WEBVTT

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So picture this. It's 1798 and a grieving husband

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sits down to write this really loving but brutally

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honest tribute to his wife who had just passed

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away. Right. And he genuinely thinks he's immortalizing

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her, you know, like cementing her as one of the

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greatest philosophers of the 18th century. Exactly.

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He wanted the world to see her complete authentic

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self. But instead, he accidentally destroys her

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legacy. He turns her name into this toxic, scandalous

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punchline for, like, the next hundred years.

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Yeah, it's honestly the ultimate historical cautionary

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tale of oversharing. I mean, he practically handed

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society the exact ammunition they needed to cancel

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a woman who was already threatening the entire

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social order. Welcome to today's deep dive. If

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you're joining us, we are taking a really close

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look at the life and work of Mary Wollstonecraft.

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And if you know the name, you probably know the

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big heavy titles attached to it. Right. Like

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the mother of feminism or the author of A Vindication

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of the Rights of Woman. Or honestly, just Mary

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Shelley's mother. So, OK, let's unpack this,

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because if you really want to understand her,

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you have to look past that sanitized marble bust

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of the great thinker. You really do, because

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she wasn't just sitting in a quiet room theorizing.

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No, not at all. We're looking at a woman who

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lived her philosophy out loud. I mean, navigating

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political revolutions, surviving devastating

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heartbreak, fighting for intellectual survival.

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And doing all of that in a world that literally

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demanded her silence. The 18th century world

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she was fighting against was, it was entirely

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defined by rigid inequality. Yeah, we have to

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establish that context for you listening, because

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as a woman back then, your identity was essentially

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a legal fiction. Exactly. You were the property

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of your father, and then upon marriage, your

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legal existence was effectively suspended and

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just absorbed into your husband's. So to demand

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to be treated as a rational independent mind

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in that environment. I mean it wasn't just progressive

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it was a profound rebellion. It was incredibly

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radical. And to understand why she viewed that

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traditional social structure not as this like

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romantic ideal but as a literal trap we have

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to look at her childhood it was basically domestic

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warfare. Yeah she was born in Spittlefields London

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in 1759 second of seven children. And her father

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started out with a pretty comfortable income,

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right? He did, but he completely squandered it

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on these disastrous speculative farming projects.

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And as his financial power collapsed, he compensated

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by asserting his physical power. Right, he was

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a violent alcoholic who regularly beat Mary's

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mother. Which is just horrific. It is. And that

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dynamic is so crucial to understanding Mary.

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She spent her teenage years literally sleeping

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on the landing outside her mother's bedroom door

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to protect her from his drunken rages. Oh, wow.

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So she absorbed, at a completely visceral level,

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that economic dependence in a marriage could

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directly equate to physical danger. Precisely.

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And because of that, she became this fiercely

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protective matriarch to her siblings, especially

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her sisters, Everina and Eliza. Which perfectly

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sets the stage for this deeply controversial

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pivotal choice she makes in 1784. So her sister

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Eliza had recently married and given birth. But

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she was suffering from a total psychological

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collapse, what we would totally recognize today

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as severe postpartum depression. Right. And Mary

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observes this situation and decides the marriage

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itself is what's destroying her sister. So. Her

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solution is extreme. She orchestrates an escape.

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Yeah, she literally persuades Eliza to flee the

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house and completely abandon her husband and

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her infant child. And Mary hides her away until

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a legal separation is forced. But the fallout

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from that was swift and brutal, isn't it? Oh,

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absolutely. By leaving her husband and child,

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Eliza suffered total social excommunication.

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She couldn't legally remarry, so she was condemned

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to a life of poverty, just scraping by through

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grueling work. The human cost was devastating.

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But I had to play Dell's advocate here, though.

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Wait, so Mary's idea of a rescue mission was

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to convince a woman suffering from postpartum

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depression to abandon her baby and become a total

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social outcast. Yeah, when you put it like that.

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I mean, that sounds incredibly destructive. How

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is this a triumphant origin story for a philosopher?

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Well, it is destructive and it's certainly not

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a neat triumphant narrative. But what's fascinating

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here is that it illustrates her absolute uncompromising

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willingness to challenge ironclad social norms.

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Right. This wasn't an academic exercise for her.

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She watched her mother destroyed by submission

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and she believed she was watching her sister

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lose her sanity in the exact same institution.

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So she viewed the traditional structure of female

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dependence as basically a burning building. Exactly.

