> 00:17:03.350
did that affect? And Zosha says, everybody that

00:17:03.350 --> 00:17:06.990
was joined was affected by your emotional outburst.

00:17:07.529 --> 00:17:10.789
And she says, why is that? She goes, for some

00:17:10.789 --> 00:17:12.990
reason, because you're not joined with us. When

00:17:12.990 --> 00:17:15.950
you have a high emotional outburst, it has an

00:17:15.950 --> 00:17:19.529
adverse effect on us. So it's very clear in that

00:17:19.529 --> 00:17:22.640
moment that they want to define this as a thing.

00:17:23.400 --> 00:17:26.819
She asked, well, how many people did I hurt?

00:17:27.099 --> 00:17:29.380
Because when she went to go seek help, she saw

00:17:29.380 --> 00:17:31.980
that one guy was hanging from a man lift and

00:17:31.980 --> 00:17:34.200
another woman had obviously fallen and her face

00:17:34.200 --> 00:17:36.880
was hurt. She's like, how many people did I hurt?

00:17:37.640 --> 00:17:40.740
It's interesting because Zasha will hold back.

00:17:40.940 --> 00:17:43.440
on things she doesn't want to tell you. She will

00:17:43.440 --> 00:17:45.440
reluctantly tell you because you want to know,

00:17:45.460 --> 00:17:48.440
and she wants to please you, but she will hold

00:17:48.440 --> 00:17:52.480
back if she feels like there's some negative

00:17:52.480 --> 00:17:55.500
stuff going on here. And in this instance, she's

00:17:55.500 --> 00:17:57.119
like, kind of like, mm -hmm, you know, almost

00:17:57.119 --> 00:17:59.559
like a little kid, like, mm -hmm. And she's like,

00:17:59.599 --> 00:18:04.119
how many, you know, five, six, a dozen, and Zosha's

00:18:04.119 --> 00:18:07.000
not saying anything. And she goes, hundreds,

00:18:07.720 --> 00:18:10.160
and Zosha still doesn't say anything. And then

00:18:10.160 --> 00:18:14.660
she says, Thousands. And you could see Zosia

00:18:14.660 --> 00:18:18.660
just slightly move her head and Carol gets sick

00:18:18.660 --> 00:18:21.299
immediately. Just with the weight of thinking

00:18:21.299 --> 00:18:24.599
that her emotional outburst literally cost the

00:18:24.599 --> 00:18:27.700
lives of thousands of other people in this moment.

00:18:28.000 --> 00:18:30.680
And this becomes important later too. And I think

00:18:30.680 --> 00:18:33.680
the emotional outbursts affecting the hive mind

00:18:33.680 --> 00:18:37.000
goes back to the line in the first episode of

00:18:37.000 --> 00:18:39.720
they're connected by what he calls a psychic

00:18:39.720 --> 00:18:45.160
glue. And we see that even in the first episode,

00:18:45.200 --> 00:18:48.359
all of these hive mind beings are putting out

00:18:48.359 --> 00:18:51.200
good energy, right? They're the helpful kids

00:18:51.200 --> 00:18:54.880
next door or the folks in the very first scene

00:18:54.880 --> 00:18:56.960
of the hive mind saying, we're just trying to

00:18:56.960 --> 00:19:00.680
help Carol. So we see that they're putting out

00:19:00.680 --> 00:19:03.299
a certain wavelength on the emotional spectrum.

00:19:03.339 --> 00:19:06.279
And when they get the opposite wavelength coming

00:19:06.279 --> 00:19:10.619
from Carol, it affects not only the Person in

00:19:10.619 --> 00:19:12.660
front of you, but the entire hive mind as well.

00:19:12.660 --> 00:19:16.119
So they sort of feed off of that Psychic glue

00:19:16.119 --> 00:19:19.079
and live on this emotional wavelength as well.

00:19:19.119 --> 00:19:21.500
It's a incredibly interesting stuff and a lot

00:19:21.500 --> 00:19:24.539
of things that I'm hoping We get a little bit

00:19:24.539 --> 00:19:27.839
more answer to down the line So we arrive in

00:19:27.839 --> 00:19:32.299
Bilbao to where Carol meets four of the other

00:19:32.299 --> 00:19:35.619
five English -speaking Immunes as we'll call

00:19:35.619 --> 00:19:39.500
them here And we get to see not only the four

00:19:39.500 --> 00:19:42.259
amuse, but they've also brought their families

00:19:42.259 --> 00:19:45.640
who have already become one with the hive mind.

00:19:45.880 --> 00:19:50.900
We see husbands and we see aunts and sons and

00:19:50.900 --> 00:19:54.619
grandmas and they're introducing themselves as

00:19:54.619 --> 00:19:59.160
this individual is this particular person's husband.

