WEBVTT

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You know, usually when we look at a photograph

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that changed the world, there's this expectation

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of clarity. Right. Yeah. Like it should be obvious.

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Exactly. Like a portrait of a historical figure

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or a snapshot of the moon landing. You look at

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the image and there it is. The subject is undeniable.

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It's obvious to anyone who's seen it. Oh, because

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the visual is supposed to tell the whole story

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instantly. Well, it's supposed to be an objective,

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recognizable record of a moment in time. But

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then you step into the world of molecular biology,

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and suddenly that comforting clarity is just

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gone. Oh, completely gone. Yeah. If you look

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at one of the most famous consequential images

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in the entire history of science, it honestly

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just looks like a a murky gray smudge on a dirty

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camera lens. It really does. Maybe if you squint,

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it's like a blurry letter X inside a faint dark

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circle. Right, and to the untrained eye, it is

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the absolute definition of diagnostic muddy waters.

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I mean, it literally looks like a mistake. But

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to someone who actually knows how to read the

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mathematics hidden inside those shadows, that

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blurry X is the literal blueprint of life itself.

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And that image is the legendary photo 51. The

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x -ray diffraction image that definitively proved

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DNA is a double helix. A big one. The big one.

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And chances are, you already know the names associated

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with decoding that famous shape. You know James

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Watson. You know Francis Crick. Right. But today

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we are taking a deep dive into the story of the

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person whose meticulous data and whose team's

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photograph actually made that discovery possible.

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We are exploring a name you almost certainly

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recognize, but a story you probably only think

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you know. And that is Rosalind Franklin. And

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to do that, we are pulling from a fantastic,

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incredibly comprehensive historical and biographical

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compilation. It details her entire life, her

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personal letters, her lab notebooks, and just

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the broader context of mid -century scientific

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research. OK, let's unpack this. Our mission

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for this deep dive is to rescue Rosalind Franklin

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from simply being a flattened historical footnote.

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Yeah, a caricature. Exactly. For decades. She

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has been tightly boxed in as either the wronged

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heroine or the dark lady of DNA. We want to discover

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the brilliant, witty, and fiercely meticulous

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physical chemist behind that pervasive myth.

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And beyond the drama, we want to understand the

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literal nuts and bolts of how she mapped the

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secret of life. If we connect this to the bigger

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picture, Franklin's story is a profound master

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class in how science actually works in practice.

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How so? Well, society loves the myth of the solitary

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genius, right? Having a Thed in Eureka moment

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in a vacuum. Oh sure, the light bulb going off.

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Right, but the reality is a messy, intensely

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human endeavor. It's full of overlapping research,

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agonizingly slow data gathering, and you know,

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inevitably clashing personalities. And long before

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those personalities clashed over biology, she

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was already proving her genius in a in a completely

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different field. Yeah, people forget about her

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early life. They really do. Born in 1920 into

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an affluent Jewish family in London, she was

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recognized incredibly early as a childhood math

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prodigy. I mean, we're talking about a kid who

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literally did complex arithmetic for pleasure

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at age six. Which is just wild. It is, but...

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Before she could map the microscopic blueprint

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of human genetics, she had to master the microscopic

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architecture of fuel. Right, because during World

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War II, she fulfilled her national service by

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taking a position at the British Coal Utilization

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Research Association. So she wasn't just doing

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administrative work? No, not at all. She wasn't

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just doing basic chemistry either. She was tasked

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with studying the invisible microscopic porosity

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of coal. So she used helium gases to determine

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the precise density of different types of...

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Right? Exactly. She was figuring out the mathematical

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relationship between the tiny invisible constrictions

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in the pores of the coal and how permeable the

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material actually was. Yeah, trying to see what

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could get through and what couldn't. It reminds

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me of like a bouncer at a really exclusive microscopic

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club. Huh. That's a good way to put it. She was

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observing exactly which molecules were allowed

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to enter or exit those microscopic doors as the

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temperature changed. And she ultimately proved

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that substances were expelled from the coal in

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strict order of their molecular size as things

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heated up. And this work accurately predicted

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how different coals would perform for specific

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fuel purposes. And crucially, for the production

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of wartime devices like gas masks, which rely

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on carbon to filter out toxins. So this wasn't

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just some abstract academic exercise. I mean,

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it had immediate survival implications for a

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nation at war. That is incredible context. Yeah.

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But how does coal filtering gas translate to

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the rest of her career, like moving to biology?

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Well, from a career perspective, this intensive

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wartime research laid the foundational data for

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her PhD at Cambridge. It gave her a lifelong,

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highly specialized expertise in something called

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the physical chemistry of solid organic colloids.

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Wait, let me pause you there. Solid organic colloids.