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You don't politely unlock the door of a burning

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building. You shatter the window and drag the

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person out, even if they get cut on the glass.

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She prioritized psychological survival over social

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respectability. OK, that makes sense. But without

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the safety net of a family or a marriage, Mary

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still had to survive economically. And the options

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for a poor but respectable woman back then were

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pretty bleak. Very bleak. I mean, she tried being

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a ladies' companion, which she found deeply humiliating.

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She tried setting up a school in Newington Green,

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but that collapsed financially. Yeah. And then

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she worked as a governess in Ireland for the

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untral wealthy Kingsborough family. And while

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she actually loved the children, she absolutely

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despised the subservience she had to show to

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their aristocratic mother. Right, because those

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roles... governess, companions. They were essentially

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just different flavors of servitude. They required

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women to shrink themselves. And she was so frustrated

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by that reality, so she decides to invent a completely

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new path. She actually writes to her sister,

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declaring she's going to become, quote, the first

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of a new genus. I love that. The first of a new

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genus. Basically, she decides to become a professional

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female author. So she moves to London, sets up

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shop on Dolben Street, and teams up with a liberal

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publisher named Joseph Johnson. She's incredibly

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driven. She learns French and German. She translates

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texts, writes reviews, and she just immerses

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herself in this circle of radical thinkers. Right.

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Dining with people like Thomas Paine and the

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philosopher William Godwin. And it's in this

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intellectual crucible that she really hones her

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voice. She realizes she doesn't just want to

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write fiction or polite essays. She wants to

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dismantle the political philosophy of her time.

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Which brings us to the works that cemented her

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legacy. First, in 1790, A Vindication of the

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Rights of Men, and then her 1792 masterpiece,

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A Vindication of the Rights of Woman. Yes, the

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heavy hitters. Now, to understand the explosive

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nature of these texts, we have to look at the

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political battlefield. Her first vindication

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was a direct, aggressive attack on conservative

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Whig MP Edmund Burke. Right, because Burke had

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just published this famous defense of the monarchy,

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the aristocracy, and the traditional social order.

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all in response to the French Revolution. Of

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course. And in that historical context, Burke's

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argument relied heavily on emotion and tradition.

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He used highly gendered language, essentially

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arguing that the state was like a vulnerable,

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beautiful woman. Specifically Marie Antoinette,

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right? Exactly. And that this vulnerable woman

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needed the chivalrous protection of the aristocracy.

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He associated beauty with feminine weakness and

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used that emotional imagery to drum up loyalty

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for the crown. And Wollstonecraft saw right through

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that. She recognized exactly what he was doing,

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and she argued that politics must be rooted in

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cold, hard reason, not emotional manipulation

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and hereditary privilege. Right. She was laying

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the groundwork for her next book, taking that

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demand for rational equality and turning it toward

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the condition of women. Which leads to a vindication

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of the rights of women, where she makes this

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foundational claim. Women are not naturally inferior

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to men. They only appear that way because society...

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deliberately denies them an education. Yes, it's

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an argument about systemic deprivation. The source

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quotes this amazing part where she famously compared

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uneducated pampered women to spaniels and toys

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roaming around a guilt cage seeking only to adorn

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their prison. It is a harsh metaphor, but she

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was calling out an educational system that taught

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women. You know, needlework, basic piano, and

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superficial charm solely to catch a husband.

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It's like trying to run a marathon while wearing

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a tightly -laced corset. Exactly. If the runner

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collapses, society says, look, she is naturally

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weak, she lacks the stamina. Wollstonecraft was

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pointing at the corset. She was saying, you have

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physically and intellectually bound women from

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childhood, and then you have the audacity to

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claim their weakness is the design of nature.

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It's such a powerful way to frame it. But here's

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where it gets really interesting. The source

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points out she explicitly admitted in the text

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that men might have superior physical strength

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and valor based on the constitution of their

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bodies. She did write that, yes. And she didn't

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even use the word feminist. So to modern ears,

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isn't that a massive contradiction for the supposed

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founder of feminist philosophy? Well, we really

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have to calibrate our vocabulary to her era.

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The word feminist didn't even exist until the

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1890s, a full century later. Oh, wow. Good point.

