WEBVTT

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If you imagine just reaching into your wallet

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or your pocket right now and pulling out a $20

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bill. Yeah, the classic Andrew Jackson. Exactly.

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You are holding a piece of fabric that is literally

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engineered to outsmart computer software, survive

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a trip through a washing machine, and ironically,

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celebrate a man who absolutely despised the very

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concept of paper money. It really is kind of

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a master class in how something so ubiquitous

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can be so completely misunderstood. I mean, we

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interact with it almost every single day. We

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just look at it and see purchasing power. Right.

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It's just lunch money. Yeah. But you are actually

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holding this highly contested miniature museum.

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And that is exactly our mission for today's Deep

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Dive. We're taking a single comprehensive look

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at the United States $20 bill. We're going to

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unpack the history the economics, and the human

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contradictions woven directly into this everyday

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object. So, okay, let's unpack this. Let's do

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it. Before we even look at the faces printed

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on the front, we really got to talk about what

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this thing actually is. Because, well, the biggest

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misconception about paper money is right there

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in the name. It isn't paper. Right. What's fascinating

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here is the materiality. It is essentially a

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textile. The composition is actually 75 % cotton

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and 25 % linen. Wow. Yeah, and it weighs exactly

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1 gram, cut to precisely 156 by 66 .3 millimeters.

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And when the Federal Reserve banks process these

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and ship them out into the economy, they bundle

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them together in very specific violet straps.

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Wait, I'm stuck on something right out of the

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gate here. If they needed to print money, why

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use cotton linen? I mean, those are materials

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you use to make a dress shirt or like a pair

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of jeans, right? Not a financial document. It's

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a great question Why not use a thick parchment

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or something more traditional? Was it just you

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know what they had lying around? No, not at all

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It comes down to the brutal physical reality

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of how money actually moves You have to think

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about the velocity of currency in a modern economy

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The 20 is basically the absolute workhorse of

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the American financial system. It is constantly

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moving from sweaty hands to cash registers. It's

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being folded up into wallets, shoved into ATMs,

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crumpled up, and, you know, occasionally washed

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by accident. Left in the pocket of those jeans

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we just talked about. Exactly. Which means, I

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guess... standard wood pulp paper would just

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disintegrate in a matter of weeks. Precisely.

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Wood fibers break down incredibly quickly under

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friction and moisture, but a cotton -linen blend

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gives the bill structural integrity. The fibers

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flex rather than snap when you fold them. Oh,

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that makes sense. But even with that highly durable

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fabric, the average lifespan of a $20 note in

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circulation is still incredibly short. Really?

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How short? It only lasts about 7 .8 years before

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it is just so degraded by wear and tear that

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it has to be pulled from circulation and destroyed.

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7 .8 years, just for a single gram of cotton

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to travel around the country. It really is less

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like a piece of stationery and more like a very

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thin, highly circulated pair of jeans. It's a

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tough little survivor. But the physical durability

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is just the prologue to the real drama here.

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Oh, absolutely. Because the physical bill may

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only live for about eight years, but the face

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on the front of it has been locked in place since

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1928. And it belongs to Andrew Jackson, the seventh

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president of the United States. And here's where

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it gets really interesting. has to be the most

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contradictory design choice in the history of

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American governance. It is a profound historical

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irony. I mean, Jackson vehemently hated the very

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concept of paper money. Okay, wait, break the

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mechanics of that down for me. Why did he hate

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it and what did he actually do about it during

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his presidency? Well, Jackson believed that gold

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and silver coin specie, as it was called, was

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the only legitimate reliable form of money. He

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deeply distrusted banks that issued paper notes.

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Just on principle. in principle and from personal

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experience. And he especially hated the central

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bank of his era, which was the second bank of

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the United States. So during his presidency,

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the president of that national bank, a guy named

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Nicholas Biddle, requested a renewal of the bank's

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charter. And he did this in an election year,

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effectively daring Jackson to intervene. Oh,

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wow. And Jackson, uh. did not back down, I assume.