00:19:59.720 --> 00:20:02.490
I think one thing in this scene that's Evident

00:20:02.490 --> 00:20:06.369
is the other four immune that we meet in this

00:20:06.369 --> 00:20:09.910
particular portion. They're not as distraught

00:20:09.910 --> 00:20:14.890
as Carol is. They're not as angry as Carol is

00:20:14.890 --> 00:20:17.450
about the circumstance. And not only that, but

00:20:17.450 --> 00:20:20.630
they still have a link to the hive mind itself,

00:20:20.630 --> 00:20:22.509
even though they're not a part of the hive mind,

00:20:22.890 --> 00:20:25.109
their family is a part of the hive mind. And

00:20:25.109 --> 00:20:27.750
they've accepted the people in their family that

00:20:27.750 --> 00:20:30.450
are a part of the hive mind as if they're still

00:20:30.680 --> 00:20:33.480
their family. It makes you question yourself

00:20:33.480 --> 00:20:36.500
and think, if my family member had become a part

00:20:36.500 --> 00:20:39.980
of the hive mind, would I be as accepting as

00:20:39.980 --> 00:20:42.259
they are? Or would I be more like Carol and be

00:20:42.259 --> 00:20:45.539
more cynical where they're not that person anymore?

00:20:46.039 --> 00:20:48.539
And I don't know what it's become anymore. I

00:20:48.539 --> 00:20:51.099
don't know what it is that I'm talking to anymore.

00:20:51.680 --> 00:20:53.980
This leads me to my favorite moment in this scene

00:20:53.980 --> 00:20:57.039
and my favorite moment in the episode. Again,

00:20:57.059 --> 00:21:01.289
I just want to give Rhea the Emmy for her scoff

00:21:01.289 --> 00:21:05.230
when she discovers the people behind them because

00:21:05.230 --> 00:21:07.910
she's speaking to the four, introducing herself

00:21:07.910 --> 00:21:10.369
and she starts to loosen up. And then she, again,

00:21:10.410 --> 00:21:12.750
this is another sequence where what's happening

00:21:12.750 --> 00:21:14.589
in the background is more important than what's

00:21:14.589 --> 00:21:16.750
happening in the foreground. And what's in the

00:21:16.750 --> 00:21:19.029
background are the family members. And she looks

00:21:19.029 --> 00:21:21.589
over her shoulder and goes, do you know who these

00:21:21.589 --> 00:21:24.849
guys are? And then that's where they do the introduction.

00:21:25.269 --> 00:21:26.890
And when they're done with their introductions,

00:21:27.109 --> 00:21:33.490
she does a full 360 and scoffs. She goes, and

00:21:33.490 --> 00:21:39.369
that scoff is perfection. It is absolute perfection.

00:21:39.650 --> 00:21:43.710
And it explained everything in her whole thought

00:21:43.710 --> 00:21:47.869
process of this is like, yep. And that is absolutely

00:21:47.869 --> 00:21:49.930
what we don't want. And that's why it's so important

00:21:49.930 --> 00:21:52.369
for her to get these English speaking people

00:21:52.369 --> 00:21:55.910
that aren't joined separate into a room and have

00:21:55.910 --> 00:21:58.410
a conversation with them about their current

00:21:58.410 --> 00:22:01.250
circumstances. I think this brings us to the

00:22:01.250 --> 00:22:05.109
next character introduction as we find out that

00:22:05.109 --> 00:22:08.009
the final immune that speaks English is arriving

00:22:08.009 --> 00:22:12.549
and that his mode of transportation came a little

00:22:12.549 --> 00:22:16.490
bit late since he had a specific request as we

00:22:16.490 --> 00:22:19.509
see Air Force One. pull up outside and everyone

00:22:19.509 --> 00:22:22.069
goes out on the tarmac and we meet a character

00:22:22.069 --> 00:22:26.009
by the name of Kumba. And he believes that Air

00:22:26.009 --> 00:22:28.049
Force One is going to be the best place for them

00:22:28.049 --> 00:22:30.970
to sort of convene and have their first immune

00:22:30.970 --> 00:22:33.210
meeting. Most of the other folks we get introduced

00:22:33.210 --> 00:22:37.930
to that aren't joined are fairly average folks

00:22:37.930 --> 00:22:40.170
in their own little worlds. You know, whether

00:22:40.170 --> 00:22:43.269
their culture or their language, they seem like

00:22:43.269 --> 00:22:46.519
you and me, essentially. And Carol is sort of

00:22:46.519 --> 00:22:48.819
that too, but she just has the cynicism and all

00:22:48.819 --> 00:22:51.660
these other things. And then you have this guy,

00:22:51.720 --> 00:22:55.839
and he is almost in his own movie, essentially.

00:22:55.940 --> 00:22:59.059
He thinks he's really funny, charming, has something

00:22:59.059 --> 00:23:02.240
to say for everything, clever, all of those things.

00:23:02.660 --> 00:23:05.920
I myself found him quite annoying, even as we

00:23:05.920 --> 00:23:09.140
get toward the end of the episode. but I understood

00:23:09.140 --> 00:23:11.920
the idea behind his character and how they could

00:23:11.920 --> 00:23:14.900
utilize it, but flamboyant. We'll just say he's

00:23:14.900 --> 00:23:16.980
a flamboyant character. Obviously he rolls in

00:23:16.980 --> 00:23:19.779
with Air Force One. My favorite part of this

00:23:19.779 --> 00:23:21.940
sequence is they're sitting at the table and

00:23:21.940 --> 00:23:24.940
he's talking about Air Force One, the movie with

00:23:24.940 --> 00:23:26.940
Harrison Ford. And he goes, well, actually what

00:23:26.940 --> 00:23:28.900
Harrison Ford did, he didn't actually leave the

00:23:28.900 --> 00:23:30.759
plane. He was actually hiding in the, and then

00:23:30.759 --> 00:23:33.079
they interrupt him. And I'm like, he's actually

00:23:33.079 --> 00:23:36.079
talking about Air Force One, the movie. It pleased

00:23:36.079 --> 00:23:38.099
me to no end. I thought that was really great.