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Yeah. And Wollstonecraft was not arguing for

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identical biological sameness. Her argument was

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theological and philosophical, that men and women

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are equal in the eyes of God. Right. She posed

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a brilliant question. If virtue has only one

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eternal standard, how can virtues differ between

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the sexes? You can't have one moral standard

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of truth and reason for men and a separate standard

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of submissive emotional manipulation for women.

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Okay, that makes total sense. So having mapped

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out the architecture of radical equality on paper,

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she doesn't just stay at her desk in London,

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she decides she needs to witness the birth of

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a society based on reason. She does. She packs

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her bags. Yeah. In December 1792, she heads straight

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into the epicenter of global upheaval, Paris,

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France. And she arrives right on the precipice

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of the reign of terror. The timing is almost

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unbelievably dangerous. I mean, she gets there

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about a month before King Louis XVI is guillotined.

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She actually watches him being escorted to his

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trial from her window and weeps at the sight.

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It's just incredible to imagine her there. And

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soon, France goes to war with Britain. Suddenly,

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Mary is an enemy alien in a country descending

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into absolute paranoia. The Jacobins seize control,

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and the daily reality becomes this nightmare

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of surveillance. Right. Friends disappearing

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to the guillotine forced public displays of loyalty

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to the Republic. It was terrifying. And amidst

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this atmosphere of constant terrifying violence,

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she seeks a lifeline. She meets Gilbert Imlay.

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Ah, yes, Gilbert Imlay. He's an American adventurer.

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Yeah. And Mary, who just for a whole book explicitly

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warning women not to be ruled by their passions,

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falls completely recklessly in love with him.

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They sleep together out of wedlock. And to protect

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her from being imprisoned by the Jacobins, Imley

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registers her as his wife at the U .S. Embassy,

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which grants her American citizenship. Right.

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But while Mary is pregnant, and navigating a

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literal revolution. Imlay is busy chartering

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ships to run the British blockade. He's smuggling

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food and soap into France and selling it at an

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exorbitant premium. He was straight up a wartime

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profiteer. He's the 18th century equivalent of

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a sleazy finance bro. He is capitalizing on the

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blockade while she is having his baby Fanny in

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a foreign war torn country. And eventually. The

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profiteer loses interest. He leaves her in Paris,

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goes back to London, and starts a relationship

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with another woman. Which is just devastating.

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When Mary finally returns to London and realizes

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the extent of his betrayal, she completely shatters.

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She attempts suicide twice. The second time is

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chillingly methodical. Yeah, the source details

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this. She walks up and down in the rain for half

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an hour to ensure her clothes are heavy with

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water, then jumps off a bridge into the freezing

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river Thames. She is only saved because a passing

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boatman spots her and pulls her out unconscious.

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She later wrote that she viewed that suicide

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attempt as a deeply rational act, a fixed determination.

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The pain was just absolute. But I struggle with

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this, though. She wrote an entire treatise telling

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women not to be the prey of their senses, right?

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Warning that being blown about by every gust

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of feeling destroys a woman's capacity for reason.

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Right, that was a core part of her philosophy.

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Then she completely loses herself over a guy

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who is blatantly ignoring her and she jumps in

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a river. Doesn't her agonizing breakdown invalidate

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the very philosophy she championed? It's the

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exact paradox that her critics have always seized

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upon. But if we connect this to the bigger picture,

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the reality of her breakdown actually deepened

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her philosophical work. How so? Well, while in

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France, she was writing an historical and moral

00:12:58.590 --> 00:13:01.070
view of the French Revolution. In that work,

00:13:01.149 --> 00:13:03.570
she analyzed how the oppressive French monarchy,

00:13:03.809 --> 00:13:06.190
the ancient regime, conditioned women to use

00:13:06.190 --> 00:13:08.990
manipulation and charm. Right, even Queen Marie

00:13:08.990 --> 00:13:11.700
Antoinette. Because society valued their bodies

00:13:11.700 --> 00:13:14.620
over their intellects. Exactly. Through her heartbreak

00:13:14.620 --> 00:13:16.980
with Imlay, Mary was realizing firsthand that

00:13:16.980 --> 00:13:19.460
this conditioning, this sensibility, wasn't just

00:13:19.460 --> 00:13:21.820
a bad habit you could turn off. It was physically

00:13:21.820 --> 00:13:24.580
deeply ingrained. Oh, I see. You cannot just

00:13:24.580 --> 00:13:28.240
flip a switch to pure cold reason when society

00:13:28.240 --> 00:13:30.620
has spent decades programming your nervous system

00:13:30.620 --> 00:13:34.100
for emotional dependence. Wow. So hitting absolute

00:13:34.100 --> 00:13:36.659
rock bottom in the waters of the Thames forced

00:13:36.659 --> 00:13:39.679
her to confront the agonizing gap between her

00:13:39.679 --> 00:13:42.440
rational theories and her messy human reality.