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That sounds like serious textbook jargon. What

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exactly are we talking about? Right, sorry. So

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a colloid is essentially a substance where microscopic

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particles of one material are suspended inside

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another. Okay. When we talk about solid organic

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colloids in Franklin's case, we are talking about

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carbon -based solids like coal or graphite that

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don't have a simple neat uniform structure. So

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they're messy. Very messy. They are solid, but

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they are filled with these complex microscopic

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networks and pores. She became an absolute master

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of understanding how carbon structures itself

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on an invisible level. But to truly master the

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techniques needed to see that invisible world,

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she eventually had to leave post -war England,

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right? Yes. In 1947, she packed up and moved

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to the vibrant, intellectually stimulating Laboratories

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of Paris. And she accepted a position at Jacques

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Meringue's lab at the State Chemical Services.

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Her time in France is where we really see her

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personality blossom outside the rigid confines

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of the British academic system. She absolutely

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fell in love with the French lifestyle. Yeah,

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she embraced the food, the culture, the intense

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intellectual debates over dinner. She went on

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these incredibly daring treks in the Alps. At

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one point, she actually slipped off a steep slope

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and nearly lost her life. Which is terrifying.

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Right. And she wrote letters home expressing

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how the French way of life was vastly superior

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to the stiff English complacency she was used

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to. She definitely had strong opinions. She did.

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But inside the lab, she was learning a highly

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specialized skill that would change history,

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the art of x -ray crystallography. And Merring

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wasn't just teaching her standard crystallography.

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He was pioneering the application of x -ray diffraction

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to amorphous substances. Amorphous. Yeah, things

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like coal, rayon, and other messy carbonaceous

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materials. Now wait, I have to push back on this

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for a second. Because my basic understanding

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of crystallography is that you need a crystal.

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Right. Like a neat, orderly, repeating geometric

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shape, like a diamond or a grain of salt. Yeah.

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How do you take a clear X -ray picture of something

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that is amorphous, something that essentially

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has no regular repeating shape? What's fascinating

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here is that you've hit on the exact reason Franklin

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was so uniquely positioned for her later work.

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Oh, really? Yeah. Taking an X -ray diffraction

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image of a perfect crystal is relatively straightforward.

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You shoot an x -ray beam at the crystal, the

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rays bounce off the perfectly regular atomic

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planes, and they hit photographic film to give

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you a clean, predictable pattern of spots. Makes

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sense. But, amorphous substances are inherently

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chaotic. They don't have that perfect repeating

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order. When you shoot x -rays through them, you

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don't get a neat grid of dots. You get these

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diffuse, blurry, highly complex halos and smears

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on the film. So it's like trying to map the architectural

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structure of a cloud instead of a brick wall.

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That cloud analogy is spot on. Franklin had to

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learn the incredibly difficult mathematics required

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to interpret those blurry, chaotic shadows. Wow.

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She had to mathematically correct for the finite

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height of the x -ray beam, interpret the diffuse

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scattering of light. I mean, she was quite literally

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wringing geometric structure out of total physical

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chaos. That sounds impossible. And that specific,

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highly difficult skill set is what made her the

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singular perfect person to eventually look at

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biological fibers. Biological materials are notoriously

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messy, pliable, and incredibly difficult to crystallize.

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But mapping the chaotic structure of coal and

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graphite was just the warm -up, right? Exactly.

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The ultimate test of this unique skill wasn't

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going to be fuel. It was going to be the messy,

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chaotic fibers of human genetics. And that meant

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returning to London. Back to the stiff English

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complacency. Yeah. In 1951, she is recruited

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to King's College London to work in the Medical

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Research Council's biophysics unit. She is stepping

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straight into a scientific gold rush because

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everyone in the field wants to crack the elusive

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structure of DNA. Oh, it was a massive race.

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But she's also stepping blindly into a legendary

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personality clash. Right. The director of the

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unit, John Randall, made a fatal compounding

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error in his administrative communication. What

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did he do? He sent a letter explicitly assigning

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Franklin to work on analyzing DNA fibers and

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assigned a graduate student named Raymond Gosling

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to be her assistant. The problem is that he completely

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failed to communicate this restructuring to Maurice

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Wilkins. And Wilkins was another senior researcher

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there. Yeah, who had already been pioneering

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DNA diffraction work at the very same lab. Right.

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And Wilkins was actually away on holiday when

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Randall set all this up. So Wilkins comes back

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expecting Franklin to be a highly skilled technician

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joining his team Well, Franklin has a formal

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letter from the director essentially saying you

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are an independent investigator in charge of

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this project It was an absolute recipe for disaster

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and that tension was instantly amplified by their

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totally opposite personalities. Their fundamental

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communication styles could not have been more

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different. Wilkins was notoriously shy, he spoke

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slowly, he was highly calculating with his words,

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and he actively avoided looking people directly

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in the eye, finding it too confrontational. And

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Franklin was a polar opposite. She was concise,

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she was impatient with slow talkers, she was

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highly direct, and she had a habit of looking

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people intensely. right in the eye when she debated

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them. Which really threw people off. Yeah, it

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unnerved her male colleagues who were used to

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a more demure deferential dynamic. So you have

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this massive fundamental friction from day one.