00:23:38.920 --> 00:23:42.160
Yeah, because we know as the hive mind is leaving

00:23:42.160 --> 00:23:45.880
that particular room, they turn off all of the

00:23:45.880 --> 00:23:49.420
listening devices at Carol's request. But with

00:23:49.420 --> 00:23:52.279
that little line that seemingly is just a piece

00:23:52.279 --> 00:23:55.000
of comic relief, is there a piece of the hive

00:23:55.000 --> 00:23:58.759
mind that has not left just like Harrison Ford

00:23:58.759 --> 00:24:01.279
is in Air Force One? So that's certainly something.

00:24:01.519 --> 00:24:03.880
to think about. And we don't know at this point

00:24:03.880 --> 00:24:07.960
if the hive mind has the capability to lie. Are

00:24:07.960 --> 00:24:10.319
they capable of deception? They seem like they're

00:24:10.319 --> 00:24:12.519
not. They seem like they have to tell you the

00:24:12.519 --> 00:24:14.940
truth if you're insistent. And we find that out

00:24:14.940 --> 00:24:17.440
later too. And even earlier before where she's

00:24:17.440 --> 00:24:20.240
like, how many, how many? eventually they will

00:24:20.240 --> 00:24:22.400
seemingly tell you the truth, but it's almost

00:24:22.400 --> 00:24:25.720
like they don't want to tell you the truth if

00:24:25.720 --> 00:24:28.200
they think it's going to hurt you in some way,

00:24:28.319 --> 00:24:30.039
whether it's your feelings or something else.

00:24:30.319 --> 00:24:32.180
And as much as they're not acting deceptive,

00:24:32.220 --> 00:24:33.940
they do exactly what they say they're gonna do

00:24:33.940 --> 00:24:37.680
and they do it immediately. Not only that, but

00:24:37.680 --> 00:24:41.720
if telling the truth hurts you, does the hive

00:24:41.720 --> 00:24:44.859
mind automatically... Decide to be deceptive

00:24:44.859 --> 00:24:47.240
at that point because it seems like their main

00:24:47.240 --> 00:24:50.720
prerogative is to not hurt anything not only

00:24:50.720 --> 00:24:52.720
humans but anything that's living as we find

00:24:52.720 --> 00:24:55.559
out later and One thing I wanted to point out

00:24:55.559 --> 00:24:58.859
specifically about Kumba as a character. I think

00:24:58.859 --> 00:25:03.559
he's brought in specifically to be the antithesis

00:25:03.559 --> 00:25:07.660
of Carol we have Carol who has a hundred percent

00:25:07.660 --> 00:25:11.000
unequivocally Decided to be against the hive

00:25:11.000 --> 00:25:14.750
mind where we have Kumba who has completely bought

00:25:14.750 --> 00:25:18.029
in and decided to not necessarily be a part of

00:25:18.029 --> 00:25:20.890
the hive mind, but to accept the world as it

00:25:20.890 --> 00:25:24.910
is and how it's become and to continue to live

00:25:24.910 --> 00:25:27.950
like this. And it brings up a curious question.

00:25:28.109 --> 00:25:30.210
I think that's something that will be explored

00:25:30.210 --> 00:25:32.509
a bit later in the season between these characters

00:25:32.509 --> 00:25:36.069
is that we have some of the immune who bought

00:25:36.069 --> 00:25:39.410
into the hive mind so much that one of the characters

00:25:39.720 --> 00:25:42.339
She in fact wants to become a part of the hive

00:25:42.339 --> 00:25:44.599
mind. She would like to be brought into the hive

00:25:44.599 --> 00:25:48.240
mind and be with her aunt again. And I think

00:25:48.240 --> 00:25:50.299
the distinction there that I'm trying to make

00:25:50.299 --> 00:25:54.359
is I don't believe that Kumba is of the same

00:25:54.359 --> 00:25:57.660
mind as that young lady. I think he very much

00:25:57.660 --> 00:26:01.420
wants to be apart from the hive mind still, but

00:26:01.420 --> 00:26:04.400
he enjoys the world that the hive mind has created

00:26:04.400 --> 00:26:06.660
around him. He still wants to be an individual.

00:26:06.970 --> 00:26:09.029
And you can see in the way he acts and the way

00:26:09.029 --> 00:26:12.349
he talks, he very much thinks of himself as an

00:26:12.349 --> 00:26:17.470
individual. I think that possibly Carol and Kumba

00:26:17.470 --> 00:26:21.710
have more in common than is initially disclosed

00:26:21.710 --> 00:26:25.569
in this episode. It creates a really good tension

00:26:25.569 --> 00:26:27.829
and you make a great point. They are definitely

00:26:27.829 --> 00:26:31.609
totally opposite of each other and also are willing

00:26:31.609 --> 00:26:35.529
to challenge each other. And you have these really

00:26:35.529 --> 00:26:37.529
tight conversations between the two of them that

00:26:37.529 --> 00:26:40.190
I think are valuable. But they do have sort of

00:26:40.190 --> 00:26:42.549
a roundtable. They eventually ask the joint to

00:26:42.549 --> 00:26:44.410
go out on the tarmac, and they're in the main

00:26:44.410 --> 00:26:47.089
office in Air Force One, and they have their

00:26:47.089 --> 00:26:49.910
little sit down. As Carol broaches the conversation,

00:26:50.049 --> 00:26:51.950
she says, what are we going to do about this?