00:13:42.679 --> 00:13:44.919
Yes. And she had to find a way to drag herself

00:13:44.919 --> 00:13:47.679
back to life, which led to one of the most bizarre

00:13:47.679 --> 00:13:50.590
business trips in history. Seriously. To try

00:13:50.590 --> 00:13:53.129
and win M. Lay back, she agrees to act as his

00:13:53.129 --> 00:13:56.120
legal proxy. she undertakes this incredibly grueling

00:13:56.120 --> 00:13:58.659
journey to Scandinavia. She takes her baby daughter

00:13:58.659 --> 00:14:01.460
Fanny and a maid and travels to Scandinavia to

00:14:01.460 --> 00:14:03.860
track down a Norwegian sea captain who had stolen

00:14:03.860 --> 00:14:06.220
a shipment of Himalayan silver. Just picture

00:14:06.220 --> 00:14:08.840
the sheer grit of this. An unescorted single

00:14:08.840 --> 00:14:12.200
mother in 1795 traversing the rugged, isolated

00:14:12.200 --> 00:14:14.759
landscapes of Sweden, Norway and Denmark conducting

00:14:14.759 --> 00:14:16.980
forensic accounting with hostile merchants. It's

00:14:16.980 --> 00:14:19.399
wild, but what is truly brilliant is how she

00:14:19.399 --> 00:14:22.240
processed that experience. She turned that desperate

00:14:22.240 --> 00:14:24.759
errand into a wildly popular travel narrative,

00:14:25.200 --> 00:14:27.139
letters written in Sweden, Norway, and Denmark.

00:14:27.500 --> 00:14:30.080
She basically writes a best seller out of her

00:14:30.080 --> 00:14:33.259
heartbreak. The book weaves her melancholic reflections

00:14:33.259 --> 00:14:37.039
on nature with sharp critiques of commerce, which

00:14:37.039 --> 00:14:40.059
she clearly associates with the mercenary Imlay.

00:14:40.600 --> 00:14:42.919
And returning to London, the success of the book

00:14:42.919 --> 00:14:45.960
helps her finally close the door on him. She

00:14:45.960 --> 00:14:48.320
re -enters the intellectual scene and rekindles

00:14:48.320 --> 00:14:50.379
her acquaintance with the philosopher William

00:14:50.379 --> 00:14:52.700
Godwin. The same Godwin she'd clashed with at

00:14:52.700 --> 00:14:55.860
a dinner party years earlier. Right. But he read

00:14:55.860 --> 00:14:58.179
her Scandinavian travel book and remarked that

00:14:58.179 --> 00:15:00.279
it was a book calculated to make a man fall in

00:15:00.279 --> 00:15:02.940
love with its author. They developed this profound,

00:15:03.440 --> 00:15:06.379
deeply intellectual connection and soon she is

00:15:06.379 --> 00:15:09.889
pregnant again. which forces a massive ideological

00:15:09.889 --> 00:15:12.889
collision. A huge collision. Wait, because Godwin

00:15:12.889 --> 00:15:15.610
literally wrote a famous philosophical treatise,

00:15:15.750 --> 00:15:17.970
Political Justice, advocating for the abolition

00:15:17.970 --> 00:15:20.610
of marriage, viewing it as an oppressive monopoly,

00:15:21.009 --> 00:15:23.669
and Mary was notoriously anti -patriarchal marriage.

00:15:23.889 --> 00:15:26.330
Very anti -marriage. So why on earth did these

00:15:26.330 --> 00:15:29.330
two famous rule -breaking radicals quietly go

00:15:29.330 --> 00:15:31.289
to a church in St. Pancras and tie the knot?

00:15:31.450 --> 00:15:34.769
It was the ultimate pragmatic compromise. They

00:15:34.769 --> 00:15:37.950
knew exactly how punitive and cruel their society

00:15:37.950 --> 00:15:41.509
was. Mary had lived it. Right. She saw her sister's

00:15:41.509 --> 00:15:43.929
ruin, and she had endured the immense stigma

00:15:43.929 --> 00:15:47.049
of raising Fanny as an unmarried mother. Exactly.