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But Franklin ignores the office politics, puts

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her head down, and goes to work with Gosling.

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And she brings her physical chemistry genius

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to the equipment itself. She took the micro camera

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that Wilkins had ordered before she arrived and

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she rigorously re -engineered it. How did she

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change it? Well, the critical innovation she

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brought to King's College was designing a camera

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chamber where she could precisely control the

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humidity around the DNA sample using different

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saturated salt solutions. Here's where it gets

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really interesting. DNA isn't a static rock.

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It's a biological molecule. It changes depending

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on its environment. By controlling the humidity

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using those salts, Franklin was essentially forcing

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the DNA to pose under perfect studio lighting.

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She discovered that DNA could actually exist

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in two entirely distinct structural forms, depending

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on how much water it absorbed. When she kept

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the humidity high, above 75%, the DNA fiber stretched

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out and soaked up the water. It became long and

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thin. She called this the wet or bee form. Right,

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the bee form. But when she dried the chamber

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out, the DNA contracted. It became short and

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fat, which she called the crystalline, or A,

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form. And separating these two forms was a monumental

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breakthrough. Before she instituted this humidity

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control, researchers had been taking x -rays

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of DNA that was a messy mixture of both forms.

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Which just gives you a blur. Exactly. It resulted

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in a confused, overlapping smudge of a picture.

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By separating them into pure A and pure B samples,

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she finally brought the molecule into sharp mathematical

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focus. Because the interpersonal tension with

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Wilkins had become so toxic, the director officially

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split the DNA work between them. Wilkins took

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the wet B form, and Franklin took the data -rich

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crystalline A form. And we have to highlight

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a fantastic anecdote from the sources regarding

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her sense of humor during this split. Oh, the

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funeral notice. Yes. In the summer of 1952, Franklin

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was temporarily unconvinced that her crystalline

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A -form was actually a helix. Her data wasn't

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showing it clearly yet. Wilkins, on the other

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hand, firmly believed everything in biology was

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a helix. So what did she do? As a highly targeted

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practical joke on Wilkins, Franklin and her student

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Gosling actually wrote up a satirical, black

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-bordered funeral notice. Oh, I love this detail.

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The card literally read, it is with great regret

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that we have to announce the death of DNA helix

00:12:50.960 --> 00:12:53.720
crystalline. Death followed a protracted illness.

00:12:54.139 --> 00:12:56.360
A memorial service will be held next Monday or

00:12:56.360 --> 00:12:58.820
Tuesday. It's so good. It completely punctures

00:12:58.820 --> 00:13:01.789
the m - that she was this joyless hyper -serious

00:13:01.789 --> 00:13:04.710
drone. She had a biting brilliant wit. It definitely

00:13:04.710 --> 00:13:06.870
highlights her personality, but more importantly,

00:13:07.230 --> 00:13:09.629
it underscores her core scientific philosophy.

00:13:10.009 --> 00:13:12.809
She was fiercely dedicated to pure experimental

00:13:12.809 --> 00:13:15.309
data over speculative theoretical model building.

00:13:15.429 --> 00:13:18.269
Right, no guessing. Exactly. While other scientists

00:13:18.269 --> 00:13:20.409
were eager to rush ahead and guess the structure,

00:13:20.870 --> 00:13:23.529
her steadfast attitude was, we are going to let

00:13:23.529 --> 00:13:25.809
the spots on this photograph tell us what the

00:13:25.809 --> 00:13:28.610
structure is. She absolutely refused to build

00:13:28.610 --> 00:13:31.049
a model until the math dictated it. But while

00:13:31.049 --> 00:13:33.149
she was meticulously calculating those spots

00:13:33.149 --> 00:13:37.110
in London, a very different Highly speculative

00:13:37.110 --> 00:13:39.470
approach was happening over at Cambridge University.

00:13:39.610 --> 00:13:42.470
Yes, a totally different vibe. James Watson and

00:13:42.470 --> 00:13:44.909
Francis Crick were in a frantic race to build

00:13:44.909 --> 00:13:47.649
the ultimate theoretical model out of wire and

00:13:47.649 --> 00:13:50.590
metal plates. And this brings us to the 1953

00:13:50.590 --> 00:13:53.830
climax, which is arguably the most famous controversy

00:13:53.830 --> 00:13:56.610
in modern biology. To understand this controversy,

00:13:56.789 --> 00:14:00.350
we need to lay out the events of early 1953 neutrally,

