WEBVTT 00:00:01.150 --> 00:00:04.370 Last time on The Bad Articles, our knuckles realised 00:00:04.370 --> 00:00:06.330 that there was some sort of time thing going 00:00:06.330 --> 00:00:08.890 on at the wake. They munched on some raw potatoes, 00:00:09.230 --> 00:00:12.070 gaslit an old man and butchered the sixth best 00:00:12.070 --> 00:00:14.910 Billy Joel song. Stick around to find out what 00:00:14.910 --> 00:00:33.100 happens next, unless you're a coward.... sowing in chaos 00:00:33.100 --> 00:00:37.759 scaring the shit out of people! not all hope is 00:00:37.759 --> 00:00:41.140 lost underfunded undergunned and underappreciated 00:00:41.140 --> 00:00:44.280 the OSNA stand proudly in the way of unchecked 00:00:44.280 --> 00:00:47.320 otherworldly chaos this secret network of brave 00:00:47.320 --> 00:00:50.240 volunteers put their lives and their sanity on 00:00:50.240 --> 00:00:52.920 the line all for a better tomorrow have you ever 00:00:52.920 --> 00:00:54.920 been reading a smutty book on your holidays in 00:00:54.920 --> 00:00:57.759 Lanzarote and the sexy roguish protagonist starts 00:00:57.759 --> 00:00:59.780 to visit you in your dreams giving you kisses 00:00:59.780 --> 00:01:02.039 and all Then you get the vibe that this might 00:01:02.039 --> 00:01:05.120 actually be a Kruger situation. You better call 00:01:05.120 --> 00:01:08.959 the OSNA before you find yourself in the bad 00:01:08.959 --> 00:01:15.260 articles. We'll leave Dolan in the cosy little 00:01:15.260 --> 00:01:17.640 sitting room by the fire, having quenched his 00:01:17.640 --> 00:01:20.299 mighty thirst on that old man's whiskey, and 00:01:20.299 --> 00:01:26.299 cut to Gideon. I storm towards the kitchen where 00:01:26.299 --> 00:01:29.079 that guy went with his big pot of soup, or where 00:01:29.079 --> 00:01:31.900 he came. With his big policy. You enter through 00:01:31.900 --> 00:01:34.480 one of those doors that swings both ways into 00:01:34.480 --> 00:01:36.760 a wide kitchen area which expands out to the 00:01:36.760 --> 00:01:39.719 left. There's a familiar face, that chef who 00:01:39.719 --> 00:01:43.439 you saw delivering that cold soup earlier. There 00:01:43.439 --> 00:01:45.280 are bags of onions everywhere and you see the 00:01:45.280 --> 00:01:48.280 chef just chopping away at some while a large 00:01:48.280 --> 00:01:50.900 pan of water sits on the stove. There are a bunch 00:01:50.900 --> 00:01:53.840 of small fridges in the kitchen. Out the window 00:01:53.840 --> 00:01:56.359 he's catching fish himself with big long rods 00:01:56.359 --> 00:01:58.379 hanging out the back window overlooking the cliff 00:01:58.379 --> 00:02:03.400 edge. And he is still crying his eyes out. Hey. 00:02:04.319 --> 00:02:07.459 Hey, buddy. Don't cry. It's going to be okay. 00:02:07.540 --> 00:02:09.780 It's going to be all right. It's not going to 00:02:09.780 --> 00:02:14.199 be okay. It's never going to be the same without 00:02:14.199 --> 00:02:17.520 him. Yeah. No, grief is hard. Grief is hard. 00:02:17.680 --> 00:02:20.199 I lost someone not so long ago myself. This is 00:02:20.199 --> 00:02:23.360 my second wake today. So I know how hard it is. 00:02:23.500 --> 00:02:25.080 So maybe I'm just a little bit ahead of you. 00:02:25.740 --> 00:02:30.439 No, no, look, it's just Eloise here now, and 00:02:30.439 --> 00:02:34.000 she's too old to do everything herself, and I'm 00:02:34.000 --> 00:02:36.360 only allowed in the kitchen. I'm not allowed 00:02:36.360 --> 00:02:39.060 to help out with any of the other stuff. Hey, 00:02:39.080 --> 00:02:41.259 listen, listen, it's okay, it's okay. You're 00:02:41.259 --> 00:02:42.939 doing great work here. Everyone's saying how 00:02:42.939 --> 00:02:46.199 much they love the soup. They love it. And I 00:02:46.199 --> 00:02:51.139 go to, like, take a spoonful. You dip your spoon 00:02:51.139 --> 00:02:55.169 in as you... He's barely able to focus on you. 00:02:55.169 --> 00:02:57.729 His eyes are bloodshot as hell. And you bring 00:02:57.729 --> 00:03:01.110 that spoon up to your mouth. And this stuff is 00:03:01.110 --> 00:03:05.969 ice cold as you put it to your lips. Mmm. That 00:03:05.969 --> 00:03:10.789 is nutritious. In this man's sorry state, I'm 00:03:10.789 --> 00:03:12.569 going to ask for a social role, but you can have 00:03:12.569 --> 00:03:16.349 a bonus 20 % because he is looking for any comfort 00:03:16.349 --> 00:03:22.740 he can get. Two under 40. I thank you so much. 00:03:22.819 --> 00:03:25.360 I really needed that. You don't need to thank 00:03:25.360 --> 00:03:28.360 me. This is good soup. What's your name? My name's 00:03:28.360 --> 00:03:34.020 Sean. Sean? Sean Walsh. I've given my blood, 00:03:34.039 --> 00:03:36.939 sweat and tears to this place. I just thought 00:03:36.939 --> 00:03:43.780 they'd acknowledge me, you know? I just... Eloise 00:03:43.780 --> 00:03:46.960 hasn't said anything to me after he died and 00:03:46.960 --> 00:03:50.479 I don't... I just... I don't know if I can step 00:03:50.479 --> 00:03:53.439 up. They never allow me to do anything. I'm not 00:03:53.439 --> 00:03:56.020 allowed down into the keg room. I'm not allowed 00:03:56.020 --> 00:03:58.159 into the basements. I don't know how the pressure 00:03:58.159 --> 00:04:01.259 fobs work for kids in the kegs. And they used 00:04:01.259 --> 00:04:04.020 to bother me, but it doesn't so much now. So, 00:04:04.060 --> 00:04:06.319 look, it may be a little exciting. They might 00:04:06.319 --> 00:04:08.740 let me down there and see what all the fuss is 00:04:08.740 --> 00:04:11.460 about. But I have to be the new rat killer because 00:04:11.460 --> 00:04:15.379 that cat's lazy. Sean, Sean, take a breath. Take 00:04:15.379 --> 00:04:18.060 a breath. Listen, all these things can be learned. 00:04:18.439 --> 00:04:19.720 All these things can be learned. You just need 00:04:19.720 --> 00:04:23.319 some time. You will step up. This might be an 00:04:23.319 --> 00:04:27.360 important question, but I mean, it sounds like 00:04:27.360 --> 00:04:32.220 obviously you're very close to Mickey. I wasn't 00:04:32.220 --> 00:04:35.459 as close as him and his other mates. But, yeah, 00:04:35.660 --> 00:04:38.879 like, I guess, you know, he would talk to me 00:04:38.879 --> 00:04:41.319 when he needed me to do something. Like, if he 00:04:41.319 --> 00:04:44.620 needed Superman. But he wouldn't, like, invite 00:04:44.620 --> 00:04:47.199 me. They used to go and hang out. Like, they 00:04:47.199 --> 00:04:49.459 would hang out socially. They would always be 00:04:49.459 --> 00:04:54.339 going downstairs. I think they were playing games 00:04:54.339 --> 00:04:56.300 down there. They wouldn't have invited me. Sean, 00:04:56.360 --> 00:04:58.670 that is... Outrageous that they would exclude 00:04:58.670 --> 00:05:00.589 you in that way. Can you show me exactly where 00:05:00.589 --> 00:05:05.870 they did that? He points towards a door labelled 00:05:05.870 --> 00:05:08.310 keg room at the back of the room. One moment, 00:05:08.389 --> 00:05:11.430 Sean. And I go to, like, the kitchen door and 00:05:11.430 --> 00:05:14.689 I push it open. What do I see of my friends? 00:05:15.009 --> 00:05:18.790 What do we see? Maddy, where are you? I went 00:05:18.790 --> 00:05:22.529 back towards the, like, storage room. Oh, yes. 00:05:23.329 --> 00:05:26.879 This is... You'd think that the general heat 00:05:26.879 --> 00:05:30.879 of the room would have made this soup warmer, 00:05:31.040 --> 00:05:34.759 but somehow still utterly Baltic. That's impressive 00:05:34.759 --> 00:05:39.180 in its own way. Oh, it's rancid, but I'm starving 00:05:39.180 --> 00:05:41.060 for some reason. I ate this morning. I had a 00:05:41.060 --> 00:05:44.120 huge breakfast. Yeah, this morning. Yeah, okay. 00:05:44.519 --> 00:05:49.740 They do air quotes. So from where I am, I can't 00:05:49.740 --> 00:05:53.170 see. No, you cannot. You can't see Maddie. Is 00:05:53.170 --> 00:05:55.870 Dolan still sitting there? I think he's sort 00:05:55.870 --> 00:05:58.490 of made himself comfortable with the guy. I take 00:05:58.490 --> 00:06:00.329 it he's stuck in a loop, just constantly going 00:06:00.329 --> 00:06:03.089 back and forth, being surprised I was there. 