00:15:47.309 --> 00:15:50.090
So they chose to sacrifice their public ideological

00:15:50.090 --> 00:15:53.370
purity to shield their unborn child from that

00:15:53.370 --> 00:15:55.809
brutal social ostracization. But they managed

00:15:55.809 --> 00:15:58.269
the compromise brilliantly. They moved to Summerstown,

00:15:58.649 --> 00:16:00.990
but Godwin rents an apartment 20 doors down the

00:16:00.990 --> 00:16:03.330
street for his study. They maintained completely

00:16:03.330 --> 00:16:06.370
separate living spaces, often communicating via

00:16:06.370 --> 00:16:09.309
notes delivered by servants. They designed a

00:16:09.309 --> 00:16:11.769
marriage that preserved their individual intellectual

00:16:11.769 --> 00:16:14.549
boundaries. It was a profoundly modern arrangement.

00:16:14.889 --> 00:16:17.070
They found a way to be legally bound while remaining

00:16:17.070 --> 00:16:19.789
fiercely independent. It seemed Mary had finally

00:16:19.789 --> 00:16:22.049
engineered her perfectly balanced ending. But

00:16:22.049 --> 00:16:24.809
the universe is rarely that neat. No, it isn't.

00:16:24.889 --> 00:16:28.070
On August 30th, 1797, she gives birth to her

00:16:28.070 --> 00:16:30.169
second daughter, Mary, who, by the way, will

00:16:30.169 --> 00:16:32.389
grow up to write Frankenstein. The delivery initially

00:16:32.389 --> 00:16:35.029
seems fine, but the placenta fails to deliver

00:16:35.029 --> 00:16:38.070
completely. An infection sets in. Child bed fever.

00:16:38.450 --> 00:16:41.450
And 11 days later, Mary Wollstonecraft dies of

00:16:41.450 --> 00:16:44.190
sepsis at the age of 38. Godwin was shattered.

00:16:44.470 --> 00:16:46.690
He wrote to a friend stating he firmly believed

00:16:46.690 --> 00:16:48.850
her equal did not exist in the world and that

00:16:48.850 --> 00:16:50.809
he would never know happiness again. Which brings

00:16:50.809 --> 00:16:53.679
us back to where we started. Driven by grief

00:16:53.679 --> 00:16:56.080
and a desire to honor her complete humanity,

00:16:56.620 --> 00:16:59.299
Godwin publishes his memoirs of the author of

00:16:59.299 --> 00:17:02.279
A Vindication of the Rights of Woman in 1798.

00:17:02.559 --> 00:17:05.500
And he holds nothing back. He details her lack

00:17:05.500 --> 00:17:08.059
of religion, the out of wedlock child, the obsessive

00:17:08.059 --> 00:17:10.279
love for Imlae, and the suicide attempts. And

00:17:10.279 --> 00:17:13.869
society reacted with vicious glee. The conservative

00:17:13.869 --> 00:17:16.390
press, already terrified by the radicalism of

00:17:16.390 --> 00:17:19.150
the French Revolution, weaponized her life story

00:17:19.150 --> 00:17:22.029
to discredit her political ideas. She was literally

00:17:22.029 --> 00:17:24.990
labeled a hyena in petticoats. By presenting

00:17:24.990 --> 00:17:27.650
her unapologetically, Godwin handed the establishment

00:17:27.650 --> 00:17:30.690
the excuse it needed to bury her work. So basically,

00:17:30.849 --> 00:17:33.009
Godwin overshared before the internet even existed,

00:17:33.349 --> 00:17:35.569
and accidentally got his own late wife historically

00:17:35.569 --> 00:17:37.880
canceled. Yeah, that's exactly what happened.

00:17:37.960 --> 00:17:39.720
And this raises an important question, right?

00:17:40.079 --> 00:17:43.220
It shows how society historically demands moral

00:17:43.220 --> 00:17:46.180
purity from female thinkers in a way it rarely

00:17:46.180 --> 00:17:49.039
does from men. That is so true. For almost a

00:17:49.039 --> 00:17:51.839
century, she was historically cancelled. Writers

00:17:51.839 --> 00:17:55.180
like Jane Austen suddenly nodded to Mary's ideas

00:17:55.180 --> 00:17:58.759
in her novels, but Austen never dared print Mary's

00:17:58.759 --> 00:18:01.329
name. It wasn't until the late 19th century that

00:18:01.329 --> 00:18:04.430
the suffragettes dared to exhume her legacy.