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Not even a little bit. He took it as a personal

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insult. Jackson responded by making it the administration's

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primary goal to completely destroy the national

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bank. Just scorch the earth. Literally. He pulled

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federal funds out of it, essentially breaking

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Biddle and dismantling the central banking system

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altogether. But destroying the central bank didn't

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just make a political point, right? I mean, it

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had massive real -world economic mechanics behind

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it. Huge consequences. Because when you remove

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the central bank, you remove the oversight on

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local and state banks. Oh, I see where this is

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going. Yeah. Those smaller banks started printing

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their own paper money recklessly and lending

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it out. which fueled this massive real estate

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speculation bubble in the mid 1830s. And bubbles

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always pop. Always. When that bubble eventually

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collapsed, it triggered the panic of 1837. So

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his war on paper money. directly contributed

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to a deep economic depression. It did. And you

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know, the historical context of Jackson's era

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makes this even darker. How so? Well, during

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Jackson's time as a merchant and a land speculator

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on the southwestern frontier, reliable money

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was incredibly scarce. Barter was just the norm.

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And the reality of that barter economy was...

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frankly horrifying because reading the sources,

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merchants and speculators in that era frequently

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dealt in enslaved people because they lacked

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a common coin. Yes, a horrific reality of that

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time. Enslaved human beings were treated as embodied

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wealth and used almost as a form of currency.

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They were considered the primary security and

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a major part of agricultural property in Jackson's

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world. Exactly. So let me just get this straight.

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You have a man whose economic environment was

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defined by barter and a horrific commodification

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of human beings. If he becomes president, which

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is a literal war against the central bank and

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triggers an economic depression because of his

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deep -seated hatred of paper money. That is the

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summary, yeah. I have to push you on this. Knowing

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all of that, why would the Treasury decide to

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make him the permanent face of the $20 bill in

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1928? It's like putting a staunch anti -technology

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crusader on the logo of a new smartphone. That

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is the ultimate question. And his presence was

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controversial from the moment the bills hit the

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streets. But the official stance from the Treasury

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has always been aggressively mundane. Mundane.

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How? Well, when the press demanded answers, Treasury

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officials flatly denied any political motivation.

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In a New York Times article from June 1929, the

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Treasury stoutly maintained that the men chosen

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for these notes were placed there simply because

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their faces were the most familiar to the majority

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of people. I'm sorry, familiarity. That feels

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like a massive cop out. Putting a staunch anti

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-banking crusader on the logo of your currency

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just because people recognize him? Many people

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felt the exact same way. And it is highly conspicuous

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that the 1928 redesign just happened to coincide

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with the 100th anniversary of Jackson's election

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as president. Ah, there it is. But if you look

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at modern inquiries by the US Treasury into their

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own archives, their records simply don't reveal

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any specific rationale. There is no smoking gun

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memo that says, let's put the bank hater on the

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bank note to celebrate his centennial. It is

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just this enduring physical piece of irony. But

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knowing that Jackson only arrived on the bill

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in 1928 makes me wonder what this fabric looked

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like before him. Because prior to 1928, the currency

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wasn't just a static portrait. It was basically

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a completely different country. Oh, absolutely.

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And if we connect this to the bigger picture,

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early American currency wasn't just a medium

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of exchange. It was a vital canvas for nation

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building. Nation building through cash. Exactly.

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The government was trying to project American

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identity, shared history and modern values to

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a rapidly growing, diverse population that was

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just spreading out across this massive continent.

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And the artwork they chose to project that identity

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was incredibly varied. Like in 1861, you had

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a demand note featuring the goddess of liberty

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holding a sword and shield. Yeah. In 1865, a

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national banknote featured an engraving of the

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Battle of Lexington and, amazingly, Pocahontas'

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marriage to John Rolfe. It's wild. You also see

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a parade of actual historical figures before

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the denominations became standardized. Alexander

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Hamilton was on the $20 bill in 1869 and again

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in 1880. James Garfield appeared in 1882. George

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Washington was actually on a gold certificate

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20 in 1905. Right. But my favorite design...

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by far is from 1914. It's a Federal Reserve note

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with Grover Cleveland on the front, but the back

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is what's really amazing. There's no White House.

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Instead, it features an engraving of a steam

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locomotive, An automobile and a steamship. Which

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tells you exactly what the government wanted

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the public to value at that moment. Progress.