00:26:52.549 --> 00:26:56.809
And at one point, Goomba just says, why? Because

00:26:56.809 --> 00:26:59.150
you could see all the people at the table besides

00:26:59.150 --> 00:27:02.880
Carol. have essentially accepted the situation

00:27:02.880 --> 00:27:05.220
as it is, but they also have something she doesn't

00:27:05.220 --> 00:27:08.019
have, and that's their families or their connections

00:27:08.019 --> 00:27:12.160
to the world. And I believe she may feel she's

00:27:12.160 --> 00:27:15.920
lost all of that, except for her humanity. And

00:27:15.920 --> 00:27:19.880
that's why she's in part working so hard to,

00:27:19.880 --> 00:27:22.619
quote unquote, save humanity, is she's talking

00:27:22.619 --> 00:27:25.519
about saving her own humanity, her own individualism,

00:27:25.559 --> 00:27:28.759
her own separation from the hive or the joined.

00:27:29.359 --> 00:27:32.140
I agree with you, though. I think it even comes

00:27:32.140 --> 00:27:34.480
up at some point, if you were given the choice

00:27:34.480 --> 00:27:36.900
to join or not join, do you still have that choice?

00:27:37.640 --> 00:27:40.079
And it'll be interesting how that actually plays

00:27:40.079 --> 00:27:42.619
out. And this is also where we discover that

00:27:42.619 --> 00:27:45.619
they've also let all the animals out of the zoos.

00:27:46.339 --> 00:27:48.559
And Kumbha even says, all dogs are off their

00:27:48.559 --> 00:27:52.789
chains. Peace on earth. And I found that really

00:27:52.789 --> 00:27:54.450
interesting because I don't know that it's the

00:27:54.450 --> 00:27:56.470
greatest idea in the world to let all the animals

00:27:56.470 --> 00:27:59.190
out of all the zoos or to let all the dogs off

00:27:59.190 --> 00:28:02.750
of their chains. And it'll be interesting to

00:28:02.750 --> 00:28:05.890
see what that decision from the joined becomes

00:28:05.890 --> 00:28:08.930
later. And I think that brings up another interesting

00:28:08.930 --> 00:28:14.670
question and that's why are the animals not assimilated

00:28:14.670 --> 00:28:18.089
into the hive mind? And maybe it's just because

00:28:18.089 --> 00:28:21.859
assimilating animals into the human hive mind

00:28:21.859 --> 00:28:25.839
would have a lot of the humans recreating animal

00:28:25.839 --> 00:28:28.700
behaviors or something along those lines but

00:28:28.700 --> 00:28:33.400
an interesting question on why the animals weren't

00:28:33.400 --> 00:28:36.519
assimilated but we do find out that the hive

00:28:36.519 --> 00:28:40.839
mind itself has a very altruistic view of life

00:28:40.839 --> 00:28:43.460
in general whether that's human or animal they

00:28:43.460 --> 00:28:45.420
don't want an animal to be in a cage and they

00:28:45.420 --> 00:28:47.900
don't want a dog to be on the leash and of course

00:28:47.900 --> 00:28:50.279
in the next scene when they're all having lunch

00:28:50.279 --> 00:28:55.119
we find out that they don't even want to kill

00:28:55.119 --> 00:28:58.359
an animal to eat it so they specifically say

00:28:58.359 --> 00:29:01.160
that they will not kill a chicken to cook it

00:29:01.160 --> 00:29:04.460
for you and even when Kumba says well if I kill

00:29:04.460 --> 00:29:06.970
a chicken Will you cook it for me? She does indeed

00:29:06.970 --> 00:29:09.690
say, yes. So there is a still that appeasement

00:29:09.690 --> 00:29:12.509
there at work, but you see when Zosia replies

00:29:12.509 --> 00:29:15.309
to Kumba and tells him, yes, that it's almost

00:29:15.309 --> 00:29:17.930
a bit of a moral quandary for her to answer that

00:29:17.930 --> 00:29:21.069
question. Well, and she answers, we will mourn

00:29:21.069 --> 00:29:24.150
the creature, but yeah, I'll cook it for you.

00:29:24.970 --> 00:29:27.950
And then he asks, are you vegetarian then? Or

00:29:27.950 --> 00:29:30.450
do you eat meat? She says that very interestingly.