00:06:03.209 --> 00:06:06.069 He has stood up multiple times and sat down with 00:06:06.069 --> 00:06:08.290 you. Would I see the notebook or anything like 00:06:08.290 --> 00:06:12.149 that? The notepad is sitting on the table in 00:06:12.149 --> 00:06:14.449 front of you, but he has torn off the page that 00:06:14.449 --> 00:06:17.709 he had written on. Okay. But I've noticed a missing 00:06:17.709 --> 00:06:22.209 page. You did see him rip it off as you approached, 00:06:22.310 --> 00:06:24.290 but he pocketed it, and then he set the notebook 00:06:24.290 --> 00:06:30.129 down. Next time he sort of comes back down, can 00:06:30.129 --> 00:06:33.269 I just sort of pretend and just go, yeah, no, 00:06:33.310 --> 00:06:36.009 I'm still here, but you were meant to hand me 00:06:36.009 --> 00:06:39.269 the paper in your pocket. I guess I'm gaslighting 00:06:39.269 --> 00:06:42.189 the old man. I don't love that, but... What piece 00:06:42.189 --> 00:06:44.329 of paper? What are you talking about? You've 00:06:44.329 --> 00:06:45.629 got a piece of paper in your pocket. It's for 00:06:45.629 --> 00:06:50.399 me. It is not. It is for sure. I'm sorry. Look, 00:06:50.579 --> 00:06:52.339 I'm saying a few words at the funeral tomorrow, 00:06:52.500 --> 00:06:54.839 right? And I'm sketching them down. That's none 00:06:54.839 --> 00:06:56.240 of your business. Yeah, you asked me to look 00:06:56.240 --> 00:06:59.819 over them. I most certainly did not. I can assure 00:06:59.819 --> 00:07:01.959 you you did. Can I please have a social roll 00:07:01.959 --> 00:07:07.759 with a minus 20 on that? Okay, let's see. So 00:07:07.759 --> 00:07:17.079 I rolled 93 over zero. Mate, I'm going to need 00:07:17.079 --> 00:07:21.000 you. To fuck off, all right? Yeah, yeah, you've 00:07:21.000 --> 00:07:23.500 made that very clear. If Dolan's turning away, 00:07:23.740 --> 00:07:26.759 like, just from the galley doors, I'm like, get 00:07:26.759 --> 00:07:30.000 over here, now. You hear the familiar panic tones 00:07:30.000 --> 00:07:32.120 of Gideon Hubble. All right, but I grabbed a 00:07:32.120 --> 00:07:35.040 notebook on the way. Samuel stands from his chair, 00:07:35.259 --> 00:07:37.620 walks about five feet, and then sort of goes 00:07:37.620 --> 00:07:40.079 back, and as he sits down, he takes the note 00:07:40.079 --> 00:07:42.519 out of his pocket and begins reading it. So, 00:07:42.540 --> 00:07:45.290 sorry, so I'm doing the... Pencil thing? As you're 00:07:45.290 --> 00:07:48.689 walking across, you pull a pencil. One of your 00:07:48.689 --> 00:07:50.410 little mechanical pencils. I'm sure we have a 00:07:50.410 --> 00:07:53.009 pencil. Oh, yes. And you begin scribbling across 00:07:53.009 --> 00:07:57.290 it. You see a drawing. Now, the drawing itself, 00:07:57.610 --> 00:08:00.790 it's like a circular image. And in the center, 00:08:00.829 --> 00:08:04.069 there's a face with a blade -like tongue holding 00:08:04.069 --> 00:08:08.189 human hearts in the tongue. It's surrounded by 00:08:08.189 --> 00:08:11.529 two intertwined fire serpents with human heads. 00:08:12.370 --> 00:08:15.470 emerging from their mouths. And it's all encased 00:08:15.470 --> 00:08:21.709 inside an eight -pointed star. You also see there's 00:08:21.709 --> 00:08:25.230 a grid drawn. Some of the squares have been filled 00:08:25.230 --> 00:08:27.629 in. There's some letters and some drawings of 00:08:27.629 --> 00:08:30.870 animals. And there's a couple of other little 00:08:30.870 --> 00:08:34.669 gridded spaces with some letters filled in on 00:08:34.669 --> 00:08:36.950 them. If anything, it kind of looks like these 00:08:36.950 --> 00:08:41.799 are sort of sketched notes about something. You're 00:08:41.799 --> 00:08:45.100 not quite sure. You both beeline towards the 00:08:45.100 --> 00:08:47.340 kitchen door where you find Gideon with his face 00:08:47.340 --> 00:08:49.059 pressed up to one of them wee porthole windows. 00:08:49.480 --> 00:08:52.340 Hi. Do you need more money? No, we're past that. 00:08:52.399 --> 00:08:54.960 Get in here. You step in and hear the crying 00:08:54.960 --> 00:09:01.580 of Sean. Fuck off, Seb. Don't speak to my ex 00:09:01.580 --> 00:09:04.379 like that. I'm sorry. Fuck off, Seb. I'll give 00:09:04.379 --> 00:09:07.639 you all 50 quid. You'll get it back. Here's the 00:09:07.639 --> 00:09:12.220 change. I throw loose coins at him. threw coins 00:09:12.220 --> 00:09:16.139 at me that's insane I'm getting fucking hobbled 00:09:16.139 --> 00:09:21.600 when I close the door and I'm like Maddy Dolan 00:09:21.600 --> 00:09:24.220 this is Sean Sean has been making the wonderful 00:09:24.220 --> 00:09:27.259 food today so he's he's having a really hard 00:09:27.259 --> 00:09:30.159 time grieving he's just slowly stirring his soup 00:09:30.159 --> 00:09:31.419 at the other side of the room the people at the 00:09:31.419 --> 00:09:34.639 pool table love it really that's what I was telling 00:09:34.639 --> 00:09:38.779 you Sean everybody loves it he is fully crying 00:09:38.779 --> 00:09:43.720 into that pot Are you okay? Oh, bye. Do you want 00:09:43.720 --> 00:09:47.659 a hug? And he leaps at you and gives you the 00:09:47.659 --> 00:09:50.740 biggest hug you've ever had. Oh, it's okay. Hey, 00:09:51.200 --> 00:09:55.139 it's... Death is weird and grief is hard, but 00:09:55.139 --> 00:09:58.600 we're... I like that. Death is weird and grief 00:09:58.600 --> 00:10:01.620 is hard. That's kind of what I said. Hey, don't 00:10:01.620 --> 00:10:04.419 worry about it. It's, yeah, it's a tough time. 00:10:04.500 --> 00:10:07.139 It's a tough day for everyone. Your soup is probably 00:10:07.139 --> 00:10:11.409 grit. Did you not try it? I haven't had the chance. 00:10:11.909 --> 00:10:13.889 You'll try some now though, won't you? I'll try 00:10:13.889 --> 00:10:16.870 some now. Can I please have an awareness roll 00:10:16.870 --> 00:10:18.549 from everyone who's standing in the kitchen? 00:10:21.009 --> 00:10:30.330 55 over 20. 89 over 60. 75 over 20. There's a 00:10:30.330 --> 00:10:34.710 fishing rod going out the window. If the fishing 00:10:34.710 --> 00:10:37.809 rod can go out the window, maybe we can too. 00:10:39.889 --> 00:10:42.629 You might be onto something there. The window 00:10:42.629 --> 00:10:46.450 itself is a small porthole window. So it's maybe 00:10:46.450 --> 00:10:51.409 about a foot wide. And there is a sheer cliff 00:10:51.409 --> 00:10:56.049 face on the outside of this window. Okay. Well, 00:10:56.129 --> 00:10:57.909 that's one option. If we really can't get out 00:10:57.909 --> 00:11:00.669 of here, we can always kill ourselves. Can I 00:11:00.669 --> 00:11:03.100 try throwing a spoon out the window? You pick 00:11:03.100 --> 00:11:06.799 up one of those spoons and you throw it out the 00:11:06.799 --> 00:11:11.580 window and it sails out and falls down. You don't 00:11:11.580 --> 00:11:13.659 hear a splash. It's very far down. Okay, before 00:11:13.659 --> 00:11:16.379 we go in, I also got these notes. I don't know 00:11:16.379 --> 00:11:17.940 if any of you can make heads or tails of these. 00:11:18.360 --> 00:11:20.700 Looks a wee bit puzzly. You know what? We could 00:11:20.700 --> 00:11:23.860 have used your axe, actually. Oh, I can get sad. 00:11:24.500 --> 00:11:26.120 Yeah, because there was a grid with animals. 00:11:27.259 --> 00:11:30.009 There was indeed. That feels like something for... 00:11:30.009 --> 00:11:32.309 It's the kind of thing he designed, to be honest. 00:11:32.509 --> 00:11:36.690 Perfect. Seb! Yes? Need help picking up that 00:11:36.690 --> 00:11:39.409 money, buddy? Can I join him on the floor picking 00:11:39.409 --> 00:11:41.830 up change? I'm all covered in cold soup now, 00:11:41.889 --> 00:11:43.889 thank you very much. Has it not been easy for 00:11:43.889 --> 00:11:48.590 you? No. Gideon, don't patronise Seb. I'm not. 00:11:48.649 --> 00:11:50.850 Is it the tone of my voice? It's the tone. And 00:11:50.850 --> 00:11:52.990 also, apologise for the things that you did. 00:11:53.070 --> 00:11:55.129 And also, taking 50 pounds from him. That's a 00:11:55.129 --> 00:11:58.090 lot of money. I go, yeah. It was a lot of money. 