00:14:00.570 --> 00:14:02.690
based firmly on the historical record. Okay,

00:14:02.710 --> 00:14:04.789
let's do it. In January of that year, Watson

00:14:04.789 --> 00:14:08.029
visited King's College. Wilkins, who was commiserating

00:14:08.029 --> 00:14:10.610
with Watson over some shared frustrations regarding

00:14:10.610 --> 00:14:13.870
Franklin, showed Watson the now legendary photo

00:14:13.870 --> 00:14:17.110
51. Which was her team's photo. Right, the incredibly

00:14:17.110 --> 00:14:19.809
clear x -ray diffraction image of the B -form

00:14:19.809 --> 00:14:22.269
DNA, which had been taken under Franklin's supervision

00:14:22.269 --> 00:14:25.100
by Raymond Gosling. Watson famously wrote years

00:14:25.100 --> 00:14:28.159
later that seeing that specific image made his

00:14:28.159 --> 00:14:31.740
jaw fall open and his pulse race. The dramatic

00:14:31.740 --> 00:14:34.659
cross shape of the X pattern clearly screened

00:14:34.659 --> 00:14:37.529
helix. But it wasn't just the photograph that

00:14:37.529 --> 00:14:40.110
helped Cambridge crack the code. No. Over in

00:14:40.110 --> 00:14:42.909
Ambridge, Crick's thesis advisor, Max Peretz,

00:14:43.090 --> 00:14:45.409
had obtained a copy of a medical research council

00:14:45.409 --> 00:14:48.389
report. Wait, how? It was a routine report from

00:14:48.389 --> 00:14:50.730
a biophysics committee visit to King's College,

00:14:51.090 --> 00:14:53.710
but it contained a summary of Franklin's crucial

00:14:53.710 --> 00:14:56.950
unpublished crystallographic calculations. Peretz

00:14:56.950 --> 00:14:58.750
handed this report over to Crick. Wait, let's

00:14:58.750 --> 00:15:00.190
slow down and look at what was actually in that

00:15:00.190 --> 00:15:02.029
report because this is where the pure biology

00:15:02.029 --> 00:15:04.909
turns into. heavy math. Sure. The sources mention

00:15:04.909 --> 00:15:07.769
the report confirmed the 24 angstrom repeat distance.

00:15:08.450 --> 00:15:10.610
What exactly is an angstrom and what does a repeat

00:15:10.610 --> 00:15:13.009
distance look like on a microscopic level? An

00:15:13.009 --> 00:15:15.509
angstrom is a unit of measurement used to express

00:15:15.509 --> 00:15:19.049
the sizes of atoms and molecules. It is one 10

00:15:19.049 --> 00:15:22.149
billionth of a meter, unfathomably small. The

00:15:22.149 --> 00:15:25.330
repeat distance of 34 angstroms essentially told

00:15:25.330 --> 00:15:28.389
them the exact pitch of the spiral staircase.

00:15:28.929 --> 00:15:30.769
It told them exactly how much vertical space

00:15:30.769 --> 00:15:34.350
the DNA helix takes to make one complete 360

00:15:34.350 --> 00:15:36.769
degree twist. OK, that makes sense. You need

00:15:36.769 --> 00:15:39.110
to know how steep the stairs are before you build

00:15:39.110 --> 00:15:41.830
the staircase. Exactly. But the report also established

00:15:41.830 --> 00:15:45.480
that the structure had C2 symmetry. Now, I know

00:15:45.480 --> 00:15:47.259
what symmetry is when I look in a mirror, but

00:15:47.259 --> 00:15:50.840
how does a math term like C2 symmetry tell a

00:15:50.840 --> 00:15:54.360
biologist how to build a model? Imagine two identical

00:15:54.360 --> 00:15:56.879
spiral staircases placed side by side. Okay,

00:15:56.940 --> 00:15:59.899
I'm picturing it. If you rotate the entire structure

00:15:59.899 --> 00:16:02.419
180 degrees, flipping it upside down, and it

00:16:02.419 --> 00:16:05.539
looks completely unchanged, that is C2 symmetry.

00:16:06.019 --> 00:16:09.019
Wow. For DNA to have C2 symmetry, Crick realized

00:16:09.019 --> 00:16:11.139
instantly that the two strands wrapping around

00:16:11.139 --> 00:16:13.259
each other must run in opposite directions. It's

00:16:13.259 --> 00:16:15.320
like a two -way street. One strand goes up, the

00:16:15.320 --> 00:16:17.980
other strand goes down. They are parallel but

00:16:17.980 --> 00:16:21.799
anti -parallel. That is brilliant. So... armed

00:16:21.799 --> 00:16:24.419
with Franklin's parameters, the unmistakable

00:16:24.419 --> 00:16:27.179
helix shape from the photo, the 34 angst from

00:16:27.179 --> 00:16:30.179
twist, the anti -parallel strands, and her earlier

00:16:30.179 --> 00:16:33.080
crucial realization that the bulky phosphate

00:16:33.080 --> 00:16:35.620
backbone had to be on the outside of the molecule.