00:29:30.529 --> 00:29:33.009
She doesn't say, yes, we're vegetarians. She

00:29:33.009 --> 00:29:37.920
says, we prefer not to. I want to bounce back

00:29:37.920 --> 00:29:41.599
to the Air Force One, not to say nothing happens,

00:29:41.660 --> 00:29:43.940
but essentially she doesn't really convince anyone

00:29:43.940 --> 00:29:46.279
one way or the other. And the resolution in the

00:29:46.279 --> 00:29:48.519
scene is she says, does anybody have any ideas

00:29:48.519 --> 00:29:50.599
they'd like to bring to the table? And Kumba

00:29:50.599 --> 00:29:54.660
like crosses his fingers and says, how does everyone

00:29:54.660 --> 00:30:01.059
feel about lunch? And the final thing, I... would

00:30:01.059 --> 00:30:04.259
like to add on to the Air Force One scene is

00:30:04.259 --> 00:30:10.599
we find out that during Carol's initial bout

00:30:10.599 --> 00:30:14.640
of rage to Zosia, another character, another

00:30:14.640 --> 00:30:17.680
immune by the name of Lakshmi, was driving in

00:30:17.680 --> 00:30:20.500
the car with her grandfather, who at that point,

00:30:20.519 --> 00:30:24.140
of course, was a part of the hive mind. And during

00:30:24.140 --> 00:30:28.059
the sort of repose that the hive mind had after

00:30:28.059 --> 00:30:32.099
Carol's bout of rage, Lakshmi's grandfather died

00:30:32.099 --> 00:30:36.700
while driving that car. So Lakshmi already dislikes

00:30:36.700 --> 00:30:39.619
Carol. And we find out from Lakshmi that not

00:30:39.619 --> 00:30:43.259
only was it the quote unquote few people that

00:30:43.259 --> 00:30:45.859
died. That's what Zosha had told Carol earlier

00:30:45.859 --> 00:30:50.339
in the episode, but 11 million people died when

00:30:50.339 --> 00:30:53.420
Carol had her initial bout of rage with Zosha.

00:30:53.740 --> 00:30:57.920
So just adding so much more of an expansive view.

00:30:58.670 --> 00:31:03.369
on what is a very close quarters character story

00:31:03.369 --> 00:31:06.750
at the same time. The things that these six immunes

00:31:06.750 --> 00:31:11.650
are doing have global repercussions. And in this

00:31:11.650 --> 00:31:14.470
scene, Carol also points out very eloquently

00:31:14.470 --> 00:31:20.650
the hypocrisy. And she asks, I think she almost

00:31:20.650 --> 00:31:22.329
has to ask three times when she really wants

00:31:22.329 --> 00:31:25.009
an answer from them from hard questions. How

00:31:25.009 --> 00:31:28.130
many people died during the joining? And they

00:31:28.130 --> 00:31:33.509
eventually answer over 800 million. And she goes,

00:31:33.630 --> 00:31:37.609
well, I guess you got to break a few eggs. Because

00:31:37.609 --> 00:31:39.630
she's pointing out the fact that, oh, you won't

00:31:39.630 --> 00:31:43.509
kill and you let animals out of the zoo and all

00:31:43.509 --> 00:31:46.650
these other things. But when you came here, you

00:31:46.650 --> 00:31:50.369
killed 800 million people. And Zosha's answer

00:31:50.369 --> 00:31:55.630
was, it is our biological imperative to do so.

00:31:55.910 --> 00:31:59.109
And I thought that was Also terrifying and telling

00:31:59.109 --> 00:32:02.369
but it was also an excuse. Yeah, and I think

00:32:02.369 --> 00:32:07.849
it's 867 million people died within the joining

00:32:07.849 --> 00:32:10.890
there and I believe that's over 10 % of the population

00:32:10.890 --> 00:32:13.390
of the entire planet Right. That's certainly

00:32:13.390 --> 00:32:16.430
breaking a few eggs for sure. My question then

00:32:16.430 --> 00:32:18.930
becomes where does this philosophy come from

00:32:18.930 --> 00:32:22.029
then? Because just because our minds are all

00:32:22.029 --> 00:32:24.869
glued together doesn't mean that we all collectively

00:32:24.869 --> 00:32:28.829
immediately agree on a specific philosophy. They're

00:32:28.829 --> 00:32:31.430
not asking you. And she even says at the dinner

00:32:31.430 --> 00:32:34.349
table, she goes, you didn't ask any of us. You

00:32:34.349 --> 00:32:36.970
didn't ask a single one of us if we wanted to

00:32:36.970 --> 00:32:39.730
do this. You just did it. And then that's where

00:32:39.730 --> 00:32:41.589
she says, well, this was our biological imperative

00:32:41.589 --> 00:32:45.450
and stuff. Okay, where does that come from? Who's

00:32:45.450 --> 00:32:48.349
biological imperative? It could very well be

00:32:48.349 --> 00:32:52.049
the biological imperative of the human race at

00:32:52.049 --> 00:32:54.430
the end of the day. One of the reasons I enjoy

00:32:54.430 --> 00:32:57.369
the show so much is that it begs conversations

00:32:57.369 --> 00:33:00.089
like this. And that's what makes it so intriguing

00:33:00.089 --> 00:33:04.509
and what makes you hell bent on watching this

00:33:04.509 --> 00:33:07.650
next episode. So I got to say Vince Gillian really

00:33:07.650 --> 00:33:11.009
is knocking it out of the park. Absolutely. I

00:33:11.009 --> 00:33:15.049
still want to know where this collective philosophy