00:11:58.490 --> 00:12:02.830 But thank you for helping me to get to know the 00:12:02.830 --> 00:12:05.190 people in this bar better. And he will pay you 00:12:05.190 --> 00:12:10.289 back. You're welcome, Marty. Thank you. All this 00:12:10.289 --> 00:12:12.490 happens as you're standing next to the bar. Eloise 00:12:12.490 --> 00:12:15.210 has actually got a wee wet towel. They're a frail 00:12:15.210 --> 00:12:18.070 prick to wipe themselves down. You're all covered 00:12:18.070 --> 00:12:20.490 in Sean's soup, there's who you are. It's not 00:12:20.490 --> 00:12:23.350 normally this cold, but it's been going down 00:12:23.350 --> 00:12:26.740 well enough. I barely have an appetite myself. 00:12:27.240 --> 00:12:29.240 On same episode of Countdown still playing on 00:12:29.240 --> 00:12:31.159 the TV, you notice it's about midday now when 00:12:31.159 --> 00:12:33.779 you look out the window again. Oh, condiment. 00:12:35.159 --> 00:12:40.519 Well, thank you, I guess, for the help. Yeah, 00:12:40.559 --> 00:12:43.919 I'm sorry about them. You know, I don't go back 00:12:43.919 --> 00:12:46.000 far with these people, but I know they're good 00:12:46.000 --> 00:12:48.019 people and I know they're suspicious of people 00:12:48.019 --> 00:12:52.100 that I know. And I'm sorry to everyone involved. 00:12:52.990 --> 00:12:55.710 But I know you're all good people somewhere inside 00:12:55.710 --> 00:13:00.590 yourselves. Listen, we're not awake, guys. We 00:13:00.590 --> 00:13:05.450 need to show some decorum, some respect. We used 00:13:05.450 --> 00:13:09.049 all our decorum this morning. That's not true. 00:13:09.129 --> 00:13:13.149 I was trying to make light. You did say you lost 00:13:13.149 --> 00:13:17.070 someone else. Yeah. And no, it wasn't another 00:13:17.070 --> 00:13:21.409 boyfriend. I wasn't going to say it was. I was. 00:13:22.299 --> 00:13:26.500 No, you're right. It was? No, not that. You're 00:13:26.500 --> 00:13:29.259 right about the decorum thing. We're just, we're 00:13:29.259 --> 00:13:31.360 just grieving, you know. We're all grieving, 00:13:31.480 --> 00:13:34.860 you know. And we're new parents. Yeah, we're 00:13:34.860 --> 00:13:40.000 new parents as well. Oh, you, Marty. Of a cow 00:13:40.000 --> 00:13:43.019 and a robot. But it's a lot of responsibility, 00:13:43.379 --> 00:13:45.940 Seb. We don't even know how they're going to 00:13:45.940 --> 00:13:48.179 interact. Thank you, Sebastian. You seem like 00:13:48.179 --> 00:13:53.129 a sensible fella. Now, I believe you're, Puzzleologists 00:13:53.129 --> 00:13:56.730 or... Cruciverbalists, yeah. Yes, I apologize. 00:13:56.809 --> 00:13:58.669 I couldn't think of the word. That's all right. 00:13:59.149 --> 00:14:02.230 I've got a puzzle here and I think it might be 00:14:02.230 --> 00:14:04.009 of interest to you. Do you have any insight? 00:14:04.090 --> 00:14:06.690 You've created a puzzle? I found a puzzle and 00:14:06.690 --> 00:14:09.169 I'm trying to solve it. Those are the best kind. 00:14:09.850 --> 00:14:13.190 Dolan produces the paper with the haphazard scribbles 00:14:13.190 --> 00:14:15.830 that he made as he walked across the floor. Okay, 00:14:15.870 --> 00:14:19.029 so you've got a snake. Looks like the booth. 00:14:19.850 --> 00:14:23.309 They've got fish. It's like that booth. Huh. 00:14:24.710 --> 00:14:27.889 And you just found this. Have you seen these? 00:14:29.110 --> 00:14:31.649 It's like the designs in the bar. I hadn't made 00:14:31.649 --> 00:14:33.210 the connection to be quite honest. Prick points 00:14:33.210 --> 00:14:37.029 to the three booths around the bar. As you see, 00:14:37.090 --> 00:14:39.950 they are all decorated differently. There appears 00:14:39.950 --> 00:14:44.970 to be a variety of animals depicted upon each 00:14:44.970 --> 00:14:48.669 of them. All right. On the northern booth, you 00:14:48.669 --> 00:14:53.779 see a snake. with S -R inscribed above it. In 00:14:53.779 --> 00:14:58.059 the southern one, a fish with M -M. And on the 00:14:58.059 --> 00:15:02.299 western booth, you see a bird with S -L. Any 00:15:02.299 --> 00:15:04.779 insights? I mean, I don't know what to tell you. 00:15:04.840 --> 00:15:08.299 It seems like some of the animals in this puzzle 00:15:08.299 --> 00:15:13.059 are depicted in the bar, but if people drink 00:15:13.059 --> 00:15:18.039 here, maybe they've tried to just... come up 00:15:18.039 --> 00:15:21.460 with something fun. A little crossword or a little 00:15:21.460 --> 00:15:26.960 maze or something. Was this you? No, it wasn't 00:15:26.960 --> 00:15:29.679 me. I would remember my own work, Maddy, as well, 00:15:29.679 --> 00:15:31.720 you know. Also, I do believe that my work would 00:15:31.720 --> 00:15:34.679 be slightly less derivative than an animal that 00:15:34.679 --> 00:15:37.220 I can see in front of me on something like that. 00:15:37.299 --> 00:15:39.000 Yeah, but also I'd like to think that you're 00:15:39.000 --> 00:15:41.960 a bit less derivative than M .M. Maddy Murphy. 00:15:44.740 --> 00:15:47.820 Yeah, of course, I wouldn't. If I were to hide 00:15:47.820 --> 00:15:52.340 your name in a puzzle, I would make it much more 00:15:52.340 --> 00:15:56.220 interesting, a journey. He has most certainly 00:15:56.220 --> 00:15:59.919 hidden your name in a puzzle in the past. Like 00:15:59.919 --> 00:16:02.779 I said, it wasn't me, but hey, you know what? 00:16:02.840 --> 00:16:05.659 Best of luck. I'll just sit down and enjoy my 00:16:05.659 --> 00:16:08.759 freezing cold soup. Thanks, Seb. Mickey Mackerel. 00:16:08.960 --> 00:16:11.899 Yep. Yes, and then we've got... Samuel Ryans. 00:16:11.980 --> 00:16:15.320 Samuel Ryans. Yeah. And Skinny... something called... 00:16:15.320 --> 00:16:18.350 Lynch. Lynch. The bird, the snake and the fish. 00:16:18.789 --> 00:16:22.669 Eloise, do you have an office around here? Of 00:16:22.669 --> 00:16:27.049 course I do. We have one just behind the bar 00:16:27.049 --> 00:16:30.889 here, yeah. Oh, would you happen to have a printer? 00:16:31.610 --> 00:16:36.870 A printer? Yes, a printer. Believe it or not, 00:16:36.889 --> 00:16:41.529 we do. Now, myself and Mickey, God rest his soul. 00:16:42.649 --> 00:16:49.169 And we didn't use the tech exactly. But I don't 00:16:49.169 --> 00:16:53.590 know. It sat there since it was Skinny's. Cassio? 00:16:53.730 --> 00:16:57.210 They tried for a bit. Cassio. Oh, I'm sorry. 00:16:57.990 --> 00:17:01.669 Oh, I'm sorry, Eloise. Eloise, would you like 00:17:01.669 --> 00:17:05.950 a hug? Oh, there he is. All right, sorry. My 00:17:05.950 --> 00:17:12.500 sweet, sweet dead mackerel. I don't know what 00:17:12.500 --> 00:17:16.059 the make is, but yes, do you have need of it? 00:17:17.660 --> 00:17:19.799 I mean, I'll give it a service while I'm here. 00:17:20.500 --> 00:17:23.460 It's the least I could do. Would a printer servicing 00:17:23.460 --> 00:17:25.740 help you during this terrible time? I suppose 00:17:25.740 --> 00:17:29.559 it would. It could be useful. I don't know how 00:17:29.559 --> 00:17:33.279 to use it, but maybe Sean, maybe Sean would know. 00:17:34.779 --> 00:17:37.359 We'll have to change a few things around here 00:17:37.359 --> 00:17:39.880 and perhaps having a working printer. Wouldn't 00:17:39.880 --> 00:17:43.599 be the worst thing in the world. The door is 00:17:43.599 --> 00:17:46.460 unlocked. We've nothing in there anyway apart 00:17:46.460 --> 00:17:51.440 from, you know, a safe and an old desk. I wouldn't 00:17:51.440 --> 00:17:53.700 take anything from you. I don't know about these 00:17:53.700 --> 00:17:55.559 guys, but I can speak on myself. I wouldn't take 00:17:55.559 --> 00:17:57.799 anything from you, Eloise. It seems suspect that 00:17:57.799 --> 00:18:00.579 you choose to tell me that, but you've a trusting 00:18:00.579 --> 00:18:04.359 face. We've got some options. Do you want to 00:18:04.359 --> 00:18:08.099 go to the office? Get the key to the keg room, 00:18:08.140 --> 00:18:10.480 go to the keg room? I'll never say no to having 00:18:10.480 --> 00:18:12.720 to look at a printer. Oh, the printer is just 00:18:12.720 --> 00:18:14.960 some misdirection. Yeah, we can go. It's fine. 00:18:15.900 --> 00:18:17.759 You can look at a printer if you want. I mean, 00:18:17.799 --> 00:18:19.559 we're not going to stop you. Yeah, it's fine. 00:18:19.700 --> 00:18:22.640 I mean, I was gonna. The three of us, united, 00:18:22.880 --> 00:18:26.900 enter the office. Holding hands. Holding hands. 