00:16:36.600 --> 00:16:38.799
Watson and Crick successfully built their double

00:16:38.799 --> 00:16:41.659
helix model in March 1953. And they published

00:16:41.659 --> 00:16:43.799
their triumph in the journal Nature with only

00:16:43.799 --> 00:16:46.340
a highly muted footnote saying they were stimulated

00:16:46.340 --> 00:16:49.120
by a knowledge of the general nature of the unpublished

00:16:49.120 --> 00:16:51.740
experimental results. of Wilkins and Franklin.

00:16:51.980 --> 00:16:54.480
For decades since, the narrative has been heavily

00:16:54.480 --> 00:16:56.779
framed as a great scientific heist. You know,

00:16:56.779 --> 00:16:58.679
the popular idea is that Franklin was a brilliant,

00:16:58.960 --> 00:17:01.320
but isolated experimentalist toiling away in

00:17:01.320 --> 00:17:03.360
the dark, entirely unaware that the Cambridge

00:17:03.360 --> 00:17:05.460
boys had snuck in and stolen her data to win

00:17:05.460 --> 00:17:07.480
the race. But I want to actively challenge that

00:17:07.480 --> 00:17:10.559
traditional heist narrative based on the incredible

00:17:10.559 --> 00:17:12.619
sources we have. Yeah. What she truly robbed

00:17:12.619 --> 00:17:14.660
in the dark. Because our materials bring up some

00:17:14.660 --> 00:17:17.440
astonishing revelations published in 2023 involving

00:17:17.440 --> 00:17:19.299
an unpublished draft for Time magazine written

00:17:19.299 --> 00:17:22.450
by journalist named Joan Bruce back in 19 - That

00:17:22.450 --> 00:17:24.809
unpublished time article completely shifts our

00:17:24.809 --> 00:17:27.269
historical perspective. It really does. Joan

00:17:27.269 --> 00:17:29.450
Bruce had actually consulted directly with Franklin

00:17:29.450 --> 00:17:32.789
for the piece, and Bruce clearly wrote that the

00:17:32.789 --> 00:17:35.349
two teams, Kings and Cambridge, were actually

00:17:35.349 --> 00:17:38.289
linking up. confirming each other's work and

00:17:38.289 --> 00:17:41.349
wrestling over a common problem. Right. Bruce

00:17:41.349 --> 00:17:43.869
noted that Franklin was routinely checking the

00:17:43.869 --> 00:17:46.630
Cambridge theoretical model against her own hard

00:17:46.630 --> 00:17:49.690
x -ray data. It wasn't a blind robbery, it was

00:17:49.690 --> 00:17:52.009
a joint effort where vital information was being

00:17:52.009 --> 00:17:54.849
shared, even if the interpersonal dynamics between

00:17:54.849 --> 00:17:57.230
the players were deeply flawed and competitive.

00:17:57.470 --> 00:17:59.269
And the science historians pointing this out

00:17:59.269 --> 00:18:02.210
emphasize that in 1953, the discovery wasn't

00:18:02.210 --> 00:18:04.490
seen by the scientific community as a definitive

00:18:04.490 --> 00:18:07.829
race, one solely by Watson and Crick, but as

00:18:07.829 --> 00:18:10.390
the outcome of a collaborative, albeit incredibly

00:18:10.390 --> 00:18:12.990
messy effort. Right. But the most heartbreaking

00:18:12.990 --> 00:18:15.470
part to me is what her own private lab notebooks

00:18:15.470 --> 00:18:18.769
reveal. She wasn't just a technician taking pretty

00:18:18.769 --> 00:18:21.430
pictures for the men to analyze. Did she actually

00:18:21.430 --> 00:18:23.609
know it was a double helix before they published?

00:18:23.819 --> 00:18:26.759
She absolutely did. Her later Birkbeck colleague,

00:18:27.039 --> 00:18:30.519
Aaron Klug, meticulously analyzed her rough drafts

00:18:30.519 --> 00:18:33.579
from February and March of 1953. Her notebooks

00:18:33.579 --> 00:18:36.180
definitively proved she had independently realized

00:18:36.180 --> 00:18:39.660
that BDNA was a double helical molecule. Wow.

00:18:39.920 --> 00:18:42.839
She noted the two strands. She noted the structural

00:18:42.839 --> 00:18:45.839
similarities between the A and B forms. She even

00:18:45.839 --> 00:18:47.960
realized that the structure could hold an infinite

00:18:47.960 --> 00:18:50.720
variety of nucleotide sequences, which perfectly

00:18:50.720 --> 00:18:53.259
explained the biological specificity of DNA.