00:33:15.049 --> 00:33:18.069
came from because there were humans on this planet

00:33:18.069 --> 00:33:20.170
that were more than fine with murdering other

00:33:20.170 --> 00:33:23.369
humans. So how do you get to a consensus with

00:33:23.369 --> 00:33:26.569
every person on the planet that through this

00:33:26.569 --> 00:33:30.630
collective psychic glue that we all agree that

00:33:30.630 --> 00:33:32.309
we're not going to kill anymore and we're not

00:33:32.309 --> 00:33:35.789
going to eat meat anymore? Who came up with the

00:33:35.789 --> 00:33:39.369
idea to even do that is also a question. Where

00:33:39.369 --> 00:33:42.690
does that even come from? I guess my question

00:33:42.690 --> 00:33:45.859
is Now that we've adjusted our DNA using this

00:33:45.859 --> 00:33:48.319
RNA, are we just saying now we're just going

00:33:48.319 --> 00:33:52.079
into our next evolutionary step of being a collective

00:33:52.079 --> 00:33:55.700
hive mind that is vegetarian? My point of view

00:33:55.700 --> 00:34:02.480
on it is that the majority of badness or ill

00:34:02.480 --> 00:34:07.680
will or evil comes from a distinct lack of empathy.

00:34:08.400 --> 00:34:12.760
And a lot of folks out there suffer from a lack

00:34:12.760 --> 00:34:17.380
of empathy. But when you are pushed into a hive

00:34:17.380 --> 00:34:23.599
mind where everyone is everyone, the only response

00:34:23.599 --> 00:34:26.820
is empathy because we are the same. Now we are

00:34:26.820 --> 00:34:31.679
one. So the empathy is at that point intrinsic

00:34:31.679 --> 00:34:35.800
to humanity. Going back to what E Pluribus Una

00:34:35.800 --> 00:34:39.559
means out of many, one, now we are one. Now all

00:34:39.559 --> 00:34:44.360
we know is empathy. And with that empathy comes

00:34:44.360 --> 00:34:48.199
the idealism of the hive mind. So I think that's

00:34:48.199 --> 00:34:50.460
where it comes from. Knowing each other, knowing

00:34:50.460 --> 00:34:53.440
everything about every other person on the world

00:34:53.440 --> 00:34:56.860
is the purest form of empathy. And that's why

00:34:56.860 --> 00:34:59.440
those feelings are no longer there. You know,

00:34:59.699 --> 00:35:03.900
I can subscribe to that. I can see that as a

00:35:03.900 --> 00:35:06.420
possibility. I'll put it in that box for now.

00:35:06.880 --> 00:35:09.219
In the interest of time, let's kind of wrap the

00:35:09.219 --> 00:35:11.420
tail end of this bad boy up. They have lunch

00:35:11.420 --> 00:35:15.199
and we have another opportunity where Carol gets

00:35:15.199 --> 00:35:17.719
deeply upset because of the hypocrisy that's

00:35:17.719 --> 00:35:21.420
at the table and she goes storming off. And as

00:35:21.420 --> 00:35:23.239
she got, it's great. It's like a cartoon. It's

00:35:23.239 --> 00:35:25.820
like that meme of Kid Rock making his way down

00:35:25.820 --> 00:35:28.440
the hill with his elbow swinging. And she literally

00:35:28.440 --> 00:35:30.760
ends up, you know, ass over tea kettle. And of

00:35:30.760 --> 00:35:34.269
course the joined come. and run over there to

00:35:34.269 --> 00:35:36.829
try to help her and rescue her. And because she's

00:35:36.829 --> 00:35:39.650
so agitated, her rage comes out again. And she

00:35:39.650 --> 00:35:41.710
gets really upset and starts screaming at them,

00:35:41.750 --> 00:35:44.090
so much so that, of course, they start to have

00:35:44.090 --> 00:35:46.769
their seizure. And, of course, the joined family

00:35:46.769 --> 00:35:48.670
members at the dining table have their seizure

00:35:48.670 --> 00:35:51.809
as well. And that sort of wraps that scene up.

00:35:51.929 --> 00:35:54.469
Interestingly, we get this overhead shot of these

00:35:54.469 --> 00:35:58.500
joined people seizing around. Rhea's character

00:35:58.500 --> 00:36:01.019
as she realizes, oh my gosh, I lost my temper

00:36:01.019 --> 00:36:03.920
again. The next scene, she wakes up in bed and

00:36:03.920 --> 00:36:06.219
she picks up the phone and dials zero, I guess,

00:36:06.280 --> 00:36:08.380
or something. And she's like, hi, Carol, how

00:36:08.380 --> 00:36:10.800
can we help you? And she says, are you okay?

00:36:11.400 --> 00:36:14.119
She's actually concerned for Zosha's welfare.

00:36:14.320 --> 00:36:16.780
And she's like, we're doing perfectly well. And

00:36:16.780 --> 00:36:19.360
then she says, how badly did I upset the other

00:36:19.360 --> 00:36:22.909
five? And she says, all but one have left. And

00:36:22.909 --> 00:36:25.409
of course it's Kumba. We have to mention also

00:36:25.409 --> 00:36:27.969
that Kumba is always surrounded by half a dozen

00:36:27.969 --> 00:36:32.989
basically supermodel style women. I find it super

00:36:32.989 --> 00:36:36.849
gross and also super weird for two reasons. Number

00:36:36.849 --> 00:36:40.090
one, it's just super gross and super weird. The

00:36:40.090 --> 00:36:43.670
other reason is these people are all joined.