00:18:27.259 --> 00:18:30.579 As Eloise gestures towards the door, two of you 00:18:30.579 --> 00:18:33.859 walk hand in hand with Dolan following you into 00:18:33.859 --> 00:18:37.059 this small, messy back office. Typical of what 00:18:37.059 --> 00:18:39.660 you'd expect of a busy pub. There are old versions 00:18:39.660 --> 00:18:42.240 of menus from eras gone by and piles of financial 00:18:42.240 --> 00:18:46.180 books and a scattering of open mail. Is there 00:18:46.180 --> 00:18:50.240 a phone? There is a phone. It's sitting on the 00:18:50.240 --> 00:18:55.720 desk. Can I try calling the pub? What's it called? 00:18:55.759 --> 00:19:00.359 White's Tavern? Yes. You pick up the phone. You 00:19:00.359 --> 00:19:30.339 dial the number. Piss. All right. I'm starting 00:19:30.339 --> 00:19:35.420 to see what's going on here. I'm going to look 00:19:35.420 --> 00:19:37.880 behind me. I'm going to close the door a little 00:19:37.880 --> 00:19:43.240 bit. I'm going to go on the old computer. On 00:19:43.240 --> 00:19:45.160 the old computer. Just see if there's anything 00:19:45.160 --> 00:19:48.200 there. Can I ask for one thing? Is there a fax 00:19:48.200 --> 00:19:51.859 machine? There's not a fax machine. No, there 00:19:51.859 --> 00:19:56.440 is not. There's a printer. Useless. There is 00:19:56.440 --> 00:19:59.420 a computer connected to said printer. Now, when 00:19:59.420 --> 00:20:03.200 you open it up, it's running MS -DOS. At this 00:20:03.200 --> 00:20:07.500 stage. And there's like a word processing thing 00:20:07.500 --> 00:20:09.440 on it. Doesn't look like it's seen much use. 00:20:09.519 --> 00:20:12.339 There's dust caked all over that keyboard. Strewn 00:20:12.339 --> 00:20:14.480 around next to it, you see like there's a bunch 00:20:14.480 --> 00:20:16.759 of letters and stuff. There's some graphs as 00:20:16.759 --> 00:20:19.279 well that are headed. Crean and prick. Looks 00:20:19.279 --> 00:20:21.519 like they're requests from their real estate 00:20:21.519 --> 00:20:25.140 agency. Asking to get surveillance for the area 00:20:25.140 --> 00:20:28.880 underneath the pub. Any keys? Aye, there's a 00:20:28.880 --> 00:20:30.460 key sitting there on the desk. I'll pick it up. 00:20:30.559 --> 00:20:33.740 You pick up the key. As you sit down by the computer 00:20:33.740 --> 00:20:35.720 as well, your foot hits against a wee box underneath. 00:20:36.359 --> 00:20:38.980 And you peer under. There's a box of flares under 00:20:38.980 --> 00:20:42.900 there. Well, I'll damn. Can we all take one? 00:20:43.640 --> 00:20:46.980 You can indeed. All right. Can I serve as the 00:20:46.980 --> 00:20:50.740 printer? You can indeed. Can I see the last thing 00:20:50.740 --> 00:20:52.579 that was printed on it? Just out of nosiness. 00:20:52.740 --> 00:20:55.160 You type in a little access code and you're able 00:20:55.160 --> 00:20:57.720 to get it to spit out the last thing in its very 00:20:57.720 --> 00:21:01.099 minimal amount of 1993 onboard memory. And it 00:21:01.099 --> 00:21:04.539 spits out a wee sheet. And it does indeed look 00:21:04.539 --> 00:21:06.779 like it's something sent from Creed and Prick's 00:21:06.779 --> 00:21:09.119 real estate agency, but it's about a tunnel network 00:21:09.119 --> 00:21:14.430 in the foundations. Now, Dolan... There's a whole 00:21:14.430 --> 00:21:17.789 bunch of technical and legal mumbo -jumbo mixed 00:21:17.789 --> 00:21:19.849 in through all of this. But you can see that 00:21:19.849 --> 00:21:23.650 there's also gas lines seemingly running down 00:21:23.650 --> 00:21:27.789 into this basement. And it looks like their property 00:21:27.789 --> 00:21:31.809 rights extend far below this bar. They go deep 00:21:31.809 --> 00:21:34.690 underground. So it seems like there's gas lines 00:21:34.690 --> 00:21:36.509 running all throughout and that the property 00:21:36.509 --> 00:21:39.509 goes way down, which I suppose makes sense with 00:21:39.509 --> 00:21:43.309 it being on a cliff's edge. Shall we go take 00:21:43.309 --> 00:21:48.190 a look? Jangle, jangle. We leave the office, 00:21:48.349 --> 00:21:51.089 hand in hand. We go into the kitchen. I give 00:21:51.089 --> 00:21:53.150 Sean a hug because I presume he's still crying. 00:21:55.529 --> 00:21:59.029 It's okay, buddy. It's all right. He dives into 00:21:59.029 --> 00:22:02.650 your arms. Oh, my God. I help. Dolan, get in 00:22:02.650 --> 00:22:07.569 on this. No. Come on, dude. Come on, man. Show 00:22:07.569 --> 00:22:10.789 a bit of warmth. No, I think I'm good at night. 00:22:11.240 --> 00:22:12.960 go towards the window to throw a flare out of 00:22:12.960 --> 00:22:14.779 it. Dolan lights a flare and chucks it out the 00:22:14.779 --> 00:22:18.000 window. It sails out and falls down into the 00:22:18.000 --> 00:22:22.900 darkness. John? Yeah? How you doing, buddy? Not 00:22:22.900 --> 00:22:27.859 great. Okay. Hey. It's alright. It will be alright. 00:22:28.319 --> 00:22:31.980 Yeah. I was like you a few days ago and now I'm 00:22:31.980 --> 00:22:35.180 not as bad. You know? It gets easier because 00:22:35.180 --> 00:22:40.190 you have people to share it with. Yeah. No one 00:22:40.190 --> 00:22:43.130 seems to want to talk to me about it. Those lads 00:22:43.130 --> 00:22:45.470 who just came through, they didn't even stop 00:22:45.470 --> 00:22:47.990 to look at me. I just walked on right through. 00:22:48.109 --> 00:22:52.049 After all the work I did for him as well. Just 00:22:52.049 --> 00:22:57.369 now? Yeah, well, a few minutes. Maybe 20 minutes. 00:22:57.470 --> 00:23:01.930 Maybe like 40 minutes. Hey, it's okay. But like 00:23:01.930 --> 00:23:06.509 today, someone... Who was it? Do you need me 00:23:06.509 --> 00:23:09.250 to beat them up? Because I will. No, it's okay. 00:23:09.609 --> 00:23:12.390 No, I'll do that. It was Samuel. I haven't seen 00:23:12.390 --> 00:23:16.910 him here in years. And he had two big lads following 00:23:16.910 --> 00:23:19.910 him. They just walked right through the door. 00:23:20.029 --> 00:23:22.630 But I locked it behind them and I don't have 00:23:22.630 --> 00:23:25.529 the key to the cake. We've got the key, buddy. 00:23:25.789 --> 00:23:27.450 We've got the key. We were thinking you could 00:23:27.450 --> 00:23:30.390 have a look at the pressure fobs. Alright. With 00:23:30.390 --> 00:23:33.730 that, you slip the key into the door and turn. 00:23:34.430 --> 00:23:37.230 The lock. And the door swings open. The three 00:23:37.230 --> 00:23:40.490 of you, and of course, Prick, dander through 00:23:40.490 --> 00:23:44.230 the door. Oh my god, he's here. Sean begins to 00:23:44.230 --> 00:23:46.150 follow before spinning on his heels, turning 00:23:46.150 --> 00:23:48.869 back to his soup, and beginning to stir. Can 00:23:48.869 --> 00:23:51.710 I take the key out of the lock? Yes, you can. 00:23:51.970 --> 00:23:53.630 Does it have a lock on the other side? It does. 00:23:53.849 --> 00:23:58.609 Good. Hey, Seb. Hiya. What are you doing in the 00:23:58.609 --> 00:24:01.650 keg room? What are you doing down here? I just 00:24:01.650 --> 00:24:03.650 came back to see if there was more soup. Despite 00:24:03.650 --> 00:24:06.650 it being freezing cold and rancid, I am still 00:24:06.650 --> 00:24:10.430 starving. Shut up. Shut up. What? The chef's 00:24:10.430 --> 00:24:14.549 right there. He's a soft soul. Say it's nice. 00:24:14.789 --> 00:24:16.589 He hasn't even turned the hobs on. No wonder 00:24:16.589 --> 00:24:19.069 it's freezing. Seb, you don't have any problem 00:24:19.069 --> 00:24:22.269 with thresholds, do you? With what? Thresholds. 