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Yes. Those large -sized notes were communicating

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the rapid technological progress and industrialization

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of the country. They were literally putting the

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engines of the economy on the currency to build

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public confidence in the money itself. You weren't

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just holding a dollar amount, you were basically

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holding the future. Exactly. But then... 1928

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rules around. The treasury shrinks the physical

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dimensions of the bill to the small size we use

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today. They slap Andrew Jackson on the front,

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put the White House on the back, and the face

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of the bill basically locks into place for the

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next century. The face locked, yes. But the physical

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object had to constantly evolve. The history

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of the $20 bill after 1928 is really the history

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of the United States reacting to external threats,

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first from global wars and eventually from modern

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technology. Oh, I want to look at a specific

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wartime threat, because this is fascinating.

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Jump to 1942. Okay. The U .S. is deeply entrenched

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in World War II. And the Treasury issues a special

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emergency series of the 20 for the Hawaiian Islands.

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They call it the Hawaii Overprint. Yeah, the

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visual changes on that one were stark. They printed

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the word Hawaii in bold letters across both the

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front and the back of the bill, and they used

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brown ink for the serial numbers instead of the

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standard green. Walk me through the mechanism

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of that. Why go through the trouble of printing

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a geographically specific bill in the middle

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of a war? It was essentially an economic kill

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switch. The U .S. military had a genuine, terrifying

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concern that the Japanese military might successfully

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invade Hawaii and seize the massive physical

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cash reserves held on the islands. Right, which

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would be disastrous. Huge problem. So by ensuring

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that every single bill in Hawaii had the specific

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brown serial number and overprint, the U .S.

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government created a physical safeguard. If the

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islands fell, Washington could instantly declare

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any bill with the Hawaii overprint to be completely

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worthless. Effectively rendering the seized currency

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useless for funding the enemy's war effort. Or

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precisely. That is brilliant. It's like physical

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DRM for money. It really is. After the war, though,

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the changes to the bill get a lot more subtle,

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but they feel, I don't know, surprisingly poetic.

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Like in 1948, the engravers updated the White

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House on the back of the bill. They added the

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Truman balcony, which had just been constructed.

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Right. But they also did something else. They

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actually drew the trees around the White House

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to be noticeably larger. It's a beautiful touch.

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It really demonstrates that money despite being

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this cold instrument of commerce, is treated

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by its creators as a living document. It reflects

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the literal passage of time. And that concept

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of a living document really crystallizes in 1963.

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Two massive conceptual shifts happen to the 20

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at the exact same time. The legal tender designation

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changes completely. The currency is taken off

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the silver backing. Yeah, you can no longer walk

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into the treasury and redeem your paper 20 for

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lawful physical silver. money, it becomes pure

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fiat currency. And coincidentally, in that exact

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same year, the in God We Trust is added above

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the White House. Two fundamental changes to the

00:12:18.200 --> 00:12:20.419
philosophical nature of American money just implemented

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in a single redesign. Yeah. But as we move out

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of the mid -century and into the modern era,

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the changes stop being about aesthetics or balconies

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or mottos. The bill enters a high stakes arms

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race against counterfeiting. Oh, totally. The

00:12:32.179 --> 00:12:34.679
Treasury essentially has to treat the $20 bill

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like a software program. Every time consumer

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technology gets better, the bill requires a new

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security patch to fight off hackers or Well,

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in this case, counterfeiters. OK, I need you

00:12:45.399 --> 00:12:47.519
to break down exactly how these modern security

00:12:47.519 --> 00:12:49.379
patches work, because we always hear terms like

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color shifting ink or micro printing. But how

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does ink actually shift color? It relies on optical

00:12:55.559 --> 00:12:58.580
physics. The ink used for the number 20 in the

00:12:58.580 --> 00:13:00.820
bottom right corner of the modern bill contains

00:13:00.820 --> 00:13:03.899
microscopic metallic flakes. OK. When you hold

00:13:03.899 --> 00:13:06.899
the bill flat, light hits those flakes one way

00:13:06.899 --> 00:13:09.759
and looks copper. But when you tilt the bill,

00:13:10.000 --> 00:13:13.159
the angle of the light changes, and the reflected

00:13:13.159 --> 00:13:15.879
color physically shifts from copper to green.

00:13:16.019 --> 00:13:18.519
Wow. Yeah. And you cannot replicate that effect

00:13:18.519 --> 00:13:21.460
with a standard color inkjet printer. They also

00:13:21.460 --> 00:13:23.960
embedded a vertical plastic strip inside the

00:13:23.960 --> 00:13:26.419
fabric. If you shine an ultraviolet blacklight

00:13:26.419 --> 00:13:28.860
on it, that strip glows bright green and reveals

00:13:28.860 --> 00:13:31.679
the text USA 20. And then there is the feature

00:13:31.679 --> 00:13:33.980
added in 2003, which just sounds like something

00:13:33.980 --> 00:13:36.220
out of a spy novel, the Uranian constellation.