00:18:04.890 --> 00:18:06.690
Millicent Fawcett wrote an introduction to the

00:18:06.690 --> 00:18:09.569
centenary edition of Rights of Woman in 1892,

00:18:09.849 --> 00:18:11.910
claiming her as the intellectual foremother of

00:18:11.910 --> 00:18:14.150
the struggle for the vote. But even today, how

00:18:14.150 --> 00:18:17.519
we remember her is fraught. Take the 2020 controversy

00:18:17.519 --> 00:18:19.339
over the commemorative sculpture in London by

00:18:19.339 --> 00:18:21.660
Maggie Hamblin. Oh, the silver statue, yes. Right,

00:18:21.779 --> 00:18:24.640
it featured a small nude symbolic female figure

00:18:24.640 --> 00:18:27.440
rising out of a silver mass. And critics were

00:18:27.440 --> 00:18:29.660
furious, arguing it diminished her by focusing

00:18:29.660 --> 00:18:32.799
on a stereotypical naked body rather than her

00:18:32.799 --> 00:18:35.180
formidable intellect. It perfectly encapsulates

00:18:35.180 --> 00:18:37.480
the ongoing struggle to reconcile her brilliant

00:18:37.480 --> 00:18:40.660
mind with her physical bodily reality. But I'd

00:18:40.660 --> 00:18:44.349
ask you listening to reflect on this. How often

00:18:44.349 --> 00:18:47.750
do we let a person's messy personal life blind

00:18:47.750 --> 00:18:50.829
us to the brilliance of their ideas? The fact

00:18:50.829 --> 00:18:53.390
that we now read her life alongside her philosophy,

00:18:53.970 --> 00:18:57.069
embracing that messy human reality, it shows

00:18:57.069 --> 00:18:59.109
that the world is finally catching up to Mary.

00:18:59.410 --> 00:19:01.930
The messiness wasn't a distraction from her genius.

00:19:02.069 --> 00:19:04.809
It was the crucible that forged it. So what does

00:19:04.809 --> 00:19:07.369
this all mean? We started this deep dive looking

00:19:07.369 --> 00:19:10.230
for the real woman behind the heavy titles. And

00:19:10.230 --> 00:19:12.710
we found a thinker who clawed her way out of

00:19:12.710 --> 00:19:15.450
an abusive home, shattered the theoretical foundations

00:19:15.450 --> 00:19:18.410
of inequality, and stared down the French Revolution.

00:19:18.670 --> 00:19:21.349
Chased a stolen silver shipment across the Scandinavian

00:19:21.349 --> 00:19:23.869
wilderness, and loved with a ferocity that almost

00:19:23.869 --> 00:19:26.269
killed her. She was exactly what she set out

00:19:26.269 --> 00:19:28.789
to be, the first of a new genus. I will leave

00:19:28.789 --> 00:19:30.910
you with a final thought to ponder. When Mary

00:19:30.910 --> 00:19:33.890
died at 38, her desk was covered with unfinished

00:19:33.890 --> 00:19:36.460
work. There was a fragment called Lessons, and

00:19:36.460 --> 00:19:38.940
most tantalizingly, a set of notes titled Hints

00:19:38.940 --> 00:19:41.460
Outlines meant for a second volume of Gil, A

00:19:41.460 --> 00:19:43.319
Vindication of the Rights of Woman. A second

00:19:43.319 --> 00:19:46.859
volume. Right. Imagine for a moment if Mary hadn't

00:19:46.859 --> 00:19:50.000
died. Having finally found a stable, intellectually

00:19:50.000 --> 00:19:53.079
equal partnership with Godwin, what would that

00:19:53.079 --> 00:19:55.789
second volume have looked like? fascinating to

00:19:55.789 --> 00:19:58.009
think about. How might the agonizing heartbreak

00:19:58.009 --> 00:20:00.430
in Paris, her confrontation with her own deep

00:20:00.430 --> 00:20:02.769
-seated emotional conditioning, and her ultimate

00:20:02.769 --> 00:20:05.369
domestic happiness have reshaped her revolutionary

00:20:05.369 --> 00:20:08.710
theories? It's a ghost of a masterpiece waiting

00:20:08.710 --> 00:20:10.630
in the margins of history for you to explore.