00:24:22.750 --> 00:24:26.609 Doorways. I don't believe so, no. Well then, 00:24:26.670 --> 00:24:30.740 move on. Anyway, down we go. You enter a small 00:24:30.740 --> 00:24:33.960 cold room which houses the kegs of beer. There's 00:24:33.960 --> 00:24:36.099 a wee clipboard hanging on the wall. Ah, you 00:24:36.099 --> 00:24:37.960 can see the gas lines that are running from the 00:24:37.960 --> 00:24:39.980 hob. Dolan, you notice this, they're also running 00:24:39.980 --> 00:24:42.599 along the walls of the big fridge room and then 00:24:42.599 --> 00:24:46.880 down into the floor. Well, Dolan? Uh, yes. That 00:24:46.880 --> 00:24:49.880 bad for the gas or something? To be honest, I'd 00:24:49.880 --> 00:24:51.799 say, Dolan, if you're tracing your eyes around 00:24:51.799 --> 00:24:54.920 that, you see, like, there's one of the kegs. 00:24:56.540 --> 00:24:59.039 There's scrapes, like a bunch of scrapes by one 00:24:59.039 --> 00:25:00.980 of them, as if it's been slid back and forth 00:25:00.980 --> 00:25:02.859 a bunch of times. If you're sort of trying to 00:25:02.859 --> 00:25:05.519 gauge where those gas lines are going. Well, 00:25:05.680 --> 00:25:08.700 I'd go investigate that. I think I'd just go 00:25:08.700 --> 00:25:10.779 over there and start looking at them. If you 00:25:10.779 --> 00:25:13.279 walk over there, you can shimmy that keg back. 00:25:14.200 --> 00:25:16.539 And sure enough, there's a wee trapdoor underneath 00:25:16.539 --> 00:25:18.960 that. And as you shimmy it back, you also hear 00:25:18.960 --> 00:25:22.289 a little... As you've disturbed the cat who's 00:25:22.289 --> 00:25:25.150 pawing away behind one of the other cakes. Can 00:25:25.150 --> 00:25:29.450 I do another social check? Yes. 70 over 20. It 00:25:29.450 --> 00:25:32.950 hisses and hides and gets its whole body behind 00:25:32.950 --> 00:25:38.289 one of the cakes. We both want to try again after 00:25:38.289 --> 00:25:45.369 you. Hi, gorgeous. Hello. Three. Three. Under 00:25:45.369 --> 00:25:51.519 80. That cat. Little baby herself walks over 00:25:51.519 --> 00:25:57.279 and starts slinking between your legs. 57. It 00:25:57.279 --> 00:26:00.440 turns and hisses at Gideon. Now, all four of 00:26:00.440 --> 00:26:02.180 yous are standing around this trapdoor with a 00:26:02.180 --> 00:26:04.720 little cat. What do yous do? What do yous do? 00:26:05.019 --> 00:26:09.180 Well, I take it you two still have flares? You've 00:26:09.180 --> 00:26:13.450 got flares? Yeah. Yeah. Cool. Can I have a flare? 00:26:13.569 --> 00:26:14.849 Yeah, have one. Can you have a flare? No, he 00:26:14.849 --> 00:26:16.670 can't have a flare. No, I only have two fash. 00:26:16.730 --> 00:26:18.650 I only have two fash. I suppose I'm going to 00:26:18.650 --> 00:26:20.490 open the door, and if it's dark, we're going 00:26:20.490 --> 00:26:23.210 to drop a flare down. Okay. Okay, I open the 00:26:23.210 --> 00:26:25.650 trap door. With the door open, you see what almost 00:26:25.650 --> 00:26:27.450 looks like a ladder, but it's essentially an 00:26:27.450 --> 00:26:30.569 incredibly steep set of stairs leading down from 00:26:30.569 --> 00:26:33.490 the keg room. Seb? Yeah? Seb, do you want to 00:26:33.490 --> 00:26:35.690 go on ahead? Do you want me to go down there 00:26:35.690 --> 00:26:38.349 first? Yeah. With pleasure. I've been trying 00:26:38.349 --> 00:26:41.069 to get down here for six months. Oh, fuck. Oh, 00:26:41.109 --> 00:26:45.430 well. All this cold soot. I hold the bowl and 00:26:45.430 --> 00:26:49.309 just chuck it in the corner. It clatters. The 00:26:49.309 --> 00:26:51.569 cat loves it. Guys, you really need to get down 00:26:51.569 --> 00:26:54.670 here. Why? What's down there? It's like some 00:26:54.670 --> 00:26:59.529 sort of cave -like opening here. Like a cave? 00:26:59.769 --> 00:27:04.750 Sort of, yeah. Seems natural. This must be why 00:27:04.750 --> 00:27:08.609 they didn't let us down here. For the surveillance. 00:27:09.150 --> 00:27:13.099 Well, Dolan, you would love this. Dolan thinks 00:27:13.099 --> 00:27:16.000 he would love it and actually does go down. I 00:27:16.000 --> 00:27:19.799 feel more comfortable now. I'll go down. I'm 00:27:19.799 --> 00:27:21.559 following behind. Okay, cool. Only in the get. 00:27:22.079 --> 00:27:25.680 With everyone now downstairs, you see this big 00:27:25.680 --> 00:27:27.240 cave -like opening that Prick had mentioned, 00:27:27.339 --> 00:27:29.579 and there's a large wooden door set into the 00:27:29.579 --> 00:27:32.839 stone, and it is pretty old. All around the door 00:27:32.839 --> 00:27:35.640 is a bunch of Aztec -inspired art. The door itself 00:27:35.640 --> 00:27:38.579 is framed by images depicting eight burning torches, 00:27:38.640 --> 00:27:42.190 four on either side. and a large turquoise figure 00:27:42.190 --> 00:27:45.390 above the door, peering down eerily. You also 00:27:45.390 --> 00:27:48.549 see a sign which says, No access granted. Trespassers 00:27:48.549 --> 00:27:53.750 will be prosecuted. Well, I'm having a peek. 00:27:55.150 --> 00:27:56.930 Don't know about the rest of you. After you. 00:27:58.029 --> 00:28:00.089 Dolan, you also see that those gas lines, they 00:28:00.089 --> 00:28:02.549 run down and are affixed to the wall, and then 00:28:02.549 --> 00:28:05.529 they run through to the other side of that big 00:28:05.529 --> 00:28:10.769 wooden door. After you, Seb. If you insist. As 00:28:10.769 --> 00:28:14.029 Brick pushes this heavy wooden door, you all 00:28:14.029 --> 00:28:17.829 feel an immediate chill as the air kind of rushes 00:28:17.829 --> 00:28:20.430 into the room. A genuinely Baltic little breeze 00:28:20.430 --> 00:28:23.049 is whipped up and whistles past your head. Now, 00:28:23.150 --> 00:28:26.630 you may all flick on your trusty OSNA flashlights, 00:28:26.730 --> 00:28:29.829 which you were issued earlier. You realise that 00:28:29.829 --> 00:28:31.289 you've entered what appears to be some sort of 00:28:31.289 --> 00:28:35.269 natural tunnel beneath the bar. Now, it's thin 00:28:35.269 --> 00:28:36.930 enough for two people to sort of walk shoulder 00:28:36.930 --> 00:28:39.629 to shoulder. It's not mad snug or anything. and 00:28:39.629 --> 00:28:41.930 despite the age of the passageway, the walls 00:28:41.930 --> 00:28:44.029 look like they've been heavily graffitied, so 00:28:44.029 --> 00:28:46.470 it's all over the walls. Amongst the art, you 00:28:46.470 --> 00:28:48.630 can clearly see that the gas lines from the other 00:28:48.630 --> 00:28:50.569 side of the door are running along the wall. 00:28:51.750 --> 00:28:53.990 So, at first glance, they sort of look like primitive 00:28:53.990 --> 00:28:56.089 cave paintings, but further you get as you're 00:28:56.089 --> 00:28:58.390 walking along, the clearer it becomes to you, 00:28:58.450 --> 00:29:00.589 Matty, that these paintings contain inks and 00:29:00.589 --> 00:29:02.509 colours that could only have been invented in 00:29:02.509 --> 00:29:04.410 the last century. You know, it's got the one 00:29:04.410 --> 00:29:07.660 cyan that you get in printers. In fact, for the 00:29:07.660 --> 00:29:09.440 really arty amongst yous, the paintings seem 00:29:09.440 --> 00:29:11.259 to contain the same colour palette as the bar 00:29:11.259 --> 00:29:14.480 upstairs. Blues and greens and all hues in -betweens. 00:29:15.660 --> 00:29:18.640 And you see that there's an ocean depicted and 00:29:18.640 --> 00:29:21.039 a sky surrounding you like you're walking down 00:29:21.039 --> 00:29:23.180 one of them scary aquarium tunnels with all the 00:29:23.180 --> 00:29:25.200 fish and sharks around you. No thank you, not 00:29:25.200 --> 00:29:30.359 for me. Wow, so somebody must have painted this. 00:29:31.259 --> 00:29:36.980 Why wouldn't they let us see this? They kept 00:29:36.980 --> 00:29:40.039 blocking our requests. Dolan, have you ever seen 00:29:40.039 --> 00:29:45.400 anything like this? No, no, I haven't. I don't 00:29:45.400 --> 00:29:47.839 know what's going on here. Surely, though, Seb, 00:29:47.980 --> 00:29:52.240 if it's privately owned, they don't need to show 00:29:52.240 --> 00:29:55.960 everything to you if you don't have an entitlement 00:29:55.960 --> 00:30:00.400 to see it? No, probably not, but... You know, 00:30:00.420 --> 00:30:05.140 we need to inspect the foundations before any... 00:30:06.450 --> 00:30:09.710 Clients could make offers on the place. It's 00:30:09.710 --> 00:30:14.170 on a cliff's edge. Yeah. Yeah. Pretty risky foundations 00:30:14.170 --> 00:30:16.690 there, I think you'd agree, Dylan. Yes. Yeah. 00:30:16.750 --> 00:30:22.730 So, of course, we put in a few attempts to check 00:30:22.730 --> 00:30:26.269 it out. But it's because we all know that there's 00:30:26.269 --> 00:30:31.359 gold here. They found gold here. Am I the only 00:30:31.359 --> 00:30:34.000 sane person in these tunnels that thinks there 00:30:34.000 --> 00:30:36.259 might be something else going on here? Well, 00:30:36.259 --> 00:30:37.660 there's obviously something else going on here, 00:30:37.740 --> 00:30:40.380 but I don't think this is purely financial. Money 00:30:40.380 --> 00:30:43.859 is not our motivator. Well, fair enough. You 00:30:43.859 --> 00:30:45.279 can come and look at the art, and if we find 00:30:45.279 --> 00:30:47.440 any cool gold coins, I'll keep them. All right. 