00:36:44.769 --> 00:36:47.989
And it's something that Carol points out earlier

00:36:47.989 --> 00:36:51.530
and this is important and I love this. When you

00:36:51.530 --> 00:36:54.269
speak to any of the joined you're speaking to

00:36:54.269 --> 00:36:58.349
everyone on earth that is joined So if you're

00:36:58.349 --> 00:37:02.230
physical with one of the joined you are physical

00:37:02.230 --> 00:37:05.329
in a sense with everybody else on the planet

00:37:05.329 --> 00:37:10.389
and that could include your cousin your gynecologist

00:37:10.389 --> 00:37:13.289
the guy that you had a crush on in high school

00:37:13.289 --> 00:37:16.769
and I'm like when she says it out loud because

00:37:16.769 --> 00:37:19.579
it's a thought you already have you're like Yeah,

00:37:19.579 --> 00:37:23.659
no, no. But Kumba has no problem with this, apparently.

00:37:24.139 --> 00:37:27.039
And he has several women around. And it's insinuated

00:37:27.039 --> 00:37:30.679
that they are his harem. And at this point, the

00:37:30.679 --> 00:37:33.800
whole reason that Kumba has stuck around is to

00:37:33.800 --> 00:37:40.019
ask Carol, can I have or borrow Zosha? And you

00:37:40.019 --> 00:37:42.219
can see that they put this here for a reason.

00:37:42.679 --> 00:37:44.960
It's interesting, because I think it plays out

00:37:44.960 --> 00:37:48.429
at the very end. And that is, Zosha says, I can't

00:37:48.429 --> 00:37:50.489
make the decision because if I make the decision,

00:37:50.550 --> 00:37:53.150
I will hurt one of you. And I can't do that.

00:37:54.670 --> 00:37:58.690
And Kumbha loves this. And Carol says, you know

00:37:58.690 --> 00:38:03.230
what? I don't care. Go. And so they leave. And

00:38:03.230 --> 00:38:05.630
the next scene is she's getting on one plane

00:38:05.630 --> 00:38:08.030
and they're getting on another and she's looking

00:38:08.030 --> 00:38:11.010
out the window and she sees them boarding. And

00:38:11.010 --> 00:38:13.369
the last person to board is Zosha and she does

00:38:13.369 --> 00:38:16.239
the movie trope of stopping and then turning

00:38:16.239 --> 00:38:19.420
and looking exactly at the window where Carol

00:38:19.420 --> 00:38:22.840
is and Carol sees her and then slides the shade

00:38:22.840 --> 00:38:26.320
down for the window. And Zosha joins the rest

00:38:26.320 --> 00:38:28.400
of the people on the plane. But there's this

00:38:28.400 --> 00:38:31.460
wonderful moment again and Rhea just nails this

00:38:31.460 --> 00:38:35.159
silent moment where she acts the entire thing

00:38:35.159 --> 00:38:38.179
with her face. In fact, the camera angle is over

00:38:38.179 --> 00:38:40.300
the seat in front of her and you just see her

00:38:40.300 --> 00:38:43.619
eyes peeking out over the back of the seat. and

00:38:43.619 --> 00:38:46.059
the camera turns around and we get a little bit

00:38:46.059 --> 00:38:49.599
closer look and she has an epiphany of some kind.