00:13:36.500 --> 00:13:38.659
If you look closely at the back of a modern 20,

00:13:39.080 --> 00:13:42.500
there are dozens of tiny, faint yellow number

00:13:42.500 --> 00:13:44.820
20s scattered around the background. It just

00:13:44.820 --> 00:13:47.299
looks like a stylistic shading choice. But it

00:13:47.299 --> 00:13:51.149
is actually a digital trap. Modern imaging software

00:13:51.149 --> 00:13:54.629
inside your home scanner or a commercial photocopier

00:13:54.629 --> 00:13:57.549
is specifically programmed to recognize the spatial

00:13:57.549 --> 00:14:01.169
relationship, the exact geometric distances between

00:14:01.169 --> 00:14:03.409
those tiny yellow dots. Wait, so the machine

00:14:03.409 --> 00:14:06.509
is actively looking for it? Exactly. The moment

00:14:06.509 --> 00:14:08.769
the software detects that constellation pattern,

00:14:09.070 --> 00:14:11.549
it instantly shuts down the scan. The machine

00:14:11.549 --> 00:14:13.970
will either freeze or just print a completely

00:14:13.970 --> 00:14:16.929
blank page. The software simply refuses to process

00:14:16.929 --> 00:14:19.370
the image. That is wild. So we have this highly

00:14:19.370 --> 00:14:21.730
engineered piece of fabric fighting a silent

00:14:21.730 --> 00:14:24.669
war against consumer electronics. But despite

00:14:24.669 --> 00:14:27.009
all of these invisible technological updates,

00:14:27.250 --> 00:14:29.669
the most heavily debated feature of the $20 bill

00:14:29.669 --> 00:14:32.210
today isn't the glowing strip or the optical

00:14:32.210 --> 00:14:34.330
ink. It's the one thing we actually look at,

00:14:34.710 --> 00:14:37.649
the portrait. Which brings us to the modern redesigned

00:14:37.649 --> 00:14:40.740
tug -of -war. And this raises an important question.

00:14:41.379 --> 00:14:44.139
How does a modern democracy decide whose face

00:14:44.139 --> 00:14:46.419
belongs on its currency, especially when the

00:14:46.419 --> 00:14:49.360
physical money itself requires a decade of complex

00:14:49.360 --> 00:14:52.080
engineering to produce? It is a massive collision

00:14:52.080 --> 00:14:55.139
of public sentiment, political theater, and slow

00:14:55.139 --> 00:14:58.399
-moving, cold bureaucracy. Let's trace exactly

00:14:58.399 --> 00:15:00.360
how this played out, because it's a roller coaster.

00:15:00.519 --> 00:15:03.080
It really is. It begins with a grassroots campaign

00:15:03.080 --> 00:15:06.919
called Women on Twenties. The explicit goal was

00:15:06.919 --> 00:15:09.620
to have a female portrait on the $20 bill by

00:15:09.620 --> 00:15:12.720
the year 2020 to mark the centennial of the 19th

00:15:12.720 --> 00:15:14.740
Amendment, which gave women the right to vote.

00:15:14.860 --> 00:15:17.480
Right. And they ran a massive public poll surveying

00:15:17.480 --> 00:15:21.440
over 600 ,000 people. The candidates were monumental

00:15:21.440 --> 00:15:23.679
figures in American history, including Eleanor

00:15:23.679 --> 00:15:26.840
Roosevelt, Rosa Parks, and Wilma Mankiller, who

00:15:26.840 --> 00:15:29.019
was the first female chief of the Cherokee Nation.