00:30:47.960 --> 00:30:51.740 As this simmering argument continues, you walk 00:30:51.740 --> 00:30:56.410 down this long, dark, natural corridor. And your 00:30:56.410 --> 00:30:58.869 flashlight's glancing across all this artwork, 00:30:58.970 --> 00:31:01.269 and you start to see that this appears to be 00:31:01.269 --> 00:31:05.410 some sort of beginning of a wee story. So it 00:31:05.410 --> 00:31:09.410 looks almost like a continuous mural. You see 00:31:09.410 --> 00:31:12.970 a fish, a bird, and a snake, and a man, all sailing 00:31:12.970 --> 00:31:15.529 aboard a small boat. There's dark clouds appearing 00:31:15.529 --> 00:31:18.130 overhead, ringing with them a violent storm. 00:31:18.470 --> 00:31:21.150 The four companions are thrown from their vessel 00:31:21.150 --> 00:31:25.470 and seek shelter inside a nearby cove. As you 00:31:25.470 --> 00:31:27.890 press further down the corridor, you see repeating 00:31:27.890 --> 00:31:29.970 depictions of these companions. They're shown 00:31:29.970 --> 00:31:31.970 in the entrance of the cove, over and over again, 00:31:32.069 --> 00:31:36.269 as suns and moons rise and set around them. Ahead, 00:31:36.269 --> 00:31:38.869 you see another wooden door. The wall it sits 00:31:38.869 --> 00:31:41.269 upon is painted like a cliff face, and at the 00:31:41.269 --> 00:31:43.549 very top, you see a familiar little building. 00:31:43.950 --> 00:31:47.390 It's the Sea Signior. Above it, dark clouds rain 00:31:47.390 --> 00:31:50.869 gold coins, which spill around the door and pile 00:31:50.869 --> 00:31:53.049 up along the bottom of the walls. There's even 00:31:53.049 --> 00:31:55.359 some painted on the floor. It's like a big win 00:31:55.359 --> 00:31:57.759 on the penny fault. That's one of them amusement 00:31:57.759 --> 00:32:00.059 machines that pushes a rake of coins over the 00:32:00.059 --> 00:32:05.380 edge for any Americans in the room. There was 00:32:05.380 --> 00:32:08.940 a storm brewing whenever we came in here. It's 00:32:08.940 --> 00:32:14.539 like in the picture. A storm? Yeah. Screw that. 00:32:14.660 --> 00:32:18.559 Look at the coins. There's gold. I told you. 00:32:19.779 --> 00:32:23.539 Fish, bird, snake. Who's the man? Well, we had... 00:32:24.779 --> 00:32:27.200 That's a good question. The one person shortener. 00:32:27.359 --> 00:32:31.099 Mickey Mackerel. Samuel Ryan's skinny lynch. 00:32:31.319 --> 00:32:36.759 But who's the guy? Who cares? Let's go in. Let's 00:32:36.759 --> 00:32:41.680 see. Unless you're scared. Yeah, I am. Yeah, 00:32:41.720 --> 00:32:44.740 there's something odd going on here, Seb. Odd? 00:32:44.960 --> 00:32:48.299 You're blinded by greed. Consider your well -being. 00:32:48.480 --> 00:32:53.650 Whoa there, cowboy. It's an interest. It's a 00:32:53.650 --> 00:32:56.470 financial interest. Oh, come on. You should have 00:32:56.470 --> 00:32:58.930 stayed in the puzzle game, man. Right? Yeah. 00:32:59.609 --> 00:33:02.009 You wouldn't be here, would you? Without the 00:33:02.009 --> 00:33:04.630 help of my puzzly mind. We would have probably 00:33:04.630 --> 00:33:07.150 checked the keg room at some point. Oh, whatever. 00:33:10.289 --> 00:33:13.490 Seb pushes the door open. And through this door, 00:33:13.569 --> 00:33:15.470 you're struck with a strange sight altogether. 00:33:15.789 --> 00:33:18.549 The floor of this room is gridded, like a big 00:33:18.549 --> 00:33:21.289 chessboard. But this is no regulation human -sized 00:33:21.289 --> 00:33:24.160 chessboard. No, this one has alternating pictures 00:33:24.160 --> 00:33:26.380 and letters on all the squares. There's a frog, 00:33:26.519 --> 00:33:28.880 a snake, a dog, a fish, a bunch more to boot. 00:33:29.160 --> 00:33:31.460 On the far side of the room, there's a steel 00:33:31.460 --> 00:33:34.339 door with three large mechanical locks on it, 00:33:34.359 --> 00:33:36.819 the mechanisms of which seem to extend from the 00:33:36.819 --> 00:33:39.099 door and into the surrounding stone of the cave 00:33:39.099 --> 00:33:45.039 wall. Whoa. What is this? Let's give it a go. 00:33:46.680 --> 00:33:50.500 I'll stand on the... No, it's a... I'll try the 00:33:50.500 --> 00:33:54.099 koala. All right. Prick steps forward and stands 00:33:54.099 --> 00:33:59.039 on the koala. You hear a and a dart flies into 00:33:59.039 --> 00:34:05.200 his neck. What the fuck? What the fuck? His eyes 00:34:05.200 --> 00:34:08.139 are like pinpricks at this point. Jesus fucking 00:34:08.139 --> 00:34:11.760 Christ. It's like cheap speed. Can I use the 00:34:11.760 --> 00:34:14.619 power of medicine to save Seb? You can use the 00:34:14.619 --> 00:34:16.119 power of medicine to find out what's happening. 00:34:16.219 --> 00:34:23.380 Oh, God. 46 under 80. That boy looks like he's 00:34:23.380 --> 00:34:27.119 on some sort of amphetamine or speed. He is peaking. 00:34:27.840 --> 00:34:35.420 Christ alive. That is insane. Do not stand on 00:34:35.420 --> 00:34:37.400 the koala. Except we were at no risk of that. 00:34:40.280 --> 00:34:46.840 Maybe the three of you should try a different 00:34:46.840 --> 00:34:51.420 combination. All right. Anyone feel brave to 00:34:51.420 --> 00:34:54.179 step on an M? No. I'm going to stand on an M. 00:34:54.460 --> 00:34:56.880 I'll stand on the other M. No, Dolan, get on 00:34:56.880 --> 00:35:00.079 a fish. All right. As Dolan steps on the fish, 00:35:00.159 --> 00:35:06.420 you hear a loud thunk as one of the lock mechanisms 00:35:06.420 --> 00:35:10.219 disengages from the door. Great. All right. Bird 00:35:10.219 --> 00:35:15.079 and SL. Bird and SL. I'm going for S. I'm just 00:35:15.079 --> 00:35:17.460 looking at the S. There's only one S, I think. 00:35:17.619 --> 00:35:20.139 I'll go to the other L. I hop off and run around 00:35:20.139 --> 00:35:24.440 and go to the verge. A very rewarding clunk noise 00:35:24.440 --> 00:35:27.539 happens as the second lock disengages. I will 00:35:27.539 --> 00:35:29.320 stand completely still. You're going for snake, 00:35:29.360 --> 00:35:31.940 I'll go for R. That makes sense. We can all hold 00:35:31.940 --> 00:35:35.920 hands. I don't want to hold hands. Everyone holds 00:35:35.920 --> 00:35:39.039 hands as they hear the final lock disengage. 00:35:39.400 --> 00:35:43.909 Yay! Prick stands watching. coming up like a 00:35:43.909 --> 00:35:49.150 fucking bull, man. This is insane. Well, if you 00:35:49.150 --> 00:35:50.449 don't want to go on ahead, we won't stop you. 00:35:50.610 --> 00:35:53.170 Brick charges to the door and opens it. Exiting, 00:35:53.289 --> 00:35:55.949 you find yourself in a familiar tunnel with more 00:35:55.949 --> 00:35:58.389 paint and surrounding you. You recognize the 00:35:58.389 --> 00:36:00.610 four companions, the fish, the bird, the snake, 00:36:00.610 --> 00:36:02.829 and the man, though this time you see them depicted 00:36:02.829 --> 00:36:07.150 in a large, dark cave. The door behind you swings 00:36:07.150 --> 00:36:11.570 closed and you hear the three locks re -engage. 00:36:13.289 --> 00:36:15.929 You notice a system of pulleys and ropes suspended 00:36:15.929 --> 00:36:17.690 from the ceiling that are hooking onto that door. 00:36:17.750 --> 00:36:19.090 It sort of reminds you of Home Alone a wee bit. 00:36:19.409 --> 00:36:21.809 They lead from that door further down the corridor 00:36:21.809 --> 00:36:24.489 and into the darkness. As you descend, so too 00:36:24.489 --> 00:36:26.510 do the artistic representations on the wall, 00:36:26.630 --> 00:36:29.070 diving deeper until eventually coming upon an 00:36:29.070 --> 00:36:31.869 enormous ship painting docked in a large lagoon 00:36:31.869 --> 00:36:34.289 within the cove. On the side of the ship, you 00:36:34.289 --> 00:36:36.570 recognize the name the Doloroso from upstairs. 00:36:37.969 --> 00:36:39.590 Directly in front of you, however, lies another 00:36:39.590 --> 00:36:42.670 door. this time utterly clattered in black paint 00:36:42.670 --> 00:36:45.489 and being towered over by an enormous dark figure. 