00:18:53.130 --> 00:18:56.329
She just didn't see the specific complementary

00:18:56.329 --> 00:19:00.150
base pairing mechanism, the rums of the ladder

00:19:00.150 --> 00:19:02.690
connecting the two strands that Watson and Crick

00:19:02.690 --> 00:19:04.710
managed to figure out with their cardboard cutouts.

00:19:05.089 --> 00:19:07.549
It is a profound tragedy of timing. As historians

00:19:07.549 --> 00:19:09.509
have pointed out, she simply ran out of time

00:19:09.509 --> 00:19:11.690
to make those final conceptual leaps because

00:19:11.690 --> 00:19:13.549
Watson and Crick beat her to the punch. And she

00:19:13.549 --> 00:19:16.759
was so strict about her data. Exactly. As a rigorous,

00:19:16.920 --> 00:19:19.460
data -driven experimentalist, she simply wasn't

00:19:19.460 --> 00:19:21.640
willing to publish a speculative model until

00:19:21.640 --> 00:19:24.059
her mathematics completely and undeniably proved

00:19:24.059 --> 00:19:26.519
it. Most people assume her story ends there,

00:19:26.579 --> 00:19:28.799
you know, fading into the shadow of the DNA double

00:19:28.799 --> 00:19:32.359
helix. But her actual scientific magnum opus

00:19:32.359 --> 00:19:35.960
was just beginning. Yes. In mid -March, 1953,

00:19:36.519 --> 00:19:39.420
she leaves King's College. A move she bluntly

00:19:39.420 --> 00:19:42.200
described as going from a palace to the slums

00:19:42.200 --> 00:19:44.400
and sets up her own independent research group

00:19:44.400 --> 00:19:46.700
at Birkbeck College. Moving to Birkbeck allowed

00:19:46.700 --> 00:19:50.369
her to pivot away from DNA entirely. She shifted

00:19:50.369 --> 00:19:53.309
her focus to RNA, specifically investigating

00:19:53.309 --> 00:19:56.630
the structure of viruses, and here she achieves

00:19:56.630 --> 00:20:00.049
monumental undisputed success. She takes on the

00:20:00.049 --> 00:20:03.470
tobacco mosaic virus, or TMV. Now, at the time,

00:20:03.769 --> 00:20:05.630
eminent virologists around the world had all

00:20:05.630 --> 00:20:07.549
sorts of conflicting theories about how this

00:20:07.549 --> 00:20:09.490
virus was physically structured. Most thought

00:20:09.490 --> 00:20:12.029
it was a solid clump. But Franklin uses her x

00:20:12.029 --> 00:20:14.150
-ray crystallography magic and proves them all

00:20:14.150 --> 00:20:16.460
wrong. How did she figure out his actual shape?

00:20:16.579 --> 00:20:18.660
Well, by meticulously analyzing the diffraction

00:20:18.660 --> 00:20:21.299
patterns, she mapped the precise location of

00:20:21.299 --> 00:20:23.400
the molecules. She discovered that the virus

00:20:23.400 --> 00:20:26.519
wasn't a solid mass. It was a hollow tube composed

00:20:26.519 --> 00:20:30.559
of proteins. A tube? Yes. Furthermore, she proved

00:20:30.559 --> 00:20:33.359
that the genetic material, the RNA, wasn't just

00:20:33.359 --> 00:20:35.640
floating around randomly inside the tube. It

00:20:35.640 --> 00:20:38.980
was deeply helically wound along the inner surface

00:20:38.980 --> 00:20:41.359
of that hollow structure. That's amazing. She

00:20:41.359 --> 00:20:44.160
coordinated a massive effort bringing in international

00:20:44.039 --> 00:20:47.200
collaborators and managing a brilliant team that

00:20:47.200 --> 00:20:49.819
included future Nobel laureates. And she didn't

00:20:49.819 --> 00:20:52.799
just write dense academic papers about it. For

00:20:52.799 --> 00:20:56.420
the 1958 Brussels World's Fair, she commissioned

00:20:56.420 --> 00:20:59.960
a massive five -foot -high physical model of

00:20:59.960 --> 00:21:02.119
the tobacco mosaic virus so the public could

00:21:02.119 --> 00:21:04.299
see it. I love that. And I absolutely love this

00:21:04.299 --> 00:21:06.500
detail. She built it using table tennis balls

00:21:06.500 --> 00:21:09.160
and plastic bicycle handlebar grips to represent

00:21:09.160 --> 00:21:12.259
the proteins and RNA. So what does this all mean?