00:15:29.279 --> 00:15:32.059
But the winner, pulling in over 118 ,000 votes,

00:15:32.460 --> 00:15:35.539
was Harriet Tubman. Yeah, the public spoke. But

00:15:35.539 --> 00:15:38.159
then pop culture threw a massive wrench into

00:15:38.159 --> 00:15:40.519
the machinery, because the Treasury Secretary

00:15:40.519 --> 00:15:43.100
at the time, Jack Lew, had actually been planning

00:15:43.100 --> 00:15:46.679
to put a woman's portrait on the $10 note, replacing

00:15:46.679 --> 00:15:49.769
Alexander Hamilton. Right. But the timing collided

00:15:49.769 --> 00:15:53.789
perfectly with Broadway. Yeah. 2015 was the exact

00:15:53.789 --> 00:15:56.409
moment the musical Hamilton became a cultural

00:15:56.409 --> 00:15:59.330
juggernaut. It was everywhere. Alexander Hamilton's

00:15:59.330 --> 00:16:02.370
popularity surged and fans of the musical actively

00:16:02.370 --> 00:16:04.710
campaigned to keep him on the currency. Yeah.

00:16:05.070 --> 00:16:08.299
So Secretary Lew pivoted. He announced that Hamilton

00:16:08.299 --> 00:16:10.820
would stay on the 10, and Harriet Tubman would

00:16:10.820 --> 00:16:13.139
instead replace Andrew Jackson on the front of

00:16:13.139 --> 00:16:16.279
the 20. Think about that. A Broadway play literally

00:16:16.279 --> 00:16:19.019
altered the physical currency of the United States.

00:16:19.139 --> 00:16:22.299
Unbelievable. But there was a massive catch hiding

00:16:22.299 --> 00:16:25.179
in the bureaucracy. The $20 bill wasn't scheduled

00:16:25.179 --> 00:16:27.980
to be replaced until after the $10 bill. You

00:16:27.980 --> 00:16:30.340
can't just, you know, swap a JPEG on a printing

00:16:30.340 --> 00:16:33.080
press. A redesign means re -engineering that

00:16:33.080 --> 00:16:35.080
entire suite of security features we just talked

00:16:35.080 --> 00:16:37.220
about. Precisely. And this is where the politicians

00:16:37.220 --> 00:16:39.019
essentially wrote checks that the engineering

00:16:39.019 --> 00:16:41.100
department just couldn't cash. Oh, that's a good

00:16:41.100 --> 00:16:43.679
way to put it. The Obama administration announced

00:16:43.679 --> 00:16:46.379
the Tubman 20 with an implied target date of

00:16:46.379 --> 00:16:48.879
2020. But when the political climate shifted,

00:16:49.279 --> 00:16:52.019
that timeline became a massive point of contention.

00:16:52.600 --> 00:16:55.019
Right. And let's look at the sequence of events,

00:16:55.379 --> 00:16:57.059
strictly and partially here, just following the

00:16:57.059 --> 00:17:00.220
timeline. During his campaign, Donald Trump called

00:17:00.220 --> 00:17:03.679
Harriet Tubman fantastic, but he opposed replacing

00:17:03.679 --> 00:17:06.779
Jackson on the 20, calling it pure political

00:17:06.779 --> 00:17:10.509
correctness. Then, his Treasury Secretary, Stephen

00:17:10.509 --> 00:17:13.650
Mnuchin, officially announced that the new design

00:17:13.650 --> 00:17:17.410
wouldn't be unveiled until 2026. Mnuchin stated

00:17:17.410 --> 00:17:19.450
that the 20 couldn't jump ahead of the 10 or

00:17:19.450 --> 00:17:22.190
the 50 in the redesign queue because of counterfeiting

00:17:22.190 --> 00:17:25.029
security concerns. Which naturally caused an

00:17:25.029 --> 00:17:27.369
immediate uproar. Democratic members of Congress

00:17:27.369 --> 00:17:30.069
pushed back hard, assuming the delay was a purely

00:17:30.069 --> 00:17:32.869
partisan move to block the Tubman design. They

00:17:32.869 --> 00:17:35.269
demanded a formal investigation. But the resulting

00:17:35.269 --> 00:17:38.710
2020 Inspector General report revealed the mundane,

00:17:38.990 --> 00:17:42.250
grueling reality of anti -counterfeiting bureaucracy.

00:17:42.690 --> 00:17:45.049
Yeah, the report basically concluded that the

00:17:45.049 --> 00:17:47.250
timeline hadn't actually changed at all. The

00:17:47.250 --> 00:17:49.650
engineering team always expected the 20 to be

00:17:49.650 --> 00:17:52.839
production ready around 2030. So the earlier

00:17:52.839 --> 00:17:55.619
2020 target date was? It was essentially a PR

00:17:55.619 --> 00:17:58.279
announcement made outside the normal note development

00:17:58.279 --> 00:18:01.160
governance structure. It never had the recommendation

00:18:01.160 --> 00:18:03.339
of the Advanced Counterfeit Deterrence Steering

00:18:03.339 --> 00:18:07.180
Committee. Wow. So the political promise completely

00:18:07.180 --> 00:18:10.259
outpaced the actual security engineering. Exactly.