00:36:46.110 --> 00:36:48.130 Not unlike the turquoise one from the entrance 00:36:48.130 --> 00:36:50.650 to the tunnel network. You see the gas lines 00:36:50.650 --> 00:36:53.090 continuing to run along these walls and through 00:36:53.090 --> 00:36:56.150 to the other side of this door. Raked out on 00:36:56.150 --> 00:36:58.869 speed, prick opens that door. And if you thought 00:36:58.869 --> 00:37:00.989 the last room you were in was weird, then you 00:37:00.989 --> 00:37:03.690 should probably adjust your expectations. Once 00:37:03.690 --> 00:37:05.469 again, you see a locked door at the far side 00:37:05.469 --> 00:37:07.789 of this room, but beside the door, set into the 00:37:07.789 --> 00:37:11.510 wall. is a little narrow vertical glass panel 00:37:11.510 --> 00:37:14.170 that you can see into, and behind which is a 00:37:14.170 --> 00:37:16.789 wee ping -pong ball sitting at the bottom of 00:37:16.789 --> 00:37:19.670 this little chimney -looking thing. And at the 00:37:19.670 --> 00:37:21.929 bottom of this little ball window, jutting out 00:37:21.929 --> 00:37:25.349 of the wall at a 45 -degree angle, you see what 00:37:25.349 --> 00:37:27.769 appears to be a pretty dinged -up tin whistle. 00:37:28.429 --> 00:37:30.389 It's like the thing has sort of been grafted 00:37:30.389 --> 00:37:34.309 into the stonework. And above the door, you see 00:37:34.309 --> 00:37:37.719 some crude pictograms. Depicting what looks like 00:37:37.719 --> 00:37:40.639 finger placements for the own whistle. As well 00:37:40.639 --> 00:37:44.480 as the words bubble, oink and blank painted in 00:37:44.480 --> 00:37:49.880 big letters. Fuck. Squeak. Squeak. So these pictograms 00:37:49.880 --> 00:37:53.039 you see, it's like a vertical column of little 00:37:53.039 --> 00:37:54.900 circles. Some of them are filled in, some of 00:37:54.900 --> 00:37:56.860 them aren't. And above each of them is a series 00:37:56.860 --> 00:38:00.599 of letters. D through C in a wee circle. So D, 00:38:00.780 --> 00:38:06.570 E, F, G, A, B and C. Wow. This is... Certainly 00:38:06.570 --> 00:38:10.329 different. Bubble oinking. They serve that upstairs, 00:38:10.489 --> 00:38:15.489 don't they? It's a word that we can make from 00:38:15.489 --> 00:38:20.190 this. But there's blanks. No, no, I've got it. 00:38:21.250 --> 00:38:26.650 I've got it. It's cabbage. Oh, well done. Of 00:38:26.650 --> 00:38:28.969 course, that's what squeak is. Do you want to 00:38:28.969 --> 00:38:43.429 play it? Play cabbage? Sure. You got this? A 00:38:43.429 --> 00:38:47.530 cabbage is fired at you. As Maddy blows the notes, 00:38:47.730 --> 00:38:50.769 the little ball starts moving up and down this 00:38:50.769 --> 00:38:54.469 tube, and as it hits each point, you hear little... 00:38:54.469 --> 00:39:00.469 ..of a mechanism disengaging, and the lock appears 00:39:00.469 --> 00:39:04.849 to be disengaged. Yay! That was incredible, Maddy. 00:39:05.030 --> 00:39:07.409 I didn't know you had it in you. Neither did 00:39:07.409 --> 00:39:11.940 I. Well done. Another door. This little speed 00:39:11.940 --> 00:39:15.480 demon practically kicks the thing open at this 00:39:15.480 --> 00:39:18.599 point. Where's the damn gold? Guys, what's our 00:39:18.599 --> 00:39:21.780 end goal here, by the way? I mean, I'm just happy 00:39:21.780 --> 00:39:24.280 we can go through doors now. Deeper and alive. 00:39:24.599 --> 00:39:26.940 I guess we were trapped. We're not going to be 00:39:26.940 --> 00:39:31.500 any less trapped. Do we still have the cat? The 00:39:31.500 --> 00:39:33.920 cat is indeed following you. It's taking a wee 00:39:33.920 --> 00:39:35.679 liking to you. It's walking between your wee 00:39:35.679 --> 00:39:39.639 legs. With this door open. You find yourself 00:39:39.639 --> 00:39:42.320 in the continuation of the tunnel yet again, 00:39:42.440 --> 00:39:44.440 and there's a bunch more paintings surrounding 00:39:44.440 --> 00:39:47.300 you. Again, you see these four companions, the 00:39:47.300 --> 00:39:49.559 fish, the bird, the snake and the man. And once 00:39:49.559 --> 00:39:52.360 again, the door swings closed behind you. This 00:39:52.360 --> 00:39:55.460 time, you see them aboard this ship, having discovered 00:39:55.460 --> 00:39:58.079 some warm blankets and old torches and rags. 00:39:58.519 --> 00:40:01.579 They're bathed in warm firelight, illuminating 00:40:01.579 --> 00:40:04.400 the absolute sea of gold that surrounds them. 00:40:05.079 --> 00:40:07.739 They're halfway swimming around in it like Scrooge 00:40:07.739 --> 00:40:10.610 McDuck. But in the darkness, outside the reach 00:40:10.610 --> 00:40:12.610 of their torchlight, they're being watched by 00:40:12.610 --> 00:40:17.309 a shadowy figure with big old red eyes. Suns 00:40:17.309 --> 00:40:20.050 and moons pass overhead throughout this mural. 00:40:20.389 --> 00:40:22.809 The companions begin to grow gaunt and weak. 00:40:23.090 --> 00:40:26.230 The shadow figure watches them patiently, and 00:40:26.230 --> 00:40:29.670 in its hand is a stone disc. You recognise it 00:40:29.670 --> 00:40:33.369 as somewhat similar to the thing you found on 00:40:33.369 --> 00:40:37.079 the note from Samuel Ryan's notebook. The sandstone. 00:40:37.380 --> 00:40:42.880 It is indeed this eight -pointed star. In the 00:40:42.880 --> 00:40:44.920 center, a big face with a blade -like tongue. 00:40:45.300 --> 00:40:51.639 Give me an art roll. Oh, oh no, my hubris. 95 00:40:51.639 --> 00:40:56.380 over 60. Well, Doloroso certainly seems Spanish, 00:40:56.559 --> 00:40:58.719 but you don't know what it means. So the last 00:40:58.719 --> 00:41:03.219 thing you saw was that shadowy figure with a 00:41:03.219 --> 00:41:05.900 stone disc in its hand with that... image that 00:41:05.900 --> 00:41:09.659 you recognize from the paper. Now, on this mural, 00:41:09.780 --> 00:41:12.159 you see that creature having bided its time. 00:41:12.260 --> 00:41:15.360 It sets upon the man when he steps outside the 00:41:15.360 --> 00:41:18.480 light of the torches, and he devours what meager 00:41:18.480 --> 00:41:21.340 life force remained within that fell. The remaining 00:41:21.340 --> 00:41:24.340 companions, terrified for their lives, fend off 00:41:24.340 --> 00:41:26.480 the beast with their torches and seal it inside 00:41:26.480 --> 00:41:29.340 the captain's chambers. They fill their pockets 00:41:29.340 --> 00:41:32.119 with gold and climb the mast to escape. Once 00:41:32.119 --> 00:41:35.039 again, you see before you a door. and painted 00:41:35.039 --> 00:41:37.800 upon this cold stone around it, you see three 00:41:37.800 --> 00:41:40.579 men. One with the head of a fish, one with the 00:41:40.579 --> 00:41:42.599 head of a bird, and one with the head of a snake. 00:41:42.920 --> 00:41:44.900 They're doing that see no evil, hear no evil, 00:41:44.920 --> 00:41:47.980 speak no evil thing that monkeys do. They're 00:41:47.980 --> 00:41:50.500 being watched over by that familiar turquoise 00:41:50.500 --> 00:41:53.039 figure. Seb can't help himself, he pushes the 00:41:53.039 --> 00:41:56.190 door open. Absolutely mad for these doors. I 00:41:56.190 --> 00:41:57.849 was initially feeling bad that we were making 00:41:57.849 --> 00:41:59.869 him scout, but I think we can't stop him. He's 00:41:59.869 --> 00:42:02.389 happy with this. Yeah, I mean... He is absolutely 00:42:02.389 --> 00:42:05.190 buzzing on whatever is in his neck. If he wants 00:42:05.190 --> 00:42:09.090 to do Canary, who are we to stop him? Guys, look 00:42:09.090 --> 00:42:11.630 and see what's in here. It's crazy. As you look 00:42:11.630 --> 00:42:14.670 through the door, there is a river of shite flowing 00:42:14.670 --> 00:42:16.739 through the middle of it. It looks like the room 00:42:16.739 --> 00:42:18.659 is cut down the middle by a big sewage line, 00:42:18.760 --> 00:42:20.460 like the main sewage line for the whole town. 00:42:20.639 --> 00:42:22.980 It's just sitting there like a big river, fully 00:42:22.980 --> 00:42:25.679 open to the world. It's absolutely shocking smelling. 00:42:26.480 --> 00:42:28.460 On the wall on the side of the room that you're 00:42:28.460 --> 00:42:31.320 on, there's a big painting of Saint Jerome with 00:42:31.320 --> 00:42:33.400 tears in his eyes, looking saintly as anything. 