00:38:49.599 --> 00:38:51.940
We don't know what it is, but it's enough to

00:38:51.940 --> 00:38:54.460
make her leap up out of this seat and go running

00:38:54.460 --> 00:38:56.139
down the aisle and saying, wait, wait, wait,

00:38:56.139 --> 00:38:59.300
wait, wait. And there's this great scene that's

00:38:59.300 --> 00:39:02.719
the very last shot. It's like the John Cusack

00:39:02.719 --> 00:39:05.679
film where he has the stereo over his head and

00:39:05.679 --> 00:39:08.119
she stands in front of this Air Force One with

00:39:08.119 --> 00:39:11.539
her arms splayed out and she's like, stop. And

00:39:11.539 --> 00:39:14.829
then it goes to black. So she realized something

00:39:14.829 --> 00:39:17.510
and she felt compelled to get on that plane And

00:39:17.510 --> 00:39:19.710
I think she realizes something about Zosha and

00:39:19.710 --> 00:39:21.469
that we're gonna find out in the next episode

00:39:21.469 --> 00:39:25.730
Yeah, and I think that brings us to a really

00:39:25.730 --> 00:39:31.250
great ending question here is That look from

00:39:31.250 --> 00:39:34.590
Zosha as she turns back to look at Carol in the

00:39:34.590 --> 00:39:38.929
other plane What does that mean to you is that

00:39:38.929 --> 00:39:42.920
look? manipulation by the hive mind into thinking

00:39:42.920 --> 00:39:47.659
that Zosia wanted to stay with Carol so that

00:39:47.659 --> 00:39:49.719
they can get her a little bit more bought into

00:39:49.719 --> 00:39:55.980
the hive mind or is that a sign that there is

00:39:55.980 --> 00:40:00.360
still some individuality in the hive mind and

00:40:00.360 --> 00:40:04.179
that Zosia wanted to look back specifically at

00:40:04.179 --> 00:40:07.079
Carol because she felt that as an individual

00:40:07.079 --> 00:40:11.900
that whole Glance back at Carol from Zosia is

00:40:11.900 --> 00:40:15.639
almost something that you would read in a fiction

00:40:15.639 --> 00:40:18.739
romance novel that somebody happened to write

00:40:18.739 --> 00:40:21.980
within this world. Very reminiscent of something

00:40:21.980 --> 00:40:25.260
that you would read and something that Carol

00:40:25.260 --> 00:40:27.760
might have written. So what are your thoughts

00:40:27.760 --> 00:40:31.159
on that? Well, I hear your purple sand thoughts

00:40:31.159 --> 00:40:35.280
on this thing and I like the perspective that

00:40:35.280 --> 00:40:38.800
they are. possibly again, and maybe not even

00:40:38.800 --> 00:40:42.760
maliciously so, using what they know about her

00:40:42.760 --> 00:40:45.400
to get her to do what they think is the right

00:40:45.400 --> 00:40:47.639
thing. Let's say that that's what this is. If

00:40:47.639 --> 00:40:50.320
you have a majority of the people saying, we

00:40:50.320 --> 00:40:54.059
shouldn't kill and we should be vegetarians or

00:40:54.059 --> 00:40:56.519
whatever, and anything else of their philosophy,

00:40:56.739 --> 00:40:59.280
then let's roll with it. I would like to add

00:40:59.280 --> 00:41:01.260
a different spin to it, although I like yours.

00:41:01.880 --> 00:41:05.570
My spin is this, the person that actually looked

00:41:05.570 --> 00:41:11.710
back at Carol was her girlfriend in there or

00:41:11.710 --> 00:41:14.630
her wife or significant other, her partner, right?

00:41:15.030 --> 00:41:18.289
And that's my thought is that it's Helen in there

00:41:18.289 --> 00:41:22.449
looking back and that there is a sense of individuality

00:41:22.449 --> 00:41:26.010
and memory and all those other things. Here's

00:41:26.010 --> 00:41:28.150
what I think this episode is about. I think the

00:41:28.150 --> 00:41:31.250
episode is about family. And it was shoved in

00:41:31.250 --> 00:41:34.269
our face that everybody had either a sense of

00:41:34.269 --> 00:41:36.389
family, which is a majority of those that spoke

00:41:36.389 --> 00:41:39.590
English, and even with Kumba, he makes his own

00:41:39.590 --> 00:41:42.510
family with his harem. But with Carol, she didn't

00:41:42.510 --> 00:41:45.849
have that, except for Zosha, because Zosha, and

00:41:45.849 --> 00:41:48.929
everybody else too, has a part of Helen in them.

00:41:49.409 --> 00:41:52.429
But Zosha represents even more of that because

00:41:52.429 --> 00:41:55.349
of the characterization of Rabban, and that Rabban

00:41:55.349 --> 00:41:57.889
should have been female before, and maybe even

00:41:57.889 --> 00:42:01.360
Rabban is male after Helen a little bit. So for

00:42:01.360 --> 00:42:04.980
me, I thought of it as more, that was the part

00:42:04.980 --> 00:42:08.659
of Helen looking back and saying, I hope this

00:42:08.659 --> 00:42:11.679
isn't the last time I see you because I still

00:42:11.679 --> 00:42:13.699
have all that love and those memories and all

00:42:13.699 --> 00:42:16.380
those things of Helen. That's still Helen in

00:42:16.380 --> 00:42:21.679
there. Whereas for Carol, Carol has lost Helen

00:42:21.679 --> 00:42:23.579
because Helen's not standing right there in front

00:42:23.579 --> 00:42:26.420
of her. Are they ghouls? Are they grave robbers?

00:42:26.599 --> 00:42:30.960
Or are they people that are saying, hey, I'm

00:42:30.960 --> 00:42:34.199
still in here. You haven't lost me. And through

00:42:34.199 --> 00:42:37.920
Azosha, you can still be with me. Well, I think

00:42:37.920 --> 00:42:41.059
that might be the best place to put a pin in

00:42:41.059 --> 00:42:46.619
this episode as episode two of Pluribus. Pirate

00:42:46.619 --> 00:42:49.559
Lady, it was entitled. Is there anything else

00:42:49.559 --> 00:42:52.400
you want to add? I think we've got it. I'm very

00:42:52.400 --> 00:42:55.239
much looking forward to the next episode. I like

00:42:55.239 --> 00:42:58.239
that. It is episodic. I like that we have to

00:42:58.239 --> 00:43:00.480
wait for it. It gives us those opportunities

00:43:00.480 --> 00:43:03.739
to have a conversation between them and share

00:43:03.739 --> 00:43:05.619
our theories and thoughts. And like you said,

00:43:05.639 --> 00:43:07.760
it's very thought provoking. So yeah, here's

00:43:07.760 --> 00:43:10.900
to episode three. Thank you, fellow humans for

00:43:10.900 --> 00:43:13.920
listening to E Pluribus Unum, where we cover

00:43:13.920 --> 00:43:16.760
the fantastic show Pluribus. We're looking forward

00:43:16.760 --> 00:43:18.099
to talking to you next week.