00:21:12.559 --> 00:21:14.519
To me, it shows a deeply practical scientist

00:21:14.519 --> 00:21:16.880
who wasn't just dealing in abstract, invisible

00:21:16.880 --> 00:21:19.769
math. She literally brought the microscopic world

00:21:19.769 --> 00:21:22.109
into the human realm where everyday people could

00:21:22.109 --> 00:21:24.410
touch it, see it, and understand it. This raises

00:21:24.410 --> 00:21:26.410
an important question to consider regarding her

00:21:26.410 --> 00:21:28.670
trajectory. How much more could she have achieved

00:21:28.670 --> 00:21:30.529
if she had been given the time? Because right

00:21:30.529 --> 00:21:33.049
as she was pivoting, her group to research the

00:21:33.049 --> 00:21:36.190
live poliovirus securing the largest research

00:21:36.190 --> 00:21:38.930
grant Birkbeck College had ever seen, her health

00:21:38.930 --> 00:21:41.410
rapidly failed. While traveling in the United

00:21:41.410 --> 00:21:45.049
States in 1956, she noticed her stomach bulging.

00:21:45.240 --> 00:21:48.779
and began experiencing severe pain. She was diagnosed

00:21:48.779 --> 00:21:52.140
with advanced ovarian cancer, but she refused

00:21:52.140 --> 00:21:55.019
to stop. She was relentless. Even while undergoing

00:21:55.019 --> 00:21:57.440
brutal cancer treatments, she and her research

00:21:57.440 --> 00:22:00.619
group published seven major papers in 1956 and

00:22:00.619 --> 00:22:04.619
six more in 1957. She kept working, analyzing

00:22:04.619 --> 00:22:06.880
data, and directing her team until she physically

00:22:06.880 --> 00:22:10.319
couldn't anymore. She passed away in April 1958

00:22:10.319 --> 00:22:13.809
at the tragically young age of just 37. The foundational

00:22:13.809 --> 00:22:16.009
work she started at Birkbeck didn't die with

00:22:16.009 --> 00:22:18.609
her, though. Her trusted colleague, Aaron Klug,

00:22:18.869 --> 00:22:21.009
who she deliberately made the principal beneficiary

00:22:21.009 --> 00:22:23.890
of her will, continued her exact line of structural

00:22:23.890 --> 00:22:26.369
elucidation of viruses. And he won a Nobel, right?

00:22:26.410 --> 00:22:28.609
He did. He went on to win the Nobel Prize in

00:22:28.609 --> 00:22:31.910
chemistry in 1982, explicitly building upon the

00:22:31.910 --> 00:22:34.650
very work she had initiated and led. Which naturally

00:22:34.650 --> 00:22:36.730
brings us to the complex debate surrounding her

00:22:36.730 --> 00:22:39.390
legacy and what some historians now call the

00:22:39.390 --> 00:22:43.200
Roslund industry. Oh boy. Yes. Ten years after

00:22:43.200 --> 00:22:46.380
her death, James Watson published his incredibly

00:22:46.380 --> 00:22:49.359
famous memoir, The Double Helix, and he paints

00:22:49.359 --> 00:22:51.680
a deeply unflattering, highly subjective portrait

00:22:51.680 --> 00:22:54.859
of her. He constantly refers to her as Rosie,

00:22:55.519 --> 00:22:57.700
a patronizing nickname she absolutely hated.

00:22:58.079 --> 00:23:00.079
She always preferred Rosalind. Yeah, that book

00:23:00.079 --> 00:23:02.319
caused a lot of damage. He portrayed her as incredibly

00:23:02.319 --> 00:23:05.299
difficult, hostile, and essentially framed her

00:23:05.299 --> 00:23:08.099
as a stubborn technician who couldn't even interpret

00:23:08.099 --> 00:23:10.950
her own data. And that specific portrayal sparked

00:23:10.950 --> 00:23:14.970
a massive cultural backlash. In 1975, her personal

00:23:14.970 --> 00:23:17.470
friend Anne Serre published a biography that

00:23:17.470 --> 00:23:20.069
fired back aggressively. Serre framed Franklin

00:23:20.069 --> 00:23:22.170
as a brilliant woman systematically suppressed

00:23:22.170 --> 00:23:24.690
by rampant sexism at King's College. So it's

00:23:24.690 --> 00:23:26.910
the total opposite. Right. Serre's book essentially

00:23:26.910 --> 00:23:29.190
turned Franklin into a wronged feminist icon,

00:23:29.430 --> 00:23:31.369
arguing she was excluded from the male dining

00:23:31.369 --> 00:23:33.990
rooms and constantly patronized by her inferior

00:23:33.990 --> 00:23:36.549
male peers. But the sources show that even that

00:23:36.549 --> 00:23:38.839
counter narrative is hotly contested. We have

00:23:38.839 --> 00:23:40.640
to look at all sides of the historical record

00:23:40.640 --> 00:23:43.220
impartially here. Franklin's own sister, Jennifer

00:23:43.220 --> 00:23:46.440
Glenn, has argued strongly against both Watson's

00:23:46.440 --> 00:23:49.180
demeaning depiction and Sarah's feminist icon

00:23:49.180 --> 00:23:52.160
framing. Her sister states clearly that the stories

00:23:52.160 --> 00:23:54.480
of her father opposing her education were complete

00:23:54.480 --> 00:23:57.640
myths, that Roslyn was absolutely not a feminist

00:23:57.640 --> 00:23:59.559
in the modern sense, and that she would have

00:23:59.559 --> 00:24:01.859
been just as embarrassed by the wronged heroin

00:24:01.859 --> 00:24:04.940
industry as she was by Watson's dismissive book.