00:42:33.599 --> 00:42:35.400 Now, you know it's Saint Jerome because whoever 00:42:35.400 --> 00:42:37.340 painted this decided to give him a wee name badge 00:42:37.340 --> 00:42:39.940 and it says Saint Jerome on his chest. Painted 00:42:39.940 --> 00:42:42.360 next to Earl Jerome is a familiar sight to anyone 00:42:42.360 --> 00:42:45.119 who's watched a little bit of daytime TV. You 00:42:45.119 --> 00:42:47.579 see two rows of white capital letters on little 00:42:47.579 --> 00:42:52.369 blue squares spelling out the words WE BAR. Lou 00:42:52.369 --> 00:42:55.369 odours. There's a knackerdile exercise bike next 00:42:55.369 --> 00:42:57.750 to you on this side of that stinky flow. On the 00:42:57.750 --> 00:43:01.070 far side of the river amok, you see a door with 00:43:01.070 --> 00:43:04.130 a BBC micro desktop computer sitting beside it. 00:43:04.150 --> 00:43:06.650 Big clicky clacky keys and all. And there's a 00:43:06.650 --> 00:43:08.289 wire coming out of the back of it that looks 00:43:08.289 --> 00:43:10.389 like it's connected to the door and another wire 00:43:10.389 --> 00:43:12.750 that's flowing back through that river of shite 00:43:12.750 --> 00:43:14.690 and it's hooked up to that wee exercise bike 00:43:14.690 --> 00:43:17.429 on your side of the room. On the ground, by the 00:43:17.429 --> 00:43:19.710 far door, is a wooden plank. It's about three 00:43:19.710 --> 00:43:21.909 metres long, and it's a bit shady at one end. 00:43:23.050 --> 00:43:26.869 What the hell is going on in here? It absolutely 00:43:26.869 --> 00:43:30.630 reeks! I mean, it's an anagram, right? Yeah. 00:43:30.829 --> 00:43:33.010 That would be my guess as well. And one of us 00:43:33.010 --> 00:43:36.530 goes on the bike to... Well, let's see. And I 00:43:36.530 --> 00:43:41.429 hop on the exercise bike. The PC, after about 00:43:41.429 --> 00:43:44.170 20 seconds, begins to start its boot -up procedure. 00:43:45.480 --> 00:43:48.619 I stopped cycling. The screen begins to sort 00:43:48.619 --> 00:43:51.179 of, like, it maintains for another, like, 15, 00:43:51.219 --> 00:43:53.659 20 seconds, and then sort of begins to fade. 00:43:54.300 --> 00:43:58.619 Okay. Obviously, one of us needs to get across 00:43:58.619 --> 00:44:02.340 this river of shite to the computer. Yeah, Saeb, 00:44:02.380 --> 00:44:07.659 you do. Oh, come on, guys. What? I might be hopped 00:44:07.659 --> 00:44:09.880 up on cheap speed that got fed to me through 00:44:09.880 --> 00:44:14.269 a fucking dart, but I'm not an idiot. No, but 00:44:14.269 --> 00:44:18.289 the things that you do for love. One of them's 00:44:18.289 --> 00:44:22.550 to ship the second line there. The first word 00:44:22.550 --> 00:44:26.349 is beware. Beware Dolorado. Dolorado. Doloroso. 00:44:26.550 --> 00:44:30.469 Doloroso, there we go. Beware Doloroso. All right, 00:44:30.510 --> 00:44:33.590 I guess I'll type that in when I go over. All 00:44:33.590 --> 00:44:36.869 right. Seb takes a few steps back and gives it 00:44:36.869 --> 00:44:41.489 his roided up best shot. He sprints and he leaps 00:44:41.489 --> 00:44:44.329 and he makes it a fair distance. And then he 00:44:44.329 --> 00:44:48.110 belly flops straight into it and loses his footing 00:44:48.110 --> 00:44:54.289 and is swept away. Oh, Jesus. Did I just kill 00:44:54.289 --> 00:44:58.829 him? Did I just kill him? Join the club. You'll 00:44:58.829 --> 00:45:00.690 have your time as well. All right, snakes and 00:45:00.690 --> 00:45:05.130 ladders. How large is the gap again? It's a bit 00:45:05.130 --> 00:45:08.489 smaller than three metres. Is he dead? You don't 00:45:08.489 --> 00:45:10.590 know where he's gone. That fella's out of sight. 00:45:11.010 --> 00:45:13.170 I'm sorry. I might have killed a man. I'm not 00:45:13.170 --> 00:45:15.809 fully with it right now. Look, it's a difficult 00:45:15.809 --> 00:45:17.050 situation. We don't know what happened. He's 00:45:17.050 --> 00:45:20.329 been swept away. He could be fine. He could be 00:45:20.329 --> 00:45:21.730 dead. We don't know. I didn't realise it was 00:45:21.730 --> 00:45:24.469 like a rapid. I thought it was a placid river 00:45:24.469 --> 00:45:27.710 of shite, but no. Oh, it's flowing. What if we 00:45:27.710 --> 00:45:31.130 use the cable from the bike to like kind of get 00:45:31.130 --> 00:45:34.309 over safely? There is indeed an electrical cable 00:45:34.309 --> 00:45:37.139 running from that bike across. I'm sure you could 00:45:37.139 --> 00:45:41.420 hold it and wade through. All right. Could you 00:45:41.420 --> 00:45:44.159 hold the exercise bike while I wade through shit? 00:45:44.820 --> 00:45:46.800 That's good, Ian. Yeah, yeah. Are you sure you 00:45:46.800 --> 00:45:49.340 want to do this? Listen, he said snakes and ladders, 00:45:49.420 --> 00:45:51.039 and I realized I still have a lot more to do 00:45:51.039 --> 00:45:56.880 to redeem myself. I gingerly lure myself into 00:45:56.880 --> 00:46:01.500 the cold, stinking shit for the good of my friends. 00:46:01.619 --> 00:46:03.579 You do feel it slapping about your ankles, but, 00:46:03.659 --> 00:46:05.739 you know, you're holding on to that cable. And 00:46:05.739 --> 00:46:08.300 you're able to feed it hand over hand and wade 00:46:08.300 --> 00:46:10.159 your way across. It's only up, like, a wee bit 00:46:10.159 --> 00:46:13.400 above your knees. My, mm, yes, but the cable's 00:46:13.400 --> 00:46:15.019 covered in shite, yes? The cable is indeed covered 00:46:15.019 --> 00:46:18.420 in shite. Ah, yes, that's definitely shite. So 00:46:18.420 --> 00:46:21.219 I get to the other side and I go, hop! You climb 00:46:21.219 --> 00:46:23.360 out and you make your way over to that wee computer. 00:46:23.840 --> 00:46:26.099 Now, it's powered down at this stage. Dolan! 00:46:26.739 --> 00:46:30.139 Yeah? Get on those pedals. All right, and I'm 00:46:30.139 --> 00:46:33.199 pedalling away. As you pedal, Dolan, the computer 00:46:33.199 --> 00:46:37.469 springs to life. And on the screen, you see what 00:46:37.469 --> 00:46:39.530 looks like a bunch of squares waiting for a wee 00:46:39.530 --> 00:46:41.969 password to be entered. There's a little saucy 00:46:41.969 --> 00:46:45.250 pixelated version of both Richard and Carol from 00:46:45.250 --> 00:46:47.690 Countdown in either corner. I type in the words, 00:46:47.750 --> 00:46:52.889 beware Doloroso. And the door in front of you 00:46:52.889 --> 00:46:57.610 unlocks. So I put the plank across. You're able 00:46:57.610 --> 00:47:01.320 to place the plank across the river. The cat 00:47:01.320 --> 00:47:03.980 immediately bolts across the plank and starts 00:47:03.980 --> 00:47:06.800 crawling at the door. Alright, okay. Does someone 00:47:06.800 --> 00:47:08.659 want to take the cat? I don't trust this cat. 00:47:08.760 --> 00:47:10.840 Yeah, I'll take the cat. Take the cat. As you 00:47:10.840 --> 00:47:13.079 open the door, you find yourselves on a high, 00:47:13.179 --> 00:47:16.820 stony platform within a large cave. The platform 00:47:16.820 --> 00:47:19.460 disappears off to your right and left, lost in 00:47:19.460 --> 00:47:22.460 the darkness. The door, once again, shuts closed 00:47:22.460 --> 00:47:25.119 behind you. And as you step towards the edge, 00:47:25.260 --> 00:47:27.460 your eyes can't believe what you see before you. 00:47:28.030 --> 00:47:30.590 The crow's nest of a ship sitting atop a large 00:47:30.590 --> 00:47:33.369 mast which reaches almost the entire way up to 00:47:33.369 --> 00:47:35.869 the ceiling of this cave. Now it isn't quite 00:47:35.869 --> 00:47:38.269 within reach, but you can see an old piece of 00:47:38.269 --> 00:47:40.210 rope that was tied to a rock next to you which 00:47:40.210 --> 00:47:42.710 has since been cut. The rest of it dangles loosely 00:47:42.710 --> 00:47:45.070 from the crow's nest into the void of darkness 00:47:45.070 --> 00:47:50.710 below. Next time on the Bad Articles, join our 00:47:50.710 --> 00:47:53.170 knuckles for the exciting conclusion as they 00:47:53.170 --> 00:47:55.309 find out what those old lads were keeping down 00:47:55.309 --> 00:48:14.039 here. Starring... Laura Conlon, Patrick Meier and Niall 00:48:14.039 --> 00:48:14.340 McKenna.