00:18:10.700 --> 00:18:13.420
And we saw this reality check happen again. When

00:18:13.420 --> 00:18:15.779
the Biden administration took office in 2021,

00:18:16.339 --> 00:18:18.339
the White House initially claimed they would

00:18:18.339 --> 00:18:21.680
accelerate the Tubman redesign. But by 2022,

00:18:22.500 --> 00:18:25.000
an internal message from Treasury Secretary Janet

00:18:25.000 --> 00:18:29.119
Yellen reaffirmed the 2030 debut, exactly the

00:18:29.119 --> 00:18:31.660
timeline planned by the previous administration's

00:18:31.660 --> 00:18:34.039
security queue. Both sides of the political aisle

00:18:34.039 --> 00:18:36.740
ultimately crashed into the hard technical realities

00:18:36.740 --> 00:18:40.259
of printing secure money. It really completely

00:18:40.259 --> 00:18:42.680
reframes how I look at the money in my wallet.

00:18:42.880 --> 00:18:45.160
I mean, the next time you hand over a $20 bill

00:18:45.160 --> 00:18:47.680
to pay for a meal, just think about what you

00:18:47.680 --> 00:18:49.799
were actually holding. You weren't just holding

00:18:49.799 --> 00:18:52.559
purchasing power. No, not at all. You are trading

00:18:52.559 --> 00:18:56.539
exactly one gram of woven cotton and linen. You

00:18:56.539 --> 00:18:59.579
are carrying the deeply ironic face of a president

00:18:59.579 --> 00:19:02.279
who destroyed a central bank and triggered a

00:19:02.279 --> 00:19:04.339
depression because he hated paper money. Right.

00:19:05.039 --> 00:19:08.319
You are holding a document engineered with optical

00:19:08.319 --> 00:19:10.839
physics and secret constellations to outsmart

00:19:10.839 --> 00:19:13.740
computer software. And you are holding an object

00:19:13.740 --> 00:19:16.460
standing at the dead center of a modern cultural

00:19:16.460 --> 00:19:19.059
debate. And, you know, that leaves me with one

00:19:19.059 --> 00:19:22.079
final really fascinating thing to consider, something

00:19:22.079 --> 00:19:24.299
that goes beyond the timeline of the redesign

00:19:24.299 --> 00:19:27.240
itself. What's that? Well, as we tap our phones

00:19:27.240 --> 00:19:29.839
to pay for groceries, as we use credit cards

00:19:29.839 --> 00:19:31.940
and digital wallets more and more every single

00:19:31.940 --> 00:19:34.480
day, we are rapidly moving toward a complete

00:19:34.319 --> 00:19:37.539
cashless society. That's a great point. The velocity

00:19:37.539 --> 00:19:40.160
of physical money is dropping. So will these

00:19:40.160 --> 00:19:43.279
intense multi -year debates about whose portrait

00:19:43.279 --> 00:19:45.720
deserves to be on our paper money eventually

00:19:45.720 --> 00:19:48.720
become a relic of the past? Will this incredible

00:19:48.720 --> 00:19:52.720
complex 75 % cotton object with all its rich

00:19:52.720 --> 00:19:55.700
ironies and controversies simply become a museum

00:19:55.700 --> 00:19:58.500
piece before the 2030 Harriet Tubman design even

00:19:58.500 --> 00:20:01.799
has a chance to wear out? Wow. Will the new 20

00:20:01.799 --> 00:20:04.799
outlive the era of paper money itself? That is

00:20:04.799 --> 00:20:06.740
a fantastic question to ponder next time you

00:20:06.740 --> 00:20:08.240
reach into your pocket. Thank you for joining

00:20:08.240 --> 00:20:10.660
us on this deep dive into the $20 bill. Stay

00:20:10.660 --> 00:20:12.819
insanely curious, keep looking closely at the

00:20:12.819 --> 00:20:14.640
everyday objects around you, and we will catch

00:20:14.640 --> 00:20:15.259
you on the next one.