00:24:05.289 --> 00:24:08.789
The truth, as is almost always the case in history,

00:24:09.289 --> 00:24:11.930
exists somewhere in the complex, nuanced middle.

00:24:12.130 --> 00:24:15.009
There is no denying the intense interpersonal

00:24:15.009 --> 00:24:17.789
friction she experienced, nor the stark reality

00:24:17.789 --> 00:24:20.029
of navigating the world as a female scientist

00:24:20.029 --> 00:24:22.990
in the 1950s. But continually reducing her to

00:24:22.990 --> 00:24:25.730
a victim of circumstance overshadows her immense,

00:24:25.930 --> 00:24:28.589
undeniable agency, her sharp humor, and her raw

00:24:28.589 --> 00:24:30.730
brilliance as a scientist. So why does her story

00:24:30.730 --> 00:24:33.250
matter to you today? Why do we spend time unpacking

00:24:33.250 --> 00:24:35.430
the life of an x -ray crystallographer from the

00:24:35.430 --> 00:24:38.130
1950s? I think it's a powerful testament to the

00:24:38.130 --> 00:24:40.549
supreme value of rigorous evidence -based work.

00:24:40.789 --> 00:24:43.289
Well said. We live in a world today that is completely

00:24:43.289 --> 00:24:45.069
obsessed with being the first to speak, the first

00:24:45.069 --> 00:24:47.250
to publish, the first to claim the breakthrough

00:24:47.250 --> 00:24:50.470
on social media. Rosalind Franklin reminds us

00:24:50.470 --> 00:24:52.470
that truth doesn't care who gets to the microphone

00:24:52.470 --> 00:24:55.529
first. Truth is found in the data. She left the

00:24:55.529 --> 00:24:57.250
spots on the photographs speak for themselves.

00:24:57.500 --> 00:25:00.460
And her story leaves us with a fascinating historical

00:25:00.460 --> 00:25:03.960
hypothetical to ponder. The Nobel Prize rules

00:25:03.960 --> 00:25:07.160
strictly prohibit posthumous awards. That is

00:25:07.160 --> 00:25:09.240
the official reason why she wasn't included when

00:25:09.240 --> 00:25:11.319
Watson, Crick, and Wilkins won the prize for

00:25:11.319 --> 00:25:14.940
DNA in 1962. But imagine if those rigid rules

00:25:14.940 --> 00:25:18.049
didn't exist. Right. If she hadn't died so tragically

00:25:18.049 --> 00:25:20.349
young, and if she had stood on that stage in

00:25:20.349 --> 00:25:23.849
Stockholm in 1962 to accept the Nobel Prize alongside

00:25:23.849 --> 00:25:26.630
them, or perhaps lived to share the 1982 prize

00:25:26.630 --> 00:25:29.269
with Aaron Klug for her virus work, how would

00:25:29.269 --> 00:25:31.470
we remember her today? It changes everything.

00:25:31.730 --> 00:25:34.349
Would we still view her as a tragic hero, a symbol

00:25:34.349 --> 00:25:37.230
of stolen glory and scientific injustice? Or

00:25:37.230 --> 00:25:39.930
would society simply and rightfully recognize

00:25:39.930 --> 00:25:42.190
her as one of the most brilliant foundational

00:25:42.190 --> 00:25:45.009
structural architects of the 20th century? Changing

00:25:45.009 --> 00:25:47.710
that one variable changes the entire length through

00:25:47.710 --> 00:25:49.769
which we view her place in scientific history.

00:25:50.289 --> 00:25:52.730
She ceases to be a footnote and becomes a towering

00:25:52.730 --> 00:25:54.930
pillar of the field. So the next time you see

00:25:54.930 --> 00:25:58.289
that famous blurry gray smudge of photo 51, don't

00:25:58.289 --> 00:26:00.930
just see a picture of DNA. Look past the blur.

00:26:01.069 --> 00:26:03.410
See the bouncer of the coal pores determining

00:26:03.410 --> 00:26:06.049
who gets in and out. See the survivor of the

00:26:06.049 --> 00:26:08.690
Alps ringing math out of chaos. See the builder

00:26:08.690 --> 00:26:11.430
of table tennis ball viruses. See the architect

00:26:11.430 --> 00:26:13.549
who forced life itself to step into the light

00:26:13.549 --> 00:26:14.730
and finally reveal its shape.
